Dante Gabriel Rossetti: Verses about Life

Whence came his feet into my field, and why?
How is it that he sees it all so drear?
How do I see his seeing, and how hear
The name his bitter silence knows it by?
This was the little fold of separate sky
Whose pasturing clouds in the soul's atmosphere
Drew living light from one continual year:
How should he find it lifeless? He, or I?
Lo! this new Self now wanders round my field,
With plaints for every flower, and for each tree
A moan, the sighing wind's auxiliary:
And o'er sweet waters of my life, that yield
Unto his lips no draught but tears unseal'd,
Even in my place he weeps. Even I, not he.

As growth of form or momentary glance
In a child's features will recall to mind
The father's with the mother's face combin'd,—
Sweet interchange that memories still enhance:
And yet, as childhood's years and youth's advance,
The gradual mouldings leave one stamp behind,
Till in the blended likeness now we find
A separate man's or woman's countenance:—
So in the Song, the singer's Joy and Pain,
Its very parents, evermore expand
To bid the passion's fullgrown birth remain,
By Art's transfiguring essence subtly spann'd;
And from that song-cloud shaped as a man's hand
There comes the sound as of abundant rain.

From child to youth; from youth to arduous man;
From lethargy to fever of the heart;
From faithful life to dream-dower'd days apart;
From trust to doubt; from doubt to brink of ban;--
Thus much of change in one swift cycle ran
Till now. Alas, the soul!--how soon must she
Accept her primal immortality,--
The flesh resume its dust whence it began?

O Lord of work and peace! O Lord of life!
O Lord, the awful Lord of will! though late,
Even yet renew this soul with duteous breath:
That when the peace is garner'd in from strife,
The work retriev'd, the will regenerate,
This soul may see thy face, O Lord of death!

The changing guests, each in a different mood,
Sit at the roadside table and arise:
And every life among them in like wise
Is a soul's board set daily with new food.
What man has bent o'er his son's sleep, to brood
How that face shall watch his when cold it lies?—
Or thought, as his own mother kissed his eyes,
Of what her kiss was when his father wooed?
May not this ancient room thou sitt'st in dwell
In separate living souls for joy or pain?
Nay, all its corners may be painted plain
Where Heaven shows pictures of some life spent well;
And may be stamped, a memory all in vain,
Upon the sight of lidless eyes in Hell.

Not in thy body is thy life at all,
But in this lady's lips and hands and eyes;
Through these she yields thee life that vivifies
What else were sorrow's servant and death's thrall.
Look on thyself without her, and recall
The waste remembrance and forlorn surmise
That lived but in a dead-drawn breath of sighs
O'er vanished hours and hours eventual.
Even so much life hath the poor tress of hair
Which, stored apart, is all love hath to show
For heart-beats and for fire-heats long ago;
Even so much life endures unknown, even where,
'Mid change the changeless night environeth,
Lies all that golden hair undimmed in death.

Not in thy body is thy life at all,
But in this lady's lips and hands and eyes;
Through these she yields thee life that vivifies
What else were sorrow's servant and death's thrall.
Look on thyself without her, and recall
The waste remembrance and forlorn surmise
That lived but in a dead-drawn breath of sighs
O'er vanished hours and hours eventual.
Even so much life hath the poor tress of hair
Which, stored apart, is all love hath to show
For heart-beats and for fire-heats long ago;
Even so much life endures unknown, even where,
'Mid change the changeless night environeth,
Lies all that golden hair undimmed in death.

What smouldering senses in death's sick delay
Or seizure of malign vicissitude
Can rob this body of honour, or denude
This soul of wedding-raiment worn to-day?
For lo! even now my lady's lips did play
With these my lips such consonant interlude
As laurelled Orpheus longed for when he wooed
The half-drawn hungering face with that last lay.

I was a child beneath her touch, -- a man
When breast to breast we clung, even I and she, --
A spirit when her spirit looked through me, --
A god when all our life-breath met to fan
Our life-blood, till love's emulous ardours ran,
Fire within fire, desire in deity.

As thy friend's face, with shadow of soul o'erspread,
Somewhile unto thy sight perchance hath been
Ghastly and strange, yet never so is seen
In thought, but to all fortunate favour wed;
As thy love's death-bound features never dead
To memory's glass return, but contravene
Frail fugitive days, and alway keep, I ween,
Than all new life a livelier lovelihead:—
So Life herself, thy spirit's friend and love,
Even still as Spring's authentic harbinger
Glows with fresh hours for hope to glorify;
Though pale she lay when in the winter grove
Her funeral flowers were snow-flakes shed on her
And the red wings of frost-fire rent the sky.

A Sonnet is a moment's monument,
Memorial from the Soul's eternity
To one dead deathless hour. Look that it be,
Whether for lustral rite or dire portent,
Of its own arduous fulness reverent:
Carve it in ivory or in ebony,
As Day or Night may rule; and let Time see
Its flowering crest impearl'd and orient.

A Sonnet is a coin: its face reveals
The soul,--its converse, to what Power 'tis due: --
Whether for tribute to the august appeals
Of Life, or dower in Love's high retinue,
It serve; or, 'mid the dark wharf's cavernous breath,
In Charon's palm it pay the toll to Death.

A Sonnet is a moment's monument,
Memorial from the Soul's eternity
To one dead deathless hour. Look that it be,
Whether for lustral rite or dire portent,
Of its own arduous fulness reverent:
Carve it in ivory or in ebony,
As Day or Night may rule; and let Time see
Its flowering crest impearl'd and orient.

A Sonnet is a coin: its face reveals
The soul,--its converse, to what Power 'tis due: --
Whether for tribute to the august appeals
Of Life, or dower in Love's high retinue,
It serve; or, 'mid the dark wharf's cavernous breath,
In Charon's palm it pay the toll to Death.

Your hands lie open in the long fresh grass,--
The finger-points look through like rosy blooms:
Your eyes smile peace. The pasture gleams and glooms
'Neath billowing skies that scatter and amass.
All round our nest, far as the eye can pass,
Are golden kingcup-fields with silver edge
Where the cow-parsley skirts the hawthorn-hedge.
'Tis visible silence, still as the hour-glass.

Deep in the sun-search'd growths the dragon-fiy
Hangs like a blue thread loosen'd from the sky:--
So this wing'd hour is dropt to us from above.
Oh! clasp we to our hearts, for deathless dower,
This close-companion'd inarticulate hour
When twofold silence was the song of love.

Around the vase of Life at your slow pace
He has not crept, but turned it with his hands,
And all its sides already understands.
There, girt, one breathes alert for some great race;
Whose road runs far by sands and fruitful space;
Who laughs, yet through the jolly throng has pass'd;
Who weeps, nor stays for weeping; who at last,
A youth, stands somewhere crowned, with silent face.
And he has filled this vase with wine for blood,
With blood for tears, with spice for burning vow,
With watered flowers for buried love most fit;
And would have cast it shattered to the flood,
Yet in Fate's name has kept it whole; which now
Stands empty till his ashes fall in it.

Your hands lie open in the long fresh grass, --
The finger-points look through like rosy blooms:
Your eyes smile peace. The pasture gleams and glooms
'Neath billowing skies that scatter and amass.
All round our nest, far as the eye can pass,
Are golden kingcup-fields with silver edge
Where the cow-parsley skirts the hawthorn-hedge.
'Tis visible silence, still as the hour-glass.

Deep in the sun-searched growths the dragon-fly
Hangs like a blue thread loosened from the sky: --
So this wing'd hour is dropt to us from above.
Oh! clasp we to our hearts, for deathless dower,
This close-companioned inarticulate hour
When twofold silence was the song of love.

From child to youth; from youth to arduous man;
From lethargy to fever of the heart;
From faithful life to dream-dower'd days apart;
From trust to doubt; from doubt to brink of ban;--
Thus much of change in one swift cycle ran
Till now. Alas, the soul!--how soon must she
Accept her primal immortality,--
The flesh resume its dust whence it began?

O Lord of work and peace! O Lord of life!
O Lord, the awful Lord of will! though late,
Even yet renew this soul with duteous breath:
That when the peace is garner'd in from strife,
The work retriev'd, the will regenerate,
This soul may see thy face, O Lord of death!

Not in thy body is thy life at all
But in this lady's lips and hands and eyes;
Through these she yields thee life that vivifies
What else were sorrow's servant and death's thrall.
Look on thyself without her, and recall
The waste remembrance and forlorn surmise
That liv'd but in a dead-drawn breath of sighs
O'er vanish'd hours and hours eventual.

Even so much life hath the poor tress of hair
Which, stor'd apart, is all love hath to show
For heart-beats and for fire-heats long ago;
Even so much life endures unknown, even where,
'Mid change the changeless night environeth,
Lies all that golden hair undimm'd in death.

Look in my face; my name is Might-have-been;
I am also call'd No-more, Too-late, Farewell;
Unto thine ear I hold the dead-sea shell
Cast up thy Life's foam-fretted feet between;
Unto thine eyes the glass where that is seen
Which had Life's form and Love's, but by my spell
Is now a shaken shadow intolerable,
Of ultimate things unutter'd the frail screen.

Mark me, how still I am! But should there dart
One moment through thy soul the soft surprise
Of that wing'd Peace which lulls the breath of sighs,--
Then shalt thou see me smile, and turn apart
Thy visage to mine ambush at thy heart
Sleepless with cold commemorative eyes.

Sometimes she is a child within mine arms,
Cowering beneath dark wings that love must chase,--
With still tears showering and averted face,
Inexplicably fill'd with faint alarms:
And oft from mine own spirit's hurtling harms
I crave the refuge of her deep embrace,--
Against all ills the fortified strong place
And sweet reserve of sovereign counter-charms.

And Love, our light at night and shade at noon,
Lulls us to rest with songs, and turns away
All shafts of shelterless tumultuous day.
Like the moon's growth, his face gleams through his tune;
And as soft waters warble to the moon,
Our answering spirits chime one roundelay.

Not in thy body is thy life at all
But in this lady's lips and hands and eyes;
Through these she yields thee life that vivifies
What else were sorrow's servant and death's thrall.
Look on thyself without her, and recall
The waste remembrance and forlorn surmise
That liv'd but in a dead-drawn breath of sighs
O'er vanish'd hours and hours eventual.

Even so much life hath the poor tress of hair
Which, stor'd apart, is all love hath to show
For heart-beats and for fire-heats long ago;
Even so much life endures unknown, even where,
'Mid change the changeless night environeth,
Lies all that golden hair undimm'd in death.

Like labour-laden moonclouds faint to flee
From winds that sweep the winter-bitten wold,--
Like multiform circumfluence manifold
Of night's flood-tide,--like terrors that agree
Of hoarse-tongued fire and inarticulate sea,--
Even such, within some glass dimm'd by our breath,
Our hearts discern wild images of Death,
Shadows and shoals that edge eternity.

Howbeit athwart Death's imminent shade doth soar
One Power, than flow of stream or flight of dove
Sweeter to glide around, to brood above.
Tell me, my heart,--what angel-greeted door
Or threshold of wing-winnow'd threshing-floor
Hath guest fire-fledg'd as thine, whose lord is Love?

Watch thou and fear; to-morrow thou shalt die.
Or art thou sure thou shalt have time for death?
Is not the day which God's word promiseth
To come man knows not when? In yonder sky
Now while we speak, the sun speeds forth: can I
Or thou assure him of his goal? God's breath
Even at this moment haply quickeneth
The air to a flame; till spirits, always nigh

Though screen'd and hid, shall walk the daylight here.
And dost thou prate of all that man shall do?
Canst thou, who hast but plagues, presume to be
Glad in his gladness that comes after thee?
Will his strength slay thy worm in Hell? Go to:
Cover thy countenance, and watch, and fear.

Your hands lie open in the long fresh grass,--
The finger-points look through like rosy blooms:
Your eyes smile peace. The pasture gleams and glooms
'Neath billowing skies that scatter and amass.
All round our nest, far as the eye can pass,
Are golden kingcup-fields with silver edge
Where the cow-parsley skirts the hawthorn-hedge.
'Tis visible silence, still as the hour-glass.

Deep in the sun-search'd growths the dragon-fiy
Hangs like a blue thread loosen'd from the sky:--
So this wing'd hour is dropt to us from above.
Oh! clasp we to our hearts, for deathless dower,
This close-companion'd inarticulate hour
When twofold silence was the song of love.

Eat thou and drink; to-morrow thou shalt die.
Surely the earth, that's wise being very old,
Needs not our help. Then loose me, love, and hold
Thy sultry hair up from my face; that I
May pour for thee this golden wine, brim-high,
Till round the glass thy fingers glow like gold.
We'll drown all hours: thy song, while hours are toll'd,
Shall leap, as fountains veil the changing sky.

Now kiss, and think that there are really those,
My own high-bosom'd beauty, who increase
Vain gold, vain lore, and yet might choose our way!
Through many years they toil; then on a day
They die not,--for their life was death,--but cease;
And round their narrow lips the mould falls close.

Think thou and act; to-morrow thou shalt die
Outstretch'd in the sun's warmth upon the shore,
Thou say'st: "Man's measur'd path is all gone o'er:
Up all his years, steeply, with strain and sigh,
Man clomb until he touch'd the truth; and I,
Even I, am he whom it was destin'd for."
How should this be? Art thou then so much more
Than they who sow'd, that thou shouldst reap thereby?
Nay, come up hither. From this wave-wash'd mound
Unto the furthest flood-brim look with me;
Then reach on with thy thought till it be drown'd.
Miles and miles distant though the last line be,
And though thy soul sail leagues and leagues beyond,--
Still, leagues beyond those leagues, there is more sea.

THERE is a big artist named Val,
The roughs' and the prize—fighters' pal:
The mind of a groom
And the head of a broom
Were Nature's endowments to Val.

There is a Creator named God
Whose creations are sometimes quite odd:
I maintain—and I shall—
The creation of Val
Reflects little credit on God.

There is a dull Painter named Wells
Who is duller than any one else:
With the face of a horse
He sits by you and snorts—
Which is very offensive in Wells.

There's an infantine Artist named Hughes—
Him and his the R.A.'s did refuse:
At length, though, among
The lot, one was hung—
But it was himself in a noose.

There's a babyish party named Burges
Who from infancy hardly emerges:
If you had not been told
He's disgracefully old,
You would offer a bull's-eye to Burges.

There is a young person named Georgie
Who indulges each night in an orgy:
Soda—water and brandy
Are always kept handy
To efface the effects of that orgy.

There is a young Artist named Jones
Whose conduct no genius atones:
His behaviour in life
Is a pang to the wife
And a plague to the neighbours of Jones.

There is a young Painter called Jones
(A cheer here, and hisses, and groans):
The state of his mind
Is a shame to mankind,
But a matter of triumph to Jones.

There's a Painter of Portraits named Chapman
Who in vain would catch woman or trap man
To be painted life—size
More preposterous guys
Than they care to be painted by Chapman.

There's a combative Artist named Whistler
Who is, like his own hog—hairs, a bristler:
A tube of white lead
And a punch on the head
Offer varied attractions to Whistler.

There's a publishing party named Ellis
Who's addicted to poets with bellies:
He has at least two—
One in fact, one in view—
And God knows what will happen to Ellis.

There's a Portuguese person named Howell
Who lays—on his lies with a trowel:
Should he give—over lying,
'Twill be when he's dying,
For living is lying with Howell.

There is a mad Artist named Inchbold
With whom you must be at a pinch bold:
Or else you may score
The brass plate on your door
With the name of J. W. Inchbold.

A Historical Painter named Brown
Was in manners and language a clown:
At epochs of victual
Both pudden and kittle
Were expressions familiar to Brown

There was a young rascal called Nolly
Whose habits though dirty were jolly;
And when this book comes
To be marked with his thumbs
You may know that its owner is Nolly.

There are dealers in pictures named Agnew
Whose soft soap would make an old rag new:
The Father of Lies
With his tail to his eyes
Cries—“Go it, Tom Agnew, Bill Agnew!”

There's a solid fat German called Huffer
A hypochondriacal buffer:
To declaim Schopenhauer
From the top of a tower
Is the highest ambition of Huffer.

There's a Scotch correspondent named Scott
Thinks a penny for postage a lot:
Books, verses, and letters,
Too good for his betters,
Cannot screw out an answer from Scott.

There's a foolish old Scotchman called Scotus,
Most justly a Pictor Ignotus:
For what he best knew
He never would do,
This stubborn [old] donkey called Scotus.

There once was a painter named Scott
Who seemed to have hair, but had not.
He seemed too to have sense:
'Twas an equal pretence
On the part of the painter named Scott.

There's the Irishman Arthur O'Shaughnessy—
On the chessboard of poets a pawn is he:
Though a bishop or king
Would be rather the thing
To the fancy of Arthur O'Shaughnessy.

There is a young Artist named Knewstub,
Who for personal cleaning will use tub:
But in matters of paint
Not the holiest Saint
Was ever so dirty as Knewstub.

There is a poor sneak called Rossetti:
As a painter with many kicks met he—
With more as a man—
But sometimes he ran,
And that saved the rear of Rossetti.

As a critic, the Poet Buchanan
Thinks Pseudo much safer than Anon.
Into Maitland he shrunk,
But the smell of the skunk
Guides the shuddering nose to Buchanan.

“O HAVE you seen the Stratton flood
That's great with rain to-day?
It runs beneath your wall, Lord Sands,
Full of the new-mown hay.
“I led your hounds to Hutton bank
To bathe at early morn:
They got their bath by Borrowbrake
Above the standing corn.”
Out from the castle-stair Lord Sands
Looked up the western lea;
The rook was grieving on her nest,
The flood was round her tree.
Over the castle-wall Lord Sands
Looked down the eastern hill:
The stakes swam free among the boats,
The flood was rising still.
“What's yonder far below that lies
So white against the slope?”
“O it's a sail o' your bonny barks
The waters have washed up.”
“But I have never a sail so white,
And the water's not yet there.”
“O it's the swans o' your bonny lake
The rising flood doth scare.”
“The swans they would not hold so still,
So high they would not win.”
“O it's Joyce my wife has spread her smock
And fears to fetch it in.”
“Nay, knave, it's neither sail nor swans,
Nor aught that you can say;
For though your wife might leave her smock,
Herself she'd bring away.”
Lord Sands has passed the turret-stair,
The court, and yard, and all;
The kine were in the byre that day,
The nags were in the stall.
Lord Sands has won the weltering slope
Whereon the white shape lay:
The clouds were still above the hill,
And the shape was still as they.
Oh pleasant is the gaze of life
And sad is death's blind head;
But awful are the living eyes
In the face of one thought dead!
“In God's name, Janet, is it me
Thy ghost has come to seek?”
“Nay, wait another hour, Lord Sands,—
Be sure my ghost shall speak.”
A moment stood he as a stone,
Then grovelled to his knee.
“O Janet, O my love, my love,
Rise up and come with me!”
“O once before you bade me come,
And it's here you have brought me!
“O many's the sweet word, Lord Sands,
You've spoken oft to me;
But all that I have from you to-day
Is the rain on my body.
“And many's the good gift, Lord Sands,
You've promised oft to me;
But the gift of yours I keep to-day
Is the babe in my body.
“O it's not in any earthly bed
That first my babe I'll see;
For I have brought my body here
That the flood may cover me.”
His face was close against her face,
His hands of hers were fain:
O her wet cheeks were hot with tears,
Her wet hands cold with rain.
“They told me you were dead, Janet,—
How could I guess the lie?”
“They told me you were false, Lord Sands,—
What could I do but die?”
“Now keep you well, my brother Giles,—
Through you I deemed her dead!
As wan as your towers seem to-day,
To-morrow they'll be red.
“Look down, look down, my false mother,
That bade me not to grieve:
You'll look up when our marriage fires
Are lit to-morrow eve:
“O more than one and more than two
The sorrow of this shall see:
But it's to-morrow, love, for them,—
To-day's for thee and me.”
He's drawn her face between his hands
And her pale mouth to his:
No bird that was so still that day
Chirps sweeter than his kiss.
The flood was creeping round their feet.
“O Janet, come away!
The hall is warm for the marriage-rite,
The bed for the birthday.”
“Nay, but I hear your mother cry,
‘Go bring this bride to bed!
And would she christen her babe unborn,
So wet she comes to wed?’
“I'll be your wife to cross your door
And meet your mother's e'e.
We plighted troth to wed i' the kirk,
And it's there you'll wed with me.”
He's ta'en her by the short girdle
And by the dripping sleeve:
“Go fetch Sir Jock my mother's priest,—
You'll ask of him no leave.
“O it's one half-hour to reach the kirk
And one for the marriage-rite;
And kirk and castle and castle-lands
Shall be our babe's to-night.”
“The flood's in the kirkyard, Lord Sands,
And round the belfry-stair.”
“I bade you fetch the priest,” he said,
“Myself shall bring him there.
“It's for the lilt of wedding bells
We'll have the hail to pour,
And for the clink of bridle-reins
The plashing of the oar.”
Beneath them on the nether hill
A boat was floating wide:
Lord Sands swam out and caught the oars
And rowed to the hill-side.
He's wrapped her in a green mantle
And set her softly in;
Her hair was wet upon her face,
Her face was grey and thin;
And “Oh!” she said, “lie still, my babe,
It's out you must not win!”
But woe's my heart for Father John
As hard as he might pray,
There seemed no help but Noah's ark
Or Jonah's fish that day.
The first strokes that the oars struck
Were over the broad leas;
The next strokes that the oars struck
They pushed beneath the trees;
The last stroke that the oars struck,
The good boat's head was met,
And there the gate of the kirk-yard
Stood like a ferry-gate.
He's set his hand upon the bar
And lightly leaped within:
He's lifted her to his left shoulder,
Her knees beside his chin.
The graves lay deep beneath the flood
Under the rain alone;
And when the foot-stone made him slip,
He held by the head-stone.
The empty boat thrawed i' the wind,
Against the postern tied.
“Hold still, you've brought my love with me,
You shall take back my bride.”
But woe's my heart for Father John
And the saints he clamoured to!
There's never a saint but Christopher
Might hale such buttocks through!
And “Oh!” she said, “on men's shoulders
I well had thought to wend,
And well to travel with a priest,
But not to have cared or ken'd.
“And oh!” she said, “it's well this way
That I thought to have fared,—
Not to have lighted at the kirk
But stopped in the kirkyard.
“For it's oh and oh I prayed to God,
Whose rest I hoped to win,
That when to-night at your board-head
You'd bid the feast begin,
This water past your window-sill
Might bear my body in.”
Now make the white bed warm and soft
And greet the merry morn;
The night the mother should have died,
The young son shall be born.

THE wounded hart and the dying swan
Were side by side
Where the rushes coil with the turn of the tide—
The hart and the swan.

AS much as in a hundred years, she's dead:
Yet is to-day the day on which she died.

“I SAW the Sibyl at Cumæ”
(One said) “with mine own eye.
She hung in a cage, and read her rune
To all the passers-by.
Said the boys, ‘What wouldst thou, Sibyl?’
She answered, ‘I would die.’”

AS balmy as the breath of her you love
When deep between her breasts it comes to you.

“WAS it a friend or foe that spread these lies?”
“Nay, who but infants question in such wise?
'Twas one of my most intimate enemies.”

IF I could die like the British Queen
Who faced the Roman war,
Or hang in a cage for my country's sake
Like Black Bess of Dunbar!

SHE bound her green sleeve on my helm,
Sweet pledge of love's sweet meed:
Warm was her bared arm round my neck
As well she bade me speed;
And her kiss clings still between my lips,
Heart's beat and strength at need.

WHERE is the man whose soul has never waked
To sudden pity of the poor torn past?


AT her step the water-hen
Springs from her nook, and skimming the clear stream,
Ripples its waters in a sinuous curve,
And dives again in safety.

WOULD God I knew there were a God to thank
When thanks rise in me!

I SHUT myself in with my soul,
And the shapes come eddying forth.

“I HATE” says over and above
“This is a soul that I might love.”
None lightly says “My friend”: even so
Be jealous of that name “My foe.”
An enemy for an enemy,
But dogs for what a dog can be.
Hold those at heart, and time shall prove.

DO still thy best, albeit the clue
Be snapt of that thou strovest to;
Do still thy best, though direful hate
Should toil to leave thee desolate.
Do still thy best whom Fate would damn.
Say—such as I was made I am,
And did even such as I could do.
Anomalies against all rules
Acknowledge, though beyond the schools:—

Those passionate states when to know true
Some thing, and to believe, are two;
And that extraordinary sect
Whom no amount of intellect
Can save, alas, from being fools.

THE bitter stage of life
Where friend and foe are parts alternated.

THE winter garden-beds all bare,
Save only where the redbreast lingering there
Brings back one flower-like gleam 'mid the dark mould.

WHO shall say what is said in me,
With all that I might have been dead in me?

WHO knoweth not love's sounds and silences?

Where the poets all—
Echoes of singing nature—list her call.


EVEN as the dreariest swamps, in sweet Springtide,
Are most with Mary-flowers beatified.

OR reading in some sunny nook
Where grass-blade shadows fall across your book.

AYE, we'll shake hands, though scarce for love, we two:
But I hate hatred worse than I hate you.

AND heavenly things in your eyes have place,
Those breaks of sky in the twilight face.

THOUGH all the rest go by—
Ditties and dirges of the unanswering sky.

WHAT face but thine has taught me all that art
Can be, and still be Nature's counterpart—
The zodiac of all beauty?

WITH furnaces
Of instant flame, and petals of pure light.

AND love and faith, the vehement heart of all.

FOR this can love, and does love, and loves me.
(or)
FOR this can love, and does, and loves but me.

THE forehead veiled and the veiled throat of Death.

THOU that beyond thy real self dost see
A self ideal, bid thy heart beware.

AND plaintive days that haunt the haggard hills
With bleak unspoken woe.

TO know for certain that we do not know
Is the first step in knowledge.

THINK through this silence how when we are old
We two shall think upon this place and day.

AN ant-sting's prickly at first,
But the pain soon dies away;
A gnat-sting's worse the next day;
But a wasp 'tis stings the worst.

AND mad revulsion of the tarnished light.

HIS face, in Fortune's favours sunn'd,
Was radiantly rubicund.

THE glass stands empty of all things it knew.

O THOU whose name, being alone, aloud
I utter oft, and though thou art not there,
Toward thine imaged presence kiss the air.

I SAW the love which was my life flow past
'Twixt shadowed reaches, like a murmuring stream:—
I was awake, and lo it was a dream.

OR give ten years of life's most bitter wane
To see the loved one as she was again.

AND of the cup of human agony
Enough to fill the sea.


EVEN as the moon grows clearer on the sky
While the sky darkens, and her Venus-star
Thrills with a keener radiance from afar.


(THE Imperial Cloak—Paludamentum).
Imperatorial car,
And purple-dyed paludament of war.

FOR the garlands of heaven were all laid by,
And the Daylight sucked at the breasts of a Lie.

WITHIN those eyes the sedulous yearning throe,
And all the evil of my heart
A thousand times forgotten.

AH if you had been lost for many years,
And from the dead to-day were risen again!

FASHIONED with intricate infinity.

AH dear one, we were young so long
I thought that youth would never wane—
Ah dear one, I've been old so long,
How long until we meet again?

THE tombless fossil of deep-buried days.

AND 'mid the budding branches' sway
Our antlers met in battle-play
When our fetlocks felt the Spring.

IN galliard gardens of strange aventine,
Or sway of tidal night.


WHEN we are senseless grown, to make stones speak.

OR, stamped with the snake's coil, it be
The imperial image of Eternity.

COULD Keats but have a day or two on earth
Once every year!

“AH lads, I knew your father.” What wide world
Of meaning in those words! They mean that he,
Being gone before, has known that mystery
From living Plato and Socrates fast-furl'd.

THIS little day—a bird that flew to me—
Has swiftly flown out of my hand again.
Ah have I listened to its fugitive strain
For what its tidings of the sky may be?

NO ship came near: aloof with heed
They tacked, as still as death;
For round our walls the sea was dense
With reefs whose sharp circumference
Was the great stronghold's sure defence.

AND plaintive days that haunt the haggard hills
With bleak unspoken woe.

INEXPLICABLE blight
And mad revulsion of the tarnished light.

ET les larmes, comme le sang,
Grisent ceux qui les font couler.

PRO hoste hostem, canes pro canibus affer.

IL faut que tu le tiennes pour dit,
Car je ne t'aime plus, ma mie.

DEL mare il susurro sonoro.

In our Museum galleries
To-day I lingered o'er the prize
Dead Greece vouchsafes to living eyes,—
Her Art for ever in fresh wise
From hour to hour rejoicing me.
Sighing I turned at last to win
Once more the London dirt and din;
And as I made the swing-door spin
And issued, they were hoisting in
A wingèd beast from Nineveh.
A human face the creature wore,
And hoofs behind and hoofs before,
And flanks with dark runes fretted o'er.
'Twas bull, 'twas mitred Minotaur,
A dead disbowelled mystery:
The mummy of a buried faith
Stark from the charnel without scathe,
Its wings stood for the light to bathe,—
Such fossil cerements as might swathe
The very corpse of Nineveh.
The print of its first rush-wrapping,
Wound ere it dried, still ribbed the thing.
What song did the brown maidens sing,
From purple mouths alternating,
When that was woven languidly?
What vows, what rites, what prayers preferr'd,
What songs has the strange image heard?
In what blind vigil stood interr'd
For ages, till an English word
Broke silence first at Nineveh?
Oh when upon each sculptured court,
Where even the wind might not resort,—
O'er which Time passed, of like import
With the wild Arab boys at sport,—
A living face looked in to see:—
Oh seemed it not—the spell once broke—
As though the carven warriors woke,
As though the shaft the string forsook,
The cymbals clashed, the chariots shook,
And there was life in Nineveh?
On London stones our sun anew
The beast's recovered shadow threw.
(No shade that plague of darkness knew,
No light, no shade, while older grew
By ages the old earth and sea.)
Lo thou! could all thy priests have shown
Such proof to make thy godhead known?
From their dead Past thou liv'st alone;
And still thy shadow is thine own,
Even as of yore in Nineveh.
That day whereof we keep record,
When near thy city-gates the Lord
Sheltered His Jonah with a gourd,
This sun, (I said) here present, pour'd
Even thus this shadow that I see.
This shadow has been shed the same
From sun and moon,—from lamps which came
For prayer,—from fifteen days of flame,
The last, while smouldered to a name
Sardanapalus' Nineveh.
Within thy shadow, haply, once
Sennacherib has knelt, whose sons
Smote him between the altar-stones:
Or pale Semiramis her zones
Of gold, her incense brought to thee,
In love for grace, in war for aid: . . .
Ay, and who else? . . . till 'neath thy shade
Within his trenches newly made
Last year the Christian knelt and pray'd—
Not to thy strength—in Nineveh.
Now, thou poor god, within this hall
Where the blank windows blind the wall
From pedestal to pedestal,
The kind of light shall on thee fall
Which London takes the day to be:
While school-foundations in the act
Of holiday, three files compact,
Shall learn to view thee as a fact
Connected with that zealous tract:
“ROME,—Babylon and Nineveh.”
Deemed they of this, those worshippers,
When, in some mythic chain of verse
Which man shall not again rehearse,
The faces of thy ministers
Yearned pale with bitter ecstasy?
Greece, Egypt, Rome,—did any god
Before whose feet men knelt unshod
Deem that in this unblest abode
Another scarce more unknown god
Should house with him, from Nineveh?
Ah! in what quarries lay the stone
From which this pillared pile has grown,
Unto man's need how long unknown,
Since those thy temples, court and cone,
Rose far in desert history?
Ah! what is here that does not lie
All strange to thine awakened eye?
Ah! what is here can testify
(Save that dumb presence of the sky)
Unto thy day and Nineveh?
Why, of those mummies in the room
Above, there might indeed have come
One out of Egypt to thy home,
An alien. Nay, but were not some
Of these thine own “antiquity”?
And now,—they and their gods and thou
All relics here together,—now
Whose profit? whether bull or cow,
Isis or Ibis, who or how,
Whether of Thebes or Nineveh?
The consecrated metals found,
And ivory tablets, underground,
Winged teraphim and creatures crown'd.
When air and daylight filled the mound,
Fell into dust immediately.
And even as these, the images
Of awe and worship,—even as these,—
So, smitten with the sun's increase,
Her glory mouldered and did cease
From immemorial Nineveh.
The day her builders made their halt,
Those cities of the lake of salt
Stood firmly 'stablished without fault,
Made proud with pillars of basalt,
With sardonyx and porphyry.
The day that Jonah bore abroad
To Nineveh the voice of God,
A brackish lake lay in his road,
Where erst Pride fixed her sure abode,
As then in royal Nineveh.
The day when he, Pride's lord and Man's,
Showed all the kingdoms at a glance
To Him before whose countenance
The years recede, the years advance,
And said, Fall down and worship me:—
'Mid all the pomp beneath that look,
Then stirred there, haply, some rebuke,
Where to the wind the Salt Pools shook,
And in those tracts, of life forsook,
That knew thee not, O Nineveh!
Delicate harlot! On thy throne
Thou with a world beneath thee prone
In state for ages sat'st alone;
And needs were years and lustres flown
Ere strength of man could vanquish thee:
Whom even thy victor foes must bring,
Still royal, among maids that sing
As with doves' voices, taboring
Upon their breasts, unto the King,—
A kingly conquest, Nineveh!
. . . Here woke my thought. The wind's slow sway
Had waxed; and like the human play
Of scorn that smiling spreads away,
The sunshine shivered off the day:
The callous wind, it seemed to me,
Swept up the shadow from the ground:
And pale as whom the Fates astound,
The god forlorn stood winged and crown'd:
Within I knew the cry lay bound
Of the dumb soul of Nineveh.
And as I turned, my sense half shut
Still saw the crowds of kerb and rut
Go past as marshalled to the strut
Of ranks in gypsum quaintly cut.
It seemed in one same pageantry
They followed forms which had been erst;
To pass, till on my sight should burst
That future of the best or worst
When some may question which was first,
Of London or of Nineveh.
For as that Bull-god once did stand
And watched the burial-clouds of sand,
Till these at last without a hand
Rose o'er his eyes, another land,
And blinded him with destiny:—
So may he stand again; till now,
In ships of unknown sail and prow,
Some tribe of the Australian plough
Bear him afar,—a relic now
Of London, not of Nineveh!
Or it may chance indeed that when
Man's age is hoary among men,—
His centuries threescore and ten,—
His furthest childhood shall seem then
More clear than later times may be:
Who, finding in this desert place
This form, shall hold us for some race
That walked not in Christ's lowly ways,
But bowed its pride and vowed its praise
Unto the God of Nineveh.
The smile rose first,—anon drew nigh
The thought: . . . Those heavy wings spread high,
So sure of flight, which do not fly;
That set gaze never on the sky;
Those scriptured flanks it cannot see;
Its crown, a brow-contracting load;
Its planted feet which trust the sod: . . .
(So grew the image as I trod
O Nineveh, was this thy God,—
Thine also, mighty Nineveh?

What thing unto mine ear
Wouldst thou convey,--what secret thing,
O wandering water ever whispering?
Surely thy speech shall be of her.
Thou water, O thou whispering wanderer,
What message dost thou bring?

Say, hath not Love leaned low
This hour beside thy far well-head,
And there through jealous hollowed fingers said
The thing that most I long to know--
Murmuring with curls all dabbled in thy flow
And washed lips rosy red?

He told it to thee there
Where thy voice hath a louder tone;
But where it welters to this little moan
His will decrees that I should hear.
Now speak: for with the silence is no fear,
And I am all alone.

Shall Time not still endow
One hour with life, and I and she
Slake in one kiss the thirst of memory?
Say, streams, lest Love should disavow
Thy service, and the bird upon the bough
Sing first to tell it me.

What whisperest thou? Nay, why
Name the dead hours? I mind them well.
Their ghosts in many darkened doorways dwell
With desolate eyes to know them by.
That hour must still be born ere it can die
Of that I'd have thee tell.

But hear, before thou speak!
Withhold, I pray, the vain behest
That while the maze hath still its bower for quest
My burning heart should cease to seek.
Be sure that Love ordained for souls more meek
His roadside dells of rest.

Stream, when this silver thread
In flood-time is a torrent brown,
May any bulwark bind thy foaming crown?
Shall not the waters surge and spread
And to the crannied boulders of their bed
Still shoot the dead drift down

Let no rebuke find place
In speech of thine: or it shall prove
That thou dost ill expound the words of Love.
Even as thine eddy's rippling race
Would blur the perfect image of his face
I will have none thereof.

O learn and understand
That 'gainst the wrongs himself did wreak
Love sought her aid; until her shadowy cheek
And eyes beseeching gave command;
And compassed in her close compassionate hand
My heart must burn and speak.

For then at last we spoke
What eyes so oft had told to eyes
Through that long-lingering silence whose half-sighs
Alone the buried secret broke,
Which with snatched hands and lips' reverberate stroke
Then from the heart did rise.

But she is far away
Now; nor the hours of night grown hoar
Bring yet to me, long gazing from the door,
The wind-stirred robe of roseate gray
And rose-crown of the hour that leads the day
When we shall meet once more.

Dark as thy blinded wave
When brimming midnight floods the glen,--
Bright as the laughter of thy runnels when
The dawn yields all the light they crave;
Even so these hours to wound and that to save
Are sisters in Love's ken.

Oh sweet her bending grace
Then when I kneel beside her feet;
And sweet her eyes' o'erhanging heaven; and sweet
The gathering folds of her embrace;
And her fall'n hair at last shed round my face
When breaths and tears shall meet.

Beneath her sheltering hair,
In the warm silence near her breast,
Our kisses and our sobs shall sink to rest;
As in some still trance made aware
That day and night have wrought to fulness there
And Love has built our nest.

And as in the dim grove,
When the rains cease that hushed them long,
'Mid glistening boughs the song-birds wake to song,--
So from our hearts deep-shrined in love,
While the leaves throb beneath, around, above,
The quivering notes shall throng.

Till tenderest words found vain
Draw back to wonder mute and deep,
And closed lips in closed arms a silence keep,
Subdued by memory's circling strain,--
The wind-rapt sound that the wind brings again
While all the willows weep.

Then by her summoning art
Shall memory conjure back the sere
Autumnal Springs, from many a dying year
Born dead; and, bitter to the heart,
The very ways where now we walk apart
Who then shall cling so near.

And with each thought new-grown,
Some sweet caress or some sweet name
Low-breathed shall let me know her thought the same:
Making me rich with every tone
And touch of the dear heaven so long unknown
That filled my dreams with flame.

Pity and love shall burn
In her pressed cheek and cherishing hands;
And from the living spirit of love that stands
Between her lips to soothe and yearn,
Each separate breath shall clasp me round in turn
And loose my spirit's bands.

Oh passing sweet and dear,
Then when the worshipped form and face
Are felt at length in darkling close embrace;
Round which so oft the sun shone clear,
With mocking light and pitiless atmosphere,
In many an hour and place.

Ah me! with what proud growth
Shall that hour's thirsting race be run;
While, for each several sweetness still begun
Afresh, endures love's endless drouth;
Sweet hands, sweet hair, sweet cheeks, sweet eyes, sweet mouth,
Each singly wooed and won.

Yet most with the sweet soul
Shall love's espousals then be knit;
What time the governing cloud sheds peace from it
O'er tremulous wings that touch the goal,
And on the unmeasured height of Love's control
The lustral fires are lit.

Therefore, when breast and cheek
Now part, from long embraces free,--
Each on the other gazing shall but see
A self that has no need to speak:
All things unsought, yet nothing more to seek,--
One love in unity.

O water wandering past,--
Albeit to thee I speak this thing,
O water, thou that wanderest whispering,
Thou keep'st thy counsel to the last.
What spell upon thy bosom should Love cast,
Its secret thence to wring?

Nay, must thou hear the tale
Of the past days,--the heavy debt
Of life that obdurate time withholds,--ere yet
To win thine ear these prayers prevail,
And by thy voice Love's self with high All-hail
Yield up the amulet?

How should all this be told?--
All the sad sum of wayworn days,--
Heart's anguish in the impenetrable maze;
And on the waste uncoloured wold
The visible burthen of the sun grown cold
And the moon's labouring gaze?

Alas! shall hope be nurs'd
On life's all-succouring breast in vain,
And made so perfect only to be slain?
Or shall not rather the sweet thirst
Even yet rejoice the heart with warmth dispers'd
And strength grown fair again?

Stands it not by the door!--
Love's Hour--Till she and I shall meet
With bodiless form and unapparent feet
That cast no shadow yet before,
Though round its head the dawn begins to pour
The breath that makes day sweet?

Its eyes invisible
Watch till the dial's thin-thrown shade
Be born,--yea, till the journeying line be laid
Upon the point that wakes the spell,
And there in lovelier light than tongue can tell
Its presence stands array'd.

Its soul remembers yet
Those sunless hours that passed it by;
And still it hears the night's disconsolate cry,
And feels the branches wringing wet
Cast on its brow, that may not once forget,
Dumb tears from the blind sky.

But oh! when now her foot
Draws near, for whose sake night and day
Were long in weary longing sighed away,--
The hour of Love, 'mid airs grown mute,
Shall sing beside the door, and Love's own lute
Thrill to the passionate lay.

Thou know'st, for Love has told
Within thine ear, O stream, how soon
That song shall lift its sweet appointed tune.
O tell me, for my lips are cold,
And in my veins the blood is waxing old
Even while I beg the boon.

So, in that hour of sighs
Assuaged, shall we beside this stone
Yield thanks for grace; while in thy mirror shown
The twofold image softly lies,
Until we kiss, and each in other's eyes
Is imaged all alone.

Still silent? Can no art
Of Love's then move thy pity? Nay,
To thee let nothing come that owns his sway:
Let happy lovers have no part
With thee; nor even so sad and poor a heart
As thou hast spurned to-day.

To-day? Lo! night is here.
The glen grows heavy with some veil
Risen from the earth or fall'n to make earth pale;
And all stands hushed to eye and ear,
Until the night-wind shake the shade like fear
And every covert quail.

Ah! by another wave
On other airs the hour must come
Which to thy heart, my love, shall call me home.
Between the lips of the low cave
Against that night the lapping waters lave,
And the dark lips are dumb.

But there Love's self doth stand,
And with Life's weary wings far flown,
And with Death's eyes that make the water moan,
Gathers the water in his hand:
And they that drink know nought of sky or land
But only love alone.

O soul-sequestered face
Far off,--O were that night but now!
So even beside that stream even I and thou
Through thirsting lips should draw Love's grace,
And in the zone of that supreme embrace
Bind aching breast and brow.

O water whispering
Still through the dark into mine ears,--
As with mine eyes, is it not now with hers?--
Mine eyes that add to thy cold spring,
Wan water, wandering water weltering,
This hidden tide of tears.

By none but me can the tale be told,
The butcher of Rouen, poor Berold.
(Lands are swayed by a King on a throne.)
'Twas a royal train put forth to sea,
Yet the tale can be told by none but me.
(The sea hath no King but God alone.)
King Henry held it as life's whole gain
That after his death his son should reign.
`Twas so in my youth I heard men say,
And my old age calls it back to-day.
King Henry of England's realm was he,
And Henry Duke of Normandy.
The times had changed when on either coast
“Clerkly Harry” was all his boast.
Of ruthless strokes full many an one
He had struck to crown himself and his son;
And his elder brother's eyes were gone.
And when to the chase his court would crowd,
The poor flung ploughshares on his road,
And shrieked: “Our cry is from King to God!”
But all the chiefs of the English land
Had knelt and kissed the Prince's hand.
And next with his son he sailed to France
To claim the Norman allegiance:
And every baron in Normandy
Had taken the oath of fealty.
'Twas sworn and sealed, and the day had come
When the King and the Prince might journey home:
For Christmas cheer is to home hearts dear,
And Christmas now was drawing near.
Stout Fitz-Stephen came to the King,—
A pilot famous in seafaring;
And he held to the King, in all men's sight,
A mark of gold for his tribute's right.
“Liege Lord! my father guided the ship
From whose boat your father's foot did slip
When he caught the English soil in his grip,
“And cried: ‘By this clasp I claim command
O'er every rood of English land!’
“He was borne to the realm you rule o'er now
In that ship with the archer carved at her prow:
“And thither I'll bear, an it be my due,
Your father's son and his grandson too.
“The famed White Ship is mine in the bay;
From Harfleur's harbour she sails to-day,
“With masts fair-pennoned as Norman spears
And with fifty well-tried mariners.”
Quoth the King: “My ships are chosen each one,
But I'll not say nay to Stephen's son.
“My son and daughter and fellowship
Shall cross the water in the White Ship.”
The King set sail with the eve's south wind,
And soon he left that coast behind.
The Prince and all his, a princely show,
Remained in the good White Ship to go.
With noble knights and with ladies fair,
With courtiers and sailors gathered there,
Three hundred living souls we were:
And I Berold was the meanest hind
In all that train to the Prince assign'd.
The Prince was a lawless shameless youth;
From his father's loins he sprang without ruth:
Eighteen years till then he had seen,
And the devil's dues in him were eighteen.
And now he cried: “Bring wine from below;
Let the sailors revel ere yet they row:
“Our speed shall o'ertake my father's flight
Though we sail from the harbour at midnight.”
The rowers made good cheer without check;
The lords and ladies obeyed his beck;
The night was light, and they danced on the deck.
But at midnight's stroke they cleared the bay,
And the White Ship furrowed the water-way.
The sails were set, and the oars kept tune
To the double flight of the ship and the moon:
Swifter and swifter the White Ship sped
Till she flew as the spirit flies from the dead:
As white as a lily glimmered she
Like a ship's fair ghost upon the sea.
And the Prince cried, “Friends, 'tis the hour to sing!
Is a songbird's course so swift on the wing?”
And under the winter stars' still throng,
From brown throats, white throats, merry and strong,
The knights and the ladies raised a song.
A song,—nay, a shriek that rent the sky,
That leaped o'er the deep!—the grievous cry
Of three hundred living that now must die.
An instant shriek that sprang to the shock
As the ship's keel felt the sunken rock.
'Tis said that afar—a shrill strange sigh—
The King's ships heard it and knew not why.
Pale Fitz-Stephen stood by the helm
'Mid all those folk that the waves must whelm.
A great King's heir for the waves to whelm,
And the helpless pilot pale at the helm!
The ship was eager and sucked athirst,
By the stealthy stab of the sharp reef pierc'd:
And like the moil round a sinking cup
The waters against her crowded up.
A moment the pilot's senses spin,—
The next he snatched the Prince 'mid the din,
Cut the boat loose, and the youth leaped in.
A few friends leaped with him, standing near.
“Row! the sea's smooth and the night is clear!”
“What! none to be saved but these and I?”
“Row, row as you'd live! All here must die!”
Out of the churn of the choking ship,
Which the gulf grapples and the waves strip,
They struck with the strained oars' flash and dip.
'Twas then o'er the splitting bulwarks' brim
The Prince's sister screamed to him.
He gazed aloft, still rowing apace,
And through the whirled surf he knew her face.
To the toppling decks clave one and all
As a fly cleaves to a chamber-wall.
I Berold was clinging anear;
I prayed for myself and quaked with fear,
But I saw his eyes as he looked at her.
He knew her face and he heard her cry,
And he said, “Put back! she must not die!”
And back with the current's force they reel
Like a leaf that's drawn to a water-wheel.
'Neath the ship's travail they scarce might float,
But he rose and stood in the rocking boat.
Low the poor ship leaned on the tide:
O'er the naked keel as she best might slide,
The sister toiled to the brother's side.
He reached an oar to her from below,
And stiffened his arms to clutch her so.
But now from the ship some spied the boat,
And “Saved!” was the cry from many a throat.
And down to the boat they leaped and fell:
It turned as a bucket turns in a well,
And nothing was there but the surge and swell.
The Prince that was and the King to come,
There in an instant gone to his doom,
Despite of all England's bended knee
And maugre the Norman fealty!
He was a Prince of lust and pride;
He showed no grace till the hour he died.
When he should be King, he oft would vow,
He'd yoke the peasant to his own plough.
O'er him the ships score their furrows now.
God only knows where his soul did wake,
But I saw him die for his sister's sake.
By none but me can the tale be told,
The butcher of Rouen, poor Berold.
(Lands are swayed by a King on a throne.)
'Twas a royal train put forth to sea,
Yet the tale can be told by none but me.
(The sea hath no King but God alone.)
And now the end came o'er the waters' womb
Like the last great Day that's yet to come.
With prayers in vain and curses in vain,
The White Ship sundered on the mid-main:
And what were men and what was a ship
Were toys and splinters in the sea's grip.
I Berold was down in the sea;
And passing strange though the thing may be,
Of dreams then known I remember me.
Blithe is the shout on Harfleur's strand
When morning lights the sails to land:
And blithe is Honfleur's echoing gloam
When mothers call the children home:
And high do the bells of Rouen beat
When the Body of Christ goes down the street.
These things and the like were heard and shown
In a moment's trance 'neath the sea alone;
And when I rose, 'twas the sea did seem,
And not these things, to be all a dream.
The ship was gone and the crowd was gone,
And the deep shuddered and the moon shone,
And in a strait grasp my arms did span
The mainyard rent from the mast where it ran;
And on it with me was another man.
Where lands were none 'neath the dim sea-sky,
We told our names, that man and I.
“O I am Godefroy de l'Aigle hight,
And son I am to a belted knight.”
“And I am Berold the butcher's son
Who slays the beasts in Rouen town.”
Then cried we upon God's name, as we
Did drift on the bitter winter sea.
But lo! a third man rose o'er the wave,
And we said, “Thank God! us three may He save!”
He clutched to the yard with panting stare,
And we looked and knew Fitz-Stephen there.
He clung, and “What of the Prince?” quoth he.
“Lost, lost!” we cried. He cried, “Woe on me!”
And loosed his hold and sank through the sea.
And soul with soul again in that space
We two were together face to face:
And each knew each, as the moments sped,
Less for one living than for one dead:
And every still star overhead
Seemed an eye that knew we were but dead.
And the hours passed; till the noble's son
Sighed, “God be thy help! my strength's foredone!
“O farewell, friend, for I can no more!”
“Christ take thee!” I moaned; and his life was o'er.
Three hundred souls were all lost but one,
And I drifted over the sea alone.
At last the morning rose on the sea
Like an angel's wing that beat tow'rds me.
Sore numbed I was in my sheepskin coat;
Half dead I hung, and might nothing note,
Till I woke sun-warmed in a fisher-boat.
The sun was high o'er the eastern brim
As I praised God and gave thanks to Him.
That day I told my tale to a priest,
Who charged me, till the shrift were releas'd,
That I should keep it in mine own breast.
And with the priest I thence did fare
To King Henry's court at Winchester.
We spoke with the King's high chamberlain,
And he wept and mourned again and again,
As if his own son had been slain:
And round us ever there crowded fast
Great men with faces all aghast:
And who so bold that might tell the thing
Which now they knew to their lord the King?
Much woe I learnt in their communing.
The King had watched with a heart sore stirred
For two whole days, and this was the third:
And still to all his court would he say,
“What keeps my son so long away?”
And they said: “The ports lie far and wide
That skirt the swell of the English tide;
“And England's cliffs are not more white
Than her women are, and scarce so light
Her skies as their eyes are blue and bright;
“And in some port that he reached from France
The Prince has lingered for his pleasaùnce.”
But once the King asked: “What distant cry
Was that we heard 'twixt the sea and sky?”
And one said: “With suchlike shouts, pardie!
Do the fishers fling their nets at sea.”
And one: “Who knows not the shrieking quest
When the sea-mew misses its young from the nest?”
'Twas thus till now they had soothed his dread,
Albeit they knew not what they said:
But who should speak to-day of the thing
That all knew there except the King?
Then pondering much they found a way,
And met round the King's high seat that day:
And the King sat with a heart sore stirred,
And seldom he spoke and seldom heard.
'Twas then through the hall the King was 'ware
Of a little boy with golden hair,
As bright as the golden poppy is
That the beach breeds for the surf to kiss:
Yet pale his cheek as the thorn in Spring,
And his garb black like the raven's wing.
Nothing heard but his foot through the hall,
For now the lords were silent all.
And the King wondered, and said, “Alack!
Who sends me a fair boy dressed in black?
“Why, sweet heart, do you pace through the hall
As though my court were a funeral?”
Then lowly knelt the child at the dais,
And looked up weeping in the King's face.
“O wherefore black, O King, ye may say,
For white is the hue of death to-day.
“Your son and all his fellowship
Lie low in the sea with the White Ship.”
King Henry fell as a man struck dead;
And speechless still he stared from his bed
When to him next day my rede I read.
There's many an hour must needs beguile
A King's high heart that he should smile,—
Full many a lordly hour, full fain
Of his realm's rule and pride of his reign:—
But this King never smiled again.
By none but me can the tale be told,
The butcher of Rouen, poor Berold.
(Lands are swayed by a King on a throne.)
'Twas a royal train put forth to sea,
Yet the tale can be told by none but me.
(The sea hath no King but God alone.)

Lazy laughing languid Jenny,
Fond of a kiss and fond of a guinea,
Whose head upon my knee to-night
Rests for a while, as if grown light
With all our dances and the sound
To which the wild tunes spun you round:
Fair Jenny mine, the thoughtless queen
Of kisses which the blush between
Could hardly make much daintier;
Whose eyes are as blue skies, whose hair
Is countless gold incomparable:
Fresh flower, scarce touched with signs that tell
Of Love's exuberant hotbed:—Nay,
Poor flower left torn since yesterday
Until to-morrow leave you bare;
Poor handful of bright spring-water
Flung in the whirlpool's shrieking face;
Poor shameful Jenny, full of grace
Thus with your head upon my knee;—
Whose person or whose purse may be
The lodestar of your reverie?
This room of yours, my Jenny, looks
A change from mine so full of books,
Whose serried ranks hold fast, forsooth,
So many captive hours of youth,—
The hours they thieve from day and night
To make one's cherished work come right,
And leave it wrong for all their theft,
Even as to-night my work was left:
Until I vowed that since my brain
And eyes of dancing seemed so fain,
My feet should have some dancing too:—
And thus it was I met with you.
Well, I suppose 'twas hard to part,
For here I am. And now, sweetheart,
You seem too tired to get to bed.
It was a careless life I led
When rooms like this were scarce so strange
Not long ago. What breeds the change,—
The many aims or the few years?
Because to-night it all appears
Something I do not know again.
The cloud's not danced out of my brain—
The cloud that made it turn and swim
While hour by hour the books grew dim.
Why, Jenny, as I watch you there,—
For all your wealth of loosened hair,
Your silk ungirdled and unlac'd
And warm sweets open to the waist,
All golden in the lamplight's gleam,—
You know not what a book you seem,
Half-read by lightning in a dream!
How should you know, my Jenny? Nay,
And I should be ashamed to say:—
Poor beauty, so well worth a kiss!
But while my thought runs on like this
With wasteful whims more than enough,
I wonder what you're thinking of.
If of myself you think at all,
What is the thought?—conjectural
On sorry matters best unsolved?—
Or inly is each grace revolved
To fit me with a lure?—or (sad
To think!) perhaps you're merely glad
That I'm not drunk or ruffianly
And let you rest upon my knee.
For sometimes, were the truth confess'd,
You're thankful for a little rest,—
Glad from the crush to rest within,
From the heart-sickness and the din
Where envy's voice at virtue's pitch
Mocks you because your gown is rich;
And from the pale girl's dumb rebuke,
Whose ill-clad grace and toil-worn look
Proclaim the strength that keeps her weak,
And other nights than yours bespeak;
And from the wise unchildish elf,
To schoolmate lesser than himself
Pointing you out, what thing you are:—
Yes, from the daily jeer and jar,
From shame and shame's outbraving too,
Is rest not sometimes sweet to you?—
But most from the hatefulness of man,
Who spares not to end what he began,
Whose acts are ill and his speech ill,
Who, having used you at his will,
Thrusts you aside, as when I dine
I serve the dishes and the wine.
Well, handsome Jenny mine, sit up:
I've filled our glasses, let us sup,
And do not let me think of you,
Lest shame of yours suffice for two.
What, still so tired? Well, well then, keep
Your head there, so you do not sleep;
But that the weariness may pass
And leave you merry, take this glass.
Ah! lazy lily hand, more bless'd
If ne'er in rings it had been dress'd
Nor ever by a glove conceal'd!
Behold the lilies of the field,
They toil not neither do they spin;
(So doth the ancient text begin,—
Not of such rest as one of these
Can share.) Another rest and ease
Along each summer-sated path
From its new lord the garden hath,
Than that whose spring in blessings ran
Which praised the bounteous husbandman,
Ere yet, in days of hankering breath,
The lilies sickened unto death.
What, Jenny, are your lilies dead?
Aye, and the snow-white leaves are spread
Like winter on the garden-bed.
But you had roses left in May,—
They were not gone too. Jenny, nay,
But must your roses die, and those
Their purfled buds that should unclose?
Even so; the leaves are curled apart,
Still red as from the broken heart,
And here's the naked stem of thorns.
Nay, nay, mere words. Here nothing warns
As yet of winter. Sickness here
Or want alone could waken fear,—
Nothing but passion wrings a tear.
Except when there may rise unsought
Haply at times a passing thought
Of the old days which seem to be
Much older than any history
That is written in any book;
When she would lie in fields and look
Along the ground through the blown grass
And wonder where the city was,
Far out of sight, whose broil and bale
They told her then for a child's tale.
Jenny, you know the city now.
A child can tell the tale there, how
Some things which are not yet enroll'd
In market-lists are bought and sold
Even till the early Sunday light,
When Saturday night is market-night
Everywhere, be it dry or wet,
And market-night in the Haymarket.
Our learned London children know,
Poor Jenny, all your pride and woe;
Have seen your lifted silken skirt
Advertise dainties through the dirt;
Have seen your coach-wheels splash rebuke
On virtue; and have learned your look
When, wealth and health slipped past, you stare
Along the streets alone, and there,
Round the long park, across the bridge,
The cold lamps at the pavement's edge
Wind on together and apart,
A fiery serpent for your heart.
Let the thoughts pass, an empty cloud!
Suppose I were to think aloud,—
What if to her all this were said?
Why, as a volume seldom read
Being opened halfway shuts again,
So might the pages of her brain
Be parted at such words, and thence
Close back upon the dusty sense.
For is there hue or shape defin'd
In Jenny's desecrated mind,
Where all contagious currents meet,
A Lethe of the middle street?
Nay, it reflects not any face,
Nor sound is in its sluggish pace,
But as they coil those eddies clot,
And night and day remember not.
Why, Jenny, you're asleep at last!—
Asleep, poor Jenny, hard and fast,—
So young and soft and tired; so fair,
With chin thus nestled in your hair,
Mouth quiet, eyelids almost blue
As if some sky of dreams shone through!
Just as another woman sleeps!
Enough to throw one's thoughts in heaps
Of doubt and horror,—what to say
Or think,—this awful secret sway,
The potter's power over the clay!
Of the same lump (it has been said)
For honour and dishonour made,
Two sister vessels. Here is one.
My cousin Nell is fond of fun,
And fond of dress, and change, and praise,
So mere a woman in her ways:
And if her sweet eyes rich in youth
Are like her lips that tell the truth,
My cousin Nell is fond of love.
And she's the girl I'm proudest of.
Who does not prize her, guard her well?
The love of change, in cousin Nell,
Shall find the best and hold it dear:
The unconquered mirth turn quieter
Not through her own, through others' woe:
The conscious pride of beauty glow
Beside another's pride in her,
One little part of all they share.
For Love himself shall ripen these
In a kind soil to just increase
Through years of fertilizing peace.
Of the same lump (as it is said)
For honour and dishonour made,
Two sister vessels. Here is one.
It makes a goblin of the sun.
So pure,—so fall'n! How dare to think
Of the first common kindred link?
Yet, Jenny, till the world shall burn
It seems that all things take their turn;
And who shall say but this fair tree
May need, in changes that may be,
Your children's children's charity?
Scorned then, no doubt, as you are scorn'd!
Shall no man hold his pride forewarn'd
Till in the end, the Day of Days,
At Judgment, one of his own race,
As frail and lost as you, shall rise,—
His daughter, with his mother's eyes?
How Jenny's clock ticks on the shelf!
Might not the dial scorn itself
That has such hours to register?
Yet as to me, even so to her
Are golden sun and silver moon,
In daily largesse of earth's boon,
Counted for life-coins to one tune.
And if, as blindfold fates are toss'd,
Through some one man this life be lost,
Shall soul not somehow pay for soul?
Fair shines the gilded aureole
In which our highest painters place
Some living woman's simple face.
And the stilled features thus descried
As Jenny's long throat droops aside,—
The shadows where the cheeks are thin,
And pure wide curve from ear to chin,—
With Raffael's, Leonardo's hand
To show them to men's souls, might stand,
Whole ages long, the whole world through,
For preachings of what God can do.
What has man done here? How atone,
Great God, for this which man has done?
And for the body and soul which by
Man's pitiless doom must now comply
With lifelong hell, what lullaby
Of sweet forgetful second birth
Remains? All dark. No sign on earth
What measure of God's rest endows
The many mansions of his house.
If but a woman's heart might see
Such erring heart unerringly
For once! But that can never be.
Like a rose shut in a book
In which pure women may not look,
For its base pages claim control
To crush the flower within the soul;
Where through each dead rose-leaf that clings,
Pale as transparent Psyche-wings,
To the vile text, are traced such things
As might make lady's cheek indeed
More than a living rose to read;
So nought save foolish foulness may
Watch with hard eyes the sure decay;
And so the life-blood of this rose,
Puddled with shameful knowledge, flows
Through leaves no chaste hand may unclose:
Yet still it keeps such faded show
Of when 'twas gathered long ago,
That the crushed petals' lovely grain,
The sweetness of the sanguine stain,
Seen of a woman's eyes, must make
Her pitiful heart, so prone to ache,
Love roses better for its sake:—
Only that this can never be:—
Even so unto her sex is she.
Yet, Jenny, looking long at you,
The woman almost fades from view.
A cipher of man's changeless sum
Of lust, past, present, and to come,
Is left. A riddle that one shrinks
To challenge from the scornful sphinx.
Like a toad within a stone
Seated while Time crumbles on;
Which sits there since the earth was curs'd
For Man's transgression at the first;
Which, living through all centuries,
Not once has seen the sun arise;
Whose life, to its cold circle charmed,
The earth's whole summers have not warmed;
Which always—whitherso the stone
Be flung—sits there, deaf, blind, alone;—
Aye, and shall not be driven out
Till that which shuts him round about
Break at the very Master's stroke,
And the dust thereof vanish as smoke,
And the seed of Man vanish as dust:—
Even so within this world is Lust.
Come, come, what use in thoughts like this?
Poor little Jenny, good to kiss,—
You'd not believe by what strange roads
Thought travels, when your beauty goads
A man to-night to think of toads!
Jenny, wake up…. Why, there's the dawn!
And there's an early waggon drawn
To market, and some sheep that jog
Bleating before a barking dog;
And the old streets come peering through
Another night that London knew;
And all as ghostlike as the lamps.
So on the wings of day decamps
My last night's frolic. Glooms begin
To shiver off as lights creep in
Past the gauze curtains half drawn-to,
And the lamp's doubled shade grows blue,—
Your lamp, my Jenny, kept alight,
Like a wise virgin's, all one night!
And in the alcove coolly spread
Glimmers with dawn your empty bed;
And yonder your fair face I see
Reflected lying on my knee,
Where teems with first foreshadowings
Your pier-glass scrawled with diamond rings:
And on your bosom all night worn
Yesterday's rose now droops forlorn,
But dies not yet this summer morn.
And now without, as if some word
Had called upon them that they heard,
The London sparrows far and nigh
Clamour together suddenly;
And Jenny's cage-bird grown awake
Here in their song his part must take,
Because here too the day doth break.
And somehow in myself the dawn
Among stirred clouds and veils withdrawn
Strikes greyly on her. Let her sleep.
But will it wake her if I heap
These cushions thus beneath her head
Where my knee was? No,—there's your bed,
My Jenny, while you dream. And there
I lay among your golden hair,
Perhaps the subject of your dreams,
These golden coins.
For still one deems
That Jenny's flattering sleep confers
New magic on the magic purse,—
Grim web, how clogged with shrivelled flies!
Between the threads fine fumes arise
And shape their pictures in the brain.
There roll no streets in glare and rain,
Nor flagrant man-swine whets his tusk;
But delicately sighs in musk
The homage of the dim boudoir;
Or like a palpitating star
Thrilled into song, the opera-night
Breathes faint in the quick pulse of light;
Or at the carriage-window shine
Rich wares for choice; or, free to dine,
Whirls through its hour of health (divine
For her) the concourse of the Park.
And though in the discounted dark
Her functions there and here are one,
Beneath the lamps and in the sun
There reigns at least the acknowledged belle
Apparelled beyond parallel.
Ah Jenny, yes, we know your dreams.
For even the Paphian Venus seems
A goddess o'er the realms of love,
When silver-shrined in shadowy grove:
Aye, or let offerings nicely plac'd
But hide Priapus to the waist,
And whoso looks on him shall see
An eligible deity.
Why, Jenny, waking here alone
May help you to remember one,
Though all the memory's long outworn
Of many a double-pillowed morn.
I think I see you when you wake,
And rub your eyes for me, and shake
My gold, in rising, from your hair,
A Danaë for a moment there.
Jenny, my love rang true! for still
Love at first sight is vague, until
That tinkling makes him audible.
And must I mock you to the last,
Ashamed of my own shame,—aghast
Because some thoughts not born amiss
Rose at a poor fair face like this?
Well, of such thoughts so much I know:
In my life, as in hers, they show,
By a far gleam which I may near,
A dark path I can strive to clear.
Only one kiss. Good-bye, my dear.

Of her two fights with the Beryl-stone
Lost the first, but the second won.

PART I

“MARY mine that art Mary's Rose
Come in to me from the garden-close.
The sun sinks fast with the rising dew,
And we marked not how the faint moon grew;
But the hidden stars are calling you.
“Tall Rose Mary, come to my side,
And read the stars if you'd be a bride.
In hours whose need was not your own,
While you were a young maid yet ungrown
You've read the stars in the Beryl-stone.
“Daughter, once more I bid you read;
But now let it be for your own need:
Because to-morrow, at break of day,
To Holy Cross he rides on his way,
Your knight Sir James of Heronhaye.
“Ere he wed you, flower of mine,
For a heavy shrift he seeks the shrine.
Now hark to my words and do not fear;
Ill news next I have for your ear;
But be you strong, and our help is here.
“On his road, as the rumour's rife,
An ambush waits to take his life.
He needs will go, and will go alone;
Where the peril lurks may not be known;
But in this glass all things are shown.”
Pale Rose Mary sank to the floor:—
“The night will come if the day is o'er!”
“Nay, heaven takes counsel, star with star,
And help shall reach your heart from afar:
A bride you'll be, as a maid you are.”
The lady unbound her jewelled zone
And drew from her robe the Beryl-stone.
Shaped it was to a shadowy sphere,—
World of our world, the sun's compeer,
That bears and buries the toiling year.
With shuddering light 'twas stirred and strewn
Like the cloud-nest of the wading moon:
Freaked it was as the bubble's ball,
Rainbow-hued through a misty pall
Like the middle light of the waterfall.
Shadows dwelt in its teeming girth
Of the known and unknown things of earth;
The cloud above and the wave around,—
The central fire at the sphere's heart bound,
Like doomsday prisoned underground.
A thousand years it lay in the sea
With a treasure wrecked from Thessaly;
Deep it lay 'mid the coiled sea-wrack,
But the ocean-spirits found the track:
A soul was lost to win it back.
The lady upheld the wondrous thing:—
“Ill fare”(she said) “with a fiend's-faring:
But Moslem blood poured forth like wine
Can hallow Hell, 'neath the Sacred Sign;
And my lord brought this from Palestine.
“Spirits who fear the Blessed Rood
Drove forth the accursed multitude
That heathen worship housed herein,—
Never again such home to win,
Save only by a Christian's sin.
“All last night at an altar fair
I burnt strange fires and strove with prayer;
Till the flame paled to the red sunrise,
All rites I then did solemnize;
And the spell lacks nothing but your eyes.”
Low spake maiden Rose Mary:—
“O mother mine, if I should not see!”
“Nay, daughter, cover your face no more,
But bend love's heart to the hidden lore,
And you shall see now as heretofore.”
Paler yet were the pale cheeks grown
As the grey eyes sought the Beryl-stone:
Then over her mother's lap leaned she,
And stretched her thrilled throat passionately,
And sighed from her soul, and said, “I see.”
Even as she spoke, they two were 'ware
Of music-notes that fell through the air;
A chiming shower of strange device,
Drop echoing drop, once, twice, and thrice,
As rain may fall in Paradise.
An instant come, in an instant gone,
No time there was to think thereon.
The mother held the sphere on her knee:—
“Lean this way and speak low to me,
And take no note but of what you see.”
“I see a man with a besom grey
That sweeps the flying dust away.”
“Ay, that comes first in the mystic sphere;
But now that the way is swept and clear,
Heed well what next you look on there.”
“Stretched aloft and adown I see
Two roads that part in waste-country:
The glen lies deep and the ridge stands tall;
What's great below is above seen small,
And the hill-side is the valley-wall.”
“Stream-bank, daughter, or moor and moss,
Both roads will take to Holy Cross.
The hills are a weary waste to wage;
But what of the valley-road's presage?
That way must tend his pilgrimage.”
“As 'twere the turning leaves of a book,
The road runs past me as I look;
Or it is even as though mine eye
Should watch calm waters filled with sky
While lights and clouds and wings went by.”
“In every covert seek a spear;
They'll scarce lie close till he draws near.”
“The stream has spread to a river now;
The stiff blue sedge is deep in the slough,
But the banks are bare of shrub or bough.’
“Is there any roof that near at hand
Might shelter yield to a hidden band?”
“On the further bank I see but one,
And a herdsman now in the sinking sun
Unyokes his team at the threshold-stone.”
“Keep heedful watch by the water's edge,—
Some boat might lurk 'neath the shadowed sedge.”
“One slid but now 'twixt the winding shores,
But a peasant woman bent to the oars
And only a young child steered its course.
“Mother, something flashed to my sight!—
Nay, it is but the lapwing's flight.—
What glints there like a lance that flees?—
Nay, the flags are stirred in the breeze,
And the water's bright through the dart-rushes.
“Ah! vainly I search from side to side:—
Woe's me! and where do the foemen hide?
Woe's me! and perchance I pass them by,
And under the new dawn's blood-red sky
Even where I gaze the dead shall lie.”
Said the mother: “For dear love's sake,
Speak more low, lest the spell should break.”
Said the daughter: “By love's control,
My eyes, my words, are strained to the goal;
But oh! the voice that cries in my soul!”
“Hush, sweet, hush! be calm and behold.”
“I see two floodgates broken and old:
The grasses wave o'er the ruined weir,
But the bridge still leads to the breakwater;
And—mother, mother, O mother dear!”
The damsel clung to her mother's knee,
And dared not let the shriek go free;
Low she crouched by the lady's chair,
And shrank blindfold in her fallen hair,
And whispering said, “The spears are there!”
The lady stooped aghast from her place,
And cleared the locks from her daughter's face.
“More's to see, and she swoons, alas!
Look, look again, ere the moment pass!
One shadow comes but once to the glass.
“See you there what you saw but now?”
“I see eight men 'neath the willow bough.
All over the weir a wild growth's spread:
Ah me! it will hide a living head
As well as the water hides the dead.
“They lie by the broken water-gate
As men who have a while to wait.
The chief's high lance has a blazoned scroll,—
He seems some lord of tithe and toll
With seven squires to his bannerole.
“The little pennon quakes in the air,
I cannot trace the blazon there:—
Ah! now I can see the field of blue,
The spurs and the merlins two and two;—
It is the Warden of Holycleugh!”
“God be thanked for the thing we know!
You have named your good knight's mortal foe.
Last Shrovetide in the tourney-game
He sought his life by treasonous shame;
And this way now doth he seek the same.
“So, fair lord, such a thing you are!
But we too watch till the morning star.
Well, June is kind and the moon is clear:
Saint Judas send you a merry cheer
For the night you lie in Warisweir!
“Now, sweet daughter, but one more sight,
And you may lie soft and sleep to-night.
We know in the vale what perils be:
Now look once more in the glass, and see
If over the hills the road lies free.”
Rose Mary pressed to her mother's cheek,
And almost smiled but did not speak;
Then turned again to the saving spell,
With eyes to search and with lips to tell
The heart of things invisible.
“Again the shape with the besom grey
Comes back to sweep the clouds away.
Again I stand where the roads divide;
But now all's near on the steep hillside,
And a thread far down is the rivertide.”
“Ay, child, your road is o'er moor and moss,
Past Holycleugh to Holy Cross.
Our hunters lurk in the valley's wake,
As they knew which way the chase would take:
Yet search the hills for your true love's sake.”
“Swift and swifter the waste runs by,
And nought I see but the heath and the sky;
No brake is there that could hide a spear,
And the gaps to a horseman's sight lie clear;
Still past it goes, and there's nought to fear.”
“Fear no trap that you cannot see,—
They'd not lurk yet too warily.
Below by the weir they lie in sight,
And take no heed how they pass the night
Till close they crouch with the morning light.”
“The road shifts ever and brings in view
Now first the heights of Holycleugh:
Dark they stand o'er the vale below,
And hide that heaven which yet shall show
The thing their master's heart doth know.
“Where the road looks to the castle steep,
There are seven hill-clefts wide and deep:
Six mine eyes can search as they list,
But the seventh hollow is brimmed with mist:
If aught were there, it might not be wist.”
“Small hope, my girl, for a helm to hide
In mists that cling to a wild moorside:
Soon they melt with the wind and sun,
And scarce would wait such deeds to be done
God send their snares be the worst to shun.”
“Still the road winds ever anew
As it hastens on towards Holycleugh;
And ever the great walls loom more near,
Till the castle-shadow, steep and sheer,
Drifts like a cloud, and the sky is clear.”
“Enough, my daughter,” the mother said,
And took to her breast the bending head;
“Rest, poor head, with my heart below,
While love still lulls you as long ago:
For all is learnt that we need to know.
“Long the miles and many the hours
From the castle-height to the abbey-towers;
But here the journey has no more dread;
Too thick with life is the whole road spread
For murder's trembling foot to tread.”
She gazed on the Beryl-stone full fain
Ere she wrapped it close in her robe again:
The flickering shades were dusk and dun
And the lights throbbed faint in unison
Like a high heart when a race is run.
As the globe slid to its silken gloom,
Once more a music rained through the room;
Low it splashed like a sweet star-spray,
And sobbed like tears at the heart of May,
And died as laughter dies away.
The lady held her breath for a space,
And then she looked in her daughter's face:
But wan Rose Mary had never heard;
Deep asleep like a sheltered bird
She lay with the long spell minister'd.
“Ah! and yet I must leave you, dear,
For what you have seen your knight must hear.
Within four days, by the help of God,
He comes back safe to his heart's abode:
Be sure he shall shun the valley-road.”
Rose Mary sank with a broken moan,
And lay in the chair and slept alone,
Weary, lifeless, heavy as lead:
Long it was ere she raised her head
And rose up all discomforted.
She searched her brain for a vanished thing,
And clasped her brows, remembering;
Then knelt and lifted her eyes in awe,
And sighed with a long sigh sweet to draw:—
“Thank God, thank God, thank God I saw!”
The lady had left her as she lay,
To seek the Knight of Heronhaye.
But first she clomb by a secret stair,
And knelt at a carven altar fair,
And laid the precious Beryl there.
Its girth was graved with a mystic rune
In a tongue long dead 'neath sun and moon:
A priest of the Holy Sepulchre
Read that writing and did not err;
And her lord had told its sense to her.
She breathed the words in an undertone:—
“None sees here but the pure alone.”
“And oh!” she said, “what rose may be
In Mary's bower more pure to see
Than my own sweet maiden Rose Mary?”


BERYL-SONG

We whose home is the Beryl,
Fire-spirits of dread desire,
Who entered in
By a secret sin,
'Gainst whom all powers that strive with ours are sterile,—
We cry, Woe to thee, mother!
What hast thou taught her, the girl thy daughter,
That she and none other
Should this dark morrow to her deadly sorrow imperil?
What were her eyes
But the fiend's own spies,
O mother,
And shall We not fee her, our proper prophet and seër?
Go to her, mother,
Even thou, yea thou and none other,
Thou, from the Beryl:
Her fee must thou take her,
Her fee that We send, and make her,
Even in this hour, her sin's unsheltered avower.
Whose steed did neigh,
Riderless, bridleless,
At her gate before it was day?
Lo! where doth hover
The soul of her lover?
She sealed his doom, she, she was the sworn approver,—
Whose eyes were so wondrous wise,
Yet blind, ah! blind to his peril!
For stole not We in
Through a love-linked sin,
'Gainst whom all powers at war with ours are sterile,—
Fire-spirits of dread desire,
We whose home is the Beryl?


PART II

“PALE Rose Mary, what shall be done
With a rose that Mary weeps upon?”
“Mother, let it fall from the tree,
And never walk where the strewn leaves be
Till winds have passed and the path is free.”
“Sad Rose Mary, what shall be done
With a cankered flower beneath the sun?”
“Mother, let it wait for the night;
Be sure its shame shall be out of sight
Ere the moon pale or the east grow light.”
“Lost Rose Mary, what shall be done
With a heart that is but a broken one?”
“Mother, let it lie where it must;
The blood was drained with the bitter thrust,
And dust is all that sinks in the dust.”
“Poor Rose Mary, what shall I do,—
I, your mother, that lovèd you?”
“O my mother, and is love gone?
Then seek you another love anon:
Who cares what shame shall lean upon?”
Low drooped trembling Rose Mary,
Then up as though in a dream stood she.
“Come, my heart, it is time to go;
This is the hour that has whispered low
When thy pulse quailed in the nights we know.
“Yet O my heart, thy shame has a mate
Who will not leave thee desolate.
Shame for shame, yea and sin for sin:
Yet peace at length may our poor souls win
If love for love be found therein.
“O thou who seek'st our shrift to-day,”
She cried, “O James of Heronhaye—
Thy sin and mine was for love alone;
And oh! in the sight of God 'tis known
How the heart has since made heavy moan.
“Three days yet!” she said to her heart;
“But then he comes, and we will not part.
God, God be thanked that I still could see!
Oh! he shall come back assuredly,
But where, alas! must he seek for me?
“O my heart, what road shall we roam
Till my wedding-music fetch me home?
For love's shut from us and bides afar,
And scorn leans over the bitter bar
And knows us now for the thing we are.”
Tall she stood with a cheek flushed high
And a gaze to burn the heart-strings by.
'Twas the lightning-flash o'er sky and plain
Ere labouring thunders heave the chain
From the floodgates of the drowning rain.
The mother looked on the daughter still
As on a hurt thing that's yet to kill.
Then wildly at length the pent tears came;
The love swelled high with the swollen shame,
And their hearts' tempest burst on them.
Closely locked, they clung without speech,
And the mirrored souls shook each to each,
As the cloud-moon and the water-moon
Shake face to face when the dim stars swoon
In stormy bowers of the night's mid-noon.
They swayed together, shuddering sore,
Till the mother's heart could bear no more.
'Twas death to feel her own breast shake
Even to the very throb and ache
Of the burdened heart she still must break.
All her sobs ceased suddenly,
And she sat straight up but scarce could see.
“O daughter, where should my speech begin?
Your heart held fast its secret sin:
How think you, child, that I read therein?”
“Ah me! but I thought not how it came
When your words showed that you knew my shame:
And now that you call me still your own,
I half forget you have ever known.
Did you read my heart in the Beryl-stone?”
The lady answered her mournfully:—
“The Beryl-stone has no voice for me:
But when you charged its power to show
The truth which none but the pure may know,
Did naught speak once of a coming woe?”
Her hand was close to her daughter's heart,
And it felt the life-blood's sudden start:
A quick deep breath did the damsel draw,
Like the struck fawn in the oakenshaw:
“O mother,” she cried, “but still I saw!”
“O child, my child, why held you apart
From my great love your hidden heart?
Said I not that all sin must chase
From the spell's sphere the spirits of grace,
And yield their rule to the evil race?
“Ah! would to God I had clearly told
How strong those powers, accurst of old:
Their heart is the ruined house of lies;
O girl, they can seal the sinful eyes,
Or show the truth by contraries!”
The daughter sat as cold as a stone,
And spoke no word but gazed alone,
Nor moved, though her mother strove a space
To clasp her round in a close embrace,
Because she dared not see her face.
“Oh!” at last did the mother cry,
“Be sure, as he loved you, so will I!
Ah! still and dumb is the bride, I trow;
But cold and stark as the winter snow
Is the bridegroom's heart, laid dead below!
“Daughter, daughter, remember you
That cloud in the hills by Holycleugh?
'Twas a Hell-screen hiding truth away:
There, not i' the vale, the ambush lay,
And thence was the dead borne home to-day.”
Deep the flood and heavy the shock
When sea meets sea in the riven rock:
But calm is the pulse that shakes the sea
To the prisoned tide of doom set free
In the breaking heart of Rose Mary.
Once she sprang as the heifer springs
With the wolf's teeth at its red heart-strings.
First 'twas fire in her breast and brain,
And then scarce hers but the whole world's pain,
As she gave one shriek and sank again.
In the hair dark-waved the face lay white
As the moon lies in the lap of night;
And as night through which no moon may dart
Lies on a pool in the woods apart,
So lay the swoon on the weary heart.
The lady felt for the bosom's stir,
And wildly kissed and called on her;
Then turned away with a quick footfall,
And slid the secret door in the wall,
And clomb the strait stair's interval.
There above in the altar-cell
A little fountain rose and fell:
She set a flask to the water's flow,
And, backward hurrying, sprinkled now
The still cold breast and the pallid brow.
Scarce cheek that warmed or breath on the air,
Yet something told that life was there.
“Ah! not with the heart the body dies!”
The lady moaned in a bitter wise;
Then wrung her hands and hid her eyes.
“Alas! and how may I meet again
In the same poor eyes the selfsame pain?
What help can I seek, such grief to guide?
Ah! one alone might avail,” she cried—
“The priest who prays at the dead man's side.”
The lady arose, and sped down all
The winding stairs to the castle-hall.
Long-known valley and wood and stream,
As the loopholes passed, naught else did seem
Than the torn threads of a broken dream.
The hall was full of the castle-folk;
The women wept, but the men scarce spoke.
As the lady crossed the rush-strewn floor,
The throng fell backward, murmuring sore,
And pressed outside round the open door.
A stranger shadow hung on the hall
Than the dark pomp of a funeral.
'Mid common sights that were there alway,
As 'twere a chance of the passing day,
On the ingle-bench the dead man lay.
A priest who passed by Holycleugh
The tidings brought when the day was new.
He guided them who had fetched the dead;
And since that hour, unwearièd,
He knelt in prayer at the low bier's head.
Word had gone to his own domain
That in evil wise the knight was slain:
Soon the spears must gather apace
And the hunt be hard on the hunters' trace;
But all things yet lay still for a space.
As the lady's hurried step drew near,
The kneeling priest looked up to her.
“Father, death is a grievous thing;
But oh! the woe has a sharper sting
That craves by me your ministering.
“Alas for the child that should have wed
This noble knight here lying dead!
Dead in hope, with all blessed boon
Of love thus rent from her heart ere noon,
I left her laid in a heavy swoon.
“O haste to the open bower-chamber
That's topmost as you mount the stair:
Seek her, father, ere yet she wake;
Your words, not mine, be the first to slake
This poor heart's fire, for Christ's sweet sake!
“God speed!” she said as the priest passed through,
“And I ere long will be with you.”
Then low on the hearth her knees sank prone;
She signed all folk from the threshold-stone,
And gazed in the dead man's face alone.
The fight for life found record yet
In the clenched lips and the teeth hard-set;
The wrath from the bent brow was not gone,
And stark in the eyes the hate still shone
Of that they last had looked upon.
The blazoned coat was rent on his breast
Where the golden field was goodliest;
But the shivered sword, close-gripped, could tell
That the blood shed round him where he fell
Was not all his in the distant dell.
The lady recked of the corpse no whit,
But saw the soul and spoke to it:
A light there was in her steadfast eyes,—
The fire of mortal tears and sighs
That pity and love immortalize.
“By thy death have I learnt to-day
Thy deed, O James of Heronhaye!
Great wrong thou hast done to me and mine;
And haply God hath wrought for a sign
By our blind deed this doom of thine.
“Thy shrift, alas! thou wast not to win;
But may death shrive thy soul herein!
Full well do I know thy love should be
Even yet—had life but stayed with thee—
Our honour's strong security.”
She stooped, and said with a sob's low stir,—
“Peace be thine,—but what peace for her?”
But ere to the brow her lips were press'd,
She marked, half-hid in the riven vest,
A packet close to the dead man's breast.
'Neath surcoat pierced and broken mail
It lay on the blood-stained bosom pale.
The clot hung round it, dull and dense,
And a faintness seized her mortal sense
As she reached her hand and drew it thence.
'Twas steeped in the heart's flood welling high
From the heart it there had rested by:
'Twas glued to a broidered fragment gay,—
A shred by spear-thrust rent away
From the heron-wings of Heronhaye.
She gazed on the thing with piteous eyne:—
“Alas, poor child, some pledge of thine!
Ah me! in this troth the hearts were twain,
And one hath ebbed to this crimson stain,
And when shall the other throb again?”
She opened the packet heedfully;
The blood was stiff, and it scarce might be.
She found but a folded paper there,
And round it, twined with tenderest care,
A long bright tress of golden hair.
Even as she looked, she saw again
That dark-haired face in its swoon of pain:
It seemed a snake with a golden sheath
Crept near, as a slow flame flickereth,
And stung her daughter's heart to death.
She loosed the tress, but her hand did shake
As though indeed she had touched a snake;
And next she undid the paper's fold,
But that too trembled in her hold,
And the sense scarce grasped the tale it told.
“My heart's sweet lord,” ('twas thus she read,)
“At length our love is garlanded.
At Holy Cross, within eight days' space,
I seek my shrift; and the time and place
Shall fit thee too for thy soul's good grace.
“From Holycleugh on the seventh day
My brother rides, and bides away:
And long or e'er he is back, mine own,
Afar where the face of fear's unknown
We shall be safe with our love alone.
“Ere yet at the shrine my knees I bow,
I shear one tress for our holy vow.
As round these words these threads I wind,
So, eight days hence, shall our loves be twined,
Says my lord's poor lady, JOCELIND.”
She read it twice, with a brain in thrall,
And then its echo told her all.
O'er brows low-fall'n her hands she drew:—
“O God!” she said, as her hands fell too,—
“The Warden's sister of Holycleugh!”
She rose upright with a long low moan,
And stared in the dead man's face new-known.
Had it lived indeed? She scarce could tell:
'Twas a cloud where fiends had come to dwell,—
A mask that hung on the gate of Hell.
She lifted the lock of gleaming hair
And smote the lips and left it there.
“Here's gold that Hell shall take for thy toll!
Full well hath thy treason found its goal,
O thou dead body and damnèd soul!”
She turned, sore dazed, for a voice was near,
And she knew that some one called to her.
On many a column fair and tall
A high court ran round the castle-hall;
And thence it was that the priest did call.
“I sought your child where you bade me go,
And in rooms around and rooms below;
But where, alas! may the maiden be?
Fear nought,—we shall find her speedily,—
But come, come hither, and seek with me.”
She reached the stair like a lifelorn thing,
But hastened upward murmuring,
“Yea, Death's is a face that's fell to see;
But bitterer pang Life hoards for thee,
Thou broken heart of Rose Mary!”


BERYL-SONG

We whose throne is the Beryl,
Dire-gifted spirits of fire,
Who for a twin
Leash Sorrow to Sin,
Who on no flower refrain to lour with peril,—
We cry,—O desolate daughter!
Thou and thy mother share newer shame with each other
Than last night's slaughter.
Awake and tremble, for our curses assemble!
What more, that thou know'st not yet,—
That life nor death shall forget?
No help from Heaven,—thy woes heart-riven are sterile!
O once a maiden,
With yet worse sorrow can any morrow be laden?
It waits for thee,
It looms, it must be,
O lost among women,—
It comes and thou canst not flee.
Amen to the omen,
Says the voice of the Beryl.
Thou sleep'st? Awake,—
What dar'st thou yet for his sake,
Who each for other did God's own Future imperil?
Dost dare to live
`Mid the pangs each hour must give?
Nay, rather die,—
With him thy lover 'neath Hell's cloud-cover to fly,—
Hopeless, yet not apart,
Cling heart to heart,
And beat through the nether storm-eddying winds together?
Shall this be so?
There thou shalt meet him, but mayst thou greet him? ah no !
He loves, but thee he hoped nevermore to see,—
He sighed as he died,
But with never a thought for thee.
Alone!
Alone, for ever alone,—
Whose eyes were such wondrous spies for the fate foreshown!
Lo! have not We leashed the twin
Of endless Sorrow to Sin,—
Who on no flower refrain to lour with peril,—
Dire-gifted spirits of fire,
We whose throne is the Beryl?


PART III

A SWOON that breaks is the whelming wave
When help comes late but still can save.
With all blind throes is the instant rife,—
Hurtling clangour and clouds at strife,—
The breath of death, but the kiss of life.
The night lay deep on Rose Mary's heart,
For her swoon was death's kind counterpart:
The dawn broke dim on Rose Mary's soul,—
No hill-crown's heavenly aureole,
But a wild gleam on a shaken shoal.
Her senses gasped in the sudden air,
And she looked around, but none was there.
She felt the slackening frost distil
Through her blood the last ooze dull and chill:
Her lids were dry and her lips were still.
Her tears had flooded her heart again;
As after a long day's bitter rain,
At dusk when the wet flower-cups shrink,
The drops run in from the beaded brink,
And all the close-shut petals drink.
Again her sighs on her heart were rolled;
As the wind that long has swept the wold,—
Whose moan was made with the moaning sea,—
Beats out its breath in the last torn tree,
And sinks at length in lethargy.
She knew she had waded bosom-deep
Along death's bank in the sedge of sleep:
All else was lost to her clouded mind;
Nor, looking back, could she see defin'd
O'er the dim dumb waste what lay behind.
Slowly fades the sun from the wall
Till day lies dead on the sun-dial:
And now in Rose Mary's lifted eye
'Twas shadow alone that made reply
To the set face of the soul's dark sky.
Yet still through her soul there wandered past
Dread phantoms borne on a wailing blast,—
Death and sorrow and sin and shame;
And, murmured still, to her lips there came
Her mother's and her lover's name.
How to ask, and what thing to know?
She might not stay and she dared not go.
From fires unseen these smoke-clouds curled;
But where did the hidden curse lie furled?
And how to seek through the weary world?
With toiling breath she rose from the floor
And dragged her steps to an open door:
'Twas the secret panel standing wide,
As the lady's hand had let it bide
In hastening back to her daughter's side.
She passed, but reeled with a dizzy brain
And smote the door which closed again.
She stood within by the darkling stair,
But her feet might mount more freely there,—
'Twas the open light most blinded her.
Within her mind no wonder grew
At the secret path she never knew:
All ways alike were strange to her now,—
One field bare-ridged from the spirit's plough,
One thicket black with the cypress-bough.
Once she thought that she heard her name;
And she paused, but knew not whence it came.
Down the shadowed stair a faint ray fell
That guided the weary footsteps well
Till it led her up to the altar-cell.
No change there was on Rose Mary's face
As she leaned in the portal's narrow space:
Still she stood by the pillar's stem,
Hand and bosom and garment's hem,
As the soul stands by at the requiem.
The altar-cell was a dome low-lit,
And a veil hung in the midst of it:
At the pole-points of its circling girth
Four symbols stood of the world's first birth,—
Air and water and fire and earth.
To the north, a fountain glittered free;
To the south, there glowed a red fruit-tree;
To the east, a lamp flamed high and fair;
To the west, a crystal casket rare
Held fast a cloud of the fields of air.
The painted walls were a mystic show
Of time's ebb-tide and overflow;
His hoards long-locked and conquering key,
His service-fires that in heaven be,
And earth-wheels whirled perpetually.
Rose Mary gazed from the open door
As on idle things she cared not for,—
The fleeting shapes of an empty tale;
Then stepped with a heedless visage pale,
And lifted aside the altar-veil.
The altar stood from its curved recess
In a coiling serpent's life-likeness:
Even such a serpent evermore
Lies deep asleep at the world's dark core
Till the last Voice shake the sea and shore.
From the altar-cloth a book rose spread
And tapers burned at the altar-head;
And there in the altar-midst alone,
'Twixt wings of a sculptured beast unknown,
Rose Mary saw the Beryl-stone.
Firm it sat 'twixt the hollowed wings,
As an orb sits in the hand of kings:
And lo! for that Foe whose curse far-flown
Had bound her life with a burning zone,
Rose Mary knew the Beryl-stone.
Dread is the meteor's blazing sphere
When the poles throb to its blind career;
But not with a light more grim and ghast
Thereby is the future doom forecast,
Than now this sight brought back the past.
The hours and minutes seemed to whirr
In a clanging swarm that deafened her;
They stung her heart to a writhing flame,
And marshalled past in its glare they came,—
Death and sorrow and sin and shame.
Round the Beryl's sphere she saw them pass
And mock her eyes from the fated glass:
One by one in a fiery train
The dead hours seemed to wax and wane,
And burned till all was known again.
From the drained heart's fount there rose no cry,
There sprang no tears, for the source was dry.
Held in the hand of some heavy law,
Her eyes she might not once withdraw,
Nor shrink away from the thing she saw.
Even as she gazed, through all her blood
The flame was quenched in a coming flood:
Out of the depth of the hollow gloom
On her soul's bare sands she felt it boom,—
The measured tide of a sea of doom.
Three steps she took through the altar-gate,
And her neck reared and her arms grew straight:
The sinews clenched like a serpent's throe,
And the face was white in the dark hair's flow,
As her hate beheld what lay below.
Dumb she stood in her malisons,—
A silver statue tressed with bronze:
As the fabled head by Perseus mown,
It seemed in sooth that her gaze alone
Had turned the carven shapes to stone.
O'er the altar-sides on either hand
There hung a dinted helm and brand:
By strength thereof, 'neath the Sacred Sign,
That bitter gift o'er the salt sea-brine
Her father brought from Palestine.
Rose Mary moved with a stern accord
And reached her hand to her father's sword;
Nor did she stir her gaze one whit
From the thing whereon her brows were knit;
But gazing still, she spoke to it.
“O ye, three times accurst,” she said,
“By whom this stone is tenanted!
Lo! here ye came by a strong sin's might;
Yet a sinner's hand that's weak to smite
Shall send you hence ere the day be night.
“This hour a clear voice bade me know
My hand shall work your overthrow:
Another thing in mine ear it spake,—
With the broken spell my life shall break.
I thank Thee, God, for the dear death's sake!
“And he Thy heavenly minister
Who swayed erewhile this spell-bound sphere,—
My parting soul let him haste to greet,
And none but he be guide for my feet
To where Thy rest is made complete.”
Then deep she breathed, with a tender moan:—
“My love, my lord, my only one!
Even as I held the cursed clue,
When thee, through me, these foul ones slew,—
By mine own deed shall they slay me too!
“Even while they speed to Hell, my love,
Two hearts shall meet in Heaven above.
Our shrift thou sought'st, but might'st not bring:
And oh! for me 'tis a blessed thing
To work hereby our ransoming.
“One were our hearts in joy and pain,
And our souls e'en now grow one again.
And O my love, if our souls are three,
O thine and mine shall the third soul be,—
One threefold love eternally.”
Her eyes were soft as she spoke apart,
And the lips smiled to the broken heart:
But the glance was dark and the forehead scored
With the bitter frown of hate restored,
As her two hands swung the heavy sword.
Three steps back from her Foe she trod:—
“Love, for thy sake! In Thy Name, O God!”
In the fair white hands small strength was shown;
Yet the blade flashed high and the edge fell prone,
And she cleft the heart of the Beryl-stone.
What living flesh in the thunder-cloud
Hath sat and felt heaven cry aloud?
Or known how the levin's pulse may beat?
Or wrapped the hour when the whirlwinds meet
About its breast for a winding-sheet?
Who hath crouched at the world's deep heart
While the earthquake rends its loins apart?
Or walked far under the seething main
While overhead the heavens ordain
The tempest-towers of the hurricane?
Who hath seen or what ear hath heard
The secret things unregister'd
Of the place where all is past and done,
And tears and laughter sound as one
In Hell's unhallowed unison?
Nay, is it writ how the fiends despair
In earth and water and fire and air?
Even so no mortal tongue may tell
How to the clang of the sword that fell
The echoes shook the altar-cell.
When all was still on the air again
The Beryl-stone lay cleft in twain;
The veil was rent from the riven dome;
And every wind that's winged to roam
Might have the ruined place for home.
The fountain no more glittered free;
The fruit hung dead on the leafless tree;
The flame of the lamp had ceased to flare;
And the crystal casket shattered there
Was emptied now of its cloud of air.
And lo! on the ground Rose Mary lay,
With a cold brow like the snows ere May,
With a cold breast like the earth till Spring,
With such a smile as the June days bring
When the year grows warm with harvesting.
The death she had won might leave no trace
On the soft sweet form and gentle face:
In a gracious sleep she seemed to lie;
And over her head her hand on high
Held fast the sword she triumphed by.
'Twas then a clear voice said in the room:—
“Behold the end of the heavy doom.
O come,—for thy bitter love's sake blest;
By a sweet path now thou journeyest,
And I will lead thee to thy rest.
“Me thy sin by Heaven's sore ban
Did chase erewhile from the talisman:
But to my heart, as a conquered home,
In glory of strength thy footsteps come
Who hast thus cast forth my foes therefrom.
“Already thy heart remembereth
No more his name thou sought'st in death:
For under all deeps, all heights above,—
So wide the gulf in the midst thereof,—
Are Hell of Treason and Heaven of Love.
“Thee, true soul, shall thy truth prefer
To blessed Mary's rose-bower:
Warmed and lit is thy place afar
With guerdon-fires of the sweet Love-star
Where hearts of steadfast lovers are:—
“Though naught for the poor corpse lying here
Remain to-day but the cold white bier,
But burial-chaunt and bended knee,
But sighs and tears that heaviest be,
But rent rose-flower and rosemary.”


BERYL-SONG

We, cast forth from the Beryl,
Gyre-circling spirits of fire,
Whose pangs begin
With God's grace to sin,
For whose spent powers the immortal hours are sterile,—
Woe! must We behold this mother
Find grace in her dead child's face, and doubt of none other
But that perfect pardon, alas! hath assured her guerdon?
Woe! must We behold this daughter,
Made clean from the soil of sin wherewith We had fraught her,
Shake off a man's blood like water?
Write up her story
On the Gate of Heaven's glory,
Whom there We behold so fair in shining apparel,
And beneath her the ruin
Of our own undoing!
Alas, the Beryl!
We had for a foeman
But one weak woman;
In one day's strife,
Her hope fell dead from her life;
And yet no iron,
Her soul to environ,
Could this manslayer, this false soothsayer imperil!
Lo, where she bows
In the Holy House!
Who now shall dissever her soul from its joy for ever
While every ditty
Of love and plentiful pity
Fills the White City,
And the floor of Heaven to her feet for ever is given?
Hark, a voice cries “Flee!”
Woe! woe! what shelter have We,
Whose pangs begin
With God's grace to sin,
For whose spent powers the immortal hours are sterile,
Gyre-circling spirits of fire,
We, cast forth from the Beryl?