Henry Lawson: Verses about Nature

Emblems of storm and danger,
Spindrift and mountain stern,
Plants that welcome the stranger—
Seaweed, tussock, and fern.

Known to the world-wide ranger,
Who sailed on the “Never Return,”
Emblems of storm and danger—
Flax and tussock and fern.

Plants that welcome the stranger,
Sea-swept and driven astern,
Beloved by the wide-world ranger—
Seaweed, tussock, and fern.

The Valley's full of misty cloud,
Its tinted beauty drowning,
The Eucalypti roar aloud,
The mountain fronts are frowning.
The mist is hanging like a pall
From many granite ledges,
And many a little waterfall
Starts o’er the valley’s edges.

The sky is of a leaden grey,
Save where the north is surly,
The driven daylight speeds away,
And night comes o’er us early.

But, love, the rain will pass full soon,
Far sooner than my sorrow,
And in a golden afternoon
The sun may set to-morrow.

The creek went down with a broken song,
'Neath the sheoaks high;
The waters carried the song along,
And the oaks a sigh.

The song and the sigh went winding by,
Went winding down;
Circling the foot of the mountain high,
And the hillside brown.

They were hushed in the swamp of the Dead Man's Crime,
Where the curlews cried;
But they reached the river the self-same time,
And there they died.

And the creek of life goes winding on,
Wandering by;
And bears for ever, its course upon,
A song and a sigh.

The kangaroo was formed to run,
but not from man alone -
it ran before the horse or gun
or native dog was known.
It ran when drought left waterholes
three hundred miles between -
from great floods and greater fires
than we have ever seen.

The blacks beside the coastal springs,
where mountain sides are steep,
they bred and kept their kangaroo
much tamer than are sheep.
And when the men fought inland tribes
or when they roamed at large,
they drove their flocks down to the sea
and left the gins in charge.

And so, alert, with startled eyes
the shepherdess in fear
perceives with wonder and surprise
some foreign beats appear.
She watches, creeping through the trees,
and round the blackened logs
the strangest sight by southern seas -
the stranded Dutchmans's dogs.

You’re off away to London now,
Where no one dare ignore you,
With Southern laurels on your brow,
And all the world before you.
But if you should return again,
Forgotten and unknowing,
Then one shall wait in wind and rain,
Where forty cheered you going.

You’re off away to London, proved,
Where fair girls shall adore you;
The poor, plain face of one that loved
May never rise before you.
But if you should return again,
When young blood ceases flowing,
Then one shall wait in wind and rain,
Where forty cheered you going.

It may be carelessly you spoke
Of never more returning,
But sometimes in the London smoke,
You’ll smell the gum leaves burning;
And think of how the grassy plain
Beyond the fog is flowing,
And one that waits in shine or rain,
Where forty cheered you going.

The breezes blow on the river below,
And the fleecy clouds float high,
And I mark how the dark green gum trees match
The bright blue dome of the sky.
The rain has been, and the grass is green
Where the slopes were bare and brown,
And I see the things that I used to see
In the days ere my head went down.

I have found a light in my long dark night,
Brighter than stars or moon;
I have lost the fear of the sunset drear,
And the sadness of afternoon.
Here let us stand while I hold your hand,
Where the light’s on your golden head—
Oh! I feel the thrill that I used to feel
In the days ere my heart was dead.

The storm’s gone by, but my lips are dry
And the old wrong rankles yet—
Sweetheart or wife, I must take new life
From your red lips warm and wet!
So let it be, you may cling to me,
There is nothing on earth to dread,
For I’ll be the man that I used to be
In the days ere my heart was dead!

BEATEN back in sad dejection,
After years of weary toil
On that burning hot selection
Where the drought has gorged his spoil.

All in vain ’gainst him, the vulture,
I have battled without rest—
In the van of agriculture,
Marching out into the West.

Now the eagle-hawks are feeding
On my perished stock that reek
Where the water-holes receding
Long had left the burning creek.

I must labour without pity—
I the pick and spade must wield
In the streetways of the city
Or upon another’s field!

Can it be my reason’s rocking,
For I feel a burning hate
For the God who, only mocking,
Sent the prayed-for rain too late?

Pour, ye mocking rains, and rattle
On the bare, brown, grassless plain,
On the shrivelled hides of cattle
That shall ne’er want grass again!

Rush, ye yellow floods, to Murray,
Over thirsty creek-banks foam;
And o’er all, ye black clouds, hurry;
Ye can bring not back my home!

Above the ashes straight and tall,
Through ferns with moisture dripping,
I climb beneath the sandstone wall,
My feet on mosses slipping.

Like ramparts round the valley's edge
The tinted cliffs are standing,
With many a broken wall and ledge,
And many a rocky landing.

And round about their rugged feet
Deep ferny dells are hidden
In shadowed depths, whence dust and heat
Are banished and forbidden.

The stream that, crooning to itself,
Comes down a tireless rover,
Flows calmly to the rocky shelf,
And there leaps bravely over.

Now pouring down, now lost in spray
When mountain breezes sally,
The water strikes the rock midway,
And leaps into the valley.

Now in the west the colours change,
The blue with crimson blending;
Behind the far Dividing Range,
The sun is fast descending.

And mellowed day comes o'er the place,
And softens ragged edges;
The rising moon's great placid face
Looks gravely o'er the ledges.

THE SAND was heavy on our feet,
A Christmas sky was o’er us,
And half a mile through dust and heat
Lake ’Liza lay before us.
‘You’ll have a long and heavy tramp’—
So said the last adviser—
‘You can’t do better than to camp
To-night at Lake Eliza.’

We quite forgot our aching shanks,
A cheerful spirit caught us;
We thought of green and shady banks,
We thought of pleasant waters.
’Neath sky as niggard of its rain
As of his gold the miser,
By mulga scrub and lignum plain
We’d tramp’d to Lake Eliza.

A patch to grey discoloured sand,
A fringe of tufty grasses,
A lonely pub in mulga scrub
Is all the stranger passes.
He’d pass the Lake a dozen times
And yet be none the wiser;
I hope that I shall never be
As dry as Lake Eliza.

No patch of green or water seen
To cheer the weary plodder;
The grass is tough as fencing-wire,
And just as good for fodder.
And when I see it mentioned in
Some local ADVERTISER,
’Twill make me laugh, or make me grin—
The name of ‘Lake Eliza.’

There's the whitebox and pine on the ridges afar,
Where the iron-bark, blue-gum, and peppermint are;
There is many another, but dearest to me,
And the king of them all was the stringy-bark tree.
Then of stringy-bark slabs were the walls of the hut,
And from stringy-bark saplings the rafters were cut;
And the roof that long sheltered my brothers and me
Was of broad sheets of bark from the stringy-bark tree.

And when sawn-timber homes were built out in the West,
Then for walls and for ceilings its wood was the best;
And for shingles and palings to last while men be,
There was nothing on earth like the stringy-bark tree.

Far up the long gullies the timber-trucks went,
Over tracks that seemed hopeless, by bark hut and tent;
And the gaunt timber-finder, who rode at his ease,
Led them on to a gully of stringy-bark trees.

Now still from the ridges, by ways that are dark,
Come the shingles and palings they call stringy-bark;
Though you ride through long gullies a twelve months you’ll see
But the old whitened stumps of the stringy-bark tree.

The Blue Sky arches o’er mountain and valley,
The scene is as fair as a scene can be,
But I’m breaking my heart for a London alley,
And fogs that shall never come back to me.
I choke with tears when the day is dying—
The sunsets grand and the stars are bright;
But it’s O! for the smell of the fried fish frying
By the flaring stalls on a Saturday night.
And this, oh, this is the lonely sequel
Of all I pictured would come to pass!
They are treating me here as a friend and equal,
But they’d say in London that they’re no class.
When I think of their kindness my tears flow faster—
The girls are free and the chaps are grand:
It’s “the boss” and “the missus” for mistress and master,
And they may be right—But I don’t understand.

I see the air in its warm pulsation
On sandstone cliffs where the ocean dips,
But I’m miles and miles from the railway station
Where trains run down to the wharves and ships.
Those streets are dingy and dark and narrow,
The soot comes down with the rain and sleet;
But, O! for the sight of a coster’s barrow,
And Sunday morning in Chapel Street!

Our Andy's gone to battle now
'Gainst Drought, the red marauder;
Our Andy's gone with cattle now
Across the Queensland border.

He's left us in dejection now;
Our hearts with him are roving.
It's dull on this selection now,
Since Andy went a-droving.

Who now shall wear the cheerful face
In times when things are slackest?
And who shall whistle round the place
When Fortune frowns her blackest?

Oh, who shall cheek the squatter now
When he comes round us snarling?
His tongue is growing hotter now
Since Andy cross'd the Darling.

The gates are out of order now,
In storms the `riders' rattle;
For far across the border now
Our Andy's gone with cattle.

Poor Aunty's looking thin and white;
And Uncle's cross with worry;
And poor old Blucher howls all night
Since Andy left Macquarie.

Oh, may the showers in torrents fall,
And all the tanks run over;
And may the grass grow green and tall
In pathways of the drover;

And may good angels send the rain
On desert stretches sandy;
And when the summer comes again
God grant 'twill bring us Andy.

With pannikins all rusty,
And billy burnt and black,
And clothes all torn and dusty,
That scarcely hide his back;
With sun-cracked saddle-leather,
And knotted greenhide rein,
And face burnt brown with weather,
Our Andy’s home again!
His unkempt hair is faded
With sleeping in the wet,
He’s looking old and jaded;
But he is hearty yet.
With eyes sunk in their sockets—
But merry as of yore;
With big cheques in his pockets,
Our Andy’s home once more!

Old Uncle’s bright and cheerful;
He wears a smiling face;
And Aunty’s never tearful
Now Andy’s round the place.
Old Blucher barks for gladness;
He broke his rusty chain,
And leapt in joyous madness
When Andy came again.

With tales of flood and famine,
On distant northern tracks,
And shady yarns—‘baal gammon!’
Of dealings with the blacks,
From where the skies hang lazy
On many a northern plain,
From regions dim and hazy
Our Andy’s home again!

His toil is nearly over;
He’ll soon enjoy his gains.
Not long he’ll be a drover,
And cross the lonely plains.
We’ll happy be for ever
When he’ll no longer roam,
But by some deep, cool river
Will make us all a home.

’Tis a wonderful time when these hours begin,
These long ‘small hours’ of night,
When grass is crisp, and the air is thin,
And the stars come close and bright.
The moon hangs caught in a silvery veil,
From clouds of a steely grey,
And the hard, cold blue of the sky grows pale
In the wonderful Milky Way.
There is something wrong with this star of ours,
A mortal plank unsound,
That cannot be charged to the mighty powers
Who guide the stars around.
Though man is higher than bird or beast,
Though wisdom is still his boast,
He surely resembles Nature least,
And the things that vex her most.

Oh, say, some muse of a larger star,
Some muse of the Universe,
If they who people those planets far
Are better than we, or worse?
Are they exempted from deaths and births,
And have they greater powers,
And greater heavens, and greater earths,
And greater Gods than ours?

Are our lies theirs, and our truth their truth,
Are they cursed for pleasure’s sake,
Do they make their hells in their reckless youth
Ere they know what hells they make?
And do they toil through each weary hour
Till the tedious day is o’er,
For food that gives but the fleeting power
To toil and strive for more?

BY blacksoil plains burned grey with drought
Where desert shrubs and grasses grow,
Along the Land of Furthest Out
That only Overlanders know.
I dreamed I camped on river grass
In bends where river timber grew—
I dreamed, I dreamed the days to pass
Till all the bad things came untrue.

I dreamed that I was young again,
But was not young as I had been,
My path through life seemed fair and plain,
My sight and hearing clear and keen.
No longer bent nor lined and grey,
I met and loved and worshipped you—
I dreamed, I dreamed the days away
Till all the sad things came untrue.

I dreamed a home of freestone stood
With toned tiled roofs as roofs should be,
By cliff and fall and beach and wood
With wide verandahs to the sea.
I dreamed a hale gudeman and wife,
With sons and daughters well-to-do,
Lived there the glorious old home life
And all the mad things were untrue.

From blacksoil plains burned bare with drought
Where years are sown that never grow—
From dead grey creeks of dreams and drought,
Through black-ridged wastes of weirdest woe,
I tramped and camped with fearsome fare
Until the sea-scape came in view,
And lo! the home lay smiling there
And all the bad things were untrue.

OLD coach-road West by Nor’-ward—
Old mile-tree by the track:
A dead branch pointing forward,
And a dead branch pointing back.
And still in clear-cut romans
On his hard heart he tells
The miles that were to fortune,
The miles from Bowenfels.
Old chief of Western timber!
A famous gum you’ve been.
Old mile-tree, I remember
When all your boughs were green.

There came three boyish lovers
When golden days begun;
There rode three boyish rovers
Towards the setting sun.
And Fortune smiled her fairest
And Fate to these was kind—
The truest, best and rarest,
The girls they’d left behind.
By the camp-fire’s dying ember
They dreamed of love and gold;
Old mile-tree, I remember
When all our hearts were bold.

And when the wrecks of those days
Were sadly drifting back,
There came a lonely swagman
Along the dusty track;
And save for limbs that trembled—
For weak and ill was he—
Old mile-tree, he resembled
The youngest of the three.
Beneath you, dark and lonely,
A wronged and broken man
He crouched, and sobbed as only
The strong heart broken can.
The darkness wrapped the timber,
The stars seemed dark o’erhead—
Old mile-tree, I remember
When all green leaves seemed dead.

The short hour's halt is ended,
The red gone from the west,
The broken wheel is mended,
And the dead men laid to rest.
Three days have we retreated
The brave old Curse-and-Grin –
Outnumbered and defeated –
Fall in, my men, fall in.

Poor weary, hungry sinners,
Past caring and past fear,
The camp-fires of the winners
Are gleaming in the rear.
Each day their front advances,
Each day the same old din,
But freedom holds the chances –
Fall in, my men, fall in.

Despair's cold fingers searches
The sky is black ahead,
We leave in barns and churches
Our wounded and our dead.
Through cold and rain and darkness
And mire that clogs like sin,
In failure in its starkness –
Fall in, my men, fall in.

We go and know not whither,
Nor see the tracks we go –
A horseman gaunt shall tell us,
A rain-veiled light shall show.
By wood and swamp and mountain,
The long dark hours begin –
Before our fresh wounds stiffen –
Fall in, my men, fall in.

With old wounds dully aching –
Fall in, my men, fall in –
See yonder starlight breaking
Through rifts where storm clouds thin!
See yonder clear sky arching
The distant range upon?
I'll plan while we are marching –
Move on, my men - march on!

A long farewell to Genoa
That rises to the skies,
Where the barren coast of Italy
Like our own coastline lies.
A sad farewell to Genoa,
And long my heart shall grieve,
The only city in the world
That I was loath to leave.

No sign of rush or strife is there,
No war of greed they wage.
The deep cool streets of Genoa
Are rock-like in their age.
No garish signs of commerce there
Are flaunting in the sun.
A rag hung from a balcony
Is by an artist done.

And she was fair in Genoa,
And she was very kind,
Those pale blind-seeming eyes that seem
Most beautifully blind.
Oh they are sad in Genoa,
Those poor soiled singing birds.
I had but three Italian words
And she three English words.

But love is cheap in Genoa,
Aye, love and wine are cheap,
And neither leaves an aching head,
Nor cuts the heart too deep;
Save when the knife goes straight, and then
There’s little time to grieve—
The only city in the world
That I was loath to leave.

I’ve said farewell to tinted days
And glorious starry nights,
I’ve said farewell to Naples with
Her long straight lines of lights;
But it is not for Naples but
For Genoa that I grieve,
The only city in the world
That I was loath to leave.

I’VE done with joys an’ misery,
An’ why should I repine?
There’s no one knows the past but me
An’ that ol’ dog o’ mine.
We camp an’ walk an’ camp an’ walk,
An’ find it fairly good;
He can do anything but talk,
An’ he wouldn’t if he could.

We sits an’ thinks beside the fire,
With all the stars a-shine,
An’ no one knows our thoughts but me
An’ that there dog o’ mine.
We has our Johnny-cake an’ “scrag,”
An’ finds ’em fairly good;
He can do anything but talk,
An’ he wouldn’t if he could.

He gets a ’possum now an’ then,
I cooks it on the fire;
He has his water, me my tea—
What more could we desire?
He gets a rabbit when he likes,
We finds it pretty good;
He can do anything but talk,
An’ he wouldn’t if he could.

I has me smoke, he has his rest,
When sunset’s gettin’ dim;
An’ if I do get drunk at times,
It’s all the same to him.
So long’s he’s got me swag to mind,
He thinks that times is good;
He can do anything but talk,
An’ he wouldn’t if he could.

He gets his tucker from the cook,
For cook is good to him,
An’ when I sobers up a bit,
He goes an’ has a swim.
He likes the rivers where I fish,
An’ all the world is good;
He can do anything but talk,
An’ he wouldn’t if he could.

The short hour's halt is ended,
The red gone from the west,
The broken wheel is mended,
And the dead men laid to rest.
Three days have we retreated
The brave old Curse-and-Grin –
Outnumbered and defeated –
Fall in, my men, fall in.

Poor weary, hungry sinners,
Past caring and past fear,
The camp-fires of the winners
Are gleaming in the rear.
Each day their front advances,
Each day the same old din,
But freedom holds the chances –
Fall in, my men, fall in.

Despair's cold fingers searches
The sky is black ahead,
We leave in barns and churches
Our wounded and our dead.
Through cold and rain and darkness
And mire that clogs like sin,
In failure in its starkness –
Fall in, my men, fall in.

We go and know not whither,
Nor see the tracks we go –
A horseman gaunt shall tell us,
A rain-veiled light shall show.
By wood and swamp and mountain,
The long dark hours begin –
Before our fresh wounds stiffen –
Fall in, my men, fall in.

With old wounds dully aching –
Fall in, my men, fall in –
See yonder starlight breaking
Through rifts where storm clouds thin!
See yonder clear sky arching
The distant range upon?
I'll plan while we are marching –
Move on, my men - march on!

From over the leagues of ice and snow, and the miles of scorching sand;
From back of the days of long ago, and the lonely sea and land—
To the end of the world and our Gipsy race, to the death of our dark-eyed line,
I have set the lines on my children’s palms as my fathers did on mine,
That the world shall know and my name shall glow in the light of the aftershine—
I have set the lines on my children’s palms as my fathers did on mine.
I have given them health and strength, pure blood, clear skins for a glorious youth;
I have set in their souls contempt for sham, and a deathless regard for truth;
I have bequeathed the spirit to fight, I have given the will to rise,
And the slumbering fires of Hate and Love in their dreaming, dreaming eyes.
That the world shall know and my name shall glow in the light of the aftershine,
I have set the lines on my children’s palms as my fathers did on mine.

I have given the love for their native land, wherever that land may be
(My children came from the East, my friends, and round by the Northern Sea),
And a son of a son of mine enemy, to the end of his treacherous line,
Shall be stricken to earth, if he dare but speak, by a son of a son of mine.
That the world shall know and my name shall glow in the light of the aftershine,
I have set the lines on my children’s palms as my fathers did on mine.

By hut, homestead and shearing shed,
By railroad, coach and track-
By lonely graves where rest the dead,
Up-Country and Out-Back:
To where beneath the clustered stars
The dreamy plains expand-

My home lies wide a thousand miles
In Never-Never Land.
It lies beyond the farming belt,
Wide wastes of scrub and plain,
A blazing desert in the drought,
A lake-land after rain;
To the skyline sweeps the waving grass,
Or whirls the scorching sand-
A phantom land, a mystic realm!
The Never-Never Land.

Where lone Mount Desolation lies
Mounts Dreadful and Despair-
'Tis lost beneath the rainless skies
In hopeless deserts there;
It spreads nor-west by No-Man's Land
Where clouds are seldom seen
To where the cattle stations lie
Three hundred miles between.

The drovers of the Great Stock Routes
The strange Gulf country Know
Where, travelling from the southern droughts,
The big lean bullocks go;
And camped by night where plains lie wide,
Like some old ocean's bed,
The watchmen in the starlight ride
Round fifteen hundred head.

Lest in the city I forget
True mateship after all,
My water-bag and billy yet
Are hanging on the wall;
And I, to save my soul again,
Would tramp to sunsets grand
With sad-eyed mates across the plain
In Never-Never Land.

By hut, homestead and shearing shed,
By railroad, coach and track-
By lonely graves where rest the dead,
Up-Country and Out-Back:
To where beneath the clustered stars
The dreamy plains expand-

My home lies wide a thousand miles
In Never-Never Land.
It lies beyond the farming belt,
Wide wastes of scrub and plain,
A blazing desert in the drought,
A lake-land after rain;
To the skyline sweeps the waving grass,
Or whirls the scorching sand-
A phantom land, a mystic realm!
The Never-Never Land.

Where lone Mount Desolation lies
Mounts Dreadful and Despair-
'Tis lost beneath the rainless skies
In hopeless deserts there;
It spreads nor-west by No-Man's Land
Where clouds are seldom seen
To where the cattle stations lie
Three hundred miles between.

The drovers of the Great Stock Routes
The strange Gulf country Know
Where, travelling from the southern droughts,
The big lean bullocks go;
And camped by night where plains lie wide,
Like some old ocean's bed,
The watchmen in the starlight ride
Round fifteen hundred head.

Lest in the city I forget
True mateship after all,
My water-bag and billy yet
Are hanging on the wall;
And I, to save my soul again,
Would tramp to sunsets grand
With sad-eyed mates across the plain
In Never-Never Land.

The breezes waved the silver grass,
Waist-high along the siding,
And to the creek we ne'er could pass
Three boys on bare-back riding;
Beneath the sheoaks in the bend
The waterhole was brimming -
Do you remember yet, old friend,
The times we 'went in swimming'?

The days we 'played the wag' from school -
Joys shared - and paid for singly -
The air was hot, the water cool -
And naked boys are kingly!
With mud for soap the sun to dry -
A well planned lie to stay us,
And dust well rubbed on neck and face
Lest cleanliness betray us.

And you'll remember farmer Kutz -
Though scarcely for his bounty -
He leased a forty-acre block,
And thought he owned the county;
A farmer of the old world school,
That grew men hard and grim in,
He drew his water from the pool
That we preferred to swim in.

And do you mind when down the creek
His angry way he wended,
A green-hide cartwhip in his hand
For our young backs intended?
Three naked boys upon the sand -
Half buried and half sunning -
Three startled boys without their clothes
Across the paddocks running.

We've had some scares, but we looked blank
When, resting there and chumming,
One glanced by chance upon the bank
And saw the farmer coming!
And home inmpressions linger yet
Of cups of sorrow brimming;
I hardly think that we'll forget
The last day we went swimming.

HERE’S never a bough to be tossed in the breeze,
For it’s long since the forest was green;
And round all the trunks of the naked white trees
The marks of the death-ring are seen.
The solemn-faced bear, who had looked on the blacks
From his home with the ’possum and cat,
Blinked anxiously down when the death-dealing axe
Was ring-barking Skeleton Flat.

And, strange to be seen in the evergreen south,
The gums for ten summers have stood,
And dried in the terrible furnace of drouth,
Till harder than flint is the wood.
Now tall grows the grass at the roots of the trees,
But a beautiful forest it cost;
And the heart of the splitter is sad when he sees
And thinks of the timber that’s lost.

Here flies, through a sky that is glazed, the black crow,
And the eagle goes circling around,
Or evilly sits on a branch that is low,
With his gleaming black eye on the ground.
And loudly the jackasses chuckle in mirth,
When a comrade flies upward, until
Like a fragment of thread, in its height from the earth,
Is the writhing brown snake in his bill.

O fit for the place are the curlews that wail
On the banks of a distant lagoon,
Or round by the swamps that are shallow and pale
In the light of the nights of the moon;
When glist’ning and white are the frost-covered trees
That dead for ten summers have stood;
And the stranger, benighted, might fancy he sees
The skeleton wraith of a wood.

REGION of damper and junk and tea,
Region of pastures wide!
The fairest spots in the world to me
Are out on the Lachlan Side.

CHORUS:
I’m off to the Lachlan Side,
Where the bright lagoons are wide;
I long for river and grass and tree,
And someone dearer than all to me,
Far out on the Lachlan Side.

My heart was hardened against advice
And reason I would not see,
For by the ocean a paradise
The city appeared to me.

CHORUS:
I’m off to the Lachlan Side, etc.

“Not I for a bumpkin’s fate,” I cried,
“I’ll not be a country clown!
A life’s too slow on the Lachlan Side;
I’ll go to the shining town!”

CHORUS:
I’m off to the Lachlan Side, etc.

I’ve lost the battle, I strike the flag,
The town may sink in the tide;
A wiser head and a lighter swag
I take to the Lachlan Side.

CHORUS:
I’m off to the Lachlan Side, etc.

When crops of wool on the plains shall grow,
Shall flourish in drought or rain,
And when the shearers begin to mow
I’ll come to the town again.

CHORUS:
I’m off to the Lachlan Side, etc.

But now I go to a kinder fate,
If her love still conquers pride;
Her heart was true when she sobbed, “I’ll wait
For you on the Lachlan Side.”

CHORUS:
I’m off to the Lachlan Side,
Where the bright lagoons are wide;
I long for river and grass and tree,
And someone dearer than all to me,
Far out on the Lachlan Side.

IN THE days that will be olden after many years are gone,
Ere the world emerged from darkness floating out into the dawn,
On a mountain rising steeply from the depth of marsh and wood
Raised in scorn above the lowlands Mammon Castle proudly stood—

Mammon Castle, built of marble that was cut and reared with pain
By the poor and starving wretches who were serfs on that domain—
All the jewel-studded windows shone at sunset like a fire,
And a diamond was flashing from the needle of the spire.

Now the nobles held the castle by a title that was old,
And they drank from crystal goblets and they ate from plates of gold;
The coffers of the castle they were plenished by the thralls,
And many were the revels that were held in Mammon’s halls.

And the plunder from the toilers more than paid for silks and wine,
So the flower-beds were bordered with the jewels of the mine,
All the serfs were taught to worship both the lady and the lord,
And the nobles taught their children to be wiser far than God.

But a vassal preached sedition and in a gloomy hour
Came the wild and haggard vassals to the gate of Mammon Tower;
They asked for food and shelter and were answered by a blow,
And, rising in their anger, soon they laid the castle low.

The jewels of the castle went to buy the people bread,
And according to his labour was the toiler clothed and fed.
And with the wood and marble—my dreaming tells me so—
Many little homes were builded in the valleys down below.

They know us not in England yet, their pens are overbold;
We're seen in fancy pictures that are fifty years too old.
They think we are a careless race - a childish race, and weak;
They'll know us yet in England, when the bush begins to speak;
When the bush begins to speak,
When the bush begins to speak,
When the west by Greed's invaded, and the bush begins to speak.

'The leaders that will be', the men of southern destiny,
Are not all found in cities that are builded by the sea;
They learn to love Australia by many a western creek,
They'll know them yet in England, when the bush begins to speak;
When the bush begins to speak,
When the bush begins to speak,
When the west by Greed's invaded, and the bush begins to speak.

All ready for the struggle, and waiting for the change,
The army of our future lies encamped beyond the range;
Australia, for her patriots, will not have far to seek;
They'll know her yet in England when the bush begins to speak;
When the bush begins to speak,
When the bush begins to speak,
When the west by Greed's invaded, and the bush begins to speak.

We'll find the peace and comfort that our fathers could not find,
Or some shall strike the good old blow that leaves a mark behind.
We'll find the Truth and Liberty our fathers came to seek,
Or let them know in England when the bush begins to speak;
When the bush begins to speak,
When the bush begins to speak,
When the west by Greed's invaded, and the bush begins to speak.

WHAT have we all forgotten, at the break of the seventh year?
With a nation born to the ages and a Bad Time borne on its bier!
Public robbing, and lying that death cannot erase—
“Private” strife and deception—Cover the bad dead face!
Drinking, gambling and madness—Cover and bear it away—
But what have we all forgotten at the dawn of the seventh day?

These are the years of plenty—years when the “tanks” are full—
Stacked by the lonely sidings mountains of wheat and wool.
Country crowds to the city, healthy, shaven and dressed,
Clothes to wear with the gayest, money to spend with the best.
Grand are the lights of the cities, carnival kings in power—
But what have we all forgotten, in this, the eleventh hour?

“We” have brought the states together, a land to the lands new born.
We have worked in the glorious weather, we have garnered and reaped and shorn.
We have come from the grass-waves flowing under Heaven’s electric lamps
(Making of sordid cities, boyish and jovial camps).
“We” have cleansed the cities and townships: we rest and frolic and gain,
But what have we all forgotten? Did we send the peace and the rain?

What have we all forgotten, here in our glorious home?
(I the greater the sinner because I was greater than some.)
What have we all forgotten so widely from east to west?
(I—and the most ungrateful because I was doubly blessed.)
Sinners to self and to country! and saviours though misunderstood!
Let us all kneel for one moment and thank the Great Spirits for Good.

The brooding ghosts of Australian night have gone from the bush and town;
My spirit revives in the morning breeze,
though it died when the sun went down;
The river is high and the stream is strong,
and the grass is green and tall,
And I fain would think that this world of ours is a good world after all.

The light of passion in dreamy eyes, and a page of truth well read,
The glorious thrill in a heart grown cold of the spirit I thought was dead,
A song that goes to a comrade's heart, and a tear of pride let fall --
And my soul is strong! and the world to me is a grand world after all!

Let our enemies go by their old dull tracks,
and theirs be the fault or shame
(The man is bitter against the world who has only himself to blame);
Let the darkest side of the past be dark, and only the good recall;
For I must believe that the world, my dear, is a kind world after all.

It well may be that I saw too plain, and it may be I was blind;
But I'll keep my face to the dawning light,
though the devil may stand behind!
Though the devil may stand behind my back, I'll not see his shadow fall,
But read the signs in the morning stars of a good world after all.

Rest, for your eyes are weary, girl -- you have driven the worst away --
The ghost of the man that I might have been is gone from my heart to-day;
We'll live for life and the best it brings till our twilight shadows fall;
My heart grows brave, and the world, my girl, is a good world after all.

The skies are brass and the plains are bare,
Death and ruin are everywhere --
And all that is left of the last year's flood
Is a sickly stream on the grey-black mud;
The salt-springs bubble and the quagmires quiver,
And -- this is the dirge of the Darling River:

`I rise in the drought from the Queensland rain,
`I fill my branches again and again;
`I hold my billabongs back in vain,
`For my life and my peoples the South Seas drain;
`And the land grows old and the people never
`Will see the worth of the Darling River.

`I drown dry gullies and lave bare hills,
`I turn drought-ruts into rippling rills --
`I form fair island and glades all green
`Till every bend is a sylvan scene.
`I have watered the barren land ten leagues wide!
`But in vain I have tried, ah! in vain I have tried
`To show the sign of the Great All Giver,
`The Word to a people: O! lock your river.

`I want no blistering barge aground,
`But racing steamers the seasons round;
`I want fair homes on my lonely ways,
`A people's love and a people's praise --
`And rosy children to dive and swim --
`And fair girls' feet in my rippling brim;
`And cool, green forests and gardens ever' --
Oh, this is the hymn of the Darling River.

The sky is brass and the scrub-lands glare,
Death and ruin are everywhere;
Thrown high to bleach, or deep in the mud
The bones lie buried by last year's flood,
And the Demons dance from the Never Never
To laugh at the rise of the Darling River.

There are scenes in the distance where beauty is not,
On the desolate flats where gaunt appletrees rot.
Where the brooding old ridge rises up to the breeze
From his dark lonely gullies of stringy-bark trees,
There are voice-haunted gaps, ever sullen and strange,
But Eurunderee lies like a gem in the range.

Still I see in my fancy the dark-green and blue
Of the box-covered hills where the five-corners grew;
And the rugged old sheoaks that sighed in the bend
O'er the lily-decked pools where the dark ridges end,
And the scrub-covered spurs running down from the Peak
To the deep grassy banks of Eurunderee Creek.

On the knolls where the vineyards and fruit-gardens are
There's a beauty that even the drought cannot mar;
For I noticed it oft, in the days that are lost,
As I trod on the siding where lingered the frost,
When the shadows of night from the gullies were gone
And the hills in the background were flushed by the dawn.

I was there in late years, but there's many a change
Where the Cudgegong River flows down through the range,
For the curse of the town with the railroad had come,
And the goldfields were dead. And the girl and the chum
And the old home were gone, yet the oaks seemed to speak
Of the hazy old days on Eurunderee Creek.

And I stood by that creek, ere the sunset grew cold,
When the leaves of the sheoaks are traced on the gold,
And I thought of old things, and I thought of old folks,
Till I sighed in my heart to the sigh of the oaks;
For the years waste away like the waters that leak
Through the pebbles and sand of Eurunderee Creek.

He works in the glen where the waratah grows,
And the gums and the ashes are tall,
’Neath cliffs that re-echo the sound of his blows
When the wedges leap in from the mawl.

He comes of a hardy old immigrant race,
And he feels not the rain nor the drouth.
His sinews are tougher than wire; and his face
Has been tanned by the sun of the south.

Now doomed to be shorn of its glory at last
Is the stately old tree he attacks;
Its moments of life he is numbering fast
With the keen steady strokes of his axe.

Loud cracks at the butt; and the strong wood is burst;
And the splitter steps backward, and turns
His eyes to the boughs that move slowly at first
Ere they rush to their grave in the ferns.

He strips off the bark with slight effort of strength
And stretches it out on the weeds,
And marks off the trunk with a measure the length
Of the rails or the palings he needs.

The teeth of his crosscut so truly are set
That it swings from his elbow at ease;
And the song of the saw—I am hearing it yet—
Has the music of wind in the trees.

Strong blows on the wedge, and a rip and a tear,
And the log opens up to the butt;
And, spreading around through the pure mountain air,
Is the scent of the wood newly cut.

A lover of comfort and cronies is he;
And when the day’s work is behind,
A fire, and a yarn, and a billy of tea,
At the hut of the splitter you’ll find.

His custom is sought in the town by the range;
For well to the future he looks:
His cheques in an instant the storekeepers change;
And his name is the best on the books.

There are scenes in the distance where beauty is not,
On the desolate flats where gaunt appletrees rot.
Where the brooding old ridge rises up to the breeze
From his dark lonely gullies of stringy-bark trees,
There are voice-haunted gaps, ever sullen and strange,
But Eurunderee lies like a gem in the range.

Still I see in my fancy the dark-green and blue
Of the box-covered hills where the five-corners grew;
And the rugged old sheoaks that sighed in the bend
O'er the lily-decked pools where the dark ridges end,
And the scrub-covered spurs running down from the Peak
To the deep grassy banks of Eurunderee Creek.

On the knolls where the vineyards and fruit-gardens are
There's a beauty that even the drought cannot mar;
For I noticed it oft, in the days that are lost,
As I trod on the siding where lingered the frost,
When the shadows of night from the gullies were gone
And the hills in the background were flushed by the dawn.

I was there in late years, but there's many a change
Where the Cudgegong River flows down through the range,
For the curse of the town with the railroad had come,
And the goldfields were dead. And the girl and the chum
And the old home were gone, yet the oaks seemed to speak
Of the hazy old days on Eurunderee Creek.

And I stood by that creek, ere the sunset grew cold,
When the leaves of the sheoaks are traced on the gold,
And I thought of old things, and I thought of old folks,
Till I sighed in my heart to the sigh of the oaks;
For the years waste away like the waters that leak
Through the pebbles and sand of Eurunderee Creek.

The Russian march is soft and slow,
Through dust and heat, or slush and snow,
When the Russian skies hang grey and low
To the frontiers far where the Russians go;
And they march to-night and they march to-day
Like the grey wolves grey, like the grey wolves grey.
Nor song nor sound their track reveals,
Save the ceaseless “clock” of the waggon wheels;
But a rift in the mist shows a glint of sun
On the long, dark shape of a toiling gun;
And they strain by night and they drag by day
To a distant goal, like the grey wolves grey.

As the horses toil at the ends of trains,
And the ends of roads on the Blacksoil Plains.
And Ivan digs in the frozen clay,
And he rolls the logs a bed to lay
For a gun that’s five hundred miles away,
But as sure to come as the grey wolves grey.

He is marching on with a purpose grand,
For brother Slav in another land;
Whose tongue, perchance, he cannot understand.—
But he knows the cry from the far-away,
And he smells the blood like the grey wolves grey.

And Ivan’s wife in her den at home,
While hunger looms and his lean wolves come—
With her grey-black bread like the Darling mud,
And her tea-bricks bound with the bullock’s blood—
She shields her cubs by night and day
Like the crouching sluts of the grey wolves grey.

And I march with Ivan where’er he be,
With the foreign blood that is strong in me,
And the love and the hate that is fantasy,
Like the ghosts of a father’s memory.
With the blood that is strange to us to-day
As the strange wild blood of the grey wolves grey.
Grey wolves,
Grey wolves—
The strange wild blood of the grey wolves grey.

So you rode from the range where your brothers “select,”

Through the ghostly grey bush in the dawn---

You rode slowly at first, lest her heart should suspect

That you were glad to be gone;

You had scarcely the courage to glance back at her

By the homestead receding from view,

And you breathed with relief as you rounded the spur,

For the world was a wide world to you.



Grey eyes that grow sadder than sunset or rain,

Fond heart that is ever more true

Firm faith that grows firmer for watching in vain---

She’ll wait by the sliprails for you.



Ah! The world is a new and a wide one to you,

But the world to your sweetheart is shut,

For a change never comes to the lonely Bush girl

From the stockyard, the bush, and the hut;

And the only relief from the dullness she feels

Is when ridges grow softened and dim,

And away in the dusk to the sliprails she steals

To dream of past meetings “with him.”



Do you think, where, in place of bare fences, dry creeks,

Clear streams and green hedges are seen---

Where the girls have the lily and rose in their cheeks,

And the grass in midsummer is green---

Do you think now and then, now or then, in the whirl

Of the city, while London is new,

Of the hut in the Bush, and the freckled-faced girl

Who is eating her heart out for you?



Grey eyes that are sadder than sunset or rain,

Bruised heart that is ever more true,

Fond faith that is firmer for trusting in vain---

She waits by the sliprails for you

Rolling out to fight for England, singing songs across the sea;
Rolling North to fight for England, and to fight for you and me.
Fighting hard for France and England, where the storms of Death are hurled;
Fighting hard for Australasia and the honour of the World!
Fighting hard.
Fighting hard for Sunny Queensland—fighting for Bananaland,
Fighting hard for West Australia, and the mulga and the sand;
Fighting hard for Plain and Wool-Track, and the haze of western heat—
Fighting hard for South Australia and the bronze of Farrar’s Wheat!
Fighting hard.

Fighting hard for fair Victoria, and the mountain and the glen;
(And the Memory of Eureka—there were other tyrants then),
For the glorious Gippsland forests and the World’s great Singing Star—
For the irrigation channels where the cabbage gardens are—
Fighting hard.

Fighting hard for gale and earthquake, and the wind-swept ports between;
For the wild flax and manuka and the terraced hills of green.
Fighting hard for wooden homesteads, where the mighty kauris stand—
Fighting hard for fern and tussock!—Fighting hard for Maoriland!
Fighting hard.

Fighting hard for little Tassy, where the apple orchards grow;
(And the Northern Territory just to give the place a show),
Fighting hard for Home and Empire, while the Commonwealth prevails—
And, in spite of all her blunders, dying hard for New South Wales.
Dying hard.

Fighting for the Pride of Old Folk, and the people that you know;
And the girl you left behind you—(ah! the time is passing slow).
For the proud tears of a sister! come you back, or never come!
And the weary Elder Brother, looking after things at home—
Fighting Hard!
You Lucky Devils
!
Fighting hard.

It was a week from Christmas-time,
As near as I remember,
And half a year since, in the rear,
We'd left the Darling timber.
The track was hot and more than drear;
The day dragged out for ever;
But now we knew that we were near
Our camp - the Paroo River.
With blighted eyes and blistered feet,
With stomachs out of order,
Half-mad with flies and dust and heat
We'd crossed the Queensland border.
I longed to hear a stream go by
And see the circles quiver;
I longed to lay me down and die
That night on Paroo River.

The "nose-bags" heavy on each chest
(God bless one kindly squatter!),
With grateful weight our hearts they pressed -
We only wanted water.
The sun was setting in a spray
Of colour like a liver -
We'd fondly hoped to camp and stay
That night by Paroo River.
A cloud was on my mate's broad brow,
And once I heard him mutter:
'What price the good old Darling now? -
God bless that grand old gutter!"
And then he stopped and slowly said
In tones that made me shiver:
"It cannot well be on ahead -
I think we've crossed the river."
But soon we saw a strip of ground
Beside the track we followed,
No damper than the surface round,
But just a little hollowed.
His brow assumed a thoughtful frown -
This speech did he deliver:
"I wonder if we'd best go down
Or up the blessed river?"

"But where," said I, " 's the blooming stream?'
And he replied, 'we're at it!"
I stood awhile, as in a dream,
"Great Scott!" I cried, "is that it?
Why, that is some old bridle-track!"
He chuckled, "Well, I never!
It's plain you've never been Out Back -
This is the Paroo River!"

The East is dead and the West is done, and again our course lies thus
South-east by Fate and the Rising Sun where the Three Kings wait for us.
When our hearts are young and the world is wide, and the heights seem grand to climb—
We are off and away to the Sydney-side; but the Three Kings bide their time.
‘I’ve been to the West,’ the digger said: he was bearded, bronzed and old;
Ah, the smothering curse of the East is wool, and the curse of the West is gold.
I went to the West in the golden boom, with Hope and a life-long mate,
‘They sleep in the sand by the Boulder Soak, and long may the Three Kings wait.’

‘I’ve had my fling on the Sydney-side,’ said a blacksheep to the sea,
Let the young fool learn when he can’t be taught: I’ve learnt what’s good for me.’
And he gazed ahead on the sea-line dim—grown dim in his softened eyes—
With a pain in his heart that was good for him—as he saw the Three Kings rise.

A pale girl sits on the foc’sle head—she is back, Three Kings! so soon;
But it seems to her like a life-time dead since she fled with him ‘saloon.’
There is refuge still in the old folks’ arms for the child that loved too well;
They will hide her shame on the Southern farm—and the Three Kings will not tell.

’Twas a restless heart on the tide of life, and a false star in the skies
That led me on to the deadly strife where the Southern London lies;
But I dream in peace of a home for me, by a glorious southern sound,
As the sunset fades from a moonlit sea, and the Three Kings show us round.

Our hearts are young and the old hearts old, and life, on the farms is slow,
And away in the world there is fame and gold—and the Three Kings watch us go.
Our heads seem wise and the world seems wide, and its heights are ours to climb,
So it’s off and away in our youthful pride—but the Three Kings bide our time.

You wonder why so many would be buried in the sea,
In this world of froth and bubble,
But I don’t wonder, for it seems to me
That it saves such a lot of trouble.
And there ain’t no undertaker—
Oh! there ain’t no order that your friends can give
On the quiet to the coffin-maker—
To a gimcrack coffin-maker,
They make no differ twixt the absentee swell
And the clerk that cut from a “shortage”—
Oh! there ain’t no pauper funer-el,
And there ain’t no “impressive cortege.”
It may be a chap from the for’ard crowd,
Or a member of the British Peerage,
But they sew his nibs in a canvas shroud
Just the same as the bloke from the steerage—
As that poor bloke from the steerage.
There ain’t no need for a gravedigger there,
For you dig your own grave! Lord love yer!
And there ain’t no use for a headstone fair
When the waters close above yer!
The little headstone where they come to weep,
May be right for the land’s dry-rotters,
But you rest just as sound when you’re anchored deep
With the pigiron at your trotters—
(Our fathers had iron at their trotters).
The sea is democratic the wide world round,
And it don’t give a hang for no man,
There ain’t no Church of England burial ground,
Nor yet there ain’t no Roman.
Orthodox and het’rodox by wreck-strewn cliffs,
At peace in the stormiest weather,
Might bob up and down like two brother “stiffs,”
And rest in one shark together—
And mix up their bones together.

The bare-headed skipper is as good any day
As an authorised shifter of sin is,
And the tear of shipmate is better anyway
Than the tear of the next-of-kin is.
It saves your friends, and it fills your needs,
It is best when all is reckoned,
And she can’t come there in her widder weeds,
With her eyes on a likely second—
And a spot for the likely second.