Henry Lawson: Verses about Sorrow

The Valley's full of misty cloud,
Its tinted beauty drowning,
The Eucalypti roar aloud,
The mountain fronts are frowning.
The mist is hanging like a pall
From many granite ledges,
And many a little waterfall
Starts o’er the valley’s edges.

The sky is of a leaden grey,
Save where the north is surly,
The driven daylight speeds away,
And night comes o’er us early.

But, love, the rain will pass full soon,
Far sooner than my sorrow,
And in a golden afternoon
The sun may set to-morrow.

Two poets were born where the skies were fair,
To live in the land thereafter;
And one was a singer of sorrow and care,
And one was a bard of laughter.

With simple measure and simple word,
The feelings of mankind voicing –
And light hearts listened and sad hearts heard,
And they went on their way rejoicing.

The glad rejoiced that the world was gay –
Who took no thought of the morrow-
And it ever has lightened the sad hearts’ way
To hear of another’s’ sorrow.

The poets died when none were aware,
(For no one could see the token)
That light of heart was the bard of care,
But the heart of the other was broken.

It knows it all, it knows it all,
The world of groans and laughter,
It sneers of pride before a fall,
But the bitter pride comes after:
So leave me and I’ll seek you not,
So seek me and you’ll find me—
But till I know your hand-grip’s true
I’ll stand with hands behind me.

It knows it all, it knows it all,
The world of lies and sorrow—
It prates of pride before a fall,
And of the humble morrow;
But shame and blame are but a name,
Oh, heart that’s hurt past curing!
We’ll drink to-night the sinner’s pride,
The pride that’s most enduring.

They know it all, they know it all,
The curs that pass the sentence.
They preach of pride before a fall
And bitter black repentance:
So leave me when my star is set,
I’ll glory that you leave me,
While one has pride to love me yet
There’s nought on earth shall grieve me.

“Did she care as much as I did
When our paths of Fate divided?
Was the love, then, all onesided—
Did she understand or care?”
Slowly fall the moments leaden,
And the silence seems to deaden—
And a voice from over yonder answers sadly: “I’ve been there.”


“Have you tramped the streets of cities
Poor? And do you know what it is—
While no mortal cares or pities—
To have drifted past ambition;
To have sunk below despair?
Doomed to slave and stint and borrow;
Ever haunted in your sorrow
By the spectre of To-morrow?”
And the voice from over yonder answers sadly: “I’ve been there.”

“Surely in the wide Hereafter
There’s a land of love and laughter?
Say: Is this life all we live for—
Say it! think it, if you dare!
Have you ever thought or wondered
Why the Man and God were sundered?
Do you think the Maker blundered?”
And the voice, in mocking accents, answered only: “I’ve been there.”

Weary old wife, with the bucket and cow,
‘How’s your son Jack? and where is he now?’
Haggard old eyes that turn to the west—
‘Boys will be boys, and he’s gone with the rest!’
Grief without tears and grief without sound;
‘Somewhere up-country he’s knocking around.’
Knocking around with a vagabond crew,
Does for himself what a mother would do;
Maybe in trouble and maybe hard-up,
Maybe in want of a bite or a sup;
Dead of the fever, or lost in the drought,
Lonely old mother! he’s knocking about.

Wiry old man at the tail of the plough,
‘Heard of Jack lately? and where is he now?’
Pauses a moment his forehead to wipe,
Drops the rope reins while he feels for his pipe,
Scratches his grey head in sorrow or doubt:
‘Somewheers or others he’s knocking about.’

Knocking about on the runs of the West,
Holding his own with the worst and the best
Breaking in horses and risking his neck,
Droving or shearing and making a cheque;
Straight as a sapling—six-foot and sound,
Jack is all right when he’s knocking around

When you’re suffering hard for your sins, old man,
When you wake to trouble and sleep ill—
Oh, this is the clack of the middle class,
‘Win back the respect of the people!’
You are weak, you’re a fool, or a drunken brute
When you’re deep in trouble and sorrow;
But walk down the street in a decent suit,
And their hats will be off to-morrow! Old Chap—
And their hats will be off to-morrow!
They cant and they cackle—‘Redeem the Past!’
Who never had past worth redeeming:
Your soul seems dead, but you’ll find at last
That somewhere your soul lay dreaming.
You may stagger down-hill in a beer-stained coat,
You may loaf, you may cadge and borrow—
But walk down the street with a ten-pound note
And their hats will be off to-morrow! Old Man—
Yes, their hats will be off to-morrow!

But stick to it, man! for your old self’s sake,
Though to brood on the past is human;
Hold up for the sake of the mate who was true,
And the sake of the Other Woman.
And as for the rest, you may take off your hat
And banish all signs of sorrow;
You may take their hands, but in spite of that,
Can they win your respect to-morrow? Old Man—
Can they win your respect to-morrow?

On the moonlighted decks there are children at play,
While smoothly the steamer is holding her way;
And the old folks are chatting on deck-seats and chairs,
And the lads and the lassies go strolling in pairs.

Some gaze half-entranced on the beautiful sea,
And wonder perhaps if a vision it be:
And surely their journeys no sorrow nor care,
For wealth, love, and beauty are passengers there.

But down underneath, ’mid the coal dust that smears
The face and the hands, work the ship’s engineers.
Whate’er be the duty of others, ’tis theirs
To stand by their engines whatever occurs.

The sailor may gaze on the sea and the sky;
The sailor may tell when the danger is nigh;
But when Death his black head o’er the waters uprears,
Unseen he is met by the ship’s engineers.

They are thrown from their feet by the force of a shock;
They know that their vessel has struck on a rock.
Now stand by your engines when danger appears,
For all may depend on the ship’s engineers!

No thought of their danger! No mad rush on deck!
They stand at their posts in the hull of a wreck,
Firm hands on the valves; and the white steam appears;
And down with their ship go the brave engineers!

He was lengthsman on the railway, and his station scarce deserved
That “pre-eminence in sorrow” of the Majesty he served,
But as dear to him and precious were the gifts reclaimed so soon—
Were the workman’s little daughters who were buried near Walloon.

Speak their names in tones that linger, just as though you held them dear;
There are eyes to which the mention of those names will bring a tear.
Little Kate and Bridget, straying in an autumn afternoon,
Were attracted by the lilies in the water of Walloon.

All is dark to us. The angels sing perhaps in Paradise
Of the younger sister’s danger, and the elder’s sacrifice;
But the facts were hidden from us, when the soft light from the moon
Glistened on the water-lilies o’er the Babies at Walloon.

Ah! the children love the lilies, while we elders are inclined
To the flowers that have poison for the body and the mind.
Better for the “strongly human” to have done with life as soon,
Better perish for a lily like the Babies of Walloon.

For they gather flowers early on the river far away,
Where the everlasting lilies keep their purity for aye,
And while summer brings our lilies to the run and the lagoon
May our children keep the legend of the Babies of Walloon.

There's the same old coaching stable that was used by Cobb and Co.,
And the yard the coaches stood in more than sixty years ago;
And the public-private parlour, where they serve the passing swell,
Was the shoeing forge and smithy up at Callaghan’s Hotel.
There’s the same old walls and woodwork that our fathers built to last,
And the same old doors and wainscot and the windows of the past;
And the same old nooks and corners where the Jim-Jams used to dwell;
But the Fantods dance no longer up at Callaghan’s Hotel.

There are memories of old days that were red instead of blue;
In the time of “Dick the Devil” and of other devils too;
But perhaps they went to Heaven and are angels, doing well—
They were always open-hearted up at Callaghan’s Hotel.

Then the new chum, broken-hearted, and with boots all broken too,
Got another pair of bluchers, and a quid to see him through;
And the old chum got a bottle, who was down and suffering Hell;—
And no tucker-bag went empty out of Callaghan’s Hotel.

And I sit and think in sorrow of the nights that I have seen,
When we fought with chairs and bottles for the orange and the green;
For the peace of poor old Ireland, till they rang the breakfast bell—
And the honour of Old England, up at Callaghan’s Hotel.

Listen! The end draws nearer,
Nearer the morning—or night—
And I see with a vision clearer
That the beginning was right!
These shall be words to remember
When all has been done and said,
And my fame is a dying ember
In the days when I am dead.
Listen! We wrote in sorrow,
And we wrote by candle light;
We took no heed of the morrow,
And I think that we were right—
(To-morrow, but not the day after,
And I think that we were right).

We wrote of a world that was human
And we wrote of blood that was red,
For a child, or a man, or a woman—
Remember when we are dead.

Listen! We wrote not for money,
And listen! We wrote not for fame—
We wrote for the milk and the honey
Of Kindness, and not for a name.

We paused not, nor faltered for any,
Though many fell back where we led;
We wrote of the few for the many—
Remember when we are dead.

We suffered as few men suffer,
Yet laughed as few men laugh;
We grin as the road grows rougher,
And a bitterer cup we quaff.

We lived for Right and for Laughter,
And we fought for a Nation ahead—
Remember it, friends, hereafter,
In the years when I am dead—
For to-morrow and not the day after,
For ourselves, and a Nation ahead.

When you fear the barber’s mirror when you go to get a crop,
Or in sorrow every morning comb your hair across the top:
When you titivate and do the little things you never used—
It is close upon the season when your sins come home to roost.

Many were the sins of others and you never were to blame,
Some were sins you shared in common—you must suffer all the same;
Some were sins of wasted hours with the wine cup or a mate,
But you cannot share the burden—and they come in duplicate.

Oh! you’ll find the fowls are heavy and their claws are sharp and deep—
They will bow your head in working, they will jerk you from your sleep,
And so many hands are eager just to give your back a boost
On the road to wreck and ruin when your sins come home to roost.

But you don’t let on they’re roosting and you take some only way,
And you never whine or guzzle and you neither curse nor pray;
You will never for an instant let your lower lip be loosed—
But you stand up like a soldier when your sins come home to roost!

And you’ll find them growing lighter till you find room for a few
Of the sins of other mortals who have weaker souls than you:
Then you’ll smile, and not too sadly, at old sins reintroduced—
And you’ll be a man in many when your sins come home to roost.

We, three men of commerce,
Striving wealth to raise,
See but little promise
In the coming days;
Though our hearts are brittle,
Hardened near to stone,
We can think a little
Of the seasons flown.

Lily days and rose days:
Youthful days so bright;
We were fools in those days,
Let’s be fools to-night.

We, three men of commerce,
Men of business we,
Gave but little promise
Of what we would be
When we wandered urchins—
Foes of law and rule—
Fearing only birchings
And the village school.

Lily days and rose days,
Boyhood’s days so bright;
We were fools in those days,
Let’s be fools to-night.

We, three men of commerce,
Men of business we,
Gave but little promise
Of ability
When we lived in riot;
Never drew the line,
Hating peace and quiet,
Loving maids and wine.

Days when money goes—days
When men’s hearts are right;
We were fools in those days,
Let’s be fools to-night.

We must wear to-morrow
All our worldly marks,
Calm looks for our sorrow,
Stern looks for our clerks,
Who, from trouble shrinking,
Tasting earthly joys,
Hate us, little thinking
Ever we were boys.

Days when kindness flows—days
When men’s hearts are white;
We’ve been wise since those days,
Let’s be fools to-night.

The breezes waved the silver grass,
Waist-high along the siding,
And to the creek we ne'er could pass
Three boys on bare-back riding;
Beneath the sheoaks in the bend
The waterhole was brimming -
Do you remember yet, old friend,
The times we 'went in swimming'?

The days we 'played the wag' from school -
Joys shared - and paid for singly -
The air was hot, the water cool -
And naked boys are kingly!
With mud for soap the sun to dry -
A well planned lie to stay us,
And dust well rubbed on neck and face
Lest cleanliness betray us.

And you'll remember farmer Kutz -
Though scarcely for his bounty -
He leased a forty-acre block,
And thought he owned the county;
A farmer of the old world school,
That grew men hard and grim in,
He drew his water from the pool
That we preferred to swim in.

And do you mind when down the creek
His angry way he wended,
A green-hide cartwhip in his hand
For our young backs intended?
Three naked boys upon the sand -
Half buried and half sunning -
Three startled boys without their clothes
Across the paddocks running.

We've had some scares, but we looked blank
When, resting there and chumming,
One glanced by chance upon the bank
And saw the farmer coming!
And home inmpressions linger yet
Of cups of sorrow brimming;
I hardly think that we'll forget
The last day we went swimming.

Oh, never let on to your own true love
That ever you drank a drop;
That ever you played in a two-up school
Or slept in a sly-grog shop;
That ever a bad girl nursed you round –
That ever you sank so low.
But she pulled you through, and it's only you
And your old mate Harry know.

"Billy the Link" they called you then,
And it makes me sad to think
Of the strenuous days when it took three cops
And a pimp to couple the Link.
"Mister Linkhurst" they call you now,
And your kitchen garden grows;
And no one knows in your family,
But your Uncle Harry knows.

Oh, never let on to your fair young bride
How a "straight" girl stabbed your heart
With a devilish wire to the Western side
Where we were a world apart.
With pick and shovel you fought it out
Where the red sirocco blows;
And no one knew in the gang save you –
But your old mate Harry knows.

Oh, never let on to your own good wife,
For a tender heart has she,
Of the girl that loved and the girl that lies
In the graveyard there by the sea!
'Twas not for his "manners" she loved the cad,
'Twas not for his verse or prose,
But the pity she felt for the country lad –
And your Uncle Harry knows.

The bad girl went where the bad girls go
And I see her dark eyes yet;
The good girl left me her broken heart,
But I trow that their souls have met.
The cry of the heart we send not forth
On every wind that blows;
You are hiding a sorrow from someone now –
But your Uncle Harry knows.

They say, in all kindness, I’m out of the hunt—
Too old and too deaf to be sent to the Front.
A scribbler of stories, a maker of songs,
To the fireside and armchair my valour belongs!
Yet in campaigns all hopeless, in bitterest strife,
I have been at the Front all the days of my life.
Oh, your girl feels a princess, your people are proud,
As you march down the street, ’midst the cheers of the crowd;
And the Nation’s behind you and cloudless your sky,
And you come back to Honour, or gloriously die;
While for each thing that brightens, and each thing that cheers,
I have starved in the trenches these forty long years.

The cities were silent, the people were glum,
No sound of a bugle, no tap of a drum;
Our enemies mighty and Parliaments sour,
Our Land’s lovers few, and no Man of the Hour.
The Girl turned her nose up (maybe ’twas before),
And they voted us Cracked when we marched to the war.

Our army was small and ’twas scattered afar,
And our headquarters down where the Poor People are.
But I knew the great hearts of the Jims and the Bills,
And we signalled by wireless as old as the hills.
There were songs that could reach to our furthermost wing,
And Sorrow and Poverty taught me to sing.

Our War Hymn the war hymn that ever prevails—
Oh, we sang it of old when we marched from Marseilles!
And our army traditions are cherished with pride
In streets and in woods where we triumphed, or died;
Where, rebel or loyal, by farmhouse and town,
The chorus waxed faint as they volleyed us down.

No V.C. comes to us, no rest nor release,
Though hardest of all is this fighting in peace.
Small honour to wife or to daughter or son,
Though noblest of all are the deeds that are done.
But we never are conquered, we never can die,
For we live through the ages, my army and I!

Lo! the Boar’s tail is salted, and the Kangaroo’s exalted,
And his right eye is extinguished by a man-o’-warsman’s cap;
He is flying round the fences where the Southern Sea commences,
And he’s very much excited for a quiet sort of chap.
For his ships have had a scrap and they’ve marked it on the map
Where the H.M.A.S. Sydney dropped across a German trap.
So the Kangaroo’s a-chasing of his Blessed Self, and racing
From Cape York right round to Leeuwin, from the coast to Nevertire;
And of him need be no more said, save that to the tail aforesaid
Is the Blue Australian Ensign firmly fixed with copper wire.
(When he’s filled the map with white men there’ll be little to desire.)
I was sulky, I was moody (I’m inclined to being broody)
When the news appeared in Sydney, bringing joy and bringing tears,
(There’s an undertone of sorrow that you’ll understand to-morrow)
And I felt a something in me that had not been there for years.
Though I lean in the direction of most absolute Protection
(And of wheat on the selection)
And, considering Congestion and the hopeless unemployed,
I’d a notion (but I hid it) that, the way the Emden did it,
’Twould be better for Australia if her “commerce” was destroyed.

You may say that war’s a curse, but the peace curse may be worse,
When it’s lasted till it’s rotten—rotten from the inmost core,
To the mouldy skin which we are, in the land we call the freer—
And I almost feel inclined to call for “Three Cheers for the War!”
For I think, when all is over, from Magellan’s Straits to Dover,
Things will be a great deal better than they ever were before.
But, since “Peace” and “Right” are squalling, I’ll content myself with calling
For three rousers—like the ringing cheers we used to give of yore—
For the Emden!
For the Sydney!
And their gallant crews and captains—both of whom we’ve met before!
And, for Kaiser William’s nevvy, we shall venture three cheers more!
Cheers that go to end a war.

SO, I’ve battled it through on my own, Jack,
I have done with all dreaming and doubt.
Though “stoney” to-night and alone, Jack,
I am watching the Old Year out.
I have finished with brooding and fears,
Jack, And the spirit is rising in me,
For the sake of the old New Years, Jack,
And the bright New Years to be.

I have fallen in worldly disgrace, Jack,
And I know very well that you heard;
They have blackened my name in this place, Jack,
And I answered them never a word.
But why should I bluster or grieve,
Jack? So narrow and paltry they be—
I knew you would never believe, Jack,
The lies that were said against me.

That is done which shall never be undone,
And I blame not, I blame not my land,
But I’m hearing the Calling of London,
And I long for the roar of the Strand.
It was always the same with our race,
Jack; You know how a vagabond feels—
We can fight a straight man face to face, Jack.
But we can’t keep the curs from our heels.

You know I loved women and drink, Jack,
And that’s how the trouble began;
But you know that I never would shrink,
Jack, From a deed that was worthy a man!
I never was paltry or mean, Jack.
And cruel I never could be,
I will give you a hand which is clean,
Jack, When we meet again over the sea.

I will bring a few wrinkles of care,
Jack; I have altered a lot, I am told;
The steel-filings show in my hair, Jack;
But my heart is as young as of old.
I have faith still in women, and men, Jack,
Though selfish and blind they may be.
I still have my soul and my pen, Jack,
And my country seems dearer to me.

I will sail when your summer sets in, Jack,
And good-bye to my own native land;
Oh, I long for a glimpse of your grin, Jack,
And I long for the grip of your hand.
We both suffered sorrow and pain, Jack,
And sinned in the days that are done;
But we’ll fight the old battle again, Jack,
Where the battle is worth being won.

I was drifting in the drizzle past the Cecil in the Strand—
Which, I’m told, is very tony—and its front looks very grand;
And I somehow fell a-thinking of a pub I know so well,
Of a palace in Australia called The Bulletin Hotel.
Just a little six-room’d shanty built of corrugated tin,
And all round a blazing desert—land of camels, thirst and sin;
And the landlord is ‘the Spider’— Western diggers know him well—
Charlie Webb!—Ah, there you have it!—of the Bulletin Hotel.

’Tis a big soft-hearted spider in a land where life is grim,
And a web of great good-nature that brings worn-out flies to him:
’Tis the club of many lost souls in the wide Westralian hell,
And the stage of many Mitchells is the Bulletin Hotel.

But the swagman, on his uppers, pulls an undertaker’s mug,
And he leans across the counter and he breathes in Charlie’s lug—
Tale of thirst and of misfortune. Charlie knows it, and—ah, well!
But it’s very bad for business at the Bulletin Hotel.

‘What’s a drink or two?’ says Charlie, ‘and you can’t refuse a feed;’
But there’s many a drink unpaid for, many sticks of ‘borrowed’ weed;
And the poor old spineless bummer and the broken-hearted swell
Know that they are sure of tucker at the Bulletin Hotel.

There’s the liquor and the license and the ‘carriage’ and the rent,
And the sea or grave ’twixt Charlie and the fivers he has lent;
And I’m forced to think in sorrow, for I know the country well,
That the end will be the bailiff in the Bulletin Hotel.

But he’ll pack up in a hurry and he’ll seek a cooler clime,
If I make a rise in England and I get out there in time.
For a mate o’ mine is Charlie and I stayed there for a spell,
And I owe more than a jingle to the Bulletin Hotel.

But there’s lots of graft between us, there are many miles of sea,
So, if you should drop on Charlie, just shake hands with him for me;
Say I think the Bush less lonely than the great town where I dwell,
And—a grander than the Cecil is the Bulletin Hotel.

Only one old post is standing --
Solid yet, but only one --
Where the milking, and the branding,
And the slaughtering were done.
Later years have brought dejection,
Care, and sorrow; but we knew
Happy days on that selection
Underneath old Bukaroo.

Then the light of day commencing
Found us at the gully's head,
Splitting timber for the fencing,
Stripping bark to roof the shed.
Hands and hearts the labour strengthened;
Weariness we never knew,
Even when the shadows lengthened
Round the base of Bukaroo.

There for days below the paddock
How the wilderness would yield
To the spade, and pick, and mattock,
While we toiled to win the field.
Bronzed hands we used to sully
Till they were of darkest hue,
`Burning off' down in the gully
At the back of Bukaroo.

When we came the baby brother
Left in haste his broken toys,
Shouted to the busy mother:
`Here is dadda and the boys!'
Strange it seems that she was able
For the work that she would do;
How she'd bustle round the table
In the hut 'neath Bukaroo!

When the cows were safely yarded,
And the calves were in the pen,
All the cares of day discarded,
Closed we round the hut-fire then.
Rang the roof with boyish laughter
While the flames o'er-topped the flue;
Happy days remembered after --
Far away from Bukaroo.

But the years were full of changes,
And a sorrow found us there;
For our home amid the ranges
Was not safe from searching Care.
On he came, a silent creeper;
And another mountain threw
O'er our lives a shadow deeper
Than the shade of Bukaroo.

All the farm is disappearing;
For the home has vanished now,
Mountain scrub has choked the clearing,
Hid the furrows of the plough.
Nearer still the scrub is creeping
Where the little garden grew;
And the old folks now are sleeping
At the foot of Bukaroo.

There's a class of men (and women) who are always on their guard—
Cunning, treacherous, suspicious—feeling softly—grasping hard—
Brainy, yet without the courage to forsake the beaten track—
Cautiously they feel their way behind a bolder spirit’s back.
If you save a bit of money, and you start a little store—
Say, an oyster-shop, for instance, where there wasn’t one before—
When the shop begins to pay you, and the rent is off your mind,
You will see another started by a chap that comes behind.

So it is, and so it might have been, my friend, with me and you—
When a friend of both and neither interferes between the two;
They will fight like fiends, forgetting in their passion mad and blind,
That the row is mostly started by the folk who come behind.

They will stick to you like sin will, while your money comes and goes,
But they’ll leave you when you haven’t got a shilling in your clothes.
You may get some help above you, but you’ll nearly always find
That you cannot get assistance from the men who come behind.

There are many, far too many, in the world of prose and rhyme,
Always looking for another’s ‘footsteps on the sands of time.’
Journalistic imitators are the meanest of mankind;
And the grandest themes are hackneyed by the pens that come behind.

If you strike a novel subject, write it up, and do not fail,
They will rhyme and prose about it till your very own is stale,
As they raved about the region that the wattle-boughs perfume
Till the reader cursed the bushman and the stink of wattle-bloom.

They will follow in your footsteps while you’re groping for the light ;
But they’ll run to get before you when they see you’re going right;
And they’ll trip you up and baulk you in their blind and greedy heat,
Like a stupid pup that hasn’t learned to trail behind your feet.

Take your loads of sin and sorrow on more energetic backs!
Go and strike across the country where there are not any tracks!
And—we fancy that the subject could be further treated here,
But we’ll leave it to be hackneyed by the fellows in the rear.

Oh, for the fire that used to glow
In those my days of old!
I never thought a man could grow
So callous and so cold.
Ah, for the heart that used to ache
For those in sorrow’s ways;
I often wish my heart could break
As it did in those dead days.

Along my track of storm and stress,
And it is plain to trace,
I look back from the loneliness
And the depth of my disgrace.
’Twas fate and only fate I know,
But all mistakes are plain,
’Tis sadder than the afterglow,
More dreary than the rain.

But still there lies a patch of sun
That ne’er will come again,
Those golden days when I was one
Of Nature’s gentlemen.
And if there is a memory
Could break me down at last,
It sure would be the thought of this,
The sunshine in the past.

But ’spite of sunshine on the track—
And well the sun might shine—
My heart grows hard when I look back
From these dark days of mine.
A nobler child was never born
In all the Southern land—
The slave of selfish ignorance
That could not understand.

Oh, I had lived for many years
In a world of my ideal,
With no false laughter, no false tears,
And it seemed very real.
But I was wakened from my dreams,
And learnt with hardening eyes
A world of selfish treachery,
Of paltry shame and lies.

I left the truest friends on earth
Who did not need my aid,
And worked for those who were not worth
The sacrifice I made.
And while I blindly strove to raise
The coward and the clown,
They sneaked behind by shady ways
And tore my palace down.

But let those faithless friends of mine
Who’d think of me with scorn,
Remember that for many years
A heavy load I’ve borne.
And my true friends when all is done,
And my sad soul is gone,
Will think of battles I have won
When I lead rivals on.

And though from spite and worldly things
I well should be exempt,
For little men and paltry men
I scarce can feel contempt.
They followed me with flattery
In the days when I was brave—
But for those who have been true to me
I’ll strike back from the grave!

So the days of my tramping are over,
And the days of my riding are done—
I’m about as content as a rover
Will ever be under the sun;
I write, after reading your letter—
My pipe with old memories rife—
And I feel in a mood that had better
Not meet the true eyes of the wife.
You must never admit a suggestion
That old things are good to recall;
You must never consider the question:
‘Was I happier then, after all?’
You must banish the old hope and sorrow
That make the sad pleasures of life,
You must live for To-day and To-morrow
If you want to be just to the wife.

I have changed since the first day I kissed her.
Which is due—Heaven bless her!—to her;
I’m respected and trusted—I’m ‘Mister,’
Addressed by the children as ‘Sir.’
And I feel the respect without feigning—
But you’d laugh the great laugh of your life
If you only saw me entertaining
An old lady friend of the wife.

By-the-way, when you’re writing, remember
That you never went drinking with me,
And forget our last night of December,
Lest our sev’ral accounts disagree.
And, for my sake, old man, you had better
Avoid the old language of strife,
For the technical terms of your letter
May be misunderstood by the wife.

Never hint of the girls appertaining
To the past (when you’re writing again),
For they take such a lot of explaining,
And you know how I hate to explain.
There are some things, we know to our sorrow,
That cut to the heart like a knife,
And your past is To-day and To-morrow
If you want to be true to the wife.

I believe that the creed we were chums in
Was grand, but too abstract and bold,
And the knowledge of life only comes in
When you’re married and fathered and old.
And it’s well. You may travel as few men,
You may stick to a mistress for life;
But the world, as it is, born of woman
Must be seen through the eyes of the wife.

No doubt you are dreaming as I did
And going the careless old pace,
While my future grows dull and decided,
And the world narrows down to the Place.
Let it be. If my ‘treason’s’ resented,
You may do worse, old man, in your life;
Let me dream, too, that I am contented—
For the sake of a true little wife.

Let us sing in tear-choked numbers how the Duke of Clarence went,
Just to make a royal sorrow rather more pre-eminent.
Ladies sighed and sobbed and drivelled—toadies spoke with bated breath,
And the banners floating half-mast made a mockery of death,
And they said Australia sorrowed for the Prince’s death—they lied!
She had done with kings and princes ere the Duke of Clarence died.

What’s a death in lofty places? What’s a noble birth?—say I—
To the poor who die in hundreds, as a man should never die?
Can they shed a tear, or sorrow for a royal dunce’s fate?
No! for royalty has taught them how to sing the songs of hate;
O’er the sounds of grief in Europe, and the lands across the tide
Rose the growl of revolution, when the Duke of Clarence died.

We—it matters not how lonely our o’er-burdened lives are spent—
Claim in common with a Clarence, straight from Adam our descent!
Even the man they call a “bastard” has a lineage to himself,
Though he traces not his fathers through the sordid line of Guelph,
And, perhaps in some foul garret in his misery and pride,
One of Nature’s Kings was dying when the Duke of Clarence died.

Ah! the workgirl’s bloodless fingers, in the plundered human hive,
Sew the banners of rebellion, while the kings and princes thrive;
In the cold of northern winter—in the south in dust and heat—
Weary workmen preach sedition at the corners of the street.

They pre-eminent in sorrow! ’tis pre-eminence in cheek;
We shall hear what care and pain is when the slums begin to speak;
Hundreds starved to pay the shadow of a crown upon his head!
Yellow gold (at last impotent) fought with death beside his bed.
And, perhaps, a Prince of Nature sat despairing by the side
Of a noble mother STARVING when the Duke of Clarence died.

Ignoble living—splendid dead! behold the pomp of royal woe!
Lo, the funeral! battle-hero never yet was buried so.
Who and what was he? What has he done to benefit mankind?
Has he nought to show Saint Peter save a royal race behind?
Who is worthy? Who is noble? God! shall gold alone decide?
Better men like dogs were buried ere the Duke of Clarence died.

Thrones of earth and earthly rulers soon shall all be swept aside,
And ’twere better for his comfort that the Duke of Clarence died.

Wrap me up in me stockwhip and blanket,
And bury me deep down below,
Where this piffle and sham won’t disgust me,
In the land where the coolibahs grow;
For I’ve stayed with some well-to-do people,
And I’ve dined with some middle-class folk;
And I’ve sorrowed by clock-tower and steeple
Till my heart for the Commonwealth’s broke.
They have flown in another direction,
Who used to clack-clack by the hour
Of “this awful Freetrade and Protection,”
Of our dear darling member “in power,”
And the Higher Religion for Dossers,
And the Need of an Object for Drunks—
Now they’re all of them Red or Blue Crossers,
With their tails sticking out of their trunks.

There are citified Martins in dozens—
The Darling Point Martins the pick—
Who used to be horrified cousins
Of a Martin we knew as “Mad Mick.”
He is hanging out somewhere where French is;
But they heard he’d enlisted—somehow,
And ’twould paralyse Mick in the trenches
To know how he’s glorified now.

You remember the George Henry Crosses?
They’ve packed up twelve trunks in despair.
He’s the boss of the back-station bosses,
And Ernie’s the son and the heir.
He has never put hands on a wether,
Nor heard a pithed store-bullock grunt;
So they’re taking the mailboat to England
To see Ernie safe to the Front.

And each of the war-going parsons
Costs many a heart-breaking tear—
Like that caddish young cub of old Carson’s,
All found and four hundred a year.
He feels not a word that he preaches,
But he will not be criticised there,
Where, out where the flying shell screeches,
Poor Tommy must fight, sweat and swear.

“Our relatives, too” (hang the Censor!)
Each girl has a tear on her cheek.
Cousin Roger has gone as dispenser
(Expenses and three pounds a week.
More risky than list’ning to sermons,
As some of our fellows will find,
Is a fierce fortnight’s fight with the Germans
In front—and with Roger behind.)

And the Girls, they are writing like blazes,
And Auntie is moaning like hell;
And I wish I was under the daisies—
Or the bluegum would do just as well.
So I want to be wropped in me blanket,
And buried down—deep down—below;
Where this cant and this cackle won’t reach me—
In the land where the coolibahs grow.

Call me traitor to my country and a rebel to my God.
And the foe of “law and order”, well deserving of the rod,
But I scorn the biassed sentence from the temples of the creed
That was fouled and mutilated by the ministers of greed,
For the strength that I inherit is the strength of Truth and Right;
Lords of earth! I am immortal in the battles cf the night!

My religion is the oldest; it was born upon the earth
When to curse mankind for ages pride and tyranny had birth.
’Tis the offspring of oppression, born to suffering and strife,
Born to hate, above all other hate, the things that gave it life;
And ’twill live through all the ages, while a son of man is blind,
In the everlasting rhythm of the story of mankind!

From the Maker’s battered image, where the bloody helmet gleams,
From the graves of beaten armies rise the heroes of my dreams.
I am ever with the weaker in the battles for the right.
And I fight on vessels sinking ’neath the cruel blows of might;
But I hear of coming triumph in the tramp of flying feet
And the wild, despairing music of the army in retreat.

I am plunged in bitter sorrow at the sinking of a star,
For I mourn among the murdered where the broken lances are;
Souls of earth who rule with iron, raining death on farm and town,
Sacrificing lives uncounted, putting just rebellions down,
Ye shall answer for the murders of the slaves compelled to bleed
For the commonwealth of idlers and the common cause of greed.

I have come for common justice to the castles of the great,
And the people who have sent me crave assistance at the gate;
They obeyed the Maker’s sentence—whey have ploughed and tilled the soil.
Yet they go in rags and hunger in the harvest of their toil.
I demand the rights of Labour in the law of God defined;
Pause and weigh the pregnant answer!—where is peace or war behind.
Are we slaves beneath the power that our industry hath given?
Are we fuel to feed the engines of your artificial heaven?

I am come to warn the idlers at the castles of the great,
For the army that has sent me grows impatient at the gate:
They have gathered now in thousands from the alley and the den,
And the words of fire are breaking from the lips of quiet men!
Yield, and save the lives of thousands! for the rebels’ eyes are bright,
And the god of revolution is abroad on earth to-night.

She says she’s very sorry, as she sees you to the gate;
You calmly say ‘Good-bye’ to her while standing off a yard,
Then you lift your hat and leave her, walking mighty stiff and straight—
But you’re hit, old man—hit hard.
In your brain the words are burning of the answer that she gave,
As you turn the nearest corner and you stagger just a bit;
But you pull yourself together, for a man’s strong heart is brave
When it’s hit, old man—hard hit.

You might try to drown the sorrow, but the drink has no effect;
You cannot stand the barmaid with her coarse and vulgar wit;
And so you seek the street again, and start for home direct,
When you’re hit, old man—hard hit.

You see the face of her you lost, the pity in her smile—
Ah! she is to the barmaid as is snow to chimney grit;
You’re a better man and nobler in your sorrow, for a while,
When you’re hit, old man—hard hit.

And, arriving at your lodgings, with a face of deepest gloom,
You shun the other boarders and your manly brow you knit;
You take a light and go upstairs directly to your room—
But the whole house knows you’re hit.

You clutch the scarf and collar, and you tear them from your throat,
You rip your waistcoat open like a fellow in a fit;
And you fling them in a corner with the made-to-order coat,
When you’re hit, old man—hard hit.

You throw yourself, despairing, on your narrow little bed,
Or pace the room till someone starts with ‘Skit! cat!—skit!’
And then lie blindly staring at the plaster overhead—
You are hit, old man—hard hit.

It’s doubtful whether vanity or love has suffered worst,
So neatly in our nature are those feelings interknit,
Your heart keeps swelling up so bad, you wish that it would burst,
When you’re hit, old man—hard hit.

You think and think, and think, and think, till you go mad almost;
Across your sight the spectres of the bygone seem to flit;
The very girl herself seems dead, and comes back as a ghost,
When you’re hit, like this—hard hit.

You know that it’s all over—you’re an older man by years,
In the future not a twinkle, in your black sky not a split.
Ah! you’ll think it well that women have the privilege of tears,
When you’re hit, old man—hard hit.

You long and hope for nothing but the rest that sleep can bring,
And you find that in the morning things have brightened up a bit;
But you’re dull for many evenings, with a cracked heart in a sling,
When you’re hit, old man—hard hit.

Oh, do you hear the argument, far up above the skies?
The voice of old Saint Peter, in expostulation rise?
Growing shrill, and ever shriller, at the thing that’s being done;
More in sorrow than in anger, like our old Jack Robertson.
Old Saint Peter’s had his troubles—heaps of troubles, great and small,
Since he kept the gates of Heaven—but this last one covers all!
It is not a crowing rooster—that’s a sight and sound he’s useter,
Simulated by some impish spirit that he knows full well;
It is simply Drake, of Devon, who is breaking out of Heaven,
With a crew of pirate brethren, to come down once more to Hell!
Oh, do you hear the distant sound, that seems to come and go,
As thunder does in summer time, when faraway and low?
Or the “croon” beneath the church bells, when they’re pealing from the tower—
And the church bells are the battle-call in this dark, anxious hour.
Do you feel the distant throbbing; Do you feel it go and come;
Like a war hymn on horizons, or a centuries-mellowed drum!
Hear it sobbing, hear it throbbing, like some not unhappy sobbing—
By the peaceful Devon landscape and the fair Devonian home!
By the land those spirits meet in—and it’s Drake’s Drum, spirit-beaten,
By perhaps the Rose of Torridge—and it’s calling Drake to come?

Oh, do you feel a cooling hand upon your fevered brow?
That dulls your ears to Hell’s Own Din—or that worse Silence, now?
In the starlight in the Channel, while Destruction lurks below,
Or that Nether-Hell, the Stoke-hole, where you cannot see or know?
Do you feel a soothing presence, keeping sanity in one
Going mad, in Satan’s Nightmare, where the gun-crew works the gun?
It is Raleigh!—Admiral-Poet, who had dreams though few may know it—
Who had dreams of England’s greatness, otherwise than by the sea.
Sorrowful but all-forgiving, bringing courage to the living—
Raleigh’s Spirit, not from London, but his Vanished Colony.

Oh, do you feel a stony calm that you had never known?
With comrades in the firing-line, or “Sentry Go” alone.
When it’s Hellfire all around you, and it’s freezing slush below,
Or you pace in rain and darkness, with Old Death, and “Sentry Go”—
Feel a cold determination that makes all but Now a blank;
That’s half foreign to your nature, and half foreign to your rank?
It is Wellington, where French is, who has broken Heaven’s trenches,
With his purple-blooded captains (who used purple language then)
Come to strengthen with his spirit all the coolness you inherit—
He who took the scum of Europe, and who trained them to be Men.

Tell a simple little story of a settler in the West,
Where the soldier birds and farmers, and selectors never rest
While the sun shines—and they often work in rainy weather, too:
But it’s all about a young man who had so much work to do.
One of Mason’s sons, Jim Mason, and the straightest of the lot,
(They were all straight for that matter) Jim was working for old Scott—
(Scott that fired at Brummy Hughson, when the “stick-ups” used to be),
Jim was courting Mary Kelly down at Lowes, at Wilbertree.

Jim was trucking for a sawmill to make money for the home,
He was making, out of Mudgee, for the family to come,
And a load-chain snapped the switch-bar, and Black Anderson found Jim,
In the morning, in a creek-bed, with a log on top of him.

There was riding for the doctor—just the same old reckless race:
And a spring cart with a mattress came and took him from the place,
To the hospital at Gulgong—but they couldn’t pull him through—
And Jim said “It seems a pity—I—had so much work to do.”

“There’s the hut—it’s close-up finished; and the forty acres fenced;
And—I’ve cleared enough for ploughin’, but the dam is just commenced!”
Then he said—and for a moment from the nurse his eyes he hid—
“But I’m glad we wasn’t married, for there might have been a kid.”

That was all—at least it wasn’t for he didn’t die until
He had “fixed it up for Mary with a proper lawyer will,”
And the “Forty acre paddick,” “And I only hope,” said he,
“That she’ll get some decent feller when she’s quite got over me.”

Poor old broken-hearted Mason and his “missus” took their spell,
But another son and Mary finished Jim’s work very well.
They have grown-up sons and daughters—some on new selections, too,
And their hands and hearts are fitted for the work they have to do.

Now, my brothers! see the moral, lest the truth should come too late!
We are far too apt to quarrel with the writer’s fancied fate—
Damn the Past! and leave to-morrow: millions are worse off than you!
Think, ere you would “drown your sorrow,” of the work that you should do.

Though the fates have seemed unkind to our unhappy brotherhood,
We are too apt to be blind to our great power to do good;
Many thousands, starved and stinted, for a line of comfort come,
We can write, and have it printed—They must suffer and be dumb.

Think not of the hours we wasted in “oblivion” foully won,
Or the bitter cups we tasted. Let us work! that, when life’s done,
We shall have in bush or city, shaped our future course so true
That they’ll say “It is a pity—they had so much more to do.”

He shall live to the end of this mad old world, he has lived since the world began,
He never has done any good for himself, but was good to every man.
He never has done any good for himself, and I’m sure that he never will,
He drinks and he swears and he fights at times, and his name is mostly Bill.
He carried a freezing mate to his cave, and nursed him, for all I know,
When Europe was mostly a sheet of ice, thousands of years ago.
He has stuck to many a mate since then, he is with us everywhere still
(He loves and gambles when he is young, and the girls stick up for Bill.)

He has rowed to a wreck, when the lifeboat failed, with Jim in a crazy boat;
He has given his lifebelt many a time, and sunk that another might float.
He has ‘stood ’em off’ while others escaped, when the niggers rushed from the hill,
And rescue parties who came too late have found what was left of Bill.

He has thirsted on deserts that others might drink, he has given lest others should lack,
He has staggered half-blinded through fire or drought with a sick man on his back.
He is first to the rescue in tunnel or shaft, from Newcastle to Broken Hill,
When the water breaks in or the fire breaks out, Oh! a leader of men is Bill.

No humane societies’ medals he wears for the fearful deaths he braved;
He seems ashamed of the good he did, and ashamed of the lives he saved.
If you chance to know of a noble deed he has done, you had best keep still;
If you chance to know of a kindly act, you mustn’t let on to Bill.

He is fierce at a wrong, he is firm in right, he is kind to the weak and mild;
He will slave all day and sit up all night by the side of a neighbour’s child.
For a woman in trouble he’d lay down his life, nor think as another man will;
He’s a man all through, but no other man’s wife has ever been worse for Bill.

He is good for the noblest sacrifice, he can do what few other men can;
He can break his heart that the girl he loves may marry a better man.
There’s many a mother and wife to-night whose heart and whose eyes will fill
When she thinks of the days of the long ago when she well might have stuck to Bill.

Maybe he’s in trouble or hard up now, and travelling far for work,
Or fighting a dead past down to-night in a lone camp west of Bourke.
When he’s happy and flush, take your sorrow to him and borrow as much as you will;
But when he’s in trouble or stony-broke, you never will hear from Bill.

And when, because of its million sins, this earth is cracked like a shell,
He will stand by a mate at the Judgment Seat!—and comfort him down in—Well,
I haven’t much sentiment left, but let the cynic sneer as he will;
Perhaps God will fix up the world again for the sake of the likes of Bill.

Across the stony ridges,
Across the rolling plain,
Young Harry Dale, the drover,
Comes riding home again.
And well his stock-horse bears him,
And light of heart is he,
And stoutly his old pack-horse
Is trotting by his knee.

Up Queensland way with cattle
He travelled regions vast;
And many months have vanished
Since home-folk saw him last.
He hums a song of someone
He hopes to marry soon;
And hobble-chains and camp-ware
Keep jingling to the tune.

Beyond the hazy dado
Against the lower skies
And yon blue line of ranges
The homestead station lies.
And thitherward the drover
Jogs through the lazy noon,
While hobble-chains and camp-ware
Are jingling to a tune.

An hour has filled the heavens
With storm-clouds inky black;
At times the lightning trickles
Around the drover's track;
But Harry pushes onward,
His horses' strength he tries,
In hope to reach the river
Before the flood shall rise.

The thunder from above him
Goes rolling o'er the plain;
And down on thirsty pastures
In torrents falls the rain.
And every creek and gully
Sends forth its little flood,
Till the river runs a banker,
All stained with yellow mud.

Now Harry speaks to Rover,
The best dog on the plains,
And to his hardy horses,
And strokes their shaggy manes;
`We've breasted bigger rivers
When floods were at their height
Nor shall this gutter stop us
From getting home to-night!'

The thunder growls a warning,
The ghastly lightnings gleam,
As the drover turns his horses
To swim the fatal stream.
But, oh! the flood runs stronger
Than e'er it ran before;
The saddle-horse is failing,
And only half-way o'er!

When flashes next the lightning,
The flood's grey breast is blank,
And a cattle dog and pack-horse
Are struggling up the bank.
But in the lonely homestead
The girl will wait in vain -
He'll never pass the stations
In charge of stock again.

The faithful dog a moment
Sits panting on the bank,
And then swims through the current
To where his master sank.
And round and round in circles
He fights with failing strength,
Till, borne down by the waters,
The old dog sinks at length.

Across the flooded lowlands
And slopes of sodden loam
The pack-horse struggles onward,
To take dumb tidings home.
And mud-stained, wet, and weary,
Through ranges dark goes he;
While hobble-chains and tinware
Are sounding eerily.

The floods are in the ocean,
The stream is clear again,
And now a verdant carpet
Is stretched across the plain.
But someone's eyes are saddened,
And someone's heart still bleeds
In sorrow for the drover
Who sleeps among the reeds.

Jack Denver died on Talbragar when Christmas Eve began,
And there was sorrow round the place, for Denver was a man;
Jack Denver’s wife bowed down her head—her daughter’s grief was wild,
And big Ben Duggan by the bed stood sobbing like a child.
But big Ben Duggan saddled up, and galloped fast and far,
To raise the biggest funeral ever seen on Talbragar.

By station home
And shearing shed
Ben Duggan cried, “Jack Denver’s dead!
Roll up at Talbragar!”

He borrowed horses here and there, and rode all Christmas Eve,
And scarcely paused a moment’s time the mournful news to leave;
He rode by lonely huts and farms, until the day was done
And then he turned his horse’s head and made for Ross’s Run.
No Bushman in a single day had ridden half so far
Since Johnson brought the doctor to his wife at Talbragar.

By diggers’ camps
Ben Duggan sped—
At each he cried, “Jack Denver’s dead!
Roll up at Talbragar!”

That night he passed the humpies of the splitters on the ridge,
And roused the bullock-drivers camped at Belinfante’s Bridge;
And as he climbed the ridge again the moon shone on the rise;
The soft white moonbeams glistened in the tears that filled his eyes;
He dashed the rebel drops away—for blinding things they are—
But ’twas his best and truest friend who died on Talbragar.

At Blackman’s Run
Before the dawn,
Ben Duggan cried, “Jack Denver’s gone!
Roll up at Talbragar!”

At all the shanties round the place they‘d beard his horse’s tramp,
He took the track to Wilson’s Luck, and told the diggers’ camp;
But in the gorge by Deadman’s Gap the mountain shades were black,
And there a newly-fallen tree was lying on the track—
He saw too late, and then he heard the swift hoof ’s sudden jar,
And big Ben Duggan ne’er again rode home to Talbragar.

“The wretch is drunk,
And Denver’s dead—
A burning shame!” the people said
Next day at Talbragar.

For thirty miles round Talbragar the boys rolled up in strength,
And Denver had a funeral a good long mile in length;
Round Denver’s grave that Christmas day rough Bushmen’s eyes were dim—
The Western Bushmen knew the way to bury dead like him;
But some returning homeward found, by light of moon and star,
Ben Duggan dying in the rocks, ten miles from Talbragar.

They knelt around.
He raised his head
And faintly gasped, “Jack Denver’s dead,
Roll up at Talbragar!”

But one short hour before he died he woke and understood;
They told him, when he asked them, that the funeral was good;
And then there came into his eyes a sad and softened light.
He said. “Poor Denver’s wife and kids—you’ll see that they’re all right?”
And still the careless Bushmen tell by tent and shanty bar
How Duggan raised a funeral years back on Talbragar.

And far and wide
When Duggan died.
The bushmen of the western side
Rode in to Talbragar.

Across the stony ridges,
Across the rolling plain,
Young Harry Dale, the drover,
Comes riding home again.
And well his stock-horse bears him,
And light of heart is he,
And stoutly his old pack-horse
Is trotting by his knee.

Up Queensland way with cattle
He travelled regions vast;
And many months have vanished
Since home-folk saw him last.
He hums a song of someone
He hopes to marry soon;
And hobble-chains and camp-ware
Keep jingling to the tune.

Beyond the hazy dado
Against the lower skies
And yon blue line of ranges
The homestead station lies.
And thitherward the drover
Jogs through the lazy noon,
While hobble-chains and camp-ware
Are jingling to a tune.

An hour has filled the heavens
With storm-clouds inky black;
At times the lightning trickles
Around the drover's track;
But Harry pushes onward,
His horses' strength he tries,
In hope to reach the river
Before the flood shall rise.

The thunder from above him
Goes rolling o'er the plain;
And down on thirsty pastures
In torrents falls the rain.
And every creek and gully
Sends forth its little flood,
Till the river runs a banker,
All stained with yellow mud.

Now Harry speaks to Rover,
The best dog on the plains,
And to his hardy horses,
And strokes their shaggy manes;
`We've breasted bigger rivers
When floods were at their height
Nor shall this gutter stop us
From getting home to-night!'

The thunder growls a warning,
The ghastly lightnings gleam,
As the drover turns his horses
To swim the fatal stream.
But, oh! the flood runs stronger
Than e'er it ran before;
The saddle-horse is failing,
And only half-way o'er!

When flashes next the lightning,
The flood's grey breast is blank,
And a cattle dog and pack-horse
Are struggling up the bank.
But in the lonely homestead
The girl will wait in vain --
He'll never pass the stations
In charge of stock again.

The faithful dog a moment
Sits panting on the bank,
And then swims through the current
To where his master sank.
And round and round in circles
He fights with failing strength,
Till, borne down by the waters,
The old dog sinks at length.

Across the flooded lowlands
And slopes of sodden loam
The pack-horse struggles onward,
To take dumb tidings home.
And mud-stained, wet, and weary,
Through ranges dark goes he;
While hobble-chains and tinware
Are sounding eerily.

. . . . .

The floods are in the ocean,
The stream is clear again,
And now a verdant carpet
Is stretched across the plain.
But someone's eyes are saddened,
And someone's heart still bleeds
In sorrow for the drover
Who sleeps among the reeds.

Jack Denver died on Talbragar when Christmas Eve began,
And there was sorrow round the place, for Denver was a man;
Jack Denver's wife bowed down her head -- her daughter's grief was wild,
And big Ben Duggan by the bed stood sobbing like a child.
But big Ben Duggan saddled up, and galloped fast and far,
To raise the longest funeral ever seen on Talbragar.

By station home
And shearing shed
Ben Duggan cried, `Jack Denver's dead!
Roll up at Talbragar!'

He borrowed horses here and there, and rode all Christmas Eve,
And scarcely paused a moment's time the mournful news to leave;
He rode by lonely huts and farms, and when the day was done
He turned his panting horse's head and rode to Ross's Run.
No bushman in a single day had ridden half so far
Since Johnson brought the doctor to his wife at Talbragar.

By diggers' camps
Ben Duggan sped --
At each he cried, `Jack Denver's dead!
Roll up at Talbragar!'

That night he passed the humpies of the splitters on the ridge,
And roused the bullock-drivers camped at Belinfante's Bridge;
And as he climbed the ridge again the moon shone on the rise;
The soft white moonbeams glistened in the tears that filled his eyes;
He dashed the rebel drops away -- for blinding things they are --
But 'twas his best and truest friend who died on Talbragar.

At Blackman's Run
Before the dawn,
Ben Duggan cried, `Poor Denver's gone!
Roll up at Talbragar!'

At all the shanties round the place they'd heard his horse's tramp,
He took the track to Wilson's Luck, and told the diggers' camp;
But in the gorge by Deadman's Gap the mountain shades were black,
And there a newly-fallen tree was lying on the track --
He saw too late, and then he heard the swift hoof's sudden jar,
And big Ben Duggan ne'er again rode home to Talbragar.

`The wretch is drunk,
And Denver's dead --
A burning shame!' the people said
Next day at Talbragar.

For thirty miles round Talbragar the boys rolled up in strength,
And Denver had a funeral a good long mile in length;
Round Denver's grave that Christmas day rough bushmen's eyes were dim --
The western bushmen knew the way to bury dead like him;
But some returning homeward found, by light of moon and star,
Ben Duggan dying in the rocks, five miles from Talbragar.

They knelt around,
He raised his head
And faintly gasped, `Jack Denver's dead,
Roll up at Talbragar!'

But one short hour before he died he woke to understand,
They told him, when he asked them, that the funeral was `grand';
And then there came into his eyes a strange victorious light,
He smiled on them in triumph, and his great soul took its flight.
And still the careless bushmen tell by tent and shanty bar
How Duggan raised a funeral years back on Talbragar.

And far and wide
When Duggan died,
The bushmen of the western side
Rode in to Talbragar.

They proved we could not think nor see,
They proved we could not write,
They proved we drank the day away
And raved through half the night.
They proved our stars were never up,
They’ve proved our stars are set,
They’ve proved we ne’er saw sorrow’s cup,
And they’re not happy yet.
They proved that in the Southern Land
We all led vicious lives;
They’ve proved we starved our children, and—
They’ve proved we beat our wives.
They’ve proved we never worked, and we
Were never out of debt;
They’ve proved us bad as we can be
And they’re not happy yet.

The Daily Press, with paltry power—
For reasons understood—
Have aye sought to belittle our
Unhappy brotherhood.
Because we fought in days like these,
Where rule the upper tens—
Because we’d not write journalese,
Nor prostitute our pens.

They gave our rivals space to sneer—
Their mediocrities;
The drunkard’s mind is pure and clear
Compared with minds like these.
They sought to damn with pitying praise
Or the coward’s unsigned sneer,
For honour in the “critics’” ways
Had never virtue here.

They’ve proved our names shall not be known
A few short years ahead;
They hied them back through years of moan,
And damned our happy dead.
A newer tribe of scribes we’ve got,
Exclusive and alone,
To prove our work was childish rot,
And none of it our own.

The cultured cads of First Gem cells,
Of Mansion, Lawn and Club,
Not fit to clean the busted boots
Of “Poets of the Pub.”
They prove the partners of the part,
The wholeness of the whole,
The gizzardness of gizzards, and
The Soulness of the Soul.

They’ve proved that all is nought—but there
Are things they cannot do—
The summer skies are just as fair
And just as brightly blue.
They’ve buried us with muddied shrouds,
When our strong hearts they’ve broke.
They can’t bring down yon fleecy clouds
And make them factory smoke.

They’ve proved the simple bard a fool,
But still, for all their pains,
The children prattling home from school
Go tripping down the lanes.
They’ve proved that Love is lust or hate,
True marriage is no more,
But Jim and Mary at the gate
Are happy as of yore.

These insects seeking to unloose
The Bards of Sympathy!
Who strike with the sledge hammer force
Of their simplicity.
(They cannot turn the world about,
Nor damp the father’s joy,
When some old doctor bustles out,
And nurse says “It’s a boy!”)

They want no God but many a god,
And many gods, and none—
The preacher by the upturned sod
Shall pray when all is done.
Amongst the great ’twas aye the same—
The envious crawler’s part—
The lies that blackened Byron’s name
And banished poor Brett Harte.

We’ve learnt in bitter schools to teach
Man’s glory and his shame
Since Gordon walked along the beach
In search of bigger game.
Maybe, our talents we’ve abused
At times, and ne’er been blind
Since Barcroft Boake went out and used
His stockwhip to be kind.

But laugh, my chums, in prose and rhyme,
And worry not at all,
They’re insects whom the wheels of time
Shall crush exceeding small.
Have faith, my friends, who stand by me,
In spite of all the lies—
I tell you that a man shall die
On the day that Lawson dies.

’Tis no tale of heroism, ’tis no tale of storm and strife,
But of ordinary boozing, and of dull domestic life—
Of the everlasting friction that most husbands must endure—
Tale of nagging and of drinking—and a secret whisky cure.
Name of Jones—perhaps you know him—small house-agent here in town—
(Friend of Smith, you know him also—likewise Robinson and Brown),
Just a hopeless little husband, whose deep sorrows were obscure,
And a bitter nagging Missis—and death seemed the only cure.

’Twas a common sordid marriage, and there’s little new to tell—
Save the pub to him was Heaven and his own home was a hell:
With the office in between them—purgatory to be sure—
And, as far as Jones could make out—well, there wasn’t any cure.

’Twas drink and nag—or nag and drink—whichever you prefer—
Till at last she couldn’t stand him any more than he could her.
Friends and relatives assisted, telling her (with motives pure)
That a legal separation was the only earthly cure.

So she went and saw a lawyer, who, in accents soft and low,
Asked her firstly if her husband had a bank account or no;
But he hadn’t and she hadn’t, they in fact were very poor,
So he bowed her out suggesting she should try some liquor cure.

She saw a drink cure advertised in the Sydney Bulletin—
Cure for brandy, cure for whisky, cure for rum and beer and gin,
And it could be given secret, it was tasteless, swift and sure—
So she purchased half a gallon of that Secret Whisky Cure.

And she put some in his coffee, smiling sweetly all the while,
And he started for the office rather puzzled by the smile—
Smile or frown he’d have a whisky, and you’ll say he was a boor—
But perhaps his wife had given him an overdose of Cure.

And he met a friend he hadn’t seen for seven years or more—
It was just upon the threshold of a private bar-room door—
And they coalised and entered straight away, you may be sure—
But of course they hadn’t reckoned with a Secret Whisky Cure.

Jones, he drank, turned pale, and, gasping, hurried out the back way quick,
Where, to his old chum’s amazement, he was violently sick;
Then they interviewed the landlord, but he swore the drink was pure—
It was only the beginning of the Secret Whisky Cure.

For Jones couldn’t stand the smell of even special whisky blends,
And shunned bar-rooms to the sorrow of his trusty drinking friends:
And they wondered, too, what evil genius had chanced to lure
Him from paths of booze and friendship—never dreaming of a Cure.


He had noticed, too, with terror that a something turned his feet,
When a pub was near, and swung him to the other side the street,
Till he thought the devils had him, and his person they’d immure
In a lunatic asylum where there wasn’t any Cure.

He consulted several doctors who were puzzled by the case—
As they mostly are, but never tell the patient to his face—
Some advised him ‘Try the Mountains for this malady obscure:’
But there wasn’t one could diagnose a Secret Whisky Cure.

And his wife, when he was sober?—Well, she nagged him all the more!
And he couldn’t drown his sorrow in the pewter as of yore:
So he shot himself at Manly and was sat upon by Woore,
And found rest amongst the spirits from the Secret Whisky Cure.


And the moral?—well, ’tis funny—or ’tis woman’s way with men—
She’s remarried to a publican who whacks her now and then,
And they get on fairly happy, he’s a brute and he’s a boor,
But she’s never tried her second with a Secret Whisky Cure.

THERE’S a pretty little story with a touch of moonlit glory
Comes from Beenleigh on the Logan, but we don’t know if it’s true;
For we scarcely dare to credit ev’rything they say who edit
Those unhappy country papers ’twixt the ocean and Barcoo.

’Twas the man who owned the wherry at the first Coomera ferry
Who was sitting cold and lonely while he counted out his tin;
When the cloudy curtain lifting let the moonlight on a drifting
Boat, that floated down the river with a pallid form therein.

And they say that Sergeant Carey (with the man who ran the ferry),
Started down to save the body from the cruel heartless sea,
And in spite of wind and water, soon they reached the barque and caught her;
And they tied the boat behind them while they wondered “who was he?”

O the moon shone bright as ever as they towed him up the river,
And they found within the pocket that was nearest to his breast—
Just an antidote for sorrow, that would tide him o’er the morrow—
(Flask of Brandy); but we’d better draw the curtain o’er the rest.

Yet, in case the point’s too finely drawn (we know we joke divinely),
And the reader fails to see it with a magnifying glass,
We will say the man who floated, while the moonlight o’er him gloated,
Was not dead and gone to heaven—he was only drunk, alas!THERE’S a pretty little story with a touch of moonlit glory
Comes from Beenleigh on the Logan, but we don’t know if it’s true;
For we scarcely dare to credit ev’rything they say who edit
Those unhappy country papers ’twixt the ocean and Barcoo.

’Twas the man who owned the wherry at the first Coomera ferry
Who was sitting cold and lonely while he counted out his tin;
When the cloudy curtain lifting let the moonlight on a drifting
Boat, that floated down the river with a pallid form therein.

And they say that Sergeant Carey (with the man who ran the ferry),
Started down to save the body from the cruel heartless sea,
And in spite of wind and water, soon they reached the barque and caught her;
And they tied the boat behind them while they wondered “who was he?”

O the moon shone bright as ever as they towed him up the river,
And they found within the pocket that was nearest to his breast—
Just an antidote for sorrow, that would tide him o’er the morrow—
(Flask of Brandy); but we’d better draw the curtain o’er the rest.

Yet, in case the point’s too finely drawn (we know we joke divinely),
And the reader fails to see it with a magnifying glass,
We will say the man who floated, while the moonlight o’er him gloated,
Was not dead and gone to heaven—he was only drunk, alas!
For we scarcely dare to credit ev’rything they say who edit
Those unhappy country papers ’twixt the ocean and Barcoo.

’Twas the man who owned the wherry at the first Coomera ferry
Who was sitting cold and lonely while he counted out his tin;
When the cloudy curtain lifting let the moonlight on a drifting
Boat, that floated down the river with a pallid form therein.

And they say that Sergeant Carey (with the man who ran the ferry),
Started down to save the body from the cruel heartless sea,
And in spite of wind and water, soon they reached the barque and caught her;
And they tied the boat behind them while they wondered “who was he?”

O the moon shone bright as ever as they towed him up the river,
And they found within the pocket that was nearest to his breast—
Just an antidote for sorrow, that would tide him o’er the morrow—
(Flask of Brandy); but we’d better draw the curtain o’er the rest.

Yet, in case the point’s too finely drawn (we know we joke divinely),
And the reader fails to see it with a magnifying glass,
We will say the man who floated, while the moonlight o’er him gloated,
Was not dead and gone to heaven—he was only drunk, alas!

The rising moon on the peaks was blending
Her silver light with the sunset glow,
When a swagman came as the day was ending
Along a path that he seemed to know.
But all the fences were gone or going—
The hand of ruin was everywhere;
The creek unchecked in its course was flowing,
For none of the old clay dam was there.
Here Time had been with his swiftest changes,
And husbandry had westward flown;
The cattle tracks in the rugged ranges
Were long ago with the scrub o’ergrown.
It must have needed long years to soften
The road, that as hard as rock had been;
The mountain path he had trod so often
Lay hidden now with a carpet green.

He thought at times from the mountain courses
He heard the sound of a bullock bell,
The distant gallop of stockmen’s horses,
The stockwhip’s crack that he knew so well:
But these were sounds of his memory only,
And they were gone from the flat and hill,
For when he listened the place was lonely,
The range was dumb and the bush was still.

The swagman paused by the gap and faltered,
For down the gully he feared to go,
The scene in memory never altered—
The scene before him had altered so.
But hope is strong, and his heart grew bolder,
And over his sorrows he raised his head,
He turned his swag to the other shoulder,
And plodded on with a firmer tread.

Ah, hope is always the keenest hearer,
And fancies much when assailed by fear;
The swagman thought, as the farm drew nearer,
He heard the sounds that he used to hear.
His weary heart for a moment bounded,
For a moment brief he forgot his dread;
For plainly still in his memory sounded
The welcome bark of a dog long dead.

A few steps more and his face grew ghostly,
Then white as death in the twilight grey;
Deserted wholly, and ruined mostly,
The Old Selection before him lay.
Like startled spectres that paused and listened,
The few white posts of the stockyard stood;
And seemed to move as the moonlight glistened
And paled again on the whitened wood.

And thus he came, from a life long banished
To other lands, and of peace bereft,
To find the farm and the homestead vanished,
And only the old stone chimney left.
The field his father had cleared and gardened
Was overgrown with saplings now;
The rain had set and the drought had hardened
The furrows made by a vanished plough.

And this, and this was the longed-for haven
Where he might rest from a life of woe;
He read a name on the mantel graven—
The name was his ere he stained it so.
‘And so remorse on my care encroaches—
‘I have not suffered enough,’ he said;
‘That name is pregnant with deep reproaches—
‘The past won’t bury dishonoured dead!’

Ah, now he knew it was long years after,
And felt how swiftly a long year speeds;
The hardwood post and the beam and rafter
Had rotted long in the tangled weeds.
He found that time had for years been sowing
The coarse wild scrub on the homestead path,
And saw young trees by the chimney growing,
And mountain ferns on the wide stone hearth.

He wildly thought of the evil courses
That brought disgrace on his father’s name;
The escort robbed, and the stolen horses,
The felon’s dock with its lasting shame.
‘Ah, God! Ah, God! is there then no pardon?’
He cried in a voice that was strained and hoarse;
He fell on the weeds that were once a garden,
And sobbed aloud in his great remorse.

But grief must end, and his heart ceased aching
When pitying sleep to his eye-lids crept,
And home and friends who were lost in waking,
They all came back while the stockman slept.
And when he woke on the empty morrow,
The pain at his heart was a deadened pain;
And bravely bearing his load of sorrow,
He wandered back to the world again.

It chanced upon the very day we'd got the shearing done,
A buggy brought a stranger to the West-o'-Sunday Run;
He had a round and jolly face, and he was sleek and stout,
He drove right up between the huts and called the super out.
We chaps were smoking after tea, and heard the swell enquire
For one as travelled by the name of `Dunn of Nevertire'.
Jack Dunn of Nevertire,
Poor Dunn of Nevertire;
There wasn't one of us but knew Jack Dunn of Nevertire.

`Jack Dunn of Nevertire,' he said; `I was a mate of his;
And now it's twenty years since I set eyes upon his phiz.
There is no whiter man than Jack -- no straighter south the line,
There is no hand in all the land I'd sooner grip in mine;
To help a mate in trouble Jack would go through flood and fire.
Great Scott! and don't you know the name of Dunn of Nevertire?
Big Dunn of Nevertire,
Long Jack from Nevertire;
He stuck to me through thick and thin, Jack Dunn of Nevertire.

`I did a wild and foolish thing while Jack and I were mates,
And I disgraced my guv'nor's name, an' wished to try the States.
My lamps were turned to Yankee Land, for I'd some people there,
And I was right when someone sent the money for my fare;
I thought 'twas Dad until I took the trouble to enquire,
And found that he who sent the stuff was Dunn of Nevertire,
Jack Dunn of Nevertire,
Soft Dunn of Nevertire;
He'd won some money on a race -- Jack Dunn of Nevertire.

`Now I've returned, by Liverpool, a swell of Yankee brand,
To reckon, guess, and kalkilate, 'n' wake my native land;
There is no better land, I swear, in all the wide world round --
I smelt the bush a month before we touched King George's Sound!
And now I've come to settle down, the top of my desire
Is just to meet a mate o' mine called `Dunn of Nevertire'.
Was raised at Nevertire --
The town of Nevertire;
He humped his bluey by the name of `Dunn of Nevertire'.

`I've heard he's poor, and if he is, a proud old fool is he;
But, spite of that, I'll find a way to fix the old gum-tree.
I've bought a station in the North -- the best that could be had;
I want a man to pick the stock -- I want a super bad;
I want no bully-brute to boss -- no crawling, sneaking liar --
My station super's name shall be `Jack Dunn of Nevertire'!
Straight Dunn of Nevertire,
Old Dunn of Nevertire;
I guess he's known up Queensland way -- Jack Dunn of Nevertire.'

The super said, while to his face a strange expression came:
`I THINK I've seen the man you want, I THINK I know the name;
Had he a jolly kind of face, a free and careless way,
Gray eyes that always seem'd to smile, and hair just turning gray --
Clean-shaved, except a light moustache, long-limbed, an' tough as wire?'
`THAT'S HIM! THAT'S DUNN!' the stranger roared, `Jack Dunn of Nevertire!
John Dunn of Nevertire,
Jack D. from Nevertire,
They said I'd find him here, the cuss! -- Jack Dunn of Nevertire.

`I'd know his walk,' the stranger cried, `though sobered, I'll allow.'
`I doubt it much,' the boss replied, `he don't walk that way now.'
`Perhaps he don't!' the stranger said, `for years were hard on Jack;
But, if he were a mile away, I swear I'd know his back.'
`I doubt it much,' the super said, and sadly puffed his briar,
`I guess he wears a pair of wings -- Jack Dunn of Nevertire;
Jack Dunn of Nevertire,
Brave Dunn of Nevertire,
He caught a fever nursing me, Jack Dunn of Nevertire.'

We took the stranger round to where a gum-tree stood alone,
And in the grass beside the trunk he saw a granite stone;
The names of Dunn and Nevertire were plainly written there --
`I'm all broke up,' the stranger said, in sorrow and despair,
`I guess he has a wider run, the man that I require;
He's got a river-frontage now, Jack Dunn of Nevertire;
Straight Dunn of Nevertire,
White Jack from Nevertire,
I guess Saint Peter knew the name of `Dunn of Nevertire'.'

They lifted her out of a story
Too sordid and selfish by far,
They left me the innocent glory
Of love that was pure as a star;
They left me all guiltless of “evil”
That would have brought years of distress
When the chance to be man, god or devil,
Was mine, on return from Success.


With a name and a courage uncommon
She had come in the soul striving days,
She had come as a child, girl and woman—
Come only to comfort and praise.
There was never a church that could marry,
For never a court could divorce,
In the season of Hannah and Harry
When the love of my life ran its course.

Her hair was red gold on head Grecian,
But fluffed from the parting away,
And her eyes were the warm grey Venetian
That comes with the dawn of the day.
No Fashion nor Fad could entrap her,
And a simple print work dress wore she,
But her long limbs were formed for the “wrapper”
And her fair arms were meant to be free.

(Oh, I knew by the thrill of pure passion
At the touch of her elbow, or hand—
By the wife’s loveless eyes that would flash on
The feeling I could not command.
Oh, I knew when revulsion came rushing—
Oh, I knew by the brush strokes that hurt
At the sight of a sculptor friend brushing
The clay from the hem of her skirt.)

She was mine on return from succeeding
In a struggle that no one shall know;
She only knew my heart was bleeding,
She only knew what dealt the blow.
I had fought back the friends that were clutching,
I had forced back the heart-scalding tears
Just to lay my hot head to her touching
And to weep for Two Terrible Years.

Oh! the hand on my hair that was greying!
Oh! the kiss on my brow that was lined!
Oh! the peace when my reason was straying
And the rest and relief for my mind.
Till, no longer world shackled or frightened,
The voice of the past would be stilled,
Hearts quickened, cheeks flushed and eyes brightened,
And the love of our lives be fulfilled!

It was Antwerp, and Plymouth—th’ Atlantic
And, so well had Love’s network been laid,
That I heard of her illness, grown frantic,
At Genoa, Naples—Port Said.
I was mad just to reach her and “tell her”,
But a sandbank at Suez tripped me,
And we limped, with a crippled propeller,
Through all Hades adown the Red Sea.

Through the monsoon we rolled like a Jumbo
With a second blade shaken away,
There was never a dock in Colombo
So the captain drank hard to Bombay.
Then a “point” in the south like an anthill
Or seawastes—then hove into sight—
I called for no news at Fremantle
For I wanted to hope through the Bight.

There’s a gentleman, reading, shall know it,
There’s an earl who will now understand
Why I “slighted” the son of their poet
(And a vice regal lord of the land)—
Semaphore—and a burst through the wicket
On platform left guards in distress—
A run without luggage or ticket,
A cab, and the Melbourne Express.

’Twas a brother-in-grief of mine told me
With harsh eyes unwontedly dim,
With a hand on my shoulder to hold me
And a grip on my own—to hold him.
A dry choke, and words cracked and hurried,
A stare, as of something afraid,
And he told me that Hannah was buried
On the day I reached Port Adelaide.

They could greet me—let Heaven or Hell come,
They could weep—for the grave by the sea
Oh! the mother and father could welcome
And the kinsfolk without fear of me.
For they watched her safe out of a story
Where she slaved and suffered alone—
They could weep to the tune of the hoary
Old lie “If we only had known”.

But I have the letter that followed
That she wrote to England and me—
That crossed us perchance as we wallowed
That birthday of mine on the sea,
That she wrote on the eve of her going,
Hopeful and loving and brave,
To keep me there, prosperous, knowing,
No care save the far away grave.

They have lifted her out of a story
Too sordid and selfish by far,
And left me the innocent glory
Of love that was pure as a star:
That was human and strong though she hid it
To write before death in last lines—
And I kneel to the angels who did it
And I bow to the fate that refines.

He comes from out the ages dim—
The good Samaritan;
I somehow never pictured him
A fat and jolly man;
But one who’d little joy to glean,
And little coin to give—
A sad-faced man, and lank and lean,
Who found it hard to live.
His eyes were haggard in the drought,
His hair was iron-grey—
His dusty gown was patched, no doubt,
Where we patch pants to-day.
His faded turban, too, was torn—
But darned and folded neat,
And leagues of desert sand had worn
The sandals on his feet.

He’s been a fool, perhaps, and would
Have prospered had he tried,
But he was one who never could
Pass by the other side.
An honest man whom men called soft,
While laughing in their sleeves—
No doubt in business ways he oft
Had fallen amongst thieves.

And, I suppose, by track and tent,
And other ancient ways,
He drank, and fought, and loved, and went
The pace in his young days.
And he had known the bitter year
When love and friendship fail—
I wouldn’t be surprised to hear
That he had been in jail.

A silent man, whose passions slept,
Who had no friends or foes—
A quiet man, who always kept
His hopes and sorrows close.
A man who very seldom smiled,
And one who could not weep
Be it for death of wife or child
Or sorrow still more deep.

But sometimes when a man would rave
Of wrong, as sinners do,
He’d say to cheer and make him brave
‘I’ve had my troubles too.’
(They might be twittered by the birds,
And breathed high Heaven through,
There’s beauty in those world-old words:
‘I’ve had my sorrows too.’)

And if he was a married man,
As many are that roam,
I guess that good Samaritan
Was rather glum at home,
Impatient when a child would fret,
And strict at times and grim—
A man whose kinsmen never yet
Appreciated him.

Howbeit—in a study brown—
He had for all we know,
His own thoughts as he journeyed down
The road to Jericho,
And pondered, as we puzzle yet,
On tragedies of life—
And maybe he was deep in debt
And parted from his wife.

(And so ‘by chance there came that way,’
It reads not like romance—
The truest friends on earth to-day,
They mostly come by chance.)
He saw a stranger left by thieves
Sore hurt and like to die—
He also saw (my heart believes)
The others pass him by.

(Perhaps that good Samaritan
Knew Levite well, and priest)
He lifted up the wounded man
And sat him on his beast,
And took him on towards the inn—
All Christ-like unawares—
Still pondering, perhaps, on sin
And virtue—and his cares.

He bore him in and fixed him right
(Helped by the local drunk),
And wined and oiled him well all night,
And thought beside his bunk.
And on the morrow ere he went
He left a quid and spoke
Unto the host in terms which meant—
‘Look after that poor bloke.’

He must have known them at the inn,
They must have known him too—
Perhaps on that same track he’d seen
Some other sick mate through;
For ‘Whatsoe’er thou spendest more’
(The parable is plain)
‘I will repay,’ he told the host,
‘When I return again.’

He seemed to be a good sort, too,
The boss of that old pub—
(As even now there are a few
At shanties in the scru .
The good Samaritan jogged on
Through Canaan’s dust and heat,
And pondered over various schemes
And ways to make ends meet.


He was no Christian, understand,
For Christ had not been born—
He journeyed later through the land
To hold the priests to scorn;
And tell the world of ‘certain men’
Like that Samaritan,
And preach the simple creed again—
Man’s duty! Man to man!


‘Once on a time there lived a man,’
But he has lived alway,
And that gaunt, good Samaritan
Is with us here to-day;
He passes through the city streets
Unnoticed and unknown,
He helps the sinner that he meets—
His sorrows are his own.
He shares his tucker on the track
When things are at their worst
(And often shouts in bars outback
For souls that are athirst).
To-day I see him staggering down
The blazing water-course,
And making for the distant town
With a sick man on his horse.

He’ll live while nations find their graves
And mortals suffer pain—
When colour rules and whites are slaves
And savages again.
And, after all is past and done,
He’ll rise up, the Last Man,
From tending to the last but one—
The good Samaritan.