Henry Wadsworth Longfellow: Verses about Time

Four by the clock! and yet not day;
But the great world rolls and wheels away,
With its cities on land, and its ships at sea,
Into the dawn that is to be!

Only the lamp in the anchored bark
Sends its glimmer across the dark,
And the heavy breathing of the sea
Is the only sound that comes to me.

It is autumn; not without
But within me is the cold.
Youth and spring are all about;
It is I that have grown old.

Birds are darting through the air,
Singing, building without rest;
Life is stirring everywhere,
Save within my lonely breast.

There is silence: the dead leaves
Fall and rustle and are still;
Beats no flail upon the sheaves,
Comes no murmur from the mill.

It is autumn; not without
But within me is the cold.
Youth and spring are all about;
It is I that have grown old.

Birds are darting through the air,
Singing, building without rest;
Life is stirring everywhere,
Save within my lonely breast.

There is silence: the dead leaves
Fall and rustle and are still;
Beats no flail upon the sheaves,
Comes no murmur from the mill.

Taddeo Gaddi built me. I am old,
Five centuries old. I plant my foot of stone
Upon the Arno, as St. Michael's own
Was planted on the dragon. Fold by fold
Beneath me as it struggles. I behold
Its glistening scales. Twice hath it overthrown
My kindred and companions. Me alone
It moveth not, but is by me controlled.
I can remember when the Medici
Were driven from Florence; longer still ago
The final wars of Ghibelline and Guelf.
Florence adorns me with her jewelry;
And when I think that Michael Angelo
Hath leaned on me, I glory in myself.

Not without fire can any workman mould
The iron to his preconceived design,
Nor can the artist without fire refine
And purify from all its dross the gold;
Nor can revive the phoenix, we are told,
Except by fire. Hence if such death be mine
I hope to rise again with the divine,
Whom death augments, and time cannot make old.
O sweet, sweet death! O fortunate fire that burns
Within me still to renovate my days,
Though I am almost numbered with the dead!
If by its nature unto heaven returns
This element, me, kindled in its blaze,
Will it bear upward when my life is fled.

Here in a little rustic hermitage
Alfred the Saxon King, Alfred the Great,
Postponed the cares of king-craft to translate
The Consolations of the Roman sage.
Here Geoffrey Chaucer in his ripe old age
Wrote the unrivalled Tales, which soon or late
The venturous hand that strives to imitate
Vanquished must fall on the unfinished page.
Two kings were they, who ruled by right divine,
And both supreme; one in the realm of Truth,
One in the realm of Fiction and of Song.
What prince hereditary of their line,
Uprising in the strength and flush of youth,
Their glory shall inherit and prolong?

I said unto myself, if I were dead,
What would befall these children? What would be
Their fate, who now are looking up to me
For help and furtherance? Their lives, I said,
Would be a volume wherein I have read
But the first chapters, and no longer see
To read the rest of their dear history,
So full of beauty and so full of dread.
Be comforted; the world is very old,
And generations pass, as they have passed,
A troop of shadows moving with the sun;
Thousands of times has the old tale been told;
The world belongs to those who come the last,
They will find hope and strength as we have done.

The course of my long life hath reached at last,
In fragile bark o'er a tempestuous sea,
The common harbor, where must rendered be
Account of all the actions of the past.
The impassioned phantasy, that, vague and vast,
Made art an idol and a king to me,
Was an illusion, and but vanity
Were the desires that lured me and harassed.
The dreams of love, that were so sweet of yore,
What are they now, when two deaths may be mine,--
One sure, and one forecasting its alarms?
Painting and sculpture satisfy no more
The soul now turning to the Love Divine,
That oped, to embrace us, on the cross its arms.

Oh give me back the days when loose and free
To my blind passion were the curb and rein,
Oh give me back the angelic face again,
With which all virtue buried seems to be!
Oh give my panting footsteps back to me,
That are in age so slow and fraught with pain,
And fire and moisture in the heart and brain,
If thou wouldst have me burn and weep for thee!
If it be true thou livest alone, Amor,
On the sweet-bitter tears of human hearts,
In an old man thou canst not wake desire;
Souls that have almost reached the other shore
Of a diviner love should feel the darts,
And be as tinder to a holier fire.

'Tis late at night, and in the realm of sleep
My little lambs are folded like the flocks;
From room to room I hear the wakeful clocks
Challenge the passing hour, like guards that keep
Their solitary watch on tower and steep;
Far off I hear the crowing of the cocks,
And through the opening door that time unlocks
Feel the fresh breathing of To-morrow creep.
To-morrow! the mysterious, unknown guest,
Who cries to me: 'Remember Barmecide,
And tremble to be happy with the rest.'
And I make answer: 'I am satisfied;
I dare not ask; I know not what is best;
God hath already said what shall betide.'

Let him who will, by force or fraud innate,
Of courtly grandeurs gain the slippery height;
I, leaving not the home of my delight,
Far from the world and noise will meditate.
Then, without pomps or perils of the great,
I shall behold the day succeed the night;
Behold the alternate seasons take their flight,
And in serene repose old age await.
And so, whenever Death shall come to close
The happy moments that my days compose,
I, full of years, shall die, obscure, alone!
How wretched is the man, with honors crowned,
Who, having not the one thing needful found,
Dies, known to all, but to himself unknown.

An old man in a lodge within a park;
The chamber walls depicted all around
With portraitures of huntsman, hawk, and hound,
And the hurt deer. He listeneth to the lark,
Whose song comes with the sunshine through the dark
Of painted glass in leaden lattice bound;
He listeneth and he laugheth at the sound,
Then writeth in a book like any clerk.
He is the poet of the dawn, who wrote
The Canterbury Tales, and his old age
Made beautiful with song; and as I read
I hear the crowing cock, I hear the note
Of lark and linnet, and from every page
Rise odors of ploughed field or flowery mead.

Written at the old home in Portland

The day is cold, and dark, and dreary;
It rains,and the wind is never weary;
The vine still clings to the mouldering wall,
But at every gust the dead leaves fall,
And the day is dark and dreary.

My life is cold, and dark, and dreary;
It rains,and the wind is never weary;
My thoughts still cling to the mouldering past,
But the hopes of youth fall thick in the blast,
And the days are dark and dreary.

Be still, sad heart, and cease repining;
Behind the clouds is the sun still shining;
Thy fate is the common fate of all,
Into each life some rain must fall,
Some days must be dark and dreary.

The pages of thy book I read,
And as I closed each one,
My heart, responding, ever said,
"Servant of God! well done!"

Well done! Thy words are great and bold;
At times they seem to me,
Like Luther's, in the days of old,
Half-battles for the free.

Go on, until this land revokes
The old and chartered Lie,
The feudal curse, whose whips and yokes
Insult humanity.

A voice is ever at thy side
Speaking in tones of might,
Like the prophetic voice, that cried
To John in Patmos, "Write!"

Write! and tell out this bloody tale;
Record this dire eclipse,
This Day of Wrath, this Endless Wail,
This dread Apocalypse!

Little sweet wine of Jurançon,
You are dear to my memory still!
With mine host and his merry song,
Under the rose-tree I drank my fill.

Twenty years after, passing that way,
Under the trellis I found again
Mine host, still sitting there au frais,
And singing still the same refrain.

The Jurançon, so fresh and bold,
Treats me as one it used to know;
Souvenirs of the days of old
Already from the bottle flow,

With glass in hand our glances met;
We pledge, we drink. How sour it is
Never Argenteuil piquette
Was to my palate sour as this!

And yet the vintage was good, in sooth;
The self-same juice, the self-same cask!
It was you, O gayety of my youth,
That failed in the autumnal flask!

The hour was late; the fire burned low,
The Landlord's eyes were closed in sleep,
And near the story's end a deep,
Sonorous sound at times was heard,
As when the distant bagpipes blow.
At this all laughed; the Landlord stirred,
As one awaking from a swound,
And, gazing anxiously around,
Protested that he had not slept,
But only shut his eyes, and kept
His ears attentive to each word.

Then all arose, and said 'Good Night.'
Alone remained the drowsy Squire
To rake the embers of the fire,
And quench the waning parlor light;
While from the windows, here and there,
The scattered lamps a moment gleamed,
And the illumined hostel seemed
The constellation of the Bear,
Downward, athwart the misty air,
Sinking and setting toward the sun.
Far off the village clock struck one.

After so long an absence
At last we meet agin:
Does the meeting give us pleasure,
Or does it give us pain?

The tree of life has been shaken,
And but few of us linger now,
Like the prophets two or three berries
In the top of the uppermost bough.

We cordially greet each other
In the old, familiar tone;
And we think, though we do not say it,
How old and gray he is grown!

We speak of a Merry Christmas
And many a Happy New Year;
But each in his heart is thinking
Of those that are not here.

We speak of friends and their fortunes,
And of what they did and said,
Till the dead alone seem living,
And the living alone seem dead.

And at last we hardly distinguish
Between the ghosts and the guests;
And a mist and shadow of sadness
Steals over our merriest jests.

And then the blue-eyed Norseman told
A Saga of the days of old.
'There is,' said he, 'a wondrous book
Of Legends in the old Norse tongue,
Of the dead kings of Norroway,--
Legends that once were told or sung
In many a smoky fireside nook
Of Iceland, in the ancient day,
By wandering Saga-man or Scald;
Heimskringla is the volume called;
And he who looks may find therein
The story that I now begin.'

And in each pause the story made
Upon his violin he played,
As an appropriate interlude,
Fragments of old Norwegian tunes
That bound in one the separate runes,
And held the mind in perfect mood,
Entwining and encircling all
The strange and antiquated rhymes
with melodies of olden times;
As over some half-ruined wall,
Disjointed and about to fall,
Fresh woodbines climb and interlace,
And keep the loosened stones in place.

Gentle Spring! in sunshine clad,
Well dost thou thy power display!
For Winter maketh the light heart sad,
And thou, thou makest the sad heart gay,
He sees thee, and calls to his gloomy train,
The sleet, and the snow, and the wind, and the rain;
And they shrink away, and they flee in fear,
When thy merry step draws near.

Winter giveth the fields and the trees, so old,
Their beards of icicles and snow;
And the rain, it raineth so fast and cold,
We must cower over the embers low;
And, snugly housed from the wind and weather,
Mope like birds that are changing feather.
But the storm retires, and the sky grows clear,
When thy merry step draws near.

Winter maketh the sun in the gloomy sky
Wrap him round with a mantle of cloud;
But, Heaven be praised, thy step is nigh;
Thou tearest away the mournful shroud,
And the earth looks bright, and Winter surly,
Who has toiled for nought both late and early,
Is banished afar by the new-born year,
When thy merry step draws near.

No hay pajaros en los nidos de antano.
Spanish Proverb

The sun is bright,--the air is clear,
The darting swallows soar and sing.
And from the stately elms I hear
The bluebird prophesying Spring.

So blue you winding river flows,
It seems an outlet from the sky,
Where waiting till the west-wind blows,
The freighted clouds at anchor lie.

All things are new;--the buds, the leaves,
That gild the elm-tree's nodding crest,
And even the nest beneath the eaves;--
There are no birds in last year's nest!

All things rejoice in youth and love,
The fulness of their first delight!
And learn from the soft heavens above
The melting tenderness of night.

Maiden, that read'st this simple rhyme,
Enjoy thy youth, it will not stay;
Enjoy the fragrance of thy prime,
For oh, it is not always May!

Enjoy the Spring of Love and Youth,
To some good angel leave the rest;
For Time will teach thee soon the truth,
There are no birds in last year's nest!

At La Chaudeau,--'tis long since then:
I was young,--my years twice ten;
All things smiled on the happy boy,
Dreams of love and songs of joy,
Azure of heaven and wave below,
At La Chaudeau.

At La Chaudeau I come back old:
My head is gray, my blood is cold;
Seeking along the meadow ooze,
Seeking beside the river Seymouse,
The days of my spring-time of long ago
At La Chaudeau.

At La Chaudeau nor heart nor brain
Ever grows old with grief and pain;
A sweet remembrance keeps off age;
A tender friendship doth still assuage
The burden of sorrow that one may know
At La Chaudeau.

At La Chaudeau, had fate decreed
To limit the wandering life I lead,
Peradventure I still, forsooth,
Should have preserved my fresh green youth,
Under the shadows the hill-tops throw
At La Chaudeau.

At La Chaudeau, live on, my friends,
Happy to be where God intends;
And sometimes, by the evening fire,
Think of him whose sole desire
Is again to sit in the old chateau
At La Chaudeau.

God sent his Singers upon earth
With songs of sadness and of mirth,
That they might touch the hearts of men,
And bring them back to heaven again.

The first, a youth, with soul of fire,
Held in his hand a golden lyre;
Through groves he wandered, and by streams,
Playing the music of our dreams.

The second, with a bearded face,
Stood singing in the market-place,
And stirred with accents deep and loud
The hearts of all the listening crowd.

A gray old man, the third and last,
Sang in cathedrals dim and vast,
While the majestic organ rolled
Contrition from its mouths of gold.

And those who heard the Singers three
Disputed which the best might be;
For still their music seemed to start
Discordant echoes in each heart,

But the great Master said, 'I see
No best in kind, but in degree;
I gave a various gift to each,
To charm, to strengthen, and to teach.

'These are the three great chords of might,
And he whose ear is tuned aright
Will hear no discord in the three,
But the most perfect harmony.'

It was fifty years ago
In the pleasant month of May,
In the beautiful Pays de Vaud,
A child in its cradle lay.

And Nature, the old nurse, took
The child upon her knee,
Saying: 'Here is a story-book
Thy Father has written for thee.'

'Come, wander with me,' she said,
'Into regions yet untrod;
And read what is still unread
In the manuscripts of God.'

And he wandered away and away
With Nature, the dear old nurse,
Who sang to him night and day
The rhymes of the universe.

And whenever the way seemed long,
Or his heart began to fail,
She would sing a more wonderful song,
Or tell a more marvellous tale.

So she keeps him still a child,
And will not let him go,
Though at times his heart beats wild
For the beautiful Pays de Vaud;

Though at times he hears in his dreams
The Ranz des Vaches of old,
And the rush of mountain streams
From glaciers clear and cold;

And the mother at home says, 'Hark!
For his voice I listen and yearn;
It is growing late and dark,
And my boy does not return!'

Here rest the weary oar! -- soft airs
Breathe out in the o'erarching sky;
And Night!-- sweet Night -- serenely wears
A smile of peace; her noon is nigh.

Where the tall fir in quiet stands,
And waves, embracing the chaste shores,
Move o'er sea-shells and bright sands,-
Is heard the sound of dipping oars.

Swift o'er the wave the light bark springs,
Love's midnight hour draws lingering near:
And list!-- his tuneful viol strings
The young Venetian Gondolier.

Lo! on the silver-mirrored deep,
On earth, and her embosomed lakes,
And where the silent rivers sweep,
From the thin cloud fair moonlight breaks

Soft music breathes around, and dies
On the calm bosom of the sea;
Whilst in her cell the novice sighs
Her vespers to her rosary.

At their dim altars bow fair forms,
In tender charity for those,
That, helpless left to life's rude storms,
Have never found this calm repose.

The bell swings to its midnight chime,
Relieved against the deep blue sky!--
Haste!-- dip the oar again! -- 'tis time
To seek Genevra's balcony.

By yon still river, where the wave
Is winding slow at evening's close,
The beech, upon a nameless grave,
Its sadly-moving shadow throws.

O'er the fair woods the sun looks down
Upon the many-twinkling leaves,
And twilight's mellow shades are brown,
Where darkly the green turf upheaves.

The river glides in silence there,
And hardly waves the sapling tree:
Sweet flowers are springing, and the air
Is full of balm,-- but where is she!

They bade her wed a son of pride,
And leave the hope she cherished long:
She loved but one,-- and would not hide
A love which knew no wrong.

And months went sadly on,-- and years:--
And she was wasting day by day:
At length she died, -- and many tears
Were shed, that she should pass away.

Then came a gray old man, and knelt
With bitter weeping by her tomb:--
And others mourned for him, who felt
That he had sealed a daughter's doom.

The funeral train has long past on,
And time wiped dry the father's tear!
Farewell -- lost maiden! -- there is one
That mourns thee yet -- and he is here.

In dark fens of the Dismal Swamp
The hunted Negro lay;
He saw the fire of the midnight camp,
And heard at times a horse's tramp
And a bloodhound's distant bay.

Where will-o'-the-wisps and glow-worms shine,
In bulrush and in brake;
Where waving mosses shroud the pine,
And the cedar grows, and the poisonous vine
Is spotted like the snake;

Where hardly a human foot could pass,
Or a human heart would dare,
On the quaking turf of the green morass
He crouched in the rank and tangled grass,
Like a wild beast in his lair.

A poor old slave, infirm and lame;
Great scars deformed his face;
On his forehead he bore the brand of shame,
And the rags, that hid his mangled frame,
Were the livery of disgrace.

All things above were bright and fair,
All things were glad and free;
Lithe squirrels darted here and there,
And wild birds filled the echoing air
With songs of Liberty!

On him alone was the doom of pain,
From the morning of his birth;
On him alone the curse of Cain
Fell, like a flail on the garnered grain,
And struck him to the earth!

Until we meet again! That is the meaning
Of the familiar words, that men repeat
At parting in the street.
Ah yes, till then! but when death intervening
Rends us asunder, with what ceaseless pain
We wait for the Again!

The friends who leave us do not feel the sorrow
Of parting, as we feel it, who must stay
Lamenting day by day,
And knowing, when we wake upon the morrow,
We shall not find in its accustomed place
The one beloved face.

It were a double grief, if the departed,
Being released from earth, should still retain
A sense of earthly pain;
It were a double grief, if the true-hearted,
Who loved us here, should on the farther shore
Remember us no more.

Believing, in the midst of our afflictions,
That death is a beginning, not an end,
We cry to them, and send
Farewells, that better might be called predictions,
Being fore-shadowings of the future, thrown
Into the vast Unknown.

Faith overleaps the confines of our reason,
And if by faith, as in old times was said,
Women received their dead
Raised up to life, then only for a season
Our partings are, nor shall we wait in vain
Until we meet again!

Under Mount Etna he lies,
It is slumber, it is not death;
For he struggles at times to arise,
And above him the lurid skies
Are hot with his fiery breath.

The crags are piled on his breast,
The earth is heaped on his head;
But the groans of his wild unrest,
Though smothered and half suppressed,
Are heard, and he is not dead.

And the nations far away
Are watching with eager eyes;
They talk together and say,
'To-morrow, perhaps to-day,
Euceladus will arise!

And the old gods, the austere
Oppressors in their strength,
Stand aghast and white with fear
At the ominous sounds they hear,
And tremble, and mutter, 'At length!'

Ah me! for the land that is sown
With the harvest of despair!
Where the burning cinders, blown
From the lips of the overthrown
Enceladus, fill the air.

Where ashes are heaped in drifts
Over vineyard and field and town,
Whenever he starts and lifts
His head through the blackened rifts
Of the crags that keep him down.

See, see! the red light shines!
'T is the glare of his awful eyes!
And the storm-wind shouts through the pines
Of Alps and of Apennines,
'Enceladus, arise!'

All are architects of Fate,
Working in these walls of Time;
Some with massive deeds and great,
Some with ornaments of rhyme.

Nothing useless is, or low;
Each thing in its place is best;
And what seems but idle show
Strengthens and supports the rest.

For the structure that we raise,
Time is with materials filled;
Our to-days and yesterdays
Are the blocks with which we build.

Truly shape and fashion these;
Leave no yawning gaps between;
Think not, because no man sees,
Such things will remain unseen.

In the elder days of Art,
Builders wrought with greatest care
Each minute and unseen part;
For the Gods see everywhere.

Let us do our work as well,
Both the unseen and the seen;
Make the house, where Gods may dwell,
Beautiful, entire, and clean.

Else our lives are incomplete,
Standing in these walls of Time,
Broken stairways, where the feet
Stumble as they seek to climb.

Build to-day, then, strong and sure,
With a firm and ample base;
And ascending and secure
Shall to-morrow find its place.

Thus alone can we attain
To those turrets, where the eye
Sees the world as one vast plain,
And one boundless reach of sky.

In St. Luke's Gospel we are told
How Peter in the days of old
Was sifted;
And now, though ages intervene,
Sin is the same, while time and scene
Are shifted.

Satan desires us, great and small,
As wheat to sift us, and we all
Are tempted;
Not one, however rich or great,
Is by his station or estate
Exempted.

No house so safely guarded is
But he, by some device of his,
Can enter;
No heart hath armor so complete
But he can pierce with arrows fleet
Its centre.

For all at last the cock will crow,
Who hear the warning voice, but go
Unheeding,
Till thrice and more they have denied
The Man of Sorrows, crucified
And bleeding.

One look of that pale, suffering face
Will make us feel the deep disgrace
Of weakness;
We shall be sifted till the strength
Of self-conceit be changed at length
To meekness.

Wounds of the soul, though healed, will ache;
The reddening scars remain, and make
Confession;
Lost innocence returns no more;
We are not what we were before
Transgression.

But noble souls, through dust and heat,
Rise from disaster and defeat
The stronger,
And conscious still of the divine
Within them, lie on earth supine
No longer.

They made the warrior's grave beside
The dashing of his native time:
And there was mourning in the glen--
The strong wail of a thousand men--
O'er him thus fallen in his pride,
Ere mist of age - or blight or blast
Had o'er his might spirit past.

They made the warrior's grave beneath
The bending of the wild elm's wreath,
When the dark hunter's piercing eye
Had found that mountain rest on high,
Where, scattered by the sharp wind's breath,
Beneath the ragged cliff were thrown
The strong belt and the mouldering bone.

Where was the warrior's foot, when first
The red sun on the mountain burst?
Where -- when the sultry noon-time came
On the green vales with scorching flame,
And made the woodlands faint with thirst?
'Twas where the wind is keen and loud,
And the gray eagle breasts the cloud.

Where was the warrior's foot when night
Veiled in thick cloud the mountain-height?
None heard the loud and sudden crash--
None saw the fallen warrior dash
Down the bare rock so high and white!
But he that drooped not in the chase
Made on the hills his burial-place.

They found him there, when the long day
Of cold desertion passed away,
And traces on that barren cleft
Of struggling hard with death were left--
Deep marks and footprints in the clay!
And they have laid this feathery helm
By the dark river and green elm.

Is it so far from thee
Thou canst no longer see,
In the Chamber over the Gate,
That old man desolate,
Weeping and wailing sore
For his son, who is no more?
O Absalom, my son!

Is it so long ago
That cry of human woe
From the walled city came,
Calling on his dear name,
That it has died away
In the distance of to-day?
O Absalom, my son!

There is no far or near,
There is neither there nor here,
There is neither soon nor late,
In that Chamber over the Gate,
Nor any long ago
To that cry of human woe,
O Absalom, my son!

From the ages that are past
The voice sounds like a blast,
Over seas that wreck and drown,
Over tumult of traffic and town;
And from ages yet to be
Come the echoes back to me,
O Absalom, my son!

Somewhere at every hour
The watchman on the tower
Looks forth, and sees the fleet
Approach of the hurrying feet
Of messengers, that bear
The tidings of despair.
O Absalom, my son!

He goes forth from the door
Who shall return no more.
With him our joy departs;
The light goes out in our hearts;
In the Chamber over the Gate
We sit disconsolate.
O Absalom, my son!

That 't is a common grief
Bringeth but slight relief;
Ours is the bitterest loss,
Ours is the heaviest cross;
And forever the cry will be
'Would God I had died for thee,
O Absalom, my son!'

What an image of peace and rest
Is this little church among its graves!
All is so quiet; the troubled breast,
The wounded spirit, the heart oppressed,
Here may find the repose it craves.

See, how the ivy climbs and expands
Over this humble hermitage,
And seems to caress with its little hands
The rough, gray stones, as a child that stands
Caressing the wrinkled cheeks of age!

You cross the threshold; and dim and small
Is the space that serves for the Shepherd's Fold;
The narrow aisle, the bare, white wall,
The pews, and the pulpit quaint and tall,
Whisper and say: 'Alas! we are old.'

Herbert's chapel at Bemerton
Hardly more spacious is than this;
But poet and pastor, blent in one,
Clothed with a splendor, as of the sun,
That lowly and holy edifice.

It is not the wall of stone without
That makes the building small or great,
But the soul's light shining round about,
And the faith that overcometh doubt,
And the love that stronger is than hate.

Were I a pilgrim in search of peace,
Were I a pastor of Holy Church,
More than a Bishop's diocese
Should I prize this place of rest and release
From further longing and further search.

Here would I stay, and let the world
With its distant thunder roar and roll;
Storms do not rend the sail that is furled;
Nor like a dead leaf, tossed and whirled
In an eddy of wind, is the anchored soul.

What an image of peace and rest
Is this little church among its graves!
All is so quiet; the troubled breast,
The wounded spirit, the heart oppressed,
Here may find the repose it craves.

See, how the ivy climbs and expands
Over this humble hermitage,
And seems to caress with its little hands
The rough, gray stones, as a child that stands
Caressing the wrinkled cheeks of age!

You cross the threshold; and dim and small
Is the space that serves for the Shepherd's Fold;
The narrow aisle, the bare, white wall,
The pews, and the pulpit quaint and tall,
Whisper and say: "Alas! we are old."

Herbert's chapel at Bemerton
Hardly more spacious is than this;
But Poet and Pastor, blent in one,
Clothed with a splendor, as of the sun,
That lowly and holy edifice.

It is not the wall of stone without
That makes the building small or great
But the soul's light shining round about,
And the faith that overcometh doubt,
And the love that stronger is than hate.

Were I a pilgrim in search of peace,
Were I a pastor of Holy Church,
More than a Bishop's diocese
Should I prize this place of rest, and release
From farther longing and farther search.

Here would I stay, and let the world
With its distant thunder roar and roll;
Storms do not rend the sail that is furled;
Nor like a dead leaf, tossed and whirled
In an eddy of wind, is the anchored soul.

Between the dark and the daylight,
When the night is beginning to lower,
Comes a pause in the day's occupations,
That is known as the Children's Hour.

I hear in the chamber above me
The patter of little feet,
The sound of a door that is opened,
And voices soft and sweet.

From my study I see in the lamplight,
Descending the broad hall stair,
Grave Alice, and laughing Allegra,
And Edith with golden hair.

A whisper, and then a silence:
Yet I know by their merry eyes
They are plotting and planning together
To take me by surprise.

A sudden rush from the stairway,
A sudden raid from the hall!
By three doors left unguarded
They enter my castle wall!

They climb up into my turret
O'er the arms and back of my chair;
If I try to escape, they surround me;
They seem to be everywhere.

They almost devour me with kisses,
Their arms about me entwine,
Till I think of the Bishop of Bingen
In his Mouse-Tower on the Rhine!

Do you think, o blue-eyed banditti,
Because you have scaled the wall,
Such an old mustache as I am
Is not a match for you all!

I have you fast in my fortress,
And will not let you depart,
But put you down into the dungeon
In the round-tower of my heart.

And there will I keep you forever,
Yes, forever and a day,
Till the walls shall crumble to ruin,
And moulder in dust away!

He is dead, the beautiful youth,
The heart of honor, the tongue of truth,
He, the life and light of us all,
Whose voice was blithe as a bugle-call,
Whom all eyes followed with one consent,
The cheer of whose laugh, and whose pleasant word,
Hushed all murmurs of discontent.

Only last night, as we rode along,
Down the dark of the mountain gap,
To visit the picket-guard at the ford,
Little dreaming of any mishap,
He was humming the words of some old song:
'Two red roses he had on his cap
And another he bore at the point of his sword.'

Sudden and swift a whistling ball
Came out of a wood, and the voice was still;
Something I heard in the darkness fall,
And for a moment my blood grew chill;
I spoke in a whisper, as he who speaks
In a room where some one is lying dead;
But he made no answer to what I said.

We lifted him up to his saddle again,
And through the mire and the mist and the rain
Carried him back to the silent camp,
And laid him as if asleep on his bed;
And I saw by the light of the surgeon's lamp
Two white roses upon his cheeks,
And one, just over his heart, blood red!

And I saw in a vision how far and fleet
That fatal bullet went speeding forth,
Till it reached a town in the distant North,
Till it reached a house in a sunny street,
Till it reached a heart that ceased to beat
Without a murmur, without a cry;
And a bell was tolled in that far-off town,
For one who had passed from cross to crown,
And the neighbors wondered that she should die.

'A pleasant and a winsome tale,'
The Student said, 'though somewhat pale
And quiet in its coloring,
As if it caught its tone and air
From the gray suits that Quakers wear;
Yet worthy of some German bard,
Hebel, or Voss, or Eberhard,
Who love of humble themes to sing,
In humble verse; but no more true
Than was the tale I told to you.'
The Theologian made reply,
And with some warmth, 'That I deny;
'T is no invention of my own,
But something well and widely known
To readers of a riper age,
Writ by the skilful hand that wrote
The Indian tale of Hobomok,
And Philothea's classic page.
I found it like a waif afloat
Or dulse uprooted from its rock,
On the swift tides that ebb and flow
In daily papers, and at flood
Bear freighted vessels to and fro,
But later, when the ebb is low,
Leave a long waste of sand and mud.'
'It matters little,' quoth the Jew;
'The cloak of truth is lined with lies,
Sayeth some proverb old and wise;
And Love is master of all arts,
And puts it into human hearts
The strangest things to say and do.'
And here the controversy closed
Abruptly, ere 't was well begun;
For the Sicilian interposed
With, 'Lordlings, listen, every one
That listen may, unto a tale
That 's merrier than the nightingale;
A tale that cannot boast, forsooth,
A single rag or shred of truth;
That does not leave the mind in doubt
As to the with it or without;
A naked falsehood and absurd
As mortal ever told or heard.
Therefore I tell it; or, maybe,
Simply because it pleases me.'

The day is done, and the darkness
Falls from the wings of night
As a feather wafted downward
From an eagle in his flight.

I see the lights of the village
Gleam through the rain and the mist,
And a feeling of sadness comes o'er me
That my soul cannot resist:

A feeling of sadness and longing,
That is not akin to pain,
And resembles sorrow only
As the mist resembles the rain.

Come, read to me some poem,
Some simple and heartfelt lay,
That shall soothe this restless feeling,
And banish the thoughts of the day.

Not from the grand old masters,
Not from the bards sublime,
Whose distant footsteps echo
Through the corridors of time.

For, like the strains of martial music,
Their mighty throughts suggest
Life's endless toil and endeavor;
And tonight I long for rest.

Read from the humbler poet,
Whose songs gushed from his heart,
As showers from the clouds of summer,
Or tears from the eyelids start;

Who, through long days of labor,
And nights devoid of ease,
Still heard in his soul the music
Of wonderful melodies.

Such songs have power to quiet
The restless pulse of care,
And come like the benediction
That follows after prayer.

Then read the treasured volume
The poem of my choice,
And lend to the rhyme of the poet
The beauty of thy voice.

And the night shall be filled with music,
And the cares, that infest the day,
Shall fold their tents, like the Arabs,
And as silently steal away.

The day is done, and the darkness
Falls from the wings of Night,
As a feather is wafted downward
From an eagle in his flight.

I see the lights of the village
Gleam through the rain and the mist,
And a feeling of sadness comes o'er me
That my soul cannot resist:

A feeling of sadness and longing,
That is not akin to pain,
And resembles sorrow only
As the mist resembles the rain.

Come, read to me some poem,
Some simple and heartfelt lay,
That shall soothe this restless feeling,
And banish the thoughts of day.

Not from the grand old masters,
Not from the bards sublime,
Whose distant footsteps echo
Through the corridors of Time.

For, like strains of martial music,
Their mighty thoughts suggest
Life's endless toil and endeavor;
And to-night I long for rest.

Read from some humbler poet,
Whose songs gushed from his heart,
As showers from the clouds of summer,
Or tears from the eyelids start;

Who, through long days of labor,
And nights devoid of ease,
Still heard in his soul the music
Of wonderful melodies.

Such songs have power to quiet
The restless pulse of care,
And come like the benediction
That follows after prayer.

Then read from the treasured volume
The poem of thy choice,
And lend to the rhyme of the poet
The beauty of thy voice.

And the night shall be filled with music
And the cares, that infest the day,
Shall fold their tents, like the Arabs,
And as silently steal away.

I am poor and old and blind;
The sun burns me, and the wind
Blows through the city gate
And covers me with dust
From the wheels of the august
Justinian the Great.

It was for him I chased
The Persians o'er wild and waste,
As General of the East;
Night after night I lay
In their camps of yesterday;
Their forage was my feast.

For him, with sails of red,
And torches at mast-head,
Piloting the great fleet,
I swept the Afric coasts
And scattered the Vandal hosts,
Like dust in a windy street.

For him I won again
The Ausonian realm and reign,
Rome and Parthenope;
And all the land was mine
From the summits of Apennine
To the shores of either sea.

For him, in my feeble age,
I dared the battle's rage,
To save Byzantium's state,
When the tents of Zabergan,
Like snow-drifts overran
The road to the Golden Gate.

And for this, for this, behold!
Infirm and blind and old,
With gray, uncovered head,
Beneath the very arch
Of my triumphal march,
I stand and beg my bread!

Methinks I still can hear,
Sounding distinct and near,
The Vandal monarch's cry,
As, captive and disgraced,
With majestic step he paced,--
"All, all is Vanity!"

Ah! vainest of all things
Is the gratitude of kings;
The plaudits of the crowd
Are but the clatter of feet
At midnight in the street,
Hollow and restless and loud.

But the bitterest disgrace
Is to see forever the face
Of the Monk of Ephesus!
The unconquerable will
This, too, can bear;--I still
Am Belisarius!