Consider the sea's listless chime;
Time's self it is, made audible -
The murmur of the earth's own shell.
Secret continuance sublime
Is the sea's end: our sight may pass
No furlong further. Since time was,
This sound hath told the lapse of time.

No quiet, which is death's -it hath
The mournfulness of ancient life,
Enduring always at dull strife.
As the world's heart of rest and wrath,
Its painful pulse is in the sands.
Last utterly, the whole sky stands
Grey and not known, along its path.

The wind flapped loose, the wind was still,
Shaken out dead from tree and hill:
I had walk’d on at the wind’s will,—
I sat now, for the wind was still.

Between my knees my forehead was,—
My lips, drawn in, said not Alas!
My hair was over in the grass,
My naked ears heard the day pass.

My eyes, wide open, had the run
Of some ten weeds to fix upon;
Among those few, out of the sun,
The woodspurge flower’d, three cups in one.

From perfect grief there need not be
Wisdom or even memory:
One thing learnt remains to me,—
The woodspurge has a cup of three.

Astarte Syriaca

MYSTERY: lo! betwixt the sun and moon
Astarte of the Syrians: Venus Queen
Ere Aphrodite was. In silver sheen
Her twofold girdle clasps the infinite boon
Of bliss whereof the heaven and earth commune:
And from her neck's inclining flower-stem lean
Love-freighted lips and absolute eyes that wean
The pulse of hearts to the spheres' dominant tune.
Torch-bearing, her sweet ministers compel
All thrones of light beyond the sky and sea
The witnesses of Beauty's face to be:
That face, of Love's all-penetrative spell
Amulet, talisman, and oracle,—
Betwixt the sun and moon a mystery.

Dawn On The Night-Journey

TILL dawn the wind drove round me. It is past
And still, and leaves the air to lisp of bird,
And to the quiet that is almost heard
Of the new-risen day, as yet bound fast
In the first warmth of sunrise. When the last
Of the sun's hours to-day shall be fulfilled,
There shall another breath of time be stilled
For me, which now is to my senses cast
As much beyond me as eternity,
Unknown, kept secret. On the newborn air
The moth quivers in silence. It is vast,
Yea, even beyond the hills upon the sea,
The day whose end shall give this hour as sheer
As chaos to the irrevocable Past.

Sonnet Xcviii: He And I

Whence came his feet into my field, and why?
How is it that he sees it all so drear?
How do I see his seeing, and how hear
The name his bitter silence knows it by?
This was the little fold of separate sky
Whose pasturing clouds in the soul's atmosphere
Drew living light from one continual year:
How should he find it lifeless? He, or I?
Lo! this new Self now wanders round my field,
With plaints for every flower, and for each tree
A moan, the sighing wind's auxiliary:
And o'er sweet waters of my life, that yield
Unto his lips no draught but tears unseal'd,
Even in my place he weeps. Even I, not he.

Sonnet Viii: Love's Lovers

Some ladies love the jewels in Love's zone,
And gold-tipped darts he hath for painless play
In idle scornful hours he flings away;
And some that listen to his lute's soft tone
Do love to vaunt the silver praise their own;
Some prize his blindfold sight; and there be they
Who kissed his wings which brought him yesterday
And thank his wings to-day that he is flown.
My lady only loves the heart of Love:
Therefore Love's heart, my lady, hath for thee
His bower of unimagined flower and tree:
There kneels he now, and all-anhungered of
Thine eyes grey-lit in shadowing hair above,
Seals with thy mouth his immortality.

On Leaving Bruges

The city's steeple-towers remove away,
Each singly; as each vain infatuate Faith
Leaves God in heaven, and passes. A mere breath
Each soon appears, so far. Yet that which lay
The first is now scarce further or more grey
Than the last is. Now all are wholly gone.
The sunless sky has not once had the sun
Since the first weak beginning of the day.
The air falls back as the wind finishes,
And the clouds stagnate. On the water's face
The current breathes along, but is not stirred.
There is no branch that thrills with any bird.
Winter is to possess the earth a space,
And have its will upon the extreme seas.

Sonnet Xxvii: Heart's Compass

Sometimes thou seem'st not as thyself alone,
But as the meaning of all things that are;
A breathless wonder, shadowing forth afar
Some heavenly solstice hushed and halcyon;
Whose unstirred lips are music's visible tone;
Whose eyes the sun-gate of the soul unbar,
Being of its furthest fires oracular;—
The evident heart of all life sown and mown.
Even such Love is; and is not thy name Love?
Yea, by thy hand the Love-god rends apart
All gathering clouds of Night's ambiguous art;
Flings them far down, and sets thine eyes above;
And simply, as some gage of flower or glove,
Stakes with a smile the world against thy heart.

Woolner and Stephens, Collinson, Millais,
And my first brother, each and every one,
What portion is theirs now beneath the sun
Which, even as here, in England makes to-day?
For most of them life runs not the same way
Always, but leaves the thought at loss: I know
Merely that Woolner keeps not even the show
Of work, nor is enough awake for play.
Meanwhile Hunt and myself race at full speed
Along the Louvre, and yawn from school to school,
Wishing worn-out those masters known as old.
And no man asks of Browning; though indeed
(As the book travels with me) any fool
Who would might hear Sordello's story told.

Sonnet Lxi: The Song-Throe

By thine own tears thy song must tears beget,
O Singer! Magic mirror thou hast none
Except thy manifest heart; and save thine own
Anguish or ardour, else no amulet.
Cisterned in Pride, verse is the feathery jet
Of soulless air-flung fountains; nay, more dry
Than the Dead Sea for throats that thirst and sigh,
That song o'er which no singer's lids grew wet.
The Song-god—He the Sun-god—is no slave
Of thine; thy Hunter he, who for thy soul
Fledges his shaft: to no august control
Of thy skilled hand his quivered store he gave:
But if thy lips' loud cry leap to his smart,
The inspir'd recoil shall pierce thy brother's heart.

Sonnet Lxxxii: Hoarded Joy

I said: “Nay, pluck not,—let the first fruit be:
Even as thou sayest, it is sweet and red,
But let it ripen still. The tree's bent head
Sees in the stream its own fecundity
And bides the day of fulness. Shall not we
At the sun's hour that day possess the shade,
And claim our fruit before its ripeness fade,
And eat it from the branch and praise the tree?”
I say: “Alas! our fruit hath wooed the sun
Too long,—'tis fallen and floats adown the stream.
Lo, the last clusters! Pluck them every one,
And let us sup with summer; ere the gleam
Of autumn set the year's pent sorrow free,
And the woods wail like echoes from the sea.”

In The Train, And At Versailles

In a dull swiftness we are carried by
With bodies left at sway and shaking knees.
The wind has ceased, or is a feeble breeze
Warm in the sun. The leaves are not yet dry
From yesterday's dense rain. All, low and high,
A strong green country; but, among its trees,
Ruddy and thin with Autumn. After these
There is the city still before the sky.
Versailles is reached. Pass we the galleries
And seek the gardens. A great silence here,
Through the long planted alleys, to the long
Distance of water. More than tune or song,
Silence shall grow to awe within thine eyes,
Till thy thought swim with the blue turning sphere.

Sonnet Lix: Love's Last Gift

Love to his singer held a glistening leaf,
And said: “The rose-tree and the apple-tree
Have fruits to vaunt or flowers to lure the bee;
And golden shafts are in the feathered sheaf
Of the great harvest-marshal, the year's chief,
Victorious Summer; aye, and 'neath warm sea
Strange secret grasses lurk inviolably
Between the filtering channels of sunk reef.
“All are my blooms; and all sweet blooms of love
To thee I gave while Spring and Summer sang;
But Autumn stops to listen, with some pang
From those worse things the wind is moaning of.
Only this laurel dreads no winter days:
Take my last gift; thy heart hath sung my praise.”

Sonnet Lxiv: Ardour And Memory

The cuckoo-throb, the heartbeat of the Spring;
The rosebud's blush that leaves it as it grows
Into the full-eyed fair unblushing rose;
The summer clouds that visit every wing
With fires of sunrise and of sunsetting;
The furtive flickering streams to light re-born
'Mid airs new-fledged and valorous lusts of morn,
While all the daughters of the daybreak sing:—
These ardour loves, and memory: and when flown
All joys, and through dark forest-boughs in flight
The wind swoops onward brandishing the light,
Even yet the rose-tree's verdure left alone
Will flush all ruddy though the rose be gone;
With ditties and with dirges infinite.

Sonnet Lxix: Autumn Idleness

This sunlight shames November where he grieves
In dead red leaves, and will not let him shun
The day, though bough with bough be over-run.
But with a blessing every glade receives
High salutation; while from hillock-eaves
The deer gaze calling, dappled white and dun,
As if, being foresters of old, the sun
Had marked them with the shade of forest-leaves.
Here dawn to-day unveiled her magic glass;
Here noon now gives the thirst and takes the dew;
Till eve bring rest when other good things pass.
And here the lost hours the lost hours renew
While I still lead my shadow o'er the grass,
Nor know, for longing, that which I should do.

On The Road To Waterloo: 17 October (En Vigilante, 2 Hours)

It is grey tingling azure overhead
With silver drift. Beneath, where from the green
The trees are reared, the distance stands between
At peace: and on this side the whole is spread
For sowing and for harvest, subjected
Clear to the sky and wind. The sun's slow height
Holds it through noon, and at the furthest night
It lies to the moist starshine and is fed.
Sometimes there is no country seen (for miles
You think) because of the near roadside path
Dense with long forest. Where the waters run
They have the sky sunk into them—a bath
Of still blue heat; and in their flow, at whiles,
There is a blinding vortex of the sun.

WOULD God your health were as this month of May
Should be, were this not England,—and your face
Abroad, to give the gracious sunshine grace
And laugh beneath the budding hawthorn-spray.
But here the hedgerows pine from green to grey
While yet May's lyre is tuning, and her song
Is weak in shade that should in sun be strong;
And your pulse springs not to so faint a lay.
If in my life be breath of Italy,
Would God that I might yield it all to you!
So, when such grafted warmth had burgeoned through
The languor of your Maytime's hawthorn-tree,
My spirit at rest should walk unseen and see
The garland of your beauty bloom anew.

Sonnet Xxx: Last Fire

Love,through your spirit and mine what summer eve
Now glows with glory of all things possess'd,
Since this day's sun of rapture filled the west
And the light sweetened as the fire took leave?
Awhile now softlier let your bosom heave,
As in Love's harbour, even that loving breast,
All care takes refuge while we sink to rest,
And mutual dreams the bygone bliss retrieve.
Many the days that Winter keeps in store,
Sunless throughout, or whose brief sun-glimpses
Scarce shed the heaped snow through the naked trees,
This day at least was Summer's paramour,
Sun-coloured to the imperishable core
With sweet well-being of love and full heart's ease.

THE thronged boughs of the shadowy sycamore
Still bear young leaflets half the summer through;
From when the robin 'gainst the unhidden blue
Perched dark, till now, deep in the leafy core,
The embowered throstle's urgent wood-notes soar
Through summer silence. Still the leaves come new;
Yet never rosy-sheathed as those which drew
Their spiral tongues from spring-buds heretofore.
Within the branching shade of Reverie
Dreams even may spring till autumn; yet none be
Like woman's budding day-dream spirit-fann'd.
Lo! tow'rd deep skies, not deeper than her look,
She dreams; till now on her forgotten book
Drops the forgotten blossom from her hand.

On The Site Of A Mulberry-Tree; Planted By Wm. Shakspeare; Felled By The Rev. F. Gastrell

THIS tree, here fall'n, no common birth or death
Shared with its kind. The world's enfranchised son,
Who found the trees of Life and Knowledge one,
Here set it, frailer than his laurel-wreath.
Shall not the wretch whose hand it fell beneath
Rank also singly—the supreme unhung?
Lo! Sheppard, Turpin, pleading with black tongue
This viler thief's unsuffocated breath!
We'll search thy glossary, Shakspeare! whence almost,
And whence alone, some name shall be reveal'd
For this deaf drudge, to whom no length of ears
Sufficed to catch the music of the spheres;
Whose soul is carrion now,—too mean to yield
Some Starveling's ninth allotment of a ghost.

The wind flapp'd loose, the wind was still,
Shaken out dead from tree and hill:
I had walk'd on at the wind's will,--
I sat now, for the wind was still.

Between my knees my forehead was,--
My lips, drawn in, said not Alas!
My hair was over in the grass,
My naked ears heard the day pass.

My eyes, wide open, had the run
Of some ten weeds to fix upon;
Among those few, out of the sun,
The woodspurge flower'd, three cups in one.

From perfect grief there need not be
Wisdom or even memory:
One thing then learnt remains to me,--
The woodspurge has a cup of three.

At The Sun-Rise In 1848

God said, Let there be light; and there was light.
Then heard we sounds as though the Earth did sing
And the Earth's angel cried upon the wing:
We saw priests fall together and turn white:
And covered in the dust from the sun's sight,
A king was spied, and yet another king.
We said: “The round world keeps its balancing;
On this globe, they and we are opposite,—
If it is day with us, with them 'tis night.”
Still, Man, in thy just pride, remember this:—
Thou hadst not made that thy sons' sons shall ask
What the word king may mean in their day's task,
But for the light that led: and if light is,
It is because God said, Let there be light.

Sonnet Xix: Silent Noon

Your hands lie open in the long fresh grass,—
The finger-points look through like rosy blooms:
Your eyes smile peace. The pasture gleams and glooms
'Neath billowing skies that scatter and amass.
All round our nest, far as the eye can pass,
Are golden kingcup-fields with silver edge
Where the cow-parsley skirts the hawthorn-hedge.
'Tis visible silence, still as the hour-glass.
Deep in the sun-searched growths the dragon-fly
Hangs like a blue thread loosened from the sky:—
So this wing'd hour is dropt to us from above.
Oh! clasp we to our hearts, for deathless dower,
This close-companioned inarticulate hour
When twofold silence was the song of love.

How large that thrush looks on the bare thorn-tree!
A swarm of such, three little months ago,
Had hidden in the leaves and let none know
Save by the outburst of their minstrelsy.
A white flake here and there—a snow-lily
Of last night's frost—our naked flower-beds hold;
And for a rose-flower on the darkling mould
The hungry redbreast gleams. No bloom, no bee.
The current shudders to its ice-bound sedge;
Nipped in their bath, the stark reeds one by one
Flash each its clinging diamond in the sun:
'Neath winds which for this winter's sovereign pledge
Shall curb great king-masts to the ocean's edge
And leave memorial forest-kings o'erthrown.

The House Of The Life (19): Silent Noon

Your hands lie open in the long fresh grass,--
The finger-points look through like rosy blooms:
Your eyes smile peace. The pasture gleams and glooms
'Neath billowing skies that scatter and amass.
All round our nest, far as the eye can pass,
Are golden kingcup-fields with silver edge
Where the cow-parsley skirts the hawthorn-hedge.
'Tis visible silence, still as the hour-glass.

Deep in the sun-search'd growths the dragon-fiy
Hangs like a blue thread loosen'd from the sky:--
So this wing'd hour is dropt to us from above.
Oh! clasp we to our hearts, for deathless dower,
This close-companion'd inarticulate hour
When twofold silence was the song of love.

To Thomas Woolner

First Snow, February
WOOLNER, to-night it snows for the first time.
Our feet know well the path where in this snow
Mine leave one track: how all the ways we know
Are hoary in the long-unwonted rime!
Grey as their ghosts which now in your new clime
Must haunt you while those singing spirits reap
All night the field of hospitable sleep—
Whose song, past the whole sea, finds counter-chime.
Can the year change, and I not think of thee,
With whom so many changes of the year
So many years were watched—our love's degree
Alone the same? Ah still for thee and me,
Winter or summer, Woolner, here or there,
One grief, one joy, one loss, one victory.

Sonnet Xiv: Youth's Spring-Tribute

On this sweet bank your head thrice sweet and dear
I lay, and spread your hair on either side,
And see the newborn woodflowers bashful-eyed
Look through the golden tresses here and there.
On these debateable borders of the year
Spring's foot half falters; scarce she yet may know
The leafless blackthorn-blossom from the snow;
And through her bowers the wind's way still is clear.
But April's sun strikes down the glades to-day;
So shut your eyes upturned, and feel my kiss
Creep, as the Spring now thrills through every spray,
Up your warm throat to your warm lips: for this
Is even the hour of Love's sworn suitservice,
With whom cold hearts are counted castaway.

The House Of The Life: Silent Noon

Your hands lie open in the long fresh grass, --
The finger-points look through like rosy blooms:
Your eyes smile peace. The pasture gleams and glooms
'Neath billowing skies that scatter and amass.
All round our nest, far as the eye can pass,
Are golden kingcup-fields with silver edge
Where the cow-parsley skirts the hawthorn-hedge.
'Tis visible silence, still as the hour-glass.

Deep in the sun-searched growths the dragon-fly
Hangs like a blue thread loosened from the sky: --
So this wing'd hour is dropt to us from above.
Oh! clasp we to our hearts, for deathless dower,
This close-companioned inarticulate hour
When twofold silence was the song of love.

Your hands lie open in the long fresh grass, --
The finger-points look through like rosy blooms:
Your eyes smile peace. The pasture gleams and glooms
'Neath billowing skies that scatter and amass.
All round our nest, far as the eye can pass,
Are golden kingcup-fields with silver edge
Where the cow-parsley skirts the hawthorn-hedge.
'Tis visible silence, still as the hour-glass.

Deep in the sun-searched growths the dragon-fly
Hangs like a blue thread loosened from the sky: --
So this wing'd hour is dropt to us from above.
Oh! clasp we to our hearts, for deathless dower,
This close-companioned inarticulate hour
When twofold silence was the song of love.

(For one of his own pictures)

Her lute hangs shadowed in the apple-tree,
While flashing fingers weave the sweet-strung spell
Between its chords; and as the wild notes swell,
The sea-bird for those branches leaves the sea.
But to what sound her listening ear stoops she?
What netherworld gulf-whispers doth she hear,
In answering echoes from what planisphere,
Along the wind, along the estuary?
She sinks into her spell: and when full soon
Her lips move and she soars into her song,
What creatures of the midmost main shall throng
In furrowed self-clouds to the summoning rune,
Till he, the fated mariner, hears her cry,
And up her rock, bare breasted, comes to die?

Think thou and act; to-morrow thou shalt die.
Outstretch’d in the sun’s warmth upon the shore,
Thou say’st: ‘Man’s measured path is all gone o’er:
Up all his years, steeply, with strain and sigh,
Man clomb until he touch’d the truth; and I,
Even I, am he whom it was destined for.’
How should this be? Art thou then so much more
Than they who sow’d, that thou shouldst reap thereby?

Nay, come up hither. From this wave-wash’d mound
Unto the furthest flood-brim look with me;
Then reach on with thy thought till it be drown’d.
Miles and miles distant though the last line be,
And though thy soul sail leagues and leagues beyond,—
Still, leagues beyond those leagues, there is more sea.

Percy Bysshe Shelley

'Twixt those twin worlds,—the world of Sleep, which gave
No dream to warn,—the tidal world of Death,
Which the earth's sea, as the earth, replenisheth,—
Shelley, Song's orient sun, to breast the wave,
Rose from this couch that morn. Ah! did he brave
Only the sea?—or did man's deed of hell
Engulph his bark 'mid mists impenetrable? . . .
No eye discerned, nor any power might save.
When that mist cleared, O Shelley! what dread veil
Was rent for thee, to whom far-darkling Truth
Reigned sovereign guide through thy brief ageless youth?
Was the Truth thy Truth, Shelley?—Hush! All-Hail!
Past doubt, thou gav'st it; and in Truth's bright sphere
Art first of praisers, being most praisèd here.

A New-Year’s Burden

ALONG the grass sweet airs are blown
Our way this day in Spring.
Of all the songs that we have known
Now which one shall we sing?
Not that, my love, ah no!—
Not this, my love? why, so!—
Yet both were ours, but hours will come and go.
The grove is all a pale frail mist,
The new year sucks the sun.
Of all the kisses that we kissed
Now which shall be the one?
Not that my love, ah no!—
Not this, my love?—heigh-ho
For all the sweets that all the winds can blow!
The branches cross above our eyes,
The skies are in a net:
And what's the thing beneath the skies
We two would most forget?
Not birth, my love, no, no,—
Not death, my love, no, no,—
The love once ours, but ours long hours ago.

The House Of The Life: 19. Silent Noon

Your hands lie open in the long fresh grass,--
The finger-points look through like rosy blooms:
Your eyes smile peace. The pasture gleams and glooms
'Neath billowing skies that scatter and amass.
All round our nest, far as the eye can pass,
Are golden kingcup-fields with silver edge
Where the cow-parsley skirts the hawthorn-hedge.
'Tis visible silence, still as the hour-glass.

Deep in the sun-search'd growths the dragon-fiy
Hangs like a blue thread loosen'd from the sky:--
So this wing'd hour is dropt to us from above.
Oh! clasp we to our hearts, for deathless dower,
This close-companion'd inarticulate hour
When twofold silence was the song of love.

Xix Lilent Noon

Your hands lie open in the long fresh grass,--
The finger-points look through like rosy blooms:
Your eyes smile peace. The pasture gleams and glooms
'Neath billowing skies that scatter and amass.
All round our nest, far as the eye can pass,
Are golden kingcup-fields with silver edge
Where the cow-parsley skirts the hawthorn-hedge.
'Tis visible silence, still as the hour-glass.

Deep in the sun-search'd growths the dragon-fiy
Hangs like a blue thread loosen'd from the sky:--
So this wing'd hour is dropt to us from above.
Oh! clasp we to our hearts, for deathless dower,
This close-companion'd inarticulate hour
When twofold silence was the song of love.

Verses To John Tupper

DEAR Jack
Alack!
A few days back
I bound myself by oath to smack
My lips o'er sloshy tea, and attack
White, brown, or black
Bread, and vile jokes to crack,
This night with brutes whose knack
Would squeeze a pun in Syriac.
And for to—morrow, alack!
I have a model on my track,
So that I may not pack.
Of course I writhe upon the rack:
Though as to NATURE, Jack,
(Poor dear old hack!)
Touching sky, sun, stone, stick, and stack,
I guess I'm half a quack;
For whom ten lines of Browning whack
The whole of the Zodiac.
Nevertheless, alack!
Seeing this time I must send back
To Prince and Baron, Stephens and Jack
(Spec—cadav Rex, hic hæc hoc hac),
And to the Maniac,
The sack.
This much from D.G.R. (in black,
I.e., with coal—ash cloth—of—sack.)

AH! dear one, we were young so long,
It seemed that youth would never go,
For skies and trees were ever in song
And water in singing flow
In the days we never again shall know.
Alas, so long!
Ah! then was it all Spring weather?
Nay, but we were young and together.
Ah! dear one, I've been old so long,
It seems that age is loth to part,
Though days and years have never a song,
And oh! have they still the art
That warmed the pulses of heart to heart?
Alas, so long!
Ah! then was it all Spring weather?
Nay, but we were young and together.
Ah! dear one, you've been dead so long,—
How long until we meet again,
Where hours may never lose their song
Nor flowers forget the rain
In glad noonlight that never shall wane?
Alas, so long!
Ah! shall it be then Spring weather,
And ah! shall we be young together?

A Death-Parting

LEAVES and rain and the days of the year,
(Water-willow and wellaway,)
All these fall, and my soul gives ear,
And she is hence who once was here.
(With a wind blown night and day.)
Ah! but now, for a secret sign,
(The willow's wan and the water white,)
In the held breath of the day's decline
Her very face seemed pressed to mine.
(With a wind blown day and night.)
O love, of my death my life is fain;
(The willows wave on the water-way,)
Your cheek and mine are cold in the rain,
But warm they'll be when we meet again.
(With a wind blown night and day.)
Mists are heaved and cover the sky;
(The willows wail in the waning light,)
O loose your lips, leave space for a sigh,—
They seal my soul, I cannot die.
(With a wind blown day and night.)
Leaves and rain and the days of the year,
(Water-willow and wellaway,)
All still fall, and I still give ear,
And she is hence, and I am here.
(With a wind blown night and day.)

TO-NIGHT this sunset spreads two golden wings
Cleaving the western sky;
Winged too with wind it is, and winnowings
Of birds; as if the day's last hour in rings
Of strenuous flight must die.
Sun-steeped in fire, the homeward pinions sway
Above the dovecote-tops;
And clouds of starlings, ere they rest with day,
Sink, clamorous like mill-waters, at wild play,
By turns in every copse:
Each tree heart-deep the wrangling rout receives,—
Save for the whirr within,
You could not tell the starlings from the leaves;
Then one great puff of wings, and the swarm heaves
Away with all its din.
Even thus Hope's hours, in ever-eddying flight,
To many a refuge tend;
With the first light she laughed, and the last light
Glows round her still; who natheless in the night
At length must make an end.
And now the mustering rooks innumerable
Together sail and soar,
While for the day's death, like a tolling knell,
Unto the heart they seem to cry, Farewell,
No more, farewell, no more!
Is Hope not plumed, as 'twere a fiery dart?
And oh! thou dying day,
Even as thou goest must she too depart,
And Sorrow fold such pinions on the heart
As will not fly away?

The Lady’s Lament

Never happy any more!
Aye, turn the saying o'er and o'er,
It says but what it said before,
And heart and life are just as sore.
The wet leaves blow aslant the floor
In the rain through the open door.
No, no more.
Never happy any more!
The eyes are weary and give o'er,
But still the soul weeps as before.
And always must each one deplore
Each once, nor bear what others bore?
This is now as it was of yore.
No, no more.
Never happy any more!
Is it not but a sorry lore
That says, “Take strength, the worst is o'er”?
Shall the stars seem as heretofore?
The day wears on more and more—
While I was weeping the day wore.
No, no more.
Never happy any more!
In the cold behind the door
That was the dial striking four:
One for joy the past hours bore,
Two for hope and will cast o'er,
One for the naked dark before.
No, no more.
Never happy any more!
Put the light out, shut the door,
Sweep the wet leaves from the floor.
Even thus Fate's hand has swept her floor,
Even thus Love's hand has shut the door
Through which his warm feet passed of yore.
Shall it be opened any more?
No, no, no more.