With wood and wool for Adelaide
The paddle boats came down
When here this spritely river maid
Built up her river town.
Flanked by the green of spreading gums,
Where trade in waxing volume comes
Her industry to crown.

Those were the careless, easy days
The days of old romance,
When men were prone to casual ways,
But she had marked her chance,
As gateway of the north and east,
To share one day the coming feast
Of this wide land's advance.

Now she, grown old in count of years,
Stays young, who dreams her fate
Is to arise above her peers
And serve a sister State,
Handmaid of kindlier kinship when
Madness and folly fall from men
And they, with towns, grow great.

The paddle boats, with wool and wood,
Churned lazily along
When peace seemed sure, when life seemed good,
Ere all a world went wrong.
Strife wells; yet, valiant as of yore
Old Murray sings without her door
Of hope an ageless song.

The Fool And The Fire

A fool and a bag in a belt of scrub,
Cloudless skies and the still hot days,
And the countryside's in a mad hubbub;
Terror is here and the world's ablaze.
Five thousand sheep went West today,
Bell's home at the crossing and Casey's pub;
And the cause of it all is a world away;
A fool with a bag who passed the scrub.

An oaf with a match in a mile of grass,
Where yesterday the skies shone clear;
But fury leapt where he came to pass;
And now, ten miles away, comes fear.
Men toil and sweat in the reeking smoke
That curling drifts to a sky of brass.
And now black ruin and homeless folk
Are toll to an oaf in a mile of grass.

If the fool be caught can the fool repay?
What is to do but build again,
And hope for the dawn of a better day,
When folly is shorn from the ways of men;
What is to do but hope and pray.
While the scars heal slow in a blackened land,
That the fool shall no more pass this way
With the seeds of terror in his hand.

Mad, But Not So Mad

Though our eye in recent seasons
Has a wild and glassy glare,
And we fail to offer reasons
For the straws that deck our hair;
There are certain consolations
That are unction for the soul
When we view the older nations
Gone completely up the pole.

We may be mad, but not so mad
As others quite bereft
Of reason. Though our case is sad,
We've sparks of gumption left.
For, while we have the art to see
From this our island raft,
How mad the other nations be
That sail the economic sea,
We're not completely daft.

In regard to hops and butter,
Wheat and sugar, things like these
Our insanity is utter
As evinced by subsidies.
In regard to other matters,
As events have proved today,
We're not quite as mad as haters
Or not so far anyway.

And tho' our land's a troubled land,
But few of us are found
Making insane attempts to stand
'With ears upon the ground.'
Contortionists might very well
Attempt it without fear;
But it must come of stuff they sell
When Breweries, as judges tell,
Are standing on their ears.

One Hundred Years

Now, Batman, Prophet Batman, a hundred years ago,
He looked upon this land and found it good.
"'Tis the place to build a village," bold Batman said, and so
They straight began - or so I've understood
To fling rude huts together by the swamp and by the stream,
To make beginning here and then for Batman's daring dream.

But Batman, Prophet Batman, was quite a modest cove;
His vision sought no far and fabled goals.
A village he could picture here; but no vast treasure trove
A mighty city of a million souls
A miracle arising by the swamp and by the stream
In the hundred years that followed on one pioneering dream.

Now I, far lesser prophet, stand here to view the scene
Tall spire, proud dome athwart a sunny sky,
This far-flung city basking by many a garden green
Yet hopelessly I fail to prophesy.
While earth holds threat and promise both, and high hope walks with dread,
Then who may claim the vision of one hundred years ahead?

Shall yet a greater miracle arise beside the stream,
When wiser plans of wiser men prevail
Some shining City of Content beyond man's boldest bream?
Or must a world's mad frenzy end the tale,
And, in a hundred years from now, another village rise
To shield indomitable man ‘neath ruin-fretted skies?

'I should go mad,' he said, 'in such a place!
The lack of company, the loneliness!
Nothing but trees to stare you in the face;
Nothing to do; no life; no pep; no pace!
I'd die of melancholy.' I said 'Yes?'
'Why, yes,' said he. 'The suburbs can be bad.
But this? Why, heavens, man! I should go mad.'

'What do you do?' he said. 'How find a way
To pass the time? Of course, the country's great
For rest and that' (I wished he'd go away;
I had a hundred things to do that day).
'Oh, well,' I said, 'I think; I meditate
And - ' 'Think? A man can't always think
Not all the time. Good lord! I'd take to drink!

'I'd go stone mad,' he said. 'I know the trees
And birds and sky, and all that sort of stuff
Please for a while. But man can't live on these.
I've got my love of nature's harmonies;
But, spare me days, man, nature's not enough.
You work, you say. But then, when work is done,
What in the thunder do you do for fun?

'Ah, well,' he said. 'It's peaceful, that I'll say.
Er - what's the time? Good heavens, I must go!
I've got a crowd of men to see to-day;
I'll miss the train! I must be on my way.
Can't spare another half a minute. So,
Good-bye. I wonder you're not dilly, lad.'
'Ah, that's just it,' I told him. 'I am mad.'

Important People

The success of the Scout movement throughout the whole world has been amply proven by the present triumphant gathering in Melbourne.
Great and important people, these
Important far beyond our ken
Who mark with adult sophistries
Their serious air of sober men,
Their fancy garb, their solemn fuss,
With code and law, their tender age.
Soon shall they count for more than us
Stale actors on an outworn stage.

They are, say we, mere children drawn
By make-believe from many lands;
Yet soon, at some swift morrow's dawn
Earth's destiny top these small hands
Must pass; and, should their creed prevail,
As well it may for all earth's good,
They shall have triumphed where we fail,
In peace and long-sought brotherhood.

Here rests a new world's shining hope,
And we, a mad world's residue,
Doomed lately in dark ways to grope,
May yet, thro' them, find dreams come true
Dreams that our blunted senses sought
To grasp in one exalted hour,
And lost - the good for which men fought
Brought into everlasting flower.

Important people? Who are we
To greet with patronising smiles
Their creed of regained chivalry
We who are cheated by crude wiles
Of greed and folly, and became
Flotsam, forlorn and tempest-tossed? . . . .
More precious far their childish game
Than wisdom in our chaos lost.

'Alas!' said the devil, said he to me
And his swart face drooped with care
'Life is a liar, a cheat,' said he
'And the end of it all - despair.
Why mourn you here, poor pawn of the Fates?
The way lies ready: the hemlock waits.
And I'll give you a toast ere you seek release:
'To Death, the gentleman, crowned with peace'!'

'Have done, smart devil!' I made reply.
'Have done with your air of gloom.
The world seemed dreary for such as I
Ere you came into the room.
I was ready, I own, for the crowning sin,
But your foolish babbling makes me grin.
Yet the poisoned cup might I e'en now quaff;
But how can I drink when I want to laugh?

'Poor fool!' moaned the devil. 'Vain words you lisp,
Dull dupe of an ancient lie.
What seek you here but a will-o'-the-wisp,
Mocking you till you die?
For the world's gone mad and the nations rave.
Choose! An ugly dream, or a peaceful grave.
You shall thirst, you shall starve while the earth you roam.
Ah, pick up the dagger and drive it home.'

'Oh, foolish devil!' I made reply.
'Thus to defeat you end,
With your woeful visage and wistful eye:
I could greet you now as a friend.
For, as in a mirror, I now have seen
The fear-crazed fool that I might have been.
Come; tell me some more of this cheerless earth.'
But the devil was gone; and I shrieked with mirth.

Mid-Winter Monody

There's a bleak, black world without,
And the rain falls fast;
And the wind, with a whine and a shout,
Blows buffeting past
To wail thro' the tortured trees,
With cold wet breath,
Like a choir of dank banshees
Foretelling death.

I sit by the fire and I now,
And I juggle with rhymes.
Oh, the ways of our world grow odd,
And the trend of our times.
My tired eyes roam the news,
These columns tell
Of earth and its warring views,
And I sigh, 'Well, well!'

Idly I turn the page;
And I ponder then
Of the hopes and the dreams and the rage
And the folly of men.
What profits this modern show?
And where do we gain?
But - twenty short years ago,
Ah, then we were sane!

Speed-drunk and pleasure-crazed
We ravage and waste,
Dull, sentient things, half-dazed
By our own mad haste;
Selling content for gold,
Our peace for a fad.
Alas, for the wisdom of old!
We are mad! stark mad!

How, when, came earth's golden age
If ever it shone?
Wise years of the saint and the sage,
These are gone - long gone,
Never to blossom again
'Mid a peace well-won,
In a world of the simply sane.
We are doomed! We are done!

When a score more years drift on,
Then another shall dwell,
Here in my place, when I've gone.
And he'll sigh, 'Well, well!
What profits this modern show?
And where do we gain?
But - twenty short years ago,
Ah, then we were sane!'

Old Pete Parraday, he isn't very wise
Or so the local gossips say - They love to criticise
His crazy views and values, and the things he counts worth while.
'Better had he saved his money,' say his critics, with a smile;
'And not become a pensioner with all his silly chat
Of finches, wrens and robins, and such trivial thngs as that.
It's livin' lonely all these years has filched his brains away.'
'An' left me kind o' peacefuller,' grins old Pete Parraday.

Old Pete Parraday, he sits beside the road
Resting from the hefting of his week-end load:
Bread and meat and groceries to serve his simple need,
And a tiny paper packet with the tag, 'Bird Seed.'
'I allus gits three-pennyworth - I've never needed more
For them there little Pommy-birds wot hops about me door
Goldfinches, starlings an' stranger-folk like they
Wot ain't brung up to grubs an' things,' says old Pete Parraday.

'The robins likes their meal-worms; the blue-wrens tackles grubs;
Grey thrushes goes for take-alls like the boozers goes for pubs;
But the little vegetarians for food has far to roam;
An' so I buys 'em bird-seed to make 'em feel at 'ome
Goldfinches, sichlike, them little stranger-folk . . .
I know 'ow people counts me soft an' reckons I'm a joke
When I talks about me bird friends. I've seed 'em nudge an' wink.
But I valyers them there mates o' mine. Cos why? They makes me think.

'They makes me think of beauty, of the glory of the earth,
An' they leads me on to dreamin'. An' wot is dreamin' worth?
Some folk might call it crazy; but it's heaven's gift to me.
Aye, vision sich as never is or was by land or sea.
Man cannot live by bread alone, nor dreams be put in words;
An', if I'm mad, I'm happy mad, an' talkin' to me birds.
Three-pennyworth o' bird-seed counts more to me that way
Then all the wealth of Sheba's queen,' says old Pete Parraday.

Goophic Phantasm

Tho' I own I have no adequate proofs
Of this queer tale of the quaint old Goophs
The Goophs who dwelt in the land of Guph
Still, I think it's a credible tale enough
When applied to Goophs; tho' it's realised
That it couldn't occur to the civilised,
Sane men like us, for it's quite absurd,
And the silliest tale that ever you heard.
To us, 'tis a fantasy vain. But then,
Of course, we're superior, normal men.

Now a peaceful Gooph, when a-stroll one day,
Looked over a fence in a casual way;
And realised he was staring hard
At a pile of stones in a neighbor's yard.
'Now what,' thought he, 'are the stones there for?'
Then he suddenly shouted, 'My, this means war!
That pile in there is the very stuff
We use for war in the land of Guph!'
And from that day forth his strength was spent
In gathering stones for armament.

Now, the Goophs who heard him were sore afright,
And the news spread forth in a single night.
Wild rumors grew, till the land was rife
With tales of terror and coming strife;
And every Gooph hied forth in haste
To gather him stones from wood and waste,
From the hills afar and fields near by,
Till the price of stones went up sky high.
And they said, 'War's madness! It can't make sense.
But a Gooph must look to his self-defence.'

Commerce languished; production waned;
Goophish relations grew co1d and strained;
And there wasn't a stone in Guph at all
To build a house, or a church, or a wall.
Each sat on his pile in his own backyard
And talked and shouted and argued hard,
Of nations and factions in 'isms' and schools.
(There is never a doubt of it, Goophs were fools).
Then someone foolishly heaved a rock;
And their world blew up with a horrible shock.

Then their costly stones they flung to the air
With great abandon and little care -
These stones they valued, they cast them about
Till a number of Goophs were knocked right out.
And the land of Guph grew loud with groans;
And the end of it all was a litter of stones.
And nobody knew what they started it for,
And nobody profited. Still, 'twas war,
Mere Guphic insanity, Goophish fuss,
And, of course, it couldn't occur to us.

'Some I got with amber stems an' some with silver bands,
Bent ones an' straight ones an' all sorts o' brands.
A lot of pipes, sez you, for one old pensioner to own;
But, folks, as soon as Christmas comes, they won't leave me alone.
'We'll give old Pete a pipe,' they sez, forgetful in their way,
It's wot they gives me every year,' said old Pete Parraday.
'Bent ones an' straight ones, some must ha' cost real dear -
More than I'd smoke if I should live for two hundred year.

''We'll give ole Pete a pipe,' they sez. (People is awful good
Here in the bush! 'He sucks,' they sez, 'at that ole cherrywood
All bound with bits of wire an' stuff, an' cracked an' caked up too!'
But, lordy, none of 'em don't know that pipe the way I do.
I've had him over seven year, an' I just likes him fine;
For, cracked an' all, an' caked an' all, he's a good ole mate o' mine.
'Cherry,' I calls him, just for short. I own he smells no end,
But, if I was to lose him now, I'd feel I'd lost a friend.

'Yes, he knows me an' I knows him - a cranky coot some ways:
Got to be youmered, like a man; he has his sulky days.
Goes stubborn an' won't dror at all if I packs him too tight;
An', if I cuts the baccy coarse, the cow won't stay alight!
But on long winter evenin's, there by the blazin' log,
The three of us gits yarnin' - him an' me an' my ole dog -
But, lordy, if I told you all about ole Cherry here,
You'd say me brain was softnin'; you'd say; 'Ole Pete's gone queer.'

'He lost his self last winter down there along the creek,
An' a pretty dance he led me with his crazy hide an' seek.
That's how I catched pnoomonier. The doctor sez, 'Yer mad!
Risk death for that old stikin' pipe!' But I sez, 'Listen, lad,
Ole Cherry does me far more good than all your doctor's stuff!'
But he jist stands an' grins at me; he knowed it sure enough.
'Cherry,' I sez, 'has been my mate -'. But he sez, 'Hold yer row!
You tough ole hunk o' hide!' he sez. 'Sit up an' drink this now.'

'Some I got with amber stems an' some with silver bands,
Bent ones an' straight ones - all sorts o' brands.
If you came into my bush hut you'd see a brave array -
Pipes of every shape an' cut,' said old Pete Parraday.
'But don't you say you seen 'em, 'cos folks is awful good.
'We'll give ole Pete a pipe,' they sez. 'Pooh! That ole cherrywood!'
Yes; folks is kind at Christmas time; but, now an' then, I grants,
I wish they'd stand a man a short, or p'raps a pair o' pants.'

I seldom get to hatin' men, nor had much cause to hate;
To me, it just a foolish game to play, at any rate.
But it kills the hard thought in you, an' forgiveness is complete,
To see the man you hated once a maimed thing at your feet.

We'd had a meetin' at the mill; the boss had said his say
The good old boss, who stints himself to find the men their pay
He told us, fair an' honest, he was up against the game
Unless he got the timber out before the Winter came.

I'll say this much for decent men - an' decent men they were
They saw the game that Murray played to give the boss a scare.
We saw he'd pay near anything and Ben would do him brown;
But a fair thing is a fair thing; so we truned Ben Murray down.

A truck was waitin' in the yard, full-loaded for the trip.
Just an easin' of the brake-rope was enough to let her rip
For half a mile or more down-hill along atrack, rough-made,
To where the horses wait to haul her up the other grade.

The talk was done, the numbers up, the boss had won the day,
An' we were ready to go back an' earn our bit of pay;
When Murray in a mad black rage, goes on to rave an' shout.
'You're sacked,' the old man tells him plain. 'I've had enough. Get Out!'

For close on half a minute I expected Hell to pay;
But Murray glares around the mill - then turns an' walks away.
He stops beside the loaded truck; an' each man in the mill
Watched Murray with a sidelong look; an' each man wished him ill.

I knew Ben Murray for a gab; I knew him for a fool
A decent man enough at heart when he was calm an' cool
Wild rage had hold on him that day, an', maybe, madness too;
An' scorn in me changed to dismay at what I saw him do.

He sprang behind the timber load an' leaped up to the back;
He loosed the rope to start the truck upon the down-hill track;
An' if he meant to jump or stay no man will ever know.
'If I go out,' Ben Murray yelled, 'this is the way I go!'


'Stop that mad fool!' howled old man Blair. 'He'll wreck the track below!'
But now the truck had gathered way, an', as we watched her go,
Ben Murray, with the brake-rope slack, cursed us with all his might.
She took the curve behind the huts, an' then went out of sight.

. . . . . . . . . .

We found him near the wattle-clump, down in the little creek.
His head was by a coral fern, an' blood was on his cheek,
An' blood was on the wooden rails, an' he lay very still,
The man who half an hour ago had meant to boss the mill!

'He's livin' yet' says old man Blair. 'Boys, we must do our best.
Lay hold there, Jim, an' you, young Dick, an' heave that off his chest.
Man, but he's crushed! The crazy fool! Now treat him gently, lad.'
'The track ain't damaged much,' says Pike; 'but, gosh, he's got it bad!'

. . . . . . . . . .

Red stains were on the wooden track an' on the sunlight ground;
A wagtail twittered by the creek, an' hopped an' fussed around;
The Laughin' Jacks were wild with mirth; but very still he lay,
As we took poor Ben Murray up an' carried him away.

The Long Road Home

When I go back from Billy's place I always have to roam
The mazy road, the crazy road that leads the long way home.
Ma always says, "Why don't you come through Mr Donkin's land?
The footbridge track will bring you back." Ma doesn't understand.
I cannot go that way, you know, because of Donkin's dog;
So I set forth and travel north,, and cross the fallen log.

Last week, when I was coming by, that log had lizards in it;
And you can't say I stop to play if I just search a minute.
I look around upon the ground and, if there are no lizards,
I go right on and reach the turn in front of Mrs Blizzard's.
I do not seek to cross the creek, because it's deep and floody,
And Ma would be annoyed with me if I came home all muddy.

Perhaps I throw a stone or so at Mrs Blizzard's tank,
Because it's great when I aim straight to hear the stone go "Plank
Then west I wend from Blizzard's Bend, and not a moment wait,
Except, perhaps, at Mr Knapp's, to swing upon his gate.
So up the hill I go, until I reach the little paddock
That Mr Jones at present owns and rents to Mr Craddock.

For boys my size the sudden rise is quite a heavy pull,
And yet I fear a short-cut here because of Craddock's bull;
So I just tease the bull till he's as mad as he can get,
And then I face the corner place that's been so long to let.
It's very well for Ma to tell about my dawdling habits.
What would you do, suppose you knew the place was thick with rabbits?

I do not stay for half a day, as Ma declares I do,.
No, not for more than half-an-hour - perhaps an hour - or two.
Then down the drop I run, slip-slop, where all the road is slithy.
And have to go quite close, you know, to Mr Horner's smithy.
A moment I might tarry by the fence to watch them hammer,
And, I must say, learn more that way than doing sums and grammar.

And, if I do sometimes climb through, I do not mean to linger'.
Though I did stay awhile the day Bill Homer burst his finger.
I just stand there to see the pair bang some hot iron thing
And watch Bill Horner swing the sledge and hit the anvil - Bing!
(For Mr Horner and his son are great big brawny fellows:
Both splendid chaps!) And then, perhaps, they let me blow the bellows.

A while I stop beside the shop, and talk to Mr Horner;
Then off I run, and race like fun around by Duggan's Corner.
It's getting late, and I don't wait beside the creek a minute,
Except to stop, maybe, and drop a few old pebbles in it.
A few yards more, and here's the store that's kept by Mr Whittle-
And you can't say I waste the day if I 'ust wait ... a little.

One day, you know, a year ago, a man gave me a penny,
And Mr Whittle sold me sweets (but not so very many).
You never know your luck, and so I look to see what's new
In Mr Whittle's window. There's a peppermint or two,
Some buttons and tobacco (Mr Whittle calls it "baccy"),
And fish in tins, and tape, and pins.... And then a voice calls, "Jacky!"

"I'm coming, Ma. I've been so far-around by Duggan's Corner.
I had to stay awhile to say 'Good day' to Mr Horner.
I feel so fagged; I've tramped and dragged through mud and over logs, Ma -
I could not go short-cuts, you know, because of bulls and dogs, Ma.
The creek, Ma? Why, it's very high ! You don't call that a gutter?
Bill Horner chews tobacco, Ma .... I'd like some bread and butter."

I got so down to it last night,
With longin' for what could not be,
That nothin' in the world seemed right
Or everything was wrong with me.
My house was just a lonely hole,
An' I had blisters on my soul.

Top of my other worries now
The boys are talkin' strike, an' say
If we put up a sudden row
We're sure of forcin' up our pay.
I'm right enough with what I get;
But some wants more, an' then more yet.

Ben Murray's put it up to me:
He says I got some influence
Amongst them, if I agree
'Which I will do if I have sense'
We'll make the boss cough up a bit.
That's how Ben Murray looks at it.

I don't know that the old boss can.
I've heard he's pushed to make ends meet.
To me he's been a fair, straight man
That pays up well an' works a treat.
But if I don't get in this game,
Well, 'blackleg' ain't a pretty name.

This thing has got me thinkin' hard,
But there is worse upon my mind.
What sort of luck has broke my guard
That I should be the man to find
A girl like that? . . . The whole world's wrong!
Why was I born to live and long?

I get so down to it last night
With broodin' over things like this,
I said 'There's not a thing in sight
Worth havin' but I seem to miss.'
So I go out and get some air
An' have a word with old Bob Blair.

Bob's livin' lonely, same as me;
But he don't take to frettin' so
An' gettin' megrims after tea.
He reads a lot at night, I know;
His hut has books half up the wall
That I don't tumble to at all.

Books all about them ancient blokes
That lived a thousand years ago:
Philosophers an' funny folk
What he sees in them I don't know.
There ain't much fun, when all is said,
In chap that is so awful dead.

He put his book down when I came,
He took his specs off, patient-like.
He's been in Rome; an' who can blame
The old man if he gets the spike
To be jerked back so suddenly
By some glum-lookin' coot like me.

At first he looks at me quite dazed,
As tho' 'twas hard to recognize
The silly fool at which he gazed;
An' then a smile come in his eyes:
'Why, Jim,' he says. 'Still feelin' blue?
Kiss her, an' laugh!' . . . But I says, 'Who?'

'Why, who, if not the widow, lad?'
But I says, 'Widows ain't no go.'
'What woman, then, makes you so sad?'
I coughs a bit an' says, 'Dunno.'
He looked at me, then old Bob Blair
He ran his fingers through his hair.

'God help us, but the case is bad!
An' men below, an; saints above
Look with mixed feelin's, sour an' sad,
Upon a fool in love with love.
Go, find her, lad, an' be again,
Fit to associate with men.

'Don't leave yourself upon the shelf:
It's bad for man to live alone.'
'Hold on,' says I. 'What ails yourself?
What are you doin' on your own?'
Quickly he turned away his head.
'That's neither here nor there,' he said.

I saw I'd made a clumsy break;
An' tied to cover it with talk
Of anything, for old Blair's sake.
He don't reply; but when I'd walk
Outside he says, 'What's this I hear
About the mill boys actin' queer?'

So then we yarns about the strike,
An' old Bob Brown frowns an' shakes his head.
'There's something there I hardly like;
The boss has acted fair,' he said.
'Eight years I've toiled here constantly,
An' boss an' friend he's been to me.

'I know he's up against it bad;
Stintin' himself to pay the men.
Don't listen to this tattle, lad,
An' leave that dirty work to Ben.
He tries to play on others need;
It's partly devil, partly greed.

'Ben's not a reel bad lot at heart,
But ignorant an' dull of sight,
An' crazed by these new creeds that start
An' grow like mushrooms, overnight;
An' this strange greed that's spread the more
Since the great sacrifice of war.

'Greed everywhere!' sighed old man Blair.
'Master an' man have caught the craze;
An' those who yesterday would share
Like brothers, now spend all their days
Snatchin' for gain - the great, the small.
And, of, folly of it all!'


He tapped the small book by his hand.
'Two thousand years ago they knew
That those who think an' understand
Can make their wants but very few.
Two thousand years they taught
That happiness can not be bought.'

'Progress?' he shouted. 'Bah! A Fig!
Where are the things that count or last
In buildin' something very big
Or goin' somewhere very fast?
We put the horse behind the cart;
For where's your progress of the heart?

'Great wisdom lived long years ago,
An' yet we say that we progress.
The paint an' tinsel of our show
Are men more generous, or kind?
Then where's your progress of the mind?'

(I think Bob Blair's a trifle mad;
They say so, too, around these parts;
An' he can be, when he's reel bad,
A holy terror once he starts.
dare say it's readin' books an' such.
Thank God I never read too much!)

I says I'm sure I don't know
Where all this progress gets to now.
He smiles a bit an' answers low,
'Maybe you'll find out, lad, somehow.
But talkin' makes my old head whirl;
So you be off, an' - find that girl.'

I says Good night, an' out I goes;
But I was hardly at the door
When his old specs is on his nose,
An' his book in his hand once more;
An', as I take the track for home,
Bob Blair goes back to Ancient Rome.

The Little Red Dog

The Glugs still live in the land of Gosh,
Under the rule of the great King Splosh.
And they climb the trees in the Summer and Spring,
Because it is reckoned the regular thing.
Down in the valley they live their lives,
Taking the air with their aunts and wives.
And they climb the trees in the Winter and Fall,
And count it improper to climb not at all.

And they name their trees with a thousand names,
Calling them after their Arts and Aims;
And some, they climb for the fun of the thing,
But most go up at the call of the King.
Some scale a tree that they fear to name,
For it bears great blossoms of scarlet shame.
But they eat of the fruit of the nameless tree,
Because they are Glugs, and their choice is free.

But every eve, when the sun goes West,
Over the mountain they call The Blest,
Whose summit looks down on the city of Gosh,
Far from the reach of the great King Splosh,
The Glugs gaze up at the heights above,
And feel vague promptings to wondrous love.
And they whisper a tale of a tinker man,
Who lives in the mount with his Emily Ann.

A great mother mountain, and kindly is she,
Who nurses young rivers and sends them to sea.
And, nestled high up on her sheltering lap,
Is a little red house with a little straw cap
That bears a blue feather of smoke, curling high,
And a bunch of red roses cocked over one eye.
And the eyes of it glisten and shine in the sun,
As they look down on Gosh with a twinkle of fun.

There's a gay little garden, a tidy white gate,
And a narrow brown pathway that will not run straight;
For it turns and it twists and it wanders about
To the left and the right, as in humorous doubt.
'Tis a humorous path, and a joke from its birth
Till it ends at the door with a wriggle of mirth.
And here in the mount lives the queer tinker man
With his little red dog and his Emily Arm.

And, once in a while, when the weather is clear,
When the work is all over, and even is near,
They walk in the garden and gaze down below
On the Valley of Gosh, where the young rivers go;
Where the houses of Gosh seem so paltry and vain,
Like a handful of pebbles strewn over the plain;
Where tiny black forms crawl about in the vale,
And stare at the mountain they fear them to scale.

And Sym sits him down by his little wife's knee,
With his feet in the grass and his back to a tree;
And he looks on the Valley and dreams of old years,
As he strokes his red dog with the funny prick ears.
And he says, 'Still they climb in their whimsical way,
While we stand on earth, yet are higher than they.
Oh, who trusts to a tree is a fool of a man!
For the wise seek the mountains, my Emily Ann.'

So lives the queer tinker, nor deems it a wrong,
When the spirit so moves him, to burst into song.
'Tis a comical song about kettles and pans,
And the graces and charms that are Emily Ann's.
'Tis a mad, freakish song, but he sings it with zest,
And his little wife vows it of all songs the best.
And he sings quite a lot, as the Summer days pass,
With his back to a tree and his feet in the grass.

And the little red dog, who is wise as dogs go,
He will hark to that song for a minute or so,
'With his head on one side, and a serious air.
Then he makes no remark; but he wanders elsewhere.
And he trots down the garden to gaze now and then
At the curious pranks of a certain blue wren:
Not a commonplace wren, but a bird marked for fame
Thro' a grievance in life and a definite aim.

Now, they never fly far and they never fly high,
And they probably couldn't, suppose they should try.
So the common blue wren is content with his lot:
He will eat when there's food, and he fasts when there's not.
He flirts and he flutters, his wife by his side,
With his share of content and forgiveable pride.
And he keeps to the earth, 'mid the bushes and shrubs,
And he dines very well upon corpulent grubs.

But the little blue wren with a grievance in life,
He was rude to his neighbours and short with his wife.
For, up in the apple-tree over his nest,
There dwelt a fat spider who gave him no rest:
A spider so fat, so abnormally stout
That he seemed hardly fitted to waddle about.
But his eyes were so sharp, and his legs were so spry,
That he could not be caught; and 'twas folly to try.

Said the wren, as his loud lamentations he hurled
At the little red dog, 'It's a rotten old world!
But my heart would be glad, and my life would be blest
If I had that fat spider well under my vest.
Then I'd call back my youth, and be seeking to live,
And to taste of the pleasures the world has to give.
But the world is all wrong, and my mind's in a fog!'
'Aw, don't be a Glug!' said the little red dog.

Then, up from the grass, where he sat by his tree,
The voice of the Tinker rose fearless and free.

The little dog listened, his head on one side;
Then sought him a spot where a bored dog could hide.


'Kettles and pans! Ho, kettles and pans!
The stars are the gods' but the earth, it is man's!
Yet down in the shadow dull mortals there are
Who climb in the tree-tops to snatch at a star:
Seeking content and a surcease of care,
Finding but emptiness everywhere.
Then make for the mountain, importunate man!
With a kettle to mend . . . and your Emily Ann.


As he cocked a sad eye o'er a sheltering log,
'Oh, a Glug is a Glug!' sighed the little red dog.

Somewhere or other, 'tis doubtful where,
In the archives of Gosh is a volume rare,
A precious old classic that nobody reads,
And nobody asks for, and nobody heeds;
Which makes it a classic, and famed thro' the land,
As well-informed persons will quite understand.

'Tis a ponderous work, and 'tis written in prose,
For some mystical reason that nobody knows;
And it tells in a style that is terse and correct
Of the rule of the Swanks and its baneful effect
On the commerce of Gosh, on its morals and trade;
And it quotes a grave prophecy somebody made.

And this is the prophecy, written right bold
On a parchment all tattered and yellow and old;
So old and so tattered that nobody knows
How far into foretime its origin goes.
But this is the writing that set Glugs agog
When 'twas called to their minds by the Mayor of Quog:


When Gosh groaneth bastlie thro Greed and bys plannes
Ye rimer shall mende ye who mendes pottes and pans.


Now, the Mayor of Quog, a small suburb of Gosh,
Was intensely annoyed at the act of King Splosh
In asking the Mayor of Piphel to tea
With himself and the Queen on a Thursday at three;
When the King must have known that the sorriest dog,
If a native of Piphel, was hated in Quog.

An act without precedent! Quog was ignored!
The Mayor and Council and Charity Board,
They met and considered this insult to Quog;
And they said, ' 'Tis the work of the treacherous Og!
'Tis plain the Og influence threatens the Throne;
And the Swanks are all crazed with this trading in stone.'

Said the Mayor of Quog: 'This has long been foretold
In a prophecy penned by the Seer of old.
We must search, if we'd banish the curse of our time,
For a mender of pots who's a maker of rhyme.
'Tis to him we must look when our luck goes amiss.
But, Oh, where in all Gosh is a Glug such as this?'

Then the Mayor and Council and Charity Board
O'er the archival prophecy zealously pored,
With a pursing of lips and a shaking of heads,
With a searching and prying for possible threads
That would lead to discover this versatile Glug
Who modelled a rhyme while he mended a mug.

With a pursing of lips and a shaking of heads,
They gave up the task and went home to their beds,
Where each lay awake while he tortured his brain
For a key to the riddle, but ever in vain . . .
Then, lo, at the Mayor's front door in the morn
A tinker called out, and a Movement was born.


'Kettles and pans! Kettles and pans!
Oh, the stars are the god; but the earth, it is man's.
But a fool is the man who has wants without end,
While the tinker's content with a kettle to mend.
For a tinker owns naught but the earth, which is man's.
Then, bring out your kettles! Ho, kettles and pans!'


From the mayoral bed with unmayoral cries
The magistrate sprang ere he'd opened his eyes.
'Hold him!' he yelled, as he bounced on the floor.
'Oh, who is this tinker that rhymes at my door?
Go get me the name and the title of him 1'
They answered. 'Be calm, sir. 'Tis no one but Sym.

'Tis Sym, the mad tinker, the son of old Joi,
Who ran from his home when a bit of a boy.
He went for a tramp, tho' 'tis common belief,
When folk were not looking he went for a thief;
Then went for a tinker, and rhymes as he goes.
Some say he's crazy, but nobody knows.'

'Twas thus it began, the exalting of Sym,
And the mad Gluggish struggle that raged around him.
For the good Mayor seized him, and clothed him in silk,
And fed him on pumpkins and pasteurised milk,
And praised him in public, and coupled his name
With Gosh's vague prophet of archival fame.

The Press interviewed him a great many times,
And printed his portrait, and published his rhymes;
Till the King and Sir Stodge and the Swanks grew afraid
Of his fame 'mid the Glugs and the trouble it made.
For, wherever Sym went in the city of Gosh,
There were cheers for the tinker, and hoots for King Splosh.

His goings and comings were watched for and cheered;
And a crowd quickly gathered where'er he appeared.
All the folk flocked around him and shouted his praise;
For the Glugs followed fashion, and Sym was a craze.
They sued him for words, which they greeted with cheers,
For the way with a Glug is to tickle his ears.

'0, speak to us, Tinker! Your wisdom we crave!'
They'd cry when they saw him; then Sym would look grave,
And remark, with an air, ''Tis a very fine day.'
'Now ain't he a marvel?' they'd shout. 'Hip, Hooray!'
'To live,' would Sym answer, 'To live is to feel!'
'And ain't he a poet?' a fat Glug would squeal.

Sym had a quaint fancy in phrase and in text;
When he'd fed them with one they would howl for the next.
Thus he'd cry, 'Love is love 1' and the welkin they'd lift
With their shouts of surprise at his wonderful gift.
He would say 'After life, then a Glug must meet death!'
And they'd clamour for more ere he took the next breath.

But Sym grew aweary of this sort of praise,
And he longed to be back with his out-o'-door days,
With his feet in the grass and his back to a tree,
Rhyming and tinkering, fameless and free.
He said so one day to the Mayor of Quog,
And declared he'd as lief live the life of a dog.

But the Mayor was vexed; for the Movement had grown,
And his dreams had of late soared as high as a throne.
'Have a care! What is written is written,' said he.
'And the dullest Glug knows what is written must be.
'Tis the prophet of Gosh who has prophesied it;
And 'tis thus that 'tis written by him who so writ:

''Lo, the Tinker of Gosh he shall make him three rhymes:
One on the errors and aims of his times,
One on the symptoms of sin that he sees,
And the third and the last on whatever he please.
And when the Glugs hear them and mark what they mean
The land shall be purged and the nation made clean.''

So Sym gave a promise to write then and there
Three rhymes to be read in the Great Market Square
To all Glugs assembled on Saturday week.
'And then,' said the Mayor, 'if still you must seek
To return to your tramping, well, just have your fling;
But I'll make you a marquis, or any old thing . . .'
Said Sym, 'I shall tinker, and still be a king.'

The Swanks Of Gosh

Come mourn with me for the land of Gosh,
Oh, weep with me for the luckless Glugs
Of the land of Gosh, where the sad seas wash
The patient shores, and the great King Splosh
His sodden sorrow hugs;
Where the fair Queen Tush weeps all the day,
And the Swank, the Swank, the naughty Swank,
The haughty Swank holds sway
The most mendacious, ostentatious,
Spacious Swank holds sway.

'Tis sorrow-swathed, as I know full well,
And garbed in gloom and the weeds of woe,
And vague, so far, is the tale I tell;
But bear with me for the briefest spell,
And surely shall ye know
Of the land of Gosh, and Tush, and Splosh,
And Stodge, the Swank, the foolish Swank,
The mulish Swank of Gosh-
The meretricious, avaricious,
Vicious Swank of Gosh.

Oh, the tall trees bend, and green trees send
A chuckle round the earth,
And the soft winds croon a jeering tune,
And the harsh winds shriek with mirth,
And the wee small birds chirp ribald words
When the Swank walks down the street;
But every Glug takes off his hat,
And whispers humbly, 'Look at that!
Hats off! Hats off to the Glug of rank!
Sir Stodge, the Swank, the Lord High Swank!'
Then the East wind roars a loud guffaw,
And the haughty Swank says, 'Haw!'

His brain is dull, and his mind is dense,
And his lack of saving wit complete;
But most amazingly immense
Is his inane self-confidence
And his innate conceit.
But every Glug, and great King Splosh
Bowed to Sir Stodge, the fuddled Swank,
The muddled Swank of Gosh
The engineering, peeping, peering,
Sneering Swank of Gosh.

In Gosh, sad Gosh, where the Lord Swank lives,
He holds high rank, and he has much pelf;
And all the well-paid posts he gives
Unto his fawning relatives,
As foolish as himself.
In offices and courts and boards
Are Swanks, and Swanks, ten dozen Swanks,
And cousin Swanks in hordes
Inept and musty, dry and dusty,
Rusty Swanks in hordes.

The clouds so soft, that sail aloft,
Weep laughing tears of rain;
The blue sky spread high overhead
Peeps thro' in mild disdain.
All nature laughs and jeers and chaffs
When the Swank goes out to walk;
But every Glug bows low his head,
And says in tones surcharged with dread,
'Bow low, bow low, Glugs lean, Glugs fat!'
But the North wind snatches off his hat,
And flings it high, and shrieks to see
His ruffled dignity.

They lurk in every Gov'ment lair,
'Mid docket dull and dusty file,
Solemnly squat in an easy chair,
Penning a minute of rare hot air
In departmental style.
In every office, on every floor
Are Swanks, and Swanks, distracting Swanks,
And Acting-Swanks a score,
And coldly distant, sub-assistant
Under-Swanks galore.

In peaceful days when the countryside
Poured wealth to Gosh, and the skies were blue,
The great King Splosh no fault espied,
And seemed entirely satisfied
With Swanks who muddled thro'.
But when they fell on seasons bad,
Oh, then the Swanks, the bustled Swanks,
The hustled Swanks went mad
The minute-writing, nation-blighting,
Skiting Swanks went mad.

The tall trees sway like boys at play,
And mock him when he grieves,
As one by one, in laughing fun,
They pelt him with their leaves.
And the gay green trees joke to the breeze,
As the Swank struts proudly by;
But every Glug, with reverence,
Pays homage to his pride immense
A homage deep to lofty rank
The Swank! The Swank! The pompous Swank!
But the wind-borne leaves await their chance
And round him gaily dance.

Now, trouble came to the land of Gosh:
The fear of battle, and anxious days;
And the Swanks were called to the great King Splosh,
Who said that their system would not wash,
And ordered other ways.
Then the Lord High Swank stretched forth a paw,
And penned a minute re the law,
And the Swanks, the Swanks, the other Swanks,
The brother Swanks said, 'Haw!'
These keen, resourceful, unremorseful,
Forceful Swanks said, 'Haw!'

Then Splosh, the king, in a royal rage,
He smote his throne as he thundered, 'Bosh!
In the whole wide land is there not one sage
With a cool, clear brain, who'll straight engage
To sweep the Swanks from Gosh?'
But the Lord High Stodge, from where he stood,
Cried, 'Barley! . . . Guard your livelihood!'
And, quick as light, the teeming Swanks,
The scheming Swanks touched wood.
Sages, plainly, labour vainly
When the Swanks touch wood.

The stealthy cats that grace the mats
Before the doors of Gosh,
Smile wide with scorn each sunny morn;
And, as they take their wash,
A sly grimace o'erspreads each face
As the Swank struts forth to court.
But every Glug casts down his eyes,
And mutters, 'Ain't 'is 'at a size!
For such a sight our gods we thank.
Sir Stodge, the Swank! The noble Swank!'
But the West wind tweaks his nose in sport;
And the Swank struts into court.

Then roared the King with a rage intense,
'Oh, who can cope with their magic tricks?'
But the Lord High Swank skipped nimbly hence,
And hid him safe behind the fence
Of Regulation VI.
And under Section Four Eight 0
The Swanks, the Swanks, dim forms of Swanks,
The swarms of Swanks lay low
These most tenacious, perspicacious,
Spacious Swanks lay low.

Cried the King of Gosh, 'They shall not escape!
Am I set at naught by a crazed buffoon?'
But in fifty fathoms of thin red tape
The Lord Swank swaddled his portly shape,
Like a large, insane cocoon.
Then round and round and round and round.
The Swanks, the Swanks, the whirling Swanks,
The twirling Swanks they wound
The swathed and swaddled, molly-coddled
Swanks inanely wound.

Each insect thing that comes in Spring
To gladden this sad earth,
It flits and whirls and pipes and skirls,
It chirps in mocking mirth
A merry song the whole day long
To see the Swank abroad.
But every Glug, whoe'er he be,
Salutes, with grave humility
And deference to noble rank,
The Swank, the Swank, the swollen Swank;
But the South wind blows his clothes awry,
And flings dust in his eye.

So trouble stayed in the land of Gosh;
And the futile Glugs could only gape,
While the Lord High Swank still ruled King Splosh
With laws of blither and rules of bosh,
From out his lair of tape.
And in cocoons that mocked the Glug
The Swanks, the Swanks, the under-Swanks,
The dunder Swanks lay snug.
These most politic, parasitic,
Critic Swanks lay snug.

Then mourn with me for a luckless land,
Oh, weep with me for the slaves of tape!
Where the Lord High Swank still held command,
And wrote new rules in a fair round hand,
And the Glugs saw no escape;
Where tape entwined all Gluggish things,
And the Swank, the Swank, the grievous Swank,
The devious Swank pulled strings
The perspicacious, contumacious
Swank held all the strings.

The blooms that grow, and, in a row,
Peep o'er each garden fence,
They nod and smile to note his style
Of ponderous pretence;
Each roving bee has fits of glee
When the Swank goes by that way.
But every Glug, he makes his bow,
And says, 'Just watch him! Watch him now!
He must have thousands in the bank!
The Swank! The Swank! The holy Swank!'
But the wild winds snatch his kerchief out,
And buffet him about.

The Rhymes Of Sym

Nobody knew why it should be so;
Nobody knew or wanted to know.
It might have been checked had but someone dared
To trace its beginnings; but nobody cared.
But 'twas clear to the wise that the Glugs of those days
Were crazed beyond reason concerning a craze.


They would pass a thing by for a week or a year,
With an air apathetic, or maybe a sneer:
Some ev'ryday thing, like a crime or a creed,
A mode or a movement, and pay it small heed,
Till Somebody started to laud it aloud;
Then all but the Nobodies followed the crowd.


Thus, Sym was a craze; tho', to give him his due,
He would rather have strayed from the popular view.
But once the Glugs had him they held him so tight
That he could not be nobody, try as he might.
He had to be Somebody, so they decreed.
For Craze is an appetite, governed by Greed.


So on Saturday week to the Great Market Square
Came every Glug who could rake up his fare.
They came from the suburbs, they came from the town,
There came from the country Glugs bearded and brown,
Rich Glugs, with cigars, all well-tailored and stout,
Jostled commonplace Glugs who dropped aitches about.


There were gushing Glug maids, well aware of their charms,
And stern, massive matrons with babes in their arms.
There were querulous dames who complained of the 'squash,'
The pushing and squeezing; for, briefly, all Gosh,
With its aunt and its wife, stood agape in the ranks
Excepting Sir Stodge and his satellite Swanks.


The Mayor of Quog took the chair for the day;
And he made them a speech, and he ventured to say
That a Glug was a Glug, and the Cause they held dear
Was a very dear Cause. And the Glugs said, 'Hear, hear.'
Then Sym took the stage to a round of applause
From thousands who suddenly found they'd a Cause.

We strive together in life's crowded mart,
Keen-eyed, with clutching hands to over-reach.
We scheme, we lie, we play the selfish part,
Masking our lust for gain with gentle speech;
And masking too - O pity ignorance!
Our very selves behind a careless glance.


Ah, foolish brothers, seeking e'er in vain
The one dear gift that liesso near at hand;
Hoping to barter gold we meanly gain
For that the poorest beggar in the land
Holds for his own, to hoard while yet he spends;
Seeking fresh treasure in the hearts of friends.


We preach; yet do we deem it worldly-wise
To count unbounded brother-love a shame,
So, ban the brother-look from out our eyes,
Lest sparks of sympathy be fanned to flame.
We smile; and yet withhold, in secret fear,
The word so hard to speak, so sweet to hear -


The Open Sesame to meanest hearts,
The magic word, to which stern eyes grow soft,
And crafty faces, that the cruel marts
Have seared and scored, turn gentle - Nay, how oft
It trembles on the lip to die unppoke,
And dawning love is stifled with a joke.


Nay, brothers, look about your world to-day:
A world to you so drab, so commonplace
The flowers still are blooming by the way,
As blossom smiles upon the sternest face.
In everv hour is born some thought of love;
In every heart is hid some treasure-trove.

With a modified clapping and stamping of feet
The Glugs mildly cheered him, as Sym took his seat.
But some said 'twas clever, and some said 'twas grand
More especially those who did not understand.
And some said, with frowns, tho' the words sounded plain,
Yet it had a deep meaning they craved to explain.


But the Mayor said: Silence! He wished to observe
That a Glug was a Glug; and in wishing to serve
This glorious Cause, which they'd asked him to lead,
They had proved they were Glugs of the noble old breed
That made Gosh what it was . . . and he'd ask the police
To remove that small boy while they heard the next piece.

'Now come,' said the Devil, he said to me,
With his swart face all a-grin,
'This day, ere ever the clock strikes three,
Shall you sin your darling sin.
For I've wagered a crown with Beelzebub,
Down there at the Gentlemen's Brimstone Club,
I shall tempt you once, I shall tempt you twice,
Yet thrice shall you fall ere I tempt you thrice.'


'Begone, base Devil!' I made reply -
'Begone with your fiendish grin!
How hope you to profit by such as I?
For I have no darling sin.
But many there be, and I know them well,
All foul with sinning and ripe for Hell.
And I name no names, but the whole world knows
That I am never of such as those.'

'How nowt' said the Devil. 'I'll spread my net,
And I vow I'll gather you in!
By this and by that shall I win my bet,
And you shall sin the sin!
Come, fill up a bumper of good red wine,
Your heart shall sing, and your eye shall shine,
You shall know such joy as you never have known.
For the salving of men was the good vine grown.'

'Begone, red Devil!' I made reply.
'Parch shall these lips of mine,
And my tongue shall shrink, and my throat go dry,
Ere ever I taste your wine!
But greet you shall, as I know full well,
A tipsy score of my friends in Hell.
And I name no names, but the whole world wots
Most of my fellows are drunken sots.'


'Ah, ha!' said the Devil. 'You scorn the wine!
Thrice shall you sin, I say,
To win me a crown from a friend of mine,
Ere three o' the clock this day.
Are you calling to mind some lady fair?
And is she a wife or a maiden rare?
'Twere folly to shackle young love, hot Youth;
And stolen kisses are sweet, forsooth!'


'Begone, foul Devil!' I made reply;
'For never in all my life
Have I looked on a woman with lustful eye,
Be she maid, or widow, or wife.
But my brothers! Alas! I am scandalized
By their evil passions so ill disguised.
And I name no names, but my thanks I give
That I loathe the lives my fellow-men live.'


'Ho, ho!' roared the Devil in fiendish glee.
''Tis a silver crown I win!
Thrice have you fallen! 0 Pharisee,
You have sinned your darling sin!'
'But, nay,' said I; 'and I scorn your lure.
I have sinned no sin, and my heart is pure.
Come, show me a sign of the sin you see!'
But the Devil was gone . . . and the clock struck three.

With an increase of cheering and waving of hats
While the little boys squealed, and made noises like cats
The Glugs gave approval to Sym's second rhyme.
And some said 'twas thoughtful, and some said 'twas prime;
And some said 'twas witty, and had a fine end:
More especially those who did not comprehend.


And some said with leers and with nudges and shrugs
That, they mentioned no names, but it hit certain Glugs.
And others remarked, with superior smiles,
While dividing the metrical feet into miles,
That the thing seemed quite simple, without any doubt,
But the anagrams in it would need thinking out.


But the Mayor said, Hush! And he wished to explain
That in leading this Movement he'd nothing to gain.
He was ready to lead, since they trusted him so;
And, wherever he led he was sure Glugs would go.
And he thanked them again, and craved peace for a time,
While this gifted young man read his third and last rhyme.

(To sing you a song and a sensible song is a worthy and excellent thing;
But how could I sing you that sort of a song, if there's never a song to sing?)
At ten to the tick, by the kitchen clock, I marked him blundering by,
With his eyes astare, and his rumpled hair, and his hat cocked over his eye.
Blind, in his pride, to his shoes untied, he went with a swift jig-jog,
Off on the quest, with a strange unrest, hunting the Feasible Dog.
And this is the song, as he dashed along, that he sang with a swaggering swing
(Now how had I heard him singing a song if he hadn't a song to sing?)

'I've found the authentic, identical beast!
The Feasible Dog, and the terror of Gosh!
I know by the prowl of him.
Hark to the growl of him!
Heralding death to the subjects of Splosh.
Oh, look at him glaring and staring, by thunder!
Now each for himself, and the weakest goes under!

'Beware this injurious, furious brute;
He's ready to rend you with tooth and with claw.
Tho' 'tis incredible,
Anything edible
Disappears suddenly into his maw:
Into his cavernous inner interior
Vanishes evrything strictly superior.'



He calls it 'Woman,' he calls it 'Wine,' he calls it 'Devils' and 'Dice';
He calls it 'Surfing' and 'Sunday Golf' and names that are not so nice.
But whatever he calls it-'Morals' or 'Mirth'-he is on with the hunt right quick
For his sorrow he'd hug like a gloomy Gllig if he hadn't a dog to kick.
So any old night, if the stars are right, vou will find him, hot on the trail
Of a feasible dog and a teasable dog, with a can to tie to his tail.
And the song that he roars to the shuddering stars is a worthy and excellent thing.
(Yet how could you hear him singing a song if there wasn't a song to sing?)

'I've watched his abdominous, ominous shape
Abroad in the land while the nation has slept,
Marked his satanical
Methods tyrannical;
Rigorous, vigorous vigil I kept.
Good gracious! Voracious is hardly the name for it!
Yet we have only our blindness to blame for it.

'My dear, I've autoptical, optical proof
That he's prowling and growling at large in the land.
Hear his pestiferous
Clamour vociferous,
Gurgles and groans of the beastliest brand.
Some may regard his contortions as comical.
But I've the proof that his game's gastronomical.

'Beware this obstreperous, leprous beast -
A treacherous wretch, for I know him of old.
I'm on the track of him,
Close at the back of him,
And I'm aware his ambitions are bold;
For he's yearning and burning to snare the superior
Into his roomy and gloomy interior.'


Such a shouting and yelling of hearty Bravoes,
Such a craning of necks and a standing on toes
Seemed to leave ne'er a doubt that the Tinker's last rhyme
Had now won him repute 'mid the Glugs for all time.
And they all said the rhyme was the grandest they'd heard:
More especially those who had not caught a word.


But the Mayor said: Peace! And he stood, without fear,
As the leader of all to whom Justice was dear.
For the Tinker had rhymed, as the Prophet foretold,
And a light was let in on the errors of old.
For in every line, and in every verse
Was the proof that Sir Stodge was a traitor, and worse!


Sir Stodge (said the Mayor), must go from his place;
And the Swanks, one and all, were a standing disgrace!
For the influence won o'er a weak, foolish king
Was a menace to Gosh, and a scandalous thing!
'And now,' said the Mayor, 'I stand here to-day
As your leader and friend.' And the Glugs said, 'Hooray!'


Then they went to their homes in the suburbs and town;
To their farms went the Glugs who were bearded and brown.
Portly Glugs with cigars went to dine at their clubs,
While illiterate Glugs had one more at the pubs.
And each household in Gosh sat and talked half the night
Of the wonderful day, and the imminent fight.


Forgetting the rhymer, forgetting his rhymes,
They talked of Sir Stodge and his numerous crimes.
There was hardly a C3lug in the whole land of Gosh
Who'd a lenient word to put in for King Splosh.
One and all, to the mangiest, surliest dog,
Were quite eager to bark for his Worship of Quog.


Forgotten, unnoticed, Sym wended his way
To his lodging in Gosh at the close of the day.
And 'twas there, to his friend and companion of years
To his little red dog with the funny prick ears
That he poured out his woe; seeking nothing to hide;
And the little dog listened, his head on one side.


'O you little red dog, you are weary as I.
It is days, it is months since we saw the blue sky.
And it seems weary years since we sniffed at the breeze
As it hms thro' the hedges and sings in the trees.
These we know and we love. But this city holds fears,
O my friend of the road, with the funny prick ears.
And for what me we hope from his Worship of Quog?'
'Oh, and a bone, and a kick,' said the little red dog.