Poems on Boredom

Art thou pale for weariness
Of climbing heaven and gazing on the earth,
Wandering companionless
Among the stars that have a different birth,
And ever changing, like a joyless eye
That finds no object worth its constancy?

by Percy Bysshe Shelley.

Slow Time, that carrieth such a monstrous load
From every stage and hostel of the Past,
Do you not weary of the endless road,
And ask how long Life's journeying will last?
Still growing burden on your patient back,
Piled are the medley miseries of mankind,
No bourne in sight along the lengthening track,
No comfort seen, before you or behind.
Should you but swerve or stagger in your pace,
Hope with strained halter tuggeth you along,
And where old sores still leave their smarting trace,
Hard on your heels Fate plies its knotted thong.
So must you on, though panting and distressed,
Not even death for solace or for rest.

by Alfred Austin.

679

Conscious am I in my Chamber,
Of a shapeless friend—
He doth not attest by Posture—
Nor Confirm—by Word—

Neither Place—need I present Him—
Fitter Courtesy
Hospitable intuition
Of His Company—

Presence—is His furthest license—
Neither He to Me
Nor Myself to Him—by Accent—
Forfeit Probity—

Weariness of Him, were quainter
Than Monotony
Knew a Particle—of Space's
Vast Society

Neither if He visit Other—
Do He dwell—or Nay—know I—
But Instinct esteem Him
Immortality—

by Emily Dickinson.

O little feet! that such long years
Must wander on through hopes and fears,
Must ache and bleed beneath your load;
I, nearer to the wayside inn
Where toil shall cease and rest begin,
Am weary, thinking of your road!

O little hands! that, weak or strong,
Have still to serve or rule so long,
Have still so long to give or ask;
I, who so much with book and pen
Have toiled among my fellow-men,
Am weary, thinking of your task.

O little hearts! that throb and beat
With such impatient, feverish heat,
Such limitless and strong desires;
Mine that so long has glowed and burned,
With passions into ashes turned
Now covers and conceals its fires.

O little souls! as pure and white
And crystalline as rays of light
Direct from heaven, their source divine;
Refracted through the mist of years,
How red my setting sun appears,
How lurid looks this soul of mine!

by Henry Wadsworth Longfellow.

Alas! and oh that Spring should come again
Upon the soft wings of desired days,
And bring with her no anodyne to pain,
And no discernment of untroubled ways.
There was a time when her yet distant feet,
Guessed by some prescience more than half divine,
Gave to my listening ear such happy warning,
That fresh, serene, and sweet,
My thoughts soared up like larks into the morning,
From the dew-sprinkled meadows crystalline.

Soared up into the heights celestial,
And saw the whole world like a ball of fire,
Fashioned to be a monster playing ball
For the enchantment of my young desire.
And yesterday they flew to this black cloud,
(Missing the way to those ethereal spheres.)
And saw the earth a vision of affright,
And men a sordid crowd,
And felt the fears and drank the bitter tears,
And saw the empty houses of Delight.

The sun has sunk into a moonless sea,
And every road leads down from Heaven to Hell,
The pearls are numbered on youth's rosary,
I have outlived the days desirable.
What is there left ? And how shall dead men sing
Unto the loosened strings of Love and Hate,
Or take strong hands to Beauty's ravishment ?
Who shall devise this thing,
To give high utterance to Miscontent,
Or make indifference articulate ?

by Lord Alfred Douglas.

Thou pulse of hotness, who, with reedlike breast,
Makest meridian music, long and loud,
Accentuating summer!-Dost thy best
To make the sunbeams fiercer, and to crowd
With lonesomeness the long, close afternoon-
When Labor leans, swart-faced and beady-browed,
Upon his sultry scythe-thou tangible tune
Of heat, whose waves incessantly arise
Quivering and clear beneath the cloudless skies.

Thou singest, and upon his haggard hills
Drouth yawns and rubs his heavy eyes and wakes;
Brushes the hot hair from his face; and fills
The land with death as sullenly he takes
Downward his dusty way. 'Midst woods and fields
At every pool his burning thirst he slakes:
No grove so deep, no bank so high it shields
A spring from him; no creek evades his eye:
He needs but look and they are withered dry.

Thou singest, and thy song is as a spell
Of somnolence to charm the land with sleep;
A thorn of sound that pierces dale and dell,
Diffusing slumber over vale and steep.
Sleepy the forest, nodding sleepy boughs;
Sleepy the pastures with their sleepy sheep:
Sleepy the creek where sleepily the cows
Stand knee-deep; and the very heaven seems
Sleepy and lost in undetermined dreams.

Art thou a rattle that Monotony,
Summer's dull nurse, old sister of slow Time,
Shakes for Day's peevish pleasure, who in glee
Takes its discordant music for sweet rhyme?
Or oboe that the Summer Noontide plays,
Sitting with Ripeness 'neath the orchard tree,
Trying repeatedly the same shrill phrase,
Until the musky peach with weariness
Drops, and the hum of murmuring bees grows less?

by Madison Julius Cawein.

The tent lines these of Kháula in stone--stricken Tháhmadi.
See where the fire has touched them, dyed dark as the hands of her.
'Twas here thy friends consoled thee that day with thee comforting,
cried; Not of grief, thou faint--heart! Men die not thus easily.
Ay, here the howdahs passed thee at day--dawn, how royally!
stood for the Dédi pastures: a white fleet they seemed to thee,
Ships tall--rigged from Adáuli--of Yámin the build of them--
wandering wide the night through, to meet at the sunrising.
Thus climbed they the long wave--lines, their prows set how loftily!
ploughing the drifted ridges, sand heaped by the sandseers.

Alas for the dark--lipped one, the maid of the topazes,
hardly yet grown a woman, sweet fruit--picking loiterer!
A girl, a fawn still fawnless, which browses the thorn--bushes,
close to the doe--herd feeding, aloof in the long valleys.
I see her mouth--slit smiling, her teeth,--nay, a camomile
white on the white sand blooming and moist with the night--showers.
Sun--steeped it is, pure argent, white all but the lips of her,
these are too darkly painted to shrink from the sunburning.
The face of her how joyous, the day's robe enfolding her,
clean as a thing fresh fashioned, untouched by sad time--fingers.

Enough! New joys now claim me. Ay, mount and away from her!
Here on my swift--foot camel I laugh at love's bitterness.
Ship--strong is she, my nága, my stout--timbered road--goer,
footing the long--lined path--way--a striped cloak--in front of us.
Steel tempered are her sinews. She runs like an ostrich--hen,
one which has fled defying the ash--plumed proud lord of her.
Out--paces she the best--born, shank still on shank following,
threading the mazes lightly. Ah, what foot shall follow her?
The spring--long on Kufféyn she has wandered, her kind with her,
pastured in pleasant places, the rain--watered thyme--valleys,
Has turned to her herd's calling, aloft in wrath brandishing,
scared by the thick--furred red thief, that proud tuft the tail of her.
Her tail sways this and that way--a falcon, the wings of him
bating her flanks impatient: erect stands the bone of it--
So lasheth she in anger anon her croup--rider's knee,
then her own shrunken udder, a drought--withered water--skin.
Note well her limbs' perfection, her thighs like the elbow--worn
jambs of a city gateway, two smooth shafts of porphyry.
Her barrel, a stone well--mouth, like bent bows the curves of it,
caved where the neck--shaft enters, ends in an arched hollow.
Deep dens are her two arm--pits, a tree--trunk with cavities.
Bows are her rib--bones bended, her spine the hands holding them.
Her elbows are twin buckets, the pails of a water--man
wide--set, the neck between them the strong man who carries them.
Bridge--like, and Roman--builded! How swore he its architect
none should leave work or loiter, its key--stone unlaid by them!
Red chestnut is her chin--tuft, a vast vault the back of her.
Swift--step her hind--feet follow the path of her fore--footing.
Her legs are a cord twisted. Towards them the arms of her
slant from the shoulders outward, a tent--roof the slope of them.
So sways she, the strong--skulled one, and lightly her shoulder blades
rise from her spine alternate, arhyme with the march of her.
Like rain--pools in the smooth rock, so, flecking the sides of her,
white stand the girth--marks, witness once of the sores on them.
Her neck, how tall, how proud--set! Behold her! She raises it
high as in ships of Díjleh the point of a stern--rudder.
Her head--piece a stout anvil, and, joined to it hardily
sharp as a file the neck--ridge, fixed as a vice to it.
Her jowl a Syrian parchment, clean vellum the lip of her,
smooth as a hide of Yémen, no skin--crease nor fold in it.
Her eyes two mirrors shining, her bent brows the shade of them, pitted with deep--set hollows, as rock--holes for rain--water.
Eyes dark--rimmed, pure of dust--stains. You gaze in the depths of them as in a wild cow's wide eyes, scared for the calf of her.
Ears fearful of the night--sounds, the whispers, the murmurings
caught in the darkness passing--night--day: they can rest never.
Their thorn--tips tell her lineage, a wild bull's of Háumala
raging alone forsaken; her breeding you read in them.
Heart watchful of strange dangers, yet stout in the face of them.
Firm as a test--stone standing where cleft lie the base pebbles.
Lip slit, nose pierced for nose--ring, how slender its cartilage!
Nobly she lowers it running and stretched to the front of her.
I strike at her, my nága: I force her: I hurry her,
while in our path the false--lights lure us to follow them.
The gait of her how rhythmic! She sways like a dancing--girl,
one with the white skirts trailing, who bends to the lord of her.
Obedient to your riding, she slackens her outrunning,
watches the hide--thong twisted, the speed that you need of her.
Her head by your hand close held, your knee--crutch how near to it!
Then with her fore--arms swimming, an ostrich, she flies with you.

Thus rode I, and thus spake he, the friend of my tear--sheddings:
O for the wit to cure thee, but and my own sorrows!
His soul within him trembled; it seemed to his hardihood
death and a sure destruction, though far we from roadfarers.
For which of us is valiant? When men speak of true valour,
I feel my own the name named. Straight am I roused by it.
No recreant I, my tent--ridge I hide from no enemy.
Nor in the far hills build it who bring men a swift succour.
The hand that seeks shall find me. I stand at the gatherings.
Ay, where men tap the wine--skin, 'tis there they shall speak with me.
What day the tribes assemble, behold me conspicuous,
sitting as fits my lineage, nor go I in fear of them.
Beside me my companions, bright stars of nobility.
Dyed is her robe with saffron the girl who pours out to us.
O sweet is her shirt's neck--slit, set wide to the eyes of us.
Soft is the thing it hides there. We bade her: Now, sing to us.
Ay sing to us: we prayed her. And she, with monotony
striking a low note slowly, chaunted unchangingly.
O strange it was that cadence: it came back the wail of it,
grave as a mother's grieving the one son new--slain from her.

Thus sang she. And I spared not the full cups of revelry,
not till my spoil was wasted, my whole wealth's inheritance.
Then left me they that loved me. Then shunned me my tribe--fellows.
Sat I alone forsaken, a mange--stricken male camel.
Nathless the poor showed pity, the sons of Earth's particles,
these and the alien tent--lords, the far chiefs befriended me.
You only did revile me. Yet, say, ye philosophers,
was that same wealth eternal I squandered in feasting you?
Could all you my fate hinder? Friends, run we ahead of it,
rather our lives enjoying, since Time will not wait for us.
And, truly, but for three things in youth's day of vanity,
fain would I see them round me the friends at my deathbedding,
As first: to outstrip the sour ones, be first at the winebibbing,
ay, at the blink of day--dawn when mixed the cup foams for me;
And next, to ride their champion, who none have to succour them,
fierce on my steed, the led one, a wolf roused and thirst--stricken;
And third, to lie the day--long, while wild clouds are wildering,
close in her tent of goat's hair, the dearest beloved of me.
O noble she, a tree--stem unpruned in her maidenhood,
tall as a branch of Khírwa, where men hang their ornaments.
'Tis thus I slake my soul's rage, the life--thirst so wild in me.
If we two died to--morrow, think, which would go thirstier?
For lo, his grave the miser's! Lo, next it the prodigal's!
Both are alike, scant favour to hoarder or squanderer.
'Neath mounds of earth the twain lie, a low stone atop of them,
heavy and broad and shapeless, with new slabs o'erlaying it.
Death is no subtle chooser. He takes all, the free--givers,
ay, and the rogues close--fisted, the fast--handed goldhiders.
And life's heap lies unguarded. The night--thieves make spoil of it.
All that these leave the day--thieves straightway come plundering.
Nay, by thy life--I swear it, though fast fly the heels of him,
Death has a lead--rope round him, loose though it seem to you.

Ha! How is this? My kinsman? my fool--cousin Máleki?
Daily, as I draw near him, he turns his mad back on me.
He frowns I know not wherefore. He flouts me, as once with them
Kurt, in the face of all men, flouted and jibed at me.
His help he has denied me; and, truly, our brotherhood
tried in the fire of asking lies dead in love's sepulchre.
My word his words discredit. Yet all I for Mábadi
asked was a poor assistance to gather his lost camels,
I who hold fast to kinship. I swear by the luck of thee,
when they shall want hard riding, that day they shall fawn on me,
What day their tribes need succour, when loudly their womenfolk
cry from his hand the oppressor's to hands that are mightier.
Be but their honour tainted, I straight will pour out for them
death as from brimming cisterns, nor ask for an argument.
They rail at and revile me, who know me no ill--doer;
me, who have borne their burdens, cast would they out from them.
Yet, had my friend been other, this Málek of larger soul,
long had my pain been ended, a respiting found for me.
Shame on him for his baseness. His black hand would strangle me,
whether I thanked or sued him, or turned but my back on him.
O cruel is the sword--stroke: it bites with an Indian edge:
yet is their temper keener, the clowns I call kin to me.
Then leave me to my own ways, my tent set in Dárghadi,
far from the eyes of all men, and earn thee my gratitude.
Had he, the Lord, so willed it, my name had been Khálidi,
or had he willed it Ámer, or Káis, or Márthadi.
Wealth had been mine and increase, ay, all that men most covet,
sons as a gift of heaven, a proud--lined posterity.
Yet see me a man subtle, one lithe--souled and lithe--bodied,
quick as a snake for wounding, whose head is a hurt to them.
The oath my tongue has sworn to is this, to keep close to me
ever my sword--blade loosened; of Indies the edge of it.
Such blade, if I take vengeance and rise up and smite with it,
needs not a second down--stroke; I wield me no wood--chopper.
My sword is my true brother. It grudges no blood--spilling.
Called on to spare, it answers: My lord alone holdeth me.
Thus was I when men armed them and rushed to the battle--field:
grasped I my sword--hilt foremost, nor feared what fate doomed for me.

Herds knelt, their necks stretched earth--long. How scared them the eyes of me,
me with my sword drawn marching, its sheath cast away from me.
There passed a strong fair nága, a full--uddered milch--camel,
joy of her lord, the gray--beard, a hot man, though time--troubled.
He shouted when she fell there, her stout sinews houghed by me:
Man, art thou blind who seest not thy sword hath done robbery?
He spake, and to his friends turned: Behold him, this wine--bibber!
What is his rage against us, his wild words, his drinkfolly?
Yet paused: Nay, give him wide room and leave it to profit him: herd
we the scared ones rather, lest more he should slay of them.
Then fell the maids aroasting its fair flesh the foal of her,
nor of the fat denied us, the whole hump our prize of it.
We cast the arrows gaily, the dun shafts, the fire--hardened:
each time the holder held them, straightway I won with them.

When I am dead, speak kindly, thou daughter of Mábadi:
rend for my sake thy garments as one worth the love of thee.
Nor count me with the lewd folk, the night--knaves, the roysterers,
men with nor wit nor wisdom nor will to do weightily,
Men slow to deeds of virtue, men swift but in ill--doing,
men by the brave held lightly, with spread palms and brow--knitting.
For, had I been a weakling, know well, their mad hate of me
long had been my destruction, their blind wrath my butchery.
Only it wards me from them the fear of my hand's valour,
this, and my faith untainted, my fame too of ancestry.
Once on a time I bound me with vows, on the battlefield
ever to guard the weak posts, points where the foe threatened,
Points where the bravest faltered, where pale men stood panic--struck,
where they the strong--hearts trembled, faint through the fear in them.
Nay, by thy life, I fear not. I hold not time weariness;
neither hath day distressed me, nor night what it brought to me.
Because I see Death spares none. It smites with an even hand,
bows not to names exalted, nor knows it men's dignities;
Because with Death behind me, my flight can avail me not,
neither can I outwit him, he lying in wait for me.
Because if one be proved vain by those who seek aid of him,
helpless to hurt the harmful, better he perishèd.
The days to come, what are they? A handful, a borrowing:
vain is the thing thou fearest. To--day is the life of thee.
And death is as a well--spring; to it men pass and pass:
near them is each to--morrow; near them was yesterday.
Only shall Age, the slow--foot, arraign thee of ignorance:
only shall One bring tidings, when least thou desirest him,
One who is hard to deal with, of whom thou art ransomer
neither for pay nor raiment, nor madest thou tryst with him.

by Wilfrid Scawen Blunt.

A FIRST walk after sickness: the sweet breeze
That murmurs welcome in the bending trees,
When the cold shadowy foe of life departs,
And the warm blood flows freely through our hearts:
The smell of roses,--sound of trickling streams,
The elastic turf cross-barred with golden gleams,
That seems to lift, and meet our faltering tread;
The happy birds, loud singing overhead;
The glorious range of distant shade and light,
In blue perspective, rapturous to our sight,
Weary of draperied curtains folding round,
And the monotonous chamber's narrow bound;
With,--best of all,--the consciousness at length,
In every nerve of sure returning strength:--

Long the dream stayed to cheer that darkened room,
That this should be the end of all that gloom!

Long, as the vacant life trained idly by,
She pressed her pillow with a restless sigh,--
'To-morrow, surely, I shall stronger feel!'
To-morrow! but the slow days onward steal,
And find her still with feverish aching head,
Still cramped with pain; still lingering in her bed;
Still sighing out the tedium of the time;
Still listening to the clock's recurring chime,
As though the very hours that struck were foes,
And might, but would not, grant complete respose.
Until the skilled physician,--sadly bold
From frequent questioning,--her sentence told!
That no good end could come to her faint yearning,--
That no bright hour should see her health returning,--
That changeful seasons,--not for one dark year,
But on through life,--must teach her how to bear:
For through all Springs, with rainbow-tinted showers,
And through all Summers, with their wealth of flowers,
And every Autumn, with its harvest-home,
And all white Winters of the time to come,--
Crooked and sick for ever she must be:
Her life of wild activity and glee
Was with the past, the future was a life
Dismal and feeble; full of suffering; rife
With chill denials of accustomed joy,
Continual torment, and obscure annoy.
Blighted in all her bloom,--her withered frame
Must now inherit age; young but in name.
Never could she, at close of some long day
Of pain that strove with hope, exulting lay
A tiny new-born infant on her breast,
And, in the soft lamp's glimmer, sink to rest,
The strange corporeal weakness sweetly blent
With a delicious dream of full content;
With pride of motherhood, and thankful prayers,
And a confused glad sense of novel cares,
And peeps into the future brightly given,
As though her babe's blue eyes turned earth to heaven!
Never again could she, when Claud returned
After brief absence, and her fond heart yearned
To see his earnest eyes, with upward glancing,
Greet her known windows, even while yet advancing,--
Fly with light footsteps down the great hall-stair,
And give him welcome in the open air
As though she were too glad to see him come,
To wait till he should enter happy home,
And there, quick-breathing, glowing, sparkling stand,
His arm round her slim waist; hand locked in hand;
The mutual kiss exchanged of happy greeting,
That needs no secrecy of lovers' meeting;
While, giving welcome also in their way,
Her dogs barked rustling round him, wild with play;
And voices called, and hasty steps replied,
And the sleek fiery steed was led aside,
And the grey seneschal came forth and smiled,
Who held him in his arms while yet a child;
And cheery jinglings from unfastened doors,
And vaulted echoes through long corridors,
And distant bells that thrill along the wires,
And stir of logs that heap up autumn fires,
Crowned the glad eager bustle that makes known
The Master's step is on his threshold-stone!

Never again those rides so gladly shared,
So much enjoyed,--in which so much was dared
To prove no peril from the gate or brook,--
Need bring the shadow of an anxious look,
To mar the pleasant ray of proud surprise
That shone from out those dear protecting eyes.
No more swift hurrying through the summer rain,
That showered light silver on the freshened plain,
Hung on the tassels of the hazel bough,
And plashed the azure of the river's flow.
No more glad climbing of the mountain height,
From whence a map, drawn out in lines of light,
Showed dotting villages, and distant spires,
And the red rows of metal-burning fires,
And purple covering woods, within which stand
White mansions of the nobles of the land.

No more sweet wanderings far from tread of men,
In the deep thickets of the sunny glen,
To see the vanished Spring bud forth again;
Its well remembered tufts of primrose set
Among the sheltered banks of violet;
Or in thatched summer-houses sit and dream,
Through gurgling gushes of the woodland stream;
Then, rested rise, and by the sunset ray
Saunter at will along the homeward way;
Pausing at each delight,--the singing loud
Of some sweet thrush, e'er lingering eve be done;
Or the pink shining of some casual cloud
That blushes deeper as it nears the sun.

The rough woodpath; the little rocky burn;
Nothing of this can ever now return.
The life of joy is over: what is left
Is a half life; a life of strength bereft;
The body broken from the yearning soul,
Never again to make a perfect whole!
Helpless desires, and cravings unfulfilled;
Bitter regret, in stormy weepings stilled;
Strivings whose easy effort used to bless,
Grown full of danger and sharp weariness;
This is the life whose dreadful dawn must rise
When the night lifts, within whose gloom she lies:
Hope, on whose lingering help she leaned so late,
Struck from her clinging by the sword of fate--
That wild word NEVER, to her shrinking gaze,
Seems written on the wall in fiery rays.

Never!--our helpless changeful natures shrink
Before that word as from the grave's cold brink!
Set us a term whereto we must endure,
And you shall find our crown of patience sure;
But the irrevocable smites us down;--
Helpless we lie before the eternal frown;
Waters of Marah whelm the blinded soul,
Stifle the heart, and drown our self-control.
So, when she heard the grave physician speak,
Horror crept through her veins, who, faint and weak,
And tortured by all motion, yet had lain
With a meek cheerfulness that conquered pain,
Hoping,--till that dark hour. Give back the hope,
Though years rise sad with intervening scope!
Scarce can those radiant eyes with sickly stare
Yet comprehend that sentence of despair:
Crooked and sick for ever! Crooked and sick!
She, in whose veins the passionate blood ran quick
As leaps the rivulet from the mountain height,
That dances rippling into Summer light;
She, in whose cheek the rich bloom always stayed,
And only deepened to a lovelier shade;
She, whose fleet limbs no exercise could tire,
When wild hill-climbing wooed her spirit higher!
Knell not above her bed this funeral chime;
Bid her be prisoner for a certain time;
Tell her blank years must waste in that changed home,
But not for ever,--not for life to come;
Let infinite torture be her daily guest,
But set a term beyond which shall be rest.

In vain! she sees that trembling fountain rise,
Tears of compassion in an old man's eyes;
And in low pitying tones, again he tells
The doom that sounds to her like funeral bells.
Long on his face her wistful gaze she kept;
Then dropped her head, and wildly moaned and wept;
Shivering through every limb, as lightning thought
Smote her with all the endless ruin wrought.
Never to be a mother! Never give
Another life beyond her own to live,
Never to see her husband bless their child,
Thinking (dear blessèd thought!) like him it smiled:
Never again with Claud to walk or ride,
Partake his pleasures with a playful pride,
But cease from all companionship so shared,
And only have the hours his pity spared.
His pity--ah! his pity, would it prove
As warm and lasting as admiring love?
Or would her petty joys' late-spoken doom
Carry the great joy with them to joy's tomb?
Would all the hopes of life at once take wing?
The thought went through her with a secret sting,
And she repeated, with a moaning cry,
'Better to die, O God! 'Twere best to die!'
But we die not by wishing; in God's hour,
And not our own, do we yield up the power
To suffer or enjoy. The broken heart
Creeps through the world, encumbered by its clay;
While dearly loved and cherished ones depart,
Though prayer and sore lamenting clog their way.

She lived: she left that sick room, and was brought
Into the scenes of customary thought:
The banquet-room, where lonely sunshine slept,
Saw her sweet eyes look round before she wept;
The garden heard the slow wheels of her chair,
When noon-day heat had warmed the untried air;
The pictures she had smiled upon for years,
Met her gaze trembling through a mist of tears;
Her favourite dog, his long unspoken name
Hearing once more, with timid fawning came;
It seemed as if all things partook her blight,
And sank in shadow like a spell of night.

And she saw Claud,--Claud in the open day,
Who through dim sunsets, curtained half away,
And by the dawn, and by the lamp's pale ray
So long had watched her!
And Claud also saw,
That beauty which was once without a flaw;
And flushed,--but strove to hide the sense of shock,--
The feelings that some witchcraft seemed to mock.
Are those her eyes, those eyes so full of pain?
Her restless looks that hunt for ease in vain?
Is that her step, that halt uneven tread?
Is that her blooming cheek, so pale and dead?
Is that,--the querulous anxious mind that tells
Its little ills, and on each ailment dwells,--
The spirit alert which early morning stirred
Even as it rouses every gladsome bird,
Whose chorus of irregular music goes
Up with the dew that leaves the sun-touched rose?

Oh! altered, altered; even the smile is gone,
Which, like a sunbeam, once exulting shone!
Smiles have returned; but not the smiles of yore;
The joy, the youth, the triumph, are no more.
An anxious smile remains, that disconnects
Smiling from gladness; one that more dejects,
Than floods of passionate weeping, for it tries
To contradict the question of our eyes:
We say, 'Thou'rt pained, poor heart, and full of woe?'
It drops that shining veil, and answers 'No;'
Shrinks from the touch of unaccepted hands,
And while it grieves, a show of joy commands.
Wan shine such smiles;--as evening sunlight falls
On a deserted house whose empty walls
No longer echo to the children's play
Or voice of ruined inmates fled away;
Where wintry winds alone, with idle state,
Move the slow swinging of its rusty gate.

But something sadder even than her pain
Torments her now; and thrills each languid vein.
Love's tender instinct feels through every nerve
When love's desires, or love itself doth swerve.
All the world's praise re-echoed to the sky
Cancels not blame that shades a lover's eye;
All the world's blame, which scorn for scorn repays,
Fails to disturb the joy of lover's praise.
Ah! think not vanity alone doth deck
Wtih rounded pearls the young girl's innocent neck,
Who in her duller days contented tries
The homely robe that with no rival vies,
But on the happy night she hopes to meet
The one to whom she comes with trembling feet,
With crimson roses decks her bosom fair,
Warm as the thoughts of love all glowing there,
Because she must his favourite colours wear;
And all the bloom and beauty of her youth
Can scarce repay, she thinks, her lover's truth.

Vain is the argument so often moved,
'Who feels no jealousy hath never loved;'
She whose quick fading comes before her tomb,
Is jealous even of her former bloom.
Restless she pines; because, to her distress,
One charm the more is now one claim the less
On his regard whose words are her chief treasures,
And by whose love alone her worth she measures.

Gertrude of La Garaye, thy heart is sore;
A worm is gnawing at the rose's core,
A doubt corrodeth all thy tender trust,
The freshness of thy day is choked in dust.
Not for the pain--although the pain be great,
Not for the change--though changed be all thy state;
But for a sorrow dumb and unrevealed,
Most from its cause with mournful care concealed--
From Claud--who goes and who returns with sighs
And gazes on his wife with wistful eyes,
And muses in his brief and cheerless rides
If her dull mood will mend; and inly chides
His own sad spirit, that sinks down so low,
Instead of lifting her from all her woe;
And thinks if he but loved her less, that he
Could cheer her drooping soul with gaiety--
But wonders evermore that Beauty's loss
To such a soul should seem so sore a cross.

Until one evening in that quiet hush
That lulls the falling day, when all the gush
Of various sounds seem buried with the sun,
He told his thought.
As winter streamlets run,
Freed by some sudden thaw, and swift make way
Into the natural channels where they play,
So leaped her young heart to his tender tone,
So, answering to his warmth, resumed her own;
And all her doubt and all her grief confest,
Leaning her faint head on his faithful breast.

'Not always, Claud, did I my beauty prize;
Thy words first made it precious in my eyes,
And till thy fond voice made the gift seem rare,
Nor tongue nor mirror taught me I was fair.
I recked no more of beauty in that day
Of happy girlishness and childlike play,
Than some poor woodland bird who stays his flight
On some low bough when summer days are bright,
And in that pleasant sunshine sits and sings,
And breaks the plumage of his glistening wings,
Recks of the passer-by who stands to praise
His feathered smoothness and his thrilling lays.
But now, I make my moan--I make my moan--
I weep the brightness lost, the beauty gone;
Because, now, fading is to fall from thee,
As the dead fruit falls blighted from the tree;
For thee,--not vanished loveliness,--I weep;
My beauty was a spell, thy love to keep;
For I have heard and read how men forsake
When time and tears that gift of beauty take,
Nor care although the heart they leave may break!'

A husband's love was there--a husband's love,--
Strong, comforting, all other loves above;
On her bowed neck he laid his tender hand,
And his voice steadied to his soul's command:
'Oh! thou mistaken and unhappy child,
Still thy complainings, for thy words are wild.
Thy beauty, though so perfect, was but one
Of the bright ripples dancing to the sun,
Which, from the hour I hoped to call thee wife,
Glanced down the silver stream of happy life.
Whatever change Time's heavy clouds may make,
Those are the waters which my thirst shall slake;
River of all my hopes thou wert and art;
The current of thy being bears my heart;
Whether it sweep along in shine or shade,
By barren rocks, or banks in flowers arrayed,
Foam with the storm, or glide in soft repose,--
In that deep channel, love unswerving flows!
How canst thou dream of beauty as a thing
On which depends the heart's own withering?
Lips budding red wth tints of vernal years,
And delicate lids of eyes that shed no tears,
And light that falls upon the shining hair
As though it found a second sunbeam there,--
These must go by, my Gertrude, must go by;
The leaf must wither and the flower must die;
The rose can only have a rose's bloom;
Age would have wrought thy wondrous beauty's doom;
A little sooner did that beauty go--
A little sooner--Darling, take it so;
Nor add a strange despair to all this woe;
And take my faith, by changes unremoved,
To thy last hour of age and blight, beloved!'

But she again,--'Alas! not from distrust
I mourn, dear Claud, nor yet to thee unjust.
I love thee: I believe thee: yea, I know
Thy very soul is wrung to see my woe;
The earthquake of compassion trembles still
Within its depths, and conquers natural will.
But after,--after,--when the shock is past,--
When cruel Time, who flies to change so fast,
Hath made my suffering an accustomed thing,
And only left me slowly withering;
Then will the empty days rise chill and lorn,
The lonely evening, the unwelcome morn,
Until thy path at length be brightly crost
By some one holding all that I have lost;
Some one with youthful eyes, enchanting, bright,
Full as the morning of a liquid light;
And while my pale lip stiff and sad remains,
Her smiles shall thrill like sunbeams through thy veins:
I shall fade down, and she, with simple art,
All bloom and beauty, dance into thy heart!
Then, then, my Claud, shall I--at length alone--
Recede from thee with an unnoticed moan,
Sink where none heed me, and be seen no more,
Like waves that fringe the Netherlandish shore,
Which roll unmurmuring to the flat low land,
And sigh to death in that monotonous sand.'

Again his earnest hand on hers he lays,
With love and pain and wonder in his gaze.

'Oh, darling! bitter word and bitter thought
What dæmon to thy trusting heart hath brought?
It may be thus within some sensual breast,
By passion's fire, not true love's power possest;
The creature love, that never lingers late,
A springtide thirst for some chance-chosen mate.
Oh! my companion, 'twas not so with me;
Not in the days long past, nor now shall be.
The drunken dissolute hour of Love's sweet cup,
When eyes are wild, and mantling blood is up,
Even in my youth to me was all unknown:
Until I truly loved, I was alone.
I asked too much of intellect and grace,
To pine, though young, for every pretty face,
Whose passing brightness to quick fancies made
A sort of sunshine in the idle shade;
Beauties who starred the earth like common flowers,
The careless eglantines of wayside bowers.
I lingered till some blossom rich and rare
Hung like a glory on the scented air,
Enamouring at once the heart and eye,
So that I paused, and could not pass it by.
Then woke the passionate love within my heart,
And only with my life shall that depart;
'Twas not so sensual strong, so loving weak,
To ebb when ebbs the rose-tinge on thy cheek;
Fade with thy fading, weakening day by day
Till thy locks silver with a dawning grey:
No, Gertrude, trust me, for thou may'st believe,
A better faith is that which I receive;
Sacred I'll hold the sacred name of wife,
And love thee to the sunset verge of life!
Yea, shall so much of empire o'er man's soul
Live in a wanton's smile, and no control
Bind down his heart to keep a steadier faith,
For links that are to last from life to death?
Let those who can, in transient love rejoice,--
Still to new hopes breathe forth successive sighs,--
Give me the music of the accustomed voice,
And the sweet light of long familiar eyes!'

He ceased. But she, for all her fervent speech,
Sighed as she listened. 'Claud, I cannot reach
The summit of the hope where thou wouldst set me,
And all I crave is never to forget me!
Wedded I am to pain and not to thee,
Thy life's companion I no more can be,
For thou remainest all thou wert--but I
Am a fit bride for Death, and long to die.
Yea, long for death; for thou wouldst miss me then
More even than now, in mountain and in glen;
And musing by the white tomb where I lay,
Think of the happier time and earlier day,
And wonder if the love another gave
Equalled the passion buried in that grave.'

Then with a patient tenderness he took
That pale wife in his arms, with yearning look:
'Oh! dearer now than when thy girlish tongue
Faltered consent to love while both were young,
Weep no more foolish tears, but lift thy head;
Those drops fall on my heart like molten lead;
And all my soul is full of vain remorse,
Because I let thee take that dangerous course,
Share in the chase, pursue with horn and hound,
And follow madly o'er the roughened ground.
Not lightly did I love, nor lightly choose;
Whate'er thou losest I will also lose;
If bride of Death,--being first my chosen bride,--
I will await death, lingering by thy side;
And God, He knows, who reads all human thought,
And by whose will this bitter hour was brought,
How eagerly, could human pain be shifted,
I would lie low, and thou once more be lifted
To walk in beauty as thou didst before,
And smile upon the welcome world once more.
Oh! loved even to the brim of love's full fount,
Wilt thou set nothing to firm faith's account?
Choke back thy tears which are thy bitter smart,
Lean thy dear head upon my aching heart;
It may be God, who saw our careless life,
Not sinful, yet not blameless, my sweet wife,
(Since all we thought of, in our youth's bright May,
Was but the coming joy from day to day
Hath blotted out all joy to bid us learn
That this is not our home; and make us turn
From the enchanted earth, where much was given,
To higher aims, and a forgotten heaven.'

So spoke her love--and wept in spite of words;
While her heart echoed all his heart's accords,
And leaning down, she said with whispering sigh,
'I sinned, my Claud, in wishing so to die.'
Then they, who oft in Love's delicious bowers
Had fondly wasted glad and passionate hours,
Kissed with a mutual moan:--but o'er their lips
Love's light passed clear, from under Life's eclipse.

by Caroline Elizabeth Sarah Norton.

I.

WHAT shalt THOU know of Spring? A verdant crown
Of young boughs waving o'er thy blooming head:
White tufted Guelder-roses, showering down
A fairy snow-path where thy footsteps tread:
Fragrance and balm,--which purple violets shed:
Wild-birds,--sweet warbling in commingled song:
Brooklets,--thin murmuring down their pebbly bed;
Or more abundant rivers,--swept along
With shoals of tiny fish, in many a silver throng!
II.

To THEE shall be unknown that weary pain,
The feverish thirsting for a breath of air,--
Which chokes the heart of those who sigh in vain
For respite, in their round of toil and care:
Who never gaze on Nature fresh and fair,
Nor in sweet leisure wile an hour away;
But, like caged creatures, sullenly despair,
As day monotonously follows day,
Till youth wears on to age, and strength to faint decay.
III.

A feeble girl sits working all alone!
A ruined Farmer's orphan; pale and weak;
Her early home to wealthier strangers gone,
No rural beauty lingers on her cheek;
Her woe-worn looks a woeful heart bespeak;
Though in her dull, and rarely lifted eye,
(Whose glances nothing hope, and nothing seek,)
Those who have time for pity, might descry
A thousand shattered gleams of merriment gone by!
IV.

Her window-sill some sickly plants adorn,
(Poor links to memories sweet of Nature's green!)
There to the City's smoke-polluted morn
The primrose lifts its leaves, with buds between,
'Minished and faint, as though their life had been
Nipped by long pining and obscure regret;
Torn from the sunny bank where erst were seen
Lovely and meek companions, thickly set,--
The cowslip, rich in scent, and humble violet!
V.

Too fanciful! the plant but pines, like her,
For purer air; for sunbeams warm and kind;
Th' enlivening joy of nature's busy stir,
The rural freedom, long since left behind!
For the fresh woodlands,--for the summer wind,--
The open fields with perfumed clover spread;--
The hazel copse,--whose branches intertwined
Made natural bow'rs and arches overhead,
With many a narrow path, where only two could tread.
VI.

Never, oh! never more, shall these afford
Her stifled heart their innocent delight!
Never, oh! never more, the rich accord
Of feathered songsters make her morning bright!
Earning scant bread, that finds no appetite,
The sapless life she toils for, lingers on;
And when at length it sinks in dreary night,
A shallow, careless grave is dug,--where none
Come round to bless her rest, whose ceaseless tasks are done!
VII.

And now, the devious threads her simple skill
Wove in a quaint device and flowery line,
Adorn some happier maid, whose wayward will
Was struck with wishing for the fair design:
Some 'curléd darling' of a lordly line,
Whose blooming cheek, through veils of texture rare,
Mantling with youth's warm blood is seen to shine;
While her light garments, draped with modest care,
Soft as a dove's white wings, float on the breezy air.
VIII.

Oh, there is need for permanent belief
In the All-Equal World of Joy to come!
Need for such solace to the restless grief
And heavy troubles of our earthly home!
Else might our wandering reason blindly roam,
And ask, with all a heathen's discontent,
Why Joy's bright cup for some should sparkling foam,
While others, not less worthy, still lament,
And find the cup of tears the only portion sent!
IX.

But for the Christian's hope, how hard, how cold,
How bitterly unjust, our lot would seem!
How purposeless and sad, to young and old!
How like the struggles of a torturing dream,
When ghastly midnight bids us strive and scream!
All fades--all fleets--of which our hearts grow fond;
Pain presses on us to the last extreme,--
When lo! the dawn upriseth, clear beyond,
And, radiant from the East, forbids us to despond.
X.

And many a crippled child, and aged man,
And withered crone, who once saw 'better days,'
With just enough of intellect to scan
This gracious truth; uncheered by human praise,
Patient plods through the thorn-encumbered ways:
Oh, trust God counts the hours through which they sigh,
While His green Spring eludes their suffering gaze,
And flowers along Earth's spangled bosom lie,
Whose barren bloom, for them, must unenjoyed pass by!
XI.

So lives the little Trapper underground;
No glittering sunshine streaks the oozy wall;
Not e'en a lamp's cold glimmer shineth round
Where he must sit (through summer days and all,
While in warm upper air the cuckoos call,)
For ever listening at the weary gate
Where echoes of the unseen footsteps fall.
Early he comes, and lingers long and late,
With savage men, whose blows his misery aggravate.
XII.

Yet sometimes, (for the heart of childhood is
A thing so pregnant with joy's blessed sun,
That all the dismal gloom that round him lies
Can scarce suffice to bid its rays begone)
In lieu of vain complaint, or peevish moan,
A feeble SONG the passing hour will mark!
Poor little nightingale! that sing'st alone,
Thy cage is very low, and bitter dark;
But God hears thee, who hears the glad upsoaring lark.
XIII.

God seeth thee, who sees the prosperous proud
Into the sunshine of their joy go forth:
God marks thee, weak one, in the human crowd,
And judgeth all thy grief, (as all their mirth,)
Bird with the broken wing that trails on earth!
His angels watch thee, if none watch beside,
As faithfully--despite thy lowly birth--
As the child-royal of the queenly bride,
Or our belief is vain in Christ the Crucified!
XIV.

In Christ! who made young children's guileless lives
The cherished objects of His love and care;
Who bade each sinner that for pardon strives,
Low, at Heaven's feet, a child-like heart lay bare;
Opening the world's great universal prayer
With these meek words: 'Our Father!' Strange, that we
The common blessings of His earth and air
Deny to those who, circling round His knee,
Embraced, in mortal life, His immortality!
XV.

Those 'common blessings!' In this chequered scene
How scant the gratitude we shew to God!
Is it, in truth, a privilege so mean
To wander with free footsteps o'er the sod,
See various blossoms paint the valley clod,
And all things into teeming beauty burst?
A miracle as great as Aaron's rod,
But that our senses, into dulness nurst,
Recurring Custom still with Apathy hath curst.
XVI.

They who have rarest joy, know Joy's true measure;
They who most suffer, value Suffering's pause;
They who but seldom taste the simplest pleasure,
Kneel oftenest to the Giver and the Cause.
Heavy the curtains feasting Luxury draws,
To hide the sunset and the silver night;
While humbler hearts, when Care no longer gnaws,
And some rare holiday permits delight,
Lingering, with love would watch that earth-enchanting sight.
XVII.

So sits the pallid weaver at his loom,
Copying the wreaths the artist-pencil drew;
In the dull confines of his cheerless room
Glisten those tints of rich and living hue.
The air is sweet, the grass is fresh with dew,
And feverish aches are throbbing in his veins,
But his are work-day Springs, and Summers too;
And if he quit his loom, he leaves his gains--
That gorgeous, glistering silk, designed with so much pains!
XVIII.

It shall be purchased as a robe of state
By some great lady, when his toil is done;
While on her will obsequious shopmen wait,
To shift its radiance in the flattering sun:
And as she, listless, eyes its beauty, none
Her brow shall darken, or her smile shall shade,
By a strange story--yet a common one--
Of tears that fell (but not on her brocade,)
And misery weakly borne while it was slowly made.
XIX.

For while that silk the weaver's time beguiled,
His wife lay groaning on her narrow bed,
The suffering mother of a new-born child,
Without a cradle for its weakly head,
Or future certainty of coarsest bread;
Not, in that hour of Nature's sore affright,
A fire, or meal that either might be fed;
So, through the pauses of the dreadful night,
Patient they lay, and longed for morning's blessed light.
XX.

Not patient--no; I over-rate his strength
Who listened to the infant's wailing cry,
And mother's weary moan, until at length
He gave them echo with a broken sigh!
Daylight was dawning, and the loom stood nigh:
He looked on it, as though he would discern
If there was light enough to labour by.
What made his heart's-blood leap, and sink, in turn?
What, in that cold gloom caused his pallid cheek to burn?
XXI.

What made him rise, with wild and sudden start?
Alas! the poor are weak, when they are tried!
(Can the rich say, that they, with steadfast heart,
Have all temptations constantly defied?)
He counts the value of that robe of pride;
And while the dawn clears up, that ushers in
His child's first morn on life's uncertain tide,
He keeps its birthday with a deed of sin,
And pawns his master's silk, bread for his wife to win.
XXII.

Let none excuse the deed, for it was wrong:--
And since 'twas ruin to the wretch employed,
No doubt the hour's despair was wild and strong
Which left that loom of silken splendours void:
Let Virtue trust their meal was unenjoyed,
Eaten in trembling, drenched with bitterness,--
And that the faint uncertain hope which buoyed
His heart awhile, to hide his guilt's excess,
And get that silk redeemed, was vain, from his distress:
XXIII.

So that true Justice might pursue her course;
And the silk, finished by 'a different hand,'
Might in good time (delayed awhile perforce)
Be brought to clothe that lady of the land
Whom I behold as in a vision stand.
Lo! in my vision, on its folds are laid
The turquoise-circled fingers of her hand;
While by herself, and her attendant maid,
Its texture, soft and rich, is smiled on and surveyed.
XXIV.

Indifferent to her, the heavy cost
Of that rich robe, first pawned for one poor meal;
She that now wears it, and her lord, may boast
No payment made,--yet none dare say THEY steal!
No, not if future reckoning-hours reveal
Debts the encumbered heir can never pay;
But whose dishonest weight his heart shall feel
Through many a restless night and bitter day,
Hearing what cheated men of the bad dead will say.
XXV.

Onward she moves, in Fashion's magic glass,
Half-strut, half-swim, she slowly saunters by:
A self-delighting, delicate, pampered mass
Of flesh indulged in every luxury
Folly can crave, or riches can supply:
Spangled with diamonds--head, and breast, and zone,
Scorn lighting up her else most vacant eye,
Careless of all conditions but her own,
She sweeps that stuff along, to curtsey to the throne.
XXVI.

That dumb woof tells no story! Silent droops
The gorgeous train, voluminously wide;
And while the lady's knee a moment stoops
(Mocking her secret heart, which swells with pride,)
No ragged shadow follows at her side
Into that royal presence, where her claim
To be admitted, is to be allied
To wealth, and station, and a titled name,--
No warning voice is heard to supplicate or blame.
XXVII.

Nor,--since by giving working hands employ,
Her very vanity must help their need
Whom, in her life of cold ungenerous joy,
She never learned to pity or to heed,--
Would sentence harsh from thoughtful minds proceed;
But that the poor man, dazzled, sees encroach
False lights upon his pathway, which mislead
Those who the subject of his wrongs would broach,
Till Rank a bye-word seems,--and Riches a reproach.
XXVIII.

How oft some friendly voice shall vainly speak
The sound true lessons of Life's holier school;--
How much of wholesome influence prove weak,
Because one tinselled, gaudy, selfish fool,
Hath made the exception seem the practiced rule!
In Luxury, so prodigal of show,--
In Charity, so wary and so cool,--
That wealth appeared the poor man's open foe,
And all, of high estate, this language to avow:--
XXIX.

'A life of self-indulgence is for Us,
'A life of self-denial is for them;
'For Us the streets, broad-built and populous,
'For them, unhealthy corners, garrets dim,
'And cellars where the water-rat may swim!
'For Us, green paths refreshed by frequent rain,
'For them, dark alleys where the dust lies grim!
'Not doomed by Us to this appointed pain,--
'God made us, Rich and Poor--of what do these complain?'
XXX.

Of what? Oh! not of Heaven's great law of old,
That brightest light must fall by deepest shade;
Not that they wander hungry, gaunt, and cold,
While others in smooth splendours are arrayed;
Not that from gardens where they would have strayed
You shut them out, as though a miser's gem
Lay in the crystal stream or emerald glade,
Which they would filch from Nature's diadem;
But that you keep no thought, no memory of THEM.
XXXI.

That, being gleaners in the world's large field
(And knowing well they never can be more,)
Those unto whom the fertile earth must yield
Her increase, will not stand like him of yore,
Large-hearted Boaz, on his threshing-floor,
Watching that weak ones starve not on their ground.
How many sills might frame a beggar's door,
For any love, or help, or pity found,
In rich men's hearts and homes, to help the needy round!
XXXII.

Meanwhile, enjoy your Walks, your Parks, your Drives,
Heirs of Creation's fruits, this world's select!
Bask in the sunshine of your idle lives,
And teach your poorer brother to expect
Nor share, nor help! Rouse up the fierce-toned sect
To grudge him e'en the breeze that once a-week
Might make him feel less weary and deject;
And stand, untouched, to see how thankful-meek
He walks that day, his child close nestling at his cheek.
XXXIII.

Compel him to your creed; force him to think;
Cut down his Sabbath to a day of rest
Such as the beasts enjoy,--to eat, and drink,
And drone away his time, by sleep opprest:--
But let 'My lady' send, at her behest,
A dozen different servants to prepare,
Grooms, coachmen, footmen, in her livery drest,
And shining horses, fed with punctual care,
To whirl her to Hyde Park, that she may 'take the air.'
XXXIV.

Yet, even with her, we well might moralise;
(No place too gay, if so the heart incline!)
For dark the Seal of Death and Judgment lies
Upon thy rippling waters, Serpentine!
Day after day, drawn up in linkèd line,
Your lounging beauties smile on idle men,
Where Suicides have braved the Will Divine,
Watched the calm flood that lay beneath their ken,
Dashed into seeming peace, and never rose again!
XXXV.

There, on the pathway where the well-groomed steed
Restlessly paws the earth, alarmed and shy;
While his enamoured rider nought can heed
Save the soft glance of some love-lighted eye;
There, they dragged out the wretch who came to die
There was he laid--stiff, stark, and motionless,
And searched for written signs to notify
What pang had driv'n him to such sore excess,
And who should weep his loss, and pity his distress!
XXXVI.

Cross from that death-pond to the farther side,
Where fewer loiterers wander to and fro,
There,--buried under London's modern pride,
And ranges of white buildings,--long ago
Stood Tyburn Gate and gallows! Scenes of woe,
Bitter, heart-rending, have been acted here;
While, as he swung in stifling horrid throe,
Hoarse echoes smote the dying felon's ear,
Of yells from fellow-men, triumphant in his fear!
XXXVII.

Not always thus. At times a Mother knelt,
And blest the wretch who perished for his crime;
Or a young wife bowed down her head, and felt
Her little son an orphan from that time;
Or some poor frantic girl, whose love sublime
In the coarse highway robber could but see
Her heart's ideal, heard Death's sullen chime
Shivering and weeping on her fainting knee,
And mourned for him who hung high on the gallows-tree.
XXXVIII.

Nowhere more deeply stamped the trace of gloom
Than in this light haunt of the herding town;
Marks of the world's Forgotten Ones, on whom
The eye of God for ever looketh down,
Still pitiful, above the human frown,
As Glory o'er the Dark! Earth's mercy tires!
But Heaven hath stored a mercy of its own,
Watching the feet that tread among the briars,
And guiding fearful eyes, when fainter light expires.
XXXIX.

Yet no such serious thoughts their minds employ,
Who lounge and wander 'neath the sunshine bright,
But how to turn their idleness to joy,
Their weariness to pleasure and delight;
How best with the ennui of life to fight
With operas, plays, assemblies, routs, and balls--
The morning passed in planning for the night
Feastings and dancings in their lighted halls;
And still, as old ones fade, some newer pleasure calls.
XL.

Betwixt the deathly stream and Tyburn Gate
Stand withered trees, whose sapless boughs have seen
Beauties whose memory now is out of date,
And lovers, on whose graves the moss is green!
While Spring, for ever fresh, with smile serene,
Woke up grey Time, and drest his scythe with flowers,
And flashed sweet light the tender leaves between,
And bid the wild-bird carol in the bowers,
Year after year the same, with glad returning hours.
XLI.

Oh, those old trees! what see they when the beam
Falls on blue waters from the bluer sky?
When young Hope whispers low, with smiles that seem
Too joyous to be answered with a sigh?
The scene is then of prosperous gaiety,
Thick-swarming crowds on summer pleasure bent,
And equipages formed for luxury;
While rosy children, young and innocent,
Dance in the onward path, and frolic with content.
XLII.

But when the scattered leaves on those wan boughs
Quiver beneath the night wind's rustling breath;
When jocund merriment, and whispered vows,
And children's shouts, are hushed; and still as Death
Lies all in heaven above and earth beneath;
When clear and distant shine the steadfast stars
O'er lake and river, mountain, brake, and heath,--
And smile, unconscious of the woe that mars
The beauty of earth's face, deformed by Misery's scars;
XLIII.

What see the old trees THEN? Gaunt, pallid forms
Come, creeping sadly to their hollow hearts,
Seeking frail shelter from the winds and storms,
In broken rest, disturbed by fitful starts;
There, when the chill rain falls, or lightning darts,
Or balmy summer nights are stealing on,
Houseless they slumber, close to wealthy marts
And gilded homes:--there, where the morning sun
That tide of wasteful joy and splendour looked upon!
XLIV.

There the man hides, whose 'better days' are dropped
Round his starvation, like a veil of shame;
Who, till the fluttering pulse of life hath stopped,
Suffers in silence, and conceals his name:--
There the lost victim, on whose tarnished fame
A double taint of Death and Sin must rest,
Dreams of her village home and Parents' blame,
And in her sleep by pain and cold opprest,
Draws close her tattered shawl across her shivering breast.
XLV.

Her history is written in her face;
The bloom hath left her cheek, but not from age;
Youth, without innocence, or love, or grace,
Blotted with tears, still lingers on that page!
Smooth brow, soft hair, dark eyelash, seem to wage
With furrowed lines a contradiction strong;
Till the wild witchcraft stories, which engage
Our childish thoughts, of magic change and wrong,
Seem realised in her--so old, and yet so young!
XLVI.

And many a wretch forlorn, and huddled group
Of strangers met in brotherhood of woe,
Heads that beneath their burden weakly stoop,--
Youth's tangled curls, and Age's locks of snow,--
Rest on those wooden pillows, till the glow
Of morning o'er the brightening earth shall pass,
And these depart, none asking where they go;
Lost in the World's confused and gathering mass,--
While a new slide fills up Life's magic-lantern glass.
XLVII.

CHILD OF THE ISLANDS! in thy royal bowers,
Calm THOU shalt slumber, set apart from pain;
Thy spring-day spent in weaving pendent flowers,
Or watching sun-bows glitter through the rain,
Spanning with glorious arch the distant plain;
Or listening to the wood-bird's merry call;
Or gathering sea-shells by the surging main;
And, wheresoe'er thy joyous glances fall,
The wise shall train thy mind, to glean delight from all.
XLVIII.

But most thou'lt love all young and tender things,
And open wide and bright, in pleased surprise,
When the soft nestling spreads its half-fledged wings,
Thy innocent and wonder-loving eyes,
To see him thus attempt the sunny skies!
Thou shalt enjoy the kitten's frolic mood,
Pursue in vain gay-painted butterflies,
Watch the sleek puppy lap its milky food,
And fright the clucking hen, with all her restless brood.
XLIX.

Eager thou'lt gaze, where, down the river's tide,
The proud swan glides, and guards its lonely nest;
Or where the white lambs spot the mountain's side,
Where late the lingering sunshine loves to rest;
Midst whom, in frock of blue and coloured vest,
Lies the young shepherd boy, who little heeds
(The livelong day by drowsy dreams opprest)
The nibbling, bleating flock that round him feeds,
But to his faithful dog leaves all the care it needs.
L.

In time, less simple sights and sounds of Earth
Shall yield thy mind a pleasure not less pure:
Mighty beginnings--schemes of glorious birth--
In which th' Enthusiast deems he may secure,
By rapid labour, Fame that shall endure;
Complex machines to lessen human toil,
Fair artist-dreams, which Beauty's forms allure,
New methods planned to till the fertile soil,
And marble graven works, which time forbears to spoil.
LI.

For, like the Spring, Man's heart hath buds and leaves,
Which, sunned upon, put forth immortal bloom;
Gifts, that from Heaven his nascent soul receives,
Which, being heavenly, shall survive the tomb.
In its blank silence, in its narrow gloom,
The clay may rest which wrapped his human birth;
But, all unconquered by that bounded doom,
The Spirit of his Thought shall walk the earth,
In glory and in light, midst life, and joy, and mirth.
LII.

Thou'rt dead, oh, Sculptor--dead! but not the less
(Wrapped in pale glory from th' illumined shrine)
Thy sweet St. Mary stands in her recess,
Worshipped and wept to, as a thing divine:
Thou'rt dead, oh, Poet!--dead, oh, brother mine!
But not the less the curbèd hearts stoop low
Beneath the passion of thy fervent line:
And thou art dead, oh, Painter! but not so
Thy Inspiration's work, still fresh in living glow.
LIII.

These are the rulers of the earth! to them
The better spirits due allegiance own;
Vain is the might of rank's proud diadem,
The golden sceptre, or the jewelled crown;
Beyond the shadow of a mortal frown
Lofty they soar! O'er these, pre-eminent,
God only, Sovran regnant, looketh down,
God! who to their intense perception lent
All that is chiefest good and fairest excellent.
LIV.

Wilt thou take measure of such minds as these,
Or sound, with plummet-line, the Artist-Heart?
Look where he meditates among the trees--
His eyelids full of love, his lips apart
With restless smiles; while keen his glances dart,
Above--around--below--as though to seek
Some dear companion, whom, with eager start,
He will advance to welcome, and then speak
The burning thoughts for which all eloquence is weak.
LV.

How glad he looks! Whom goeth he to meet?
Whom? God:--there is no solitude for him.
Lies the earth lonely round his wandering feet?
The birds are singing in the branches dim,
The water ripples to the fountains' brim,
The young lambs in the distant meadows bleat;
And he himself beguiles fatigue of limb
With broken lines, and snatches various sweet,
Of ballads old, quaint hymns for Nature's beauty meet!
LVI.

Love is too earthly-sensual for his dream;
He looks beyond it, with his spirit-eyes!
His passionate gaze is for the sunset-beam,
And to that fainting glory, as it dies,
Belongs the echo of his swelling sighs.
Pale wingèd Thoughts, the children of his Mind,
Hover around him as he onward hies;
They murmur to him 'Hope!' with every wind,
Though to their lovely Shapes our grosser sight is blind.
LVII.

But who shall tell, when want and pain have crost
The clouded light of some forsaken day,
What germs of Beauty have been crushed and lost,
What flashing thoughts have gleamed to fade away?
Oh! since rare flowers must yet take root in clay,
And perish if due culture be denied;
Let it be held a Royal boast to say,
For lack of aid, no heaven-born genius died;
Nor dwindled withering down, in desert-sands of Pride!
LVIII.

The lily-wand is theirs! the Angel-gift!
And, if the Earthly one with failing hand
Hold the high glory, do Thou gently lift,
And give him room in better light to stand.
For round THEE, like a garden, lies the land
His pilgrim feet must tread through choking dust;
And Thou wert born to this world's high command,
And he was born to keep a Heavenly Trust;
And both account to ONE, the Merciful and Just.
LIX.

Youth is the spring-time of untarnished life!
Spring, the green youth of the unfaded year!
We watch their promise, midst the changeful strife
Of storms that threaten and of skies that clear,
And wait, until the harvest-time appear.
CHILD OF THE ISLANDS, may those springs which shed
Their blossoms round thee, give no cause for fear;
And may'st thou gently bend, and meekly tread,
Thy garlanded glad path, till summer light be fled!

by Caroline Elizabeth Sarah Norton.

If from great nature's or our own abyss
Of thought we could but snatch a certainty,
Perhaps mankind might find the path they miss--
But then 'twould spoil much good philosophy.
One system eats another up, and this
Much as old Saturn ate his progeny;
For when his pious consort gave him stones
In lieu of sons, of these he made no bones.

But System doth reverse the Titan's breakfast,
And eats her parents, albeit the digestion
Is difficult. Pray tell me, can you make fast,
After due search, your faith to any question?
Look back o'er ages, ere unto the stake fast
You bind yourself, and call some mode the best one.
Nothing more true than not to trust your senses;
And yet what are your other evidences?

For me, I know nought; nothing I deny,
Admit, reject, contemn; and what know you,
Except perhaps that you were born to die?
And both may after all turn out untrue.
An age may come, Font of Eternity,
When nothing shall be either old or new.
Death, so call'd, is a thing which makes men weep,
And yet a third of life is pass'd in sleep.

A sleep without dreams, after a rough day
Of toil, is what we covet most; and yet
How clay shrinks back from more quiescent clay!
The very Suicide that pays his debt
At once without instalments (an old way
Of paying debts, which creditors regret)
Lets out impatiently his rushing breath,
Less from disgust of life than dread of death.

'Tis round him, near him, here, there, every where;
And there's a courage which grows out of fear,
Perhaps of all most desperate, which will dare
The worst to know it:--when the mountains rear
Their peaks beneath your human foot, and there
You look down o'er the precipice, and drear
The gulf of rock yawns,--you can't gaze a minute
Without an awful wish to plunge within it.

'Tis true, you don't - but, pale and struck with terror,
Retire: but look into your past impression!
And you will find, though shuddering at the mirror
Of your own thoughts, in all their self--confession,
The lurking bias, be it truth or error,
To the unknown; a secret prepossession,
To plunge with all your fears - but where? You know not,
And that's the reason why you do - or do not.

But what's this to the purpose? you will say.
Gent. reader, nothing; a mere speculation,
For which my sole excuse is - 'tis my way;
Sometimes with and sometimes without occasion
I write what's uppermost, without delay:
This narrative is not meant for narration,
But a mere airy and fantastic basis,
To build up common things with common places.

You know, or don't know, that great Bacon saith,
'Fling up a straw, 'twill show the way the wind blows;'
And such a straw, borne on by human breath,
Is poesy, according as the mind glows;
A paper kite which flies 'twixt life and death,
A shadow which the onward soul behind throws:
And mine's a bubble, not blown up for praise,
But just to play with, as an infant plays.

The world is all before me - or behind;
For I have seen a portion of that same,
And quite enough for me to keep in mind;--
Of passions, too, I have proved enough to blame,
To the great pleasure of our friends, mankind,
Who like to mix some slight alloy with fame;
For I was rather famous in my time,
Until I fairly knock'd it up with rhyme.

I have brought this world about my ears, and eke
The other; that's to say, the clergy, who
Upon my head have bid their thunders break
In pious libels by no means a few.
And yet I can't help scribbling once a week,
Tiring old readers, nor discovering new.
In youth I wrote because my mind was full,
And now because I feel it growing dull.

But 'why then publish?'- There are no rewards
Of fame or profit when the world grows weary.
I ask in turn,--Why do you play at cards?
Why drink? Why read?- To make some hour less dreary.
It occupies me to turn back regards
On what I've seen or ponder'd, sad or cheery;
And what I write I cast upon the stream,
To swim or sink - I have had at least my dream.

I think that were I certain of success,
I hardly could compose another line:
So long I've battled either more or less,
That no defeat can drive me from the Nine.
This feeling 'tis not easy to express,
And yet 'tis not affected, I opine.
In play, there are two pleasures for your choosing -
The one is winning, and the other losing.

Besides, my Muse by no means deals in fiction:
She gathers a repertory of facts,
Of course with some reserve and slight restriction,
But mostly sings of human things and acts -
And that's one cause she meets with contradiction;
For too much truth, at first sight, ne'er attracts;
And were her object only what's call'd glory,
With more ease too she 'd tell a different story.

Love, war, a tempest - surely there 's variety;
Also a seasoning slight of lucubration;
A bird's-eye view, too, of that wild, Society;
A slight glance thrown on men of every station.
If you have nought else, here 's at least satiety
Both in performance and in preparation;
And though these lines should only line portmanteaus,
Trade will be all the better for these Cantos.

The portion of this world which I at present
Have taken up to fill the following sermon,
Is one of which there's no description recent.
The reason why is easy to determine:
Although it seems both prominent and pleasant,
There is a sameness in its gems and ermine,
A dull and family likeness through all ages,
Of no great promise for poetic pages.

With much to excite, there's little to exalt;
Nothing that speaks to all men and all times;
A sort of varnish over every fault;
A kind of common-place, even in their crimes;
Factitious passions, wit without much salt,
A want of that true nature which sublimes
Whate'er it shows with truth; a smooth monotony
Of character, in those at least who have got any.

Sometimes, indeed, like soldiers off parade,
They break their ranks and gladly leave the drill;
But then the roll-call draws them back afraid,
And they must be or seem what they were: still
Doubtless it is a brilliant masquerade;
But when of the first sight you have had your fill,
It palls - at least it did so upon me,
This paradise of pleasure and ennui.

When we have made our love, and gamed our gaming,
Drest, voted, shone, and, may be, something more;
With dandies dined; heard senators declaiming;
Seen beauties brought to market by the score,
Sad rakes to sadder husbands chastely taming;
There's little left but to be bored or bore.
Witness those 'ci-devant jeunes hommes' who stem
The stream, nor leave the world which leaveth them.

'Tis said - indeed a general complaint -
That no one has succeeded in describing
The monde, exactly as they ought to paint:
Some say, that authors only snatch, by bribing
The porter, some slight scandals strange and quaint,
To furnish matter for their moral gibing;
And that their books have but one style in common -
My lady's prattle, filter'd through her woman.

But this can't well be true, just now; for writers
Are grown of the beau monde a part potential:
I've seen them balance even the scale with fighters,
Especially when young, for that's essential.
Why do their sketches fail them as inditers
Of what they deem themselves most consequential,
The real portrait of the highest tribe?
'Tis that, in fact, there's little to describe.

'Haud ignara loquor;' these are Nugae, 'quarum
Pars parva fui,' but still art and part.
Now I could much more easily sketch a harem,
A battle, wreck, or history of the heart,
Than these things; and besides, I wish to spare 'em,
For reasons which I choose to keep apart.
'Vetabo Cereris sacrum qui vulgarit-'
Which means that vulgar people must not share it.

And therefore what I throw off is ideal -
Lower'd, leaven'd, like a history of freemasons;
Which bears the same relation to the real,
As Captain Parry's voyage may do to Jason's.
The grand arcanum's not for men to see all;
My music has some mystic diapasons;
And there is much which could not be appreciated
In any manner by the uninitiated.

Alas! worlds fall - and woman, since she fell'd
The world (as, since that history less polite
Than true, hath been a creed so strictly held)
Has not yet given up the practice quite.
Poor thing of usages! coerced, compell'd,
Victim when wrong, and martyr oft when right,
Condemn'd to child-bed, as men for their sins
Have shaving too entail'd upon their chins,--

A daily plague, which in the aggregate
May average on the whole with parturition.
But as to women, who can penetrate
The real sufferings of their she condition?
Man's very sympathy with their estate
Has much of selfishness, and more suspicion.
Their love, their virtue, beauty, education,
But form good housekeepers, to breed a nation.

All this were very well, and can't be better;
But even this is difficult, Heaven knows,
So many troubles from her birth beset her,
Such small distinction between friends and foes,
The gilding wears so soon from off her fetter,
That - but ask any woman if she'd choose
(Take her at thirty, that is) to have been
Female or male? a schoolboy or a queen?

'Petticoat influence' is a great reproach,
Which even those who obey would fain be thought
To fly from, as from hungry pikes a roach;
But since beneath it upon earth we are brought,
By various joltings of life's hackney coach,
I for one venerate a petticoat-
A garment of a mystical sublimity,
No matter whether russet, silk, or dimity.

Much I respect, and much I have adored,
In my young days, that chaste and goodly veil,
Which holds a treasure, like a miser's hoard,
And more attracts by all it doth conceal-
A golden scabbard on a Damasque sword,
A loving letter with a mystic seal,
A cure for grief - for what can ever rankle
Before a petticoat and peeping ankle?

And when upon a silent, sullen day,
With a sirocco, for example, blowing,
When even the sea looks dim with all its spray,
And sulkily the river's ripple's flowing,
And the sky shows that very ancient gray,
The sober, sad antithesis to glowing,--
'Tis pleasant, if then any thing is pleasant,
To catch a glimpse even of a pretty peasant.

We left our heroes and our heroines
In that fair clime which don't depend on climate,
Quite independent of the Zodiac's signs,
Though certainly more difficult to rhyme at,
Because the sun, and stars, and aught that shines,
Mountains, and all we can be most sublime at,
Are there oft dull and dreary as a dun -
Whether a sky's or tradesman's is all one.

An in-door life is less poetical;
And out of door hath showers, and mists, and sleet,
With which I could not brew a pastoral.
But be it as it may, a bard must meet
All difficulties, whether great or small,
To spoil his undertaking or complete,
And work away like spirit upon matter,
Embarrass'd somewhat both with fire and water.

Juan - in this respect, at least, like saints -
Was all things unto people of all sorts,
And lived contentedly, without complaints,
In camps, in ships, in cottages, or courts -
Born with that happy soul which seldom faints,
And mingling modestly in toils or sports.
He likewise could be most things to all women,
Without the coxcombry of certain she men.

A fox -hunt to a foreigner is strange;
'T is also subject to the double danger
Of tumbling first, and having in exchange
Some pleasant jesting at the awkward stranger:
But Juan had been early taught to range
The wilds, as doth an Arab turn'd avenger,
So that his horse, or charger, hunter, hack,
Knew that he had a rider on his back.

And now in this new field, with some applause,
He clear'd hedge, ditch, and double post, and rail,
And never craned, and made but few 'faux pas,'
And only fretted when the scent 'gan fail.
He broke, 'tis true, some statutes of the laws
Of hunting - for the sagest youth is frail;
Rode o'er the hounds, it may be, now and then,
And once o'er several country gentlemen.

But on the whole, to general admiration
He acquitted both himself and horse: the squires
Marvell'd at merit of another nation;
The boors cried 'Dang it? who'd have thought it?'--Sires,
The Nestors of the sporting generation,
Swore praises, and recall'd their former fires;
The huntsman's self relented to a grin,
And rated him almost a whipper-in.

Such were his trophies--not of spear and shield,
But leaps, and bursts, and sometimes foxes' brushes;
Yet I must own,--although in this I yield
To patriot sympathy a Briton's blushes,--
He thought at heart like courtly Chesterfield,
Who, after a long chase o'er hills, dales, bushes,
And what not, though he rode beyond all price,
Ask'd next day, 'If men ever hunted twice?'

He also had a quality uncommon
To early risers after a long chase,
Who wake in winter ere the cock can summon
December's drowsy day to his dull race,--
A quality agreeable to woman,
When her soft, liquid words run on apace,
Who likes a listener, whether saint or sinner,--
He did not fall asleep just after dinner;

But, light and airy, stood on the alert,
And shone in the best part of dialogue,
By humouring always what they might assert,
And listening to the topics most in vogue;
Now grave, now gay, but never dull or pert;
And smiling but in secret--cunning rogue!
He ne'er presumed to make an error clearer;-
In short, there never was a better hearer.

And then he danced;- all foreigners excel
The serious Angles in the eloquence
Of pantomime;--he danced, I say, right well,
With emphasis, and also with good sense--
A thing in footing indispensable;
He danced without theatrical pretence,
Not like a ballet-master in the van
Of his drill'd nymphs, but like a gentleman.

Chaste were his steps, each kept within due bound,
And elegance was sprinkled o'er his figure;
Like swift Camilla, he scarce skimm'd the ground,
And rather held in than put forth his vigour;
And then he had an ear for music's sound,
Which might defy a crotchet critic's rigour.
Such classic pas--sans flaws--set off our hero,
He glanced like a personified Bolero;

Or, like a flying Hour before Aurora,
In Guido's famous fresco which alone
Is worth a tour to Rome, although no more a
Remnant were there of the old world's sole throne.
The 'tout ensemble' of his movements wore a
Grace of the soft ideal, seldom shown,
And ne'er to be described; for to the dolour
Of bards and prosers, words are void of colour.

No marvel then he was a favourite;
A full -grown Cupid, very much admired;
A little spoilt, but by no means so quite;
At least he kept his vanity retired.
Such was his tact, he could alike delight
The chaste, and those who are not so much inspired.
The Duchess of Fitz-Fulke, who loved 'tracasserie,'
Began to treat him with some small 'agacerie.'

She was a fine and somewhat full-blown blonde,
Desirable, distinguish'd, celebrated
For several winters in the grand, grand monde.
I'd rather not say what might be related
Of her exploits, for this were ticklish ground;
Besides there might be falsehood in what's stated:
Her late performance had been a dead set
At Lord Augustus Fitz-Plantagenet.

This noble personage began to look
A little black upon this new flirtation;
But such small licences must lovers brook,
Mere freedoms of the female corporation.
Woe to the man who ventures a rebuke!
'Twill but precipitate a situation
Extremely disagreeable, but common
To calculators when they count on woman.

The circle smiled, then whisper'd, and then sneer'd;
The Misses bridled, and the matrons frown'd;
Some hoped things might not turn out as they fear'd;
Some would not deem such women could be found;
Some ne'er believed one half of what they heard;
Some look'd perplex'd, and others look'd profound;
And several pitied with sincere regret
Poor Lord Augustus Fitz-Plantagenet.

But what is odd, none ever named the duke,
Who, one might think, was something in the affair;
True, he was absent, and, 'twas rumour'd, took
But small concern about the when, or where,
Or what his consort did: if he could brook
Her gaieties, none had a right to stare:
Theirs was that best of unions, past all doubt,
Which never meets, and therefore can't fall out.

But, oh! that I should ever pen so sad a line!
Fired with an abstract love of virtue, she,
My Dian of the Ephesians, Lady Adeline,
Began to think the duchess' conduct free;
Regretting much that she had chosen so bad a line,
And waxing chiller in her courtesy,
Look'd grave and pale to see her friend's fragility,
For which most friends reserve their sensibility.

There's nought in this bad world like sympathy:
'Tis so becoming to the soul and face,
Sets to soft music the harmonious sigh,
And robes sweet friendship in a Brussels lace.
Without a friend, what were humanity,
To hunt our errors up with a good grace?
Consoling us with - 'Would you had thought twice!
Ah, if you had but follow'd my advice!'

O job! you had two friends: one's quite enough,
Especially when we are ill at ease;
They are but bad pilots when the weather's rough,
Doctors less famous for their cures than fees.
Let no man grumble when his friends fall off,
As they will do like leaves at the first breeze:
When your affairs come round, one way or t'other,
Go to the coffee-house, and take another.

But this is not my maxim: had it been,
Some heart-aches had been spared me: yet I care not--
I would not be a tortoise in his screen
Of stubborn shell, which waves and weather wear not.
'Tis better on the whole to have felt and seen
That which humanity may bear, or bear not:
'Twill teach discernment to the sensitive,
And not to pour their ocean in a sieve.

Of all the horrid, hideous notes of woe,
Sadder than owl-songs or the midnight blast,
Is that portentous phrase, 'I told you so,'
Utter'd by friends, those prophets of the past,
Who, 'stead of saying what you now should do,
Own they foresaw that you would fall at last,
And solace your slight lapse 'gainst 'bonos mores,'
With a long memorandum of old stories.

The Lady Adeline's serene severity
Was not confined to feeling for her friend,
Whose fame she rather doubted with posterity,
Unless her habits should begin to mend:
But Juan also shared in her austerity,
But mix'd with pity, pure as e'er was penn'd:
His inexperience moved her gentle ruth,
And (as her junior by six weeks) his youth.

These forty days' advantage of her years--
And hers were those which can face calculation,
Boldly referring to the list of peers
And noble births, nor dread the enumeration--
Gave her a right to have maternal fears
For a young gentleman's fit education,
Though she was far from that leap year, whose leap,
In female dates, strikes Time all of a heap.

This may be fix'd at somewhere before thirty--
Say seven-and-twenty; for I never knew
The strictest in chronology and virtue
Advance beyond, while they could pass for new.
O Time! why dost not pause? Thy scythe, so dirty
With rust, should surely cease to hack and hew.
Reset it; shave more smoothly, also slower,
If but to keep thy credit as a mower.

But Adeline was far from that ripe age,
Whose ripeness is but bitter at the best:
'Twas rather her experience made her sage,
For she had seen the world and stood its test,
As I have said in--I forget what page;
My Muse despises reference, as you have guess'd
By this time;--but strike six from seven -and -twenty,
And you will find her sum of years in plenty.

At sixteen she came out; presented, vaunted,
She put all coronets into commotion:
At seventeen, too, the world was still enchanted
With the new Venus of their brilliant ocean:
At eighteen, though below her feet still panted
A hecatomb of suitors with devotion,
She had consented to create again
That Adam, call'd 'The happiest of men.'

Since then she had sparkled through three glowing winters,
Admired, adored; but also so correct,
That she had puzzled all the acutest hinters,
Without the apparel of being circumspect:
They could not even glean the slightest splinters
From off the marble, which had no defect.
She had also snatch'd a moment since her marriage
To bear a son and heir - and one miscarriage.

Fondly the wheeling fire-flies flew around her,
Those little glitterers of the London night;
But none of these possess'd a sting to wound her -
She was a pitch beyond a coxcomb's flight.
Perhaps she wish'd an aspirant profounder;
But whatsoe'er she wish'd, she acted right;
And whether coldness, pride, or virtue dignify
A woman, so she's good, what does it signify?

I hate a motive, like a lingering bottle
Which with the landlord makes too long a stand,
Leaving all-claretless the unmoisten'd throttle,
Especially with politics on hand;
I hate it, as I hate a drove of cattle,
Who whirl the dust as simooms whirl the sand;
I hate it, as I hate an argument,
A laureate's ode, or servile peer's 'content.'

'Tis sad to hack into the roots of things,
They are so much intertwisted with the earth;
So that the branch a goodly verdure flings,
I reck not if an acorn gave it birth.
To trace all actions to their secret springs
Would make indeed some melancholy mirth;
But this is not at present my concern,
And I refer you to wise Oxenstiern.

With the kind view of saving an eclat,
Both to the duchess and diplomatist,
The Lady Adeline, as soon's she saw
That Juan was unlikely to resist
(For foreigners don't know that a faux pas
In England ranks quite on a different list
From those of other lands unblest with juries,
Whose verdict for such sin a certain cure is);-

The Lady Adeline resolved to take
Such measures as she thought might best impede
The farther progress of this sad mistake.
She thought with some simplicity indeed;
But innocence is bold even at the stake,
And simple in the world, and doth not need
Nor use those palisades by dames erected,
Whose virtue lies in never being detected.

It was not that she fear'd the very worst:
His Grace was an enduring, married man,
And was not likely all at once to burst
Into a scene, and swell the clients' clan
Of Doctors' Commons: but she dreaded first
The magic of her Grace's talisman,
And next a quarrel (as he seem'd to fret)
With Lord Augustus Fitz-Plantagenet.

Her Grace, too, pass'd for being an intrigante,
And somewhat mechante in her amorous sphere;
One of those pretty, precious plagues, which haunt
A lover with caprices soft and dear,
That like to make a quarrel, when they can't
Find one, each day of the delightful year;
Bewitching, torturing, as they freeze or glow,
And - what is worst of all - won't let you go:

The sort of thing to turn a young man's head,
Or make a Werter of him in the end.
No wonder then a purer soul should dread
This sort of chaste liaison for a friend;
It were much better to be wed or dead,
Than wear a heart a woman loves to rend.
'T is best to pause, and think, ere you rush on,
If that a 'bonne fortune' be really 'bonne.'

And first, in the o'erflowing of her heart,
Which really knew or thought it knew no guile,
She call'd her husband now and then apart,
And bade him counsel Juan. With a smile
Lord Henry heard her plans of artless art
To wean Don Juan from the siren's wile;
And answer'd, like a statesman or a prophet,
In such guise that she could make nothing of it.

Firstly, he said, 'he never interfered
In any body's business but the king's:'
Next, that 'he never judged from what appear'd,
Without strong reason, of those sort of things:'
Thirdly, that 'Juan had more brain than beard,
And was not to be held in leading strings;'
And fourthly, what need hardly be said twice,
'That good but rarely came from good advice.'

And, therefore, doubtless to approve the truth
Of the last axiom, he advised his spouse
To leave the parties to themselves, forsooth -
At least as far as bienseance allows:
That time would temper Juan's faults of youth;
That young men rarely made monastic vows;
That opposition only more attaches -
But here a messenger brought in despatches:

And being of the council call'd 'the Privy,'
Lord Henry walk'd into his cabinet,
To furnish matter for some future Livy
To tell how he reduced the nation's debt;
And if their full contents I do not give ye,
It is because I do not know them yet;
But I shall add them in a brief appendix,
To come between mine epic and its index.

But ere he went, he added a slight hint,
Another gentle common-place or two,
Such as are coin'd in conversation's mint,
And pass, for want of better, though not new:
Then broke his packet, to see what was in 't,
And having casually glanced it through,
Retired; and, as went out, calmly kiss'd her,
Less like a young wife than an aged sister.

He was a cold, good, honourable man,
Proud of his birth, and proud of every thing;
A goodly spirit for a state divan,
A figure fit to walk before a king;
Tall, stately, form'd to lead the courtly van
On birthdays, glorious with a star and string;
The very model of a chamberlain--
And such I mean to make him when I reign.

But there was something wanting on the whole--
I don't know what, and therefore cannot tell--
Which pretty women--the sweet souls!--call soul.
Certes it was not body; he was well
Proportion'd, as a poplar or a pole,
A handsome man, that human miracle;
And in each circumstance of love or war
Had still preserved his perpendicular.

Still there was something wanting, as I've said -
That undefinable 'Je ne scais quoi,'
Which, for what I know, may of yore have led
To Homer's Iliad, since it drew to Troy
The Greek Eve, Helen, from the Spartan's bed;
Though on the whole, no doubt, the Dardan boy
Was much inferior to King Menelaus:-
But thus it is some women will betray us.

There is an awkward thing which much perplexes,
Unless like wise Tiresias we had proved
By turns the difference of the several sexes;
Neither can show quite how they would be loved.
The sensual for a short time but connects us,
The sentimental boasts to be unmoved;
But both together form a kind of centaur,
Upon whose back 'tis better not to venture.

A something all-sufficient for the heart
Is that for which the sex are always seeking:
But how to fill up that same vacant part?
There lies the rub--and this they are but weak in.
Frail mariners afloat without a chart,
They run before the wind through high seas breaking;
And when they have made the shore through every shock,
'Tis odd, or odds, it may turn out a rock.

There is a flower call'd 'Love in Idleness,'
For which see Shakspeare's everblooming garden;-
I will not make his great description less,
And beg his British godship's humble pardon,
If in my extremity of rhyme's distress,
I touch a single leaf where he is warden;-
But though the flower is different, with the French
Or Swiss Rousseau, cry 'Voila la Pervenche!'

Eureka! I have found it! What I mean
To say is, not that love is idleness,
But that in love such idleness has been
An accessory, as I have cause to guess.
Hard labour's an indifferent go-between;
Your men of business are not apt to express
Much passion, since the merchant-ship, the Argo,
Convey'd Medea as her supercargo.

'Beatus ille procul!' from 'negotiis,'
Saith Horace; the great little poet's wrong;
His other maxim, 'Noscitur a sociis,'
Is much more to the purpose of his song;
Though even that were sometimes too ferocious,
Unless good company be kept too long;
But, in his teeth, whate'er their state or station,
Thrice happy they who have an occupation!

Adam exchanged his Paradise for ploughing,
Eve made up millinery with fig leaves -
The earliest knowledge from the tree so knowing,
As far as I know, that the church receives:
And since that time it need not cost much showing,
That many of the ills o'er which man grieves,
And still more women, spring from not employing
Some hours to make the remnant worth enjoying.

And hence high life is oft a dreary void,
A rack of pleasures, where we must invent
A something wherewithal to be annoy'd.
Bards may sing what they please about Content;
Contented, when translated, means but cloy'd;
And hence arise the woes of sentiment,
Blue devils, and blue -stockings, and romances
Reduced to practice, and perform'd like dances.

I do declare, upon an affidavit,
Romances I ne'er read like those I have seen;
Nor, if unto the world I ever gave it,
Would some believe that such a tale had been:
But such intent I never had, nor have it;
Some truths are better kept behind a screen,
Especially when they would look like lies;
I therefore deal in generalities.

'An oyster may be cross'd in love,'--and why?
Because he mopeth idly in his shell,
And heaves a lonely subterraqueous sigh,
Much as a monk may do within his cell:
And a-propos of monks, their piety
With sloth hath found it difficult to dwell;
Those vegetables of the Catholic creed
Are apt exceedingly to run to seed.

O Wilberforce! thou man of black renown,
Whose merit none enough can sing or say,
Thou hast struck one immense Colossus down,
Thou moral Washington of Africa!
But there's another little thing, I own,
Which you should perpetrate some summer's day,
And set the other halt of earth to rights;
You have freed the blacks - now pray shut up the whites.

Shut up the bald-coot bully Alexander!
Ship off the Holy Three to Senegal;
Teach them that 'sauce for goose is sauce for gander,'
And ask them how they like to be in thrall?
Shut up each high heroic salamander,
Who eats fire gratis (since the pay's but small);
Shut up - no, not the King, but the Pavilion,
Or else 'twill cost us all another million.

Shut up the world at large, let Bedlam out;
And you will be perhaps surprised to find
All things pursue exactly the same route,
As now with those of soi -disant sound mind.
This I could prove beyond a single doubt,
Were there a jot of sense among mankind;
But till that point d'appui is found, alas!
Like Archimedes, I leave earth as 'twas.

Our gentle Adeline had one defect--
Her heart was vacant, though a splendid mansion;
Her conduct had been perfectly correct,
As she had seen nought claiming its expansion.
A wavering spirit may be easier wreck'd,
Because 'tis frailer, doubtless, than a stanch one;
But when the latter works its own undoing,
Its inner crash is like an earthquake's ruin.

She loved her lord, or thought so; but that love
Cost her an effort, which is a sad toil,
The stone of Sisyphus, if once we move
Our feelings 'gainst the nature of the soil.
She had nothing to complain of, or reprove,
No bickerings, no connubial turmoil:
Their union was a model to behold,
Serene and noble,--conjugal, but cold.

There was no great disparity of years,
Though much in temper; but they never clash'd:
They moved like stars united in their spheres,
Or like the Rhone by Leman's waters wash'd,
Where mingled and yet separate appears
The river from the lake, all bluely dash'd
Through the serene and placid glassy deep,
Which fain would lull its river-child to sleep.

Now when she once had ta'en an interest
In any thing, however she might flatter
Herself that her intentions were the best,
Intense intentions are a dangerous matter:
Impressions were much stronger than she guess'd,
And gather'd as they run like growing water
Upon her mind; the more so, as her breast
Was not at first too readily impress'd.

But when it was, she had that lurking demon
Of double nature, and thus doubly named -
Firmness yclept in heroes, kings, and seamen,
That is, when they succeed; but greatly blamed
As obstinacy, both in men and women,
Whene'er their triumph pales, or star is tamed:-
And 'twill perplex the casuist in morality
To fix the due bounds of this dangerous quality.

Had Buonaparte won at Waterloo,
It had been firmness; now 'tis pertinacity:
Must the event decide between the two?
I leave it to your people of sagacity
To draw the line between the false and true,
If such can e'er be drawn by man's capacity:
My business is with Lady Adeline,
Who in her way too was a heroine.

She knew not her own heart; then how should I?
I think not she was then in love with Juan:
If so, she would have had the strength to fly
The wild sensation, unto her a new one:
She merely felt a common sympathy
(I will not say it was a false or true one)
In him, because she thought he was in danger,-
Her husband's friend, her own, young, and a stranger,

She was, or thought she was, his friend - and this
Without the farce of friendship, or romance
Of Platonism, which leads so oft amiss
Ladies who have studied friendship but in France,
Or Germany, where people purely kiss.
To thus much Adeline would not advance;
But of such friendship as man's may to man be
She was as capable as woman can be.

No doubt the secret influence of the sex
Will there, as also in the ties of blood,
An innocent predominance annex,
And tune the concord to a finer mood.
If free from passion, which all friendship checks,
And your true feelings fully understood,
No friend like to a woman earth discovers,
So that you have not been nor will be lovers.

Love bears within its breast the very germ
Of change; and how should this be otherwise?
That violent things more quickly find a term
Is shown through nature's whole analogies;
And how should the most fierce of all be firm?
Would you have endless lightning in the skies?
Methinks Love's very title says enough:
How should 'the tender passion' e'er be tough?

Alas! by all experience, seldom yet
(I merely quote what I have heard from many)
Had lovers not some reason to regret
The passion which made Solomon a zany.
I've also seen some wives (not to forget
The marriage state, the best or worst of any)
Who were the very paragons of wives,
Yet made the misery of at least two lives.

I've also seen some female friends ('tis odd,
But true--as, if expedient, I could prove)
That faithful were through thick and thin, abroad,
At home, far more than ever yet was Love--
Who did not quit me when Oppression trod
Upon me; whom no scandal could remove;
Who fought, and fight, in absence, too, my battles,
Despite the snake Society's loud rattles.

Whether Don Juan and chaste Adeline
Grew friends in this or any other sense,
Will be discuss'd hereafter, I opine:
At present I am glad of a pretence
To leave them hovering, as the effect is fine,
And keeps the atrocious reader in suspense;
The surest way for ladies and for books
To bait their tender, or their tenter, hooks.

Whether they rode, or walk'd, or studied Spanish
To read Don Quixote in the original,
A pleasure before which all others vanish;
Whether their talk was of the kind call'd 'small,'
Or serious, are the topics I must banish
To the next Canto; where perhaps I shall
Say something to the purpose, and display
Considerable talent in my way.

Above all, I beg all men to forbear
Anticipating aught about the matter:
They'll only make mistakes about the fair,
And Juan too, especially the latter.
And I shall take a much more serious air
Than I have yet done, in this epic satire.
It is not clear that Adeline and Juan
Will fall; but if they do, 'twill be their ruin.

But great things spring from little:- Would you think,
That in our youth, as dangerous a passion
As e'er brought man and woman to the brink
Of ruin, rose from such a slight occasion,
As few would ever dream could form the link
Of such a sentimental situation?
You'll never guess, I 'll bet you millions, milliards--
It all sprung from a harmless game at billiards.

'Tis strange,--but true; for truth is always strange;
Stranger than fiction; if it could be told,
How much would novels gain by the exchange!
How differently the world would men behold!
How oft would vice and virtue places change!
The new world would be nothing to the old,
If some Columbus of the moral seas
Would show mankind their souls' antipodes.

What 'antres vast and deserts idle' then
Would be discover'd in the human soul!
What icebergs in the hearts of mighty men,
With self-love in the centre as their pole!
What Anthropophagi are nine of ten
Of those who hold the kingdoms in control
Were things but only call'd by their right name,
Caesar himself would be ashamed of fame.

by George Gordon Byron.

XXIV


The ship, call'd the most holy "Trinidada,"
Was steering duly for the port Leghorn;
For there the Spanish family Moncada
Were settled long ere Juan's sire was born:
They were relations, and for them he had a
Letter of introduction, which the morn
Of his departure had been sent him by
His Spanish friends for those in Italy.XXV


His suite consisted of three servants and
A tutor, the licentiate Pedrillo,
Who several languages did understand,
But now lay sick and speechless on his pillow,
And, rocking in his hammock, long'd for land,
His headache being increas'd by every billow;
And the waves oozing through the port-hole made
His berth a little damp, and him afraid.XXVI


'Twas not without some reason, for the wind
Increas'd at night, until it blew a gale;
And though 'twas not much to a naval mind,
Some landsmen would have look'd a little pale,
For sailors are, in fact, a different kind:
At sunset they began to take in sail,
For the sky show'd it would come on to blow,
And carry away, perhaps, a mast or so.XXVII


At one o'clock the wind with sudden shift
Threw the ship right into the trough of the sea,
Which struck her aft, and made an awkward rift,
Started the stern-post, also shatter'd the
Whole of her stern-frame, and, ere she could lift
Herself from out her present jeopardy,
The rudder tore away: 'twas time to sound
The pumps, and there were four feet water found.XXVIII


One gang of people instantly was put
Upon the pumps, and the remainder set
To get up part of the cargo, and what not,
But they could not come at the leak as yet;
At last they did get at it really, but
Still their salvation was an even bet:
The water rush'd through in a way quite puzzling,
While they thrust sheets, shirts, jackets, bales of muslin,XXIX


Into the opening; but all such ingredients
Would have been vain, and they must have gone down,
Despite of all their efforts and expedients,
But for the pumps: I'm glad to make them known
To all the brother tars who may have need hence,
For fifty tons of water were upthrown
By them per hour, and they had all been undone,
But for the maker, Mr. Mann, of London.XXX


As day advanc'd the weather seem'd to abate,
And then the leak they reckon'd to reduce,
And keep the ship afloat, though three feet yet
Kept two hand- and one chain-pump still in use.
The wind blew fresh again: as it grew late
A squall came on, and while some guns broke loose,
A gust--which all descriptive power transcends--
Laid with one blast the ship on her beam ends.XXXI


There she lay, motionless, and seem'd upset;
The water left the hold, and wash'd the decks,
And made a scene men do not soon forget;
For they remember battles, fires and wrecks,
Or any other thing that brings regret,
Or breaks their hopes, or hearts, or heads, or necks:
Thus drownings are much talked of by the divers
And swimmers who may chance to be survivors.XXXII


Immediately the masts were cut away,
Both main and mizen; first the mizen went,
The mainmast follow'd: but the ship still lay
Like a mere log, and baffled our intent.
Foremast and bowsprit were cut down, and they
Eas'd her at last (although we never meant
To part with all till every hope was blighted),
And then with violence the old ship righted.XXXIII


It may be easily suppos'd, while this
Was going on, some people were unquiet,
That passengers would find it much amiss
To lose their lives, as well as spoil their diet;
That even the able seaman, deeming his
Days nearly o'er, might be dispos'd to riot,
As upon such occasions tars will ask
For grog, and sometimes drink rum from the cask.XXXIV


There's nought, no doubt, so much the spirit calms
As rum and true religion: thus it was,
Some plunder'd, some drank spirits, some sung psalms,
The high wind made the treble, and as bass
The hoarse harsh waves kept time; fright cur'd the qualms
Of all the luckless landsmen's sea-sick maws:
Strange sounds of wailing, blasphemy, devotion,
Clamour'd in chorus to the roaring ocean.XXXV


Perhaps more mischief had been done, but for
Our Juan, who, with sense beyond his years,
Got to the spirit-room, and stood before
It with a pair of pistols; and their fears,
As if Death were more dreadful by his door
Of fire than water, spite of oaths and tears,
Kept still aloof the crew, who, ere they sunk,
Thought it would be becoming to die drunk.XXXVI


"Give us more grog," they cried, "for it will be
All one an hour hence." Juan answer'd, "No!
'Tis true that Death awaits both you and me,
But let us die like men, not sink below
Like brutes"--and thus his dangerous post kept he,
And none lik'd to anticipate the blow;
And even Pedrillo, his most reverend tutor,
Was for some rum a disappointed suitor.XXXVII


The good old gentleman was quite aghast,
And made a loud and pious lamentation;
Repented all his sins, and made a last
Irrevocable vow of reformation;
Nothing should tempt him more (this peril past)
To quit his academic occupation,
In cloisters of the classic Salamanca,
To follow Juan's wake, like Sancho Panca.XXXVIII


But now there came a flash of hope once more;
Day broke, and the wind lull'd: the masts were gone,
The leak increas'd; shoals round her, but no shore,
The vessel swam, yet still she held her own.
They tried the pumps again, and though, before,
Their desperate efforts seem'd all useless grown,
A glimpse of sunshine set some hands to bale--
The stronger pump'd, the weaker thrumm'd a sail.XXXIX


Under the vessel's keel the sail was pass'd,
And for the moment it had some effect;
But with a leak, and not a stick of mast,
Nor rag of canvas, what could they expect?
But still 'tis best to struggle to the last,
'Tis never too late to be wholly wreck'd:
And though 'tis true that man can only die once,
'Tis not so pleasant in the Gulf of Lyons.XL


There winds and waves had hurl'd them, and from thence,
Without their will, they carried them away;
For they were forc'd with steering to dispense,
And never had as yet a quiet day
On which they might repose, or even commence
A jurymast or rudder, or could say
The ship would swim an hour, which, by good luck,
Still swam--though not exactly like a duck.XLI


The wind, in fact, perhaps was rather less,
But the ship labour'd so, they scarce could hope
To weather out much longer; the distress
Was also great with which they had to cope
For want of water, and their solid mess
Was scant enough: in vain the telescope
Was us'd--nor sail nor shore appear'd in sight,
Nought but the heavy sea, and coming night.XLII


Again the weather threaten'd, again blew
A gale, and in the fore and after-hold
Water appear'd; yet, though the people knew
All this, the most were patient, and some bold,
Until the chains and leathers were worn through
Of all our pumps--a wreck complete she roll'd,
At mercy of the waves, whose mercies are
Like human beings during civil war.XLIII


Then came the carpenter, at last, with tears
In his rough eyes, and told the captain he
Could do no more: he was a man in years,
And long had voyag'd through many a stormy sea,
And if he wept at length they were not fears
That made his eyelids as a woman's be,
But he, poor fellow, had a wife and children,
Two things for dying people quite bewildering.XLIV


The ship was evidently settling now
Fast by the head; and, all distinction gone,
Some went to prayers again, and made a vow
Of candles to their saints--but there were none
To pay them with; and some looked o'er the bow;
Some hoisted out the boats; and there was one
That begg'd Pedrillo for an absolution,
Who told him to be damn'd--in his confusion.XLV


Some lash'd them in their hammocks; some put on
Their best clothes, as if going to a fair;
Some curs'd the day on which they saw the sun,
And gnash'd their teeth, and, howling, tore their hair;
And others went on as they had begun,
Getting the boats out, being well aware
That a tight boat will live in a rough sea,
Unless with breakers close beneath her lee.XLVI


The worst of all was, that in their condition,
Having been several days in great distress,
'Twas difficult to get out such provision
As now might render their long suffering less:
Men, even when dying, dislike inanition;
Their stock was damag'd by the weather's stress:
Two casks of biscuit, and a keg of butter,
Were all that could be thrown into the cutter.XLVII


But in the long-boat they contriv'd to stow
Some pounds of bread, though injur'd by the wet;
Water, a twenty-gallon cask or so;
Six flasks of wine; and they contriv'd to get
A portion of their beef up from below,
And with a piece of pork, moreover, met,
But scarce enough to serve them for a luncheon--
Then there was rum, eight gallons in a puncheon.XLVIII


The other boats, the yawl and pinnace, had
Been stove in the beginning of the gale;
And the long-boat's condition was but bad,
As there were but two blankets for a sail,
And one oar for a mast, which a young lad
Threw in by good luck over the ship's rail;
And two boats could not hold, far less be stor'd,
To save one half the people then on board.XLIX


'Twas twilight, and the sunless day went down
Over the waste of waters; like a veil,
Which, if withdrawn, would but disclose the frown
Of one whose hate is mask'd but to assail.
Thus to their hopeless eyes the night was shown,
And grimly darkled o'er the faces pale,
And the dim desolate deep: twelve days had Fear
Been their familiar, and now Death was here.L


Some trial had been making at a raft,
With little hope in such a rolling sea,
A sort of thing at which one would have laugh'd,
If any laughter at such times could be,
Unless with people who too much have quaff'd,
And have a kind of wild and horrid glee,
Half epileptical, and half hysterical--
Their preservation would have been a miracle.LI


At half-past eight o'clock, booms, hencoops, spars,
And all things, for a chance, had been cast loose,
That still could keep afloat the struggling tars,
For yet they strove, although of no great use:
There was no light in heaven but a few stars,
The boats put off o'ercrowded with their crews;
She gave a heel, and then a lurch to port,
And, going down head foremost--sunk, in short.LII


Then rose from sea to sky the wild farewell,
Then shriek'd the timid, and stood still the brave,
Then some leap'd overboard with dreadful yell,
As eager to anticipate their grave;
And the sea yawn'd around her like a hell,
And down she suck'd with her the whirling wave,
Like one who grapples with his enemy,
And strives to strangle him before he die.LIII


And first one universal shriek there rush'd,
Louder than the loud ocean, like a crash
Of echoing thunder; and then all was hush'd,
Save the wild wind and the remorseless dash
Of billows; but at intervals there gush'd,
Accompanied by a convulsive splash,
A solitary shriek, the bubbling cry
Of some strong swimmer in his agony.LIV


The boats, as stated, had got off before,
And in them crowded several of the crew;
And yet their present hope was hardly more
Than what it had been, for so strong it blew
There was slight chance of reaching any shore;
And then they were too many, though so few--
Nine in the cutter, thirty in the boat,
Were counted in them when they got afloat.LV


All the rest perish'd; near two hundred souls
Had left their bodies; and what's worse, alas!
When over Catholics the ocean rolls,
They must wait several weeks before a mass
Takes off one peck of purgatorial coals,
Because, till people know what's come to pass,
They won't lay out their money on the dead--
It costs three francs for every mass that's said.LVI


Juan got into the long-boat, and there
Contriv'd to help Pedrillo to a place;
If seem'd as if they had exchang'd their care,
For Juan wore the magisterial face
Which courage gives, while poor Pedrillo's pair
Of eyes were crying for their owner's case:
Battista, though (a name called shortly Tita),
Was lost by getting at some aqua-vita.LVII


Pedro, his valet, too, he tried to save,
But the same cause, conducive to his loss,
Left him so drunk, he jump'd into the wave,
As o'er the cutter's edge he tried to cross,
And so he found a wine-and-watery grave;
They could not rescue him although so close,
Because the sea ran higher every minute,
And for the boat--the crew kept crowding in it.LVIII


A small old spaniel--which had been Don José's,
His father's, whom he lov'd, as ye may think,
For on such things the memory reposes
With tenderness--stood howling on the brink,
Knowing (dogs have such intellectual noses!),
No doubt, the vessel was about to sink;
And Juan caught him up, and ere he stepp'd
Off threw him in, then after him he leap'd.LIX


He also stuff'd his money where he could
About his person, and Pedrillo's too,
Who let him do, in fact, whate'er he would,
Not knowing what himself to say, or do,
As every rising wave his dread renew'd;
But Juan, trusting they might still get through,
And deeming there were remedies for any ill,
Thus re-embark'd his tutor and his spaniel.LX


'Twas a rough night, and blew so stiffly yet,
That the sail was becalm'd between the seas,
Though on the wave's high top too much to set,
They dar'd not take it in for all the breeze:
Each sea curl'd o'er the stern, and kept them wet,
And made them bale without a moment's ease,
So that themselves as well as hopes were damp'd,
And the poor little cutter quickly swamp'd.LXI


Nine souls more went in her: the long-boat still
Kept above water, with an oar for mast,
Two blankets stitch'd together, answering ill
Instead of sail, were to the oar made fast;
Though every wave roll'd menacing to fill,
And present peril all before surpass'd,
They griev'd for those who perish'd with the cutter,
And also for the biscuit-casks and butter.LXII


The sun rose red and fiery, a sure sign
Of the continuance of the gale: to run
Before the sea until it should grow fine
Was all that for the present could be done:
A few tea-spoonfuls of their rum and wine
Were serv'd out to the people, who begun
To faint, and damag'd bread wet through the bags,
And most of them had little clothes but rags.LXIII


They counted thirty, crowded in a space
Which left scarce room for motion or exertion;
They did their best to modify their case,
One half sate up, though numb'd with the immersion,
While t'other half were laid down in their place,
At watch and watch; thus, shivering like the tertian
Ague in its cold fit, they fill'd their boat,
With nothing but the sky for a great coat.LXIV


'Tis very certain the desire of life
Prolongs it: this is obvious to physicians,
When patients, neither plagu'd with friends nor wife,
Survive through very desperate conditions,
Because they still can hope, nor shines the knife
Nor shears of Atropos before their visions:
Despair of all recovery spoils longevity,
And makes men's misery of alarming brevity.LXV


'Tis said that persons living on annuities
Are longer liv'd than others--God knows why,
Unless to plague the grantors--yet so true it is
That some, I really think, do never die:
Of any creditors the worst a Jew it is,
And that 's their mode of furnishing supply:
In my young days they lent me cash that way,
Which I found very troublesome to pay.LXVI


'Tis thus with people in an open boat,
They live upon the love of life, and bear
More than can be believ'd, or even thought,
And stand like rocks the tempest's wear and tear;
And hardship still has been the sailor's lot,
Since Noah's ark went cruising here and there;
She had a curious crew as well as cargo,
Like the first old Greek privateer, the Argo.LXVII


But man is a carnivorous production,
And must have meals, at least one meal a day;
He cannot live, like woodcocks, upon suction,
But, like the shark and tiger, must have prey;
Although his anatomical construction
Bears vegetables in a grumbling way,
Your labouring people think, beyond all question,
Beef, veal and mutton better for digestion.LXVIII


And thus it was with this our hapless crew;
For on the third day there came on a calm,
And though at first their strength it might renew,
And lying on their weariness like balm,
Lull'd them like turtles sleeping on the blue
Of ocean, when they woke they felt a qualm,
And fell all ravenously on their provision,
Instead of hoarding it with due precision.LXIX


The consequence was easily foreseen--
They ate up all they had, and drank their wine,
In spite of all remonstrances, and then
On what, in fact, next day were they to dine?
They hop'd the wind would rise, these foolish men!
And carry them to shore; these hopes were fine,
But as they had but one oar, and that brittle,
It would have been more wise to save their victual.LXX


The fourth day came, but not a breath of air,
And Ocean slumber'd like an unwean'd child:
The fifth day, and their boat lay floating there,
The sea and sky were blue, and clear, and mild--
With their one oar (I wish they had had a pair)
What could they do? and Hunger's rage grew wild:
So Juan's spaniel, spite of his entreating,
Was kill'd, and portion'd out for present eating.LXXI


On the sixth day they fed upon his hide,
And Juan, who had still refus'd, because
The creature was his father's dog that died,
Now feeling all the vulture in his jaws,
With some remorse receiv'd (though first denied)
As a great favour one of the fore-paws,
Which he divided with Pedrillo, who
Devour'd it, longing for the other too.LXXII


The seventh day, and no wind--the burning sun
Blister'd and scorch'd, and, stagnant on the sea,
They lay like carcasses; and hope was none,
Save in the breeze that came not; savagely
They glar'd upon each other--all was done,
Water, and wine, and food--and you might see
The longings of the cannibal arise
(Although they spoke not) in their wolfish eyes.LXXIII


At length one whisper'd his companion, who
Whisper'd another, and thus it went round,
And then into a hoarser murmur grew,
An ominous, and wild, and desperate sound;
And when his comrade's thought each sufferer knew,
'Twas but his own, suppress'd till now, he found;
And out they spoke of lots for flesh and blood,
And who should die to be his fellow's food.LXXIV


But ere they came to this, they that day shar'd
Some leathern caps, and what remain'd of shoes;
And then they look'd around them, and despair'd,
And none to be the sacrifice would choose;
At length the lots were torn up, and prepar'd,
But of materials that must shock the Muse--
Having no paper, for the want of better,
They took by force from Juan Julia's letter.LXXV


The lots were made, and mark'd, and mix'd, and handed,
In silent horror, and their distribution
Lull'd even the savage hunger which demanded,
Like the Promethean vulture, this pollution;
None in particular had sought or plann'd it,
'Twas Nature gnaw'd them to this resolution,
By which none were permitted to be neuter--
And the lot fell on Juan's luckless tutor.LXXVI


He but requested to be bled to death:
The surgeon had his instruments, and bled
Pedrillo, and so gently ebb'd his breath,
You hardly could perceive when he was dead.
He died as born, a Catholic in faith,
Like most in the belief in which they're bred,
And first a little crucifix he kiss'd,
And then held out his jugular and wrist.LXXVII


The surgeon, as there was no other fee,
Had his first choice of morsels for his pains;
But being thirstiest at the moment, he
Preferr'd a draught from the fast-flowing vems:
Part was divided, part thrown in the sea,
And such things as the entrails and the brain;
Regal'd two sharks, who follow'd o'er the billow--
The sailors ate the rest of poor Pedrillo.LXXVIII


The sailors ate him, all save three or four,
Who were not quite so fond of animal food
To these was added Juan, who, before
Refusing his own spaniel, hardly could
Feel now his appetite increas'd much more;
'Twas not to be expected that he should,
Even in extremity of their disaster,
Dine with them on his pastor and his master.LXXIX


'Twas better that he did not; for, in fact,
The consequence was awful in the extreme;
For they, who were most ravenous in the act,
Went raging mad--Lord! how they did blaspheme!
And foam and roll, with strange convulsions rack'd,
Drinking salt-water like a mountain-stream,
Tearing, and grinning, howling, screeching, swearing,
And, with hyæena-laughter, died despairing.LXXX


Their numbers were much thinn'd by this infliction,
And all the rest were thin enough, Heaven knows;
And some of them had lost their recollection,
Happier than they who still perceiv'd their woes;
But others ponder'd on a new dissection,
As if not warn'd sufficiently by those
Who had already perish'd, suflfering madly,
For having us'd their appetites so sadly.... XCI


Now overhead a rainbow, bursting through
The scattering clouds, shone, spanning the dark sea,
Resting its bright base on the quivering blue;
And all within its arch appear'd to be
Clearer than that without, and its wide hue
Wax'd broad and waving, like a banner free,
Then chang'd like to a bow that's bent, and then
Forsook the dim eyes of these shipwreck'd men.XCII


It chang'd, of course; a heavenly chameleon,
The airy child of vapour and the sun,
Brought forth in purple, cradled in vermilion,
Baptiz'd in molten gold, and swath'd in dun,
Glittering like crescents o'er a Turk's pavilion,
And blending every colour into one,
Just like a black eye in a recent scuffle
(For sometimes we must box without the muffle).XCIII


Our shipwreck'd seamen thought it a good omen--
It is as well to think so, now and then;
'Twas an old custom of the Greek and Roman,
And may become of great advantage when
Folks are discourag'd; and most surely no men
Had greater need to nerve themselves again
Than these, and so this rainbow look'd like hope--
Quite a celestial kaleidoscope.XCIV


About this time a beautiful white bird,
Webfooted, not unlike a dove in size
And plumage (probably it might have err'd
Upon its course), pass'd oft before their eyes,
And tried to perch, although it saw and heard
The men within the boat, and in this guise
It came and went, and flutter'd round them till
Night fell--this seem'd a better omen still.XCV


But in this case I also must remark,
'Twas well this bird of promise did not perch,
Because the tackle of our shatter'd bark
Was not so safe for roosting as a church;
And had it been the dove from Noah's ark,
Returning there from her successful search,
Which in their way that moment chanc'd to fall,
They would have eat her, olive-branch and all.XCVI


With twilight it again came on to blow,
But not with violence; the stars shone out,
The boat made way; yet now they were so low,
They knew not where or what they were about;
Some fancied they saw land, and some said "No!"
The frequent fog-banks gave them cause to doubt--
Some swore that they heard breakers, others guns,
And all mistook about the latter once.XCVII


As morning broke, the light wind died away,
When he who had the watch sung out and swore,
If 'twas not land that rose with the sun's ray,
He wish'd that land he never might see more;
And the rest rubb'd their eyes and saw a bay,
Or thought they saw, and shap'd their course for shore;
For shore it was, and gradually grew
Distinct, and high, and palpable to view.XCVIII


And then of these some part burst into tears,
And others, looking with a stupid stare,
Could not yet separate their hopes from fears,
And seem'd as if they had no further care;
While a few pray'd (the first time for some years)
And at the bottom of the boat three were
Asleep: they shook them by the hand and head,
And tried to awaken them, but found them dead.XCIX


The day before, fast sleeping on the water,
They found a turtle of the hawk's-bill kind,
And by good fortune, gliding softly, caught her,
Which yielded a day's life, and to their mind
Prov'd even still a more nutritious matter,
Because it left encouragement behind:
They thought that in such perils, more than chance
Had sent them this for their deliverance.C


The land appear'd a high and rocky coast,
And higher grew the mountains as they drew,
Set by a current, toward it: they were lost
In various conjectures, for none knew
To what part of the earth they had been toss'd,
So changeable had been the winds that blew;
Some thought it was Mount Ætna, some the highlands
Of Candia, Cyprus, Rhodes, or other islands.CI


Meantime the current, with a rising gale,
Still set them onwards to the welcome shore,
Like Charon's bark of spectres, dull and pale:
Their living freight was now reduc'd to four,
And three dead, whom their strength could not avail
To heave into the deep with those before,
Though the two sharks still follow'd them, and dash'd
The spray into their faces as they splash'd.CII


Famine, despair, cold, thirst and heat had done
Their work on them by turns, and thinn'd them to
Such things a mother had not known her son
Amidst the skeletons of that gaunt crew;
By night chill'd, by day scorch'd, thus one by one
They perish'd, until wither'd to these few,
But chiefly by a species of self-slaughter,
In washing down Pedrillo with salt water.CIII


As they drew nigh the land, which now was seen
Unequal in its aspect here and there,
They felt the freshness of its growing green,
That wav'd in forest-tops, and smooth'd the air,
And fell upon their glaz'd eyes like a screen
From glistening waves, and skies so hot and bare--
Lovely seem'd any object that should sweep
Away the vast, salt, dread, eternal Deep.CIV


The shore look'd wild, without a trace of man,
And girt by formidable waves; but they
Were mad for land, and thus their course they ran,
Though right ahead the roaring breakers lay:
A reef between them also now began
To show its boiling surf and bounding spray,
But finding no place for their landing better,
They ran the boat for shore, and overset her.CV


But in his native stream, the Guadalquivir,
Juan to lave his youthful limbs was wont;
And having learnt to swim in that sweet river,
Had often turn'd the art to some account:
A better swimmer you could scarce see ever,
He could, perhaps, have pass'd the Hellespont,
As once (a feat on which ourselves we prided)
Leander, Mr. Ekenhead, and I did.CVI


So here, though faint, emaciated and stark,
He buoy'd his boyish limbs, and strove to ply
With the quick wave, and gain, ere it was dark,
The beach which lay before him, high and dry:
The greatest danger here was from a shark,
That carried off his neighbour by the thigh;
As for the other two, they could not swim,
So nobody arriv'd on shore but him.CVII


Nor yet had he arriv'd but for the oar,
Which, providentially for him, was wash'd
Just as his feeble arms could strike no more,
And the hard wave o'erwhelm'd him as 'twas dash'd
Within his grasp; he clung to it, and sore
The waters beat while he thereto was lash'd;
At last, with swimming, wading, scrambling, he
Roll'd on the beach, half-senseless, from the sea:CVIII


There, breathless, with his digging nails he clung
Fast to the sand, lest the returning wave,
From whose reluctant roar his life he wrung,
Should suck him back to her insatiate grave:
And there he lay, full length, where he was flung,
Before the entrance of a cliff-worn cave,
With just enough of life to feel its pain,
And deem that it was sav'd, perhaps in vain....CLXXIV



And thus a moon roll'd on, and fair Haidée
Paid daily visits to her boy, and took
Such plentiful precautions, that still he
Remain'd unknown within his craggy nook;
At last her father's prows put out to sea,
For certain merchantmen upon the look,
Not as of yore to carry off an Io,
But three Ragusan vessels, bound for Scio.CLXXV



Then came her freedom, for she had no mother,
So that, her father being at sea, she was
Free as a married woman, or such other
Female, as where she likes may freely pass,
Without even the encumbrance of a brother,
The freest she that ever gaz'd on glass:
I speak of Christian lands in this comparison,
Where wives, at least, are seldom kept in garrison.CLXXVI



Now she prolong'd her visits and her talk
(For they must talk), and he had learnt to say
So much as to propose to take a walk--
For little had he wander'd since the day
On which, like a young flower snapp'd from the stalk,
Drooping and dewy on the beach he lay--
And thus they walk'd out in the afternoon,
And saw the sun set opposite the moon.CLXXVII



It was a wild and breaker-beaten coast,
With cliffs above, and a broad sandy shore,
Guarded by shoals and rocks as by an host,
With here and there a creek, whose aspect wore
A better welcome to the tempest-tost;
And rarely ceas'd the haughty billow's roar,
Save on the dead long summer days, which make
The outstretch'd ocean glitter like a lake.CLXXVIII



And the small ripple spilt upon the beach
Scarcely o'erpass'd the cream of your champagne,
When o'er the brim the sparkling bumpers reach,
That spring-dew of the spirit! the heart's rain!
Few things surpass old wine; and they may preach
Who please--the more because they preach in vain,
Let us have wine and women, mirth and laughter,
Sermons and soda-water the day after.CLXXIX



Man, being reasonable, must get drunk;
The best of life is but intoxication:
Glory, the grape, love, gold, in these are sunk
The hopes of all men, and of every nation;
Without their sap, how branchless were the trunk
Of Life's strange tree, so fruitful on occasion:
But to return--get very drunk, and when
You wake with headache, you shall see what then.CLXXX



Ring for your valet--bid him quickly bring
Some hock and soda-water, then you'll know
A pleasure worthy Xerxes the great king;
For not the blest sherbet, sublim'd with snow,
Nor the first sparkle of the desert-spring,
Nor Burgundy in all its sunset glow,
After long travel, ennui, love, or slaughter,
Vie with that draught of hock and soda-water!CLXXXI



The coast--I think it was the coast that I
Was just describing--Yes, it was the coast--
Lay at this period quiet as the sky,
The sands untumbled, the blue waves untoss'd,
And all was stillness, save the sea-bird's cry,
And dolphin's leap, and the little billow cross'd
By some low rock or shelve, that made it fret
Against the boundary it scarcely wet.CLXXXII



And forth they wander'd, her sire being gone,
As I have said, upon an expedition;
And mother, brother, guardian, she had none,
Save Zoe, who, although with due precision
She waited on her lady with the sun,
Thought daily service was her only mission,
Bringing warm water, wreathing her long tresses,
And asking now and then for cast-off dresses.CLXXXIII



It was the cooling hour, just when the rounded
Red sun sinks down behind the azure hill,
Which then seems as if the whole earth it bounded,
Circling all Nature, hush'd, and dim, and still,
With the far mountain-crescent half surrounded
On one side, and the deep sea calm and chill
Upon the other, and the rosy sky
With one star sparkling through it like an eye.CLXXXIV



And thus they wander'd forth, and hand in hand,
Over the shining pebbles and the shells,
Glided along the smooth and harden'd sand,
And in the worn and wild receptacles
Work'd by the storms, yet work'd as it were plann'd
In hollow halls, with sparry roofs and cells,
They turn'd to rest; and, each clasp'd by an arm,
Yielded to the deep twilight's purple charm.CLXXXV



They look'd up to the sky, whose floating glow
Spread like a rosy ocean, vast and bright;
They gaz'd upon the glittering sea below,
Whence the broad moon rose circling into sight;
They heard the wave's splash, and the wind so low,
And saw each other's dark eyes darting light
Into each other--and, beholding this,
Their lips drew near, and clung into a kiss;CLXXXVI



A long, long kiss, a kiss of youth, and love,
And beauty, all concentrating like rays
Into one focus, kindled from above;
Such kisses as belong to early days,
Where heart, and soul, and sense, in concert move,
And the blood's lava, and the pulse a blaze,
Each kiss a heart-quake--for a kiss's strength,
I think, it must be reckon'd by its length.CLXXXVII



By length I mean duration; theirs endur'd
Heaven knows how long--no doubt they never reckon'd;
And if they had, they could not have secur'd
The sum of their sensations to a second:
They had not spoken, but they felt allur'd,
As if their souls and lips each other beckon'd,
Which, being join'd, like swarming bees they clung--
Their hearts the flowers from whence the honey sprung.CLXXXVIII



They were alone, but not alone as they
Who shut in chambers think it loneliness;
The silent ocean, and the starlight bay,
The twilight glow, which momently grew less,
The voiceless sands, and dropping caves, that lay
Around them, made them to each other press,
As if there were no life beneath the sky
Save theirs, and that their life could never die.CLXXXIX



They fear'd no eyes nor ears on that lone beach;
They felt no terrors from the night; they were
All in all to each other: though their speech
Was broken words, they thought a language there,
And all the burning tongues the passions teach
Found in one sigh the best interpreter
Of Nature's oracle--first love--that all
Which Eve has left her daughters since her fall.CXC



Haidée spoke not of scruples, ask'd no vows,
Nor offer'd any; she had never heard
Of plight and promises to be a spouse,
Or perils by a loving maid incurr'd;
She was all which pure ignorance allows,
And flew to her young mate like a young bird;
And, never having dreamt of falsehood, she
Had not one word to say of constancy.CXCI



She lov'd, and was belovéd--she ador'd,
And she was worshipp'd; after Nature's fashion,
Their intense souls, into each other pour'd,
If souls could die, had perish'd in that passion,
But by degrees their senses were restor'd,
Again to be o'ercome, again to dash on;
And, beating 'gainst his bosom, Haidée's heart
Felt as if never more to beat apart.CXCII



Alas! they were so young, so beautiful,
So lonely, loving, helpless, and the hour
Was that in which the heart is always full,
And, having o'er itself no further power,
Prompts deeds Eternity can not annul,
But pays off moments in an endless shower
Of hell-fire--all prepar'd for people giving
Pleasure or pain to one another living.CXCLIII



Alas! for Juan and Haidée! they were
So loving and so lovely--till then never,
Excepting our first parents, such a pair
Had run the risk of being damn'd for ever;
And Haidée, being devout as well as fair,
Had, doubtless, heard about the Stygian river,
And Hell and Purgatory--but forgot
Just in the very crisis she should not.CXCIV



They look upon each other, and their eyes
Gleam in the moonlight; and her white arm clasps
Round Juan's head, and his around her lies
Half buried in the tresses which it grasps;
She sits upon his knee, and drinks his sighs,
He hers, until they end in broken gasps;
And thus they form a group that's quite antique,
Half naked, loving, natural, and Greek.CXCV



And when those deep and burning moments pass'd,
And Juan sunk to sleep within her arms,
She slept not, but all tenderly, though fast,
Sustain'd his head upon her bosom's charms;
And now and then her eye to Heaven is cast,
And then on the pale cheek her breast now warms,
Pillow'd on her o'erflowing heart, which pants
With all it granted, and with all it grants.

by George Gordon Byron.

I now mean to be serious;--it is time,
Since laughter now-a-days is deem'd too serious.
A jest at Vice by Virtue's call'd a crime,
And critically held as deleterious:
Besides, the sad's a source of the sublime,
Although when long a little apt to weary us;
And therefore shall my lay soar high and solemn,
As an old temple dwindled to a column.

The Lady Adeline Amundeville
('Tis an old Norman name, and to be found
In pedigrees, by those who wander still
Along the last fields of that Gothic ground)
Was high-born, wealthy by her father's will,
And beauteous, even where beauties most abound,
In Britain - which of course true patriots find
The goodliest soil of body and of mind.

I'll not gainsay them; it is not my cue;
I'll leave them to their taste, no doubt the best:
An eye's an eye, and whether black or blue,
Is no great matter, so 'tis in request,
'Tis nonsense to dispute about a hue -
The kindest may be taken as a test.
The fair sex should be always fair; and no man,
Till thirty, should perceive there 's a plain woman.

And after that serene and somewhat dull
Epoch, that awkward corner turn'd for days
More quiet, when our moon's no more at full,
We may presume to criticise or praise;
Because indifference begins to lull
Our passions, and we walk in wisdom's ways;
Also because the figure and the face
Hint, that 'tis time to give the younger place.

I know that some would fain postpone this era,
Reluctant as all placemen to resign
Their post; but theirs is merely a chimera,
For they have pass'd life's equinoctial line:
But then they have their claret and Madeira
To irrigate the dryness of decline;
And county meetings, and the parliament,
And debt, and what not, for their solace sent.

And is there not religion, and reform,
Peace, war, the taxes, and what's call'd the 'Nation'?
The struggle to be pilots in a storm?
The landed and the monied speculation?
The joys of mutual hate to keep them warm,
Instead of love, that mere hallucination?
Now hatred is by far the longest pleasure;
Men love in haste, but they detest at leisure.

Rough Johnson, the great moralist, profess'd,
Right honestly, 'he liked an honest hater!'-
The only truth that yet has been confest
Within these latest thousand years or later.
Perhaps the fine old fellow spoke in jest:-
For my part, I am but a mere spectator,
And gaze where'er the palace or the hovel is,
Much in the mode of Goethe's Mephistopheles;

But neither love nor hate in much excess;
Though 'twas not once so. If I sneer sometimes,
It is because I cannot well do less,
And now and then it also suits my rhymes.
I should be very willing to redress
Men's wrongs, and rather check than punish crimes,
Had not Cervantes, in that too true tale
Of Quixote, shown how all such efforts fail.

Of all tales 'tis the saddest - and more sad,
Because it makes us smile: his hero 's right,
And still pursues the right;- to curb the bad
His only object, and 'gainst odds to fight
His guerdon: 'tis his virtue makes him mad!
But his adventures form a sorry sight;
A sorrier still is the great moral taught
By that real epic unto all who have thought.

Redressing injury, revenging wrong,
To aid the damsel and destroy the caitiff;
Opposing singly the united strong,
From foreign yoke to free the helpless native:-
Alas! must noblest views, like an old song,
Be for mere fancy's sport a theme creative,
A jest, a riddle, Fame through thin and thick sought!
And Socrates himself but Wisdom's Quixote?

Cervantes smiled Spain's chivalry away;
A single laugh demolish'd the right arm
Of his own country;- seldom since that day
Has Spain had heroes. While Romance could charm,
The world gave ground before her bright array;
And therefore have his volumes done such harm,
That all their glory, as a composition,
Was dearly purchased by his land's perdition.

I'm 'at my old lunes'- digression, and forget
The Lady Adeline Amundeville;
The fair most fatal Juan ever met,
Although she was not evil nor meant ill;
But Destiny and Passion spread the net
(Fate is a good excuse for our own will),
And caught them;- what do they not catch, methinks?
But I 'm not OEdipus, and life's a Sphinx.

I tell the tale as it is told, nor dare
To venture a solution: 'Davus sum!'
And now I will proceed upon the pair.
Sweet Adeline, amidst the gay world's hum,
Was the Queen -Bee, the glass of all that 's fair;
Whose charms made all men speak, and women dumb.
The last's a miracle, and such was reckon'd,
And since that time there has not been a second.

Chaste was she, to detraction's desperation,
And wedded unto one she had loved well -
A man known in the councils of the nation,
Cool, and quite English, imperturbable,
Though apt to act with fire upon occasion,
Proud of himself and her: the world could tell
Nought against either, and both seem'd secure -
She in her virtue, he in his hauteur.

It chanced some diplomatical relations,
Arising out of business, often brought
Himself and Juan in their mutual stations
Into close contact. Though reserved, nor caught
By specious seeming, Juan's youth, and patience,
And talent, on his haughty spirit wrought,
And form'd a basis of esteem, which ends
In making men what courtesy calls friends.

And thus Lord Henry, who was cautious as
Reserve and pride could make him, and full slow
In judging men - when once his judgment was
Determined, right or wrong, on friend or foe,
Had all the pertinacity pride has,
Which knows no ebb to its imperious flow,
And loves or hates, disdaining to be guided,
Because its own good pleasure hath decided.

His friendships, therefore, and no less aversions,
Though oft well founded, which confirm'd but more
His prepossessions, like the laws of Persians
And Medes, would ne'er revoke what went before.
His feelings had not those strange fits, like tertians,
Of common likings, which make some deplore
What they should laugh at - the mere ague still
Of men's regard, the fever or the chill.

''Tis not in mortals to command success:
But do you more, Sempronius - don't deserve it,'
And take my word, you won't have any less.
Be wary, watch the time, and always serve it;
Give gently way, when there's too great a press;
And for your conscience, only learn to nerve it,
For, like a racer, or a boxer training,
'Twill make, if proved, vast efforts without paining.

Lord Henry also liked to be superior,
As most men do, the little or the great;
The very lowest find out an inferior,
At least they think so, to exert their state
Upon: for there are very few things wearier
Than solitary Pride's oppressive weight,
Which mortals generously would divide,
By bidding others carry while they ride.

In birth, in rank, in fortune likewise equal,
O'er Juan he could no distinction claim;
In years he had the advantage of time's sequel;
And, as he thought, in country much the same -
Because bold Britons have a tongue and free quill,
At which all modern nations vainly aim;
And the Lord Henry was a great debater,
So that few members kept the house up later.

These were advantages: and then he thought -
It was his foible, but by no means sinister -
That few or none more than himself had caught
Court mysteries, having been himself a minister:
He liked to teach that which he had been taught,
And greatly shone whenever there had been a stir;
And reconciled all qualities which grace man,
Always a patriot, and sometimes a placeman.

He liked the gentle Spaniard for his gravity;
He almost honour'd him for his docility;
Because, though young, he acquiesced with suavity,
Or contradicted but with proud humility.
He knew the world, and would not see depravity
In faults which sometimes show the soil's fertility,
If that the weeds o'erlive not the first crop -
For then they are very difficult to stop.

And then he talk'd with him about Madrid,
Constantinople, and such distant places;
Where people always did as they were bid,
Or did what they should not with foreign graces.
Of coursers also spake they: Henry rid
Well, like most Englishmen, and loved the races;
And Juan, like a true-born Andalusian,
Could back a horse, as despots ride a Russian.

And thus acquaintance grew, at noble routs,
And diplomatic dinners, or at other -
For Juan stood well both with Ins and Outs,
As in freemasonry a higher brother.
Upon his talent Henry had no doubts;
His manner show'd him sprung from a high mother;
And all men like to show their hospitality
To him whose breeding matches with his quality.

At Blank-Blank Square;- for we will break no squares
By naming streets: since men are so censorious,
And apt to sow an author's wheat with tares,
Reaping allusions private and inglorious,
Where none were dreamt of, unto love's affairs,
Which were, or are, or are to be notorious,
That therefore do I previously declare,
Lord Henry's mansion was in Blank-Blank Square.

Also there bin another pious reason
For making squares and streets anonymous;
Which is, that there is scarce a single season
Which doth not shake some very splendid house
With some slight heart-quake of domestic treason -
A topic scandal doth delight to rouse:
Such I might stumble over unawares,
Unless I knew the very chastest squares.

'Tis true, I might have chosen Piccadilly,
A place where peccadillos are unknown;
But I have motives, whether wise or silly,
For letting that pure sanctuary alone.
Therefore I name not square, street, place, until I
Find one where nothing naughty can be shown,
A vestal shrine of innocence of heart:

At Henry's mansion then, in Blank-Blank Square,
Was Juan a recherche, welcome guest,
As many other noble scions were;
And some who had but talent for their crest;
Or wealth, which is a passport every where;
Or even mere fashion, which indeed's the best
Recommendation; and to be well drest
Will very often supersede the rest.

And since 'there's safety in a multitude
Of counsellors,' as Solomon has said,
Or some one for him, in some sage, grave mood;-
Indeed we see the daily proof display'd
In senates, at the bar, in wordy feud,
Where'er collective wisdom can parade,
Which is the only cause that we can guess
Of Britain's present wealth and happiness;-

But as 'there's safety' grafted in the number
'Of counsellors' for men, thus for the sex
A large acquaintance lets not Virtue slumber;
Or should it shake, the choice will more perplex -
Variety itself will more encumber.
'Midst many rocks we guard more against wrecks;
And thus with women: howsoe'er it shocks some's
Self-love, there's safety in a crowd of coxcombs.

But Adeline had not the least occasion
For such a shield, which leaves but little merit
To virtue proper, or good education.
Her chief resource was in her own high spirit,
Which judged mankind at their due estimation;
And for coquetry, she disdain'd to wear it:
Secure of admiration, its impression
Was faint, as of an every-day possession.

To all she was polite without parade;
To some she show'd attention of that kind
Which flatters, but is flattery convey'd
In such a sort as cannot leave behind
A trace unworthy either wife or maid;-
A gentle, genial courtesy of mind,
To those who were, or pass'd for meritorious,
Just to console sad glory for being glorious;

Which is in all respects, save now and then,
A dull and desolate appendage. Gaze
Upon the shades of those distinguish'd men
Who were or are the puppet-shows of praise,
The praise of persecution; gaze again
On the most favour'd; and amidst the blaze
Of sunset halos o'er the laurel-brow'd,
What can ye recognise?--a gilded cloud.

There also was of course in Adeline
That calm patrician polish in the address,
Which ne'er can pass the equinoctial line
Of any thing which nature would express;
Just as a mandarin finds nothing fine,-
At least his manner suffers not to guess
That any thing he views can greatly please.
Perhaps we have borrow'd this from the Chinese -

Perhaps from Horace: his 'Nil admirari'
Was what he call'd the 'Art of Happiness;'
An art on which the artists greatly vary,
And have not yet attain'd to much success.
However, 'tis expedient to be wary:
Indifference certes don't produce distress;
And rash enthusiasm in good society
Were nothing but a moral inebriety.

But Adeline was not indifferent: for
(Now for a common-place!) beneath the snow,
As a volcano holds the lava more
Within--et caetera. Shall I go on?--No!
I hate to hunt down a tired metaphor,
So let the often-used volcano go.
Poor thing! How frequently, by me and others,
It hath been stirr'd up till its smoke quite smothers!

I'll have another figure in a trice:-
What say you to a bottle of champagne?
Frozen into a very vinous ice,
Which leaves few drops of that immortal rain,
Yet in the very centre, past all price,
About a liquid glassful will remain;
And this is stronger than the strongest grape
Could e'er express in its expanded shape:

'Tis the whole spirit brought to a quintessence;
And thus the chilliest aspects may concentre
A hidden nectar under a cold presence.
And such are many - though I only meant her
From whom I now deduce these moral lessons,
On which the Muse has always sought to enter.
And your cold people are beyond all price,
When once you have broken their confounded ice.

But after all they are a North-West Passage
Unto the glowing India of the soul;
And as the good ships sent upon that message
Have not exactly ascertain'd the Pole
(Though Parry's efforts look a lucky presage),
Thus gentlemen may run upon a shoal;
For if the Pole's not open, but all frost
(A chance still), 'tis a voyage or vessel lost.

And young beginners may as well commence
With quiet cruising o'er the ocean woman;
While those who are not beginners should have sense
Enough to make for port, ere time shall summon
With his grey signal-flag; and the past tense,
The dreary 'Fuimus' of all things human,
Must be declined, while life's thin thread's spun out
Between the gaping heir and gnawing gout.

But heaven must be diverted; its diversion
Is sometimes truculent - but never mind:
The world upon the whole is worth the assertion
(If but for comfort) that all things are kind:
And that same devilish doctrine of the Persian,
Of the two principles, but leaves behind
As many doubts as any other doctrine
Has ever puzzled Faith withal, or yoked her in.

The English winter - ending in July,
To recommence in August - now was done.
'Tis the postilion's paradise: wheels fly;
On roads, east, south, north, west, there is a run.
But for post-horses who finds sympathy?
Man's pity's for himself, or for his son,
Always premising that said son at college
Has not contracted much more debt than knowledge.

The London winter's ended in July -
Sometimes a little later. I don't err
In this: whatever other blunders lie
Upon my shoulders, here I must aver
My Muse a glass of weatherology;
For parliament is our barometer:
Let radicals its other acts attack,
Its sessions form our only almanack.

When its quicksilver's down at zero,--lo
Coach, chariot, luggage, baggage, equipage!
Wheels whirl from Carlton palace to Soho,
And happiest they who horses can engage;
The turnpikes glow with dust; and Rotten Row
Sleeps from the chivalry of this bright age;
And tradesmen, with long bills and longer faces,
Sigh - as the postboys fasten on the traces.

They and their bills, 'Arcadians both,' are left
To the Greek kalends of another session.
Alas! to them of ready cash bereft,
What hope remains? Of hope the full possession,
Or generous draft, conceded as a gift,
At a long date - till they can get a fresh one -
Hawk'd about at a discount, small or large;
Also the solace of an overcharge.

But these are trifles. Downward flies my lord,
Nodding beside my lady in his carriage.
Away! away! 'Fresh horses!' are the word,
And changed as quickly as hearts after marriage;
The obsequious landlord hath the change restored;
The postboys have no reason to disparage
Their fee; but ere the water'd wheels may hiss hence,
The ostler pleads too for a reminiscence.

'Tis granted; and the valet mounts the dickey -
That gentleman of lords and gentlemen;
Also my lady's gentlewoman, tricky,
Trick'd out, but modest more than poet's pen
Can paint,- 'Cosi viaggino i Ricchi!'
(Excuse a foreign slipslop now and then,
If but to show I've travell'd; and what's travel,
Unless it teaches one to quote and cavil?)

The London winter and the country summer
Were well nigh over. 'Tis perhaps a pity,
When nature wears the gown that doth become her,
To lose those best months in a sweaty city,
And wait until the nightingale grows dumber,
Listening debates not very wise or witty,
Ere patriots their true country can remember;-
But there 's no shooting (save grouse) till September.

I've done with my tirade. The world was gone;
The twice two thousand, for whom earth was made,
Were vanish'd to be what they call alone -
That is, with thirty servants for parade,
As many guests, or more; before whom groan
As many covers, duly, daily, laid.
Let none accuse Old England's hospitality -
Its quantity is but condensed to quality.

Lord Henry and the Lady Adeline
Departed like the rest of their compeers,
The peerage, to a mansion very fine;
The Gothic Babel of a thousand years.
None than themselves could boast a longer line,
Where time through heroes and through beauties steers;
And oaks as olden as their pedigree
Told of their sires, a tomb in every tree.

A paragraph in every paper told
Of their departure: such is modern fame:
'Tis pity that it takes no farther hold
Than an advertisement, or much the same;
When, ere the ink be dry, the sound grows cold.
The Morning Post was foremost to proclaim -
'Departure, for his country seat, to-day,
Lord H. Amundeville and Lady A.

'We understand the splendid host intends
To entertain, this autumn, a select
And numerous party of his noble friends;
'Midst whom we have heard, from sources quite correct,
With many more by rank and fashion deck'd;
Also a foreigner of high condition,
The envoy of the secret Russian mission.'

And thus we see - who doubts the Morning Post?
(Whose articles are like the 'Thirty -nine,'
Which those most swear to who believe them most)-
Our gay Russ Spaniard was ordain'd to shine,
Deck'd by the rays reflected from his host,
With those who, Pope says, 'greatly daring dine.'
'T is odd, but true,--last war the News abounded
More with these dinners than the kill'd or wounded;-

As thus: 'On Thursday there was a grand dinner;
Present, Lords A. B. C.'- Earls, dukes, by name
Announced with no less pomp than victory's winner:
Then underneath, and in the very same
Column; date, 'Falmouth. There has lately been here
The Slap-dash regiment, so well known to fame,
Whose loss in the late action we regret:
The vacancies are fill'd up - see Gazette.'

To Norman Abbey whirl'd the noble pair,-
An old, old monastery once, and now
Still older mansion; of a rich and rare
Mix'd Gothic, such as artists all allow
Few specimens yet left us can compare
Withal: it lies perhaps a little low,
Because the monks preferr'd a hill behind,
To shelter their devotion from the wind.

It stood embosom'd in a happy valley,
Crown'd by high woodlands, where the Druid oak
Stood like Caractacus in act to rally
His host, with broad arms 'gainst the thunderstroke;
And from beneath his boughs were seen to sally
The dappled foresters - as day awoke,
The branching stag swept down with all his herd,
To quaff a brook which murmur'd like a bird.

Before the mansion lay a lucid lake,
Broad as transparent, deep, and freshly fed
By a river, which its soften'd way did take
In currents through the calmer water spread
Around: the wildfowl nestled in the brake
And sedges, brooding in their liquid bed:
The woods sloped downwards to its brink, and stood
With their green faces fix'd upon the flood.

Its outlet dash'd into a deep cascade,
Sparkling with foam, until again subsiding,
Its shriller echoes - like an infant made
Quiet - sank into softer ripples, gliding
Into a rivulet; and thus allay'd,
Pursued its course, now gleaming, and now hiding
Its windings through the woods; now clear, now blue,
According as the skies their shadows threw.

A glorious remnant of the Gothic pile
(While yet the church was Rome's) stood half apart
In a grand arch, which once screen'd many an aisle.
These last had disappear'd - a loss to art:
The first yet frown'd superbly o'er the soil,
And kindled feelings in the roughest heart,
Which mourn'd the power of time's or tempest's march,
In gazing on that venerable arch.

Within a niche, nigh to its pinnacle,
Twelve saints had once stood sanctified in stone;
But these had fallen, not when the friars fell,
But in the war which struck Charles from his throne,
When each house was a fortalice, as tell
The annals of full many a line undone,-
The gallant cavaliers, who fought in vain
For those who knew not to resign or reign.

But in a higher niche, alone, but crowned,
The Virgin Mother of the God -born Child,
With her Son in her blessed arms, look'd round,
Spared by some chance when all beside was spoil'd;
She made the earth below seem holy ground.
This may be superstition, weak or wild,
But even the faintest relics of a shrine
Of any worship wake some thoughts divine.

A mighty window, hollow in the centre,
Shorn of its glass of thousand colourings,
Through which the deepen'd glories once could enter,
Streaming from off the sun like seraph's wings,
Now yawns all desolate: now loud, now fainter,
The gale sweeps through its fretwork, and oft sings
The owl his anthem, where the silenced quire
Lie with their hallelujahs quench'd like fire.

But in the noontide of the moon, and when
The wind is winged from one point of heaven,
There moans a strange unearthly sound, which then
Is musical - a dying accent driven
Through the huge arch, which soars and sinks again.
Some deem it but the distant echo given
Back to the night wind by the waterfall,
And harmonised by the old choral wall:

Others, that some original shape, or form
Shaped by decay perchance, hath given the power
(Though less than that of Memnon's statue, warm
In Egypt's rays, to harp at a fix'd hour)
To this grey ruin, with a voice to charm.
Sad, but serene, it sweeps o'er tree or tower;
The cause I know not, nor can solve; but such
The fact:- I 've heard it - once perhaps too much.

Amidst the court a Gothic fountain play'd,
Symmetrical, but deck'd with carvings quaint -
Strange faces, like to men in masquerade,
And here perhaps a monster, there a saint:
The spring gush'd through grim mouths of granite made,
And sparkled into basins, where it spent
Its little torrent in a thousand bubbles,
Like man's vain glory, and his vainer troubles.

The mansion's self was vast and venerable,
With more of the monastic than has been
Elsewhere preserved: the cloisters still were stable,
The cells, too, and refectory, I ween:
An exquisite small chapel had been able,
Still unimpair'd, to decorate the scene;
The rest had been reform'd, replaced, or sunk,
And spoke more of the baron than the monk.

Huge halls, long galleries, spacious chambers, join'd
By no quite lawful marriage of the arts,
Might shock a connoisseur; but when combined,
Form'd a whole which, irregular in parts,
Yet left a grand impression on the mind,
At least of those whose eyes are in their hearts:
We gaze upon a giant for his stature,
Nor judge at first if all be true to nature.

Steel barons, molten the next generation
To silken rows of gay and garter'd earls,
Glanced from the walls in goodly preservation;
And Lady Marys blooming into girls,
With fair long locks, had also kept their station;
And countesses mature in robes and pearls:
Also some beauties of Sir Peter Lely,
Whose drapery hints we may admire them freely.

Judges in very formidable ermine
Were there, with brows that did not much invite
The accused to think their lordships would determine
His cause by leaning much from might to right:
Bishops, who had not left a single sermon:
Attorneys -general, awful to the sight,
As hinting more (unless our judgments warp us)
Of the 'Star Chamber' than of 'Habeas Corpus.'

Generals, some all in armour, of the old
And iron time, ere lead had ta'en the lead;
Others in wigs of Marlborough's martial fold,
Huger than twelve of our degenerate breed:
Lordlings, with staves of white or keys of gold:
Nimrods, whose canvass scarce contain'd the steed;
And here and there some stern high patriot stood,
Who could not get the place for which he sued.

But ever and anon, to soothe your vision,
Fatigued with these hereditary glories,
There rose a Carlo Dolce or a Titian,
Or wilder group of savage Salvatore's;
Here danced Albano's boys, and here the sea shone
In Vernet's ocean lights; and there the stories
Of martyrs awed, as Spagnoletto tainted
His brush with all the blood of all the sainted.

Here sweetly spread a landscape of Lorraine;
There Rembrandt made his darkness equal light,
Or gloomy Caravaggio's gloomier stain
Bronzed o'er some lean and stoic anchorite:-
But, lo! a Teniers woos, and not in vain,
Your eyes to revel in a livelier sight:
His bell -mouth'd goblet makes me feel quite Danish
Or Dutch with thirst - What, ho! a flask of Rhenish.

O reader! if that thou canst read,- and know,
'T is not enough to spell, or even to read,
To constitute a reader; there must go
Virtues of which both you and I have need;-
Firstly, begin with the beginning (though
That clause is hard); and secondly, proceed;
Thirdly, commence not with the end - or, sinning
In this sort, end at least with the beginning.

But, reader, thou hast patient been of late,
While I, without remorse of rhyme, or fear,
Have built and laid out ground at such a rate,
Dan Phoebus takes me for an auctioneer.
That poets were so from their earliest date,
By Homer's 'Catalogue of ships' is clear;
But a mere modern must be moderate -
I spare you then the furniture and plate.

The mellow autumn came, and with it came
The promised party, to enjoy its sweets.
The corn is cut, the manor full of game;
The pointer ranges, and the sportsman beats
In russet jacket:- lynx -like is his aim;
Full grows his bag, and wonderful his feats.
Ah, nut -brown partridges! Ah, brilliant pheasants!
And ah, ye poachers!- 'T is no sport for peasants.

An English autumn, though it hath no vines,
Blushing with Bacchant coronals along
The paths, o'er which the far festoon entwines
The red grape in the sunny lands of song,
Hath yet a purchased choice of choicest wines;
The claret light, and the Madeira strong.
If Britain mourn her bleakness, we can tell her,
The very best of vineyards is the cellar.

Then, if she hath not that serene decline
Which makes the southern autumn's day appear
As if 't would to a second spring resign
The season, rather than to winter drear,
Of in -door comforts still she hath a mine,-
The sea -coal fires the 'earliest of the year;'
Without doors, too, she may compete in mellow,
As what is lost in green is gain'd in yellow.

And for the effeminate villeggiatura -
Rife with more horns than hounds - she hath the chase,
So animated that it might allure
Saint from his beads to join the jocund race;
Even Nimrod's self might leave the plains of Dura,
And wear the Melton jacket for a space:
If she hath no wild boars, she hath a tame
Preserve of bores, who ought to be made game.

The noble guests, assembled at the Abbey,
Consisted of - we give the sex the pas -
The Duchess of Fitz -Fulke; the Countess Crabby;
The Ladies Scilly, Busey;- Miss Eclat,
Miss Bombazeen, Miss Mackstay, Miss O'Tabby,
And Mrs. Rabbi, the rich banker's squaw;
Also the honourable Mrs. Sleep,
Who look'd a white lamb, yet was a black sheep:

With other Countesses of Blank - but rank;
At once the 'lie' and the 'elite' of crowds;
Who pass like water filter'd in a tank,
All purged and pious from their native clouds;
Or paper turn'd to money by the Bank:
No matter how or why, the passport shrouds
The 'passee' and the past; for good society
Is no less famed for tolerance than piety,-

That is, up to a certain point; which point
Forms the most difficult in punctuation.
Appearances appear to form the joint
On which it hinges in a higher station;
And so that no explosion cry 'Aroint
Thee, witch!' or each Medea has her Jason;
Or (to the point with Horace and with Pulci)
'Omne tulit punctum, quae miscuit utile dulci.'

I can't exactly trace their rule of right,
Which hath a little leaning to a lottery.
I 've seen a virtuous woman put down quite
By the mere combination of a coterie;
Also a so -so matron boldly fight
Her way back to the world by dint of plottery,
And shine the very Siria of the spheres,
Escaping with a few slight, scarless sneers.

I have seen more than I 'll say:- but we will see
How our villeggiatura will get on.
The party might consist of thirty -three
Of highest caste - the Brahmins of the ton.
I have named a few, not foremost in degree,
But ta'en at hazard as the rhyme may run.
By way of sprinkling, scatter'd amongst these,
There also were some Irish absentees.

There was Parolles, too, the legal bully,
Who limits all his battles to the bar
And senate: when invited elsewhere, truly,
He shows more appetite for words than war.
There was the young bard Rackrhyme, who had newly
Come out and glimmer'd as a six weeks' star.
There was Lord Pyrrho, too, the great freethinker;
And Sir John Pottledeep, the mighty drinker.

There was the Duke of Dash, who was a - duke,
'Ay, every inch a' duke; there were twelve peers
Like Charlemagne's - and all such peers in look
And intellect, that neither eyes nor ears
For commoners had ever them mistook.
There were the six Miss Rawbolds - pretty dears!
All song and sentiment; whose hearts were set
Less on a convent than a coronet.

There were four Honourable Misters, whose
Honour was more before their names than after;
There was the preux Chevalier de la Ruse,
Whom France and Fortune lately deign'd to waft here,
Whose chiefly harmless talent was to amuse;
But the clubs found it rather serious laughter,
Because - such was his magic power to please -
The dice seem'd charm'd, too, with his repartees.

There was Dick Dubious, the metaphysician,
Who loved philosophy and a good dinner;
Angle, the soi -disant mathematician;
Sir Henry Silvercup, the great race -winner.
There was the Reverend Rodomont Precisian,
Who did not hate so much the sin as sinner;
And Lord Augustus Fitz -Plantagenet,
Good at all things, but better at a bet.

There was jack jargon, the gigantic guardsman;
And General Fireface, famous in the field,
A great tactician, and no less a swordsman,
Who ate, last war, more Yankees than he kill'd.
There was the waggish Welsh Judge, Jefferies Hardsman,
In his grave office so completely skill'd,
That when a culprit came far condemnation,
He had his judge's joke for consolation.

Good company 's a chess -board - there are kings,
Queens, bishops, knights, rooks, pawns; the world 's a game;
Save that the puppets pull at their own strings,
Methinks gay Punch hath something of the same.
My Muse, the butterfly hath but her wings,
Not stings, and flits through ether without aim,
Alighting rarely:- were she but a hornet,
Perhaps there might be vices which would mourn it.

I had forgotten - but must not forget -
An orator, the latest of the session,
Who had deliver'd well a very set
Smooth speech, his first and maidenly transgression
Upon debate: the papers echoed yet
With his debut, which made a strong impression,
And rank'd with what is every day display'd -
'The best first speech that ever yet was made.'

Proud of his 'Hear hims!' proud, too, of his vote
And lost virginity of oratory,
Proud of his learning (just enough to quote),
He revell'd in his Ciceronian glory:
With memory excellent to get by rote,
With wit to hatch a pun or tell a story,
Graced with some merit, and with more effrontery,
'His country's pride,' he came down to the country.

There also were two wits by acclamation,
Longbow from Ireland, Strongbow from the Tweed,
Both lawyers and both men of education;
But Strongbow's wit was of more polish'd breed:
Longbow was rich in an imagination
As beautiful and bounding as a steed,
But sometimes stumbling over a potato,-
While Strongbow's best things might have come from Cato.

Strongbow was like a new -tuned harpsichord;
But Longbow wild as an AEolian harp,
With which the winds of heaven can claim accord,
And make a music, whether flat or sharp.
Of Strongbow's talk you would not change a word:
At Longbow's phrases you might sometimes carp:
Both wits - one born so, and the other bred -
This by his heart, his rival by his head.

If all these seem a heterogeneous mas
To be assembled at a country seat,
Yet think, a specimen of every class
Is better than a humdrum tete -a -tete.
The days of Comedy are gone, alas!
When Congreve's fool could vie with Moliere's bete:
Society is smooth'd to that excess,
That manners hardly differ more than dress.

Our ridicules are kept in the back -ground -
Ridiculous enough, but also dull;
Professions, too, are no more to be found
Professional; and there is nought to cull
Of folly's fruit; for though your fools abound,
They're barren, and not worth the pains to pull.
Society is now one polish'd horde,
Form'd of two mighty tribes, the Bores and Bored.

But from being farmers, we turn gleaners, gleaning
The scanty but right -well thresh'd ears of truth;
And, gentle reader! when you gather meaning,
You may be Boaz, and I - modest Ruth.
Farther I 'd quote, but Scripture intervening
Forbids. it great impression in my youth
Was made by Mrs. Adams, where she cries,
'That Scriptures out of church are blasphemies.'

But what we can we glean in this vile age
Of chaff, although our gleanings be not grist.
I must not quite omit the talking sage,
Kit -Cat, the famous Conversationist,
Who, in his common -place book, had a page
Prepared each morn for evenings. 'List, oh, list!'-
'Alas, poor ghost!'- What unexpected woes
Await those who have studied their bon -mots!

Firstly, they must allure the conversation
By many windings to their clever clinch;
And secondly, must let slip no occasion,
Nor bate (abate) their hearers of an inch,
But take an ell - and make a great sensation,
If possible; and thirdly, never flinch
When some smart talker puts them to the test,
But seize the last word, which no doubt 's the best.

Lord Henry and his lady were the hosts;
The party we have touch'd on were the guests:
Their table was a board to tempt even ghosts
To pass the Styx for more substantial feasts.
I will not dwell upon ragouts or roasts,
Albeit all human history attests
That happiness for man - the hungry sinner!-
Since Eve ate apples, much depends on dinner.

Witness the lands which 'flow'd with milk and honey,'
Held out unto the hungry Israelites;
To this we have added since, the love of money,
The only sort of pleasure which requites.
Youth fades, and leaves our days no longer sunny;
We tire of mistresses and parasites;
But oh, ambrosial cash! Ah! who would lose thee?
When we no more can use, or even abuse thee!

The gentlemen got up betimes to shoot,
Or hunt: the young, because they liked the sport -
The first thing boys like after play and fruit;
The middle -aged to make the day more short;
For ennui is a growth of English root,
Though nameless in our language:- we retort
The fact for words, and let the French translate
That awful yawn which sleep can not abate.

The elderly walk'd through the library,
And tumbled books, or criticised the pictures,
Or saunter'd through the gardens piteously,
And made upon the hot -house several strictures,
Or rode a nag which trotted not too high,
Or on the morning papers read their lectures,
Or on the watch their longing eyes would fix,
Longing at sixty for the hour of six.

But none were 'gene:' the great hour of union
Was rung by dinner's knell; till then all were
Masters of their own time - or in communion,
Or solitary, as they chose to bear
The hours, which how to pass is but to few known.
Each rose up at his own, and had to spare
What time he chose for dress, and broke his fast
When, where, and how he chose for that repast.

The ladies - some rouged, some a little pale -
Met the morn as they might. If fine, they rode,
Or walk'd; if foul, they read, or told a tale,
Sung, or rehearsed the last dance from abroad;
Discuss'd the fashion which might next prevail,
And settled bonnets by the newest code,
Or cramm'd twelve sheets into one little letter,
To make each correspondent a new debtor.

For some had absent lovers, all had friends.
The earth has nothing like a she epistle,
And hardly heaven - because it never ends.
I love the mystery of a female missal,
Which, like a creed, ne'er says all it intends,
But full of cunning as Ulysses' whistle,
When he allured poor Dolon:- you had better
Take care what you reply to such a letter.

Then there were billiards; cards, too, but no dice;-
Save in the clubs no man of honour plays;-
Boats when 't was water, skating when 't was ice,
And the hard frost destroy'd the scenting days:
And angling, too, that solitary vice,
Whatever Izaak Walton sings or says;
The quaint, old, cruel coxcomb, in his gullet
Should have a hook, and a small trout to pull it.

With evening came the banquet and the wine;
The conversazione; the duet,
Attuned by voices more or less divine
(My heart or head aches with the memory yet).
The four Miss Rawbolds in a glee would shine;
But the two youngest loved more to be set
Down to the harp - because to music's charms
They added graceful necks, white hands and arms.

Sometimes a dance (though rarely on field days,
For then the gentlemen were rather tired)
Display'd some sylph -like figures in its maze;
Then there was small -talk ready when required;
Flirtation - but decorous; the mere praise
Of charms that should or should not be admired.
The hunters fought their fox -hunt o'er again,
And then retreated soberly - at ten.

The politicians, in a nook apart,
Discuss'd the world, and settled all the spheres;
The wits watch'd every loophole for their art,
To introduce a bon -mot head and ears;
Small is the rest of those who would be smart,
A moment's good thing may have cost them years
Before they find an hour to introduce it;
And then, even then, some bore may make them lose it.

But all was gentle and aristocratic
In this our party; polish'd, smooth, and cold,
As Phidian forms cut out of marble Attic.
There now are no Squire Westerns as of old;
And our Sophias are not so emphatic,
But fair as then, or fairer to behold.
We have no accomplish'd blackguards, like Tom Jones,
But gentlemen in stays, as stiff as stones.

They separated at an early hour;
That is, ere midnight - which is London's noon:
But in the country ladies seek their bower
A little earlier than the waning moon.
Peace to the slumbers of each folded flower -
May the rose call back its true colour soon!
Good hours of fair cheeks are the fairest tinters,
And lower the price of rouge - at least some winters.

by George Gordon Byron.

Phoebus, sitting one day in a laurel-tree's shade,
Was reminded of Daphne, of whom it was made,
For the god being one day too warm in his wooing,
She took to the tree to escape his pursuing;
Be the cause what it might, from his offers she shrunk,
And, Ginevra-like, shut herself up in a trunk;
And, though 'twas a step into which he had driven her,
He somehow or other had never forgiven her;
Her memory he nursed as a kind of a tonic,
Something bitter to chew when he'd play the Byronic,
And I can't count the obstinate nymphs that he brought over
By a strange kind of smile he put on when he thought of her.
'My case is like Dido's,' he sometimes remarked;
'When I last saw my love, she was fairly embarked
In a laurel, as _she_ thought-but (ah, how Fate mocks!)
She has found it by this time a very bad box;
Let hunters from me take this saw when they need it,-
You're not always sure of your game when you've treed it.
Just conceive such a change taking place in one's mistress!
What romance would be left?-who can flatter or kiss trees?
And, for mercy's sake, how could one keep up a dialogue
With a dull wooden thing that will live and will die a log,-
Not to say that the thought would forever intrude
That you've less chance to win her the more she is wood?
Ah! it went to my heart, and the memory still grieves,
To see those loved graces all taking their leaves;
Those charms beyond speech, so enchanting but now,
As they left me forever, each making its bough!
If her tongue _had_ a tang sometimes more than was right,
Her new bark is worse than ten times her old bite.'

Now, Daphne-before she was happily treeified-
Over all other blossoms the lily had deified,
And when she expected the god on a visit
('Twas before he had made his intentions explicit),
Some buds she arranged with a vast deal of care,
To look as if artlessly twined in her hair,
Where they seemed, as he said, when he paid his addresses,
Like the day breaking through, the long night of her tresses;
So whenever he wished to be quite irresistible,
Like a man with eight trumps in his hand at a whist-table
(I feared me at first that the rhyme was untwistable,
Though I might have lugged in an allusion to Cristabel),-
He would take up a lily, and gloomily look in it,
As I shall at the--, when they cut up my book in it.

Well, here, after all the bad rhyme I've been spinning,
I've got back at last to my story's beginning:
Sitting there, as I say, in the shade of his mistress,
As dull as a volume of old Chester mysteries,
Or as those puzzling specimens which, in old histories,
We read of his verses-the Oracles, namely,-
(I wonder the Greeks should have swallowed them tamely,
For one might bet safely whatever he has to risk,
They were laid at his door by some ancient Miss Asterisk,
And so dull that the men who retailed them out-doors
Got the ill name of augurs, because they were bores,-)
First, he mused what the animal substance or herb is
Would induce a mustache, for you know he's _imberbis;_
Then he shuddered to think how his youthful position
Was assailed by the age of his son the physician;
At some poems he glanced, had been sent to him lately,
And the metre and sentiment puzzled him greatly;
'Mehercle! I'd make such proceeding felonious,-
Have they all of them slept in the cave of Trophonius?
Look well to your seat, 'tis like taking an airing
On a corduroy road, and that out of repairing;
It leads one, 'tis true, through the primitive forest,
Grand natural features, but then one has no rest;
You just catch a glimpse of some ravishing distance,
When a jolt puts the whole of it out of existence,-
Why not use their ears, if they happen to have any?'
-Here the laurel leaves murmured the name of poor Daphne.

'Oh, weep with me, Daphne,' he sighed, 'for you know it's
A terrible thing to be pestered with poets!
But, alas, she is dumb, and the proverb holds good,
She never will cry till she's out of the wood!
What wouldn't I give if I never had known of her?
'Twere a kind of relief had I something to groan over:
If I had but some letters of hers, now, to toss over,
I might turn for the nonce a Byronic philosopher,
And bewitch all the flats by bemoaning the loss of her.
One needs something tangible, though, to begin on,-
A loom, as it were, for the fancy to spin on;
What boots all your grist? it can never be ground
Till a breeze makes the arms of the windmill go round;
(Or, if 'tis a water-mill, alter the metaphor,
And say it won't stir, save the wheel be well wet afore,
Or lug in some stuff about water 'so dreamily,'-
It is not a metaphor, though, 'tis a simile):
A lily, perhaps, would set _my_ mill a-going,
For just at this season, I think, they are blowing.
Here, somebody, fetch one; not very far hence
They're in bloom by the score, 'tis but climbing a fence;
There's a poet hard by, who does nothing but fill his
Whole garden, from one end to t'other, with lilies;
A very good plan, were it not for satiety,
One longs for a weed here and there, for variety;
Though a weed is no more than a flower in disguise,
Which is seen through at once, if love give a man eyes.'

Now there happened to be among Phoebus's followers,
A gentleman, one of the omnivorous swallowers,
Who bolt every book that comes out of the press,
Without the least question of larger or less,
Whose stomachs are strong at the expense of their head,-
For reading new books is like eating new bread,
One can bear it at first, but by gradual steps he
Is brought to death's door of a mental dyspepsy.
On a previous stage of existence, our Hero
Had ridden outside, with the glass below zero;
He had been, 'tis a fact you may safely rely on,
Of a very old stock a most eminent scion,-
A stock all fresh quacks their fierce boluses ply on,
Who stretch the new boots Earth's unwilling to try on,
Whom humbugs of all shapes and sorts keep their eye on,
Whose hair's in the mortar of every new Zion,
Who, when whistles are dear, go directly and buy one,
Who think slavery a crime that we must not say fie on,
Who hunt, if they e'er hunt at all, with the lion
(Though they hunt lions also, whenever they spy one),
Who contrive to make every good fortune a wry one,
And at last choose the hard bed of honor to die on,
Whose pedigree, traced to earth's earliest years,
Is longer than anything else but their ears,-
In short, he was sent into life with the wrong key,
He unlocked the door, and stept forth a poor donkey.
Though kicked and abused by his bipedal betters
Yet he filled no mean place in the kingdom of letters;
Far happier than many a literary hack,
He bore only paper-mill rags on his back
(For It makes a vast difference which side the mill
One expends on the paper his labor and skill):
So, when his soul waited a new transmigration,
And Destiny balanced 'twixt this and that station,
Not having much time to expend upon bothers,
Remembering he'd had some connection with authors,
And considering his four legs had grown paralytic,-
She set him on two, and he came forth a critic.

Through his babyhood no kind of pleasure he took
In any amusement but tearing a book;
For him there was no intermediate stage
From babyhood up to straight-laced middle age;
There were years when he didn't wear coat-tails behind,
But a boy he could never be rightly defined;
like the Irish Good Folk, though in length scarce a span,
From the womb he came gravely, a little old man;
While other boys' trousers demanded the toil
Of the motherly fingers on all kinds of soil,
Red, yellow, brown, black, clayey, gravelly, loamy,
He sat in the corner and read Viri Romae.
He never was known to unbend or to revel once
In base, marbles, hockey, or kick up the devil once;
He was just one of those who excite the benevolence
Of your old prigs who sound the soul's depths with a ledger,
And are on the lookout for some young men to 'edger-
cate,' as they call it, who won't be too costly,
And who'll afterward take to the ministry mostly;
Who always wear spectacles, always look bilious,
Always keep on good terms with each _mater-familias_
Throughout the whole parish, and manage to rear
Ten boys like themselves, on four hundred a year:
Who, fulfilling in turn the same fearful conditions,
Either preach through their noses, or go upon missions.

In this way our Hero got safely to college,
Where he bolted alike both his commons and knowledge;
A reading-machine, always wound up and going,
He mastered whatever was not worth the knowing,
Appeared in a gown, with black waistcoat of satin,
To spout such a Gothic oration in Latin
That Tully could never have made out a word in it
(Though himself was the model the author preferred in it),
And grasping the parchment which gave him in fee
All the mystic and-so-forths contained in A.B.,
He was launched (life is always compared to a sea)
With just enough learning, and skill for the using it,
To prove he'd a brain, by forever confusing it.
So worthy St. Benedict, piously burning
With the holiest zeal against secular learning,
_Nesciensque scienter_, as writers express it,
_Indoctusque sapienter a Roma recessit_.

'Twould be endless to tell you the things that he knew,
Each a separate fact, undeniably true,
But with him or each other they'd nothing to do;
No power of combining, arranging, discerning,
Digested the masses he learned into learning;
There was one thing in life he had practical knowledge for
(And this, you will think, he need scarce go to college for),-
Not a deed would he do, nor a word would he utter,
Till he'd weighed its relations to plain bread and butter.
When he left Alma Mater, he practised his wits
In compiling the journals' historical bits,-
Of shops broken open, men falling in fits,
Great fortunes in England bequeathed to poor printers,
And cold spells, the coldest for many past winters,-
Then, rising by industry, knack, and address,
Got notices up for an unbiased press,
With a mind so well poised, it seemed equally made for
Applause or abuse, just which chanced to be paid for:
From this point his progress was rapid and sure,
To the post of a regular heavy reviewer.

And here I must say he wrote excellent articles
On Hebraical points, or the force of Greek particles;
They filled up the space nothing else was prepared for,
And nobody read that which nobody cared for;
If any old book reached a fiftieth edition,
He could fill forty pages with safe erudition:
He could gauge the old books by the old set of rules,
And his very old nothings pleased very old fools;
But give him a new book, fresh out of the heart,
And you put him at sea without compass or chart,-
His blunders aspired to the rank of an art;
For his lore was engraft, something foreign that grew in him,
Exhausting the sap of the native and true in him,
So that when a man came with a soul that was new in him,
Carving new forms of truth out of Nature's old granite,
New and old at their birth, like Le Verrier's planet,
Which, to get a true judgment, themselves must create
In the soul of their critic the measure and weight,
Being rather themselves a fresh standard of grace,
To compute their own judge, and assign him his place,
Our reviewer would crawl all about it and round it,
And, reporting each circumstance just as he found it,
Without the least malice,-his record would be
Profoundly aesthetic as that of a flea,
Which, supping on Wordsworth, should print for our sakes,
Recollections of nights with the Bard of the Lakes,
Or, lodged by an Arab guide, ventured to render a
Comprehensive account of the ruins at Denderah.

As I said, he was never precisely unkind.
The defect in his brain was just absence of mind;
If he boasted, 'twas simply that he was self-made,
A position which I, for one, never gainsaid,
My respect for my Maker supposing a skill
In his works which our Hero would answer but ill;
And I trust that the mould which he used may be cracked, or he,
Made bold by success, may enlarge his phylactery,
And set up a kind of a man-manufactory,-
An event which I shudder to think about, seeing
That Man is a moral, accountable being.

He meant well enough, but was still in the way,
As dunces still are, let them be where they may;
Indeed, they appear to come into existence
To impede other folks with their awkward assistance;
If you set up a dunce on the very North pole
All alone with himself, I believe, on my soul,
He'd manage to get betwixt somebody's shins,
And pitch him down bodily, all in his sins,
To the grave polar bears sitting round on the ice,
All shortening their grace, to be in for a slice;
Or, if he found nobody else there to pother,
Why, one of his legs would just trip up the other,
For there's nothing we read of in torture's inventions,
Like a well-meaning dunce, with the best of intentions.

A terrible fellow to meet in society,
Not the toast that he buttered was ever so dry at tea;
There he'd sit at the table and stir in his sugar,
Crouching close for a spring, all the while, like a cougar;
Be sure of your facts, of your measures and weights,
Of your time,-he's as fond as an Arab of dates;
You'll be telling, perhaps, in your comical way,
Of something you've seen in the course of the day;
And, just as you're tapering out the conclusion,
You venture an ill-fated classic allusion,-
The girls have all got their laughs ready, when, whack!
The cougar comes down on your thunderstruck back!
You had left out a comma,-your Greek's put in joint,
And pointed at cost of your story's whole point.
In the course of the evening, you find chance for certain
Soft speeches to Anne, in the shade of the curtain:
You tell her your heart can be likened to _one_ flower,
'And that, O most charming of women, 's the sunflower,
Which turns'-here a clear nasal voice, to your terror,
From outside the curtain, says, 'That's all an error.'
As for him, he's-no matter, he never grew tender,
Sitting after a ball, with his feet on the fender,
Shaping somebody's sweet features out of cigar smoke
(Though he'd willingly grant you that such doings are smoke):
All women he damns with _mutabile semper_,
And if ever he felt something like love's distemper,
'Twas tow'rds a young lady who spoke ancient Mexican,
And assisted her father in making a lexicon;
Though I recollect hearing him get quite ferocious
About Mary Clausum, the mistress of Grotius,
Or something of that sort,-but, no more to bore ye
With character-painting, I'll turn to my story.

Now, Apollo, who finds it convenient sometimes
To get his court clear of the makers of rhymes,
The _genus_, I think it is called, _irritabile_,
Every one of whom thinks himself treated most shabbily,
And nurses a-what is it?-_immedicabile_,
Which keeps him at boiling-point, hot for a quarrel,
As bitter as wormwood, and sourer than sorrel,
If any poor devil but look at a laurel;-
Apollo, I say, being sick of their rioting
(Though he sometimes acknowledged their verse had a quieting
Effect after dinner, and seemed to suggest a
Retreat to the shrine of a tranquil siesta),
Kept our Hero at hand, who, by means of a bray,
Which he gave to the life, drove the rabble away;
And if that wouldn't do, he was sure to succeed,
If he took his review out and offered to read;
Or, failing in plans of this milder description,
He would ask for their aid to get up a subscription,
Considering that authorship wasn't a rich craft,
To print the 'American drama of Witchcraft.'
'Stay, I'll read you a scene,'-but he hardly began,
Ere Apollo shrieked 'Help!' and the authors all ran:
And once, when these purgatives acted with less spirit,
And the desperate case asked a remedy desperate,
He drew from his pocket a foolscap epistle
As calmly as if 'twere a nine-barrelled pistol,
And threatened them all with the judgment to come,
Of 'A wandering Star's first impressions of Rome.'
'Stop! stop!' with their hands o'er their ears, screamed the Muses,
'He may go off and murder himself, if he chooses,
'Twas a means self-defence only sanctioned his trying,
'Tis mere massacre now that the enemy's flying;
If he's forced to 't again, and we happen to be there,
Give us each a large handkerchief soaked in strong ether.'

I called this a 'Fable for Critics;' you think it's
More like a display of my rhythmical trinkets;
My plot, like an icicle's slender and slippery,
Every moment more slender, and likely to slip awry,
And the reader unwilling _in loco desipere_
Is free to jump over as much of my frippery
As he fancies, and, if he's a provident skipper, he
May have like Odysseus control of the gales,
And get safe to port, ere his patience quite fails;
Moreover, although 'tis a slender return
For your toil and expense, yet my paper will burn,
And, if you have manfully struggled thus far with me,
You may e'en twist me up, and just light your cigar with me:
If too angry for that, you can tear me in pieces,
And my _membra disjecta_ consign to the breezes,
A fate like great Ratzau's, whom one of those bores,
Who beflead with bad verses poor Louis Quatorze,
Describes (the first verse somehow ends with _victoire_),
As _dispersant partout et ses membres et sa gloire;_
Or, if I were over-desirous of earning
A repute among noodles for classical learning,
I could pick you a score of allusions, i-wis,
As new as the jests of _Didaskalos tis;_
Better still, I could make out a good solid list
From authors recondite who do not exist,-
But that would be naughty: at least, I could twist
Something out of Absyrtus, or turn your inquiries
After Milton's prose metaphor, drawn from Osiris;
But, as Cicero says he won't say this or that
(A fetch, I must say, most transparent and flat),
After saying whate'er he could possibly think of,-
I simply will state that I pause on the brink of
A mire, ankle-deep, of deliberate confusion,
Made up of old jumbles of classic allusion:
So, when you were thinking yourselves to be pitied,
Just conceive how much harder your teeth you'd have gritted,
An 'twere not for the dulness I've kindly omitted.

I'd apologize here for my many digressions.
Were it not that I'm certain to trip into fresh ones
('Tis so hard to escape if you get in their mesh once):
Just reflect, if you please, how 'tis said by Horatius,
That Maeonides nods now and then, and, my gracious!
It certainly does look a little bit ominous
When he gets under way with _ton d'apameibomenos_.
(Here a something occurs which I'll just clap a rhyme to,
And say it myself, ere a Zoilus have time to,-
Any author a nap like Van Winkle's may take,
If he only contrive to keep readers awake,
But he'll very soon find himself laid on the shelf,
If _they_ fall a-nodding when he nods himself.)

Once for all, to return, and to stay, will I, nill I-
When Phoebus expressed his desire for a lily,
Our Hero, whose homoeopathic sagacity
With an ocean of zeal mixed his dropp of capacity,
Set off for the garden as fast as the wind
(Or, to take a comparison more to my mind,
As a sound politician leaves conscience behind).
And leaped the low fence, as a party hack jumps
O'er his principles, when something else turns up trumps.

He was gone a long time, and Apollo, meanwhile,
Went over some sonnets of his with a file,
For, of all compositions, he thought that the sonnet
Best repaid all the toil you expended upon it;
It should reach with one impulse the end of its course,
And for one final blow collect all of its force;
Not a verse should be salient, but each one should tend
With a wave-like up-gathering to break at the end;
So, condensing the strength here, there smoothing a wry kink,
He was killing the time, when up walked Mr. D--,
At a few steps behind him, a small man in glasses
Went dodging about, muttering, 'Murderers! asses!'
From out of his pocket a paper he'd take,
With a proud look of martyrdom tied to its stake,
And, reading a squib at himself, he'd say, 'Here I see
'Gainst American letters a bloody conspiracy,
They are all by my personal enemies written;
I must post an anonymous letter to Britain,
And show that this gall is the merest suggestion
Of spite at my zeal on the Copyright question,
For, on this side the water, 'tis prudent to pull
O'er the eyes of the public their national wool,
By accusing of slavish respect to John Bull
All American authors who have more or less
Of that anti-American humbug-success,
While in private we're always embracing the knees
Of some twopenny editor over the seas,
And licking his critical shoes, for you know 'tis
The whole aim of our lives to get one English notice;
My American puffs I would willingly burn all
(They're all from one source, monthly, weekly, diurnal)
To get but a kick from a transmarine journal!'

So, culling the gibes of each critical scorner
As if they were plums, and himself were Jack Horner,
He came cautiously on, peeping round every corner,
And into each hole where a weasel might pass in,
Expecting the knife of some critic assassin,
Who stabs to the heart with a caricature.
Not so bad as those daubs of the Sun, to be sure,
Yet done with a dagger-o'-type, whose vile portraits
Disperse all one's good and condense all one's poor traits.

Apollo looked up, hearing footsteps approaching,
And slipped out of sight the new rhymes he was broaching,-
'Good day, Mr. D--, I'm happy to meet
With a scholar so ripe, and a critic so neat,
Who through Grub Street the soul of a gentleman carries;
What news from that suburb of London and Paris
Which latterly makes such shrill claims to monopolize
The credit of being the New World's metropolis?'

'Why, nothing of consequence, save this attack
On my friend there, behind, by some pitiful hack,
Who thinks every national author a poor one,
That isn't a copy of something that's foreign,
And assaults the American Dick-'

Nay, 'tis clear
That your Damon there's fond of a flea in his ear,
And, if no one else furnished them gratis, on tick
He would buy some himself, just to hear the old click;
Why, I honestly think, if some fool in Japan
Should turn up his nose at the 'Poems on Man,'
(Which contain many verses as fine, by the bye,
As any that lately came under my eye,)
Your friend there by some inward instinct would know it,
Would get it translated, reprinted, and show it;
As a man might take off a high stock to exhibit
The autograph round his own neck of the gibbet;
Nor would let it rest so, but fire column after column,
Signed Cato, or Brutus, or something as solemn,
By way of displaying his critical crosses,
And tweaking that poor transatlantic proboscis,
His broadsides resulting (this last there's no doubt of)
In successively sinking the craft they're fired out of.
Now nobody knows when an author is hit,
If he have not a public hysterical fit;
Let him only keep close in his snug garret's dim ether,
And nobody'd think of his foes-or of him either;
If an author have any least fibre of worth in him,
Abuse would but tickle the organ of mirth in him;
All the critics on earth cannot crush with their ban
One word that's in tune with the nature of man.'

'Well, perhaps so; meanwhile I have brought you a book,
Into which if you'll just have the goodness to look,
You may feel so delighted (when once you are through it)
As to deem it not unworth your while to review it,
And I think I can promise your thoughts, if you do,
A place in the next Democratic Review.'

'The most thankless of gods you must surely have thought me,
For this is the forty-fourth copy you've brought me;
I have given them away, or at least I have tried,
But I've forty-two left, standing all side by side
(The man who accepted that one copy died),-
From one end of a shelf to the other they reach,
'With the author's respects' neatly written in each.
The publisher, sure, will proclaim a Te Deum,
When he hears of that order the British Museum
Has sent for one set of what books were first printed
In America, little or big,-for 'tis hinted
That this is the first truly tangible hope he
Has ever had raised for the sale of a copy.
I've thought very often 'twould be a good thing
In all public collections of books, if a wing
Were set off by itself, like the seas from the dry lands,
Marked _Literature suited to desolate islands_,
And filled with such books as could never be read
Save by readers of proofs, forced to do it for bread,-
Such books as one's wrecked on in small country taverns,
Such as hermits might mortify over in caverns,
Such as Satan, if printing had then been invented,
As the climax of woe, would to Job have presented.
Such as Crusoe might dip in, although there are few so
Outrageously cornered by fate as poor Crusoe;
And since the philanthropists just now are banging
And gibbeting all who're in favor of hanging
(Though Cheever has proved that the Bible and Altar
Were let down from Heaven at the end of a halter.
And that vital religion would dull and grow callous,
Unrefreshed, now and then, with a sniff of the gallows),-
And folks are beginning to think it looks odd,
To choke a poor scamp for the glory of God;
And that He who esteems the Virginia reel
A bait to draw saints from their spiritual weal,
And regards the quadrille as a far greater knavery
Than crushing his African children with slavery,-
Since all who take part in a waltz or cotillon
Are mounted for hell on the Devil's own pillion,
Who, as every true orthodox Christian well knows,
Approaches the heart through the door of the toes,-
That He, I was saying, whose judgments are stored
For such as take steps in despite of his word,
Should look with delight on the agonized prancing
Of a wretch who has not the least ground for his dancing,
While the State, standing by, sings a verse from the Psalter
About offering to God on his favorite halter,
And, when the legs droop from their twitching divergence,
Sells the clothes to a Jew, and the corpse to the surgeons;-
Now, instead of all this, I think I can direct you all
To a criminal code both humane and effectual;-
I propose to shut up every doer of wrong
With these desperate books, for such term, short or long,
As, by statute in such cases made and provided,
Shall be by your wise legislators decided:
Thus: Let murderers be shut, to grow wiser and cooler,
At hard labor for life on the works of Miss--;
Petty thieves, kept from flagranter crimes by their fears,
Shall peruse Yankee Doodle a blank term of years,-
That American Punch, like the English, no doubt,-
Just the sugar and lemons and spirit left out.

'But stay, here comes Tityrus Griswold, and leads on
The flocks whom he first plucks alive, and then feeds on,-
A loud-cackling swarm, in whose leathers warm drest,
He goes for as perfect a-swan as the rest.

'There comes Emerson first, whose rich words, every one,
Are like gold nails in temples to hang trophies on,
Whose prose is grand verse, while his verse, the Lord knows,
Is some of it pr-- No, 'tis not even prose;
I'm speaking of metres; some poems have welled
From those rare depths of soul that have ne'er been excelled;
They're not epics, but that doesn't matter a pin,
In creating, the only hard thing's to begin;
A grass-blade's no easier to make than an oak;
If you've once found the way, you've achieved the grand stroke;
In the worst of his poems are mines of rich matter,
But thrown in a heap with a crash and a clatter;
Now it is not one thing nor another alone
Makes a poem, but rather the general tone,
The something pervading, uniting the whole,
The before unconceived, unconceivable soul,
So that just in removing this trifle or that, you
Take away, as it were, a chief limb of the statue;
Roots, wood, bark, and leaves singly perfect may be,
But, clapt hodge-podge together, they don't make a tree.

'But, to come back to Emerson (whom, by the way,
I believe we left waiting),-his is, we may say,
A Greek head on right Yankee shoulders, whose range
Has Olympus for one pole, for t'other the Exchange;
He seems, to my thinking (although I'm afraid
The comparison must, long ere this, have been made),
A Plotinus-Montaigne, where the Egyptian's gold mist
And the Gascon's shrewd wit cheek-by-jowl coexist;
All admire, and yet scarcely six converts he's got
To I don't (nor they either) exactly know what;
For though he builds glorious temples, 'tis odd
He leaves never a doorway to get in a god.
'Tis refreshing to old-fashioned people like me
To meet such a primitive Pagan as he,
In whose mind all creation is duly respected
As parts of himself-just a little projected;
And who's willing to worship the stars and the sun,
A convert to-nothing but Emerson.
So perfect a balance there is in his head,
That he talks of things sometimes as if they were dead;
Life, nature, love, God, and affairs of that sort,
He looks at as merely ideas; in short,
As if they were fossils stuck round in a cabinet,
Of such vast extent that our earth's a mere dab in it;
Composed just as he is inclined to conjecture her,
Namely, one part pure earth, ninety-nine parts pure lecturer;
You are filled with delight at his clear demonstration,
Each figure, word, gesture, just fits the occasion,
With the quiet precision of science he'll sort 'em,
But you can't help suspecting the whole a _post mortem_.

'There are persons, mole-blind to the soul's make and style,
Who insist on a likeness 'twixt him and Carlyle;
To compare him with Plato would be vastly fairer,
Carlyle's the more burly, but E. is the rarer;
He sees fewer objects, but clearlier, truelier,
If C.'s as original, E.'s more peculiar;
That he's more of a man you might say of the one,
Of the other he's more of an Emerson;
C.'s the Titan, as shaggy of mind as of limb,-
E. the clear-eyed Olympian, rapid and slim;
The one's two thirds Norseman, the other half Greek,
Where the one's most abounding, the other's to seek;
C.'s generals require to be seen in the mass,-
E.'s specialties gain if enlarged by the glass;
C. gives nature and God his own fits of the blues,
And rims common-sense things with mystical hues,-
E. sits in a mystery calm and intense,
And looks coolly around him with sharp common-sense;
C. shows you how every-day matters unite
With the dim transdiurnal recesses of night,-
While E., in a plain, preternatural way,
Makes mysteries matters of mere every day;
C. draws all his characters quite _a la_ Fuseli,-
Not sketching their bundles of muscles and thews illy,
He paints with a brush so untamed and profuse,
They seem nothing but bundles of muscles and thews;
E. is rather like Flaxman, lines strait and severe,
And a colorless outline, but full, round, and clear;-
To the men he thinks worthy he frankly accords
The design of a white marble statue in words.
C. labors to get at the centre, and then
Take a reckoning from there of his actions and men;
E. calmly assumes the said centre as granted,
And, given himself, has whatever is wanted.

'He has imitators in scores, who omit
No part of the man but his wisdom and wit,-
Who go carefully o'er the sky-blue of his brain,
And when he has skimmed it once, skim it again;
If at all they resemble him, you may be sure it is
Because their shoals mirror his mists and obscurities,
As a mud-puddle seems deep as heaven for a minute,
While a cloud that floats o'er is reflected within it.

'There comes--, for instance; to see him's rare sport,
Tread in Emerson's tracks with legs painfully short;
How he jumps, how he strains, and gets red in the face.
To keep step with the mystagogue's natural pace!
He follows as close as a stick to a rocket,
His fingers exploring the prophet's each pocket.
Fie, for shame, brother bard; with good fruit of your own,
Can't you let Neighbor Emerson's orchards alone?
Besides, 'tis no use, you'll not find e'en a core,-
-- has picked up all the windfalls before.
They might strip every tree, and E. never would catch 'em,
His Hesperides have no rude dragon to watch 'em;
When they send him a dishful, and ask him to try 'em,
He never suspects how the sly rogues came by 'em;
He wonders why 'tis there are none such his trees on,
And thinks 'em the best he has tasted this season.

'Yonder, calm as a cloud, Alcott stalks in a dream,
And fancies himself in thy groves, Academe,
With the Parthenon nigh, and the olive-trees o'er him,
And never a fact to perplex him or bore him,
With a snug room at Plato's when night comes, to walk to,
And people from morning till midnight to talk to,
And from midnight till morning, nor snore in their listening;-
So he muses, his face with the joy of it glistening,
For his highest conceit of a happiest state is
Where they'd live upon acorns, and hear him talk gratis;
And indeed, I believe, no man ever talked better,-
Each sentence hangs perfectly poised to a letter;
He seems piling words, but there's royal dust hid
In the heart of each sky-piercing pyramid.
While he talks he is great, but goes out like a taper,
If you shut him up closely with pen, ink, and paper;
Yet his fingers itch for 'em from morning till night,
And he thinks he does wrong if he don't always write;
In this, as in all things, a lamb among men,
He goes to sure death when he goes to his pen.

'Close behind him is Brownson, his mouth very full
With attempting to gulp a Gregorian bull;
Who contrives, spite of that, to pour out as he goes
A stream of transparent and forcible prose;
He shifts quite about, then proceeds to expound
That 'tis merely the earth, not himself, that turns round,
And wishes it clearly impressed on your mind
That the weathercock rules and not follows the wind;
Proving first, then as deftly confuting each side,
With no doctrine pleased that's not somewhere denied,
He lays the denier away on the shelf,
And then-down beside him lies gravely himself.
He's the Salt River boatman, who always stands willing
To convey friend or foe without charging a shilling,
And so fond of the trip that, when leisure's to spare,
He'll row himself up, if he can't get a fare.
The worst of it is, that his logic's so strong,
That of two sides he commonly chooses the wrong;
If there is only one, why, he'll split it in two,
And first pummel this half, then that, black and blue.
That white's white needs no proof, but it takes a deep fellow
To prove it jet-black, and that jet-black is yellow.
He offers the true faith to drink in a sieve,-
When it reaches your lips there's naught left to believe
But a few silly-(syllo-, I mean,)-gisms that squat 'em
Like tadpoles, o'erjoyed with the mud at the bottom.

'There is Willis, all _natty_ and jaunty and gay,
Who says his best things in so foppish a way,
With conceits and pet phrases so thickly o'erlaying 'em,
That one hardly knows whether to thank him for saying 'em;
Over-ornament ruins both poem and prose,
Just conceive of a Muse with a ring in her nose!
His prose had a natural grace of its own,
And enough of it, too, if he'd let it alone;
But he twitches and jerks so, one fairly gets tired,
And is forced to forgive where one might have admired;
Yet whenever it slips away free and unlaced,
It runs like a stream with a musical waste,
And gurgles along with the liquidest sweep;-
'Tis not deep as a river, but who'd have it deep?
In a country where scarcely a village is found
That has not its author sublime and profound,
For some one to be slightly shallow's a duty,
And Willis's shallowness makes half his beauty.
His prose winds along with a blithe, gurgling error,
And reflects all of Heaven it can see in its mirror:
'Tis a narrowish strip, but it is not an artifice;
'Tis the true out-of-doors with its genuine hearty phiz;
It is Nature herself, and there's something in that,
Since most brains reflect but the crown of a hat.
Few volumes I know to read under a tree,
More truly delightful than his A l'Abri,
With the shadows of leaves flowing over your book,
Like ripple-shades netting the bed of a brook;
With June coming softly your shoulder to look over,
Breezes waiting to turn every leaf of your book over,
And Nature to criticise still as you read,-
The page that bears that is a rare one indeed.

'He's so innate a cockney, that had he been born
Where plain bare-skin's the only full-dress that is worn,
He'd have given his own such an air that you'd say
'T had been made by a tailor to lounge in Broadway.
His nature's a glass of champagne with the foam on 't,
As tender as Fletcher, as witty as Beaumont;
So his best things are done in the flush of the moment;
If he wait, all is spoiled; he may stir it and shake it,
But, the fixed air once gone, he can never re-make it.
He might be a marvel of easy delightfulness,
If he would not sometimes leave the _r_ out of sprightfulness;
And he ought to let Scripture alone-'tis self-slaughter,
For nobody likes inspiration-and-water.
He'd have been just the fellow to sup at the Mermaid,
Cracking jokes at rare Ben, with an eye to the barmaid,
His wit running up as Canary ran down,-
The topmost bright bubble on the wave of The Town.

'Here comes Parker, the Orson of parsons, a man
Whom the Church undertook to put under her ban
(The Church of Socinus, I mean),-his opinions
Being So-(ultra)-cinian, they shocked the Socinians:
They believed-faith, I'm puzzled-I think I may call
Their belief a believing in nothing at all,
Or something of that sort; I know they all went
For a general union of total dissent:
He went a step farther; without cough or hem,
He frankly avowed he believed not in them;
And, before he could be jumbled up or prevented,
From their orthodox kind of dissent he dissented.
There was heresy here, you perceive, for the right
Of privately judging means simply that light
Has been granted to _me_, for deciding on _you;_
And in happier times, before Atheism grew,
The deed contained clauses for cooking you too:
Now at Xerxes and Knut we all laugh, yet our foot
With the same wave is wet that mocked Xerxes and Knut,
And we all entertain a secure private notion,
That our _Thus far!_ will have a great weight with the ocean,
'Twas so with our liberal Christians: they bore
With sincerest conviction their chairs to the shore;
They brandished their worn theological birches,
Bade natural progress keep out of the Churches,
And expected the lines they had drawn to prevail
With the fast-rising tide to keep out of their pale;
They had formerly dammed the Pontifical See,
And the same thing, they thought, would do nicely for P.;
But he turned up his nose at their mumming and shamming,
And cared (shall I say?) not a d-- for their damming;
So they first read him out of their church, and next minute
Turned round and declared he had never been in it.
But the ban was too small or the man was too big,
For he recks not their bells, books, and candles a fig
(He scarce looks like a man who would _stay_ treated shabbily,
Sophroniscus' son's head o'er the features of Rabelais):-
He bangs and bethwacks them,-their backs he salutes
With the whole tree of knowledge torn up by the roots;
His sermons with satire are plenteously verjuiced,
And he talks in one breath of Confutzee, Cass, Zerduscht,
Jack Robinson, Peter the Hermit, Strap, Dathan,
Cush, Pitt (not the bottomless, _that_ he's no faith in),
Pan, Pillicock, Shakespeare, Paul, Toots, Monsieur Tonson,
Aldebaran, Alcander, Ben Khorat, Ben Jonson,
Thoth, Richter, Joe Smith, Father Paul, Judah Monis,
Musaeus, Muretus, _hem_,-[Greek: m] Scorpionis,
Maccabee, Maccaboy, Mac-Mac-ah! Machiavelli,
Condorcet, Count d'Orsay, Conder, Say, Ganganelli,
Orion, O'Connell, the Chevalier D'O,
(See the Memoirs of Sully,) [Greek: to pan], the great toe
Of the statue of Jupiter, now made to pass
For that of Jew Peter by good Romish brass,
(You may add for yourselves, for I find it a bore,
All the names you have ever, or not, heard before,
And when you've done that-why, invent a few more).
His hearers can't tell you on Sunday beforehand,
If in that day's discourse they'll be Bibled or Koraned,
For he's seized the idea (by his martyrdom fired)
That all men (not orthodox) _may be_ inspired;
Yet though wisdom profane with his creed he may weave in,
He makes it quite clear what he _doesn't_ believe in,
While some, who decry him, think all Kingdom Come
Is a sort of a, kind of a, species of Hum,
Of which, as it were, so to speak, not a crumb
Would be left, if we didn't keep carefully mum,
And, to make a clean breast, that 'tis perfectly plain
That _all_ kinds of wisdom are somewhat profane;
Now P.'s creed than this may be lighter or darker,
But in one thing, 'tis clear, he has faith, namely-Parker;
And this is what makes him the crowd-drawing preacher,
There's a background of god to each hard-working feature,
Every word that he speaks has been fierily furnaced
In the blast of a life that has struggled in earnest:
There he stands, looking more like a ploughman than priest,
If not dreadfully awkward, not graceful at least,
His gestures all downright and same, if you will,
As of brown-fisted Hobnail in hoeing a drill;
But his periods fall on you, stroke after stroke,
Like the blows of a lumberer felling an oak,
You forget the man wholly, you're thankful to meet
With a preacher who smacks of the field and the street,
And to hear, you're not over-particular whence,
Almost Taylor's profusion, quite Latimer's sense.

'There is Bryant, as quiet, as cool, and as dignified,
As a smooth, silent iceberg, that never is ignified,
Save when by reflection 'tis kindled o' nights
With a semblance of flame by the chill Northern Lights.
He may rank (Griswold says so) first bard of your nation
(There's no doubt that he stands in supreme iceolation),
Your topmost Parnassus he may set his heel on,
But no warm applauses come, peal following peal on,-
He's too smooth and too polished to hang any zeal on:
Unqualified merits, I'll grant, if you choose, he has 'em,
But he lacks the one merit of kindling enthusiasm;
If he stir you at all, it is just, on my soul,
Like being stirred up with the very North Pole.

'He is very nice reading in summer, but _inter
Nos_, we don't want _extra_ freezing in winter;
Take him up in the depth of July, my advice is,
When you feel an Egyptian devotion to ices.
But, deduct all you can, there's enough that's right good in him,
He has a true soul for field, river, and wood in him;
And his heart, in the midst of brick walls, or where'er it is,
Glows, softens, and thrills with the tenderest charities-
To you mortals that delve in this trade-ridden planet?
No, to old Berkshire's hills, with their limestone and granite.
If you're one who _in loco_ (add _foco_ here) _desipis_,
You will get out of his outermost heart (as I guess) a piece;
But you'd get deeper down if you came as a precipice,
And would break the last seal of its inwardest fountain,
If you only could palm yourself off for a mountain.
Mr. Quivis, or somebody quite as discerning,
Some scholar who's hourly expecting his learning,
Calls B. the American Wordsworth; but Wordsworth
May be rated at more than your whole tuneful herd's worth.
No, don't be absurd, he's an excellent Bryant;
But, my friends, you'll endanger the life of your client,
By attempting to stretch him up into a giant;
If you choose to compare him, I think there are two per-
-sons fit for a parallel-Thomson and Cowper;
I don't mean exactly,-there's something of each,
There's T.'s love of nature, C.'s penchant to preach;
Just mix up their minds so that C.'s spice of craziness
Shall balance and neutralize T.'s turn for laziness,
And it gives you a brain cool, quite frictionless, quiet,
Whose internal police nips the buds of all riot,-
A brain like a permanent strait-jacket put on
The heart that strives vainly to burst off a button,-
A brain which, without being slow or mechanic,
Does more than a larger less drilled, more volcanic;
He's a Cowper condensed, with no craziness bitten,
And the advantage that Wordsworth before him had written.

'But, my dear little bardlings, don't prick up your ears
Nor suppose I would rank you and Bryant as peers;
If I call him an iceberg, I don't mean to say
There is nothing in that which is grand in its way;
He is almost the one of your poets that knows
How much grace, strength, and dignity lie in Repose;
If he sometimes fall short, he is too wise to mar
His thought's modest fulness by going too far;
'T would be well if your authors should all make a trial
Of what virtue there is in severe self-denial,
And measure their writings by Hesiod's staff,
Which teaches that all has less value than half.

'There is Whittier, whose swelling and vehement heart
Strains the strait-breasted drab of the Quaker apart,
And reveals the live Man, still supreme and erect,
Underneath the bemummying wrappers of sect;
There was ne'er a man born who had more of the swing
Of the true lyric bard and all that kind of thing;
And his failures arise (though he seem not to know it)
From the very same cause that has made him a poet,-
A fervor of mind which knows no separation
'Twixt simple excitement and pure inspiration,
As my Pythoness erst sometimes erred from not knowing
If 'twere I or mere wind through her tripod was blowing;
Let his mind once get head in its favorite direction
And the torrent of verse bursts the dams of reflection,
While, borne with the rush of the metre along,
The poet may chance to go right or go wrong,
Content with the whirl and delirium of song;
Then his grammar's not always correct, nor his rhymes,
And he's prone to repeat his own lyrics sometimes,
Not his best, though, for those are struck off at white-heats
When the heart in his breast like a trip-hammer beats,
And can ne'er be repeated again any more
Than they could have been carefully plotted before:
Like old what's-his-name there at the battle of Hastings
(Who, however, gave more than mere rhythmical bastings),
Our Quaker leads off metaphorical fights
For reform and whatever they call human rights,
Both singing and striking in front of the war,
And hitting his foes with the mallet of Thor;
_Anne haec_, one exclaims, on beholding his knocks,
_Vestis filii tui_, O leather-clad Fox?
Can that be thy son, in the battle's mid din,
Preaching brotherly love and then driving it in
To the brain of the tough old Goliath of sin,
With the smoothest of pebbles from Castaly's spring
Impressed on his hard moral sense with a sling?

'All honor and praise to the right-hearted bard
Who was true to The Voice when such service was hard,
Who himself was so free he dared sing for the slave
When to look but a protest in silence was brave;
All honor and praise to the women and men
Who spoke out for the dumb and the down-trodden then!
It needs not to name them, already for each
I see History preparing the statue and niche;
They were harsh, but shall _you_ be so shocked at hard words
Who have beaten your pruning-hooks up into swords,
Whose rewards and hurrahs men are surer to gain
By the reaping of men and of women than grain?
Why should _you_ stand aghast at their fierce wordy war, if
You scalp one another for Bank or for Tariff?
Your calling them cut-throats and knaves all day long
Doesn't prove that the use of hard language is wrong;
While the World's heart beats quicker to think of such men
As signed Tyranny's doom with a bloody steel-pen,
While on Fourth-of-Julys beardless orators fright one
With hints at Harmodius and Aristogeiton,
You need not look shy at your sisters and brothers
Who stab with sharp words for the freedom of others;-
No, a wreath, twine a wreath for the loyal and true
Who, for sake of the many, dared stand with the few,
Not of blood-spattered laurel for enemies braved,
But of broad, peaceful oak-leaves for citizens saved!

'Here comes Dana, abstractedly loitering along,
Involved in a paulo-post-future of song,
Who'll be going to write what'll never be written
Till the Muse, ere he think of it, gives him the mitten,-
Who is so well aware of how things should be done,
That his own works displease him before they're begun,-
Who so well all that makes up good poetry knows,
That the best of his poems is written in prose;
All saddled and bridled stood Pegasus waiting,
He was booted and spurred, but he loitered debating;
In a very grave question his soul was immersed,-
Which foot in the stirrup he ought to put first:
And, while this point and that he judicially dwelt on,
He, somehow or other, had written Paul Felton,
Whose beauties or faults, whichsoever you see there,
You'll allow only genius could hit upon either.
That he once was the Idle Man none will deplore,
But I fear he will never be anything more;
The ocean of song heaves and glitters before him,
The depth and the vastness and longing sweep o'er him.
He knows every breaker and shoal on the chart,
He has the Coast Pilot and so on by heart,
Yet he spends his whole life, like the man in the fable,
In learning to swim on his library table.

'There swaggers John Neal, who has wasted in Maine
The sinews and cords of his pugilist brain,
Who might have been poet, but that, in its stead, he
Preferred to believe that he was so already;
Too hasty to wait till Art's ripe fruit should drop,
He must pelt down an unripe and colicky crop;
Who took to the law, and had this sterling plea for it,
It required him to quarrel, and paid him a fee for it;
A man who's made less than he might have, because
He always has thought himself more than he was,-
Who, with very good natural gifts as a bard,
Broke the strings of his lyre out by striking too hard,
And cracked half the notes of a truly fine voice,
Because song drew less instant attention than noise.
Ah, men do not know how much strength is in poise,
That he goes the farthest who goes far enough,
And that all beyond that is just bother and stuff.
No vain man matures, he makes too much new wood;
His blooms are too thick for the fruit to be good;
'Tis the modest man ripens, 'tis he that achieves,
Just what's needed of sunshine and shade he receives;
Grapes, to mellow, require the cool dark of their leaves;
Neal wants balance; he throws his mind always too far,
Whisking out flocks of comets, but never a star;
He has so much muscle, and loves so to show it,
That he strips himself naked to prove he's a poet,
And, to show he could leap Art's wide ditch, if he tried,
Jumps clean o'er it, and into the hedge t'other side.
He has strength, but there's nothing about him in keeping;
One gets surelier onward by walking than leaping;
He has used his own sinews himself to distress,
And had done vastly more had he done vastly less;
In letters, too soon is as bad as too late;
Could he only have waited he might have been great;
But he plumped into Helicon up to the waist,
And muddied the stream ere he took his first taste.

'There is Hawthorne, with genius so shrinking and rare
That you hardly at first see the strength that is there;
A frame so robust, with a nature so sweet,
So earnest, so graceful, so lithe and so fleet,
Is worth a descent from Olympus to meet;
'Tis as if a rough oak that for ages had stood,
With his gnarled bony branches like ribs of the wood,
Should bloom, after cycles of struggle and scathe,
With a single anemone trembly and rathe;
His strength is so tender, his wildness so meek,
That a suitable parallel sets one to seek,-
He's a John Bunyan Fouque, a Puritan Tieck;
When Nature was shaping him, clay was not granted
For making so full-sized a man as she wanted,
So, to fill out her model, a little she spared
From some finer-grained stuff for a woman prepared,
And she could not have hit a more excellent plan
For making him fully and perfectly man.
The success of her scheme gave her so much delight,
That she tried it again, shortly after, in Dwight;
Only, while she was kneading and shaping the clay,
She sang to her work in her sweet childish way,
And found, when she'd put the last touch to his soul,
That the music had somehow got mixed with the whole.

'Here's Cooper, who's written six volumes to show
He's as good as a lord: well, let's grant that he's so;
If a person prefer that description of praise,
Why, a coronet's certainly cheaper than bays;
But he need take no pains to convince us he's not
(As his enemies say) the American Scott.
Choose any twelve men, and let C. read aloud
That one of his novels of which he's most proud,
And I'd lay any bet that, without ever quitting
Their box, they'd be all, to a man, for acquitting.
He has drawn you one character, though, that is new,
One wildflower he's plucked that is wet with the dew
Of this fresh Western world, and, the thing not to mince,
He has done naught but copy it ill ever since;
His Indians, with proper respect be it said,
Are just Natty Bumppo, daubed over with red,
And his very Long Toms are the same useful Nat,
Rigged up in duck pants and a sou'wester hat
(Though once in a Coffin, a good chance was found
To have slipped the old fellow away underground).
All his other men-figures are clothes upon sticks,
The _derniere chemise_ of a man in a fix
(As a captain besieged, when his garrison's small,
Sets up caps upon poles to be seen o'er the wall):
And the women he draws from one model don't vary.
All sappy as maples and flat as a prairie.
When a character's wanted, he goes to the task
As a cooper would do in composing a cask;
He picks out the staves, of their qualities heedful,
Just hoops them together as tight as is needful,
And, if the best fortune should crown the attempt, he
Has made at the most something wooden and empty.

'Don't suppose I would underrate Cooper's abilities;
If I thought you'd do that, I should feel very ill at ease;
The men who have given to _one_ character life
And objective existence are not very rife;
You may number them all, both prose-writers and singers,
Without overrunning the bounds of your fingers,
And Natty won't go to oblivion quicker
Than Adams the parson or Primrose the vicar.

'There is one thing in Cooper I like, too, and that is
That on manners he lectures his countrymen gratis;
Not precisely so either, because, for a rarity,
He is paid for his tickets in unpopularity.
Now he may overcharge his American pictures,
But you'll grant there's a good deal of truth in his strictures;
And I honor the man who is willing to sink
Half his present repute for the freedom to think,
And, when he has thought, be his cause strong or weak,
Will risk t'other half for the freedom to speak,
Caring naught for what vengeance the mob has in store,
Let that mob be the upper ten thousand or lower.

'There are truths you Americans need to be told,
And it never'll refute them to swagger and scold;
John Bull, looking o'er the Atlantic, in choler
At your aptness for trade, says you worship the dollar;
But to scorn such eye-dollar-try's what very few do,
And John goes to that church as often as you do,
No matter what John says, don't try to outcrow him,
'Tis enough to go quietly on and outgrow him;
Like most fathers, Bull hates to see Number One
Displacing himself in the mind of his son,
And detests the same faults in himself he'd neglected
When he sees them again in his child's glass reflected;
To love one another you're too like by half;
If he is a bull, you're a pretty stout calf,
And tear your own pasture for naught but to show
What a nice pair of horns you're beginning to grow.

'There are one or two things I should just like to hint,
For you don't often get the truth told you in print;
The most of you (this is what strikes all beholders)
Have a mental and physical stoop in the shoulders;
Though you ought to be free as the winds and the waves,
You've the gait and the manners of runaway slaves;
Though you brag of your New World, you don't half believe in it;
And as much of the Old as is possible weave in it;
Your goddess of freedom, a tight, buxom girl,
With lips like a cherry and teeth like a pearl,
With eyes bold as Here's, and hair floating free,
And full of the sun as the spray of the sea,
Who can sing at a husking or romp at a shearing,
Who can trip through the forests alone without fearing,
Who can drive home the cows with a song through the grass,
Keeps glancing aside into Europe's cracked glass.
Hides her red hands in gloves, pinches up her lithe waist,
And makes herself wretched with transmarine taste;
She loses her fresh country charm when she takes
Any mirror except her own rivers and lakes.

'You steal Englishmen's books and think Englishmen's thought,
With their salt on her tail your wild eagle is caught;
Your literature suits its each whisper and motion
To what will be thought of it over the ocean;
The cast clothes of Europe your statesmanship tries
And mumbles again the old blarneys and lies;-
Forget Europe wholly, your veins throb with blood,
To which the dull current in hers is but mud:
Let her sneer, let her say your experiment fails,
In her voice there's a tremble e'en now while she rails,
And your shore will soon be in the nature of things
Covered thick with gilt drift-wood of castaway kings,
Where alone, as it were in a Longfellow's Waif,
Her fugitive pieces will find themselves safe.
O my friends, thank your god, if you have one, that he
'Twixt the Old World and you set the gulf of a sea;
Be strong-backed, brown-handed, upright as your pines,
By the scale of a hemisphere shape your designs,
Be true to yourselves and this new nineteenth age,
As a statue by Powers, or a picture by Page,
Plough, sail, forge, build, carve, paint, make all over new,
To your own New-World instincts contrive to be true,
Keep your ears open wide to the Future's first call,
Be whatever you will, but yourselves first of all,
Stand fronting the dawn on Toil's heaven-scaling peaks,
And become my new race of more practical Greeks.-
Hem! your likeness at present, I shudder to tell o't,
Is that you have your slaves, and the Greek had his helot.'

Here a gentleman present, who had in his attic
More pepper than brains, shrieked, 'The man's a fanatic,
I'm a capital tailor with warm tar and feathers,
And will make him a suit that'll serve in all weathers;
But we'll argue the point first, I'm willing to reason 't,
Palaver before condemnation's but decent:
So, through my humble person, Humanity begs
Of the friends of true freedom a loan of bad eggs.'
But Apollo let one such a look of his show forth
As when [Greek: aeie nukti eoikios], and so forth,
And the gentleman somehow slunk out of the way,
But, as he was going, gained courage to say,-
'At slavery in the abstract my whole soul rebels,
I am as strongly opposed to 't as any one else.'
'Ay, no doubt, but whenever I've happened to meet
With a wrong or a crime, it is always concrete,'
Answered Phoebus severely; then turning to us,
'The mistake of such fellows as just made the fuss
Is only in taking a great busy nation
For a part of their pitiful cotton-plantation.-
But there comes Miranda, Zeus! where shall I flee to?
She has such a penchant for bothering me too!
She always keeps asking if I don't observe a
Particular likeness 'twixt her and Minerva;
She tells me my efforts in verse are quite clever;-
She's been travelling now, and will be worse than ever;
One would think, though, a sharp-sighted noter she'd be
Of all that's worth mentioning over the sea,
For a woman must surely see well, if she try,
The whole of whose being's a capital I:
She will take an old notion, and make it her own,
By saying it o'er in her Sibylline tone,
Or persuade you 'tis something tremendously deep,
By repeating it so as to put you to sleep;
And she well may defy any mortal to see through it,
When once she has mixed up her infinite _me_ through it.
There is one thing she owns in her own single right,
It is native and genuine-namely, her spite;
Though, when acting as censor, she privately blows
A censer of vanity 'neath her own nose.'

Here Miranda came up, and said, 'Phoebus! you know
That the Infinite Soul has its infinite woe,
As I ought to know, having lived cheek by jowl,
Since the day I was born, with the Infinite Soul;
I myself introduced, I myself, I alone,
To my Land's better life authors solely my own,
Who the sad heart of earth on their shoulders have taken,
Whose works sound a depth by Life's quiet unshaken,
Such as Shakespeare, for instance, the Bible, and Bacon,
Not to mention my own works; Time's nadir is fleet,
And, as for myself, I'm quite out of conceit'-

'Quite out of conceit! I'm enchanted to hear it,'
Cried Apollo aside. 'Who'd have thought she was near it?
To be sure, one is apt to exhaust those commodities
One uses too fast, yet in this case as odd it is
As if Neptune should say to his turbots and whitings,
'I'm as much out of salt as Miranda's own writings'
(Which, as she in her own happy manner has said,
Sound a depth, for 'tis one of the functions of lead).
She often has asked me if I could not find
A place somewhere near me that suited her mind;
I know but a single one vacant, which she,
With her rare talent that way, would fit to a T.
And it would not imply any pause or cessation
In the work she esteems her peculiar vocation,-
She may enter on duty to-day, if she chooses,
And remain Tiring-woman for life to the Muses.'

Miranda meanwhile has succeeded in driving
Up into a corner, in spite of their striving,
A small flock of terrified victims, and there,
With an I-turn-the-crank-of-the-Universe air
And a tone which, at least to _my_ fancy, appears
Not so much to be entering as boxing your ears,
Is unfolding a tale (of herself, I surmise,
For 'tis dotted as thick as a peacock's with I's),
_Apropos_ of Miranda, I'll rest on my oars
And drift through a trifling digression on bores,
For, though not wearing ear-rings _in more majorum_,
Our ears are kept bored just as if we still wore 'em.
There was one feudal custom worth keeping, at least,
Roasted bores made a part of each well-ordered feast,
And of all quiet pleasures the very _ne plus_
Was in hunting wild bores as the tame ones hunt us.
Archaeologians, I know, who have personal fears
Of this wise application of hounds and of spears,
Have tried to make out, with a zeal more than wonted,
'Twas a kind of wild swine that our ancestors hunted;
But I'll never believe that the age which has strewn
Europe o'er with cathedrals, and otherwise shown
That it knew what was what, could by chance not have known
(Spending, too, its chief time with its buff on, no doubt)
Which beast 'twould improve the world most to thin out.
I divide bores myself, in the manner of rifles,
Into two great divisions, regardless of trifles:-
There's your smooth-bore and screw-bore, who do not much vary
In the weight of cold lead they respectively carry.
The smooth-bore is one in whose essence the mind
Not a corner nor cranny to cling by can find;
You feel as in nightmares sometimes, when you slip
Down a steep slated roof, where there's nothing to grip;
You slide and you slide, the blank horror increases,-
You had rather by far be at once smashed to pieces;
You fancy a whirlpool below white and frothing,
And finally dropp off and light upon-nothing.
The screw-bore has twists in him, faint predilections
For going just wrong in the tritest directions;
When he's wrong he is flat, when he's right he can't show it,
He'll tell you what Snooks said about the new poet,
Or how Fogrum was outraged by Tennyson's Princess;
He has spent all his spare time and intellect since his
Birth in perusing, on each art and science,
Just the books in which no one puts any reliance,
And though _nemo_, we're told, _horis omnibus sapit_,
The rule will not fit him, however you shape it,
For he has a perennial foison of sappiness;
He has just enough force to spoil half your day's happiness,
And to make him a sort of mosquito to be with,
But just not enough to dispute or agree with.

These sketches I made (not to be too explicit)
From two honest fellows who made me a visit,
And broke, like the tale of the Bear and the Fiddle,
My reflections on Halleck short off by the middle;
I sha'n't now go into the subject more deeply,
For I notice that some of my readers look sleep'ly;
I will barely remark that, 'mongst civilized nations,
There's none that displays more exemplary patience
Under all sorts of boring, at all sorts of hours,
From all sorts of desperate persons, than ours.
Not to speak of our papers, our State legislatures,
And other such trials for sensitive natures,
Just look for a moment at Congress,-appalled,
My fancy shrinks back from the phantom it called;
Why, there's scarcely a member unworthy to frown
'Neath what Fourier nicknames the Boreal crown;
Only think what that infinite bore-pow'r could do
If applied with a utilitarian view;
Suppose, for example, we shipped it with care
To Sahara's great desert and let it bore there;
If they held one short session and did nothing else,
They'd fill the whole waste with Artesian wells.
But 'tis time now with pen phonographic to follow
Through some more of his sketches our laughing Apollo:-

'There comes Harry Franco, and, as he draws near,
You find that's a smile which you took for a sneer;
One half of him contradicts t'other; his wont
Is to say very sharp things and do very blunt;
His manner's as hard as his feelings are tender,
And a _sortie_ he'll make when he means to surrender;
He's in joke half the time when he seems to be sternest,
When he seems to be joking, be sure he's in earnest;
He has common sense in a way that's uncommon,
Hates humbug and cant, loves his friends like a woman,
Builds his dislikes of cards and his friendships of oak,
Loves a prejudice better than aught but a joke,
Is half upright Quaker, half downright Come-outer,
Loves Freedom too well to go stark mad about her,
Quite artless himself, is a lover of Art,
Shuts you out of his secrets, and into his heart,
And though not a poet, yet all must admire
In his letters of Pinto his skill on the liar.

'There comes Poe, with his raven, like Barnaby Rudge,
Three fifths of him genius and two fifths sheer fudge,
Who talks like a book of iambs and pentameters,
In a way to make people of common sense damn metres,
Who has written some things quite the best of their kind,
But the heart somehow seems all squeezed out by the mind,
Who-But hey-day! What's this? Messieurs Mathews and Poe,
You mustn't fling mud-balls at Longfellow so,
Does it make a man worse that his character's such
As to make his friends love him (as you think) too much?
Why, there is not a bard at this moment alive
More willing than he that his fellows should thrive;
While you are abusing him thus, even now
He would help either one of you out of a slough;
You may say that he's smooth and all that till you're hoarse,
But remember that elegance also is force;
After polishing granite as much as you will,
The heart keeps its tough old persistency still;
Deduct all you can, _that_ still keeps you at bay;
Why, he'll live till men weary of Collins and Gray.
I'm not over-fond of Greek metres in English,
To me rhyme's a gain, so it be not too jinglish,
And your modern hexameter verses are no more
Like Greek ones than sleek Mr. Pope is like Homer;
As the roar of the sea to the coo of a pigeon is,
So, compared to your moderns, sounds old Melesigenes;
I may be too partial, the reason, perhaps, o't is
That I've heard the old blind man recite his own rhapsodies,
And my ear with that music impregnate may be,
Like the poor exiled shell with the soul of the sea,
Or as one can't bear Strauss when his nature is cloven
To its deeps within deeps by the stroke of Beethoven;
But, set that aside, and 'tis truth that I speak,
Had Theocritus written in English, not Greek,
I believe that his exquisite sense would scarce change a line
In that rare, tender, virgin-like pastoral Evangeline.
That's not ancient nor modern, its place is apart
Where time has no sway, in the realm of pure Art,
'Tis a shrine of retreat from Earth's hubbub and strife
As quiet and chaste as the author's own life.

There comes Philothea, her face all aglow,
She has just been dividing some poor creature's woe,
And can't tell which pleases her most, to relieve
His want, or his story to hear and believe;
No doubt against many deep griefs she prevails,
For her ear is the refuge of destitute tales;
She knows well that silence is sorrow's best food,
And that talking draws off from the heart its black blood,
So she'll listen with patience and let you unfold
Your bundle of rags as 'twere pure cloth of gold,
Which, indeed, it all turns to as soon as she's touched it,
And (to borrow a phrase from the nursery) _muched_ it;
She has such a musical taste, she will go
Any distance to hear one who draws a long bow;
She will swallow a wonder by mere might and main,
And thinks it Geometry's fault if she's fain
To consider things flat, inasmuch as they're plain;
Facts with her are accomplished, as Frenchmen would say-
They will prove all she wishes them to either way,-
And, as fact lies on this side or that, we must try,
If we're seeking the truth, to find where it don't lie;
I was telling her once of a marvellous aloe
That for thousands of years had looked spindling and sallow,
And, though nursed by the fruitfullest powers of mud,
Had never vouchsafed e'en so much as a bud,
Till its owner remarked (as a sailor, you know,
Often will in a calm) that it never would blow,
For he wished to exhibit the plant, and designed
That its blowing should help him in raising the wind;
At last it was told him that if he should water
Its roots with the blood of his unmarried daughter
(Who was born, as her mother, a Calvinist, said,
With William Law's serious caul on her head),
It would blow as the obstinate breeze did when by a
Like decree of her father died Iphigenia;
At first he declared he himself would be blowed
Ere his conscience with such a foul crime he would load,
But the thought, coming oft, grew less dark than before,
And he mused, as each creditor knocked at his door,
If _this_ were but done they would dun me no more;
I told Philothea his struggles and doubts,
And how he considered the ins and the outs
Of the visions he had, and the dreadful dyspepsy,
How he went to the seer that lives at Po'keepsie,
How the seer advised him to sleep on it first,
And to read his big volume in case of the worst,
And further advised he should pay him five dollars
For writing [Old English: Hum Hum] on his wristbands and collars;
Three years and ten days these dark words he had studied
When the daughter was missed, and the aloe had budded;
I told how he watched it grow large and more large,
And wondered how much for the show he should charge,-
She had listened with utter indifference to this, till
I told how it bloomed, and, discharging its pistil
With an aim the Eumenides dictated, shot
The botanical filicide dead on the spot;
It had blown, but he reaped not his horrible gains,
For it blew with such force as to blow out his brains,
And the crime was blown also, because on the wad,
Which was paper, was writ 'Visitation of God,'
As well as a thrilling account of the deed
Which the coroner kindly allowed me to read.

'Well, my friend took this story up just, to be sure,
As one might a poor foundling that's laid at one's door;
She combed it and washed it and clothed it and fed it,
And as if 'twere her own child most tenderly bred it,
Laid the scene (of the legend, I mean) far away a-
-mong the green vales underneath Himalaya,
And by artist-like touches, laid on here and there,
Made the whole thing so touching, I frankly declare
I have read it all thrice, and, perhaps I am weak,
But I found every time there were tears on my cheek.

'The pole, science tells us, the magnet controls,
But she is a magnet to emigrant Poles,
And folks with a mission that nobody knows
Throng thickly about her as bees round a rose;
She can fill up the _carets_ in such, make their scope
Converge to some focus of rational hope,
And, with sympathies fresh as the morning, their gall
Can transmute into honey,-but this is not all;
Not only for those she has solace, oh say,
Vice's desperate nursling adrift in Broadway,
Who clingest, with all that is left of thee human,
To the last slender spar from the wreck of the woman,
Hast thou not found one shore where those tired drooping feet
Could reach firm mother-earth, one full heart on whose beat
The soothed head in silence reposing could hear
The chimes of far childhood throb back on the ear?
Ah, there's many a beam from the fountain of day
That, to reach us unclouded, must pass, on its way,
Through the soul of a woman, and hers is wide ope
To the influence of Heaven as the blue eyes of Hope;
Yes, a great heart is hers, one that dares to go in
To the prison, the slave-hut, the alleys of sin,
And to bring into each, or to find there, some line
Of the never completely out-trampled divine;
If her heart at high floods swamps her brain now and then,
'Tis but richer for that when the tide ebbs agen,
As, after old Nile has subsided, his plain
Overflows with a second broad deluge of grain;
What a wealth would it tiring to the narrow and sour
Could they be as a Child but for one little hour!

'What! Irving? thrice welcome, warm heart and fine brain,
You bring back the happiest spirit from Spain,
And the gravest sweet humor, that ever were there
Since Cervantes met death in his gentle despair;
Nay, don't be embarrassed, nor look so beseeching,
I sha'n't run directly against my own preaching,
And, having just laughed at their Raphaels and Dantes,
Go to setting you up beside matchless Cervantes;
But allow me to speak what I honestly feel,-
To a true poet-heart add the fun of Dick Steele,
Throw in all of Addison, _minus_ the chill,
With the whole of that partnership's stock and good-will,
Mix well, and while stirring, hum o'er, as a spell,
The fine _old_ English Gentleman, simmer it well,
Sweeten just to your own private liking, then strain,
That only the finest and clearest remain,
Let it stand out of doors till a soul it receives
From the warm lazy sun loitering down through green leaves,
And you'll find a choice nature, not wholly deserving
A name either English or Yankee,-just Irving.

'There goes,-but _stet nominis umbra_,-his name
You'll be glad enough, some day or other, to claim,
And will all crowd about him and swear that you knew him
If some English critic should chance to review him.
The old _porcos ante ne projiciatis_
MARGARITAS, for him you have verified gratis;
What matters his name? Why, it may be Sylvester,
Judd, Junior, or Junius, Ulysses, or Nestor,
For aught _I_ know or care; 'tis enough that I look
On the author of 'Margaret,' the first Yankee book
With the _soul_ of Down East in 't, and things farther East,
As far as the threshold of morning, at least,
Where awaits the fair dawn of the simple and true,
Of the day that comes slowly to make all things new.
'T has a smack of pine woods, of bare field and bleak hill,
Such as only the breed of the Mayflower could till;
The Puritan's shown in it, tough to the core,
Such as prayed, smiting Agag on red Marston Moor:
With an unwilling humor, half choked by the drouth
In brown hollows about the inhospitable mouth;
With a soul full of poetry, though it has qualms
About finding a happiness out of the Psalms;
Full of tenderness, too, though it shrinks in the dark,
Hamadryad-like, under the coarse, shaggy bark;
That sees visions, knows wrestlings of God with the Will,
And has its own Sinais and thunderings still.'

Here, 'Forgive me, Apollo,' I cried, 'while I pour
My heart out to my birthplace: O loved more and more
Dear Baystate, from whose rocky bosom thy sons
Should suck milk, strong-will-giving, brave, such as runs
In the veins of old Greylock-who is it that dares
Call thee pedler, a soul wrapped in bank-books and shares?
It is false! She's a Poet! I see, as I write,
Along the far railroad the steam-snake glide white,
The cataract-throb of her mill-hearts, I hear,
The swift strokes of trip-hammers weary my ear,
Sledges ring upon anvils, through logs the saw screams,
Blocks swing to their place, beetles drive home the beams:-
It is songs such as these that she croons to the din
Of her fast-flying shuttles, year out and year in,
While from earth's farthest corner there comes not a breeze
But wafts her the buzz of her gold-gleaning bees:
What though those horn hands have as yet found small time
For painting and sculpture and music and rhyme?
These will come in due order; the need that pressed sorest
Was to vanquish the seasons, the ocean, the forest,
To bridle and harness the rivers, the steam,
Making those whirl her mill-wheels, this tug in her team,
To vassalize old tyrant Winter, and make
Him delve surlily for her on river and lake;-
When this New World was parted, she strove not to shirk
Her lot in the heirdom, the tough, silent Work,
The hero-share ever from Herakles down
To Odin, the Earth's iron sceptre and crown:
Yes, thou dear, noble Mother! if ever men's praise
Could be claimed for creating heroical lays,
Thou hast won it; if ever the laurel divine
Crowned the Maker and Builder, that glory is thine!
Thy songs are right epic, they tell how this rude
Rock-rib of our earth here was tamed and subdued;
Thou hast written them plain on the face of the planet
In brave, deathless letters of iron and granite;
Thou hast printed them deep for all time; they are set
From the same runic type-fount and alphabet
With thy stout Berkshire hills and the arms of thy Bay,-
They are staves from the burly old Mayflower lay.
If the drones of the Old World, in querulous ease,
Ask thy Art and thy Letters, point proudly to these,
Or, if they deny these are Letters and Art,
Toil on with the same old invincible heart;
Thou art rearing the pedestal broad-based and grand
Whereon the fair shapes of the Artist shall stand,
And creating, through labors undaunted and long,
The theme for all Sculpture and Painting and Song!

'But my good mother Baystate wants no praise of mine,
She learned from _her_ mother a precept divine
About something that butters no parsnips, her _forte_
In another direction lies, work is her sport
(Though she'll curtsey and set her cap straight, that she will,
If you talk about Plymouth and red Bunker's hill).
Dear, notable goodwife! by this time of night,
Her hearth is swept neatly, her fire burning bright,
And she sits in a chair (of home plan and make) rocking,
Musing much, all the while, as she darns on a stocking,
Whether turkeys will come pretty high next Thanksgiving,
Whether flour'll be so dear, for, as sure as she's living,
She will use rye-and-injun then, whether the pig
By this time ain't got pretty tolerable big,
And whether to sell it outright will be best,
Or to smoke hams and shoulders and salt down the rest,-
At this minute, she'd swop all my verses, ah, cruel!
For the last patent stove that is saving of fuel;
So I'll just let Apollo go on, for his phiz
Shows I've kept him awaiting too long as it is.'

'If our friend, there, who seems a reporter, is done
With his burst of emotion, why, I will go on,'
Said Apollo; some smiled, and, indeed, I must own
There was something sarcastic, perhaps, in his tone;-

'There's Holmes, who is matchless among you for wit;
A Leyden-jar always full-charged, from which flit
The electrical tingles of hit after hit;
In long poems 'tis painful sometimes, and invites
A thought of the way the new Telegraph writes,
Which pricks down its little sharp sentences spitefully
As if you got more than you'd title to rightfully,
And you find yourself hoping its wild father Lightning
Would flame in for a second and give you a fright'ning.
He has perfect sway of what I call a sham metre,
But many admire it, the English pentameter,
And Campbell, I think, wrote most commonly worse,
With less nerve, swing, and fire in the same kind of verse,
Nor e'er achieved aught in't so worthy of praise
As the tribute of Holmes to the grand _Marseillaise_.
You went crazy last year over Bulwer's New Timon;-
Why, if B., to the day of his dying, should rhyme on,
Heaping verses on verses and tomes upon tomes,
He could ne'er reach the best point and vigor of Holmes.
His are just the fine hands, too, to weave you a lyric
Full of fancy, fun, feeling, or spiced with satiric
In a measure so kindly, you doubt if the toes
That are trodden upon are your own or your foes'.

'There is Lowell, who's striving Parnassus to climb
With a whole bale of _isms_ tied together with rhyme,
He might get on alone, spite of brambles and boulders,
But he can't with that bundle he has on his shoulders,
The top of the hill he will ne'er come nigh reaching
Till he learns the distinction 'twixt singing and preaching;
His lyre has some chords that would ring pretty well,
But he'd rather by half make a drum of the shell,
And rattle away till he's old as Methusalem,
At the head of a march to the last new Jerusalem.

'There goes Halleck, whose Fanny's a pseudo Don Juan,
With the wickedness out that gave salt to the true one,
He's a wit, though, I hear, of the very first order,
And once made a pun on the words soft Recorder;
More than this, he's a very great poet, I'm told,
And has had his works published in crimson and gold,
With something they call 'Illustrations,' to wit,
Like those with which Chapman obscured Holy Writ,
Which are said to illustrate, because, as I view it,
Like _lucus a non_, they precisely don't do it;
Let a man who can write what himself understands
Keep clear, if he can, of designing men's hands,
Who bury the sense, if there's any worth having,
And then very honestly call it engraving,
But, to quit _badinage_, which there isn't much wit in,
Halleck's better, I doubt not, than all he has written;
In his verse a clear glimpse you will frequently find,
If not of a great, of a fortunate mind,
Which contrives to be true to its natural loves
In a world of back-offices, ledgers, and stoves.
When his heart breaks away from the brokers and banks,
And kneels in his own private shrine to give thanks,
There's a genial manliness in him that earns
Our sincerest respect (read, for instance, his 'Burns'),
And we can't but regret (seek excuse where we may)
That so much of a man has been peddled away.

'But what's that? a mass-meeting? No, there come in lots
The American Bulwers, Disraelis, and Scotts,
And in short the American everything elses,
Each charging the others with envies and jealousies;-
By the way, 'tis a fact that displays what profusions
Of all kinds of greatness bless free institutions,
That while the Old World has produced barely eight
Of such poets as all men agree to call great,
And of other great characters hardly a score
(One might safely say less than that rather than more),
With you every year a whole crop is begotten,
They're as much of a staple as corn is, or cotton;
Why, there's scarcely a huddle of log-huts and shanties
That has not brought forth its own Miltons and Dantes;
I myself know ten Byrons, one Coleridge, three Shelleys,
Two Raphaels, six Titians (I think), one Apelles,
Leonardos and Rubenses plenty as lichens,
One (but that one is plenty) American Dickens,
A whole flock of Lambs, any number of Tennysons,-
In short, if a man has the luck to have any sons,
He may feel pretty certain that one out of twain
Will be some very great person over again.
There is one inconvenience in all this, which lies
In the fact that by contrast we estimate size,
And, where there are none except Titans, great stature
Is only the normal proceeding of nature.
What puff the strained sails of your praise will you furl at, if
The calmest degree that you know is superlative?
At Rome, all whom Charon took into his wherry must,
As a matter of course, be well _issimust_ and _errimust_,
A Greek, too, could feel, while in that famous boat he tost,
That his friends would take care he was [Greek: istost] and
[Greek: otatost],
And formerly we, as through graveyards we past,
Thought the world went from bad to worst fearfully fast;
Let us glance for a moment, 'tis well worth the pains,
And note what an average graveyard contains;
There lie levellers levelled, duns done up themselves,
There are booksellers finally laid on their shelves,
Horizontally there lie upright politicians,
Dose-a-dose with their patients sleep faultless physicians,
There are slave-drivers quietly whipped under ground,
There bookbinders, done up in boards, are fast bound,
There card-players wait till the last trump be played,
There all the choice spirits get finally laid,
There the babe that's unborn is supplied with a berth,
There men without legs get their six feet of earth,
There lawyers repose, each wrapped up in his case,
There seekers of office are sure of a place,
There defendant and plaintiff get equally cast,
There shoemakers quietly stick to the last,
There brokers at length become silent as stocks,
There stage-drivers sleep without quitting their box,
And so forth and so forth and so forth and so on,
With this kind of stuff one might endlessly go on;
To come to the point, I may safely assert you
Will find in each yard every cardinal virtue;
Each has six truest patriots: four discoverers of ether,
Who never had thought on 't nor mentioned it either;
Ten poets, the greatest who ever wrote rhyme:
Two hundred and forty first men of their time:
One person whose portrait just gave the least hint
Its original had a most horrible squint:
One critic, most (what do they call it?) reflective,
Who never had used the phrase ob-or subjective:
Forty fathers of Freedom, of whom twenty bred
Their sons for the rice-swamps, at so much a head,
And their daughters for-faugh! thirty mothers of Gracchi:
Non-resistants who gave many a spiritual blackeye:
Eight true friends of their kind, one of whom was a jailer:
Four captains almost as astounding as Taylor:
Two dozen of Italy's exiles who shoot us his
Kaisership daily, stern pen-and-ink Brutuses,
Who, in Yankee back-parlors, with crucified smile,
Mount serenely their country's funereal pile:
Ninety-nine Irish heroes, ferocious rebellers
'Gainst the Saxon in cis-marine garrets and cellars,
Who shake their dread fists o'er the sea and all that,-
As long as a copper drops into the hat:
Nine hundred Teutonic republicans stark
From Vaterland's battle just won-in the Park,
Who the happy profession of martyrdom take
Whenever it gives them a chance at a steak;
Sixty-two second Washingtons: two or three Jacksons:
And so many everythings else that it racks one's
Poor memory too much to continue the list,
Especially now they no longer exist;-
I would merely observe that you've taken to giving
The puffs that belong to the dead to the living,
And that somehow your trump-of-contemporary-doom's tones
Is tuned after old dedications and tombstones.'

Here the critic came in and a thistle presented-
From a frown to a smile the god's features relented,
As he stared at his envoy, who, swelling with pride,
To the god's asking look, nothing daunted, replied,-
'You're surprised, I suppose, I was absent so long,
But your godship respecting the lilies was wrong;
I hunted the garden from one end to t'other,
And got no reward but vexation and bother,
Till, tossed out with weeds in a corner to wither,
This one lily I found and made haste to bring hither.'

'Did he think I had given him a book to review?
I ought to have known what the fellow would do,'
Muttered Phoebus aside, 'for a thistle will pass
Beyond doubt for the queen of all flowers with an ass;
He has chosen in just the same way as he'd choose
His specimens out of the books he reviews;
And now, as this offers an excellent text,
I'll give 'em some brief hints on criticism next.'
So, musing a moment, he turned to the crowd,
And, clearing his voice, spoke as follows aloud:-

'My friends, in the happier days of the muse,
We were luckily free from such things as reviews;
Then naught came between with its fog to make clearer
The heart of the poet to that of his hearer;
Then the poet brought heaven to the people, and they
Felt that they, too, were poets in hearing his lay;
Then the poet was prophet, the past in his soul
Precreated the future, both parts of one whole;
Then for him there was nothing too great or too small,
For one natural deity sanctified all;
Then the bard owned no clipper and meter of moods
Save the spirit of silence that hovers and broods
O'er the seas and the mountains, the rivers and woods;
He asked not earth's verdict, forgetting the clods,
His soul soared and sang to an audience of gods;
'Twas for them that he measured the thought and the line,
And shaped for their vision the perfect design,
With as glorious a foresight, a balance as true,
As swung out the worlds in the infinite blue;
Then a glory and greatness invested man's heart,
The universal, which now stands estranged and apart,
In the free individual moulded, was Art;
Then the forms of the Artist seemed thrilled with desire
For something as yet unattained, fuller, higher,
As once with her lips, lifted hands, and eyes listening,
And her whole upward soul in her countenance glistening,
Eurydice stood-like a beacon unfired,
Which, once touched with flame, will leap heav'nward inspired-
And waited with answering kindle to mark
The first gleam of Orpheus that pained the red Dark.
Then painting, song, sculpture did more than relieve
The need that men feel to create and believe,
And as, in all beauty, who listens with love
Hears these words oft repeated-'beyond and above,'
So these seemed to be but the visible sign
Of the grasp of the soul after things more divine;
They were ladders the Artist erected to climb
O'er the narrow horizon of space and of time,
And we see there the footsteps by which men had gained
To the one rapturous glimpse of the never-attained,
As shepherds could erst sometimes trace in the sod
The last spurning print of a sky-cleaving god.

'But now, on the poet's dis-privacied moods
With _do this_ and _do that_ the pert critic intrudes;
While he thinks he's been barely fulfilling his duty
To interpret 'twixt men and their own sense of beauty.
And has striven, while others sought honor or pelf,
To make his kind happy as he was himself,
He finds he's been guilty of horrid offences
In all kinds of moods, numbers, genders, and tenses;
He's been _ob_ and _sub_jective, what Kettle calls Pot,
Precisely, at all events, what he ought not,
_You have done this,_ says one judge; _done that,_ says another;
_You should have done this,_ grumbles one; _that,_ says t'other;
Never mind what he touches, one shrieks out _Taboo!_
And while he is wondering what he shall do,
Since each suggests opposite topics for song,
They all shout together _you're right!_ and _you're wrong!_

'Nature fits all her children with something to do,
He who would write and can't write can surely review,
Can set up a small booth as critic and sell us his
Petty conceit and his pettier jealousies;
Thus a lawyer's apprentice, just out of his teens,
Will do for the Jeffrey of six magazines;
Having read Johnson's lives of the poets half through,
There's nothing on earth he's not competent to;
He reviews with as much nonchalance as he whistles,-
He goes through a book and just picks out the thistles;
It matters not whether he blame or commend,
If he's bad as a foe, he's far worse as a friend:
Let an author but write what's above his poor scope,
He goes to work gravely and twists up a rope,
And, inviting the world to see punishment done,
Hangs himself up to bleach in the wind and the sun;
'Tis delightful to see, when a man comes along
Who has anything in him peculiar and strong,
Every cockboat that swims clear its fierce (pop) gundeck at him,
And make as he passes its ludicrous Peck at him-'

Here Miranda came up and began, 'As to that-'
Apollo at once seized his gloves, cane, and hat,
And, seeing the place getting rapidly cleared,
I too snatched my notes and forthwith disappeared.

by James Russell Lowell.

DRAMATIS PERSONÆ

Count Francesco Cenci.
Giacomo, his Son.
Bernardo, his Son.
Cardinal Camillo.
Orsino, a Prelate.
Savella, the Pope's Legate.
Olimpio, Assassin.
Marzio, Assassin.
Andrea, Servant to Cenci.
Nobles, Judges, Guards, Servants.
Lucretia, Wife of Cenci, and Step-mother of his children.
Beatrice, his Daughter.

The Scene lies principally in Rome, but changes during the Fourth Act to Petrella, a castle among the Apulian Apennines.
Time. During the Pontificate of Clement VIII.


ACT I

Scene I.
-An Apartment in the Cenci Palace.
Enter Count Cenci, and Cardinal Camillo.


Camillo.
That matter of the murder is hushed up
If you consent to yield his Holiness
Your fief that lies beyond the Pincian gate.-
It needed all my interest in the conclave
To bend him to this point: he said that you
Bought perilous impunity with your gold;
That crimes like yours if once or twice compounded
Enriched the Church, and respited from hell
An erring soul which might repent and live:-
But that the glory and the interest
Of the high throne he fills, little consist
With making it a daily mart of guilt
As manifold and hideous as the deeds
Which you scarce hide from men's revolted eyes.


Cenci.
The third of my possessions-let it go!
Ay, I once heard the nephew of the Pope
Had sent his architect to view the ground,
Meaning to build a villa on my vines
The next time I compounded with his uncle:
I little thought he should outwit me so!
Henceforth no witness-not the lamp-shall see
That which the vassal threatened to divulge
Whose throat is choked with dust for his reward.
The deed he saw could not have rated higher
Than his most worthless life:-it angers me!
Respited me from Hell!-So may the Devil
Respite their souls from Heaven. No doubt Pope Clement,
And his most charitable nephews, pray
That the Apostle Peter and the Saints
Will grant for their sake that I long enjoy
Strength, wealth, and pride, and lust, and length of days
Wherein to act the deeds which are the stewards
Of their revenue.-But much yet remains
To which they show no title.


Camillo.
Oh, Count Cenci!
So much that thou mightst honourably live
And reconcile thyself with thine own heart
And with thy God, and with the offended world.
How hideously look deeds of lust and blood
Through those snow white and venerable hairs!-
Your children should be sitting round you now,
But that you fear to read upon their looks
The shame and misery you have written there.
Where is your wife? Where is your gentle daughter?
Methinks her sweet looks, which make all things else
Beauteous and glad, might kill the fiend within you.
Why is she barred from all society
But her own strange and uncomplaining wrongs?
Talk with me, Count,-you know I mean you well
I stood beside your dark and fiery youth
Watching its bold and bad career, as men
Watch meteors, but it vanished not-I marked
Your desperate and remorseless manhood; now
Do I behold you in dishonoured age
Charged with a thousand unrepented crimes.
Yet I have ever hoped you would amend,
And in that hope have saved your life three times.


Cenci.
For which Aldobrandino owes you now
My fief beyond the Pincian.-Cardinal,
One thing, I pray you, recollect henceforth,
And so we shall converse with less restraint.
A man you knew spoke of my wife and daughter-
He was accustomed to frequent my house;
So the next day his wife and daughter came
And asked if I had seen him; and I smiled:
I think they never saw him any more.


Camillo.
Thou execrable man, beware!-


Cenci.
Of thee?
Nay this is idle:-We should know each other.
As to my character for what men call crime
Seeing I please my senses as I list,
And vindicate that right with force or guile,
It is a public matter, and I care not
If I discuss it with you. I may speak
Alike to you and my own conscious heart-
For you give out that you have half reformed me,
Therefore strong vanity will keep you silent
If fear should not; both will, I do not doubt.
All men delight in sensual luxury,
All men enjoy revenge; and most exult
Over the tortures they can never feel-
Flattering their secret peace with others' pain.
But I delight in nothing else. I love
The sight of agony, and the sense of joy,
When this shall be another's, and that mine.
And I have no remorse and little fear,
Which are, I think, the checks of other men.
This mood has grown upon me, until now
Any design my captious fancy makes
The picture of its wish, and it forms none
But such as men like you would start to know,
Is as my natural food and rest debarred
Until it be accomplished.


Camillo.
Art thou not
Most miserable?


Cenci.
Why, miserable?-
No.-I am what your theologians call
Hardened;-which they must be in impudence,
So to revile a man's peculiar taste.
True, I was happier than I am, while yet
Manhood remained to act the thing I thought;
While lust was sweeter than revenge; and now
Invention palls:-Ay, we must all grow old-
And but that there yet remains a deed to act
Whose horror might make sharp an appetite
Duller than mine-I'd do-I know not what.
When I was young I thought of nothing else
But pleasure; and I fed on honey sweets:
Men, by St. Thomas! cannot live like bees,
And I grew tired:-yet, till I killed a foe,
And heard his groans, and heard his children's groans,
Knew I not what delight was else on earth,
Which now delights me little. I the rather
Look on such pangs as terror ill conceals,
The dry fixed eyeball; the pale quivering lip,
Which tell me that the spirit weeps within
Tears bitterer than the bloody sweat of Christ.
I rarely kill the body, which preserves,
Like a strong prison, the soul within my power,
Wherein I feed it with the breath of fear
For hourly pain.


Camillo.
Hell's most abandoned fiend
Did never, in the drunkenness of guilt,
Speak to his heart as now you speak to me;
I thank my God that I believe you not.


Enter Andrea.


Andrea.
My Lord, a gentleman from Salamanca
Would speak with you.


Cenci.
Bid him attend me in
The grand saloon.


[Exit Andrea.


Camillo.
Farewell; and I will pray
Almighty God that thy false, impious words
Tempt not his spirit to abandon thee.


[Exit Camillo.


Cenci.
The third of my possessions! I must use
Close husbandry, or gold, the old man's sword,
Falls from my withered hand. But yesterday
There came an order from the Pope to make
Fourfold provision for my cursèd sons;
Whom I had sent from Rome to Salamanca,
Hoping some accident might cut them off;
And meaning if I could to starve them there.
I pray thee, God, send some quick death upon them!
Bernardo and my wife could not be worse
If dead and damned:-then, as to Beatrice- [Looking around him suspiciously.

I think they cannot hear me at that door;
What if they should? And yet I need not speak
Though the heart triumphs with itself in words.
O, thou most silent air, that shalt not hear
What now I think! Thou, pavement, which I tread
Towards her chamber,-let your echoes talk
Of my imperious step scorning surprise,
But not of my intent!-Andrea!


[Enter Andrea.


Andrea.
My lord?


Cenci.
Bid Beatrice attend me in her chamber
This evening:-no, at midnight and alone.


[Exeunt.


Scene II.
-A Garden of the Cenci Palace. EnterBeatrice and Orsino, as in conversation.


Beatrice.
Pervert not truth,
Orsino. You remember where we held
That conversation;-nay, we see the spot
Even from this cypress;-two long years are past
Since, on an April midnight, underneath
The moonlight ruins of mount Palatine,
I did confess to you my secret mind.


Orsino.
You said you loved me then.


Beatrice.
You are a Priest,
Speak to me not of love.


Orsino.
I may obtain
The dispensation of the Pope to marry.
Because I am a Priest do you believe
Your image, as the hunter some struck deer,
Follows me not whether I wake or sleep?


Beatrice.
As I have said, speak to me not of love;
Had you a dispensation I have not;
Nor will I leave this home of misery
Whilst my poor Bernard, and that gentle lady
To whom I owe life, and these virtuous thoughts,
Must suffer what I still have strength to share.
Alas, Orsino! All the love that once
I felt for you, is turned to bitter pain.
Ours was a youthful contract, which you first
Broke, by assuming vows no Pope will loose.
And thus I love you still, but holily,
Even as a sister or a spirit might;
And so I swear a cold fidelity.
And it is well perhaps we shall not marry.
You have a sly, equivocating vein
That suits me not.-Ah, wretched that I am!
Where shall I turn? Even now you look on me
As you were not my friend, and as if you
Discovered that I thought so, with false smiles
Making my true suspicion seem your wrong.
Ah, no! forgive me; sorrow makes me seem
Sterner than else my nature might have been;
I have a weight of melancholy thoughts,
And they forbode,-but what can they forbode
Worse than I now endure?


Orsino.
All will be well.
Is the petition yet prepared? You know
My zeal for all you wish, sweet Beatrice;
Doubt not but I will use my utmost skill
So that the Pope attend to your complaint.


Beatrice.
Your zeal for all I wish;-Ah me, you are cold!
Your utmost skill . . . speak but one word . . . (aside)
Alas!
Weak and deserted creature that I am,
Here I stand bickering with my only friend! [To Orsino.

This night my father gives a sumptuous feast,
Orsino; he has heard some happy news
From Salamanca, from my brothers there,
And with this outward show of love he mocks
His inward hate. 'Tis bold hypocrisy,
For he would gladlier celebrate their deaths,
Which I have heard him pray for on his knees:
Great God! that such a father should be mine!
But there is mighty preparation made,
And all our kin, the Cenci, will be there,
And all the chief nobility of Rome.
And he has bidden me and my pale Mother
Attire ourselves in festival array.
Poor lady! She expects some happy change
In his dark spirit from this act; I none.
At supper I will give you the petition:
Till when-farewell.


Orsino.
Farewell.
(Exit Beatrice.)
I know the Pope
Will ne'er absolve me from my priestly vow
But by absolving me from the revenue
Of many a wealthy see; and, Beatrice,
I think to win thee at an easier rate.
Nor shall he read her eloquent petition:
He might bestow her on some poor relation
Of his sixth cousin, as he did her sister,
And I should be debarred from all access.
Then as to what she suffers from her father,
In all this there is much exaggeration:-
Old men are testy and will have their way;
A man may stab his enemy, or his vassal,
And live a free life as to wine or women,
And with a peevish temper may return
To a dull home, and rate his wife and children;
Daughters and wives call this foul tyranny.
I shall be well content if on my conscience
There rest no heavier sin than what they suffer
From the devices of my love-a net
From which she shall escape not. Yet I fear
Her subtle mind, her awe-inspiring gaze,
Whose beams anatomize me nerve by nerve
And lay me bare, and make me blush to see
My hidden thoughts.-Ah, no! A friendless girl
Who clings to me, as to her only hope:-
I were a fool, not less than if a panther
Were panic-stricken by the antelope's eye,
If she escape me.


[Exit.


Scene III.
-A Magnificent Hall in the Cenci Palace. A Banquet. Enter Cenci, Lucretia, Beatrice, Orsino, Camillo, Nobles.


Cenci.
Welcome, my friends and kinsmen; welcome ye,
Princes and Cardinals, pillars of the church,
Whose presence honours our festivity.
I have too long lived like an anchorite,
And in my absence from your merry meetings
An evil word is gone abroad of me;
But I do hope that you, my noble friends,
When you have shared the entertainment here,
And heard the pious cause for which 'tis given,
And we have pledged a health or two together,
Will think me flesh and blood as well as you;
Sinful indeed, for Adam made all so,
But tender-hearted, meek and pitiful.


First Guest.
In truth, my Lord, you seem too light of heart,
Too sprightly and companionable a man,
To act the deeds that rumour pins on you. (To his Companion.)

I never saw such blithe and open cheer
In any eye!


Second Guest.
Some most desired event,
In which we all demand a common joy,
Has brought us hither; let us hear it, Count.


Cenci.
It is indeed a most desired event.
If, when a parent from a parent's heart
Lifts from this earth to the great Father of all
A prayer, both when he lays him down to sleep,
And when he rises up from dreaming it;
One supplication, one desire, one hope,
That he would grant a wish for his two sons,
Even all that he demands in their regard-
And suddenly beyond his dearest hope
It is accomplished, he should then rejoice,
And call his friends and kinsmen to a feast,
And task their love to grace his merriment,-
Then honour me thus far-for I am he.


Beatrice
(to Lucretia).
Great God! How horrible! Some dreadful ill
Must have befallen my brothers.


Lucretia.
Fear not, Child,
He speaks too frankly.


Beatrice.
Ah! My blood runs cold.
I fear that wicked laughter round his eye,
Which wrinkles up the skin even to the hair.


Cenci.
Here are the letters brought from Salamanca;
Beatrice, read them to your mother. God!
I thank thee! In one night didst thou perform,
By ways inscrutable, the thing I sought.
My disobedient and rebellious sons
Are dead!-Why, dead!-What means this change of cheer?
You hear me not, I tell you they are dead;
And they will need no food or raiment more:
The tapers that did light them the dark way
Are their last cost. The Pope, I think, will not
Expect I should maintain them in their coffins.
Rejoice with me-my heart is wondrous glad.


[Lucretia sinks, half fainting; Beatrice supports her.


Beatrice.
It is not true!-Dear lady, pray look up.
Had it been true, there is a God in Heaven,
He would not live to boast of such a boon.
Unnatural man, thou knowest that it is false.


Cenci.
Ay, as the word of God; whom here I call
To witness that I speak the sober truth;-
And whose most favouring Providence was shown
Even in the manner of their deaths. For Rocco
Was kneeling at the mass, with sixteen others,
When the church fell and crushed him to a mummy,
The rest escaped unhurt. Cristofano
Was stabbed in error by a jealous man,
Whilst she he loved was sleeping with his rival;
All in the self-same hour of the same night;
Which shows that Heaven has special care of me.
I beg those friends who love me, that they mark
The day a feast upon their calendars.
It was the twenty-seventh of December:
Ay, read the letters if you doubt my oath.


[The Assembly appears confused; several of the guests rise.


First Guest.
Oh, horrible! I will depart-


Second Guest.
And I.-


Third Guest.
No, stay!
I do believe it is some jest; though faith!
'Tis mocking us somewhat too solemnly.
I think his son has married the Infanta,
Or found a mine of gold in El Dorado;
'Tis but to season some such news; stay, stay!
I see 'tis only raillery by his smile.


Cenci
(filling a bowl of wine, and lifting it up).
Oh, thou bright wine whose purple splendour leaps
And bubbles gaily in this golden bowl
Under the lamplight, as my spirits do,
To hear the death of my accursèd sons!
Could I believe thou wert their mingled blood,
Then would I taste thee like a sacrament,
And pledge with thee the mighty Devil in Hell,
Who, if a father's curses, as men say,
Climb with swift wings after their children's souls,
And drag them from the very throne of Heaven,
Now triumphs in my triumph!-But thou art
Superfluous; I have drunken deep of joy,
And I will taste no other wine to-night.
Here, Andrea! Bear the bowl around.


A Guest
(rising).
Thou wretch!
Will none among this noble company
Check the abandoned villain?


Camillo.
For God's sake
Let me dismiss the guests! You are insane,
Some ill will come of this.


Second Guest.
Seize, silence him!


First Guest.
I will!


Third Guest.
And I!


Cenci
(addressing those who rise with a threatening gesture).
Who moves? Who speaks?


(turning to the Company)


'tis nothing
Enjoy yourselves.-Beware! For my revenge
Is as the sealed commission of a king
That kills, and none dare name the murderer.


[The Banquet is broken up; several of the Guests are departing.


Beatrice.
I do entreat you, go not, noble guests;
What, although tyranny and impious hate
Stand sheltered by a father's hoary hair?
What, if 'tis he who clothed us in these limbs
Who tortures them, and triumphs? What, if we,
The desolate and the dead, were his own flesh,
His children and his wife, whom he is bound
To love and shelter? Shall we therefore find
No refuge in this merciless wide world?
O think what deep wrongs must have blotted out
First love, then reverence in a child's prone mind,
Till it thus vanquish shame and fear! O think!
I have borne much, and kissed the sacred hand
Which crushed us to the earth, and thought its stroke
Was perhaps some paternal chastisement!
Have excused much, doubted; and when no doubt
Remained, have sought by patience, love, and tears
To soften him, and when this could not be
I have knelt down through the long sleepless nights
And lifted up to God, the Father of all,
Passionate prayers: and when these were not heard
I have still borne,-until I meet you here,
Princes and kinsmen, at this hideous feast
Given at my brothers' deaths. Two yet remain,
His wife remains and I, whom if ye save not,
Ye may soon share such merriment again
As fathers make over their children's graves.
O Prince Colonna, thou art our near kinsman,
Cardinal, thou art the Pope's chamberlain,
Camillo, thou art chief justiciary,
Take us away!


Cenci.
(He has been conversing with Camillo during the first part of Beatrice's speech; he hears the conclusion, and now advances.)
I hope my good friends here
Will think of their own daughters-or perhaps
Of their own throats-before they lend an ear
To this wild girl.


Beatrice
(not noticing the words of Cenci).
Dare no one look on me?
None answer? Can one tyrant overbear
The sense of many best and wisest men?
Or is it that I sue not in some form
Of scrupulous law, that ye deny my suit?
O God! That I were buried with my brothers!
And that the flowers of this departed spring
Were fading on my grave! And that my father
Were celebrating now one feast for all!


Camillo.
A bitter wish for one so young and gentle;
Can we do nothing?


Colonna.
Nothing that I see.
Count Cenci were a dangerous enemy:
Yet I would second any one.


A Cardinal.
And I.


Cenci.
Retire to your chamber, insolent girl!


Beatrice.
Retire thou, impious man! Ay, hide thyself
Where never eye can look upon thee more!
Wouldst thou have honour and obedience
Who art a torturer? Father, never dream
Though thou mayst overbear this company,
But ill must come of ill.-Frown not on me!
Haste, hide thyself, lest with avenging looks
My brothers' ghosts should hunt thee from thy seat!
Cover thy face from every living eye,
And start if thou but hear a human step:
Seek out some dark and silent corner, there,
Bow thy white head before offended God,
And we will kneel around, and fervently
Pray that he pity both ourselves and thee.


Cenci.


My friends, I do lament this insane girl
Has spoilt the mirth of our festivity.
Good night, farewell; I will not make you longer
Spectators of our dull domestic quarrels.
Another time.-


[Exeunt all but Cenci and Beatrice.


My brain is swimming round;
Give me a bowl of wine!


[To Beatrice.


Thou painted viper!
Beast that thou art! Fair and yet terrible!
I know a charm shall make thee meek and tame,
Now get thee from my sight!


[Exit Beatrice.


Here, Andrea,
Fill up this goblet with Greek wine. I said
I would not drink this evening; but I must;
For, strange to say, I feel my spirits fail
With thinking what I have decreed to do.- [Drinking the wine.

Be thou the resolution of quick youth
Within my veins, and manhood's purpose stern,
And age's firm, cold, subtle villainy;
As if thou wert indeed my children's blood
Which I did thirst to drink! The charm works well;
It must be done; it shall be done, I swear!


[Exit.


END OF THE FIRST ACT.

ACT II
Scene I.
-An Apartment in the Cenci Palace. Enter Lucretia and Bernardo.


Lucretia.
Weep not, my gentle boy; he struck but me
Who have borne deeper wrongs. In truth, if he
Had killed me, he had done a kinder deed.
O God, Almighty, do Thou look upon us,
We have no other friend but only Thee!
Yet weep not; though I love you as my own,
I am not your true mother.


Bernardo.
O more, more,
Than ever mother was to any child,
That have you been to me! Had he not been
My father, do you think that I should weep!


Lucretia.
Alas! Poor boy, what else couldst thou have done?


Enter Beatrice.


Beatrice
(in a hurried voice).
Did he pass this way? Have you seen him, brother?
Ah, no! that is his step upon the stairs;
'Tis nearer now; his hand is on the door;
Mother, if I to thee have ever been
A duteous child, now save me! Thou, great God,
Whose image upon earth a father is,
Dost Thou indeed abandon me? He comes;
The door is opening now; I see his face;
He frowns on others, but he smiles on me,
Even as he did after the feast last night. Enter a Servant.

Almighty God, how merciful Thou art!
'Tis but Orsino's servant.-Well, what news?


Servant.
My master bids me say, the Holy Father
Has sent back your petition thus unopened. [Giving a paper.

And he demands at what hour 'twere secure
To visit you again?


Lucretia.
At the Ave Mary.[Exit Servant.

So, daughter, our last hope has failed; Ah me!
How pale you look; you tremble, and you stand
Wrapped in some fixed and fearful meditation,
As if one thought were over strong for you:
Your eyes have a chill glare; O, dearest child!
Are you gone mad? If not, pray speak to me.


Beatrice.
You see I am not mad: I speak to you.


Lucretia.
You talked of something that your father did
After that dreadful feast? Could it be worse
Than when he smiled, and cried, 'My sons are dead!'
And every one looked in his neighbour's face
To see if others were as white as he?
At the first word he spoke I felt the blood
Rush to my heart, and fell into a trance;
And when it passed I sat all weak and wild;
Whilst you alone stood up, and with strong words
Checked his unnatural pride; and I could see
The devil was rebuked that lives in him.
Until this hour thus have you ever stood
Between us and your father's moody wrath
Like a protecting presence: your firm mind
Has been our only refuge and defence:
What can have thus subdued it? What can now
Have given you that cold melancholy look,
Succeeding to your unaccustomed fear?


Beatrice.
What is it that you say? I was just thinking
'Twere better not to struggle any more.
Men, like my father, have been dark and bloody,
Yet never-Oh! Before worse comes of it
'Twere wise to die: it ends in that at last.


Lucretia.
Oh, talk not so, dear child! Tell me at once
What did your father do or say to you?
He stayed not after that accursèd feast
One moment in your chamber.-Speak to me.


Bernardo.
Oh, sister, sister, prithee, speak to us!


Beatrice
(speaking very slowly with a forced calmness).


It was one word, Mother, one little word;
One look, one smile. (Wildly.)
Oh! He has trampled me
Under his feet, and made the blood stream down
My pallid cheeks. And he has given us all
Ditch-water, and the fever-stricken flesh
Of buffaloes, and bade us eat or starve,
And we have eaten.-He has made me look
On my beloved Bernardo, when the rust
Of heavy chains has gangrened his sweet limbs,
And I have never yet despaired-but now!
What could I say?


[Recovering herself.


Ah, no! 'tis nothing new.
The sufferings we all share have made me wild:
He only struck and cursed me as he passed;
He said, he looked, he did;-nothing at all
Beyond his wont, yet it disordered me.
Alas! I am forgetful of my duty,
I should preserve my senses for your sake.


Lucretia.
Nay, Beatrice; have courage, my sweet girl,
If any one despairs it should be I
Who loved him once, and now must live with him
Till God in pity call for him or me.
For you may, like your sister, find some husband,
And smile, years hence, with children round your knees;
Whilst I, then dead, and all this hideous coil
Shall be remembered only as a dream.


Beatrice.
Talk not to me, dear lady, of a husband.
Did you not nurse me when my mother died?
Did you not shield me and that dearest boy?
And had we any other friend but you
In infancy, with gentle words and looks,
To win our father not to murder us?
And shall I now desert you? May the ghost
Of my dead Mother plead against my soul
If I abandon her who filled the place
She left, with more, even, than a mother's love!


Bernardo.
And I am of my sister's mind. Indeed
I would not leave you in this wretchedness,
Even though the Pope should make me free to live
In some blithe place, like others of my age,
With sports, and delicate food, and the fresh air.
Oh, never think that I will leave you, Mother!


Lucretia.
My dear, dear children!


Enter Cenci, suddenly.


Cenci.


What, Beatrice here!
Come hither!


[She shrinks back, and covers her face.


Nay, hide not your face, 'tis fair;
Look up! Why, yesternight you dared to look
With disobedient insolence upon me,
Bending a stern and an inquiring brow
On what I meant; whilst I then sought to hide
That which I came to tell you-but in vain.


Beatrice
(wildly, staggering towards the door).
O that the earth would gape! Hide me, O God!


Cenci.
Then it was I whose inarticulate words
Fell from my lips, and who with tottering steps
Fled from your presence, as you now from mine.
Stay, I command you-from this day and hour
Never again, I think, with fearless eye,
And brow superior, and unaltered cheek,
And that lip made for tenderness or scorn,
Shalt thou strike dumb the meanest of mankind;
Me least of all. Now get thee to thy chamber!
Thou too, loathed image of thy cursèd mother, [To Bernardo.

Thy milky, meek face makes me sick with hate! [Exeunt Beatrice and Bernardo.
(Aside.)

So much has passed between us as must make
Me bold, her fearful.-'Tis an awful thing
To touch such mischief as I now conceive:
So men sit shivering on the dewy bank,
And try the chill stream with their feet; once in . . .
How the delighted spirit pants for joy!


Lucretia
(advancing timidly towards him).
O husband! Pray forgive poor Beatrice.
She meant not any ill.


Cenci.
Nor you perhaps?
Nor that young imp, whom you have taught by rote
Parricide with his alphabet? Nor Giacomo?
Nor those two most unnatural sons, who stirred
Enmity up against me with the Pope?
Whom in one night merciful God cut off:
Innocent lambs! They thought not any ill.
You were not here conspiring? You said nothing
Of how I might be dungeoned as a madman;
Or be condemned to death for some offence,
And you would be the witnesses?-This failing,
How just it were to hire assassins, or
Put sudden poison in my evening drink?
Or smother me when overcome by wine?
Seeing we had no other judge but God,
And He had sentenced me, and there were none
But you to be the executioners
Of His decree enregistered in Heaven?
Oh, no! You said not this?


Lucretia.
So help me God,
I never thought the things you charge me with!


Cenci.
If you dare speak that wicked lie again
I'll kill you. What! It was not by your counsel
That Beatrice disturbed the feast last night?
You did not hope to stir some enemies
Against me, and escape, and laugh to scorn
What every nerve of you now trembles at?
You judged that men were bolder than they are;
Few dare to stand between their grave and me.


Lucretia.
Look not so dreadfully! By my salvation
I knew not aught that Beatrice designed;
Nor do I think she designed any thing
Until she heard you talk of her dead brothers.


Cenci.
Blaspheming liar! You are damned for this!
But I will take you where you may persuade
The stones you tread on to deliver you:
For men shall there be none but those who dare
All things-not question that which I command.
On Wednesday next I shall set out: you know
That savage rock, the Castle of Petrella:
'Tis safely walled, and moated round about:
Its dungeons underground, and its thick towers
Never told tales; though they have heard and seen
What might make dumb things speak.-Why do you linger?
Make speediest preparation for the journey! [Exit Lucretia.

The all-beholding sun yet shines; I hear
A busy stir of men about the streets;
I see the bright sky through the window panes:
It is a garish, broad, and peering day;
Loud, light, suspicious, full of eyes and ears,
And every little corner, nook, and hole
Is penetrated with the insolent light.
Come darkness! Yet, what is the day to me?
And wherefore should I wish for night, who do
A deed which shall confound both night and day?
'Tis she shall grope through a bewildering mist
Of horror: if there be a sun in heaven
She shall not dare to look upon its beams;
Nor feel its warmth. Let her then wish for night;
The act I think shall soon extinguish all
For me: I bear a darker deadlier gloom
Than the earth's shade, or interlunar air,
Or constellations quenched in murkiest cloud,
In which I walk secure and unbeheld
Towards my purpose.-Would that it were done!


[Exit.


Scene II.
-A Chamber in the Vatican. Enter Camillo and Giacomo, in conversation.


Camillo.
There is an obsolete and doubtful law
By which you might obtain a bare provision
Of food and clothing-


Giacomo.
Nothing more? Alas!
Bare must be the provision which strict law
Awards, and agèd, sullen avarice pays.
Why did my father not apprentice me
To some mechanic trade? I should have then
Been trained in no highborn necessities
Which I could meet not by my daily toil.
The eldest son of a rich nobleman
Is heir to all his incapacities;
He has wide wants, and narrow powers. If you,
Cardinal Camillo, were reduced at once
From thrice-driven beds of down, and delicate food,
An hundred servants, and six palaces,
To that which nature doth indeed require?-


Camillo.
Nay, there is reason in your plea; 'twere hard.


Giacomo.
'Tis hard for a firm man to bear: but I
Have a dear wife, a lady of high birth,
Whose dowry in ill hour I lent my father
Without a bond or witness to the deed:
And children, who inherit her fine senses,
The fairest creatures in this breathing world;
And she and they reproach me not. Cardinal,
Do you not think the Pope would interpose
And stretch authority beyond the law?


Camillo.
Though your peculiar case is hard, I know
The Pope will not divert the course of law.
After that impious feast the other night
I spoke with him, and urged him then to check
Your father's cruel hand; he frowned and said,
'Children are disobedient, and they sting
Their fathers' hearts to madness and despair,
Requiting years of care with contumely.
I pity the Count Cenci from my heart;
His outraged love perhaps awakened hate,
And thus he is exasperated to ill.
In the great war between the old and young
I, who have white hairs and a tottering body,
Will keep at least blameless neutrality.' Enter Orsino.

You, my good Lord Orsino, heard those words.


Orsino.
What words?


Giacomo.
Alas, repeat them not again!
There then is no redress for me, at least
None but that which I may achieve myself,
Since I am driven to the brink.-But, say,
My innocent sister and my only brother
Are dying underneath my father's eye.
The memorable torturers of this land,
Galeaz Visconti, Borgia, Ezzelin,
Never inflicted on the meanest slave
What these endure; shall they have no protection?


Camillo.
Why, if they would petition to the Pope
I see not how he could refuse it-yet
He holds it of most dangerous example
In aught to weaken the paternal power,
Being, as 'twere, the shadow of his own.
I pray you now excuse me. I have business
That will not bear delay.


[Exit Camillo.


Giacomo.
But you, Orsino,
Have the petition: wherefore not present it?


Orsino.
I have presented it, and backed it with
My earnest prayers, and urgent interest;
It was returned unanswered. I doubt not
But that the strange and execrable deeds
Alleged in it-in truth they might well baffle
Any belief-have turned the Pope's displeasure
Upon the accusers from the criminal:
So I should guess from what Camillo said.


Giacomo.
My friend, that palace-walking devil Gold
Has whispered silence to his Holiness:
And we are left, as scorpions ringed with fire.
What should we do but strike ourselves to death?
For he who is our murderous persecutor
Is shielded by a father's holy name,
Or I would-


[Stops abruptly.


Orsino.
What? Fear not to speak your thought.
Words are but holy as the deeds they cover:
A priest who has forsworn the God he serves;
A judge who makes Truth weep at his decree;
A friend who should weave counsel, as I now,
But as the mantle of some selfish guile;
A father who is all a tyrant seems,
Were the profaner for his sacred name.


Giacomo.
Ask me not what I think; the unwilling brain
Feigns often what it would not; and we trust
Imagination with such phantasies
As the tongue dares not fashion into words,
Which have no words, their horror makes them dim
To the mind's eye.-My heart denies itself
To think what you demand.


Orsino.
But a friend's bosom
Is as the inmost cave of our own mind
Where we sit shut from the wide gaze of day,
And from the all-communicating air.
You look what I suspected-


Giacomo.
Spare me now!
I am as one lost in a midnight wood,
Who dares not ask some harmless passenger
The path across the wilderness, lest he,
As my thoughts are, should be-a murderer.
I know you are my friend, and all I dare
Speak to my soul that will I trust with thee.
But now my heart is heavy, and would take
Lone counsel from a night of sleepless care.
Pardon me, that I say farewell-farewell!
I would that to my own suspected self
I could address a word so full of peace.


Orsino.


Farewell!-Be your thoughts better or more bold. [Exit Giacomo.

I had disposed the Cardinal Camillo
To feed his hope with cold encouragement:
It fortunately serves my close designs
That 'tis a trick of this same family
To analyse their own and other minds.
Such self-anatomy shall teach the will
Dangerous secrets: for it tempts our powers,
Knowing what must be thought, and may be done,
Into the depth of darkest purposes:
So Cenci fell into the pit; even I,
Since Beatrice unveiled me to myself,
And made me shrink from what I cannot shun,
Show a poor figure to my own esteem,
To which I grow half reconciled. I'll do
As little mischief as I can; that thought
Shall fee the accuser conscience.


(After a pause.)


Now what harm
If Cenci should be murdered?-Yet, if murdered,
Wherefore by me? And what if I could take
The profit, yet omit the sin and peril
In such an action? Of all earthly things
I fear a man whose blows outspeed his words;
And such is Cenci: and while Cenci lives
His daughter's dowry were a secret grave
If a priest wins her.-Oh, fair Beatrice!
Would that I loved thee not, or loving thee
Could but despise danger and gold and all
That frowns between my wish and its effect,
Or smiles beyond it! There is no escape . . .
Her bright form kneels beside me at the altar,
And follows me to the resort of men,
And fills my slumber with tumultuous dreams,
So when I wake my blood seems liquid fire;
And if I strike my damp and dizzy head
My hot palm scorches it: her very name,
But spoken by a stranger, makes my heart
Sicken and pant; and thus unprofitably
I clasp the phantom of unfelt delights
Till weak imagination half possesses
The self-created shadow. Yet much longer
Will I not nurse this life of feverous hours:
From the unravelled hopes of Giacomo
I must work out my own dear purposes.
I see, as from a tower, the end of all:
Her father dead; her brother bound to me
By a dark secret, surer than the grave;
Her mother scared and unexpostulating
From the dread manner of her wish achieved:
And she!-Once more take courage, my faint heart;
What dares a friendless maiden matched with thee?
I have such foresight as assures success:
Some unbeheld divinity doth ever,
When dread events are near, stir up men's minds
To black suggestions; and he prospers best,
Not who becomes the instrument of ill,
But who can flatter the dark spirit, that makes
Its empire and its prey of other hearts
Till it become his slave . . . as I will do.


[Exit.


END OF THE SECOND ACT.

ACT III
Scene I.
-An Apartment in the Cenci Palace. Lucretia, to her enter Beatrice.


Beatrice.
(She enters staggering, and speaks wildly.)
Reach me that handkerchief!-My brain is hurt;
My eyes are full of blood; just wipe them for me . . .
I see but indistinctly . . .


Lucretia.
My sweet child,
You have no wound; 'tis only a cold dew
That starts from your dear brow . . . Alas! Alas!
What has befallen?


Beatrice.
How comes this hair undone?
Its wandering strings must be what blind me so,
And yet I tied it fast.-O, horrible!
The pavement sinks under my feet! The walls
Spin round! I see a woman weeping there,
And standing calm and motionless, whilst I
Slide giddily as the world reels. . . . My God!
The beautiful blue heaven is flecked with blood!
The sunshine on the floor is black! The air
Is changed to vapours such as the dead breathe
In charnel pits! Pah! I am choked! There creeps
A clinging, black, contaminating mist
About me . . . 'tis substantial, heavy, thick,
I cannot pluck it from me, for it glues
My fingers and my limbs to one another,
And eats into my sinews, and dissolves
My flesh to a pollution, poisoning
The subtle, pure, and inmost spirit of life!
My God! I never knew what the mad felt
Before; for I am mad beyond all doubt!
(More wildly.)
No, I am dead! These putrefying limbs
Shut round and sepulchre the panting soul
Which would burst forth into the wandering air! (A pause.)

What hideous thought was that I had even now?
'Tis gone; and yet its burthen remains here
O'er these dull eyes . . . upon this weary heart!
O, world! O, life! O, day! O, misery!


Lucretia.
What ails thee, my poor child? She answers not:
Her spirit apprehends the sense of pain,
But not its cause; suffering has dried away
The source from which it sprung . . .


Beatrice
(franticly).
Like Parricide . . .
Misery has killed its father: yet its father
Never like mine . . . O, God! What thing am I?


Lucretia.
My dearest child, what has your father done?


Beatrice
(doubtfully).


Who art thou, questioner? I have no father.
(Aside.)
She is the madhouse nurse who tends on me,
It is a piteous office.


[To Lucretia, in a slow, subdued voice.


Do you know
I thought I was that wretched Beatrice
Men speak of, whom her father sometimes hales
From hall to hall by the entangled hair;
At others, pens up naked in damp cells
Where scaly reptiles crawl, and starves her there,
Till she will eat strange flesh. This woful story
So did I overact in my sick dreams,
That I imagined . . . no, it cannot be!
Horrible things have been in this wide world,
Prodigious mixtures, and confusions strange
Of good and ill; and worse have been conceived
Than ever there was found a heart to do.
But never fancy imaged such a deed
As . . .


[Pauses, suddenly recollecting herself.


Who art thou? Swear to me, ere I die
With fearful expectation, that indeed
Thou art not what thou seemest . . . Mother!


Lucretia.
Oh!
My sweet child, know you . . .


Beatrice.
Yet speak it not:
For then if this be truth, that other too
Must be a truth, a firm enduring truth,
Linked with each lasting circumstance of life,
Never to change, never to pass away.
Why so it is. This is the Cenci Palace;
Thou art Lucretia; I am Beatrice.
I have talked some wild words, but will no more.
Mother, come near me: from this point of time,
I am . . .


[Her voice dies away faintly.


Lucretia.
Alas! What has befallen thee, child?
What has thy father done?


Beatrice.
What have I done?
Am I not innocent? Is it my crime
That one with white hair, and imperious brow,
Who tortured me from my forgotten years,
As parents only dare, should call himself
My father, yet should be!-Oh, what am I?
What name, what place, what memory shall be mine?
What retrospects, outliving even despair?


Lucretia.
He is a violent tyrant, surely, child:
We know that death alone can make us free;
His death or ours. But what can he have done
Of deadlier outrage or worse injury?
Thou art unlike thyself; thine eyes shoot forth
A wandering and strange spirit. Speak to me,
Unlock those pallid hands whose fingers twine
With one another.


Beatrice.
'Tis the restless life
Tortured within them. If I try to speak
I shall go mad. Ay, something must be done;
What, yet I know not . . . something which shall make
The thing that I have suffered but a shadow
In the dread lightning which avenges it;
Brief, rapid, irreversible, destroying
The consequence of what it cannot cure.
Some such thing is to be endured or done:
When I know what, I shall be still and calm,
And never anything will move me more.
But now!-O blood, which art my father's blood,
Circling through these contaminated veins,
If thou, poured forth on the polluted earth,
Could wash away the crime, and punishment
By which I suffer . . . no, that cannot be!
Many might doubt there were a God above
Who sees and permits evil, and so die:
That faith no agony shall obscure in me.


Lucretia.
It must indeed have been some bitter wrong;
Yet what, I dare not guess. Oh, my lost child,
Hide not in proud impenetrable grief
Thy sufferings from my fear.


Beatrice.
I hide them not.
What are the words which you would have me speak?
I, who can feign no image in my mind
Of that which has transformed me: I, whose thought
Is like a ghost shrouded and folded up
In its own formless horror: of all words,
That minister to mortal intercourse,
Which wouldst thou hear? For there is none to tell
My misery: if another ever knew
Aught like to it, she died as I will die,
And left it, as I must, without a name.
Death! Death! Our law and our religion call thee
A punishment and a reward . . . Oh, which
Have I deserved?


Lucretia.
The peace of innocence;
Till in your season you be called to heaven.
Whate'er you may have suffered, you have done
No evil. Death must be the punishment
Of crime, or the reward of trampling down
The thorns which God has strewed upon the path
Which leads to immortality.


Beatrice.


Ay; death . . .
The punishment of crime. I pray thee, God,
Let me not be bewildered while I judge.
If I must live day after day, and keep
These limbs, the unworthy temple of Thy spirit,
As a foul den from which what Thou abhorrest
May mock Thee, unavenged . . . it shall not be!
Self-murder . . . no, that might be no escape,
For Thy decree yawns like a Hell between
Our will and it:-O! In this mortal world
There is no vindication and no law
Which can adjudge and execute the doom
Of that through which I suffer.


Enter Orsino.
(She approaches him solemnly.)


Welcome, Friend!
I have to tell you that, since last we met,
I have endured a wrong so great and strange,
That neither life nor death can give me rest.
Ask me not what it is, for there are deeds
Which have no form, sufferings which have no tongue.


Orsino.
And what is he who has thus injured you?


Beatrice.
The man they call my father: a dread name.


Orsino.
It cannot be . . .


Beatrice.
What it can be, or not,
Forbear to think. It is, and it has been;
Advise me how it shall not be again.
I thought to die; but a religious awe
Restrains me, and the dread lest death itself
Might be no refuge from the consciousness
Of what is yet unexpiated. Oh, speak!


Orsino.
Accuse him of the deed, and let the law
Avenge thee.


Beatrice.
Oh, ice-hearted counsellor!
If I could find a word that might make known
The crime of my destroyer; and that done,
My tongue should like a knife tear out the secret
Which cankers my heart's core; ay, lay all bare
So that my unpolluted fame should be
With vilest gossips a stale mouthèd story;
A mock, a byword, an astonishment:-
If this were done, which never shall be done,
Think of the offender's gold, his dreaded hate,
And the strange horror of the accuser's tale,
Baffling belief, and overpowering speech;
Scarce whispered, unimaginable, wrapped
In hideous hints . . . Oh, most assured redress!


Orsino.
You will endure it then?


Beatrice.


Endure?-Orsino,
It seems your counsel is small profit.


[Turns from him, and speaks half to herself.


Ay,
All must be suddenly resolved and done.
What is this undistinguishable mist
Of thoughts, which rise, like shadow after shadow,
Darkening each other?


Orsino.
Should the offender live?
Triumph in his misdeed? and make, by use,
His crime, whate'er it is, dreadful no doubt,
Thine element; until thou mayst become
Utterly lost; subdued even to the hue
Of that which thou permittest?


Beatrice
(to herself).
Mighty death!
Thou double-visaged shadow? Only judge!
Rightfullest arbiter!


[She retires absorbed in thought.


Lucretia.
If the lightning
Of God has e'er descended to avenge . . .


Orsino.
Blaspheme not! His high Providence commits
Its glory on this earth, and their own wrongs
Into the hands of men; if they neglect
To punish crime . . .


Lucretia.
But if one, like this wretch,
Should mock, with gold, opinion, law, and power?
If there be no appeal to that which makes
The guiltiest tremble? If because our wrongs,
For that they are unnatural, strange, and monstrous,
Exceed all measure of belief? O God!
If, for the very reasons which should make
Redress most swift and sure, our injurer triumphs?
And we, the victims, bear worse punishment
Than that appointed for their torturer?


Orsino.
Think not
But that there is redress where there is wrong,
So we be bold enough to seize it.


Lucretia.
How?
If there were any way to make all sure,
I know not . . . but I think it might be good
To . . .


Orsino.
Why, his late outrage to Beatrice;
For it is such, as I but faintly guess,
As makes remorse dishonour, and leaves her
Only one duty, how she may avenge:
You, but one refuge from ills ill endured;
Me, but one counsel . . .


Lucretia.
For we cannot hope
That aid, or retribution, or resource
Will arise thence, where every other one
Might find them with less need.


[Beatrice advances.


Orsino.
Then . . .


Beatrice.
Peace, Orsino!
And, honoured Lady, while I speak, I pray,
That you put off, as garments overworn,
Forbearance and respect, remorse and fear,
And all the fit restraints of daily life,
Which have been borne from childhood, but which now
Would be a mockery to my holier plea.
As I have said, I have endured a wrong,
Which, though it be expressionless, is such
As asks atonement; both for what is past,
And lest I be reserved, day after day,
To load with crimes an overburthened soul,
And be . . . what ye can dream not. I have prayed
To God, and I have talked with my own heart,
And have unravelled my entangled will,
And have at length determined what is right.
Art thou my friend, Orsino? False or true?
Pledge thy salvation ere I speak.


Orsino.
I swear
To dedicate my cunning, and my strength,
My silence, and whatever else is mine,
To thy commands.


Lucretia.
You think we should devise
His death?


Beatrice.
And execute what is devised,
And suddenly. We must be brief and bold.


Orsino.
And yet most cautious.


Lucretia.
For the jealous laws
Would punish us with death and infamy
For that which it became themselves to do.


Beatrice.
Be cautious as ye may, but prompt. Orsino,
What are the means?


Orsino.
I know two dull, fierce outlaws,
Who think man's spirit as a worm's, and they
Would trample out, for any slight caprice,
The meanest or the noblest life. This mood
Is marketable here in Rome. They sell
What we now want.


Lucretia.
To-morrow before dawn,
Cenci will take us to that lonely rock,
Petrella, in the Apulian Apennines.
If he arrive there . . .


Beatrice.
He must not arrive.


Orsino.
Will it be dark before you reach the tower?


Lucretia.
The sun will scarce be set.


Beatrice.
But I remember
Two miles on this side of the fort, the road
Crosses a deep ravine; 'tis rough and narrow,
And winds with short turns down the precipice;
And in its depth there is a mighty rock,
Which has, from unimaginable years,
Sustained itself with terror and with toil
Over a gulf, and with the agony
With which it clings seems slowly coming down;
Even as a wretched soul hour after hour,
Clings to the mass of life; yet clinging, leans;
And leaning, makes more dark the dread abyss
In which it fears to fall: beneath this crag
Huge as despair, as if in weariness,
The melancholy mountain yawns . . . below,
You hear but see not an impetuous torrent
Raging among the caverns, and a bridge
Crosses the chasm; and high above there grow,
With intersecting trunks, from crag to crag,
Cedars, and yews, and pines; whose tangled hair
Is matted in one solid roof of shade
By the dark ivy's twine. At noonday here
'Tis twilight, and at sunset blackest night.


Orsino.
Before you reach that bridge make some excuse
For spurring on your mules, or loitering
Until . . .


Beatrice.
What sound is that?


Lucretia.
Hark! No, it cannot be a servant's step
It must be Cenci, unexpectedly
Returned . . . Make some excuse for being here.


Beatrice.
(To Orsino, as she goes out.)
That step we hear approach must never pass
The bridge of which we spoke.


[Exeunt Lucretia and Beatrice.


Orsino.
What shall I do?
Cenci must find me here, and I must bear
The imperious inquisition of his looks
As to what brought me hither: let me mask
Mine own in some inane and vacant smile. Enter Giacomo, in a hurried manner.

How! Have you ventured hither? Know you then
That Cenci is from home?


Giacomo.
I sought him here;
And now must wait till he returns.


Orsino.
Great God!
Weigh you the danger of this rashness?


Giacomo.
Ay!
Does my destroyer know his danger? We
Are now no more, as once, parent and child,
But man to man; the oppressor to the oppressed;
The slanderer to the slandered; foe to foe:
He has cast Nature off, which was his shield,
And Nature casts him off, who is her shame;
And I spurn both. Is it a father's throat
Which I will shake, and say, I ask not gold;
I ask not happy years; nor memories
Of tranquil childhood; nor home-sheltered love;
Though all these hast thou torn from me, and more;
But only my fair fame; only one hoard
Of peace, which I thought hidden from thy hate,
Under the penury heaped on me by thee,
Or I will . . . God can understand and pardon,
Why should I speak with man?


Orsino.
Be calm, dear friend.


Giacomo.
Well, I will calmly tell you what he did.
This old Francesco Cenci, as you know,
Borrowed the dowry of my wife from me,
And then denied the loan; and left me so
In poverty, the which I sought to mend
By holding a poor office in the state.
It had been promised to me, and already
I bought new clothing for my raggèd babes,
And my wife smiled; and my heart knew repose.
When Cenci's intercession, as I found,
Conferred this office on a wretch, whom thus
He paid for vilest service. I returned
With this ill news, and we sate sad together
Solacing our despondency with tears
Of such affection and unbroken faith
As temper life's worst bitterness; when he,
As he is wont, came to upbraid and curse,
Mocking our poverty, and telling us
Such was God's scourge for disobedient sons.
And then, that I might strike him dumb with shame,
I spoke of my wife's dowry; but he coined
A brief yet specious tale, how I had wasted
The sum in secret riot; and he saw
My wife was touched, and he went smiling forth.
And when I knew the impression he had made,
And felt my wife insult with silent scorn
My ardent truth, and look averse and cold,
I went forth too: but soon returned again;
Yet not so soon but that my wife had taught
My children her harsh thoughts, and they all cried,
'Give us clothes, father! Give us better food!
What you in one night squander were enough
For months!' I looked, and saw that home was hell.
And to that hell will I return no more
Until mine enemy has rendered up
Atonement, or, as he gave life to me
I will, reversing Nature's law . . .


Orsino.
Trust me,
The compensation which thou seekest here
Will be denied.


Giacomo.
Then . . . Are you not my friend?
Did you not hint at the alternative,
Upon the brink of which you see I stand,
The other day when we conversed together?
My wrongs were then less. That word parricide,
Although I am resolved, haunts me like fear.


Orsino.
It must be fear itself, for the bare word
Is hollow mockery. Mark, how wisest God
Draws to one point the threads of a just doom,
So sanctifying it: what you devise
Is, as it were, accomplished.


Giacomo.
Is he dead?


Orsino.
His grave is ready. Know that since we met
Cenci has done an outrage to his daughter.


Giacomo.
What outrage?


Orsino.
That she speaks not, but you may
Conceive such half conjectures as I do,
From her fixed paleness, and the lofty grief
Of her stern brow bent on the idle air,
And her severe unmodulated voice,
Drowning both tenderness and dread; and last
From this; that whilst her step-mother and I,
Bewildered in our horror, talked together
With obscure hints; both self-misunderstood
And darkly guessing, stumbling, in our talk,
Over the truth, and yet to its revenge,
She interrupted us, and with a look
Which told before she spoke it, he must die: . . .


Giacomo.
It is enough. My doubts are well appeased;
There is a higher reason for the act
Than mine; there is a holier judge than me,
A more unblamed avenger. Beatrice,
Who in the gentleness of thy sweet youth
Hast never trodden on a worm, or bruised
A living flower, but thou hast pitied it
With needless tears! Fair sister, thou in whom
Men wondered how such loveliness and wisdom
Did not destroy each other! Is there made
Ravage of thee? O, heart, I ask no more
Justification! Shall I wait, Orsino,
Till he return, and stab him at the door?


Orsino.
Not so; some accident might interpose
To rescue him from what is now most sure;
And you are unprovided where to fly,
How to excuse or to conceal. Nay, listen:
All is contrived; success is so assured
That . . .


Enter Beatrice.


Beatrice.
'Tis my brother's voice! You know me not?


Giacomo.
My sister, my lost sister!


Beatrice.
Lost indeed!
I see Orsino has talked with you, and
That you conjecture things too horrible
To speak, yet far less than the truth. Now, stay not,
He might return: yet kiss me; I shall know
That then thou hast consented to his death.
Farewell, farewell! Let piety to God,
Brotherly love, justice and clemency,
And all things that make tender hardest hearts
Make thine hard, brother. Answer not . . . farewell.


[Exeunt severally.


Scene II.
-A mean Apartment in Giacomo's House. Giacomo alone.


Giacomo.


'Tis midnight, and Orsino comes not yet. [Thunder, and the sound of a storm.

What! can the everlasting elements
Feel with a worm like man? If so, the shaft
Of mercy-wingèd lightning would not fall
On stones and trees. My wife and children sleep:
They are now living in unmeaning dreams:
But I must wake, still doubting if that deed
Be just which is most necessary. O,
Thou unreplenished lamp! whose narrow fire
Is shaken by the wind, and on whose edge
Devouring darkness hovers! Thou small flame,
Which, as a dying pulse rises and falls,
Still flickerest up and down, how very soon,
Did I not feed thee, wouldst thou fail and be
As thou hadst never been! So wastes and sinks
Even now, perhaps, the life that kindled mine:
But that no power can fill with vital oil
That broken lamp of flesh. Ha! 'tis the blood
Which fed these veins that ebbs till all is cold:
It is the form that moulded mine that sinks
Into the white and yellow spasms of death:
It is the soul by which mine was arrayed
In God's immortal likeness which now stands
Naked before Heaven's judgement seat!


[A bell strikes.


One! Two!
The hours crawl on; and when my hairs are white,
My son will then perhaps be waiting thus,
Tortured between just hate and vain remorse;
Chiding the tardy messenger of news
Like those which I expect. I almost wish
He be not dead, although my wrongs are great;
Yet . . . 'tis Orsino's step . . .


Enter Orsino.


Speak!


Orsino.
I am come
To say he has escaped.


Giacomo.
Escaped!


Orsino.
And safe
Within Petrella. He passed by the spot
Appointed for the deed an hour too soon.


Giacomo.
Are we the fools of such contingencies?
And do we waste in blind misgivings thus
The hours when we should act? Then wind and thunder,
Which seemed to howl his knell, is the loud laughter
With which Heaven mocks our weakness! I henceforth
Will ne'er repent of aught designed or done
But my repentance.


Orsino.
See, the lamp is out.


Giacomo.
If no remorse is ours when the dim air
Has drank this innocent flame, why should we quail
When Cenci's life, that light by which ill spirits
See the worst deeds they prompt, shall sink for ever?
No, I am hardened.


Orsino.
Why, what need of this?
Who feared the pale intrusion of remorse
In a just deed? Although our first plan failed,
Doubt not but he will soon be laid to rest.
But light the lamp; let us not talk i' the dark.


Giacomo
(lighting the lamp).
And yet once quenched I cannot thus relume
My father's life: do you not think his ghost
Might plead that argument with God?


Orsino.
Once gone
You cannot now recall your sister's peace;
Your own extinguished years of youth and hope;
Nor your wife's bitter words; nor all the taunts
Which, from the prosperous, weak misfortune takes;
Nor your dead mother; nor . . .


Giacomo.
O, speak no more!
I am resolved, although this very hand
Must quench the life that animated it.


Orsino.
There is no need of that. Listen: you know
Olimpio, the castellan of Petrella
In old Colonna's time; him whom your father
Degraded from his post? And Marzio,
That desperate wretch, whom he deprived last year
Of a reward of blood, well earned and due?


Giacomo.
I knew Olimpio; and they say he hated
Old Cenci so, that in his silent rage
His lips grew white only to see him pass.
Of Marzio I know nothing.


Orsino.
Marzio's hate
Matches Olimpio's. I have sent these men,
But in your name, and as at your request,
To talk with Beatrice and Lucretia.


Giacomo.
Only to talk?


Orsino.
The moments which even now
Pass onward to to-morrow's midnight hour
May memorize their flight with death: ere then
They must have talked, and may perhaps have done,
And made an end . . .


Giacomo.
Listen! What sound is that?


Orsino.
The house-dog moans, and the beams crack: nought else.


Giacomo.
It is my wife complaining in her sleep:
I doubt not she is saying bitter things
Of me; and all my children round her dreaming
That I deny them sustenance.


Orsino.
Whilst he
Who truly took it from them, and who fills
Their hungry rest with bitterness, now sleeps
Lapped in bad pleasures, and triumphantly
Mocks thee in visions of successful hate
Too like the truth of day.


Giacomo.
If e'er he wakes
Again, I will not trust to hireling hands . . .


Orsino.
Why, that were well. I must be gone; good-night.
When next we meet-may all be done!


Giacomo.
And all
Forgotten: Oh, that I had never been!


[Exeunt.


END OF THE THIRD ACT.

ACT IV
Scene I.
-An Apartment in the Castle of Petrella. Enter Cenci.


Cenci.


She comes not; yet I left her even now
Vanquished and faint. She knows the penalty
Of her delay: yet what if threats are vain?
Am I not now within Petrella's moat?
Or fear I still the eyes and ears of Rome?
Might I not drag her by the golden hair?
Stamp on her? Keep her sleepless till her brain
Be overworn? Tame her with chains and famine?
Less would suffice. Yet so to leave undone
What I most seek! No, 'tis her stubborn will
Which by its own consent shall stoop as low
As that which drags it down.


Enter Lucretia.


Thou loathèd wretch!
Hide thee from my abhorrence: fly, begone!
Yet stay! Bid Beatrice come hither.


Lucretia.
Oh,
Husband! I pray for thine own wretched sake
Heed what thou dost. A man who walks like thee
Through crimes, and through the danger of his crimes,
Each hour may stumble o'er a sudden grave.
And thou art old; thy hairs are hoary gray;
As thou wouldst save thyself from death and hell,
Pity thy daughter; give her to some friend
In marriage: so that she may tempt thee not
To hatred, or worse thoughts, if worse there be.


Cenci.
What! like her sister who has found a home
To mock my hate from with prosperity?
Strange ruin shall destroy both her and thee
And all that yet remain. My death may be
Rapid, her destiny outspeeds it. Go,
Bid her come hither, and before my mood
Be changed, lest I should drag her by the hair.


Lucretia.
She sent me to thee, husband. At thy presence
She fell, as thou dost know, into a trance;
And in that trance she heard a voice which said,
'Cenci must die! Let him confess himself!
Even now the accusing Angel waits to hear
If God, to punish his enormous crimes,
Harden his dying heart!'


Cenci.


Why-such things are . . .
No doubt divine revealings may be made.
'Tis plain I have been favoured from above,
For when I cursed my sons they died.-Ay . . . so . . .
As to the right or wrong, that's talk . . . repentance . . .
Repentance is an easy moment's work
And more depends on God than me. Well . . . well . . .
I must give up the greater point, which was
To poison and corrupt her soul.


[A pause; Lucretia approaches anxiously, and then shrinks back as he speaks.


One, two;
Ay . . . Rocco and Cristofano my curse
Strangled: and Giacomo, I think, will find
Life a worse Hell than that beyond the grave:
Beatrice shall, if there be skill in hate,
Die in despair, blaspheming: to Bernardo,
He is so innocent, I will bequeath
The memory of these deeds, and make his youth
The sepulchre of hope, where evil thoughts
Shall grow like weeds on a neglected tomb.
When all is done, out in the wide Campagna,
I will pile up my silver and my gold;
My costly robes, paintings and tapestries;
My parchments and all records of my wealth,
And make a bonfire in my joy, and leave
Of my possessions nothing but my name;
Which shall be an inheritance to strip
Its wearer bare as infamy. That done,
My soul, which is a scourge, will I resign
Into the hands of him who wielded it;
Be it for its own punishment or theirs,
He will not ask it of me till the lash
Be broken in its last and deepest wound;
Until its hate be all inflicted. Yet,
Lest death outspeed my purpose, let me make
Short work and sure . . .


[Going.


Lucretia.
(Stops him.)
Oh, stay! It was a feint:
She had no vision, and she heard no voice.
I said it but to awe thee.


Cenci.
That is well.
Vile palterer with the sacred truth of God,
Be thy soul choked with that blaspheming lie!
For Beatrice worse terrors are in store
To bend her to my will.


Lucretia.
Oh! to what will?
What cruel sufferings more than she has known
Canst thou inflict?


Cenci.
Andrea! Go call my daughter,
And if she comes not tell her that I come.
What sufferings? I will drag her, step by step,
Through infamies unheard of among men:
She shall stand shelterless in the broad noon
Of public scorn, for acts blazoned abroad,
One among which shall be . . . What? Canst thou guess?
She shall become (for what she most abhors
Shall have a fascination to entrap
Her loathing will) to her own conscious self
All she appears to others; and when dead,
As she shall die unshrived and unforgiven,
A rebel to her father and her God,
Her corpse shall be abandoned to the hounds;
Her name shall be the terror of the earth;
Her spirit shall approach the throne of God
Plague-spotted with my curses. I will make
Body and soul a monstrous lump of ruin.


Enter Andrea.


Andrea.
The Lady Beatrice . . .


Cenci.
Speak, pale slave! What
Said she?


Andrea.
My Lord, 'twas what she looked; she said:
'Go tell my father that I see the gulf
Of Hell between us two, which he may pass,
I will not.'


[Exit Andrea.


Cenci.


Go thou quick, Lucretia,
Tell her to come; yet let her understand
Her coming is consent: and say, moreover,
That if she come not I will curse her.


[Exit Lucretia.


Ha!
With what but with a father's curse doth God
Panic-strike armèd victory, and make pale
Cities in their prosperity? The world's Father
Must grant a parent's prayer against his child,
Be he who asks even what men call me.
Will not the deaths of her rebellious brothers
Awe her before I speak? For I on them
Did imprecate quick ruin, and it came. Enter Lucretia.

Well; what? Speak, wretch!


Lucretia.
She said, 'I cannot come;
Go tell my father that I see a torrent
Of his own blood raging between us.'


Cenci
(kneeling).
God!
Hear me! If this most specious mass of flesh,
Which Thou hast made my daughter; this my blood,
This particle of my divided being;
Or rather, this my bane and my disease,
Whose sight infects and poisons me; this devil
Which sprung from me as from a hell, was meant
To aught good use; if her bright loveliness
Was kindled to illumine this dark world;
If nursed by Thy selectest dew of love
Such virtues blossom in her as should make
The peace of life, I pray Thee for my sake,
As Thou the common God and Father art
Of her, and me, and all; reverse that doom!
Earth, in the name of God, let her food be
Poison, until she be encrusted round
With leprous stains! Heaven, rain upon her head
The blistering drops of the Maremma's dew,
Till she be speckled like a toad; parch up
Those love-enkindled lips, warp those fine limbs
To loathèd lameness! All-beholding sun,
Strike in thine envy those life-darting eyes
With thine own blinding beams!


Lucretia.
Peace! Peace!
For thine own sake unsay those dreadful words.
When high God grants He punishes such prayers.


Cenci
(leaping up, and throwing his right hand towards Heaven).
He does His will, I mine! This in addition,
That if she have a child . . .


Lucretia.
Horrible thought!


Cenci.


That if she ever have a child; and thou,
Quick Nature! I adjure thee by thy God,
That thou be fruitful in her, and increase
And multiply, fulfilling his command,
And my deep imprecation! May it be
A hideous likeness of herself, that as
From a distorting mirror, she may see
Her image mixed with what she most abhors,
Smiling upon her from her nursing breast.
And that the child may from its infancy
Grow, day by day, more wicked and deformed,
Turning her mother's love to misery:
And that both she and it may live until
It shall repay her care and pain with hate,
Or what may else be more unnatural.
So he may hunt her through the clamorous scoffs
Of the loud world to a dishonoured grave.
Shall I revoke this curse? Go, bid her come,
Before my words are chronicled in Heaven. [Exit Lucretia.

I do not feel as if I were a man,
But like a fiend appointed to chastise
The offences of some unremembered world.
My blood is running up and down my veins;
A fearful pleasure makes it prick and tingle:
I feel a giddy sickness of strange awe;
My heart is beating with an expectation
Of horrid joy.


Enter Lucretia.


What? Speak!


Lucretia.
She bids thee curse;
And if thy curses, as they cannot do,
Could kill her soul . . .


Cenci.
She would not come. 'Tis well,
I can do both: first take what I demand,
And then extort concession. To thy chamber!
Fly ere I spurn thee: and beware this night
That thou cross not my footsteps. It were safer
To come between the tiger and his prey.[Exit Lucretia.

It must be late; mine eyes grow weary dim
With unaccustomed heaviness of sleep.
Conscience! Oh, thou most insolent of lies!
They say that sleep, that healing dew of Heaven,
Steeps not in balm the foldings of the brain
Which thinks thee an impostor. I will go
First to belie thee with an hour of rest,
Which will be deep and calm, I feel: and then . . .
O, multitudinous Hell, the fiends will shake.
Thine arches with the laughter of their joy!
There shall be lamentation heard in Heaven
As o'er an angel fallen; and upon Earth
All good shall droop and sicken, and ill things
Shall with a spirit of unnatural life
Stir and be quickened . . . even as I am now.


[Exit.


Scene II.
-Before the Castle of Petrella. Enter Beatrice andLucretia above on the Ramparts.


Beatrice.
They come not yet.


Lucretia.
'Tis scarce midnight.


Beatrice.
How slow
Behind the course of thought, even sick with speed,
Lags leaden-footed time!


Lucretia.
The minutes pass . . .
If he should wake before the deed is done?


Beatrice.
O, mother! He must never wake again.
What thou hast said persuades me that our act
Will but dislodge a spirit of deep hell
Out of a human form.


Lucretia.
'Tis true he spoke
Of death and judgement with strange confidence
For one so wicked; as a man believing
In God, yet recking not of good or ill.
And yet to die without confession! . . .


Beatrice.
Oh!
Believe that Heaven is merciful and just,
And will not add our dread necessity
To the amount of his offences.


Enter Olimpio and Marzio, below.


Lucretia.
See,
They come.


Beatrice.
All mortal things must hasten thus
To their dark end. Let us go down.


[Exeunt Lucretia and Beatrice from above.


Olimpio.
How feel you to this work?


Marzio.
As one who thinks
A thousand crowns excellent market price
For an old murderer's life. Your cheeks are pale.


Olimpio.
It is the white reflection of your own,
Which you call pale.


Marzio.
Is that their natural hue?


Olimpio.
Or 'tis my hate and the deferred desire
To wreak it, which extinguishes their blood.


Marzio.
You are inclined then to this business?


Olimpio.


Ay.
If one should bribe me with a thousand crowns
To kill a serpent which had stung my child,
I could not be more willing.


Enter Beatrice and Lucretia, below.


Noble ladies!


Beatrice.
Are ye resolved?


Olimpio.
Is he asleep?


Marzio.
Is all
Quiet?


Lucretia.
I mixed an opiate with his drink:
He sleeps so soundly . . .


Beatrice.
That his death will be
But as a change of sin-chastising dreams,
A dark continuance of the Hell within him,
Which God extinguish! But ye are resolved?
Ye know it is a high and holy deed?


Olimpio.
We are resolved.


Marzio.
As to the how this act
Be warranted, it rests with you.


Beatrice.
Well, follow!


Olimpio.
Hush! Hark! What noise is that?


Marzio.
Ha! some one comes!


Beatrice.
Ye conscience-stricken cravens, rock to rest
Your baby hearts. It is the iron gate,
Which ye left open, swinging to the wind,
That enters whistling as in scorn. Come, follow!
And be your steps like mine, light, quick and bold.


[Exeunt.


Scene III.
-An Apartment in the Castle. Enter Beatrice and Lucretia.


Lucretia.
They are about it now.


Beatrice.
Nay, it is done.


Lucretia.
I have not heard him groan.


Beatrice.
He will not groan.


Lucretia.
What sound is that?


Beatrice.
List! 'tis the tread of feet
About his bed.


Lucretia.
My God!
If he be now a cold stiff corpse . . .


Beatrice.


O, fear not
What may be done, but what is left undone:
The act seals all.


Enter Olimpio and Marzio.


Is it accomplished?


Marzio.
What?


Olimpio.
Did you not call?


Beatrice.
When?


Olimpio.
Now.


Beatrice.
I ask if all is over?


Olimpio.
We dare not kill an old and sleeping man;
His thin gray hair, his stern and reverend brow,
His veinèd hands crossed on his heaving breast,
And the calm innocent sleep in which he lay,
Quelled me. Indeed, indeed, I cannot do it.


Marzio.
But I was bolder; for I chid Olimpio,
And bade him bear his wrongs to his own grave
And leave me the reward. And now my knife
Touched the loose wrinkled throat, when the old man
Stirred in his sleep, and said, 'God! hear, O, hear,
A father's curse! What, art Thou not our Father?'
And then he laughed. I knew it was the ghost
Of my dead father speaking through his lips,
And could not kill him.


Beatrice.


Miserable slaves!
Where, if ye dare not kill a sleeping man,
Found ye the boldness to return to me
With such a deed undone? Base palterers!
Cowards and traitors! Why, the very conscience
Which ye would sell for gold and for revenge
Is an equivocation: it sleeps over
A thousand daily acts disgracing men;
And when a deed where mercy insults Heaven . . .
Why do I talk?


[Snatching a dagger from one of them and raising it.


Hadst thou a tongue to say,
'She murdered her own father!'-I must do it!
But never dream ye shall outlive him long!


Olimpio.
Stop, for God's sake!


Marzio.
I will go back and kill him.


Olimpio.
Give me the weapon. we must do thy will.


Beatrice.


Take it! Depart! Return!


[Exeunt Olimpio and Marzio.


How pale thou art!
We do but that which 'twere a deadly crime
To leave undone.


Lucretia.
Would it were done!


Beatrice.


Even whilst
That doubt is passing through your mind, the world
Is conscious of a change. Darkness and Hell
Have swallowed up the vapour they sent forth
To blacken the sweet light of life. My breath
Comes, methinks, lighter, and the jellied blood
Runs freely through my veins. Hark!


Enter Olimpio and Marzio.


He is . . .


Olimpio.
Dead!


Marzio.
We strangled him that there might be no blood;
And then we threw his heavy corpse i' the garden
Under the balcony; 'twill seem it fell.


Beatrice
(giving them a bag of coin).
Here, take this gold, and hasten to your homes.
And, Marzio, because thou wast only awed
By that which made me tremble, wear thou this! [Clothes him in a rich mantle.

It was the mantle which my grandfather
Wore in his high prosperity, and men
Envied his state: so may they envy thine.
Thou wert a weapon in the hand of God
To a just use. Live long and thrive! And, mark,
If thou hast crimes, repent: this deed is none.


[A horn is sounded.


Lucretia.
Hark, 'tis the castle horn; my God! it sounds
Like the last trump.


Beatrice
Some tedious guest is coming.


Lucretia.
The drawbridge is let down; there is a tramp
Of horses in the court; fly, hide yourselves!


[Exeunt Olimpio and Marzio.


Beatrice.
Let us retire to counterfeit deep rest;
I scarcely need to counterfeit it now:
The spirit which doth reign within these limbs
Seems strangely undisturbed. I could even sleep
Fearless and calm: all ill is surely past.


[Exeunt.


Scene IV.
-Another Apartment in the Castle. Enter on one side the Legate Savella, introduced by a Servant, and on the other Lucretia and Bernardo.


Savella.
Lady, my duty to his Holiness
Be my excuse that thus unseasonably
I break upon your rest. I must speak with
Count Cenci; doth he sleep?


Lucretia
(in a hurried and confused manner).
I think he sleeps;
Yet wake him not, I pray, spare me awhile,
He is a wicked and a wrathful man;
Should he be roused out of his sleep to-night,
Which is, I know, a hell of angry dreams,
It were not well; indeed it were not well.
Wait till day break . . . (aside)
O, I am deadly sick!


Savella.
I grieve thus to distress you, but the Count
Must answer charges of the gravest import,
And suddenly; such my commission is.


Lucretia
(with increased agitation).
I dare not rouse him: I know none who dare . . .
'Twere perilous; . . . you might as safely waken
A serpent; or a corpse in which some fiend
Were laid to sleep.


Savella.
Lady, my moments here
Are counted. I must rouse him from his sleep,
Since none else dare.


Lucretia
(aside).
O, terror! O, despair!
(To Bernardo.)
Bernardo, conduct you the Lord Legate to
Your father's chamber.


[Exeunt Savella and Bernardo.
Enter Beatrice.


Beatrice.
'Tis a messenger
Come to arrest the culprit who now stands
Before the throne of unappealable God.
Both Earth and Heaven, consenting arbiters,
Acquit our deed.


Lucretia.
Oh, agony of fear!
Would that he yet might live! Even now I heard
The Legate's followers whisper as they passed
They had a warrant for his instant death.
All was prepared by unforbidden means
Which we must pay so dearly, having done.
Even now they search the tower, and find the body;
Now they suspect the truth; now they consult
Before they come to tax us with the fact;
O, horrible, 'tis all discovered!


Beatrice.
Mother,
What is done wisely, is done well. Be bold
As thou art just. 'Tis like a truant child
To fear that others know what thou hast done,
Even from thine own strong consciousness, and thus
Write on unsteady eyes and altered cheeks
All thou wouldst hide. Be faithful to thyself,
And fear no other witness but thy fear.
For if, as cannot be, some circumstance
Should rise in accusation, we can blind
Suspicion with such cheap astonishment,
Or overbear it with such guiltless pride,
As murderers cannot feign. The deed is done,
And what may follow now regards not me.
I am as universal as the light;
Free as the earth-surrounding air; as firm
As the world's centre. Consequence, to me,
Is as the wind which strikes the solid rock
But shakes it not.


[A cry within and tumult.


Voices.
Murder! Murder! Murder!


Enter Bernardo and Savella.


Savella
(to his followers).
Go search the castle round; sound the alarm;
Look to the gates that none escape!


Beatrice.
What now?


Bernardo.
I know not what to say . . . my father's dead.


Beatrice.
How; dead! he only sleeps; you mistake, brother.
His sleep is very calm, very like death;
'Tis wonderful how well a tyrant sleeps.
He is not dead?


Bernardo.
Dead; murdered.


Lucretia
(with extreme agitation).
Oh no, no
He is not murdered though he may be dead;
I have alone the keys of those apartments.


Savella.
Ha! Is it so?


Beatrice.
My Lord, I pray excuse us;
We will retire; my mother is not well:
She seems quite overcome with this strange horror.


[Exeunt Lucretia and Beatrice.


Savella.
Can you suspect who may have murdered him?


Bernardo.
I know not what to think.


Savella.
Can you name any
Who had an interest in his death?


Bernardo.
Alas!
I can name none who had not, and those most
Who most lament that such a deed is done;
My mother, and my sister, and myself.


Savella.
'Tis strange! There were clear marks of violence.
I found the old man's body in the moonlight
Hanging beneath the window of his chamber,
Among the branches of a pine: he could not
Have fallen there, for all his limbs lay heaped
And effortless; 'tis true there was no blood . . .
Favour me, Sir; it much imports your house
That all should be made clear; to tell the ladies
That I request their presence.


[Exit Bernardo.
Enter Guards bringing in Marzio.


Guard.
We have one.


Officer.
My Lord, we found this ruffian and another
Lurking among the rocks; there is no doubt
But that they are the murderers of Count Cenci:
Each had a bag of coin; this fellow wore
A gold-inwoven robe, which shining bright
Under the dark rocks to the glimmering moon
Betrayed them to our notice: the other fell
Desperately fighting.


Savella.
What does he confess?


Officer.
He keeps firm silence; but these lines found on him
May speak.


Savella.


Their language is at least sincere.


[Reads.


'To the Lady Beatrice.

'That the atonement of what my nature sickens to conjecture may soon arrive, I send thee, at thy brother's desire, those who will speak and do more than I dare write. . .

'Thy devoted servant, Orsino.'

Enter Lucretia, Beatrice, and Bernardo.


Knowest thou this writing, Lady?


Beatrice.
No.


Savella.
Nor thou?


Lucretia.
(Her conduct throughout the scene is marked by extreme agitation.)
Where was it found? What is it? It should be
Orsino's hand! It speaks of that strange horror
Which never yet found utterance, but which made
Between that hapless child and her dead father
A gulf of obscure hatred.


Savella.
Is it so?
Is it true, Lady, that thy father did
Such outrages as to awaken in thee
Unfilial hate?


Beatrice.
Not hate, 'twas more than hate:
This is most true, yet wherefore question me?


Savella.
There is a deed demanding question done;
Thou hast a secret which will answer not.


Beatrice.
What sayest? My Lord, your words are bold and rash.


Savella.
I do arrest all present in the name
Of the Pope's Holiness. You must to Rome.


Lucretia.
O, not to Rome! Indeed we are not guilty.


Beatrice.
Guilty! Who dares talk of guilt? My Lord,
I am more innocent of parricide
Than is a child born fatherless . . . Dear mother,
Your gentleness and patience are no shield
For this keen-judging world, this two-edged lie,
Which seems, but is not. What! will human laws,
Rather will ye who are their ministers,
Bar all access to retribution first,
And then, when Heaven doth interpose to do
What ye neglect, arming familiar things
To the redress of an unwonted crime,
Make ye the victims who demanded it
Culprits? 'Tis ye are culprits! That poor wretch
Who stands so pale, and trembling, and amazed,
If it be true he murdered Cenci, was
A sword in the right hand of justest God.
Wherefore should I have wielded it? Unless
The crimes which mortal tongue dare never name
God therefore scruples to avenge.


Savella.
You own
That you desired his death?


Beatrice.
It would have been
A crime no less than his, if for one moment
That fierce desire had faded in my heart.
'Tis true I did believe, and hope, and pray,
Ay, I even knew . . . for God is wise and just,
That some strange sudden death hung over him.
'Tis true that this did happen, and most true
There was no other rest for me on earth,
No other hope in Heaven . . . now what of this?


Savella.
Strange thoughts beget strange deeds; and here are both:
I judge thee not.


Beatrice.
And yet, if you arrest me,
You are the judge and executioner
Of that which is the life of life: the breath
Of accusation kills an innocent name,
And leaves for lame acquittal the poor life
Which is a mask without it. 'Tis most false
That I am guilty of foul parricide;
Although I must rejoice, for justest cause,
That other hands have sent my father's soul
To ask the mercy he denied to me.
Now leave us free; stain not a noble house
With vague surmises of rejected crime;
Add to our sufferings and your own neglect
No heavier sum: let them have been enough:
Leave us the wreck we have.


Savella.
I dare not, Lady.
I pray that you prepare yourselves for Rome:
There the Pope's further pleasure will be known.


Lucretia.
O, not to Rome! O, take us not to Rome!


Beatrice.
Why not to Rome, dear mother? There as here
Our innocence is as an armèd heel
To trample accusation. God is there
As here, and with His shadow ever clothes
The innocent, the injured and the weak;
And such are we. Cheer up, dear Lady, lean
On me; collect your wandering thoughts. My Lord,
As soon as you have taken some refreshment,
And had all such examinations made
Upon the spot, as may be necessary
To the full understanding of this matter,
We shall be ready. Mother; will you come?


Lucretia.
Ha! they will bind us to the rack, and wrest
Self-accusation from our agony!
Will Giacomo be there? Orsino? Marzio?
All present; all confronted; all demanding
Each from the other's countenance the thing
Which is in every heart! O, misery!


[She faints, and is borne out.


Savella.
She faints: an ill appearance this.


Beatrice.
My Lord,
She knows not yet the uses of the world.
She fears that power is as a beast which grasps
And loosens not: a snake whose look transmutes
All things to guilt which is its nutriment.
She cannot know how well the supine slaves
Of blind authority read the truth of things
When written on a brow of guilelessness:
She sees not yet triumphant Innocence
Stand at the judgement-seat of mortal man,
A judge and an accuser of the wrong
Which drags it there. Prepare yourself, my Lord;
Our suite will join yours in the court below.


[Exeunt.


END OF THE FOURTH ACT.

ACT V
Scene I.
-An Apartment in Orsino's Palace. Enter Orsino and Giacomo.


Giacomo.
Do evil deeds thus quickly come to end?
O, that the vain remorse which must chastise
Crimes done, had but as loud a voice to warn
As its keen sting is mortal to avenge!
O, that the hour when present had cast off
The mantle of its mystery, and shown
The ghastly form with which it now returns
When its scared game is roused, cheering the hounds
Of conscience to their prey! Alas! Alas!
It was a wicked thought, a piteous deed,
To kill an old and hoary-headed father.


Orsino.
It has turned out unluckily, in truth.


Giacomo.
To violate the sacred doors of sleep;
To cheat kind Nature of the placid death
Which she prepares for overwearied age;
To drag from Heaven an unrepentant soul
Which might have quenched in reconciling prayers
A life of burning crimes . . .


Orsino.
You cannot say
I urged you to the deed.


Giacomo.
O, had I never
Found in thy smooth and ready countenance
The mirror of my darkest thoughts; hadst thou
Never with hints and questions made me look
Upon the monster of my thought, until
It grew familiar to desire . . .


Orsino.
'Tis thus
Men cast the blame of their unprosperous acts
Upon the abettors of their own resolve;
Or anything but their weak, guilty selves.
And yet, confess the truth, it is the peril
In which you stand that gives you this pale sickness
Of penitence; confess 'tis fear disguised
From its own shame that takes the mantle now
Of thin remorse. What if we yet were safe?


Giacomo.
How can that be? Already Beatrice,
Lucretia and the murderer are in prison.
I doubt not officers are, whilst we speak,
Sent to arrest us.


Orsino.
I have all prepared
For instant flight. We can escape even now,
So we take fleet occasion by the hair.


Giacomo.
Rather expire in tortures, as I may.
What! will you cast by self-accusing flight
Assured conviction upon Beatrice?
She, who alone in this unnatural work,
Stands like God's angel ministered upon
By fiends; avenging such a nameless wrong
As turns black parricide to piety;
Whilst we for basest ends . . . I fear, Orsino,
While I consider all your words and looks,
Comparing them with your proposal now,
That you must be a villain. For what end
Could you engage in such a perilous crime,
Training me on with hints, and signs, and smiles,
Even to this gulf? Thou art no liar? No,
Thou art a lie! Traitor and murderer!
Coward and slave! But, no, defend thyself; [Drawing.

Let the sword speak what the indignant tongue
Disdains to brand thee with.


Orsino.
Put up your weapon.
Is it the desperation of your fear
Makes you thus rash and sudden with a friend,
Now ruined for your sake? If honest anger
Have moved you, know, that what I just proposed
Was but to try you. As for me, I think,
Thankless affection led me to this point,
From which, if my firm temper could repent,
I cannot now recede. Even whilst we speak
The ministers of justice wait below:
They grant me these brief moments. Now if you
Have any word of melancholy comfort
To speak to your pale wife, 'twere best to pass
Out at the postern, and avoid them so.


Giacomo.
O, generous friend! How canst thou pardon me?
Would that my life could purchase thine!


Orsino.
That wish
Now comes a day too late. Haste; fare thee well!
Hear'st thou not steps along the corridor? [Exit Giacomo.

I'm sorry for it; but the guards are waiting
At his own gate, and such was my contrivance
That I might rid me both of him and them.
I thought to act a solemn comedy
Upon the painted scene of this new world,
And to attain my own peculiar ends
By some such plot of mingled good and ill
As others weave; but there arose a Power
Which grasped and snapped the threads of my device
And turned it to a net of ruin . . . Ha! [A shout is heard.

Is that my name I hear proclaimed abroad?
But I will pass, wrapped in a vile disguise;
Rags on my back, and a false innocence
Upon my face, through the misdeeming crowd
Which judges by what seems. 'Tis easy then
For a new name and for a country new,
And a new life, fashioned on old desires,
To change the honours of abandoned Rome.
And these must be the masks of that within,
Which must remain unaltered . . . Oh, I fear
That what is past will never let me rest!
Why, when none else is conscious, but myself,
Of my misdeeds, should my own heart's contempt
Trouble me? Have I not the power to fly
My own reproaches? Shall I be the slave
Of . . . what? A word? which those of this false world
Employ against each other, not themselves;
As men wear daggers not for self-offence.
But if I am mistaken, where shall I
Find the disguise to hide me from myself,
As now I skulk from every other eye?


[Exit.


Scene II.
-A Hall of Justice. Camillo, Judges, &c., are discovered seated; Marzio is led in.


First Judge.
Accused, do you persist in your denial?
I ask you, are you innocent, or guilty?
I demand who were the participators
In your offence? Speak truth and the whole truth.


Marzio.
My God! I did not kill him; I know nothing;
Olimpio sold the robe to me from which
You would infer my guilt.


Second Judge.
Away with him!


First Judge.
Dare you, with lips yet white from the rack's kiss
Speak false? Is it so soft a questioner,
That you would bandy lover's talk with it
Till it wind out your life and soul? Away!


Marzio.
Spare me! O, spare! I will confess.


First Judge.
Then speak.


Marzio.
I strangled him in his sleep.


First Judge.
Who urged you to it?


Marzio.
His own son Giacomo, and the young prelate
Orsino sent me to Petrella; there
The ladies Beatrice and Lucretia
Tempted me with a thousand crowns, and I
And my companion forthwith murdered him.
Now let me die.


First Judge.


This sounds as bad as truth. Guards, there,
Lead forth the prisoner!


Enter Lucretia, Beatrice, and Giacomo, guarded.


Look upon this man;
When did you see him last?


Beatrice.
We never saw him.


Marzio.
You know me too well, Lady Beatrice.


Beatrice.
I know thee! How? where? when?


Marzio.


You know 'twas I
Whom you did urge with menaces and bribes
To kill your father. When the thing was done
You clothed me in a robe of woven gold
And bade me thrive: how I have thriven, you see.
You, my Lord Giacomo, Lady Lucretia,
You know that what I speak is true.


[Beatrice advances towards him; he covers his face, and shrinks back.


Oh, dart
The terrible resentment of those eyes
On the dead earth! Turn them away from me!
They wound: 'twas torture forced the truth. My Lords,
Having said this let me be led to death.


Beatrice.
Poor wretch, I pity thee: yet stay awhile.


Camillo.
Guards, lead him not away.


Beatrice.
Cardinal Camillo,
You have a good repute for gentleness
And wisdom: can it be that you sit here
To countenance a wicked farce like this?
When some obscure and trembling slave is dragged
From sufferings which might shake the sternest heart
And bade to answer, not as he believes,
But as those may suspect or do desire
Whose questions thence suggest their own reply:
And that in peril of such hideous torments
As merciful God spares even the damned. Speak now
The thing you surely know, which is that you,
If your fine frame were stretched upon that wheel,
And you were told: 'Confess that you did poison
Your little nephew; that fair blue-eyed child
Who was the lodestar of your life:'-and though
All see, since his most swift and piteous death,
That day and night, and heaven and earth, and time,
And all the things hoped for or done therein
Are changed to you, through your exceeding grief,
Yet you would say, 'I confess anything:'
And beg from your tormentors, like that slave,
The refuge of dishonourable death.
I pray thee, Cardinal, that thou assert
My innocence.


Camillo.
(much moved).
What shall we think, my Lords?
Shame on these tears! I thought the heart was frozen
Which is their fountain. I would pledge my soul
That she is guiltless.


Judge.
Yet she must be tortured.


Camillo.
I would as soon have tortured mine own nephew
(If he now lived he would be just her age;
His hair, too, was her colour, and his eyes
Like hers in shape, but blue and not so deep)
As that most perfect image of God's love
That ever came sorrowing upon the earth.
She is as pure as speechless infancy!


Judge.
Well, be her purity on your head, my Lord,
If you forbid the rack. His Holiness
Enjoined us to pursue this monstrous crime
By the severest forms of law; nay even
To stretch a point against the criminals.
The prisoners stand accused of parricide
Upon such evidence as justifies
Torture.


Beatrice.
What evidence? This man's?


Judge.
Even so.


Beatrice
(to Marzio).
Come near. And who art thou thus chosen forth
Out of the multitude of living men
To kill the innocent?


Marzio.
I am Marzio,
Thy father's vassal.


Beatrice.


Fix thine eyes on mine;
Answer to what I ask.


[Turning to the Judges.


I prithee mark
His countenance: unlike bold calumny
Which sometimes dares not speak the thing it looks,
He dares not look the thing he speaks, but bends
His gaze on the blind earth.


(To Marzio.)


What! wilt thou say
That I did murder my own father?


Marzio.
Oh!
Spare me! My brain swims round . . . I cannot speak . . .
It was that horrid torture forced the truth.
Take me away! Let her not look on me!
I am a guilty miserable wretch;
I have said all I know; now, let me die!


Beatrice.
My Lords, if by my nature I had been
So stern, as to have planned the crime alleged,
Which your suspicions dictate to this slave,
And the rack makes him utter, do you think
I should have left this two-edged instrument
Of my misdeed; this man, this bloody knife
With my own name engraven on the heft,
Lying unsheathed amid a world of foes,
For my own death? That with such horrible need
For deepest silence, I should have neglected
So trivial a precaution, as the making
His tomb the keeper of a secret written
On a thief's memory? What is his poor life?
What are a thousand lives? A parricide
Had trampled them like dust; and, see, he lives! (Turning to Marzio.)

And thou . . .


Marzio.


Oh, spare me! Speak to me no more!
That stern yet piteous look, those solemn tones,
Wound worse than torture.


(To the Judges.


I have told it all;
For pity's sake lead me away to death.


Camillo.
Guards, lead him nearer the Lady Beatrice,
He shrinks from her regard like autumn's leaf
From the keen breath of the serenest north.


Beatrice.
O thou who tremblest on the giddy verge
Of life and death, pause ere thou answerest me;
So mayst thou answer God with less dismay:
What evil have we done thee? I, alas!
Have lived but on this earth a few sad years,
And so my lot was ordered, that a father
First turned the moments of awakening life
To drops, each poisoning youth's sweet hope; and then
Stabbed with one blow my everlasting soul;
And my untainted fame; and even that peace
Which sleeps within the core of the heart's heart;
But the wound was not mortal; so my hate
Became the only worship I could lift
To our great father, who in pity and love,
Armed thee, as thou dost say, to cut him off;
And thus his wrong becomes my accusation;
And art thou the accuser? If thou hopest
Mercy in heaven, show justice upon earth:
Worse than a bloody hand is a hard heart.
If thou hast done murders, made thy life's path
Over the trampled laws of God and man,
Rush not before thy Judge, and say: 'My maker,
I have done this and more; for there was one
Who was most pure and innocent on earth;
And because she endured what never any
Guilty or innocent endured before:
Because her wrongs could not be told, not thought;
Because thy hand at length did rescue her;
I with my words killed her and all her kin.'
Think, I adjure you, what it is to slay
The reverence living in the minds of men
Towards our ancient house, and stainless fame!
Think what it is to strangle infant pity,
Cradled in the belief of guileless looks,
Till it become a crime to suffer. Think
What 'tis to blot with infamy and blood
All that which shows like innocence, and is,
Hear me, great God! I swear, most innocent,
So that the world lose all discrimination
Between the sly, fierce, wild regard of guilt,
And that which now compels thee to reply
To what I ask: Am I, or am I not
A parricide?


Marzio.
Thou art not!


Judge.
What is this?


Marzio.
I here declare those whom I did accuse
Are innocent. 'Tis I alone am guilty.


Judge.
Drag him away to torments; let them be
Subtle and long drawn out, to tear the folds
Of the heart's inmost cell. Unbind him not
Till he confess.


Marzio.
Torture me as ye will:
A keener pang has wrung a higher truth
From my last breath. She is most innocent!
Bloodhounds, not men, glut yourselves well with me;
I will not give you that fine piece of nature
To rend and ruin.


[Exit Marzio, guarded.


Camillo.
What say ye now, my Lords?


Judge.
Let tortures strain the truth till it be white
As snow thrice sifted by the frozen wind.


Camillo.
Yet stained with blood.


Judge
(to Beatrice).
Know you this paper, Lady?


Beatrice.
Entrap me not with questions. Who stands here
As my accuser? Ha! wilt thou be he,
Who art my judge? Accuser, witness, judge,
What, all in one? Here is Orsino's name;
Where is Orsino? Let his eye meet mine.
What means this scrawl? Alas! ye know not what,
And therefore on the chance that it may be
Some evil, will ye kill us?


Enter an Officer.


Officer.
Marzio's dead.


Judge.
What did he say?


Officer.
Nothing. As soon as we
Had bound him on the wheel, he smiled on us,
As one who baffles a deep adversary;
And holding his breath, died.


Judge.
There remains nothing
But to apply the question to those prisoners,
Who yet remain stubborn.


Camillo.
I overrule
Further proceedings, and in the behalf
Of these most innocent and noble persons
Will use my interest with the Holy Father.


Judge.
Let the Pope's pleasure then be done. Meanwhile
Conduct these culprits each to separate cells;
And be the engines ready: for this night
If the Pope's resolution be as grave,
Pious, and just as once, I'll wring the truth
Out of those nerves and sinews, groan by groan.


[Exeunt.


Scene III.
-The Cell of a Prison. Beatrice is discovered asleep on a couch. Enter Bernardo.


Bernardo.
How gently slumber rests upon her face,
Like the last thoughts of some day sweetly spent
Closing in night and dreams, and so prolonged.
After such torments as she bore last night,
How light and soft her breathing comes. Ay me!
Methinks that I shall never sleep again.
But I must shake the heavenly dew of rest
From this sweet folded flower, thus . . . wake! awake!
What, sister, canst thou sleep?


Beatrice
(awaking).
I was just dreaming
That we were all in Paradise. Thou knowest
This cell seems like a kind of Paradise
After our father's presence.


Bernardo.
Dear, dear sister,
Would that thy dream were not a dream! O God!
How shall I tell?


Beatrice.
What wouldst thou tell, sweet brother?


Bernardo.
Look not so calm and happy, or even whilst
I stand considering what I have to say
My heart will break.


Beatrice.
See now, thou mak'st me weep:
How very friendless thou wouldst be, dear child,
If I were dead. Say what thou hast to say.


Bernardo.
They have confessed; they could endure no more
The tortures . . .


Beatrice.


Ha! What was there to confess?
They must have told some weak and wicked lie
To flatter their tormentors. Have they said
That they were guilty? O white innocence,
That thou shouldst wear the mask of guilt to hide
Thine awful and serenest countenance
From those who know thee not!


Enter Judge with Lucretia and Giacomo, guarded.


Ignoble hearts!
For some brief spasms of pain, which are at least
As mortal as the limbs through which they pass,
Are centuries of high splendour laid in dust?
And that eternal honour which should live
Sunlike, above the reek of mortal fame,
Changed to a mockery and a byword? What!
Will you give up these bodies to be dragged
At horses' heels, so that our hair should sweep
The footsteps of the vain and senseless crowd,
Who, that they may make our calamity
Their worship and their spectacle, will leave
The churches and the theatres as void
As their own hearts? Shall the light multitude
Fling, at their choice, curses or faded pity,
Sad funeral flowers to deck a living corpse,
Upon us as we pass to pass away,
And leave . . . what memory of our having been?
Infamy, blood, terror, despair? O thou,
Who wert a mother to the parentless,
Kill not thy child! Let not her wrongs kill thee!
Brother, lie down with me upon the rack,
And let us each be silent as a corpse;
It soon will be as soft as any grave.
'Tis but the falsehood it can wring from fear
Makes the rack cruel.


Giacomo.
They will tear the truth
Even from thee at last, those cruel pains:
For pity's sake say thou art guilty now.


Lucretia.
Oh, speak the truth! Let us all quickly die;
And after death, God is our judge, not they;
He will have mercy on us.


Bernardo.
If indeed
It can be true, say so, dear sister mine;
And then the Pope will surely pardon you,
And all be well.


Judge.
Confess, or I will warp
Your limbs with such keen tortures . . .


Beatrice.
Tortures! Turn
The rack henceforth into a spinning-wheel!
Torture your dog, that he may tell when last
He lapped the blood his master shed . . . not me!
My pangs are of the mind, and of the heart,
And of the soul; ay, of the inmost soul,
Which weeps within tears as of burning gall
To see, in this ill world where none are true,
My kindred false to their deserted selves.
And with considering all the wretched life
Which I have lived, and its now wretched end,
And the small justice shown by Heaven and Earth
To me or mine; and what a tyrant thou art,
And what slaves these; and what a world we make,
The oppressor and the oppressed . . . such pangs compel
My answer. What is it thou wouldst with me?


Judge.
Art thou not guilty of thy father's death?


Beatrice.
Or wilt thou rather tax high-judging God
That He permitted such an act as that
Which I have suffered, and which He beheld;
Made it unutterable, and took from it
All refuge, all revenge, all consequence,
But that which thou hast called my father's death?
Which is or is not what men call a crime,
Which either I have done, or have not done;
Say what ye will. I shall deny no more.
If ye desire it thus, thus let it be,
And so an end of all. Now do your will;
No other pains shall force another word.


Judge.
She is convicted, but has not confessed.
Be it enough. Until their final sentence
Let none have converse with them. You, young Lord,
Linger not here!


Beatrice.
Oh, tear him not away!


Judge.
Guards, do your duty.


Bernardo
(embracing Beatrice).
Oh! would ye divide
Body from soul?


Officer.
That is the headsman's business.


[Exeunt all but Lucretia, Beatrice, and Giacomo.


Giacomo.
Have I confessed? Is it all over now?
No hope! No refuge! O weak, wicked tongue
Which hast destroyed me, would that thou hadst been
Cut out and thrown to dogs first! To have killed
My father first, and then betrayed my sister;
Ay, thee! the one thing innocent and pure
In this black guilty world, to that which I
So well deserve! My wife! my little ones!
Destitute, helpless, and I . . . Father! God!
Canst Thou forgive even the unforgiving,
When their full hearts break thus, thus! . . .


[Covers his face and weeps.


Lucretia.
O my child!
To what a dreadful end are we all come!
Why did I yield? Why did I not sustain
Those torments? Oh, that I were all dissolved
Into these fast and unavailing tears,
Which flow and feel not!


Beatrice.
What 'twas weak to do,
'Tis weaker to lament, once being done;
Take cheer! The God who knew my wrong, and made
Our speedy act the angel of His wrath,
Seems, and but seems, to have abandoned us.
Let us not think that we shall die for this.
Brother, sit near me; give me your firm hand,
You had a manly heart. Bear up! Bear up!
O dearest Lady, put your gentle head
Upon my lap, and try to sleep awhile:
Your eyes look pale, hollow and overworn,
With heaviness of watching and slow grief.
Come, I will sing you some low, sleepy tune,
Not cheerful, nor yet sad; some dull old thing,
Some outworn and unused monotony,
Such as our country gossips sing and spin,
Till they almost forget they live: lie down!
So, that will do. Have I forgot the words?
Faith! They are sadder than I thought they were.


SONG
False friend, wilt thou smile or weep
When my life is laid asleep?
Little cares for a smile or a tear,
The clay-cold corpse upon the bier!
Farewell! Heigho!
What is this whispers low?
There is a snake in thy smile, my dear;
And bitter poison within thy tear.


Sweet sleep, were death like to thee,
Or if thou couldst mortal be,
I would close these eyes of pain;
When to wake? Never again.
O World! Farewell!
Listen to the passing bell!
It says, thou and I must part,
With a light and a heavy heart.


[The scene closes.


Scene IV.
-A Hall of the Prison. Enter Camillo and Bernardo.


Camillo.
The Pope is stern; not to be moved or bent.
He looked as calm and keen as is the engine
Which tortures and which kills, exempt itself
From aught that it inflicts; a marble form,
A rite, a law, a custom: not a man.
He frowned, as if to frown had been the trick
Of his machinery, on the advocates
Presenting the defences, which he tore
And threw behind, muttering with hoarse, harsh voice:
'Which among ye defended their old father
Killed in his sleep?' Then to another: 'Thou
Dost this in virtue of thy place; 'tis well.'
He turned to me then, looking deprecation,
And said these three words, coldly: 'They must die.'


Bernardo.
And yet you left him not?


Camillo.
I urged him still;
Pleading, as I could guess, the devilish wrong
Which prompted your unnatural parent's death.
And he replied: 'Paolo Santa Croce
Murdered his mother yester evening,
And he is fled. Parricide grows so rife
That soon, for some just cause no doubt, the young
Will strangle us all, dozing in our chairs.
Authority, and power, and hoary hair
Are grown crimes capital. You are my nephew,
You come to ask their pardon; stay a moment;
Here is their sentence; never see me more
Till, to the letter, it be all fulfilled.'


Bernardo.
O God, not so! I did believe indeed
That all you said was but sad preparation
For happy news. Oh, there are words and looks
To bend the sternest purpose! Once I knew them,
Now I forget them at my dearest need.
What think you if I seek him out, and bathe
His feet and robe with hot and bitter tears?
Importune him with prayers, vexing his brain
With my perpetual cries, until in rage
He strike me with his pastoral cross, and trample
Upon my prostrate head, so that my blood
May stain the senseless dust on which he treads,
And remorse waken mercy? I will do it!
Oh, wait till I return!


[Rushes out.


Camillo.
Alas! poor boy!
A wreck-devoted seaman thus might pray
To the deaf sea.


Enter Lucretia, Beatrice, and Giacomo, guarded.


Beatrice.
I hardly dare to fear
That thou bring'st other news than a just pardon.


Camillo.
May God in heaven be less inexorable
To the Pope's prayers, than he has been to mine.
Here is the sentence and the warrant.


Beatrice
(wildly).
O
My God! Can it be possible I have
To die so suddenly? So young to go
Under the obscure, cold, rotting, wormy ground!
To be nailed down into a narrow place;
To see no more sweet sunshine; hear no more
Blithe voice of living thing; muse not again
Upon familiar thoughts, sad, yet thus lost-
How fearful! to be nothing! Or to be . . .
What? Oh, where am I? Let me not go mad!
Sweet Heaven, forgive weak thoughts! If there should be
No God, no Heaven, no Earth in the void world;
The wide, gray, lampless, deep, unpeopled world!
If all things then should be . . . my father's spirit,
His eye, his voice, his touch surrounding me;
The atmosphere and breath of my dead life!
If sometimes, as a shape more like himself,
Even the form which tortured me on earth,
Masked in gray hairs and wrinkles, he should come
And wind me in his hellish arms, and fix
His eyes on mine, and drag me down, down, down!
For was he not alone omnipotent
On Earth, and ever present? Even though dead,
Does not his spirit live in all that breathe,
And work for me and mine still the same ruin,
Scorn, pain, despair? Who ever yet returned
To teach the laws of Death's untrodden realm?
Unjust perhaps as those which drive us now,
Oh, whither, whither?


Lucretia.
Trust in God's sweet love,
The tender promises of Christ: ere night,
Think, we shall be in Paradise.


Beatrice.
'Tis past!
Whatever comes my heart shall sink no more.
And yet, I know not why, your words strike chill:
How tedious, false and cold seem all things. I
Have met with much injustice in this world;
No difference has been made by God or man,
Or any power moulding my wretched lot,
'Twixt good or evil, as regarded me.
I am cut off from the only world I know,
From light, and life, and love, in youth's sweet prime.
You do well telling me to trust in God,
I hope I do trust in Him. In whom else
Can any trust? And yet my heart is cold.


[During the latter speeches Giacomo has retired conversing with Camillo, who now goes out; Giacomo advances.


Giacomo.
Know you not, Mother . . . Sister, know you not?
Bernardo even now is gone to implore
The Pope to grant our pardon.


Lucretia.
Child, perhaps
It will be granted. We may all then live
To make these woes a tale for distant years:
Oh, what a thought! It gushes to my heart
Like the warm blood.


Beatrice.
Yet both will soon be cold.
Oh, trample out that thought! Worse than despair,
Worse than the bitterness of death, is hope:
It is the only ill which can find place
Upon the giddy, sharp and narrow hour
Tottering beneath us. Plead with the swift frost
That it should spare the eldest flower of spring:
Plead with awakening earthquake, o'er whose couch
Even now a city stands, strong, fair, and free;
Now stench and blackness yawn, like death. Oh, plead
With famine, or wind-walking Pestilence,
Blind lightning, or the deaf sea, not with man!
Cruel, cold, formal man; righteous in words,
In deeds a Cain. No, Mother, we must die:
Since such is the reward of innocent lives;
Such the alleviation of worst wrongs.
And whilst our murderers live, and hard, cold men,
Smiling and slow, walk through a world of tears
To death as to life's sleep; 'twere just the grave
Were some strange joy for us. Come, obscure Death,
And wind me in thine all-embracing arms!
Like a fond mother hide me in thy bosom,
And rock me to the sleep from which none wake.
Live ye, who live, subject to one another
As we were once, who now . . .


Bernardo rushes in.


Bernardo.


Oh, horrible!
That tears, that looks, that hope poured forth in prayer,
Even till the heart is vacant and despairs,
Should all be vain! The ministers of death
Are waiting round the doors. I thought I saw
Blood on the face of one . . . What if 'twere fancy?
Soon the heart's blood of all I love on earth
Will sprinkle him, and he will wipe it off
As if 'twere only rain. O life! O world!
Cover me! let me be no more! To see
That perfect mirror of pure innocence
Wherein I gazed, and grew happy and good,
Shivered to dust! To see thee, Beatrice,
Who made all lovely thou didst look upon . . .
Thee, light of life . . . dead, dark! while I say, sister,
To hear I have no sister; and thou, Mother,
Whose love was as a bond to all our loves . . .
Dead! The sweet bond broken!


Enter Camillo and Guards.


They come! Let me
Kiss those warm lips before their crimson leaves
Are blighted . . . white . . . cold. Say farewell, before
Death chokes that gentle voice! Oh, let me hear
You speak!


Beatrice.
Farewell, my tender brother. Think
Of our sad fate with gentleness, as now:
And let mild, pitying thoughts lighten for thee
Thy sorrow's load. Err not in harsh despair,
But tears and patience. One thing more, my child:
For thine own sake be constant to the love
Thou bearest us; and to the faith that I,
Though wrapped in a strange cloud of crime and shame,
Lived ever holy and unstained. And though
Ill tongues shall wound me, and our common name
Be as a mark stamped on thine innocent brow
For men to point at as they pass, do thou
Forbear, and never think a thought unkind
Of those, who perhaps love thee in their graves.
So mayest thou die as I do; fear and pain
Being subdued. Farewell! Farewell! Farewell!


Bernardo.
I cannot say, farewell!


Camillo.
Oh, Lady Beatrice!


Beatrice.
Give yourself no unnecessary pain,
My dear Lord Cardinal. Here, Mother, tie
My girdle for me, and bind up this hair
In any simple knot; ay, that does well.
And yours I see is coming down. How often
Have we done this for one another; now
We shall not do it any more. My Lord,
We are quite ready. Well, 'tis very well.


THE END