Letitia Elizabeth Landon: Verses about Girl

FLOAT on—float on—my haunted bark,
Above the midnight tide;
Bear softly o'er the waters dark
The hopes that with thee glide.

Float on—float on—thy freight is flowers,
And every flower reveals
The dreaming of my lonely hours,
The hope my spirit feels.

Float on—float on—thy shining lamp,
The light of love, is there;
If lost beneath the waters damp,
That love must then despair.

Float on—beneath the moonlight float
The sacred billows o'er:
Ah, some kind spirit guards my boat,
For it has gained the shore.

SHE was just risen from her bended knee,
But yet peace seem'd not with her piety;
For there was paleness upon her young cheek,
And thoughts upon the lips which never speak,
But wring the heart that at the last they break.
Alas! how much of misery may be read
In that wan forehead, and that bow'd down head:--
Her eye is on a picture, woe that ever
Love should thus struggle with a vain endeavour
Against itself: it is a common tale,
And ever will be while earth soils prevail
Over earth's happiness; it tells she strove
With silent, secret, unrequited love.

It matters not its history; love has wings
Like lightining , swift and fatal, and it springs
Like a wild flower where it is least expected,
Existing whether cherish'd or rejected;
Living with only but to be content,
Hopeless, for love is its own element,--
Requiring nothing so that it may be
The martyr of its fond fidelity.
A mystery art thou, thou mighty one!
We speak thy name in beauty, yet we shun
To own thee, Love, a guest; the poet's songs
Are sweetest when their voice to thee belongs,
And hope, sweet opiate, tenderness, delight,
Are terms which are thy own peculiar right;
Yet all deny their master,--who will own
His breast thy footstool, and his heart thy throne?

'Tis strange to think if we could fling aside
The masque and mantle that love wears from pride,
How much would be, we now so little guess,
Deep in each heart's undream'd, unsought recess.
The careless smile, like a gay banner borne,
The laugh of merriment, the lip of scorn,--
And for a cloak what is there that can be
So difficult to pierce as gaiety?
Too dazzling to be scann'd, the haughty brow
Seems to hide something it would not avow;
But rainbow words, light laugh, and thoughtless jest,
These are the bars, the curtain to the breast,
That shuns a scrutiny: and she, whose form
Now bends in grief beneath the bosom's storm,
Has hidden well her wound,--now none are nigh
To mock with curious or with careless eye,
(For love seeks sympathy, a chilling yes,
Strikes at the root of its best happiness,
And mockery is worm-wood), she may dwell
On feelings which that picture may not tell.

SHE left the festival, for it seem'd dim
Now that her eye no longer dwelt on him,
And sought her chamber,--gazed, (then turn'd away),
Upon a mirror that before her lay,
Half fearing, half believing her sweet face
Would surely claim within his memory place.
The hour was late, and that night her light foot
Had been the constant echo of the lute;
Yet sought she not her pillow, the cool air
Came from the casement, and it lured her there.
The terrace was beneath, and the pale moon
Shone o'er the couch which she had press'd at noon,
Soft-lingering o'er some minstrel's love-lorn page,--
Alas, tears are the poet's heritage!

She flung her on that couch, but not for sleep;
No, it was only that the wind might steep
Her fever'd lip in its delicious dew:
Her brow was burning, and aside she threw
Her cap and plume, and, loosen'd from its fold,
Came o'er her neck and face a shower of gold,
A thousand curls. It was a solitude
Made for young hearts in love's first dreaming mood:--
Beneath the garden lay, fill'd with rose-trees
Whose sighings came like passion on the breeze.

Two graceful statues of the Parian stone
So finely shaped, that as the moonlight shone
The breath of life seem'd to their beauty given,
But less the life of earth than that of heaven.
'Twas PSYCHE and her boy-god, so divine
They turn'd the terrace to an idol shrine,
With its white vases and their summer share
Of flowers, like altars raised to that sweet pair.

And there the maiden leant, still in her ear
The whisper dwelt of that young cavalier;
It was no fancy, he had named the name
Of love, and at that thought her cheek grew flame:
It was the first time her young ear had heard
A lover's burning sigh, or silver word;
Her thoughts were all confusion, but most sweet,--
Her heart beat high, but pleasant was its beat.

She murmur'd over many a snatch of song
That might to her own feelings now belong;
She thought upon old histories she had read,
And placed herself in each high heroine's stead,
Then woke her lute,--oh! there is little known
Of music's power till aided by love's own.
And this is happiness: oh! love will last
When all that made it happiness is past,--
When all its hopes are as the glittering toys
Time present offers, time to come destroys,--
When they have been too often crush'd to earth,
For further blindness to their little worth,--
When fond illusions have dropt one by one,
Like pearls from a rich carkanet, till none
Are left upon life's soil'd and naked string,--
And this is all what time will ever bring.

--And that fair girl,--what can the heart foresee
Of her young love, and of its destiny?
There is a white cloud o'er the moon, its form
Is very light, and yet there sleeps the storm;
It is an omen, it may tell the fate
Of love known all too soon, repented all too late.

IT was a wild and untrain'd bower,
Enough to screen from April shower,
Or shelter from June's hotter hour,
Tapestried with starry jessamines,
The summer's gold and silver mines;
With a moss seat, and its turf set
With crowds of the white violet.
And close beside a fountain play'd,
Dim, cool, from its encircling shade;
And lemon trees grew round, as pale
As never yet to them the gale
Had brought a message from the sun
To say their summer task was done.
It was a very solitude
For love in its despairing mood,
With just enough of breath and bloom,
With just enough of calm and gloom,
To suit a heart where love has wrought
His wasting work, with saddest thought;
Where all its sickly fantasies
May call up suiting images:
With flowers like hopes that spring and fade
As only for a mockery made,
And shadows of the boughs that fall
Like sorrow drooping over all.

And LEILA , loveliest! can it be
Such destiny is made for thee?
Yes, it is written on thy brow
The all thy lip may not avow,--
All that in woman's heart can dwell,
Save by a blush unutterable.
Alas! that ever RAYMOND came
To light thy cheek and heart to flame,--
A hidden fire, but not the less
Consuming in its dark recess.

She had leant by his couch of pain,
When throbbing pulse and bursting vein
Fierce spoke the fever, when fate near
Rode on the tainted atmosphere;
And though that parch'd lip spoke alone
Of other love, in fondest tone,
And though the maiden knew that death
Might be upon his lightest breath,
Yet never by her lover's side
More fondly watch'd affianced bride,--
With pain or fear more anxious strove,
Than LEILA watch'd another's love.

But he was safe!--that very day
Farewell, it had been her's to say;
And he was gone to his own land,
To seek another maiden's hand.

Who that had look'd on her that morn,
Could dream of all her heart had borne;
Her cheek was red, but who could know
'Twas flushing with the strife below;--
Her eye was bright, but who could tell
It shone with tears she strove to quell;--
Her voice was gay, her step was light;
And, beaming, beautiful, and bright,
It was as if life could confer
Nothing but happiness on her.
Ah! who could think that all so fair
Was semblance, and but misery there.

'Tis strange with how much power and pride
The softness is of love allied;
How much of power to force the breast
To be in outward show at rest,--
How much of pride that never eye
May look upon its agony!
Ah! little will the lip reveal
Of all the burning heart can feel.

But this was past, and she was now
With clasped hands prest to her brow,
And head bow'd down upon her knee,
And heart-pulse throbbing audibly,
And tears that gush'd like autumn rain,
The more for that they gush'd in vain.
Oh! why should woman ever love,
Trusting to one false star above;
And fling her little chance away
Of sunshine for its treacherous ray.

At first ELVIRA had not sought
To break upon her lonely thought.
But it was now the vesper time,
And she return'd not at the chime
Of holy bells,--she knew the hour:--
At last they search'd her favourite bower;
Beside the fount they found the maid
On head bow'd down, as if she pray'd;
Her long black hair fell like a veil,
Making her pale brow yet more pale.
'Twas strange to look upon her face,
Then turn and see its shadowy trace
Within the fountain; one like stone,
So cold, so colourless, so lone,--
A statue nymph, placed there to show
How far the sculptor's art could go.
The other, and that too the shade,
In light and crimson warmth array'd;
For the red glow of day declining,
Was now upon the fountain shining,
And the shape in its mirror bright
Of sparkling waves caught warmth and light.

ELVIRA spoke not, though so near,
Her words lay mute in their own fear:
At last she whisper'd LEILA'S name,--
No answer from the maiden came.
She took one cold hand in her own,
Started, and it dropp'd lifeless down!
She gazed upon the fixed eye,
And read in it mortality.

And lingers yet that maiden's tale
A legend of the lemon vale:
They say that never from that hour
Has flourish'd there a single flower,--
The jasmine droop'd, the violets died,
Nothing grew by that fountain side,
Save the pale pining lemon trees,
And the dark weeping cypresses.--
And now when to the twilight star
The lover wakes his lone guitar,
Or maiden bids a song impart
All that is veil'd in her own heart,
The wild and mournful tale they tell
Of her who loved, alas! too well.--

And where was RAYMOND , where was he?
Borne homeward o'er the rapid sea,
While sunny days and favouring gales
Brought welcome speed to the white sails,--
With bended knee, and upraised hand,
He stood upon his native land,
With all that happiness can be
When resting on futurity.
On, on he went, and o'er the plain
He rode an armed knight again;
He urged his steed with hand and heel,
It bounded concious of the steel,
And never yet to RAYMOND'S eye
Spread such an earth, shone such a sky,
Blew such sweet breezes o'er his brow,
As those his native land had now.

He thought upon young EVA'S name,
And felt that she was still the same;
He thought on AMIRALD , his child
Had surely his dark cares beguiled;
He thought upon the welcome sweet
It would be his so soon to meet:
And never had the star of hope
Shone on a lovelier horoscope.

And evening shades were on the hour
When RAYMOND rode beneath the tower
Remember'd well, for ADELINE
Had there been his heart's summer queen.
Could this be it?--he knew the heath
Which, lake-like, spread its walls beneath,--
He saw the dark old chesnut wood
Which had for ages by it stood;
And but for these the place had been
As one that he had never seen.
The walls were rent, the gates were gone,
No red light from the watch tower shone.
He enter'd, and the hall was bare,
It show'd the spoiler had been there;
Even upon the very hearth
The green grass found a place of birth.

Oh, vanity! that the stone wall
May sooner than a blossom fall;
The tower in its strength may be
Laid low before the willow tree.
There stood the wood, subject to all
The autumn wind, the winter fall,--
There stood the castle which the rain
And wind had buffetted in vain,--
But one in ruins stood beside
The other green in its spring pride.

And RAYMOND paced the lonely hall
As if he feared his own footfall.
It is the very worst, the gloom
Of a deserted banquet-room,
To see the spider's web outvie
The torn and faded tapestry,--
To shudder at the cold damp air,
Then think how once were burning there
The incense vase with odour glowing,
The silver lamp its softness throwing
O'er cheeks as beautiful and bright
As roses bathed in summer light,--
How through the portals sweeping came
Proud cavalier and high-born dame,
With gems like stars 'mid raven curls,
And snow-white plumes and wreathed pearls--
Gold cups, whose lighted flames made dim
The sparkling stones around the brim;--
Soft voices answering to the lute,
The swelling harp, the sigh-waked flute,--
The glancing lightness of the dance,--
Then, starting sudden from thy trance,
Gaze round the lonely place and see
Its silence and obscurity:
Then commune with thine heart, and say
These are the foot-prints of decay,--
And I, even thus shall pass away.

And RAYMOND turn'd him to depart,
With darken'd brow and heavy heart.
Can outrage or can time remove
The sting, the scar of slighted love?
He could not look upon the scene
And not remember ADELINE ,
Fair queen of gone festivity,--
Oh, where was it, and where was she!

At distance short a village lay,
And thither RAYMOND took his way,
And in its hostel shelter found,
While the dark night was closing round.
It was a cheerful scene, the hearth
Was bright with wood-fire and with mirth,
And in the midst a harper bent
O'er his companion instrument:
'Twas an old man, his hair was grey,--
For winter tracks in snow its way,--
But yet his dark, keen eye was bright,
With somewhat of its youthful light;
Like one whose path of life had made
Its course through mingled sheen and shade,
But one whose buoyant spirit still
Pass'd lightly on through good or ill,--
One reckless if borne o'er the sea
In storm or in tranquillity;
The same to him, as if content
Were his peculiar element.
'Tis strange how the heart can create
Or colour from itself its fate;
We make ourselves our own distress,
We are ourselves our happiness.

And many a song and many a lay,
Had pass'd the cheerful hour away,
When one pray'd that he would relate,
His tale of the proud ladye's fate,--
The lady ADELINE ;--the name
Like lightning upon RAYMOND came!
And swept the harper o'er his chords
As that he paused for minstrel words,
Or stay'd till silence should prevail,
When thus the old man told the tale.

THE PROUD LADYE.

OH , what could the ladye's beauty match,
An it were not the ladye's pride;
An hundred knights from far and near
Woo'd at that ladye's side.

The rose of the summer slept on her cheek,
Its lily upon her breast,
And her eye shone forth like the glorious star
That rises the first in the west.

There were some that woo'd for her land and gold,
And some for her noble name,
And more that woo'd for her loveliness;
But her answer was still the same.

'There is a steep and lofty wall,
Where my warders trembling stand,
He who at speed shall ride round its height,
For him shall be my hand.'

Many turn'd away from the deed,
The hope of their wooing o'er;
But many a young knight mounted the steed
He never mounted more.

At last there came a youthful knight,
From a strange and far countrie,
The steed that he rode was white as the foam
Upon a stormy sea.

And she who had scorn'd the name of love,
Now bow'd before its might,
And the ladye grew meek as if disdain
Were not made for that stranger knight.

She sought at first to steal his soul
By dance, song, and festival;
At length on bended knee she pray'd
He would not ride the wall.

But gaily the young knight laugh'd at her fears,
And flung him on his steed,--
There was not a saint in the calendar
That she pray'd not to in her need.

She dared not raise her eyes to see
If heaven had granted her prayer,
Till she heard a light step bound to her side,--
The gallant knight stood there!

And took the ladye ADELINE
From her hair a jewell'd band,
But the knight repell'd the offer'd gift,
And turn'd from the offer'd hand.

And deemest thou that I dared this deed,
Ladye, for love of thee;
The honour that guides the soldier's lance
Is mistress enough for me.

Enough for me to ride the ring,
The victor's crown to wear;
But not in honour of the eyes
Of any ladye there.

I had a brother whom I lost
Through thy proud crueltie,
And far more was to me his love,
Than woman's love can be.

I came to triumph o'er the pride
Through which that brother fell,
I laugh to scorn thy love and thee,
And now, proud dame, farewell!

And from that hour the ladye pined,
For love was in her heart,
And on her slumber there came dreams
She could not bid depart.

Her eye lost all its starry light,
Her cheek grew wan and pale,
Till she hid her faded loveliness
Beneath the sacred veil.

And she cut off her long dark hair,
And bade the world farewell,
And she now dwells a veiled nun
In Saint Marie's cell.

AND what were RAYMOND'S dreams that night?
The morning's gift of crimson light
Waked not his sleep, for his pale cheek
Did not of aught like slumber speak;
Though not upon a morn like this
Should RAYMOND turn to aught but bliss.
To-day, when EVA will be prest,
Ere evening, to his throbbing breast,--
To-day, when all his own will be
That cheer'd his long captivity.
Care to the wind of heaven was flung
As the young knight to stirrup sprung.

He reach'd the castle; save one, all
Rush'd to his welcome in the hall.
He gazed, but there no EVA came,
Scarce his low voice named EVA'S name!

'Our EVA , she is far away
Amid the young, the fair, the gay.
At Thoulouse, now the bright resort
Of beauty and the Minstrel Court;
For this time it is hers to set
The victor's brow with violet.
Her father,--but you're worn and pale,--
Come, the wine cup will aid my tale.'
The greeting of the elder knight,
The cheerful board, the vintage bright,
Not all could chase from RAYMOND'S soul,
The cloud that o'er its gladness stole;
And soon, pretending toil, he sought
A solitude for lonely thought.--
'Tis strange how much of vanity
Almost unconciously will be
With our best feelings mix'd, and now
But that, what shadows RAYMOND'S brow.

He had deem'd a declining flower,
Pining in solitary bower,
He should find EVA , sad and lone,--
He sought the cage, the bird had flown,
With burnish'd plume, and careless wing,
A follower of the sunny Spring.
He pictured her the first of all
In masque, and dance, and festival,--
With cheek at its own praises burning,
And eyes but on adorers turning,
The lady of the tournament,
For whose bright sake the lance was sent;
While minstrels borrow'd from her name
The beauty which they paid by fame:
Beloved! not even his hot brain
Dared whisper,--loving too again.

But the next morn, and RAYMOND bent
His steps to that fair Parliament,
While pride and hasty anger strove
Against his memory and his love.
But leave we him awhile to rave
Against the faith which, like the wave,
By every grain of sand can be
Moved from its own tranquillity,
Till settled he that woman's mind
Was but a leaf before the wind,--
Left to remain, retreat, advance,
Without a destiny but chance.--

And where is EVA ? on her cheek
Is there aught that of love may speak?
Amid the music and perfume
That, mingling, fill yon stately room
A maiden sits, around her chair
Stand others who, with graceful care,
Bind Indian jewels in her hair.
'Tis EVA ! on one side a stand
Of dark wood from the Ethiop's land
Is cover'd with all gems that deck
A maiden's arm, or maiden's neck:
The diamond with its veins of light,
The sapphire like a summer night,
The ruby rich as it had won
A red gift from the setting sun,
And white pearls, such as might have been
A bridal offering for a queen.

On the side opposite were thrown,
Rainbow-like mix'd, a sparkling zone,
A snow-white veil, a purple vest
Embroider'd with a golden crest.
Before, the silver mirror's trace
Is the sweet shadow of her face,
Placed as appealing to her eyes
For the truth of the flatteries,
With which her gay attendants seek
To drive all sadness from her cheek.--
She heard them not; she reck'd not how
They wreath'd the bright hair o'er her brow,
Whate'er its sunny grace might be
There was an eye that would not see.
They told of words of royal praise,
They told of minstrel's moonlight lays,
Of youthful knights who swore to die
For her least smile, her lightest sigh.
But he was gone, her young, her brave,
Her heart was with him in the grave.

Wearied, for ill the heart may bear
Light words in which it has no share,
She turn'd to a pale maid, who, mute,
Dreaming of song leant o'er her lute;
And at her sign, that maiden's words
Came echo-like to its sweet chords,--
It was a low and silver tone,
And very sad, like sorrow's own;
She sang of love as it will be,
And has been in reality,--
Of fond hearts broken and betray'd,
Of roses opening but to fade,
Of wither'd hope, and wasted bloom,
Of the young warrior's early tomb;
And the while her dark mournful eye
Held with her words deep sympathy.

And EVA listen'd;--music's power
Is little felt in sunlit hour;
But hear its voice when hopes depart,
Like swallows, flying from the heart
On which the summer's late decline
Has set a sadness and a sign;
When friends whose commune once we sought
For every bosom wish and thought,
Have given in our hour of need
Such a support as gives the reed,--
When we have seen the green grass grow
Over what once was life below;
How deeply will the spirit feel
The lute, the song's sweet-voiced appeal;
And how the heart drink in their sighs
As echoes they from Paradise.

'Tis done: the last bright gem is set
In EVA'S sparkling coronet;
A soil on her rich veil appears,--
Unsuiting here--and is it tears!

Her father met her, he was proud
To lead his daughter through the crowd,
And see the many eyes that gazed,
Then mark the blush their gazing raised;
And for his sake, she forced away
The clouds that on her forehead lay,
The sob rose in her throat, 'twas all,
The tears swam, but they dared not fall;
And the pale lip put on a smile,
Alas it was too sad for guile!

A beautiful and festal day
Shone summer bright o'er the array,
And purple banners work'd in gold,
And azure pennons spread their fold,
O'er the rich awnings which were round
The galleries that hemm'd in the ground,
The green and open space, where met
The Minstrels of the Violet;
And two or three old stately trees
Soften'd the sun, skreen'd from the breeze.
And there came many a lovely dame,
With cheek of rose, and eye of flame;
And many a radiant arm was raised,
Whose rubies in the sunshine blazed;
And many a white veil swept the air
Only than what they hid less fair;
And placed at his own beauty's feet
Found many a youthful knight his seat,
And flung his jewell'd cap aside,
And wore his scarf with gayer pride,
And whisper'd soft and gallant things,
And bade the bards' imaginings
Whenever love awoke the tone,
With their sweet passion plead his own.

Beneath an azure canopy,
Blue as the sweep of April's sky,
Upon a snowy couch reclined
Like a white cloud before the wind,
Leant EVA :--there was many a tent
More royal, more magnificent,
With purple, gold, and crimson swelling,
But none so like a fairy dwelling:
One curtain bore her father's crest,
But summer flowers confined the rest;
And, at her feet, the ground was strew'd
With the June's rainbow multitude:
Beside her knelt a page, who bore
A vase with jewels sparkling o'er,
And in that shining vase was set
The prize,--THE GOLDEN VIOLET.

Alas for her whom ev'ry eye
Worshipp'd like a divinity!
Alas for her whose ear was fill'd
With flatteries like sweet woods distill'd!

Alas for EVA ! bloom and beam,
Music and mirth, came like a dream,
In which she mingled not,--apart
From all in heaviness of heart.
There were soft tales pour'd in her ear,
She look'd on many a cavalier,
Wander'd her eye round the glad scene,
It was as if they had not been;--
To ear, eye, heart, there only came
Her RAYMOND'S image, RAYMOND'S name!

There is a flower, a snow-white flower,
Fragile as if a morning shower
Would end its being, and the earth
Forget to what it gave a birth;
And it looks innocent and pale,
Slight as the least force could avail
To pluck it from its bed, and yet
Its root in depth and strength is set.
The July sun, the autumn rain,
Beat on its slender stalk in vain;--
Around it spreads, despite of care,
Till the whole garden is its share;
And other plants must fade and fall
Beneath its deep and deadly thrall.
This is love's emblem; it is nurst
In all unconciousness at first,
Too slight, too fair, to wake distrust;
No sign how that an after hour
Will rue and weep its fatal power.
'Twas thus with EVA ; she had dream'd
Of love as his first likeness seem'd,
A sweet thought o'er which she might brood,
The treasure of her solitude;
But tidings of young RAYMOND'S fate
Waken'd her from her dream too late,
Even her timid love could be
The ruling star of destiny.
And when a calmer mood prevail'd
O'er that whose joy her father hail'd,
Too well he saw how day by day
Some other emblem of decay
Came on her lip, and o'er her brow,
Which only she would disallow;
The cheek the lightest word could flush
Not with health's rose, but the heart's gush
Of feverish anxiousness; he caught
At the least hope, and vainly sought
By change, by pleasure, to dispell
Her sorrow from its secret cell.

In vain;--what can reanimate
A heart too early desolate?
It had been his, it could not save,
But it could follow to his grave.

The trumpets peal'd their latest round,
Stole from the flutes a softer sound,
Swell'd the harp to each master's hand,
As onward came the minstrel band!
And many a bright cheek grew more bright,
And many a dark eye flash'd with light,
As bent the minstrel o'er his lute,
And urged the lover's plaining suit,
Or swept a louder chord, and gave
Some glorious history of the brave.

At last from 'mid the crowd one came,
Unknown himself, unknown his name,
Both knight and bard,--the stranger wore
The garb of a young Troubadour;
His dark green mantle loosely flung,
Conceal'd the form o'er which it hung;
And his cap, with its shadowy plume,
Hid his face by its raven gloom.
Little did EVA'S careless eye
Dream that it wander'd RAYMOND by,
Though his first tone thrill'd every vein,
It only made her turn again,
Forget the scene, the song, and dwell
But on what memory felt too well.

THE SONG OF THE TROUBADOUR.

IN some valley low and lone,
Where I was the only one
Of the human dwellers there,
Would I dream away my care:
I'd forget how in the world
Snakes lay amid roses curl'd,
I'd forget my once distress
For young Love's insidiousness.
False foes, and yet falser friends,
Seeming but for their own ends;
Pleasures known but by their wings,
Yet remember'd by their stings;
Gold's decrease, and health's decay,
I will fly like these away,
To some lovely solitude,
Where the nightingale's young brood
Lives amid the shrine of leaves,
Which the wild rose round them weaves,
And my dwelling shall be made
Underneath the beech-tree's shade.
Twining ivy for the walls
Over which the jasmine falls,
Like a tapestry work'd with gold
And pearls around each emerald fold:
And my couches shall be set
With the purple violet,
And the white ones too, inside
Each a blush to suit a bride.
That flower which of all that live,
Lovers, should be those who give,
Primroses, for each appears
Pale and wet with many tears.
Alas tears and pallid check
All too often love bespeak!
There the gilderose should fling
Silver treasures to the spring,
And the bright laburnum's tresess
Seeking the young wind's caresses;
In the midst an azure lake,
Where no oar e'er dips to break
The clear bed of its blue rest,
Where the halcyon builds her nest;
And amid the sedges green,
And the water-flag's thick screen,
The solitary swan resides;
And the bright kingfisher hides,
With its colours rich like those
Which the bird of India shows.--
Once I thought that I would seek
Some fair creature, young and meek,
Whose most gentle smile would bless
My too utter loneliness;
But I then remember'd all
I had suffer'd from Love's thrall,
And I thought I 'd not again
Enter in the lion's den;
But, with my wrung heart now free,
So I thought I still will be.
Love is like a kingly dome,
Yet too often sorrow's home;
Sometimes smiles, but oftener tears,
Jealousies, and hopes, and fears,
A sweet liquor sparkling up,
But drank from a poison'd cup.
Would you guard your heart from care
Love must never enter there.
I will dwell with summer flowers,
Fit friends for the summer hours,
My companions honey-bees,
And birds, and buds, and leaves, and trees,
And the dew of the twilight,
And the thousand stars of night:
I will cherish that sweet gift,
The least earthly one now left
Of the gems of Paradise,
Poesy's delicious sighs.
Ill may that soft spirit bear
Crowds' or cities' healthless air;
Was not her sweet breathing meant
To echo the low murmur sent
By the flowers, and by the rill,
When all save the wind is still?
As if to tell of those fair things
High thoughts, pure imaginings,
That recall how bright, how fair,
In our other state we were.
And at last, when I have spent
A calm life in mild content,
May my spirit pass away
As the early leaves decay:
Spring shakes her gay coronal,
One sweet breath, and then they fall.
Only let the red-breast bring
Moss to strew me with, and sing,
One low mournful dirge to tell
I have bid the world farewell.

AND praise rang forth, the prize is won,
Young minstrel, thou hast equal none!
They led him to the lady's seat,
And knelt he down at EVA'S feet;
She bent his victor brow to deck,
And, fainting, sunk upon his neck!
The cap and plume aside were thrown,
'Twas as the grave restored its own,
And sent its victim forth to share
Light, life, and hope, and sun, and air.

That day the feast spread gay and bright
In honour of the youthful knight,
And it was EVA'S fairy hand
Met RAYMOND'S in the saraband,
And it was EVA'S ear that heard
Many a low and love-tuned word.--
And life seem'd as a sunny stream,
And hope awaked as from a dream;
But what has minstrel left to tell
When love has not an obstacle?
My lute is hush'd, and mute its chords,
The heart and happiness have no words!

MY tale is told, the glad sunshine
Fell over its commencing line,--
It was a morn in June, the sun
Was blessing all it shone upon,
The sky was clear as not a cloud
Were ever on its face allow'd;
The hill whereon I stood was made
A pleasant place of summer shade
By the green elms which seem'd as meant
To make the noon a shadowy tent.
I had been bent half sleep, half wake,
Dreaming those rainbow dreams that take
The spirit prisoner in their chain,
Too beautiful to be quite vain,--
Enough if they can soothe or cheer
One moment's pain or sorrow here.
And I was happy; hope and fame
Together on my visions came,
For memory had just dipp'd her wings
In honey dews, and sunlit springs,--
My brow burnt with its early wreath,
My soul had drank its first sweet breath
Of praise, and yet my cheek was flushing,
My heart with the full torrent gushing
Of feelings whose delighted mood
Was mingling joy and gratitude.
Scarce possible it seem'd to be
That such praise could be meant for me.--
Enured to coldness and neglect,
My spirit chill'd, my breathing check'd,
All that can crowd and crush the mind,
Friends even more than fate unkind,
And fortunes stamp'd with the pale sign
That marks and makes autumn's decline.
How could I stand in the sunshine,
And marvel not that it was mine?
One word, if ever happiness
In its most passionate excess
Offer'd its wine to human lip,
It has been mine that cup to sip.
I may not say with what deep dread
The words of my first song were said,
I may not say how much delight
Has been upon my minstrel flight.--
'Tis vain, and yet my heart would say
Somewhat to those who made my way
A path of light, with power to kill,
To check, to crush, but not the will.
Thanks for the gentleness that lent
My young lute such encouragement,
When scorn had turn'd my heart to stone,
Oh, their's be thanks and benison!

Back to the summer hill again,
When first I thought upon this strain,
And music rose upon the air,
I look'd below, and, gather'd there,
Rode soldiers with their breast-plates glancing,
Helmets and snow-white feathers dancing,
And trumpets at whose martial sound
Prouder the war horse trod the ground,
And waved their flag with many a name
Of battles and each battle fame.
And as I mark'd the gallant line
Pass through the green lane's serpentine,
And as I saw the boughs give way
Before the crimson pennons' play;
To other days my fancy went,
Call'd up the stirring tournament,
The dark-eyed maiden who for years
Kept the vows seal'd by parting tears,
While he who own'd her plighted hand
Was fighting in the Holy Land.
The youthful knight with his gay crest,
His ladye's scarf upon a breast
Whose truth was kept, come life, come death,--
Alas! has modern love such faith?
I thought how in the moon-lit hour
The minstrel hymn'd his maiden's bower,
His helm and sword changed for the lute
And one sweet song to urge his suit.
Floated around me moated hall,
And donjon keep, and frowning wall;
I saw the marshall'd hosts advance,
I gazed on banner, brand, and lance;
The murmur of a low song came
Bearing one only worshipp'd name;
And my next song, I said, should be
A tale of gone-by chivalry.

My task is done, the tale is told,
The lute drops from my wearied hold;
Spreads no green earth, no summer sky
To raise fresh visions for my eye,
The hour is dark, the winter rain
Beats cold and harsh against the pane,
Where, spendthrift like, the branches twine,
Worn, knotted, of a leafless vine;
And the wind howls in gusts around,
As omens were in each drear sound,--
Omens that bear upon their breath
Tidings of sorrow, pain, and death.
Thus should it be,--I could not bear
The breath of flowers, the sunny air
Upon that ending page should be
Which ONE will never, never see.
Yet who will love it like that one,
Who cherish as he would have done,
My father! albeit but in vain
This clasping of a broken chain,
And albeit of all vainest things
That haunt with sad imaginings,
None has the sting of memory;
Yet still my spirit turns to thee,
Despite of long and lone regret,
Rejoicing it cannot forget.
I would not lose the lightest thought
With one remembrance of thine fraught,--
And my heart said no name, but thine
Should be on this last page of mine.

My father, though no more, thine ear
Censure or praise of mine can hear,
It soothes me to embalm thy name
With all my hope, my pride, my fame,
Treasures of Fancy's fairy hall,--
Thy name most precious far of all.

My page is wet with bitter tears,--
I cannot but think of those years
When happiness and I would wait
On summer evenings by the gate,
And keep o'er the green fields our watch
The first sound of thy step to catch,
Then run for the first kiss, and word,--
An unkind one I never heard.
But these are pleasant memories,
And later years have none like these:
They came with griefs, and pains, and cares,
All that the heart breaks while it bears;
Desolate as I feel alone
I should not weep that thou art gone.
Alas! the tears that still will fall
Are selfish in their fond recall;--
If ever tears could win from Heaven
A loved one, and yet be forgiven,
Mine surely might; I may not tell
The agony of my farewell!
A single tear I had not shed,--
'Twas the first time I mourn'd the dead:--
It was my heaviest loss, my worst,--
My father!--and was thine the first!

Farewell! in my heart is a spot
Where other griefs and cares come not,
Hallow'd by love, by memory kept,
And deeply honour'd, deeply wept.
My own dead father, time may bring
Chance, change, upon his rainbow-wing,
But never will thy name depart
The household god of thy child's heart,
Until thy orphan girl may share
The grave where her best feelings are.
Never, dear father, love can be,
Like the dear love I had for thee!

WHAT is there that the world hath not
Gathered in yon enchanted spot?
Where, pale, and with a languid eye,
The fair Sultana listlessly
Leans on her silken couch, and dreams
Of mountain airs, and mountain streams.
Sweet though the music float around,
It wants the old familiar sound;

And fragrant though the flowers are breathing,
From far and near together wreathing,
They are not those she used to wear,
Upon the midnight of her hair.—

She's very young, and childhood's days
With all their old remembered ways,
The empire of her heart contest
With love, that is so new a guest;
When blushing with her Murad near,
Half timid bliss, half sweetest fear,
E'en the beloved past is dim,
Past, present, future, merge in him.
But he, the warrior and the chief,
His hours of happiness are brief;
And he must leave Nadira's side
To woo and win a ruder bride;

Sought, sword in hand and spur on heel,
The fame, that weds with blood and steel.
And while from Delhi far away,
His youthful bride pines through the day,
Weary and sad: thus when again
He seeks to bind love's loosen'd chain;
He finds the tears are scarcely dry
Upon a cheek whose bloom is faded,
The very flush of victory
Is, like the brow he watches, shaded.
A thousand thoughts are at her heart,
His image paramount o'er all,
Yet not all his, the tears that start,
As mournful memories recall
Scenes of another home, which yet
That fond young heart can not forget.
She thinks upon that place of pride,
Which frowned upon the mountain's side;

While round it spread the ancient plain,
Her steps will never cross again.
And near those mighty temples stand,
The miracles of mortal hand,
Where, hidden from the common eye,
The past's long buried secrets lie,
Those mysteries of the first great creed,
Whose mystic fancies were the seed
Of every wild and vain belief,
That held o'er man their empire brief,
And turned beneath a southern sky,
All that was faith to poetry.
Hence had the Grecian fables birth,
And wandered beautiful o'er earth;
Till every wood, and stream, and cave,
Shelter to some bright vision gave:
For all of terrible and strange,
That from those gloomy caverns sprung,

From Greece received a graceful change,
That spoke another sky and tongue,
A finer eye, a gentler hand,
Than in their native Hindoo land.

'Twas thence Nadira came, and still
Her memory kept that lofty hill;
The vale below, her place of birth,
That one charmed spot, her native earth.
Still haunted by that early love,
Which youth can feel, and youth alone;
An eager, ready, tenderness,
To all its after-life unknown.
When the full heart its magic flings,
Alike o'er rare and common things,
The dew of morning's earliest hour,
Which swells but once from leaf and flower,

From the pure life within supplied,
A sweet but soon exhausted tide.

There falls a shadow on the gloom,
There steals a light step through the room,
Gentle as love, that, though so near,
No sound hath caught the list'ning ear.
A moment's fond watch o'er her keeping.
Murad beholds Nadira weeping;
He who to win her lightest smile,
Had given his heart's best blood the while.
She turned—a beautiful delight
Has flushed the pale one into rose,
Murad, her love, returned to-night,
Her tears, what recks she now of those?
Dried in the full heart's crimson ray,
Ere he can kiss those tears away—

And she is seated at his feet,
Too timid his dear eyes to meet;
But happy; for she knows whose brow
Is bending fondly o'er her now.
And eager, for his sake, to hear
The records red of sword and spear,
For his sake feels the colour rise,
His spirit kindle in her eyes,
Till her heart beating joins the cry
Of Murad, and of Victory.

City of glories now no more,
His camp extends by Bejapore,
Where the Mahratta's haughty race
Has won the Moslem conqueror's place;
A bolder prince now fills the throne,
And he will struggle for his own.

'And yet,' he said, 'when evening falls
Solemn above those mouldering walls,
Where the mosques cleave the starry air,
Deserted at their hour of prayer,
And rises Ibrahim's lonely tomb,
'Mid weed-grown shrines, and ruined towers,
All marked with that eternal gloom
Left by the past to present hours.
When human pride and human sway
Have run their circle of decay;
And, mocking—the funereal stone,
Alone attests its builder gone.
Oh! vain such temple, o'er the sleep
Which none remain to watch or weep.
I could not choose but think how vain
The struggle fierce for worthless gain.
And calm and bright the moon looked down
O'er the white shrines of that fair town;

While heavily the cocoa-tree
Drooped o'er the walls its panoply,
A warrior proud, whose crested head
Bends mournful o'er the recent dead,
And shadows deep athwart the plain
Usurp the silver moonbeam's reign;
For every ruined building cast
Shadows, like memories of the past.
And not a sound the wind brought nigh,
Save the far jackal's wailing cry,
And that came from the field now red
With the fierce banquet I had spread:
Accursed and unnatural feast,
For worm, and fly, and bird, and beast;
While round me earth and heaven recorded
The folly of life's desperate game,
And the cold justice still awarded
By time, which makes all lots the same.

Slayer or slain, it matters not,
We struggle, perish, are forgot!
The earth grows green above the gone,
And the calm heaven looks sternly on.
'Twas folly this—the gloomy night
Fled before morning's orient light;
City and river owned its power,
And I, too, gladdened with the hour;
I saw my own far tents extend
My own proud crescent o'er them bend;
I heard the trumpet's glorious voice
Summon the warriors of my choice.
Again impatient on to lead,
I sprang upon my raven steed,
Again I felt my father's blood
Pour through my veins its burning flood.
My scimetar around I swung,
Forth to the air its lightning sprung,

A beautiful and fiery light,
The meteor of the coming fight.

'I turned from each forgotten grave
To others, which the name they bear
Will long from old oblivion save
The heroes of the race I share.
I thought upon the lonely isle
Where sleeps the lion-king the while,

Who looked on death, yet paused to die
Till comraded by Victory.
And he, fire noblest of my line,
Whose tomb is now the warrior's shrine,
(Where I were well content to be,
So that such fame might live with me.)
The light of peace, the storm of war,
Lord of the earth, our proud Akbar.
'What though our passing day but be
A bubble on eternity;
Small though the circle is, yet still
'Tis ours to colour at our will.
Mine be that consciousness of life
Which has its energies from strife,
Which lives its utmost, knows its power,
Claims from the mind its utmost dower—

With fiery pulse, and ready hand,
That wills, and willing wins command—
That boldly takes from earth its best—
To whom the grave can be but rest.
Mine the fierce free existence spent
Mid meeting ranks and armed tent:—
Save the few moments which I steal
At thy beloved feet to kneel—
And own the warrior's wild career
Has no such joy as waits him here—
When all that hope can dream is hung
Upon the music of thy tongue.
Ah! never is that cherished face
Banished from its accustomed place—
It shines upon my weariest night
It leads me on in thickest fight:
All that seems most opposed to be
Is yet associate with thee—

Together life and thee depart,
Dream—idol—treasure of my heart.'

Again, again Murad must wield
His scimetar in battle-field:
And must he leave his lonely flower
To pine in solitary bower?
Has power no aid has wealth no charm,
The weight of absence to disarm?
Alas! she will not touch her lute—
What!—sing?—and not for Murad's ear?
The echo of the heart is mute,
And that alone makes music dear.
In vain, in vain that royal hall
Is decked as for a festival.
The sunny birds, whose shining wings
Seem as if bathed in golden springs,

Though worth the gems they cost—and fair
As those which knew her earlier care.
The flowers—though there the rose expand
The sweetest depths wind ever fanned.
Ah! earth and sky have loveliest hues—
But none to match that dearest red,
Born of the heart, which still renews
The life that on itself is fed.
The maiden whom we love bestows
Her magic on the haunted rose.
Such was the colour—when her cheek
Spoke what the lip might never speak.
The crimson flush which could confess
All that we hoped—but dared not guess.
That blush which through the world is known
To love, and to the rose alone—
A sweet companionship, which never
The poet's dreaming eye may sever.

And there were tulips, whose rich leaves
The rainbow's dying light receives;
For only summer sun and skies
Could lend to earth such radiant dyes;
But still the earth will have its share,
The stem is green—the foliage fair—
Those coronals of gems but glow
Over the withered heart below—
That one dark spot, like passion's fire,
Consuming with its own desire.
And pale, as one who dares not turn
Upon her inmost thoughts, and learn,
If it be love their depths conceal,
Love she alone is doomed to feel—
The jasmine droopeth mournfully
Over the bright anemone,
The summer's proud and sun-burnt child:
In vain the queen is not beguiled,

They waste their bloom. Nadira's eye
Neglects them—let them pine and die.
Ah! birds and flowers may not suffice
The heart that throbs with stronger ties.
Again, again Murad is gone,
Again his young bride weeps alone:
Seeks her old nurse, to win her ear
With magic stories once so dear,
And calls the Almas to her aid.
With graceful dance, and gentle singing,
And bells like those some desert home
Hears from the camel's neck far ringing.
Alas! she will not raise her brow;
Yet stay—some spell hath caught her now:
That melody has touched her heart.
Oh, triumph of Zilara's art;
She listens to the mournful strain,
And bids her sing that song again.

Song.
'My lonely lute, how can I ask
For music from thy silent strings?
It is too sorrowful a task,
When only swept by memory's wings:
Yet waken from thy charmed sleep,
Although I wake thee but to weep.

'Yet once I had a thousand songs,
As now I have but only one.
Ah, love, whate'er to thee belongs.
With all life's other links, has done;
And I can breathe no other words
Than thou hast left upon the chords.

'They say Camdeo's place of rest,
When floating down the Ganges' tide,
Is in the languid lotus breast,
Amid whose sweets he loves to hide.
Oh, false and cruel, though divine,
What dost thou in so fair a shrine?

'And such the hearts that thou dost choose,
As pure, as fair, to shelter thee;
Alas! they know not what they lose
Who chance thy dwelling-place to be.
For, never more in happy dream
Will they float down life's sunny stream.

'My gentle lute, repeat one name,
The very soul of love, and thine:
No; sleep in silence, let me frame
Some other love to image mine;

Steal sadness from another's tone,
I dare not trust me with my own.

'Thy chords will win their mournful way,
All treasured thoughts to them belong;
For things it were so hard to say
Are murmured easily in song—
It is for music to impart
The secrets of the burthened heart.

'Go, taught by misery and love,
And thou hast spells for every ear:
But the sweet skill each pulse to move,
Alas! hath bought its knowledge dear—
Bought by the wretchedness of years,
A whole life dedicate to tears.'

The voice has ceased, the chords are mute,
The singer droops upon her lute;

But, oh, the fulness of each tone
Straight to Nadira's heart hath gone—
As if that mournful song revealed
Depths in that heart till then concealed,
A world of melancholy thought,
Then only into being brought;
Those tender mysteries of the soul,
Like words on an enchanted scroll,
Whose mystic meaning but appears
When washed and understood by tears.
She gaged upon the singer's face;
Deeply that young brow wore the trace
Of years that leave their stamp behind:
The wearied hope—the fever'd mind—
The heart which on itself hath turned,
Worn out with feelings—slighted—spurned—
Till scarce one throb remained to show
What warm emotions slept below,

Never to be renewed again,
And known but by remembered pain.

Her cheek was pale—impassioned pale—
Like ashes white with former fire,
Passion which might no more prevail,
The rose had been its own sweet pyre.
You gazed upon the large black eyes,
And felt what unshed tears were there;
Deep, gloomy, wild, like midnight skies,
When storms are heavy on the air—
And on the small red lip sat scorn,
Writhing from what the past had borne.
But far too proud to sigh—the will,
Though crushed, subdued, was haughty still;
Last refuge of the spirit's pain,
Which finds endurance in disdain.

Others wore blossoms in their hair,
And golden bangles round the arm.
She took no pride in being fair,
The gay delight of youth to charm;
The softer wish of love to please,
What had she now to do with these?
She knew herself a bartered slave,
Whose only refuge was the grave.
Unsoftened now by those sweet notes,
Which half subdued the grief they told,
Her long black hair neglected floats
O'er that wan face, like marble cold;
And carelessly her listless hand
Wandered above her lute's command
But silently—or just a tone
Woke into music, and was gone.

'Come hither, maiden, take thy seat,'
Nadira said, 'here at my feet.'

And, with the sweetness of a child
Who smiles, and deems all else must smile,
She gave the blossoms which she held,
And praised the singer's skill the while;
Then started with a sad surprise,
For tears were in the stranger's eyes.
Ah, only those who rarely know
Kind words, can tell how sweet they seem.
Great God, that there are those below
To whom such words are like a dream.

'Come,' said the young Sultana, 'come
To our lone garden by the river,
Where summer hath its loveliest home,
And where Camdeo fills his quiver.
If, as thou sayest, 'tis stored with flowers,
Where will he find them fair as ours?
And the sweet songs which thou canst sing
Methinks might charm away his sting.'

The evening banquet soon is spread—
There the pomegranate's rougher red
Was cloven, that it might disclose
A colour stolen from the rose—
The brown pistachio's glossy shell,
The citron where faint odours dwell;
And near the watermelon stands,
Fresh from the Jumna's shining sands;
And golden grapes, whose bloom and hue
Wear morning light and morning dew,
Or purple with the deepest dye
That flushes evening's farewell sky.
And in the slender vases glow—
Vases that seem like sculptured snow—
The rich sherbets are sparkling bright
With ruby and with amber light.
A fragrant mat the ground o'erspread,
With an old tamarind overhead,

With drooping bough of darkest green,
Forms for their feast a pleasant screen.

'Tis night, but such delicious time
Would seem like day in northern clime.
A pure and holy element,
Where light and shade, together blent,
Are like the mind's high atmosphere,
When hope is calm, and heaven is near.
The moon is young—her crescent brow
Wears its ethereal beauty now,
Unconscious of the crime and care,
Which even her brief reign must know,
Till she will pine to be so fair,
With such a weary world below.
A tremulous and silvery beam
Melts over palace, garden, stream;

Each flower beneath that tranquil ray,
Wears other beauty than by day,
All pale as if with love, and lose
Their rich variety of hues—
But ah, that languid loveliness
Hath magic, to the noon unknown,
A deep and pensive tenderness,
The heart at once feels is its own—
How fragrant to these dewy hours,
The white magnolia lifts its urn
The very Araby of flowers,
Wherein all precious odours burn.
And when the wind disperses these,
The faint scent of the lemon trees
Mingles with that rich sigh which dwells
Within the baubool's golden bells.

The dark green peepul's glossy leaves,
Like mirrors each a ray receives,
While luminous the moonlight falls,
O'er pearl kiosk and marble walls,
Those graceful palaces that stand
Most like the work of peri-land.
And rippling to the lovely shore,
The river tremulous with light,
On its small waves, is covered o'er
With the sweet offerings of the night—
Heaps of that scented grass whose bands
Have all been wove by pious hands,
Or wreaths, where fragrantly combined,
Red and white lotus flowers are twined.
And on the deep blue waters float
Many a cocoa-nut's small boat,

Holding within the lamp which bears
The maiden's dearest hopes and prayers,
Watch'd far as ever eye can see,
A vain but tender augury.
Alas! this world is not his home,
And still love trusts that signs will come
From his own native world of bliss,
To guide him through the shades of this.
Dreams, omens, he delights in these,
For love is linked with fantasies,
But hark! upon the plaining wind
Zilara's music floats again;
That midnight breeze could never find
A meeter echo than that strain,
Sad as the sobbing gale that sweeps
The last sere leaf which autumn keeps,

Yet sweet as when the waters fall
And make some lone glade musical.
Song.
'Lady, sweet Lady, song of mine
Was never meant for thee,
I sing but from my heart, and thine—
It cannot beat with me.

'You have not knelt in vain despair,
Beneath a love as vain,
That desperate—that devoted love,
Life never knows again.

'What know you of a weary hope,
The fatal and the fond,
That feels it has no home on earth,
Yet dares not look beyond?

'The bitterness of wasted youth,
Impatient of its tears;
The dreary days, the feverish nights,
The long account of years.

'The vain regret, the dream destroy'd,
The vacancy of heart,
When life's illusions, one by one,
First darken—then depart.

'The vacant heart! ah, worse,—a shrine
For one beloved name:
Kept, not a blessing, but a curse,
Amid remorse and shame.

'To know how deep, how pure, how true
Your early feelings were;
But mock'd, betray'd, disdain'd, and chang'd,
They have but left despair.

'And yet the happy and the young
Bear in their hearts a well
Of gentlest, kindliest sympathy,
Where tears unbidden dwell.

'Then, lady, listen to my lute;
As angels look below,
And e'en in heaven pause to weep
O'er grief they cannot know.'

The song was o'er, but yet the strings
Made melancholy murmurings;
She wandered on from air to air,
Changeful as fancies when they bear
The impress of the various thought,
From memory's twilight caverns brought.
At length, one wild, peculiar chime
Recalled this tale of ancient time.
THE RAKI.
'There's dust upon the distant wind, and shadow on the skies,
And anxiously the maiden strains her long-expecting eyes
And fancies she can catch the light far flashing from the sword,
And see the silver crescents raised, of him, the Mogul lord.

'She stands upon a lofty tower, and gazes o'er the plain:
Alas! that eyes so beautiful, should turn on heaven in vain.
'Tis but a sudden storm whose weight is darkening on the air,
The lightning sweeps the hill, but shows no coming warriors there.

'Yet crimson as the morning ray, she wears the robe of pride
That binds the gallant Humaioon, a brother, to her side;
His gift, what time around his arm, the glittering band was rolled,
With stars of ev'ry precious stone enwrought in shining gold.
'Bound by the Raki's sacred tie, his ready aid to yield,
Though beauty waited in the bower, and glory in the field:
Why comes he not, that chieftain vow'd, to this her hour of need?
Has honour no devotedness? Has chivalry no speed?

'The Rajpoot's daughter gazes round, she sees the plain afar,
Spread shining to the sun, which lights no trace of coming war.
The very storm has past away, as neither earth nor heaven
One token of their sympathy had to her anguish given.

'And still more hopeless than when last she on their camp looked down,
The foeman's gathered numbers close round the devoted town:
And daily in that fatal trench her chosen soldiers fall,
And spread themselves, a rampart vain, around that ruined wall.

'Her eyes upon her city turn—alas! what can they meet,
But famine, and despair, and death, in every lonely street?
Women and children wander pale, or with despairing eye
Look farewell to their native hearths, and lay them down to die.

'She seeks her palace, where her court collects in mournful bands,
Of maidens who but watch and weep, and wring their weary hands.

One word there came from her white lips, one word, she spoke no more;
But that word was for life and death, the young queen named—the Jojr.

[ the last,
'A wild shriek filled those palace halls—one shriek, it was
All womanish complaint and wail have in its utterance past:
They kneel at Kurnavati's feet, they bathe her hands in tears,
Then hurrying to their task of death, each calm and stern appears.

'There is a mighty cavern close beside the palace gate,
Dark, gloomy temple, meet to make such sacrifice to fate:
There heap they up all precious woods, the sandal and the rose,
While fragrant oils and essences like some sweet river flows.

'And shawls from rich Cashmere, and robes from Dacca's golden loom,
And caskets filled with Orient pearls, or yet more rare perfume:

And lutes and wreaths, all graceful toys, of woman's gentle care,
Are heaped upon that royal pile, the general doom to share.

'But weep for those the human things, so lovely and so young,
The panting hearts which still to life so passionately clung;
Some bound to this dear earth by hope, and some by love's strong thrall,
And yet dishonour's high disdain was paramount with all.

'Her silver robe flowed to her feet, with jewels circled round,
And in her long and raven hair the regal gems were bound;
And diamonds blaze, ruby and pearl were glittering in her zone,
And there, with starry emeralds set, the radiant Kandjar shone.

'The youthful Ranee led the way, while in her glorious eyes
Shone spiritual, the clear deep light, that is in moonlit skies:

Pale and resolved, her noble brow was worthy of a race
Whose proud blood flowed in those blue veins unconscious of disgrace.
'Solemn and slow with mournful chaunt, come that devoted band,
And Kurnavati follows last—the red torch in her hand:
She fires the pile, a death-black smoke mounts from that dreary cave—
Fling back the city gates—the foe, can now find but a grave.

'Hark the fierce music on the wind, the atabal, the gong,
The stem avenger is behind, he has not tarried long:
They brought his summons, though he stood before his plighted bride;
They brought his summons, though he stood in all but victory's pride.

'Yet down he flung the bridal wreath, he left the field unwon,
All that a warrior might achieve, young Humaioon had done,
Too late—he saw the reddening sky, he saw the smoke arise,
A few faint stragglers lived to tell the Ranee's sacrifice.
'But still the monarch held a sword, and had a debt to pay;
Small cause had Buhadour to boast—the triumph of that day:
Again the lone streets flowed with blood, and though too late to save,
Vengeance was the funereal rite at Kurnavati's grave.'

Deep silence chained the listeners round,
When, lo, another plaintive sound,
Came from the river's side, and there
They saw a girl with loosened hair

Seat her beneath a peepul tree,
Where swung her gurrah mournfully,
Filled with the cool and limpid wave,
An offering o'er some dear one's grave.
At once Zilara caught the tone,
And made it, as she sung, her own.
Song.
'Oh weep not o'er the quiet grave,
Although the spirit lost be near;
Weep not, for well those phantoms know
How vain the grief above their bier.

Weep not—ah no, 'tis best to die,
Ere all of bloom from life is fled;
Why live, when feelings, friends, and faith
Have long been numbered with the dead?

'They know no rainbow-hope that weeps
Itself away to deepest shade;
Nor love, whose very happiness
Should make the trusting heart afraid.
Ah, human tears are tears of fire,
That scorch and wither as they flow;
Then let them fall for those who live,
And not for those who sleep below.

'Yes, weep for those, whose silver chain
Has long been loosed, and yet live on;
The doomed to drink from life's dark spring,
Whose golden bowl has long been gone.

Aye, weep for those, the weary, worn,
The bound to earth by some vain tie;
Some lingering love, some fond regret,
Who loathe to live, yet fear to die.'

A moment's rest, and then once more
Zilara tried her memory's store,
And woke, while o'er the strings she bowed,
A tale of Rajahstan the proud.
KISHEN KOWER.
'Bold as the falcon that faces the sun,
Wild as the streams when in torrents they run,

Fierce as the flame when the jungle's on fire,
Are the chieftains who call on the day-star as Sire.
Since the Moghuls were driven from stately Mandoo,
And left but their ruins their reign to renew,
Those hills have paid tribute to no foreign lord,
And their children have kept what they won by the sword.
Yet downcast each forehead, a sullen dismay
At Oudeypoor reigns in the Durbar to-day,
For bootless the struggle, and weary the fight,
Which Adjeit Sing pictures with frown black as night:—

'Oh fatal the hour, when Makundra's dark pass
Saw the blood of our bravest sink red in the grass;
And the gifts which were destined to honour the bride,
By the contest of rivals in crimson were dyed.
Where are the warriors who once wont to stand
The glory and rampart of Rajahstan's land?
Ask of the hills for their young and their brave,
They will point to the valleys beneath as their grave.
The mother sits pale by her desolate hearth,
And weeps o'er the infant an orphan from birth;
While the eldest boy watches the dust on the spear,
Which as yet his weak hand is unable to rear.
The fruit is ungathered, the harvest unsown,
And the vulture exults o'er our fields as his own:
There is famine on earth—there is plague in the air,
And all for a woman whose face is too fair.'
There was silence like that from the tomb, for no sound
Was heard from the chieftains who darkened around,

When the voice of a woman arose in reply,
'The daughters of Rajahstan know how to die.'

'Day breaks, and the earliest glory of morn
Afar o'er the tops of the mountains is borne;
Then the young Kishen Kower wandered through the green bowers,
That sheltered the bloom of the island of flowers;
Where a fair summer palace arose mid the shade,
Which a thousand broad trees for the noon-hour had made
Far around spread the hills with their varying hue,
From the deepest of purple to faintest of blue;
On one side the courts of the Rana are spread,
The white marble studded with granite's deep red;
While far sweeps the terrace, and rises the dome,
Till lost in the pure clouds above like a home.
Beside is a lake covered over with isles,
As the face of a beauty is varied with smiles:

Some small, just a nest for the heron that springs
From the long grass, and flashes the light from its wings;
Some bearing one palm-tree, the stately and fair,
Alone like a column aloft in the air;
While others have shrubs and sweet plants that extend
Their boughs to the stream o'er whose mirror they bend.
The lily that queen-like uprears to the sun,
The loveliest face that his light is upon;
While beside stands the cypress, which darkens the wave
With a foliage meant only to shadow the grave.

But the isle in the midst was the fairest of all
Where ran the carved trellis around the light hall;
Where the green creeper's starry wreaths, scented and bright.
Wooed the small purple doves 'mid their shelter to light;
There the proud oleander with white tufts was hung,
And the fragile clematis its silver showers flung,

And the nutmeg's soft pink was near lost in the pride
Of the pomegranate blossom that blushed at its side.
There the butterflies flitted around on the leaves,
From which every wing its own colour receives;
There the scarlet finch past like a light on the wind,
And the hues of the bayas like sunbeams combined;
Till the dazzled eye sought from such splendours to rove
And rested at last on the soft lilac dove;
Whose song seemed a dirge that at evening should be
Pour'd forth from the height of the sad cypress tree.
Her long dark hair plaited with gold on each braid;
Her feet bound with jewels which flash'd through the shade;
One hand filled with blossoms, pure hyacinth bells
Which treasure the summer's first breath in their cells;
The other caressing her white antelope,
In all the young beauty of life and of hope.
The princess roved onwards, her heart in her eyes,
That sought their delight in the fair earth and skies.

Oh, loveliest time! oh, happiest day!
When the heart is unconscious, and knows not its sway,
When the favourite bird, or the earliest flower,
Or the crouching fawn's eyes, make the joy of the hour,
And the spirits and steps are as light as the sleep
Which never has waken'd to watch or to weep.
She bounds o'er the soft grass, half woman half child,
As gay as her antelope, almost as wild.
The bloom of her cheek is like that on her years;
She has never known pain, she has never known tears,
And thought has no grief, and no fear to impart;
The shadow of Eden is yet on her heart.

'The midnight has fallen, the quiet, the deep,
Yet in yon Zenana none lie down for sleep.
Like frighted birds gathered in timorous bands,
The young slaves within it are wringing their hands.

The mother hath covered her head with her veil,
She weepeth no tears, and she maketh no wail;
But all that lone chamber pass silently by;
She has flung her on earth, to despair and to die.
But a lamp is yet burning in one dismal room,
Young princess; where now is thy morning of bloom?
Ah, ages, long ages, have passed in a breath,
And life's bitter knowledge has heralded death.
At the edge of the musnud she bends on her knee,
While her eyes watch the face of the stern Chand Baee.
Proud, beautiful, fierce; while she gazes, the tone
Of those high murky features grows almost her own;
And the blood of her race rushes dark to her brow,
The spirit of heroes has entered her now.

' 'Bring the death-cup, and never for my sake shall shame
Quell the pride of my house, or dishonour its name.
She drained the sherbet, while Chand Baee looked on,
Like a warrior that marks the career of his son.
But life is so strong in each pure azure vein,
That they take not the venom—she drains it again.
The haughty eye closes, the white teeth are set,
And the dew-damps of pain on the wrung brow are wet:
The slight frame is writhing—she sinks to the ground;
She yields to no struggle, she utters no sound—
The small hands are clenched—they relax—it is past,
And her aunt kneels beside her—kneels weeping at last.
Again morning breaks over palace and lake,
But where are the glad eyes it wont to awake.
Weep, weep, 'mid a bright world of beauty and bloom,
For the sweet human flower that lies low in the tomb.
And wild through the palace the death-song is breathing,
And white are the blossoms, the slaves weep while wreathing,

To strew at the feet and to bind round the head,
Of her who was numbered last night with the dead:
They braid her long tresses, they drop the shroud o'er,
And gaze on her cold and pale beauty no more:
But the heart has her image, and long after-years
Will keep her sad memory with music and tears.'

Days pass, yet still Zilara's song
Beguiled the regal beauty's hours
As the wind bears some bird along
Over the haunted orange bowers.
'Twas as till then she had not known
How much her heart had for its own;
And Murad's image seemed more dear,
These higher chords of feeling strung;
'And love shone brighter for the shade
'That others' sorrows round it flung.

It was one sultry noon, yet sweet
The air which through the matted grass
Came cool—its breezes had to meet
A hundred plumes, ere it could pass;
The peacock's shining feathers wave
From many a young and graceful slave;
Who silent kneel amid the gloom
Of that dim and perfumed room.

Beyond, the radiant sunbeams rest
On many a minaret's glittering crest,
And white the dazzling tombs below,
Like masses sculptured of pure snow;
While round stands many a giant tree,
Like pillars of a sanctuary,
Whose glossy foliage, dark and bright,
Reflects, and yet excludes the light.
Oh sun, how glad thy rays are shed;
How canst thou glory o'er the dead?

Ah, folly this of human pride,
What are the dead to one like thee,
Whose mirror is the mighty tide,
Where time flows to eternity?
A single race, a single age,
What are they in thy pilgrimage?
The tent, the palace, and the tomb
Repeat the universal doom.
Man passes, but upon the plain
Still the sweet seasons hold their reign,
As if earth were their sole domain,
And man a toy and mockery thrown
Upon the world he deems his own.

All is so calm—the sunny air
Has not a current nor a shade;
The vivid green the rice-fields wear
Seems of one moveless emerald made;

The Ganges' quiet waves are rolled
In one broad sheet of molten gold;
And in the tufted brakes beside,
The water-fowls and herons hide.
And the still earth might also seem
The strange creation of a dream.
Actual, breathless—dead, yet bright—
Unblest with life—yet mocked with light,
It mocks our nature's fate and power,
When we look forth in such an hour,
And that repose in nature see,
The fond desire of every heart;
But, oh! thou inner world, to thee,
What outward world can e'er impart?

But turn we to that darkened hall,
Where the cool fountain's pleasant fall

Wakens the odours yet unshed
From the blue hyacinth's drooping head;
And on the crimson couch beside
Reclines the young and royal bride;
Not sleeping, though the water's chime,
The lulling flowers, the languid time,
Might soothe her to the gentlest sleep,
O'er which the genii watchings keep,
And shed from their enchanted wings,
All loveliest imaginings:
No, there is murmuring in her ear,
A voice than sleep's more soft and dear;
While that pale slave with drooping eye
Speaks mournfully of days gone by;
And every plaintive word is fraught
With music which the heart has taught,
A pleading and confiding tone,
To those mute lips so long unknown.

Ah! all in vain that she had said
To feeling, 'slumber like the dead;'
Had bade each pang that might convulse
With fiery throb the beating pulse,
Each faded hope, each early dream,
Sleep as beneath a frozen stream;
Such as her native mountains bear,
The cold white hills around Jerdair;
Heights clad with that eternal snow,
Which happier valleys never know.
Some star in that ungenial sky,
Might well shape such a destiny;
But till within the dark calm grave,
There yet will run an under-wave,
Which human sympathy can still
Excite and melt to tears at will;
No magic any spell affords,
Whose power is like a few kind words.

'Twas strange the contrast in the pair,
That leant by that cool fountain's side
Both very young, both very fair,
By nature, not by fate allied:
The one a darling and delight,
A creature like the morning bright:
Whose weeping is the sunny shower
Half light upon an April hour;
One who a long glad childhood past,
But left that happy home to 'bide
Where love a deeper shadow cast,
A hero's proud and treasured bride:
Who her light footstep more adored,
Than all the triumphs of his sword;
Whose kingdom at her feet the while,
Had seemed too little for a smile.
But that pale slave was as the tomb
Of her own youth, of her own bloom;

Enough remained to show how fair,
In other days those features were,
Still lingered delicate and fine,
The shadow of their pure outline;
The small curved lip, the glossy brow,
That melancholy beauty wore,
Whose spell is in the silent past,
Which saith to love and hope, 'No more:'
No more, for hope hath long forsaken
Love, though at first its gentle guide
First lulled to sleep, then left to 'waken,
'Mid tears and scorn, despair and pride,
And only those who know can tell,
What love is after hope's farewell.
And first she spoke of childhood's time,
Little, what childhood ought to be,
When tenderly the gentle child
Is cherished at its mother's knee,

Who deems that ne'er before, from heaven
So sweet a thing to earth was given.
But she an orphan had no share
In fond affection's early care;
She knew not love until it came
Far other, though it bore that name.

'I felt,' she said, 'all things grow bright!
Before the spirit's inward light.
Earth was more lovely, night and day,
Conscious of some enchanted sway,
That flung around an atmosphere
I had not deemed could brighten here.
And I have gazed on Moohreeb's face,
As exiles watch their native place;
I knew his step before it stirred
From its green nest the cautious bird.

I woke, till eye and cheek grew dim,
Then slept—it was to dream of him;
I lived for days upon a word
Less watchful ear had never heard:
And won from careless look or sign
A happiness too dearly mine.
He was my world—I wished to make
My heart a temple for his sake.
It matters not—such passionate love
Has only life and hope above;
A wanderer from its home on high,
Here it is sent to droop and die.
He loved me not—or but a day,
I was a flower upon his way:
A moment near his heart enshrined,
Then flung to perish on the wind.'

She hid her face within her hands—
Methinks the maiden well might weep;
The heart it has a weary task
Which unrequited love must keep;
At once a treasure and a curse,
The shadow on its universe.
Alas, for young and wasted years,
For long nights only spent in tears;
For hopes, like lamps in some dim urn,
That but for the departed burn.
Alas for her whose drooping brow
Scarce struggles with its sorrow now.
At first Nadira wept to see
That hopelessness of misery.
But, oh, she was too glad, too young,
To dream of an eternal grief;
A thousand thoughts within her sprung,
Of solace, promise, and relief.

Slowly Zilara raised her head,
Then, moved by some strong feeling, said,
'A boon, kind Princess, there is one
Which won by me, were heaven won;
Not wealth, not freedom—wealth to me
Is worthless, as all wealth must be;
When there are none its gifts to share:
For whom have I on earth to care?
None from whose head its golden shrine
May ward the ills that fell on mine.
And freedom—'tis a worthless boon
To one who will be free so soon;
And yet I have one prayer, so dear,
I dare not hope—I only fear.'
'Speak, trembler, be your wish confest,
And trust Nadira with the rest.'
'Lady, look forth on yonder tower,
There spend I morn and midnight's hour,

Beneath that lonely peepul tree—
Well may its branches wave o'er me,
For their dark wreaths are ever shed,
The mournful tribute to the dead—
There sit I, in fond wish to cheer
A captive's sad and lonely ear,
And strive his drooping hopes to raise,
With songs that breathe of happier days.
Lady, methinks I scarce need tell
The name that I have loved so well;
'Tis Moohreeb, captured by the sword
Of him, thy own unconquered lord.
Lady, one word—one look from thee,
And Murad sets that captive free.'

'And you will follow at his side?'
'Ah, no, he hath another bride;
And if I pity, can'st thou bear
To think upon her lone despair?
No, break the mountain-chieftain's chain,
Give him to hope, home, love again.'
Her cheek with former beauty blushed,
The crimson to her forehead rushed,
Her eyes rekindled, till their light
Flashed from the lash's summer night.
So eager was her prayer, so strong
The love that bore her soul along.
Ah! many loves for many hearts;
But if mortality has known
One which its native heaven imparts
To that fine soil where it has grown;
'Tis in that first and early feeling,
Passion's most spiritual revealing;

Half dream, all poetry—whose hope
Colours life's charmed horoscope
With hues so beautiful, so pure—
Whose nature is not to endure.
As well expect the tints to last,
The rainbow on the storm hath cast.
Of all young feelings, love first dies,
Soon the world piles its obsequies;
Yet there have been who still would keep
That early vision dear and deep,
The wretched they, but love requires
Tears, tears to keep alive his fires:
The happy will forget, but those
To whom despair denies repose,
From whom all future light is gone,
The sad, the slighted, still love on.

The ghurrees are chiming the morning hour,
The voice of the priest is heard from the tower,
The turrets of Delhi are white in the sun,
Alas! that another bright day has begun.
Children of earth, ah! how can ye bear
This constant awakening to toil and to care?
Out upon morning, its hours recall,
Earth to its trouble, man to his thrall;
Out upon morning, it chases the night,
With all the sweet dreams that on slumber alight;
Out upon morning, which wakes us to life,
With its toil, its repining, its sorrow and strife.
And yet there were many in Delhi that day,
Who watched the first light, and rejoiced in the ray;

They wait their young monarch, who comes from the field
With a wreath on his spear, and a dent on his shield.
There's a throng in the east, 'tis the king and his train:
And first prance the horsemen, who scarce can restrain
Their steeds that are wild as the wind, and as bold
As the riders who curb them with bridles of gold:
The elephants follow, and o'er each proud head
The chattah that glitters with gems is outspread,
Whence the silver bells fall with their musical sound,
While the howdah's red trappings float bright on the ground:
Behind stalk the camels, which, weary and worn,
Seem to stretch their long necks, and repine at the morn:
And wild on the air the fierce war-echoes come,
The voice of the atabal, trumpet, and drum:

Half lost in the shout that ascends from the crowd,
Who delight in the young, and the brave, and the proud.
Tis folly to talk of the right and the wrong,
The triumph will carry the many along.
A dearer welcome far remains,
Than that of Delhi's crowded plains?
Soon Murad seeks the shadowy hall,
Cool with the fountain's languid fall;
His own, his best beloved to meet.
Why kneels Nadira at his feet?
With flushing cheek, and eager air,
One word hath won her easy prayer;
It is such happiness to grant,
The slightest fancy that can haunt
The loved one's wish, earth hath no gem,
And heaven no hope, too dear for them.
That night beheld a vessel glide,
Over the Jumna's onward tide;

One watched that vessel from the shore,
Too conscious of the freight it bore,
And wretched in her granted vow,
Sees Moohreeb leaning by the prow,
And knows that soon the winding river
Will hide him from her view for ever.

Next morn they found that youthful slave
Still kneeling by the sacred wave;
Her head was leaning on the stone
Of an old ruined tomb beside,
A fitting pillow cold and lone,
The dead had to the dead supplied:
The heart's last string hath snapt in twain,
Oh, earth, receive thine own again:
The weary one at length has rest
Within thy chill but quiet breast.

Long did the young Nadira keep
The memory of that maiden's lute;
And call to mind her songs, and weep,
Long after those charmed chords were mute.
A small white tomb was raised, to show
That human sorrow slept below;
And solemn verse and sacred line
Were graved on that funereal shrine.
And by its side the cypress tree
Stood, like unchanging memory.
And even to this hour are thrown
Green wreaths on that remembered stone;
And songs remain, whose tunes are fraught
With music which herself first taught.
And, it is said, one lonely star
Still brings a murmur sweet and far
Upon the silent midnight air,
As if Zilara wandered there.

Oh! if her poet soul be blent
With its aerial element,
May its lone course be where the rill
Goes singing at its own glad will;
Where early flowers unclose and die;
Where shells beside the ocean lie,
Fill'd with strange tones; or where the breeze
Sheds odours o'er the moonlit seas:
There let her gentle spirit rove,
Embalmed by poetry and love.