• A Disillusionment Of Ten O'Clock
• A High-Toned Old Christian Woman
• A Postcard From The Volcano
• A Rabbit As King Of The Ghosts
• Anecdote Of The Jar
• Another Weeping Woman
• Bantams In Pine-Woods
• Continual Conversation With A Silent Man
• Contrary Theses (Ii)
• Disillusionment Of Ten O'Clock
• Domination Of Black
• Farewell To Florida
• Final Soliloquy Of The Interior Paramour
• Frogs Eat Butterflies, Snakes Eat Frogs, Hogs Eat Snakes, Men Eat Hogs
• Gray Room
• Hymn From A Watermelon Pavilion
• In The Carolinas
• It Must Give Pleasure
• Jasmine's Beautiful Thoughts Underneath the Willow
• Le Monocle De Mon Oncle
• Looking Across The Fields And Watching The Birds Fly
• Madame La Fleurie
• Metaphors Of A Magnifico
• No Possum, No Sop, No Taters
• Nomad Exquisite
• Not Ideas About The Thing But The Thing Itself
• Oak Leaves are Hands
• Of Modern Poetry
• Peter Quince At The Clavier
• Phases
• Poem Written At Morning
• Poetry Is A Destructive Force
• Repetitions of a Young Captain
• Sea Surface Full Of Clouds
• Six Significant Landscapes
• Study Of Two Pears
• Sunday Morning
• Table Talk
• Tattoo
• Tea At The Palaz Of Hoon
• The Auroras of Autumn
• The Death Of A Soldier
• The Emperor Of Ice-Cream
• The High-Toned Old Christian Woman
• The House Was Quiet And The World Was Calm
• The Idea Of Order At Key West
• The Man On The Dump
• The Man Whose Pharynx Was Bad
• The Man With The Blue Guitar
• The Planet On The Table
• The Plot Against The Giant
• The Poem That Took The Place Of A Mountain
• The River Of Rivers In Connecticut
• The Sense Of The Sleight-Of-Hand Man
• The Snow Man
• The Well Dressed Man With A Beard
• Thirteen Ways Of Looking At A Blackbird
• To The One Of Fictive Music
• Two Figures In Dense Violet Light
• Valley Candle
• What Is Divinity