Madison Julius Cawein: Verses about Love

The source of laughter lies so near to tears,
And pain to rapture, that one fountain flows
From forth the two Love's; in whose deeps appears
The image of the Heaven each man knows.

Love one day, in childish anger,
Tired of his divinity,
Sick of rapture, sick of languor,
Threw his arrows in the sea.
Since then Ocean, like a woman,
Variable of nature seems:
Smiling; cruel; kind; inhuman;
Gloomed with grief and drowned in dreams.

High in the place of outraged liberty,
He ruled the world, an emperor and god
His iron armies swept the land and sea,
And conquered nations trembled at his nod.

By him the love that fills man's soul with light,
And makes a Heaven of Earth, was crucified;
Lust-crowned he lived, yea, lived in God's despite,
And old in infamies, a king he died.

Justice begins now. Many centuries
In some vile body must his soul atone
As slave, as beggar, loathsome with disease,
Less than the dog at which we fling a stone.

Why should I pine? when there in Spain
Are eyes to woo, and not in vain;
Dark eyes, and dreamily divine:
And lips, as red as sunlit wine;

Sweet lips, that never know disdain:
And hearts, for passion over fain;
Fond, trusting hearts that know no stain
Of scorn for hearts that love like mine.-
Why should I pine?

Because all dreams I entertain
Of beauty wear thy form, Elain;
And e'en their lips and eyes are thine:
So though I gladly would resign
All love, I love, and still complain,
'Why should I pine?'

All were in league to capture Love
The rock, the stream, the tree;
The very Month was leader of
The whole conspiracy.

It led Love where wild waters met,
And tree hugged close to tree;
And where the dew and sunbeam let
Their lips meet rapturously.

And then it shouted, 'Here he is,
O wild Wind in the tree!.
Come, clasp him now, and kiss and kiss!
And call the flowers to see!'

And there, on every side, the wood
Rushed out in flower and tree.
And that is how, I've understood,
The Springtime came to be.

Why have you come? to see me in my shame?
A thing to spit on, to despise and scorn?
And then to ask me! You, by whom was torn
And then cast by, like some vile rag, my name!
What shelter could you give me, now, that blame
And loathing would not share? that wolves of vice
Would not besiege with eyes of glaring ice?
Wherein Sin sat not with her face of flame?
'You love me'? God! If yours be love, for lust
Hell must invent another synonym!
If yours be love, then hatred is the way
To Heaven and God! and not with soul but dust
Must burn the faces of the Cherubim,
O lie of lies, if yours be love, I say!

I do not love you now,
O narrow heart, that had no heights but pride!
You, whom mine fed; to whom yours still denied
Food when mine hungered, and of which love died
I do not love you now.

II.

I do not love you now,
O shallow soul, with depths but to deceive!
You, whom mine watered; to whom yours did give
No dropp to drink to help my love to live
I do not love you now.

III.

I do not love you now!
But did I love you in the old, old way,
And knew you loved me 'though the words should slay
Me and your love forever, I would say,
'I do not love you now!
I do not love you now!'

So Love is dead, the Love we knew of old!
And in the sorrow of our hearts' hushed halls
A lute lies broken and a flower falls;
Love's house stands empty and his hearth lies cold.
Lone in dim places, where sweet vows were told,
In walks grown desolate, by ruined walls
Beauty decays; and on their pedestals
Dreams crumble and th' immortal gods are mold.
Music is slain or sleeps; one voice alone,
One voice awakes, and like a wandering ghost
Haunts all the echoing chambers of the Past-
The voice of Memory, that stills to stone
The soul that hears; the mind, that, utterly lost,
Before its beautiful presence stands aghast.

'Trees,' so he said and laid him lovingly
At a great beech-tree's root, 'are my best friends.
Upon their love it seems my life depends.
No dog or woman for me! Give me a tree!
In winter saying, ' Courage! hold to me!'
In spring, ' Look up! hope's here, and winter ends!'
In summer, 'Come! here's peace that naught transcends
In autumn, ' See! the dreams I bring to thee!'
Why, I have loved a tree until for me
It had a soul. And as the Greeks believed
So I believe: that in each dwells a life,
Lovely, ecstatic, that some man may see
Take on material form, and, so perceived,
Hold him for aye.... That's why I have no wife.'

The bitter-sweet and red-haw in her hands,
And in her hair pale berries of the bay,
She haunts the coves and every Cape Ann way,
The Indian, Autumn, wandered from her bands.
Beside the sea, upon a rock, she stands,
And looks across the foam, and straight the grey
Takes on a sunset tone, and all the day
Murmurs with music of forgotten lands.
Now in the woods, knee-deep among the ferns,
She walks and smiles and listens to the pines,
The sweetheart pines, that kiss and kiss again,
Whispering their love: and now she frowns and turns
And in the west the fog in ragged lines
Rears the wild wigwams of the tribes of rain.

Thou art the music that I hear in sleep,
The poetry that lures me on in dreams;
The magic, thou, that holds my thought with themes
Of young romance in revery's mystic keep.
The lily's aura, and the damask deep
That clothes the rose; the whispering soul that seems
To haunt the wind; the rainbow light that streams,
Like some wild spirit, 'thwart the cataract's leap
Are glimmerings of thee and thy loveliness,
Pervading all my world; interpreting
The marvel and the wonder these disclose:
For, lacking thee, to me were meaningless
Life, love and hope, the joy of every thing,
And all the beauty that the wide world knows.

Can one resolve and hunt it from one's heart?
This love, this god and fiend, that makes a hell
Of many a life, in ways no tongue can tell,
No mind divine, nor any word impart.
Would not one think the slights that make hearts smart,
The ice of love's disdain, the wint'ry well
Of love's disfavor, love's own fire would quell?
Or school its nature, too, to its own art
Why will men cringe and cry forever here
For that which, once obtained, may prove a curse?
Why not remember that, however fair,
Decay is wed to Beauty? That each year
Takes somewhat from the riches of her purse,
Until at last her house of pride stands bare?

Over the roar of cities,
Over the hush of the hills,
Mounts ever a song that never stops,
A voice that never stills.

Epic-loud as the sea is,
Lyric-low as the dew,
It sings and sings a soul into things
And builds the world anew.

Dauntless, deathless, stern but kind,
Bold and free and strong,
It sweeps with mastery man's mind,
And rolls the world along.

From soul to soul it wings its words,
And, lo, the darkness flies;
And all who heed that song of songs
View Earth with other eyes.

New eyes, new thoughts, that shall go on
Seeing as Beauty sings,
Until the light of the farthest dawn
Shall fold its rainbow wings.

Loss molds our lives in many ways,
And fills our souls with guesses;
Upon our hearts sad hands it lays
Like some grave priest that blesses.

Far better than the love we win,
That earthly passions leaven,
Is love we lose, that knows no sin,
That points the path to Heaven.

Love, whose soft shadow brightens Earth,
Through whom our dreams are nearest;
And loss, through whom we see the worth
Of all that we held dearest.

Not joy it is, but misery
That chastens us, and sorrow;
Perhaps to make us all that we
Expect beyond To-morrow.

Within that life where time and fate
Are not; that knows no seeming:
That world to which death keeps the gate
Where love and loss sit dreaming.

Would I could talk as the flowers talk
To my soul! and the stars, in their ceaseless walk
Through Heaven! and tell to the high and low
The things that they say, so all might know
The dreams they dream, and have told to me!
As Nature sees would I could see!
Then might I speak with authority!
I stand below and look above,
And see her busy with life and love,
And can tell the world so little thereof.
Oh, for a soul that could feel much less!
Or, feeling more, could so express
The things it feels and their tenderness:
The very essence, the soul of art,
And all the heavens and hells of heart!
Then might I rise to the very peak,
The summit of song, which poets seek,
And speak with a voice as the masters speak.

SINCE Man first lifted up his eyes to hers
And saw her vampire beauty, which is lust,
All else is dust
Within the compass of the universe.
With heart of Jael and with face of Ruth
She sits upon the tomb of Time and quaffs
Heart's blood and laughs
At all Life calls most noble and the truth.
The fire of conquest and the wine of dreams
Are in her veins; and in her eyes the lure
Of things unsure,
Urging the world forever to extremes.
Without her, Life would stagnate in a while.—
Her touch it is puts pleasure even in pain.—
So Life attain
Her end, she cares not if the means be vile.
She knows no pity, mercy, or remorse.—
Hers is to build and then exterminate:
To slay, create,
And twixt the two maintain an equal course.

At midnight in the trysting wood
I wandered by the waterside,
When, soft as mist, before me stood
My sweetheart who had died.

But so unchanged was she, meseemed
That I had only dreamed her dead;
Glad in her eyes the love-light gleamed;
Her lips were warm and red.

What though the stars shone shadowy through
Her form as by my side she went,
And by her feet no dropp of dew
Was stirred, no blade was bent!

What though through her white loveliness
The wildflower dimmed, the moonlight paled,
Real to my touch she was; no less
Than when the earth prevailed.

She took my hand. My heart beat wild.
She kissed my mouth. I bowed my head.
Then gazing in my eyes, she smiled:
'When did'st thou die?' she said.

I Have not seen her face, and yet
She is more sweet than any thing
Of Earth than rose or violet
That Mayday winds and sunbeams bring.

Of all we know, past or to come,
That beauty holds within its net,
She is the high compendium:
And yet

I have not touched her robe, and still
She is more dear than lyric words
And music; or than strains that fill
The throbbing throats of forest birds.

Of all we mean by poetry,
That rules the soul and charms the will,
She is the deep epitome:
And still

She is my world; ah, pity me!
A dream that flies whom I pursue;
Whom all pursue, whoe'er they be,
Who toil for art and dare and do.

The shadow-love for whom they sigh,
The far ideal affinity,
For whom they live and gladly die
Ah, me!

Sweet lies! the sweetest ever heard,
To her he said:
Her heart remembers every word
Now he is dead.

I ask:' If thus his lies can make
Your young heart grieve for his false sake,
Had he been true what had you done
For true love's sake?'

'Upon his grave there in the sun,
Avoided now of all but one,
I'd lay my heart with all its ache,
And let it break, and let it break.'

And falsehood! fairer ne'er was seen
Than he put on:
Her heart recalls each look and mien
Now he is gone.

I ask: 'If thus his treachery
Can hold your heart with lie on lie,
What had you done for manly love,
Love without lie?'

'There in the grass that grows above
His grave, where all could know thereof,
I'd lay me down without a sigh,
And gladly die, and gladly die.'

What sighed the Forest to the nest?
'So young, so old,
Love,
Help me to mold
This life I hold.'
What said the bird,
That harked and heard?
'Below, above,
Love, love is best.
Take heed, my Life, and quit thy quest.
The meaning of Love is rest.'
So spake the bird.
What cried the Nightwind to the trees?
'Thou dream of Earth,
Love,
Make me of worth
In death and birth!'
What said the wood
Stark-still that stood?
'Below, above,
Give me increase.
Take heed, my Heart! thy sighings cease.
The meaning of Love is peace.'
So spake the Wood.
What sobbed the Earth in deep and height?
'O Song of Songs,
Love,
Unloose my thongs,
And right my wrongs!'
What said the Clod,
That dreamed of God?
'Below, above,
Prisoner of Night,
Spirit, lift high thy taper-light!
The meaning of Love is might.'
So spake the Clod.

It's 'Sweet, good-bye,' when pennants fly
And ships put out to sea;
It's a loving kiss, and a tear or two
In an eye of brown or an eye of blue;
And you'll remember me,
Sweetheart,
And you'll remember me.


II


It's 'Friend or foe?' when signals blow
And ships sight ships at sea;
It's clear for action, and man the guns,
As the battle nears or the battle runs;
And you'll remember me,
Sweetheart,
And you'll remember me.


III


It's deck to deck, and wrath and wreck
When ships meet ships at sea;
It's scream of shot and shriek of shell,
And hull and turret a roaring hell;
And you'll remember me,
Sweetheart,
And you'll remember me.


IV


It's doom and death, and pause a breath
When ships go down at sea;
It's hate is over and love begins,
And war is cruel whoever wins;
And you'll remember me,
Sweetheart,
And you'll remember me.

She comes, the dreamy daughter
Of day and night, a girl,
Who o'er the western water
Lifts up her moon of pearl:
Like some Rebecca at the well,
Who fills her jar of crystal shell,
Down ways of dew, o'er dale and dell,
Dusk comes with dreams of you,
Of you,
Dusk comes with dreams of you.

II.

She comes, the serious sister
Of all the stars that strew
The deeps of God, and glister
Bright on the darkling blue:
Like some loved Ruth, who heaps her arm
With golden gleanings of the farm,
Down fields of stars, where shadows swarm,
Dusk comes with thoughts of you,
Of you,
Dusk comes with thoughts of you.

III.

She comes, and soft winds greet her,
And whispering odors woo;
She is the words and meter
They set their music to:
Like Israfel, a spirit fair,
Whose heart's a silvery dulcimer,
Down listening slopes of earth and air
Dusk comes with love of you,
Of you,
Dusk comes with love of you.

Awake! the dawn is on the hills!
Behold, at her cool throat a rose,
Blue-eyed and beautiful she goes,
Leaving her steps in daffodils.-
Awake! arise! and let me see
Thine eyes, whose deeps epitomize
All dawns that were or are to be,
O love, all Heaven in thine eyes!-
Awake! arise! come down to me!

Behold! the dawn is up: behold!
How all the birds around her float,
Wild rills of music, note on note,
Spilling the air with mellow gold.-
Arise! awake! and, drawing near,
Let me but hear thee and rejoice!
Thou, who keep'st captive, sweet and clear,
All song, O love, within thy voice!
Arise! awake! and let me hear!

See, where she comes, with limbs of day,
The dawn! with wild-rose hands and feet,
Within whose veins the sunbeams beat,
And laughters meet of wind and ray.
Arise! come down! and, heart to heart,
Love, let me clasp in thee all these-
The sunbeam, of which thou art part,
And all the rapture of the breeze!-
Arise! come down! loved that thou art!

God made her body out of foam and flowers,
And for her hair the dawn and darkness blent;
Then called two planets from their heavenly towers,
And in her face, divinely eloquent,
Gave them a firmament.

God made her heart of rosy ice and fire,
Of snow and flame, that freezes while it burns;
And of a starbeam and a moth's desire
He made her soul, to'ards which my longing turns,
And all my being yearns.

So is my life a prisoner unto passion,
Enslaved of her who gives nor sign nor word;
So in the cage her loveliness doth fashion
Is love endungeoned, like a golden bird
That sings but is not heard.

Could it but once convince her with beseeching!
But once compel her as the sun the South!
Could it but once, fond arms around her reaching,
Upon the red carnation of her mouth
Dew its eternal drouth!

Then might I rise victorious over sadness,
O'er fate and change, and, with but little care,
Torched by the glory of that moment's gladness,
Breast the black mountain of my life's despair,
And die or do and dare.

Summer may come, in sun-blonde splendor,
To reap the harvest that Springtime sows;
And Fall lead in her old defender,
Winter, all huddled up in snows:
Ever a-south the love-wind blows
Into my heart, like a vane asway
From face to face of the girls it knows
But who is the fairest it's hard to say.

If Carrie smile or Maud look tender,
Straight in my bosom the gladness glows;
But scarce at their side am I all surrender
When Gertrude sings where the garden grows:
And my heart is a bloom, like the red rose shows
For her hand to gather and toss away,
Or wear on her breast, as her fancy goes
But who is the fairest it's hard to say.

Let Laura pass, as a sapling slender,
Her cheek a berry, her mouth a rose,-
Or Blanche or Helen,-to each I render
The worship due to the charms she shows:
But Mary's a poem when these are prose;
Here at her feet my life I lay;
All of devotion to her it owes
But who is the fairest it's hard to say.

How can my heart of my hand dispose?
When Ruth and Clara, and Kate and May,
In form and feature no flaw disclose
But who is the fairest it's hard to say.

And he had mused on lands each bird,
That winged from realms of Falerina,
O'er seas of the Enchanted Sword,
In romance sang him, till he heard
Vague foam on Islands of Alcina.

For rich Levant and old Castile
Let other seamen freight their galleys;
With Polo he and Mandeville
Through stranger seas a dreamy keel
Sailed into wonder-peopled valleys.

Far continents of flow'r and fruit,
Of everlasting spring; where fountains
'Mid flow'rs, with human faces, shoot;
Where races dwell, both man and brute,
In cities under golden mountains.

Where cataracts their thunders hurl
From heights the tempest has at mercy;
Vast peaks that touch the moon, and whirl
Their torrents down of gold and pearl;
And forests strange as those of Circe.

Let rapiered Love lute, in the shade
Of royal gardens, to the Palace
And Court, that haunt the balustrade
Of terraces and still parade
Their vanity and guile and malice.

Him something calls diviner yet
Than Love, more mighty than a lover;
Heroic Truth that will not let
Deed lag; a purpose, westward set,
In eyes far-seeing to discover.

She kneels with haggard eyes and hair
Unto the Christ upon the Cross:
Her gown is torn; her feet are bare.

What is this thing she begs of him,
The gentle Christ upon the Cross?
Her hands are clasped; her face is dim.

Is it forgiveness for her sin,
She asks of Christ upon the Cross?
And mercy for the soul within?

With anguished face, so sad and sweet,
She kneels to Christ upon the Cross:
Her arms embrace his nail-pierced feet.

Her tears run slowly down her face,
O piteous Christ upon the Cross!
And through her tears she sighs and says:

'The thing that I would crave of Thee,
O Christ upon the cruel Cross,
Is not a thing to comfort me.

'Thou, who hast taught us to forgive,
O tender Christ upon the Cross,
Help Thou my love for him to live.

'Oh, let the love that was my fall,
O loving Christ upon the Cross,
Still to my life be all in all.

'With love for him who loves no more,
O patient Christ upon the Cross,
Make Thou my punishment full sore.'

She kneels with haggard eyes and hair
Unto the Christ upon the Cross:
Her gown is torn; her feet are bare.

The spring may come in her pomp and splendor,
And Summer follow with rain and rose,
Or Fall lead in that old offender,
Winter, close-huddled up in snows:
Ever a-South the Love-wind blows
Into the heart, like a vane a-sway
From face to face of the girls it knows
But which is the fairest it 's hard to say.

If Lydia smile or Maud look tender,
Straight in your bosom the gladness glows;
But scarce at her side are you all surrender,
When Gertrude sings where the garden grows:
And your heart is a-bloom mid the blossoming rows,
For her hand to gather and toss away,
Or wear on her breast, as her fancy goes,
But which is the fairest it 's hard to say.

Let Helen pass, as a sapling slender,
Her cheek a berry, her mouth a rose,
Or Blanche or Laura to each you render
The worship due to the charms she shows:
But Ruth's a poem when these are prose;
Low at her feet your life you lay;
All of devotion to her it owes,
But which is the fairest it 's hard to say.

How can a man of his heart dispose
When Bess and Clara, and Kate and May
In form and feature no flaw disclose,
And which is the fairest it 's hard to say.

You have shut me out from your tears and grief
Over the man laid low and hoary.
Listen to me now: I am no thief!
You have shut me out from your tears and grief,
Listen to me, I will tell my story.

The love of a man is transitory.
What do you know of his past? the years
He gave to another his manhood's glory?
The love of a man is transitory.
Listen to me now: open your ears.

Over the dead have done with tears!
Over the man who loved to madness
Me the woman you met with sneers,
Over the dead have done with tears!
Me the woman so sunk in badness.

He loved me ever, and that is gladness!
There by the dead now tell her so;
There by the dead where she bows in sadness.
He loved me ever, and that is gladness!
Mine the gladness and hers the woe.

The best of his life was mine. Now go,
Tell her this that her pride may perish,
Her with his name, his wife, you know!
The best of his life was mine. Now go,
Tell her this so she cease to cherish.

Bury him then with pomp and flourish!
Bury him now without my kiss!
Here is a thing for your hearts to nourish,
Bury him then with pomp and flourish!
Bury him now I have told you this.

I

She was a queen. 'Midst mutes and slaves,
A mameluke, he loved her.--Waves
Dashed not more hopelessly the paves
Of her high marble palace-stair
Than lashed his love his heart's despair.-
As souls in Hell dream Paradise,
He suffered yet forgot it there
Beneath Rommaneh's houri eyes.

II

With passion eating at his heart
He served her beauty, but dared dart
No amorous glance, nor word impart.-
Taifi leather's perfumed tan
Beneath her, on a low divan
She lay 'mid cushions stuffed with down:
A slave-girl with an ostrich fan
Sat by her in a golden gown.

III

She bade him sing. Fair lutanist,
She loved his voice. With one white wrist,
Hooped with a blaze of amethyst,
She raised her ruby-crusted lute:
Gold-welted stuff, like some rich fruit,
Her raiment, diamond-showered, rolled
Folds pigeon-purple, whence one foot
Drooped in an anklet-twist of gold.

IV

He stood and sang with all the fire
That boiled within his blood's desire,
That made him all her slave yet higher:
And at the end his passion durst
Quench with one burning kiss its thirst.-
O eunuchs, did her face show scorn
When through his heart your daggers burst?
And dare ye say he died forlorn?

Between the rose's and the canna's crimson,
Beneath her window in the night I stand;
The jeweled dew hangs little stars, in rims, on
The white moonflowers each a spirit hand
That points the path to mystic shadowland.

Awaken, sweet and fair!
And add to night try grace!
Suffer its loveliness to share
The white moon of thy face,
The darkness of thy hair.
Awaken, sweet and fair!

II.

A moth, like down, swings on th' althæa's pistil,
Ghost of a tone that haunts its bell's deep dome;
And in the August-lily's cone of crystal
A firefly blurs, the lantern of a gnome,
Green as a gem that gleams through hollow foam.

Approach! the moment flies!
Thou sweetheart of the South!
Come! mingle with night's mysteries
The red rose of thy mouth,
The starlight of thine eyes.
Approach! the moment flies!

III.

Dim through the dusk, like some unearthly presence,
Bubbles the Slumber-song of some wild bird;
And with it borne, faint on a breeze-sweet essence,
The rainy murmur of a fountain's heard
As if young lips had breathed a perfumed word.

How long, my love, my bliss!
How long must I await
With night, that all impatience is,
Thy greeting at the gate,
And at the gate thy kiss?
How long, my love, my bliss!

There are haunters of the silence, ghosts that hold the heart and brain:
I have sat with them and hearkened; I have talked with them in vain:
I have shuddered from their coming, yet have run to meet them there,
And have cursed them and have blessed them and have loved them to despair.

At my door I see their shadows; in my walks I meet their ghosts;
Where I often hear them weeping or sweep by in withered hosts:
Perished dreams, gone like the roses, crumbling by like autumn leaves;
Phantoms of old joys departed, that the spirit eye perceives.

Oft at night they sit beside me, fix their eyes upon my face,
Demon eyes that burn and hold me, in whose deeps my heart can trace
All the past; and where a passion, as in Hell the ghosts go by,
Turns an anguished face toward me with a love that cannot die.

In the night-time, in the darkness, in the blackness of the storm,
Round my fireplace there they gather, flickering form on shadowy form:
In the daytime, in the noontide, in the golden sunset glow,
On the hilltops, in the forests, I have met them walking slow.

There are haunters of the silence, ghosts that hold the brain and heart:
In the mansion of my being they have placed a room apart:
There I hear their spectre raiment, see their shadows on the floor,
Where the raven, Sorrow, darkens Love's pale image o'er my door.

There's a bug at night that goes
Drowsily down the garden ways;
Lumberingly above the rose,
And above the jasmine sprays;
Bumping, bungling, buzzing by,
Falling finally, to crawl
Underneath the rose and lie
Near its fairest bud. That's all.
And I ask my father why
This old bug goes by that way:
This is what he has to say:
'That's old Parson Beetle, sonny;
He's in love with some rich flower;
After her and all her honey
And he'll have them in an hour.
He is awkward, but, I say,
With the flowers he has a way;
And, I tell you, he's a power;
Never fails to get his flower:
He's a great old Beetle, sonny.'

II.

Then again, when it is wet,
And we sit around the lamp,
On the screen, near which it's set,
Comes a fluttering, dim and damp,
Of white, woolly wings; and I
Go to see what's there and find
Something like a butterfly,
Beating at the window-blind.
And I ask my father why
This strange creature does that way:
This is what he has to say:
'Lady Moth that; she's the fashion:
Fall's in love with all bright things:
She has a consuming passion
For this light: will singe her wings.
Once it was a star, you know,
That she loved. I told you so!
Take her up. What lovely rings
On her scorched and dainty wings!
It's a pity, but the fashion.'

The joys that touched thee once, be mine!
The sympathies of sky and sea,
The friendships of each rock and pine,
That made thy lonely life, ah me!
In Tempe or in Gargaphie.

Such joy as thou didst feel when first,
On some wild crag, thou stood'st alone
To watch the mountain tempest burst,
With streaming thunder, lightning-sown,
On Latmos or on Pelion.

Thy awe! when, crowned with vastness, Night
And Silence ruled the deep's abyss;
And through dark leaves thou saw'st the white
Breasts of the starry maids who kiss
Pale feet of moony Artemis.

Thy dreams! when, breasting matted weeds
Of Arethusa, thou didst hear
The music of the wind-swept reeds;
And down dim forest-ways drew near
Shy herds of slim Arcadian deer.

Thy wisdom! that knew naught but love
And beauty, with which love is fraught;
The wisdom of the heart-whereof
All noblest passions spring-that thought
As Nature thinks, 'All else is naught.'

Thy hope! wherein To-morrow set
No shadow; hope, that, lacking care
And retrospect, held no regret,
But bloomed in rainbows everywhere,
Filling with gladness all the air.

These were thine all: in all life's moods
Embracing all of happiness:
And when within thy long-loved woods
Didst lay thee down to die-no less
Thy happiness stood by to bless.

Noera, when sad Fall
Has grayed the fallow;
Leaf-cramped the wood-brook's brawl
In pool and shallow;
When, by the woodside, tall
Stands sere the mallow.

Noera, when gray gold
And golden gray
The crackling hollows fold
By every way,
Shall I thy face behold,
Dear bit of May?

When webs are cribs for dew,
And gossamers
Streak by you, silver-blue;
When silence stirs
One leaf, of rusty hue,
Among the burrs:

Noera, through the wood,
Or through the grain,
Come, with the hoiden mood
Of wind and rain
Fresh in thy sunny blood,
Sweetheart, again.

Noera, when the corn,
Reaped on the fields,
The asters' stars adorn;
And purple shields
Of ironweeds lie torn
Among the wealds:

Noera, haply then,
Thou being with me,
Each ruined greenwood glen
Will bud and be
Spring's with the spring again,
The spring in thee.

Thou of the breezy tread;
Feet of the breeze:
Thou of the sunbeam head;
Heart like a bee's:
Face like a woodland-bred
Anemone's.

Thou to October bring
An April part!
Come! make the wild birds sing,
The blossoms start!
Noera, with the spring
Wild in thy heart!

Come with our golden year:
Come as its gold:
With the same laughing, clear,
Loved voice of old:
In thy cool hair one dear
Wild marigold.

She sits among the iris stalks
Of babbling brooks; and leans for hours
Among the river's lily flowers,
Or on their whiteness walks:
Above dark forest pools, gray rocks
Wall in, she leans with dripping locks,
And listening to the echo, talks
With her own face Iothera.
There is no forest of the hills,
No valley of the solitude,
Nor fern nor moss, that may elude
Her searching step that stills:
She dreams among the wild-rose brakes
Of fountains that the ripple shakes,
And, dreaming of herself, she fills
The silence with 'Iothera.'
And every wind that haunts the ways
Of leaf and bough, once having kissed
Her virgin nudity, goes whist
With wonder and amaze.
There blows no breeze which hath not learned
Her name's sweet melody, and yearned
To kiss her mouth that laughs and says,
'Iothera, Iothera.'
No wild thing of the wood, no bird,
Or brown or blue, or gold or gray,
Beneath the sun's or moonlight's ray,
That hath not loved and heard;
They are her pupils; she can say
No new thing but, within a day,
They have its music, word for word,
Harmonious as Iothera.
No man who lives and is not wise
With love for common flowers and trees,
Bee, bird, and beast, and brook, and breeze,
And rocks and hills and skies,
Search where he will, shall ever see
One flutter of her drapery,
One glimpse of limbs, or hair, or eyes
Of beautiful Iothera.

There is no joy of earth that thrills
My bosom like the far-off hills!
Th' unchanging hills, that, shadowy,
Beckon our mutability
To follow and to gaze upon
Foundations of the dusk and dawn.
Meseems the very heavens are massed
Upon their shoulders, vague and vast
With all the skyey burden of
The winds and clouds and stars above.
Lo, how they sit before us, seeing
The laws that give all Beauty being!
Behold! to them, when dawn is near,
The nomads of the air appear,
Unfolding crimson camps of day
In brilliant bands; then march away;
And under burning battlements
Of twilight plant their tinted tents.
The truth of olden myths, that brood
By haunted stream and haunted wood,
They see; and feel the happiness
Of old at which we only guess:
The dreams, the ancients loved and knew,
Still as their rocks and trees are true:
Not otherwise than presences
The tempest and the calm to these:
One, shouting on them all the night;
Black-limbed and veined with lambent light;
The other with the ministry
Of all soft things that company
With music an embodied form,
Giving to solitude the charm
Of leaves and waters and the peace
Of bird-begotten melodies
And who at night cloth still confer
With the mild moon, that telleth her
Pale tale of lonely love, until
Wan images of passion fill
The heights with shapes that glimmer by
Clad on with sleep and memory.

NIGHT, they say, is no man's friend:
And at night he met his end
In the woods of Trebizend.
Hate crouched near him as he strode
Through the blackness of the road,
Where my Lord seemed some huge toad.
Eyes of murder glared and burned
At each bend of road he turned,
And where wild the torrent churned.
And with Death we stood and stared
From the bush as by he fared,—
But he never looked or cared.
He went singing; and a rose
Lay upon his heart's repose —
With what thought of her —who knows?
He had done no other wrong
Save to sing a simple song,
'I have loved you — loved you long.'
And my lady smiled and sighed;
Gave a rose and looked moist eyed,
And forgot she was a bride.
My sweet lady, Jehan de Grace,
With the pale Madonna face,
He had brought to his embrace.
And my Lord saw: gave commands:
I was of his bandit bands.—
Love should perish at our hands.
Young the Knight was. He should sing
Nevermore of love or spring,
Or of any gentle thing.
When he stole at midnight's hour,
To my Lady's forest bower,
We were hidden near the tower.
In the woods of Trebizend
There he met an evil end.—
Night, you know, is no man's friend.
He has fought in fort and field;
Borne for years a stainless shield,
And in strength to none would yield.
But we seized him unaware,
Bound and hung him; stripped him bare,
Left him to the wild boars there.
Never has my Lady known.—
But she often sits alone,
Weeping when my Lord is gone….
Night, they say, is no man's friend.—
In the woods of Trebizend
There he met an evil end.
Now my old Lord sleeps in peace,
While my Lady — each one sees —
Waits, and keeps her memories.

''He cometh not,' she said.'
-MARIANA

It will not be to-day and yet
I think and dream it will; and let
The slow uncertainty devise
So many sweet excuses, met
With the old doubt in hope's disguise.

The panes were sweated with the dawn;
Yet through their dimness, shriveled drawn,
The aigret of one princess-feather,
One monk's-hood tuft with oilets wan,
I glimpsed, dead in the slaying weather.

This morning, when my window's chintz
I drew, how gray the day was!-Since
I saw him, yea, all days are gray!-
I gazed out on my dripping quince,
Defruited, gnarled; then turned away

To weep, but did not weep: but felt
A colder anguish than did melt
About the tearful-visaged year!-
Then flung the lattice wide, and smelt
The autumn sorrow: Rotting near

The rain-drenched sunflowers bent and bleached,
Up which the frost-nipped gourd-vines reached
And morning-glories, seeded o'er
With ashen aiglets; whence beseeched
One last bloom, frozen to the core.

The podded hollyhocks,-that Fall
Had stripped of finery,-by the wall
Rustled their tatters; dripped and dripped,
The fog thick on them: near them, all
The tarnished, haglike zinnias tipped.

I felt the death and loved it: yea,
To have it nearer, sought the gray,
Chill, fading garth. Yet could not weep,
But wandered in an aimless way,
And sighed with weariness for sleep.

Mine were the fog, the frosty stalks;
The weak lights on the leafy walks;
The shadows shivering with the cold;
The breaking heart; the lonely talks;
The last, dim, ruined marigold.

But when to-night the moon swings low-
A great marsh-marigold of glow-
And all my garden with the sea
Moans, then, through moon and mist, I know
My love will come to comfort me.

In girandoles of gladioles
The day had kindled flame;
And Heaven a door of gold and pearl
Unclosed when Morning, like a girl,
A red rose twisted in a curl,
Down sapphire stairways came.

Said I to Love:'What must I do?
What shall I do? what can I do?'
Said I to Love:'What must I do?
All on a summer's morning.'
Said Love to me:'Go woo, go woo.'
Said Love to me:'Go woo.

If she be milking, follow, O!
And in the clover hollow, O!
While through the dew the bells clang clear,
Just whisper it into her ear,
All on a summer's morning.'

II.

Of honey and heat and weed and wheat
The day had made perfume;
And Heaven a tower of turquoise raised,
Whence Noon, like some wan woman, gazed
A sunflower withering at her waist
Within a crystal room.

Said I to Love:'What must I do?
What shall I do? what can I do?'
Said I to Love:'What must I do,
All in the summer nooning?'
Said Love to me:'Go woo, go woo.'
Said Love to me:'Go woo.

If she be 'mid the rakers, O!
Among the harvest acres, O!
While every breeze brings scents of hay,
Just hold her hand and not take 'nay,'
All in the summer nooning.'

III.

With song and sigh and cricket cry
The day had mingled rest;
And Heaven a casement opened wide
Of opal, whence, like some young bride,
The Twilight leaned, all starry-eyed,
A moonflower on her breast.

Said I to Love:'What must I do?
What shall I do? what can I do?'
Said I to Love:'What must I do,
All in the summer gloaming?'
Said Love to me:'Go woo, go woo.'
Said Love to me:'Go woo.

Go meet her at the trysting, O!
And, 'spite of her resisting, O!
Beneath the stars and afterglow,
Just clasp her close and kiss her so,
All in the summer gloaming.'