James Whitcomb Riley: Verses about Music

While with Ambition's hectic flame
He wastes the midnight oil,
And dreams, high-throned on heights of fame,
To rest him from his toil,--

Death's Angel, like a vast eclipse,
Above him spreads her wings,
And fans the embers of his lips
To ashes as he sings.

Friends, my heart is half aweary
Of its happiness to-night:
Though your songs are gay and cheery,
And your spirits feather-light,
There's a ghostly music haunting
Still the heart of every guest
And a voiceless chorus chanting
That the Old Times were the best.

CHORUS

All about is bright and pleasant
With the sound of song and jest,
Yet a feeling's ever present
That the Old Times were the best.

Lay away the story,--
Though the theme is sweet,
There's a lack of something yet,
Leaves it incomplete:--
There's a nameless yearning--
Strangely undefined--
For a story sweeter still
Than the written kind.

Therefore read no longer--
I've no heart to hear
But just something you make up,
O my mother dear.--
With your arms around me,
Hold me, folded-eyed,--
Only let your voice go on--
I'll be satisfied.

She sang a song of May for me,
Wherein once more I heard
The mirth of my glad infancy--
The orchard's earliest bird--
The joyous breeze among the trees
New-clad in leaf and bloom,
And there the happy honey-bees
In dewy gleam and gloom.

So purely, sweetly on the sense
Of heart and spirit fell
Her song of Spring, its influence--
Still irresistible,--
Commands me here--with eyes ablur--
To mate her bright refrain.
Though I but shed a rhyme for her
As dim as Autumn rain.

Sing! gangling lad, along the brink
Of wild brook-ways of shoal and deep,
Where killdees dip, and cattle drink,
And glinting little minnows leap!
Sing! slimpsy lass who trips above
And sets the foot-log quivering!
Sing! bittern, bumble-bee, and dove--
Sing! Sing! Sing!

Sing as you will, O singers all
Who sing because you _want_ to sing!
Sing! peacock on the orchard wall,
Or tree-toad by the trickling spring!
Sing! every bird on every bough--
Sing! every living, loving thing--
Sing any song, and anyhow,
But Sing! Sing! Sing!

The harp has fallen from the master's hand;
Mute is the music, voiceless are the strings,
Save such faint discord as the wild wind flings
In sad aeolian murmurs through the land.
The tide of melody, whose billows grand
Flowed o'er the world in clearest utterings,
Now, in receding current, sobs and sings
That song we never wholly understand.
* * O, eyes where glorious prophecies belong,
And gracious reverence to humbly bow,
And kingly spirit, proud, and pure, and strong;
O, pallid minstrel with the laureled brow,
And lips so long attuned to sacred song,
How sweet must be the Heavenly anthem now!

The midnight is not more bewildering
To her drowsed eyes, than to her ears, the sound
Of dim, sweet singing voices, interwound
With purl of flute and subtle twang of string,
Strained through the lattice, where the roses cling
And, with their fragrance, waft the notes around
Her haunted senses. Thirsting beyond bound
Of her slow-yielding dreams, the lilt and swing
Of the mysterious delirious tune,
She drains like some strange opiate, with awed eyes
Upraised against her casement, where aswoon,
The stars fail from her sight, and up the skies
Of alien azure rolls the full round moon
Like some vast bubble blown of summer noon.

Sometimes I keep
From going to sleep,
To hear the katydids 'cheep-cheep!'
And think they say
Their prayers that way;
But _katydids_ don't have to _pray_!

I listen when
They cheep again
And so, I think, they're _singing_ then!
But, no; I'm wrong,--
The sound's too long
And all-alike to be a song!

I think, 'Well, there!
I do declare,
If it is neither song nor prayer,
It's _talk_--and quite
Too vain and light
For me to listen to all night!'

And so, I smile,
And think,--'Now I'll
Not listen for a little while!'--
Then, sweet and clear,
Next '_cheep_' I hear
'S a _kiss_.... Good morning, Mommy dear!

Say farewell, and let me go;
Shatter every vow!
All the future can bestow
Will be welcome now!
And if this fair hand I touch
I have worshipped overmuch,
It was my mistake--and so,
Say farewell, and let me go.

Say farewell, and let me go:
Murmur no regret,
Stay your tear-drops ere they flow--
Do not waste them yet!
They might pour as pours the rain,
And not wash away the pain:
I have tried them and I know.--
Say farewell, and let me go.

Say farewell, and let me go:
Think me not untrue--
True as truth is, even so
I am true to you!
If the ghost of love may stay
Where my fond heart dies to-day,
I am with you alway--so,
Say farewell, and let me go.

When evening shadows fall,
She hangs her cares away
Like empty garments on the wall
That hides her from the day;
And while old memories throng,
And vanished voices call,
She lifts her grateful heart in song
When evening shadows fall.

Her weary hands forget
The burdens of the day.
The weight of sorrow and regret
In music rolls away;
And from the day's dull tomb,
That holds her in its thrall,
Her soul springs up in lily bloom
When evening shadows fall.

O weary heart and hand,
Go bravely to the strife--
No victory is half so grand
As that which conquers life!
One day shall yet be thine--
The day that waits for all
Whose prayerful eyes are things divine
When evening shadows fall.

Welladay!
Here I lay
You at rest--all worn away,
O my pencil, to the tip
Of our old companionship!

Memory
Sighs to see
What you are, and used to be,
Looking backward to the time
When you wrote your earliest rhyme!--

When I sat
Filing at
Your first point, and dreaming that
Your initial song should be
Worthy of posterity.

With regret
I forget
If the song be living yet,
Yet remember, vaguely now,
It was honest, anyhow.

You have brought
Me a thought--
Truer yet was never taught,--
That the silent song is best,
And the unsung worthiest.

So if I,
When I die,
May as uncomplainingly
Drop aside as now you do,
Write of me, as I of you:--

Here lies one
Who begun
Life a-singing, heard of none;
And he died, satisfied,
With his dead songs by his side.

'Why do I sing--Tra-la-la-la-la!
Glad as a King?--Tra-la-la-la-la!
Well, since you ask,--
I have such a pleasant task,
I can not help but sing!

'Why do I smile--Tra-la-la-la-la!
Working the while?--Tra-la-la-la-la!
Work like this is play,--
So I'm playing all the day--
I can not help but smile!

'So, If you please--Tra-la-la-la-la!
Live at your ease!--Tra-la-la-la-la!
You've only got to turn,
And, you see, its bound to churn--
I can not help but please!'

The farmer pondered and scratched his head,
Reading over each mystic word.--
'Some o' the Dreamer's work!' he said--
'Ah, here's more--and name and date
In his hand-write'!'--And the good man read,--
''Patent applied for, July third,
Eighteen hundred and forty-eight'!'
The fragment fell from his nerveless grasp--
His awed lips thrilled with the joyous gasp:
'I see the p'int to the whole concern,--
He's studied out a patent churn!'

O I will walk with you, my lad, whichever way you fare,
You'll have me, too, the side o' you, with heart as light as air;
No care for where the road you take's a-leadin' anywhere,--
It can but be a joyful ja'nt whilst you journey there.
The road you take's the path o' love, an' that's the bridth o' two--
An' I will walk with you, my lad -- O I will walk with you.

Ho! I will walk with you, my lad,
Be weather black or blue
Or roadsides frost or dew, my lad --
O I will walk with you.

Aye, glad, my lad, I'll walk with you, whatever winds may blow,
Or summer blossoms stay our steps, or blinding drifts of snow;
The way thay you set face an' foot 's the way that I will go,
An' brave I'll be, abreast o' ye, the Saints and Angels know!
With loyal hand in loyal hand, an' one heart made o' two,
Through summer's gold, or winter's cold, It's I will walk with you.

Sure, I will walk with you, my lad,
A love ordains me to,--
To Heaven's door, an' through, my lad.
O I will walk with you.

_May 1, 1891_.

I.

Elizabeth! Elizabeth!
The first May-morning whispereth
Thy gentle name in every breeze
That lispeth through the young-leaved trees,
New raimented in white and green
Of bloom and leaf to crown thee queen;--
And, as in odorous chorus, all
The orchard-blossoms sweetly call
Even as a singing voice that saith
Elizabeth! Elizabeth!

II.

Elizabeth! Lo, lily-fair,
In deep, cool shadows of thy hair,
Thy face maintaineth its repose.--
Is it, O sister of the rose,
So better, sweeter, blooming thus
Than in this briery world with us?--
Where frost o'ertaketh, and the breath
Of biting winter harrieth
With sleeted rains and blighting snows
All fairest blooms--Elizabeth!

III.

Nay, then!--So reign, Elizabeth,
Crowned, in thy May-day realm of death!
Put forth the scepter of thy love
In every star-tipped blossom of
The grassy dais of thy throne!
Sadder are we, thus left alone,
But gladder they that thrill to see
Thy mother's rapture, greeting thee.
Bereaved are we by life--not death--
Elizabeth! Elizabeth!

The harp of the minstrel has never a tone
As sad as the song in his bosom to-night,
For the magical touch of his fingers alone
Can not waken the echoes that breathe it aright;
But oh! as the smile of the moon may impart
A sorrow to one in an alien clime,
Let the light of the melody fall on the heart,
And cadence his grief into musical rhyme.

The faces have faded, the eyes have grown dim
That once were his passionate love and his pride;
And alas! all the smiles that once blossomed for him
Have fallen away as the flowers have died.
The hands that entwined him the laureate's wreath
And crowned him with fame in the long, long ago,
Like the laurels are withered and folded beneath
The grass and the stubble--the frost and the snow.

Then sigh, if thou wilt, as the whispering strings
Strive ever in vain for the utterance clear,
And think of the sorrowful spirit that sings,
And jewel the song with the gem of a tear.
For the harp of the minstrel has never a tone
As sad as the song in his bosom tonight,
And the magical touch of his fingers alone
Can not waken the echoes that breathe it aright.

There is ever a song somewhere, my dear;
There is ever a something sings alway:
There's the song of the lark when the skies are clear,
And the song of the thrush when the skies are gray.
The sunshine showers across the grain,
And the bluebird trills in the orchard tree;
And in and out, when the eaves dip rain,
The swallows are twittering ceaselessly.

There is ever a song somewhere, my dear,
Be the skies above or dark or fair,
There is ever a song that our hearts may hear--
There is ever a song somewhere, my dear
There is ever a song somewhere!

There is ever a song somewhere, my dear,
In the midnight black, or the mid-day blue:
The robin pipes when the sun is here,
And the cricket chirrups the whole night through.
The buds may blow, and the fruit may grow,
And the autumn leaves drop crisp and sear;
But whether the sun, or the rain, or the snow,
There is ever a song somewhere, my dear.

There is ever a song somewhere, my dear,
Be the skies above or dark or fair,
There is ever a song that our hearts may hear--
There is ever a song somewhere, my dear--
There is ever a song somewhere!

A song of Long Ago:
Sing it lightly--sing it low--
Sing it softly--like the lisping of the lips we used to know
When our baby-laughter spilled
From the glad hearts ever filled
With music blithe as robin ever trilled!

Let the fragrant summer-breeze,
And the leaves of locust-trees,
And the apple-buds and blossoms, and the wings of honey-bees,
All palpitate with glee,
Till the happy harmony
Brings back each childish joy to you and me.

Let the eyes of fancy turn
Where the tumbled pippins burn
Like embers in the orchard's lap of tangled grass and fern,--
There let the old path wind
In and out and on behind
The cider-press that chuckles as we grind.

Blend in the song the moan
Of the dove that grieves alone,
And the wild whir of the locust, and the bumble's drowsy drone;
And the low of cows that call
Through the pasture-bars when all
The landscape fades away at evenfall.

Then, far away and clear,
Through the dusky atmosphere,
Let the wailing of the kildee be the only sound we hear:
O sad and sweet and low
As the memory may know
Is the glad-pathetic song of Long Ago!

Maud Muller worked at making hay,
And cleared her forty cents a day.

Her clothes were coarse, but her health was fine,
And so she worked in the sweet sunshine

Singing as glad as a bird in May
'Barbara Allen' the livelong day.

She often glanced at the far-off town,
And wondered if eggs were up or down.

And the sweet song died of a strange disease,
Leaving a phantom taste of cheese,

And an appetite and a nameless ache
For soda-water and ginger cake.

The judge rode slowly into view--
Stopped his horse in the shade and threw

His fine-cut out, while the blushing Maud
Marveled much at the kind he 'chawed.'

'He was dry as a fish,' he said with a wink,
'And kind o' thought that a good square drink

Would brace him up.' So the cup was filled
With the crystal wine that old spring spilled;

And she gave it him with a sun-browned hand.
'Thanks,' said the judge in accents bland;

'A thousand thanks! for a sweeter draught,
From a fairer hand'--but there he laughed.

And the sweet girl stood in the sun that day,
And raked the judge instead of the hay.

Little brook! Little brook!
You have such a happy look--
Such a very merry manner, as you swerve and
curve and crook--
And your ripples, one and one,
Reach each other's hands and run
Like laughing little children in the sun!

Little brook, sing to me:
Sing about a bumblebee
That tumbled from a lily-bell and grumbled
mumblingly,
Because he wet the film
Of his wings, and had to swim,
While the water-bugs raced round and
laughed at him!

Little brook-sing a song
Of a leaf that sailed along
Down the golden-braided centre of your current
swift and strong,
And a dragon-fly that lit
On the tilting rim of it,
And rode away and wasn't scared a bit.

And sing--how oft in glee
Came a truant boy like me,
Who loved to lean and listen to your lilting
melody,
Till the gurgle and refrain
Of your music in his brain
Wrought a happiness as keen to him
as pain.

Little brook-laugh and leap!
Do not let the dreamer weep:
Sing him all the songs of summer till he sink in
softest sleep;
And then sing soft and low
Through his dreams of long ago--
Sing back to him the rest he used to
know!

Only a dream!
Her head is bent
Over the keys of the instrument,
While her trembling fingers go astray
In the foolish tune she tries to play.
He smiles in his heart, though his deep, sad eyes
Never change to a glad surprise
As he finds the answer he seeks confessed
In glowing features, and heaving breast.

Only a dream!
Though the fete is grand,
And a hundred hearts at her command,
She takes no part, for her soul is sick
Of the Coquette's art and the Serpent's trick,--
She someway feels she would like to fling
Her sins away as a robe, and spring
Up like a lily pure and white,
And bloom alone for HIM to-night.

Only a dream
That the fancy weaves.
The lids unfold like the rose's leaves,
And the upraised eyes are moist and mild
As the prayerful eyes of a drowsy child.
Does she remember the spell they once
Wrought in the past a few short months?
Haply not--yet her lover's eyes
Never change to the glad surprise.

Only a dream!
He winds her form
Close in the coil of his curving arm,
And whirls her away in a gust of sound
As wild and sweet as the poets found
In the paradise where the silken tent
Of the Persian blooms in the Orient,--
While ever the chords of the music seem
Whispering sadly,--'Only a dream!'

O it was but a dream I had
While the musician played!--
And here the sky, and here the glad
Old ocean kissed the glade--
And here the laughing ripples ran,
And here the roses grew
That threw a kiss to every man
That voyaged with the crew.

Our silken sails in lazy folds
Drooped in the breathless breeze:
As o'er a field of marigolds
Our eyes swam o'er the seas;
While here the eddies lisped and purled
Around the island's rim,
And up from out the underworld
We saw the mermen swim.

And it was dawn and middle-day
And midnight--for the moon
On silver rounds across the bay
Had climbed the skies of June--
And there the glowing, glorious king
Of day ruled o'er his realm,
With stars of midnight glittering
About his diadem.

The seagull reeled on languid wing
In circles round the mast,
We heard the songs the sirens sing
As we went sailing past;
And up and down the golden sands
A thousand fairy throngs
Flung at us from their flashing hands
The echoes of their songs.

O it was but a dream I had
While the musician played--
For here the sky, and here the glad
Old ocean kissed the glade;
And here the laughing ripples ran,
And here the roses grew
That threw a kiss to every man
That voyaged with the crew.

Bud, come here to your uncle a spell,
And I'll tell you something you mustn't tell--
For it's a secret and shore-'nuf true,
And maybe I oughtn't to tell it to you--!
But out in the garden, under the shade
Of the apple-trees, where we romped and played
Till the moon was up, and you thought I'd gone
Fast asleep--, That was all put on!
For I was a-watchin' something queer
Goin' on there in the grass, my dear--!
'Way down deep in it, there I see
A little dude-Fairy who winked at me,
And snapped his fingers, and laughed as low
And fine as the whine of a mus-kee-to!
I kept still-- watchin' him closer-- and
I noticed a little guitar in his hand,
Which he leant 'ginst a little dead bee-- and laid
His cigarette down on a clean grass-blade,
And then climbed up on the shell of a snail--
Carefully dusting his swallowtail--
And pulling up, by a waxed web-thread,
This little guitar, you remember. I said!
And there he trinkled and trilled a tune--,
'My Love, so Fair, Tans in the Moon!'
Till presently, out of the clover-top
He seemed to be singing to, came k'pop!
The purtiest, daintiest Fairy face
In all this world, or any place!
Then the little ser'nader waved his hand,
As much as to say, 'We'll excuse you!' and
I heard, as I squinted my eyelids to,
A kiss like the drip of a drop of dew!

_Piped to the Spirit of John Keats._

I.

Would that my lips might pour out in thy praise
A fitting melody--an air sublime,--
A song sun-washed and draped in dreamy haze--
The floss and velvet of luxurious rhyme:
A lay wrought of warm languors, and o'er-brimmed
With balminess, and fragrance of wild flowers
Such as the droning bee ne'er wearies of--
Such thoughts as might be hymned
To thee from this midsummer land of ours
Through shower and sunshine blent for very love.


II.

Deep silences in woody aisles wherethrough
Cool paths go loitering, and where the trill
Of best-remembered birds hath something new
In cadence for the hearing--lingering still
Through all the open day that lies beyond;
Reaches of pasture-lands, vine-wreathen oaks,
Majestic still in pathos of decay,--
The road--the wayside pond
Wherein the dragonfly an instant soaks
His filmy wing-tips ere he flits away.


III.

And I would pluck from out the dank, rich mould,
Thick-shaded from the sun of noon, the long
Lithe stalks of barley, topped with ruddy gold,
And braid them in the meshes of my song;
And with them I would tangle wheat and rye,
And wisps of greenest grass the katydid
Ere crept beneath the blades of, sulkily,
As harvest-hands went by;
And weave of all, as wildest fancy bid,
A crown of mingled song and bloom for thee.

Illileo, the moonlight seemed lost across the vales--
The stars but strewed the azure as an armor's scattered scales;
The airs of night were quiet as the breath of silken sails,
And all your words were sweeter than the notes of nightingales.

Illileo Legardi, in the garden there alone,
With your figure carved of fervor, as the Psyche carved of stone,
There came to me no murmur of the fountain's undertone
So mystically, musically mellow as your own.

You whispered low, Illileo-- so low the leaves were mute,
And the echoes faltered breathless in your voice's vain pursuit;
And there died the distant dalliance of the serenader's lute:
And I held you in my bosom as the husk may hold the fruit.

Illileo, I listened. I believed you. In my bliss,
What were all the worlds above me since I found you thus in this--?
Let them reeling reach to win me-- even Heaven I would miss,
Grasping earthward--! I would cling here, though I clung by just a kiss.

And blossoms should grow odorless-- and lilies all aghast--
And I said the stars should slacken in their paces through the vast,
Ere yet my loyalty should fail enduring to the last--.
So vowed I. It is written. It is changeless as the past.

IIlileo Legardi, in the shade your palace throws
Like a cowl about the singer at your gilded porticos,
A moan goes with the music that may vex the high repose
Of a heart that fades and crumbles as the crimson of a rose.

Written In Madison Caweln's 'Lyrics and Idyls.'

Herein are blown from out the South
Songs blithe as those of Pan's pursed mouth--
As sweet in voice as, in perfume,
The night-breath of magnolia-bloom.

Such sumptuous languor lures the sense--
Such luxury of indolence--
The eyes blur as a nymph's might blur,
With water-lilies watching her.

You waken, thrilling at the trill
Of some wild bird that seems to spill
The silence full of winey drips
Of song that Fancy sips and sips.

Betimes, in brambled lanes wherethrough
The chipmunk stripes himself from view,
You pause to lop a creamy spray
Of elder-blossoms by the way.

Or where the morning dew is yet
Gray on the topmost rail, you set
A sudden palm and, vaulting, meet
Your vaulting shadow in the wheat.

On lordly swards, of suave incline,
Entessellate with shade and shine,
You shall misdoubt your lowly birth,
Clad on as one of princely worth:

The falcon on your wrist shall ride--
Your milk-white Arab side by side
With one of raven-black.--You fain
Would kiss the hand that holds the rein.

Nay, nay, Romancer! Poet! Seer!
Sing us back home--from there to here;
Grant your high grace and wit, but we
Most honor your simplicity.--

Herein are blown from out the South
Songs blithe as those of Pan's pursed mouth--
As sweet in voice as, in perfume,
The night-breath of magnolia-bloom.

The world is turned ag'in' me,
And people says, 'They guess
That nothin' else is in me
But pure maliciousness!'
I git the blame for doin'
What other chaps destroy,
And I'm a-goin' to ruin
Because I'm 'Johnson's boy.'

THAT ain't my name--I'd ruther
They'd call me IKE or PAT--
But they've forgot the other--
And so have _I_, for that!
I reckon it's as handy,
When Nibsy breaks his toy,
Or some one steals his candy,
To say 'twas 'JOHNSON'S BOY!'

You can't git any water
At the pump, and find the spout
So durn chuck-full o' mortar
That you have to bore it out;
You tackle any scholar
In Wisdom's wise employ,
And I'll bet you half a dollar
He'll say it's 'Johnson's boy!'

Folks don't know how I suffer
In my uncomplainin' way--
They think I'm gittin' tougher
And tougher every day.
Last Sunday night, when Flinder
Was a-shoutin' out for joy,
And some one shook the winder,
He prayed for 'Johnson's boy.'

I'm tired of bein' follered
By farmers every day,
And then o' bein' collared
For coaxin' hounds away;
Hounds always plays me double--
It's a trick they all enjoy--
To git me into trouble,
Because I'm 'Johnson's boy.'

But if I git to Heaven,
I hope the Lord'll see
SOME boy has been perfect,
And lay it on to me;
I'll swell the song sonorous,
And clap my wings for joy,
And sail off on the chorus--
'Hurrah for 'Johnson's boy!''

I

Who would be
A merman gay,
Singing alone,
Sitting alone,
With a mermaid's knee,
For instance--hey--
For a throne?

II

I would be a merman gay;
I would sit and sing the whole day long;
I would fill my lungs with the strongest brine,
And squirt it up in a spray of song,
And soak my head in my liquid voice;
I'd curl my tail in curves divine,
And let each curve in a kink rejoice.
I'd tackle the mermaids under the sea,
And yank 'em around till they yanked me,
Sportively, sportively;
And then we would wiggle away, away,
To the pea-green groves on the coast of day,
Chasing each other sportively.

III

There would be neither moon nor star;
But the waves would twang like a wet guitar
Low thunder and thrum in the darkness grum--
Neither moon nor star;
We would shriek aloud in the dismal dales--
Shriek at each other and squawk and squeal,
"All night!" rakishly, rakishly;
They would pelt me with oysters and wiggletails,
Laughing and clapping their hands at me,
"All night!" prankishly, prankishly;
But I would toss them back in mine,
Lobsters and turtles of quaint design;
Then leaping out in an abrupt way,
I'd snatch them bald in my devilish glee,
And skip away when they snatched at me,
Fiendishly, fiendishly.
O, what a jolly life I'd lead,
Ah, what a "bang-up" life indeed!
Soft are the mermaids under the sea--
We would live merrily, merrily.

I heard the bells at midnight
Ring in the dawning year;
And above the clanging chorus
Of the song, I seemed to hear
A choir of mystic voices
Flinging echoes, ringing clear,
From a band of angels winging
Through the haunted atmosphere:
'Ring out the shame and sorrow,
And the misery and sin,
That the dawning of the morrow
May in peace be ushered in.'

And I thought of all the trials
The departed years had cost,
And the blooming hopes and pleasures
That are withered now and lost;
And with joy I drank the music
Stealing o'er the feeling there
As the spirit song came pealing
On the silence everywhere:
'Ring out the shame and sorrow,
And the misery and sin,
That the dawning of the morrow
May in peace be ushered in.'

And I listened as a lover
To an utterance that flows
In syllables like dewdrops
From the red lips of a rose,
Till the anthem, fainter growing,
Climbing higher, chiming on
Up the rounds of happy rhyming,
Slowly vanished in the dawn:
'Ring out the shame and sorrow,
And the misery and sin,
That the dawning of the morrow
May in peace be ushered in.'

Then I raised my eyes to Heaven,
And with trembling lips I pled
For a blessing for the living
And a pardon for the dead;
And like a ghost of music
Slowly whispered--lowly sung--
Came the echo pure and holy
In the happy angel tongue:
'Ring out the shame and sorrow,
And the misery and sin,
And the dawn of every morrow
Will in peace be ushered in.'

O the drum!
There is some
Intonation in thy grum
Monotony of utterance that strikes the spirit dumb,
As we hear
Through the clear
And unclouded atmosphere,
Thy palpitating syllables roll in upon the ear!

There's a part
Of the art
Of thy music-throbbing heart
That thrills a something in us that awakens with a start,
And in rhyme
With the chime
And exactitude of time,
Goes marching on to glory to thy melody sublime.

And the guest
Of the breast
That thy rolling robs of rest
Is a patriotic spirit as a Continental dressed;
And he looms
From the glooms
Of a century of tombs,
And the blood he spilled at Lexington in living beauty blooms.

And his eyes
Wear the guise
Of a purpose pure and wise,
As the love of them is lifted to a something in the skies
That is bright
Red and white,
With a blur of starry light,
As it laughs in silken ripples to the breezes day and night.

There are deep
Hushes creep
O'er the pulses as they leap,
As thy tumult, fainter growing, on the silence falls asleep,
While the prayer
Rising there
Wills the sea and earth and air
As a heritage to Freedom's sons and daughters everywhere.

Then, with sound
As profound
As the thunderings resound,
Come thy wild reverberations in a throe that shakes the ground,
And a cry
Flung on high,
Like the flag it flutters by,
Wings rapturously upward till it nestles in the sky.

O the drum!
There is some
Intonation in thy grum
Monotony of utterance that strikes the spirit dumb,
As we hear
Through the clear
And unclouded atmosphere,
Thy palpitating syllables roll in upon the ear!

Sweet Singer that I loe the maist
O' ony, sin' wi' eager haste
I smacket bairn-lips ower the taste
O' hinnied sang,
I hail thee, though a blessed ghaist
In Heaven lang!

For weel I ken, nae cantie phrase,
Nor courtly airs, nor lairdly ways,
Could gar me freer blame, or praise,
Or proffer hand,
Where 'Rantin' Robbie' and his lays
Thegither stand.

And sae these hamely lines I send,
Wi' jinglin' words at ilka end,
In echo o' the sangs that wend
Frae thee to me
Like simmer-brooks, wi mony a bend
O' wimplin' glee.

In fancy, as wi' dewy een,
I part the clouds aboon the scene
Where thou wast born, and peer atween,
I see nae spot
In a' the Hielands half sae green
And unforgot?

I see nae storied castle-hall,
Wi' banners flauntin' ower the wall
And serf and page in ready call,
Sae grand to me
As ane puir cotter's hut, wi' all
Its poverty.

There where the simple daisy grew
Sae bonnie sweet, and modest too,
Thy liltin' filled its wee head fu'
O' sic a grace,
It aye is weepin' tears o' dew
Wi' droopit face.

Frae where the heather bluebells fling
Their sangs o' fragrance to the Spring,
To where the lavrock soars to sing,
Still lives thy strain,
For' a' the birds are twittering
Sangs like thine ain.

And aye, by light o' sun or moon,
By banks o' Ayr, or Bonnie Doon,
The waters lilt nae tender tune
But sweeter seems
Because they poured their limpid rune
Through a' thy dreams.

Wi' brimmin' lip, and laughin' ee,
Thou shookest even Grief wi' glee,
Yet had nae niggart sympathy
Where Sorrow bowed,
But gavest a' thy tears as free
As a' thy gowd.

And sae it is we be thy name
To see bleeze up wi' sic a flame,
That a' pretentious stars o' fame
Maun blink asklent,
To see how simple worth may shame
Their brightest glent.

It's the curiousest thing in creation,
Whenever I hear that old song,
'Do They Miss Me at Home?' I'm so bothered,
My life seems as short as it's long!--
Far ever'thing 'pears like adzackly
It 'peared, in the years past and gone,--
When I started out sparkin', at twenty,
And had my first neckercher on!

Though I'm wrinkelder, older and grayer
Right now than my parents was then,
You strike up that song, 'Do They Miss Me?'
And I'm jest a youngster again!--
I'm a-standin' back there in the furries
A-wishin' far evening to come,
And a-whisperin' over and over
Them words, 'Do They Miss Me at Home?'

You see, Marthy Ellen she sung it
The first time I heerd it; and so,
As she was my very first sweetheart,
It reminds of her, don't you know,--
How her face ust to look, in the twilight,
As I tuck her to spellin'; and she
Kep' a-hummin' that song 'tel I ast her,
Pine-blank, ef she ever missed me!

I can shet my eyes now, as you sing it,
And hear her low answerin' words,
And then the glad chirp of the crickets
As clear as the twitter of birds;
And the dust in the road is like velvet,
And the ragweed, and fennel, and grass
Is as sweet as the scent of the lilies
Of Eden of old, as we pass.

'Do They Miss Me at Home?' Sing it lower--
And softer--and sweet as the breeze
That powdered our path with the snowy
White bloom of the old locus'-trees!
Let the whippoorwills he'p you to sing it,
And the echoes 'way over the hill,
'Tel the moon boolges out, in a chorus
Of stars, and our voices is still.

But, oh! 'They's a chord in the music
That's missed when _her_ voice is away!'
Though I listen from midnight 'tel morning,
And dawn, 'tel the dusk of the day;
And I grope through the dark, lookin' up'ards
And on through the heavenly dome,
With my longin' soul singin' and sobbin'
The words, 'Do They Miss Me at Home?'

I
But yesterday
I looked away
O'er happy lands, where sunshine lay
In golden blots,
Inlaid with spots
Of shade and wild forget-me-nots.

My head was fair
With flaxen hair,
And fragrant breezes, faint and rare,
And, warm with drouth
From out the south,
Blew all my curls across my mouth.

And, cool and sweet,
My naked feet
Found dewy pathways through the wheat;
And out again
Where, down the lane,
The dust was dimpled with the rain.

II
But yesterday! --
Adream, astray,
From morning's red to evening's dray,
O'er dales and hills
Of daffodils
And lorn sweet-fluting whippoorwills.

I knew nor cares
Nor tears nor prayers --
A mortal god, crowned unawares
With sunset -- and
A scepter-wand
Of apple-blossoms in my hand!

The dewy blue
Of twilight grew
To purple, with a star or two
Whose lisping rays
Failed in the blaze
Of sudden fireflies through the haze.

III
But yesterday
I heard the lay
Of summer birds, when I, as they
With breast and wing,
All quivering
With life and love, could only sing.

My head was leant
Where, with it, blent
A maiden's, o'er her instrument;
While all the night,
From vale to height,
Was filled with echoes of delight.

And all our dreams
Were lit with gleams
Of that lost land of reedy streams,
Along whose brim
Forever swim
Pan's lilies, laughing up at him.

IV
But yesterday! . . .
O blooms of May,
And summer roses -- where away?
O stars above;
And lips of love,
And all the honeyed sweets thereof! --

O lad and lass,
And orchard pass,
And briered lane, and daisied grass!
O gleam and gloom,
And woodland bloom,
And breezy breaths of all perfume! --

No more for me
Or mine shall be
Thy raptures -- save in memory, --
No more -- no more --
Till through the Door
Of Glory gleam the days of yore.

Lying listless in the mosses
Underneath a tree that tosses
Flakes of sunshine, and embosses
Its green shadow with the snow--
Drowsy-eyed, I sink in slumber
Born of fancies without number--
Tangled fancies that encumber
Me with dreams of long ago.

Ripples of the river singing;
And the water-lilies swinging
Bells of Parian, and ringing
Peals of perfume faint and fine,
While old forms and fairy faces
Leap from out their hiding-places
In the past, with glad embraces
Fraught with kisses sweet as wine.

Willows dip their slender fingers
O'er the little fisher's stringers,
While he baits his hook and lingers
Till the shadows gather dim;
And afar off comes a calling
Like the sounds of water falling,
With the lazy echoes drawling
Messages of haste to him.

Little naked feet that tinkle
Through the stubble-fields, and twinkle
Down the winding road, and sprinkle
Little mists of dusty rain,
While in pasture-lands the cattle
Cease their grazing with a rattle
Of the bells whose clappers tattle
To their masters down the lane.

Trees that hold their tempting treasures
O'er the orchard's hedge embrasures,
Furnish their forbidden pleasures
As in Eden lands of old;
And the coming of the master
Indicates a like disaster
To the frightened heart that faster
Beats pulsations manifold.

Puckered lips whose pipings tingle
In staccato notes that mingle
Musically with the jingle-
Haunted winds that lightly fan
Mellow twilights, crimson-tinted
By the sun, and picture-printed
Like a book that sweetly hinted
Of the Nights Arabian.

Porticoes with columns plaited
And entwined with vines and freighted
With a bloom all radiated
With the light of moon and star;
Where some tender voice is winging
In sad flights of song, and singing
To the dancing fingers flinging
Dripping from the sweet guitar.

Would my dreams were never taken
From me: that with faith unshaken
I might sleep and never waken
On a weary world of woe!
Links of love would never sever
As I dreamed them, never, never!
I would glide along forever
Through the dreams of long ago.

As one who cons at evening o'er an album all alone,
And muses on the faces of the friends that he has known,
So I turn the leaves of Fancy, till in shadowy design
I find the smiling features of an old sweetheart of mine.

The lamplight seems to glimmer with a flicker of surprise,
As I turn it low, to rest me of the dazzle in my eyes,
And light my pipe in silence, save a sigh that seems to yoke
Its fate with my tobacco, and to vanish with the smoke.

'Tis a fragrant retrospection, for the loving thoughts that start
Into being are like perfumes from the blossom of the heart;
And to dream the old dreams over is a luxury divine—
When my truant fancies wander with that old sweetheart of mine.

Though I hear, beneath my study, like a fluttering of wings,
The voices of my children and the mother as she sings,
I feel no twinge of conscience to deny me any theme
When Care has cast her anchor in the harbor of a dream.

In fact, to speak in earnest, I believe it adds a charm
To spice the good a trifle with a little dust of harm;
For I find an extra flavor in Memory's mellow wine
That makes me drink the deeper to that old sweetheart of mine.

A face of lily-beauty, with a form of airy grace,
Floats out of my tobacco as the genii from the vase;
And I thrill beneath the glances of a pair of azure eyes,
As glowing as the summer and as tender as the skies.

I can see the pink sunbonnet and the little checkered dress
She wore when first I kissed her, and she answered the caress
With the written declaration that, 'as surely as the vine
Grew round the stump,' she loved me,—that old sweetheart of mine!

And again I feel the pressure of her slender little hand,
As we used to talk together of the future we had planned:
When I should be a poet, and with nothing else to do
But write the tender verses that she set the music to;

When we should live together in a cozy little cot,
Hid in a nest of roses, with a fairy garden-spot,
Where the vines were ever fruited, and the weather ever fine,
And the birds were ever singing for that old sweetheart of mine;

And I should be her lover forever and a day,
And she my faithful sweetheart till the golden hair was gray;
And we should be so happy that when either's lips were dumb
They would not smile in heaven till the other's kiss had come.

But ah! my dream is broken by a step upon the stair,
And the door is softly opened, and my wife is standing there!
Yet with eagerness and rapture all my visions I resign
To greet the living presence of that old sweetheart of mine.

I

He was a Dreamer of the Days:
Indolent as a lazy breeze
Of midsummer, in idlest ways
Lolling about in the shade of trees.
The farmer turned--as he passed him by
Under the hillside where he kneeled
Plucking a flower--with scornful eye
And rode ahead in the harvest field
Muttering--'Lawz! ef that-air shirk
Of a boy was mine fer a week er so,
He'd quit _dreamin'_ and git to work
And _airn_ his livin'--er--Well! _I_ know!'
And even kindlier rumor said,
Tapping with finger a shaking head,--
'Got such a curious kind o' way--
Wouldn't surprise me much, I say!'

Lying limp, with upturned gaze
Idly dreaming away his days.
No companions? Yes, a book
Sometimes under his arm he took
To read aloud to a lonesome brook.
And school-boys, truant, once had heard
A strange voice chanting, faint and dim--
Followed the echoes, and found it him,
Perched in a tree-top like a bird,
Singing, clean from the highest limb;
And, fearful and awed, they all slipped by
To wonder in whispers if he could fly.
'Let him alone!' his father said
When the old schoolmaster came to say,
'He took no part in his books to-day--
Only the lesson the readers read.--
His mind seems sadly going astray!'
'Let him alone!' came the mournful tone,
And the father's grief in his sad eyes shone--
Hiding his face in his trembling hand,
Moaning, 'Would I could understand!
But as heaven wills it I accept
Uncomplainingly!' So he wept.

Then went 'The Dreamer' as he willed,
As uncontrolled as a light sail filled
Flutters about with an empty boat
Loosed from its moorings and afloat:
Drifted out from the busy quay
Of dull school-moorings listlessly;
Drifted off on the talking breeze,
All alone with his reveries;
Drifted on, as his fancies wrought--
Out on the mighty gulfs of thought.


II

The farmer came in the evening gray
And took the bars of the pasture down;
Called to the cows in a coaxing way,
'Bess' and 'Lady' and 'Spot' and 'Brown,'
While each gazed with a wide-eyed stare,
As though surprised at his coming there--
Till another tone, in a higher key,
Brought their obeyance lothfully.

Then, as he slowly turned and swung
The topmost bar to its proper rest,
Something fluttered along and clung
An instant, shivering at his breast--
A wind-scared fragment of legal cap,
Which darted again, as he struck his hand
On his sounding chest with a sudden slap,
And hurried sailing across the land.
But as it clung he had caught the glance
Of a little penciled countenance,
And a glamour of written words; and hence,
A minute later, over the fence,
'Here and there and gone astray
Over the hills and far away,'
He chased it into a thicket of trees
And took it away from the captious breeze.

A scrap of paper with a rhyme
Scrawled upon it of summertime:
A pencil-sketch of a dairy-maid,
Under a farmhouse porch's shade,
Working merrily; and was blent
With her glad features such sweet content,
That a song she sung in the lines below
Seemed delightfully _apropos_:--

I' b'en a-kindo musin', as the feller says, and I'm
About o' the conclusion that they ain't no better time,
When you come to cipher on it, than the times we used to know
When we swore our first 'dog-gone-it' sorto solem'-like and low!

You git my idy, do you?--_Little_ tads, you understand--
Jes' a wishin' thue and thue you that you on'y was a _man_.--
Yit here I am, this minute, even forty, to a day,
And fergittin' all that's in it, wishin' jes' the other way!

I hain't no hand to lectur' on the times, er dimonstrate
Whur the trouble is, er hector and domineer with Fate,--
But when I git so flurried, and so pestered-like and blue,
And so rail owdacious worried, let me tell you what I do!--

I jes' gee-haw the hosses, and unhook the swingle-tree,
Whur the hazel-bushes tosses down their shadders over me,
And I draw my plug o' navy, and I climb the fence, and set
Jes' a-thinkin' here, 'y gravy! till my eyes is wringin'-wet!

Tho' I still kin see the trouble o' the _present_, I kin see--
Kindo like my sight was double--all the things that _used to be_;
And the flutter o' the robin, and the teeter o' the wren
Sets the willer branches bobbin 'howdy-do' thum Now to Then!

The deadnin' and the thicket's jes' a bilin' full of June,
Thum the rattle o' the cricket, to the yallar-hammer's tune;
And the catbird in the bottom, and the sap-suck on the snag,
Seems ef they cain't--od-rot'em!--jes' do nothin' else but brag!

They's music in the twitter of the bluebird and the jay,
And that sassy little critter jes' a-peckin' all the day;
They's music in the 'flicker,' and they's music in the thrush,
And they's music in the snicker o' the chipmunk in the brush!

They's music _all around_ me!--And I go back, in a dream--
Sweeter yit than ever found me fast asleep--and in the stream
That used to split the medder whur the dandylions growed,
I stand knee-deep, and redder than the sunset down the road.

Then's when I' b'en a-fishin'!--and they's other fellers, too,
With their hickry poles a-swishin' out behind 'em; and a few
Little 'shiners' on our stringers, with their tails tiptoein' bloom,
As we dance 'em in our fingers all the happy journey home.

I kin see us, true to Natur', thum the time we started out
With a biscuit and a 'tater in our little 'roundabout!'
I kin see our lines a-tanglin', and our elbows in a jam,
And our naked legs a-danglin' thum the apern of the dam.

I kin see the honeysuckle climbin' up around the mill;
And kin hear the worter chuckle, and the wheel a-growlin' still;
And thum the bank below it I kin steal the old canoe,
And jes' git in and row it like the miller used to do.

W'y, I git my fancy focussed on the past so mortal plain
I kin even smell the locus'-blossoms bloomin' in the lane;
And I hear the cow-bells clinkin' sweeter tunes 'n 'money musk'
Far the lightnin'-bugs a-blinkin'and a-dancin'in the dusk.

And so I keep on musin', as the feller says, till I'm
Firm-fixed in the conclusion that they hain't no better time,
When you come to cipher on it, than the _old_ times,--and, I swear,
I kin wake and say 'dog-gone-it!' jes' as soft as any prayer!

As a harvester, at dusk,
Faring down some woody trail
Leading homeward through the musk
Of may-apple and pawpaw,
Hazel-bush, and spice and haw,--
So comes Autumn, swart and hale,
Drooped of frame and slow of stride.
But withal an air of pride
Looming up in stature far
Higher than his shoulders are;
Weary both in arm and limb,
Yet the wholesome heart of him
Sheer at rest and satisfied.

Greet him as with glee of drums
And glad cymbals, as he comes!
Robe him fair, O Rain and Shine.
He the Emperor--the King--
Royal lord of everything
Sagging Plenty's granary floors
And out-bulging all her doors;
He the god of corn and wine,
Honey, milk, and fruit and oil--
Lord of feast, as lord of toil--
Jocund host of yours and mine!

Ho! the revel of his laugh!--
Half is sound of winds, and half
Roar of ruddy blazes drawn
Up the throats of chimneys wide,
Circling which, from side to side,
Faces--lit as by the Dawn,
With her highest tintings on
Tip of nose, and cheek, and chin--
Smile at some old fairy-tale
Of enchanted lovers, in
Silken gown and coat of mail,
With a retinue of elves
Merry as their very selves,
Trooping ever, hand in hand,
Down the dales of Wonderland.

Then the glory of his song!--
Lifting up his dreamy eyes--
Singing haze across the skies;
Singing clouds that trail along
Towering tops of trees that seize
Tufts of them to stanch the breeze;
Singing slanted strands of rain
In between the sky and earth,
For the lyre to mate the mirth
And the might of his refrain:
Singing southward-flying birds
Down to us, and afterwards
Singing them to flight again;
Singing blushes to the cheeks
Of the leaves upon the trees--
Singing on and changing these
Into pallor, slowly wrought,
Till the little, moaning creeks
Bear them to their last farewell,
As Elaine, the lovable,
Was borne down to Lancelot.--
Singing drip of tears, and then
Drying them with smiles again.

Singing apple, peach and grape,
Into roundest, plumpest shape,
Rosy ripeness to the face
Of the pippin; and the grace
Of the dainty stamin-tip
To the huge bulk of the pear,
Pendant in the green caress
Of the leaves, and glowing through
With the tawny laziness
Of the gold that Ophir knew,--
Haply, too, within its rind
Such a cleft as bees may find,
Bungling on it half aware.
And wherein to see them sip
Fancy lifts an oozy lip,
And the singer's falter there.

Sweet as swallows swimming through
Eddyings of dusk and dew,
Singing happy scenes of home
Back to sight of eager eyes
That have longed for them to come,
Till their coming is surprise
Uttered only by the rush
Of quick tears and prayerful hush;
Singing on, in clearer key,
Hearty palms of you and me
Into grasps that tingle still
Rapturous, and ever will!
Singing twank and twang of strings--
Trill of flute and clarinet
In a melody that rings
Like the tunes we used to play,
And our dreams are playing yet!
Singing lovers, long astray,
Each to each, and, sweeter things--
Singing in their marriage-day,
And a banquet holding all
These delights for festival.

A fantasy that came to me
As wild and wantonly designed
As ever any dream might be
Unraveled from a madman's mind,--
A tangle-work of tissue, wrought
By cunning of the spider-brain,
And woven, in an hour of pain,
To trap the giddy flies of thought.

I stood beneath a summer moon
All swollen to uncanny girth,
And hanging, like the sun at noon,
Above the center of the earth;
But with a sad and sallow light,
As it had sickened of the night
And fallen in a pallid swoon.
Around me I could hear the rush
Of sullen winds, and feel the whir
Of unseen wings apast me brush
Like phantoms round a sepulcher;
And, like a carpeting of plush,0
A lawn unrolled beneath my feet,
Bespangled o'er with flowers as sweet
To look upon as those that nod
Within the garden-fields of God,
But odorless as those that blow
In ashes in the shades below.

And on my hearing fell a storm
Of gusty music, sadder yet
Than every whimper of regret
That sobbing utterance could form,
And patched with scraps of sound that seemed
Torn out of tunes that demons dreamed,
And pitched to such a piercing key,
It stabbed the ear with agony;
And when at last it lulled and died,
I stood aghast and terrified.
I shuddered and I shut my eyes,
And still could see, and feel aware
Some mystic presence waited there;
And staring, with a dazed surprise,
I saw a creature so divine
That never subtle thought of mine
May reproduce to inner sight
So fair a vision of delight.

A syllable of dew that drips
From out a lily's laughing lips
Could not be sweeter than the word
I listened to, yet never heard.--
For, oh, the woman hiding there
Within the shadows of her hair,
Spake to me in an undertone
So delicate, my soul alone
But understood it as a moan
Of some weak melody of wind
A heavenward breeze had left behind.

A tracery of trees, grotesque
Against the sky, behind her seen,
Like shapeless shapes of arabesque
Wrought in an Oriental screen;
And tall, austere and statuesque
She loomed before it--e'en as though
The spirit-hand of Angelo
Had chiseled her to life complete,
With chips of moonshine round her feet.
And I grew jealous of the dusk,
To see it softly touch her face,
As lover-like, with fond embrace,
It folded round her like a husk:
But when the glitter of her hand,
Like wasted glory, beckoned me,
My eyes grew blurred and dull and dim--
My vision failed--I could not see--
I could not stir--I could but stand,
Till, quivering in every limb,
I flung me prone, as though to swim
The tide of grass whose waves of green
Went rolling ocean-wide between
My helpless shipwrecked heart and her
Who claimed me for a worshiper.

And writhing thus in my despair,
I heard a weird, unearthly sound,
That seemed to lift me from the ground
And hold me floating in the air.
I looked, and lo! I saw her bow
Above a harp within her hands;
A crown of blossoms bound her brow,
And on her harp were twisted strands
Of silken starlight, rippling o'er
With music never heard before
By mortal ears; and, at the strain,
I felt my Spirit snap its chain
And break away,--and I could see
It as it turned and fled from me
To greet its mistress, where she smiled
To see the phantom dancing wild
And wizard-like before the spell
Her mystic fingers knew so well.

Up and down old Brandywine,
In the days 'at's past and gone--
With a dad-burn hook-and line
And a saplin' pole--swawn!
I've had more fun, to the square
Inch, than ever ANYwhere!
Heaven to come can't discount MINE
Up and down old Brandywine!

Hain't no sense in WISHIN'--yit
Wisht to goodness I COULD jes
'Gee' the blame' world round and git
Back to that old happiness!--
Kindo' drive back in the shade
'The old Covered Bridge' there laid
'Crosst the crick, and sorto' soak
My soul over, hub and spoke!

Honest, now!--it hain't no DREAM
'At I'm wantin',--but THE FAC'S
As they wuz; the same old stream,
And the same old times, i jacks!--
Gim me back my bare feet--and
Stonebruise too!--And scratched and tanned!
And let hottest dog-days shine
Up and down old Brandywine!

In and on betwixt the trees
'Long the banks, pour down yer noon,
Kindo' curdled with the breeze
And the yallerhammer's tune;
And the smokin', chokin' dust
O' the turnpike at its wusst--
SATURD'YS, say, when it seems
Road's jes jammed with country teams!--

Whilse the old town, fur away
'Crosst the hazy pastur'-land,
Dozed-like in the heat o' day
Peaceful' as a hired hand.
Jolt the gravel th'ough the floor
O' the old bridge!--grind and roar
With yer blame percession-line--
Up and down old Brandywine!

Souse me and my new straw-hat
Off the foot-log!--what _I_ care?--
Fist shoved in the crown o' that--
Like the old Clown ust to wear.
Wouldn't swop it fer a' old
Gin-u-wine raal crown o' gold!--
Keep yer KING ef you'll gim me
Jes the boy I ust to be!

Spill my fishin'-worms! er steal
My best 'goggle-eye!'--but you
Can't lay hands on joys I feel
Nibblin' like they ust to do!
So, in memory, to-day
Same old ripple lips away
At my 'cork' and saggin' line,
Up and down old Bradywine!

There the logs is, round the hill,
Where 'Old Irvin' ust to lift
Out sunfish from daylight till
Dewfall--'fore he'd leave 'The Drift'
And give US a chance--and then
Kindo' fish back home again,
Ketchin' 'em jes left and right
Where WE hadn't got 'a bite!'

Er, 'way windin' out and in,--
Old path th'ough the iurnweeds
And dog-fennel to yer chin--
Then come suddent, th'ough the reeds
And cat-tails, smack into where
Them--air woods--hogs ust to scare
Us clean 'crosst the County-line,
Up and down old Brandywine!

But the dim roar o' the dam
It 'ud coax us furder still
To'rds the old race, slow and ca'm,
Slidin' on to Huston's mill--
Where, I'spect, 'The Freeport crowd'
Never WARMED to us er 'lowed
We wuz quite so overly
Welcome as we aimed to be.

Still it 'peared like ever'thing--
Fur away from home as THERE--
Had more RELISH-like, i jing!--
Fish in stream, er bird in air!
O them rich old bottom-lands,
Past where Cowden's Schoolhouse stands!
Wortermelons--MASTER-MINE!
Up and down old Brandywine!

And sich pop-paws!--Lumps o' raw
Gold and green,--jes oozy th'ough
With ripe yaller--like you've saw
Custard-pie with no crust to:
And jes GORGES o' wild plums,
Till a feller'd suck his thumbs
Clean up to his elbows! MY!--
ME SOME MORE ER LEM ME DIE!

Up and down old Brandywine! ...
Stripe me with pokeberry-juice!--
Flick me with a pizenvine
And yell 'Yip!' and lem me loose!
--Old now as I then wuz young,
'F I could sing as I HAVE sung,
Song 'ud surely ring DEE-VINE
Up and down old Brandywine!

Within the sitting-room, the company
Had been increased in number. Two or three
Young couples had been added: Emma King,
Ella and Mary Mathers--all could sing
Like veritable angels--Lydia Martin, too,
And Nelly Millikan.--What songs they knew!--

_''Ever of Thee--wherever I may be,
Fondly I'm drea-m-ing ever of thee!_''

And with their gracious voices blend the grace
Of Warsaw Barnett's tenor; and the bass
Unfathomed of Wick Chapman--Fancy still
Can _feel_, as well as _hear_ it, thrill on thrill,
Vibrating plainly down the backs of chairs
And through the wall and up the old hall-stairs.--
Indeed young Chapman's voice especially
Attracted _Mr. Hammond_--For, said he,
Waiving the most Elysian sweetness of
The _ladies_' voices--altitudes above
The _man's_ for sweetness;--_but_--as _contrast_, would
Not Mr. Chapman be so very good
As, just now, to oblige _all_ with--in fact,
Some sort of _jolly_ song,--to counteract
In part, at least, the sad, pathetic trend
Of music _generally_. Which wish our friend
'The Noted Traveler' made second to
With heartiness--and so each, in review,
Joined in--until the radiant _basso_ cleared
His wholly unobstructed throat and peered
Intently at the ceiling--voice and eye
As opposite indeed as earth and sky.--
Thus he uplifted his vast bass and let
It roam at large the memories booming yet:

''Old Simon the Cellarer keeps a rare store
Of Malmsey and Malvoi-sie,
Of Cyprus, and who can say how many more?--
But a chary old so-u-l is he-e-ee--
A chary old so-u-l is he!
Of hock and Canary he never doth fail;
And all the year 'round, there is brewing of ale;--
Yet he never aileth, he quaintly doth say,
While he keeps to his sober six flagons a day.''

... And then the chorus--the men's voices all
_Warred_ in it--like a German Carnival.--
Even _Mrs_. Hammond smiled, as in her youth,
Hearing her husband--And in veriest truth
'The Noted Traveler's' ever-present hat
Seemed just relaxed a little, after that,
As at conclusion of the Bacchic song
He stirred his 'float' vehemently and long.

Then Cousin Rufus with his flute, and art
Blown blithely through it from both soul and heart--
Inspired to heights of mastery by the glad,
Enthusiastic audience he had
In the young ladies of a town that knew
No other flutist,--nay, nor _wanted_ to,
Since they had heard _his_ 'Polly Hopkin's Waltz,'
Or 'Rickett's Hornpipe,' with its faultless faults,
As rendered solely, he explained, 'by ear,'
Having but heard it once, Commencement Year,
At 'Old Ann Arbor.'

Little Maymie now
Seemed 'friends' with _Mr. Hammond_--anyhow,
Was lifted to his lap--where settled, she--
Enthroned thus, in her dainty majesty,
Gained _universal_ audience--although
Addressing him alone:--'I'm come to show
You my new Red-blue pencil; and _she_ says'--
(Pointing to _Mrs._ Hammond)--'that she guess'
You'll make a _picture_ fer me.'

'And what _kind_
Of picture?' Mr. Hammond asked, inclined
To serve the child as bidden, folding square
The piece of paper she had brought him there.--
'I don't know,' Maymie said--'only ist make
A _little dirl_, like me!'

He paused to take
A sharp view of the child, and then he drew--
Awhile with red, and then awhile with blue--
The outline of a little girl that stood
In converse with a wolf in a great wood;
And she had on a hood and cloak of red--
As Maymie watched--'_Red Riding Hood!_' she said.
'And who's '_Red Riding Hood'?_'

'W'y, don't _you_ know?'
Asked little Maymie--

But the man looked so
All uninformed, that little Maymie could
But tell him _all about_ Red Riding Hood.