Henry Lawson: Verses about Death

On my blankets I was lyin’
Too tired to lift my head,
An’ the long hot day was dyin’
An’ I wished that I was dead.

From the West the gold was driven.
I watched the death of day,
An’ the distant stars of Heaven
Seemed to draw my heart away.

When friends are listening round me, Jack, to hear my dying breath,
And I am lying in a sleep they say will end in death,
Don’t notice what the doctor says—and let the nurse complain——
I’ll tell you how to rouse me if I’ll ever wake again.

Just you bring in your fiddle, Jack, and set your heart in tune,
And strike up “Annie Laurie”, or “The Rising of the Moon”;
And if you see no token of a rising in my throat,
You’ll need to brace your mouth, old man—I’m booked by Charon’s boat.

And if you are not satisfied that I am off the scene,
Strike up “The Marseillaise”, or else “The Wearing of the Green”;
And should my fingers tremble not, then I have crossed the line,
But keep your fingers steady, Jack, and strike up “Auld Lang Syne”.

And his death came in December,
When our summer was aglow—
Like a song that we remember,
Like a child’s dream long ago,
And it brought Australia to him,
Her sweetest singer dead,
While in silence friends who knew him
Bowed their heads beside his bed.

Angel Death comes softly stealing
When the watchers’ eyes are dim,
And, when all has failed in healing
Wounded heart or helpless limb—
With a whisper we may hear not
’Till with “Adsum” we respond,
And a vision we shall fear not
Of the Peaceful Land beyond.

While Australians in their blindness
Fail to realize their loss,
Place the wreath of loving kindness
And raise the simple cross.
For he taught us to be brothers
And he taught us to be brave—
And we’ll banish pride and envy
With a hand-clasp by his grave.

Why are the sheoaks forever sighing?
(Sheoaks that sigh when the wind is still)—
Why are the dead hopes forever dying?
(Dead hopes that died and are with us still.)
As you make it and what you will.

Why are the ridges forever waiting?
Ridges that waited ere one man came,
Still by the towns with their life vibrating
Lonely ridges that wait the same.
Ridges and gullies without a name.

Why is the strong heart forever peering
Into the future that speaks no ill?
Why is the kind heart forever cheering,
Even at times when the fears are still?
As you make it, and what you will.

Why is the distance forever drawing?
(The wide horizon is round us still!)
Why is resentment forever gnawing
Against a world that may mean no ill?
Why are so many forever sawing
On strings that rasp and can never thrill—Soothe or thrill?
As you make it, and what you will.

O BARD of fortune, you deem me nought
But a mark for your careless scorn.
For I am the echo-less grave of thought
That is strangled before it’s born.
You think perchance that I am a doom
Which only a dunce should dread—
Nor dream I’ve been the dishonoured tomb
Of the noblest and brightest dead.

The brightest fancies that e’er can fly
From the labouring minds of men
Are often written in lines awry,
And marred by a blundering pen;
And thus it comes that I gain a part
Of what to the world is loss—
Of genius lost for the want of art,
Of pearls that are set in dross.

And though I am of a lowly birth
My fame has been cheaply bought,
A power am I, for I rob the earth
Of the brightest gems of thought;
The Press gains much of my lawful share,
I am wronged without redress—
But I have revenge, for I think it fair
That I should plunder the Press.

You’d pause in wonder to read behind
The lines of some songs I see;
The soul of the singer I often find
In songs that are thrown to me.
But the song of the singer I bury deep
With the scrawl of the dunce and clown,
And both from the eyes of the world I keep,
And the hopes of both I drown.

I hate the pen, the foolscap fair,
The poet’s corner, and the page,
For Grief and Death are written there,
In every land and every age.
The poets sing and play their parts,
Their daring cheers, their humour shines,
But, ah! my friends! their broken hearts
Have writ in blood between the lines.
They fought to build a Commonwealth,
They write for women and for men,
They give their youth, we give their health
And never prostitute the pen.
Their work in other tongues is read,
And when sad years wear out the pen,
Then they may seek their happy dead
Or go and starve in exile then.

A grudging meed of praise you give,
Or, your excuse, the ready lie—
(O! God, you don’t know how they live!
O! God, you don’t know how they die!)
The poetess, whose gentle tone
Oft cheered your mothers’ hearts when down;
A lonely woman, fought alone
The bitter fight in London town.

Your rich to lilac lands resort,
And old-world luxuries they buy;
You pour out gold to Cant and Sport
And give a million to a lie.
You give to cheats who rant and rave
With eyes that glare and arms that whirl,
But not a penny that might save
The children of the Gippsland girl.

Listen! The end draws nearer,
Nearer the morning—or night—
And I see with a vision clearer
That the beginning was right!
These shall be words to remember
When all has been done and said,
And my fame is a dying ember
In the days when I am dead.
Listen! We wrote in sorrow,
And we wrote by candle light;
We took no heed of the morrow,
And I think that we were right—
(To-morrow, but not the day after,
And I think that we were right).

We wrote of a world that was human
And we wrote of blood that was red,
For a child, or a man, or a woman—
Remember when we are dead.

Listen! We wrote not for money,
And listen! We wrote not for fame—
We wrote for the milk and the honey
Of Kindness, and not for a name.

We paused not, nor faltered for any,
Though many fell back where we led;
We wrote of the few for the many—
Remember when we are dead.

We suffered as few men suffer,
Yet laughed as few men laugh;
We grin as the road grows rougher,
And a bitterer cup we quaff.

We lived for Right and for Laughter,
And we fought for a Nation ahead—
Remember it, friends, hereafter,
In the years when I am dead—
For to-morrow and not the day after,
For ourselves, and a Nation ahead.

OLD coach-road West by Nor’-ward—
Old mile-tree by the track:
A dead branch pointing forward,
And a dead branch pointing back.
And still in clear-cut romans
On his hard heart he tells
The miles that were to fortune,
The miles from Bowenfels.
Old chief of Western timber!
A famous gum you’ve been.
Old mile-tree, I remember
When all your boughs were green.

There came three boyish lovers
When golden days begun;
There rode three boyish rovers
Towards the setting sun.
And Fortune smiled her fairest
And Fate to these was kind—
The truest, best and rarest,
The girls they’d left behind.
By the camp-fire’s dying ember
They dreamed of love and gold;
Old mile-tree, I remember
When all our hearts were bold.

And when the wrecks of those days
Were sadly drifting back,
There came a lonely swagman
Along the dusty track;
And save for limbs that trembled—
For weak and ill was he—
Old mile-tree, he resembled
The youngest of the three.
Beneath you, dark and lonely,
A wronged and broken man
He crouched, and sobbed as only
The strong heart broken can.
The darkness wrapped the timber,
The stars seemed dark o’erhead—
Old mile-tree, I remember
When all green leaves seemed dead.

Oh, the wild black swans fly westward still,
While the sun goes down in glory—
And away o’er lonely plain and hill
Still runs the same old story:
The sheoaks sigh it all day long—
It is safe in the Big Scrub’s keeping—
’Tis the butcher-birds’ and the bell-birds’ song
In the gum where ‘Unknown’ lies sleeping—
(It is heard in the chat of the soldier-birds
O’er the grave where ‘Unknown’ lies sleeping).
Ah! the Bushmen knew not his name or land,
Or the shame that had sent him here—
But the Bushmen knew by the dead man’s hand
That his past life lay not near.
The law of the land might have watched for him,
Or a sweetheart, wife, or mother;
But they bared their heads, and their eyes were dim,
For he might have been a brother!
(Ah! the death he died brought him near to them,
For he might have been a brother.)

Oh, the wild black swans to the westward fade,
And the sunset burns to ashes,
And three times bright on an eastern range
The light of a big star flashes,
Like a signal sent to a distant strand
Where a dead man’s love sits weeping.
And the night comes grand to the Great Lone Land
O’er the grave where ‘Unknown’ lies sleeping,
And the big white stars in their clusters blaze
O’er the Bush where ‘Unknown’ lies sleeping.

Day of ending for beginnings!
Ocean hath another innings,
Ocean hath another score;
And the surges sing his winnings,
And the surges shout his winnings,
And the surges shriek his winnings,
All along the sullen shore.

Sing another dirge in wailing,
For another vessel sailing
With the shadow-ships at sea;
Shadow-ships for ever sinking --
Shadow-ships whose pumps are clinking,
And whose thirsty holds are drinking
Pledges to Eternity.

Pray for souls of ghastly, sodden
Corpses, floating round untrodden
Cliffs, where nought but sea-drift strays;
Souls of dead men, in whose faces
Of humanity no trace is --
Not a mark to show their races --
Floating round for days and days.

. . . . .

Ocean's salty tongues are licking
Round the faces of the drowned,
And a cruel blade seems sticking
Through my heart and turning round.

Heaven! shall HIS ghastly, sodden
Corpse float round for days and days?
Shall it dash 'neath cliffs untrodden,
Rocks where nought but sea-drift strays?

God in heaven! hide the floating,
Falling, rising, face from me;
God in heaven! stay the gloating,
Mocking singing of the sea!

I WORKED with father in the bush
At splitting rails and palings.
He never was unkind to me,
Although he “had his failings:”
And now his grave is old and green,
And now at times I’m rather
Inclined to think ’twas very mean
The way I treated father.

The mother had for years been dead,
And Dad and I and Stumpy
Were living in a little shed—
What bushmen call a humpy;
And now I think when day began,
And it was cold and chilly,
’Twas mean to see a grey old man
Get up and boil the billy.

And though my lazy limbs were stiff;
And though ’twas winter weather.
And though my eyes were shut as if
The lids were glued together,
I think ’twas mean to lie in bed;
I think that I was silly,
Because I growled if father said,
“Git up and bile the billy!”

I didn’t help the cooking much
For I was always “tired”—
’Twas strange that I could eat with such
An appetite as I had;
But now I mind I never growled
When father shouted, “Willie!
It’s gittin’ on for dinnertime;
Go home and bile the hilly.”

His grave is growing old and green
And things have altered rather;
But still I think ’twas mighty mean
The way I treated father.
He left a tidy sum to me,
But I’d give all the money
To hear him say, “Will you get up
And bile the billy, Sonny?”

HERE’S never a bough to be tossed in the breeze,
For it’s long since the forest was green;
And round all the trunks of the naked white trees
The marks of the death-ring are seen.
The solemn-faced bear, who had looked on the blacks
From his home with the ’possum and cat,
Blinked anxiously down when the death-dealing axe
Was ring-barking Skeleton Flat.

And, strange to be seen in the evergreen south,
The gums for ten summers have stood,
And dried in the terrible furnace of drouth,
Till harder than flint is the wood.
Now tall grows the grass at the roots of the trees,
But a beautiful forest it cost;
And the heart of the splitter is sad when he sees
And thinks of the timber that’s lost.

Here flies, through a sky that is glazed, the black crow,
And the eagle goes circling around,
Or evilly sits on a branch that is low,
With his gleaming black eye on the ground.
And loudly the jackasses chuckle in mirth,
When a comrade flies upward, until
Like a fragment of thread, in its height from the earth,
Is the writhing brown snake in his bill.

O fit for the place are the curlews that wail
On the banks of a distant lagoon,
Or round by the swamps that are shallow and pale
In the light of the nights of the moon;
When glist’ning and white are the frost-covered trees
That dead for ten summers have stood;
And the stranger, benighted, might fancy he sees
The skeleton wraith of a wood.

WE THROW us down on the dusty plain
When the gold has gone from the west,
But we rise and tramp on the track again,
For we’re tired—too tired to rest.
Darker and denser the shadows fall
That are cramping each aching brow—
Scotty the Wrinkler! you’ve solved it all,
Give us a wrinkle now.

But no one lieth so still in death
As the rover who never could rest;
And he’s free of thought as he’s free of breath—
And his hands are crossed on his breast.
You have earned your rest—you brave old tramp—
As I hope in the end we will.
Ah me! ’Twas a long, long way to camp
Since the days when they called you “Phil’.

What have they done with your quaint old soul
Now they have passed you through?
But we can’t but think, as our swags we roll,
That it’s right, old man, with you;
You learned some truth in the storm and strife
Of the outcast battler’s ways;
And you left some light in the vagabond’s life
Ere you vanished beyond the haze.

One by one in the far ahead,
In the smothering haze of drought—
Where hearts are loyal and hopes are dead—
The forms of our mates fade out.
’Tis a distant goal and a weary load,
But we follow the Wrinkler home,
As, staggering into the short, straight road,
From the blind branch tracks we come.

We leave our mark and we play our part
In the nation’s pregnant days,
And we find a place in the Bushman’s heart
Ere we vanish beyond the haze.

Where the seasons are divided and the bush begins to change,
and the links are rather broken in the Great Dividing Range;
where the atmosphere is hazy underneath the summer sky,
lies the little town of Eton, rather westward of Mackay.
Near the township, in the graveyard, where the dead of Eton go,
lies the body of a sinner known as “Johnson alias Crow”.
He was sixty-four was Johnson, and in other days, lang syne,
was apprenticed to a ship-wright in the land across the Rhine;
but, whatever were his prospects in the days of long ago,
things went very bad with Johnson—Heinrich Johnson (alias Crow).
He, at Eton—where he drifted in his age, a stranded wreck—
got three pounds by false pretences, in connection with a cheque.
But he didn’t long enjoy it, the police soon got to know;
and the lockup closed on Johnson, lonely Johnson alias Crow.
Friday night, and Crow retired, feeling, as he said, unwell;
and the warder heard the falling of a body in the cell.
Going in, the warder saw him bent with pain and crouching low—
Death had laid his hand on Johnson, Heinrich Johnson, alias Crow.
Then the constable bent o’er him—asked him where he felt the pain. Johnson only said, “I’m dying”—and he never spoke again.
They had waited for a witness, and the local people say
Johnson’s trial would have ended on that very Saturday;
but he took his case for judgment where our cases all must go,
and the higher court is trying Heinrich Johnson (alias Crow).

WHAT have we all forgotten, at the break of the seventh year?
With a nation born to the ages and a Bad Time borne on its bier!
Public robbing, and lying that death cannot erase—
“Private” strife and deception—Cover the bad dead face!
Drinking, gambling and madness—Cover and bear it away—
But what have we all forgotten at the dawn of the seventh day?

These are the years of plenty—years when the “tanks” are full—
Stacked by the lonely sidings mountains of wheat and wool.
Country crowds to the city, healthy, shaven and dressed,
Clothes to wear with the gayest, money to spend with the best.
Grand are the lights of the cities, carnival kings in power—
But what have we all forgotten, in this, the eleventh hour?

“We” have brought the states together, a land to the lands new born.
We have worked in the glorious weather, we have garnered and reaped and shorn.
We have come from the grass-waves flowing under Heaven’s electric lamps
(Making of sordid cities, boyish and jovial camps).
“We” have cleansed the cities and townships: we rest and frolic and gain,
But what have we all forgotten? Did we send the peace and the rain?

What have we all forgotten, here in our glorious home?
(I the greater the sinner because I was greater than some.)
What have we all forgotten so widely from east to west?
(I—and the most ungrateful because I was doubly blessed.)
Sinners to self and to country! and saviours though misunderstood!
Let us all kneel for one moment and thank the Great Spirits for Good.

An’ SO ’e’s dead in London,
An’ answered to the call,
An’ trotted through the Long Street,
With ’earse an’ plumes an’ all?
We was village boys an’ brothers—
We was warm as we could be,
In the milk-walk an’ the fried fish,
Up in London, ’im an’ me.
We was warm,
We was warm,
As we ’ad always been;
We never ’ad a dry word
Till she come between.

I lived round Windsor Terrace,
An’ ’im across the wye,
An’ when I sailed a emigrant
We never said good-bye!
He wos better than a brother—
Wot you Bushmen call a mate.
(Did he reach the rylwye stytion,
As they told me, just too late!)

We was warm,
We was warm,
As pals was ever seen;
We never ’ad a dry word
Till she come between.

I meant to go back ’ome again,
I meant to write to-night;
I meant to write by every mail,
But I thought ’e oughter write.
An’ now ’e’s left North London—
For a better place, perhaps—
She’s flauntin’ in ’er widder weeds,
With eyes on other chaps.

We was warm,
We was warm,
As we ’ad always been;
We never ’ad a dry word
Till she come between.

Oh! tongues is bad in wimmin,
When wimmin’s tongues is bad!
For they’ll part men an’ brothers
World oceans wide, my lad!
There was seven years between us,
An’ fifteen thousand mile,
An’ now there’s death an’ sorrer
For ever an’ awhile.

We was warm,
We was warm,
As two was ever seen;
We never ’ad a dry word
Till she come between.

Three bushmen one morning rode up to an inn,
And one of them called for the drinks with a grin;
They'd only returned from a trip to the North,
And, eager to greet them, the landlord came forth.
He absently poured out a glass of Three Star.
And set down that drink with the rest on the bar.

`There, that is for Harry,' he said, `and it's queer,
'Tis the very same glass that he drank from last year;
His name's on the glass, you can read it like print,
He scratched it himself with an old piece of flint;
I remember his drink -- it was always Three Star' --
And the landlord looked out through the door of the bar.

He looked at the horses, and counted but three:
`You were always together -- where's Harry?' cried he.
Oh, sadly they looked at the glass as they said,
`You may put it away, for our old mate is dead;'
But one, gazing out o'er the ridges afar,
Said, `We owe him a shout -- leave the glass on the bar.'

They thought of the far-away grave on the plain,
They thought of the comrade who came not again,
They lifted their glasses, and sadly they said:
`We drink to the name of the mate who is dead.'
And the sunlight streamed in, and a light like a star
Seemed to glow in the depth of the glass on the bar.

And still in that shanty a tumbler is seen,
It stands by the clock, ever polished and clean;
And often the strangers will read as they pass
The name of a bushman engraved on the glass;
And though on the shelf but a dozen there are,
That glass never stands with the rest on the bar.

The Plains lay bare on the homeward route,
And the march was heavy on man and brute;
For the Spirit of Drought was on all the land,
And the white heat danced on the glowing sand.

The best of our cattle-dogs lagged at last,
His strength gave out ere the plains were passed,
And our hearts grew sad when he crept and laid
His languid limbs in the nearest shade.

He saved our lives in the years gone by,
When no one dreamed of the danger nigh,
And the treacherous blacks in the darkness crept
On the silent camp where the drovers slept.

‘The dog is dying,’ a stockman said,
As he knelt and lifted the shaggy head;
‘’Tis a long day’s march ere the run be near,
‘And he’s dying fast; shall we leave him here?’

But the super cried, ‘There’s an answer there!’
As he raised a tuft of the dog’s grey hair;
And, strangely vivid, each man descried
The old spear-mark on the shaggy hide.

We laid a ‘bluey’ and coat across
The camping pack of the lightest horse,
And raised the dog to his deathbed high,
And brought him far ’neath the burning sky.

At the kindly touch of the stockmen rude
His eyes grew human with gratitude;
And though we parched in the heat that fags,
We gave him the last of the water-bags.

The super’s daughter we knew would chide
If we left the dog in the desert wide;
So we brought him far o’er the burning sand
For a parting stroke of her small white hand.

But long ere the station was seen ahead,
His pain was o’er, for the dog was dead
And the folks all knew by our looks of gloom
’Twas a comrade’s corpse that we carried home.

The Lady of the Motor-car she stareth straight ahead;
Her face is like the stone, my friend, her face is like the dead;
Her face is like the stone, my friend, because she is “well-bred”—
Because her heart is dead, my friend, as all her life was dead.
The Lady of the Motor-car she speaketh like a man,
Because her girlhood never was, nor womanhood began.
She says, “To the Aus-traliah, John!” and “Home” when she hath been.
And to the husband at her side she says, “Whhat doo you mean?”

The Lady of the Motor-car her very soul is dead,
Because she never helped herself nor had to work for bread;
The Lady of the Motor-car sits in her sitting-room,
Her stony face has never changed though all the land is gloom.

Her motor-car hath gone to hell—the hell that man hath made;
She sitteth in her sitting-room, and she is not afraid;
Nor fear of life or death, or worse, could change her well-bred mien;
She knits socks in a stony way, and says, “Whhat doo they mean?”

The lady in her carriage sits, with cushions turning green—
And once it was a mourning-coach, and once it held a queen.
Behind a coachman and a horse too old to go to war,
She driveth to her “four o’clocks” and to her sick and poor.

And when the enemy bombards and walls begin to fall,
The Lady of the Motor-car shall stand above you all;
Amongst the strong and silent brave, and those who pray or shriek,
She’ll nurse the wounded from the grave and pacify the weak.

And if the enemy prevails, with death on every side,
The Lady of the Car shall die as heroines have died,
But if the victory remains, she’ll be what she hath been,
And, sitting in her motor-car, shall say: “
Whhat doo you mean?
”

Rolling out to fight for England, singing songs across the sea;
Rolling North to fight for England, and to fight for you and me.
Fighting hard for France and England, where the storms of Death are hurled;
Fighting hard for Australasia and the honour of the World!
Fighting hard.
Fighting hard for Sunny Queensland—fighting for Bananaland,
Fighting hard for West Australia, and the mulga and the sand;
Fighting hard for Plain and Wool-Track, and the haze of western heat—
Fighting hard for South Australia and the bronze of Farrar’s Wheat!
Fighting hard.

Fighting hard for fair Victoria, and the mountain and the glen;
(And the Memory of Eureka—there were other tyrants then),
For the glorious Gippsland forests and the World’s great Singing Star—
For the irrigation channels where the cabbage gardens are—
Fighting hard.

Fighting hard for gale and earthquake, and the wind-swept ports between;
For the wild flax and manuka and the terraced hills of green.
Fighting hard for wooden homesteads, where the mighty kauris stand—
Fighting hard for fern and tussock!—Fighting hard for Maoriland!
Fighting hard.

Fighting hard for little Tassy, where the apple orchards grow;
(And the Northern Territory just to give the place a show),
Fighting hard for Home and Empire, while the Commonwealth prevails—
And, in spite of all her blunders, dying hard for New South Wales.
Dying hard.

Fighting for the Pride of Old Folk, and the people that you know;
And the girl you left behind you—(ah! the time is passing slow).
For the proud tears of a sister! come you back, or never come!
And the weary Elder Brother, looking after things at home—
Fighting Hard!
You Lucky Devils
!
Fighting hard.

You wonder why so many would be buried in the sea,
In this world of froth and bubble,
But I don’t wonder, for it seems to me
That it saves such a lot of trouble.
And there ain’t no undertaker—
Oh! there ain’t no order that your friends can give
On the quiet to the coffin-maker—
To a gimcrack coffin-maker,
They make no differ twixt the absentee swell
And the clerk that cut from a “shortage”—
Oh! there ain’t no pauper funer-el,
And there ain’t no “impressive cortege.”
It may be a chap from the for’ard crowd,
Or a member of the British Peerage,
But they sew his nibs in a canvas shroud
Just the same as the bloke from the steerage—
As that poor bloke from the steerage.
There ain’t no need for a gravedigger there,
For you dig your own grave! Lord love yer!
And there ain’t no use for a headstone fair
When the waters close above yer!
The little headstone where they come to weep,
May be right for the land’s dry-rotters,
But you rest just as sound when you’re anchored deep
With the pigiron at your trotters—
(Our fathers had iron at their trotters).
The sea is democratic the wide world round,
And it don’t give a hang for no man,
There ain’t no Church of England burial ground,
Nor yet there ain’t no Roman.
Orthodox and het’rodox by wreck-strewn cliffs,
At peace in the stormiest weather,
Might bob up and down like two brother “stiffs,”
And rest in one shark together—
And mix up their bones together.

The bare-headed skipper is as good any day
As an authorised shifter of sin is,
And the tear of shipmate is better anyway
Than the tear of the next-of-kin is.
It saves your friends, and it fills your needs,
It is best when all is reckoned,
And she can’t come there in her widder weeds,
With her eyes on a likely second—
And a spot for the likely second.

They are creeping on through the cornfields yet, and they clamber amongst the rocks,
Ere they rush to stab with the bayonet and smash with the rifle-stocks.
And many are wounded, many are dead—some reel as if drunk with wine,
And fling them down on a blood-stained bed, and sleep in the firing-line.
And they dream, perhaps, of the days shut back, while the shrapnel shrieks and crashes,
And field-guns hammer and rifles crack, and the blood of a comrade splashes.
In horrible shambles they rest a while from murder by right divine;
They curse or jest, and they frown or smile—and they dream in the firing-line.

In the dreadful din of a ghastly fight they are shooting, murdering, men;
In the smothering silence of ghastly peace we murder with tongue and pen.
Where is heard the tap of the typewriter—where the track of reform they mine—
Where they stand to the frame or the linotype—we are all in the firingline.

Weary and parched in the world-old war we are fighting with quivering nerves;
The dead are our fathers who charged before, and the children are our reserves.
In the world-old war, with the world-old wrongs that shall last while the stars still shine,
My comrades and I, who would sing their songs, are all in the firing-line.

There are some of us cowards who hug the ground, and some of us reckless who jest;
And some of us careless who slumber sound, and some of us weary who rest.
There are some of us dreamers, whose beds seem soft, and O heart! O friend of mine!
The brightest and bravest of earth too oft lie drunk in the firing-line.

But the sleeper may wake ere the fort we storm, and the coward be first to dare,
And the weak grow strong, and the drunkard reform, and the dreamer strike hardest there.
God give me strength in my country’s need, though shame and disgrace be mine,
And death be certain, to rise and lead when we charge from the firing-line.

The world has had enough of bards who wish that they were dead,
'Tis time the people passed a law to knock 'em on the head,
For 'twould be lovely if their friends could grant the rest they crave --
Those bards of `tears' and `vanished hopes', those poets of the grave.
They say that life's an awful thing, and full of care and gloom,
They talk of peace and restfulness connected with the tomb.

They say that man is made of dirt, and die, of course, he must;
But, all the same, a man is made of pretty solid dust.
There is a thing that they forget, so let it here be writ,
That some are made of common mud, and some are made of GRIT;
Some try to help the world along while others fret and fume
And wish that they were slumbering in the silence of the tomb.

'Twixt mother's arms and coffin-gear a man has work to do!
And if he does his very best he mostly worries through,
And while there is a wrong to right, and while the world goes round,
An honest man alive is worth a million underground.
And yet, as long as sheoaks sigh and wattle-blossoms bloom,
The world shall hear the drivel of the poets of the tomb.

And though the graveyard poets long to vanish from the scene,
I notice that they mostly wish their resting-place kept green.
Now, were I rotting underground, I do not think I'd care
If wombats rooted on the mound or if the cows camped there;
And should I have some feelings left when I have gone before,
I think a ton of solid stone would hurt my feelings more.

Such wormy songs of mouldy joys can give me no delight;
I'll take my chances with the world, I'd rather live and fight.
Though Fortune laughs along my track, or wears her blackest frown,
I'll try to do the world some good before I tumble down.
Let's fight for things that ought to be, and try to make 'em boom;
We cannot help mankind when we are ashes in the tomb.

Shrivelled leather, rusty buckles, and the rot is in our knuckles,
Scorched for months upon the pommel while the brittle rein hung free;
Shrunken eyes that once were lighted with fresh boyhood, dull and blighted—
And the sores upon our eyelids are unpleasant sights to see.
And our hair is thin and dying from the ends, with too long lying
In the night dews on the ashes of the Dry Countree.
Yes, we’ve seen ’em ‘bleaching whitely’ where the salt-bush sparkles brightly,
But their grins were over-friendly, so we passed and let them be.
And we’ve seen them ‘rather recent,’ and we’ve stopped to hide ’em decent
When they weren’t nice to handle and they weren’t too nice to see;
We have heard the dry bones rattle under fifteen hundred cattle—
Seen the rags go up in dust-clouds and the brittle joints kicked free;
But there’s little time to tarry, if you wish to live and marry,
When the cattle shy at something in the Dry Countree.

No, you needn’t fear the blacks on the Never Never tracks—
For the Myall in his freedom’s an uncommon sight to see;
Oh! we do not stick at trifles—and the trackers sneak their rifles,
And go strolling in the gloaming while the sergeant’s yarning free:
Round the Myalls creep the trackers—there’s a sound like firing crackers
And—the blacks are getting scarcer in the Dry Countree.
(Goes an unprotected maiden-’cross the clearing carrion-laden—
Oh they ride ’em down on horseback in the Dry Countree.)

But you don’t know what might happen when a tank is but a trap on
Roofs of hell, and there is nothing but the blaze of hell to see;
And the phantom water’s lapping—and no limb for saddle-strapping—
Better carry your revolver through the Dry Countree.
But I’m feeling gay and frisky, come with me and have a whisky!
Change of hells is all we live for (that’s my mate that’s got D.T.);
We have fought through hell’s own weather, he and I and death together—
Oh, the devil grins to greet us from the Dry Countree!

My Army, O, my army! The time I dreamed of comes!
I want to see your colours; I want to hear your drums!
I heard them in my boyhood when all men’s hearts seemed cold;
I heard them as a Young Man—and I am growing old!
My army, O, my army! The signs are manifold!
My army, O, my army! My army and my Queen!
I used to sing your battle-songs when I was seventeen!
They came to me from ages, they came from far and near;
They came to me from Paris, they came to me from Here!—
They came when I was marching with the Army of the Rear.

My Queen’s dark eyes were flashing (oh, she was younger then!);
My Queen’s Red Cap was redder than the reddest blood of men!
My Queen marched like an Amazon, with anger manifest—
Her dark hair darkly matted from a knifegash in her breast
(For blood will flow where milk will not—her sisters knew the rest).

My legions ne’er were listed, they had no need to be;
My army ne’er was trained in arms—’twas trained in misery!
It took long years to mould it, but war could never drown
The shuffling of my army’s feet in the hunger-haunted town—
A little child was murdered, and so Tyranny went down.

My army kept no order, my army kept no time;
My army dug no trenches, yet died in dust and slime;
Its troops were fiercely ignorant, as to the manner born;
Its clothes were rags and tatters, or patches worn and torn—
Ah, me! It wore a uniform that I have often worn!

The faces of my army were ghastly as the dead;
My army’s cause was Hunger, my army’s cry was “Bread!”
It called on God and Mary and Christ of Nazareth;
It cried to kings and courtesans that fainted at its breath—
Its women beat their poor, flat breasts where babes had starved to death.


My army! My army—I hear the sound of drums
Above the roar of battles—and, lo! my army comes!
Nor creed of man may stay it—nor war, nor nation’s law—
The pikes go through the firing-lines as pitchforks go through straw—
Like pitchforks through the litter, while empires stand in awe.

They have eaten their fill at your tables spread,
Like friends since the land was won;
And they rise with a cry of "Australia's dead!"
With the wheeze of "Australia's done!"
Oh, the theme is stale, but they tell the tale
(How the weak old tale will keep!)
Like the crows that croak on a splintered rail,
That have gorged on a rotten sheep.

I would sing a song in your darkest hour
In your darkest hour and mine –
For I see the dawn of your wealth and power,
And I see your bright star shine.
The little men yelp and the little men lie,
And they spread the lies afar;
But we heed them never, my Land and I,
For we know how small they are.

They know you not in a paltry town –
In the streets where great hopes die –
Oh, heart that never a flood could drown,
And never a drought could dry!
Stand forth from the rim where the red sun dips,
Strong son of the land's own son –
With the grin of grit on your drought-chapped lips
And say, is your country done?

Stand forth from the land where the sunset dies,
By the desolate lonely shed,
With the smile of faith in your blighted eyes,
And say, is your country dead?
They see no future, they know no past –
The parasite cur and clown,
Who talk of ruin and death to last
When a man or a land is down.

God sends for answer the rain, the rain,
And away on the western lease,
The limitless plain grows green again,
And the fattening stock increase.
We'll lock your rivers, my land, my land,
Dig lakes on the furthest run –
While down in the corners where houses stand,
They drivel, "Australia's done!"

The parasites dine at your tables spread
(As my enemies did at mine),
And they croak and gurgle, "Australia's dead"
While they guzzle Australian wine.
But we heed them never, my land, my land,
For we know how small they are,
And we see the signs of a future grand,
As we gaze on a rising star.

Oh, for the fire that used to glow
In those my days of old!
I never thought a man could grow
So callous and so cold.
Ah, for the heart that used to ache
For those in sorrow’s ways;
I often wish my heart could break
As it did in those dead days.

Along my track of storm and stress,
And it is plain to trace,
I look back from the loneliness
And the depth of my disgrace.
’Twas fate and only fate I know,
But all mistakes are plain,
’Tis sadder than the afterglow,
More dreary than the rain.

But still there lies a patch of sun
That ne’er will come again,
Those golden days when I was one
Of Nature’s gentlemen.
And if there is a memory
Could break me down at last,
It sure would be the thought of this,
The sunshine in the past.

But ’spite of sunshine on the track—
And well the sun might shine—
My heart grows hard when I look back
From these dark days of mine.
A nobler child was never born
In all the Southern land—
The slave of selfish ignorance
That could not understand.

Oh, I had lived for many years
In a world of my ideal,
With no false laughter, no false tears,
And it seemed very real.
But I was wakened from my dreams,
And learnt with hardening eyes
A world of selfish treachery,
Of paltry shame and lies.

I left the truest friends on earth
Who did not need my aid,
And worked for those who were not worth
The sacrifice I made.
And while I blindly strove to raise
The coward and the clown,
They sneaked behind by shady ways
And tore my palace down.

But let those faithless friends of mine
Who’d think of me with scorn,
Remember that for many years
A heavy load I’ve borne.
And my true friends when all is done,
And my sad soul is gone,
Will think of battles I have won
When I lead rivals on.

And though from spite and worldly things
I well should be exempt,
For little men and paltry men
I scarce can feel contempt.
They followed me with flattery
In the days when I was brave—
But for those who have been true to me
I’ll strike back from the grave!

Let us sing in tear-choked numbers how the Duke of Clarence went,
Just to make a royal sorrow rather more pre-eminent.
Ladies sighed and sobbed and drivelled—toadies spoke with bated breath,
And the banners floating half-mast made a mockery of death,
And they said Australia sorrowed for the Prince’s death—they lied!
She had done with kings and princes ere the Duke of Clarence died.

What’s a death in lofty places? What’s a noble birth?—say I—
To the poor who die in hundreds, as a man should never die?
Can they shed a tear, or sorrow for a royal dunce’s fate?
No! for royalty has taught them how to sing the songs of hate;
O’er the sounds of grief in Europe, and the lands across the tide
Rose the growl of revolution, when the Duke of Clarence died.

We—it matters not how lonely our o’er-burdened lives are spent—
Claim in common with a Clarence, straight from Adam our descent!
Even the man they call a “bastard” has a lineage to himself,
Though he traces not his fathers through the sordid line of Guelph,
And, perhaps in some foul garret in his misery and pride,
One of Nature’s Kings was dying when the Duke of Clarence died.

Ah! the workgirl’s bloodless fingers, in the plundered human hive,
Sew the banners of rebellion, while the kings and princes thrive;
In the cold of northern winter—in the south in dust and heat—
Weary workmen preach sedition at the corners of the street.

They pre-eminent in sorrow! ’tis pre-eminence in cheek;
We shall hear what care and pain is when the slums begin to speak;
Hundreds starved to pay the shadow of a crown upon his head!
Yellow gold (at last impotent) fought with death beside his bed.
And, perhaps, a Prince of Nature sat despairing by the side
Of a noble mother STARVING when the Duke of Clarence died.

Ignoble living—splendid dead! behold the pomp of royal woe!
Lo, the funeral! battle-hero never yet was buried so.
Who and what was he? What has he done to benefit mankind?
Has he nought to show Saint Peter save a royal race behind?
Who is worthy? Who is noble? God! shall gold alone decide?
Better men like dogs were buried ere the Duke of Clarence died.

Thrones of earth and earthly rulers soon shall all be swept aside,
And ’twere better for his comfort that the Duke of Clarence died.

They say that I never have written of love,
As a writer of songs should do;
They say that I never could touch the strings
With a touch that is firm and true;
They say I know nothing of women and men
In the fields where Love's roses grow,
And they say I must write with a halting pen
Do you think that I do not know?

When the love-burst came, like an English Spring,
In days when our hair was brown,
And the hem of her skirt was a sacred thing
And her hair was an angel's crown.
The shock when another man touched her arm,
Where the dancers sat round in a row;
The hope and despair, and the false alarm
Do you think that I do not know?

By the arbour lights on the western farms,
You remember the question put,
While you held her warm in your quivering arms
And you trembled from head to foot.
The electric shock from her finger tips,
And the murmuring answer low,
The soft, shy yielding of warm red lips
Do you think that I do not know?

She was buried at Brighton, where Gordon sleeps,
When I was a world away;
And the sad old garden its secret keeps,
For nobody knows to-day.
She left a message for me to read,
Where the wild wide oceans flow;
Do you know how the heart of a man can bleed
Do you think that I do not know?

I stood by the grave where the dead girl lies,
When the sunlit scenes were fair,
And the white clouds high in the autumn skies,
And I answered the message there.
But the haunting words of the dead to me
Shall go wherever I go.
She lives in the Marriage that Might Have Been
Do you think that I do not know?

They sneer or scoff, and they pray or groan,
And the false friend plays his part.
Do you think that the blackguard who drinks alone
Knows aught of a pure girl's heart?
Knows aught of the first pure love of a boy
With his warm young blood aglow,
Knows aught of the thrill of the world-old joy
Do you think that I do not know?

They say that I never have written of love,
They say that my heart is such
That finer feelings are far above;
But a writer may know too much.
There are darkest depths in the brightest nights,
When the clustering stars hang low;
There are things it would break his strong heart to write
Do you think that I do not know?

Against the light of a dawning white
My Skyline Riders stand—
There is trouble ahead for a dark year dead
And the selfish wrongs of a land;
There are hurrying feet of fools to repeat
The follies of Nineteen Eight,
But darkly still on each distant hill
My riders watch and wait.
My Skyline Riders are down and gone
As far as the eye can see,
And the horses stand in the shades of dawn
Where a single man holds three.
We feel the flush and we feel the thrill
Of the coming of Nineteen Nine,
For my Skyline Riders are over the hill
And into the firing line.

The skyline lifts while a storm-cloud lowers—
What’s that? A shot! All’s well!
There is news out there for this land of ours
That the tattling rifles tell.
A “thud” and a “thud” and a flash like blood!
There is light on the land at last!
Australian guns on the nearer hills
Are talking about the past.

O, a lonely place in the days gone by
Was the long first firing line,
Where we fought as strangers, you and I,
For the land that was yours and mine.
There was time to dream in the firing line,
There was time to starve and die,
When the only things in that world of mine
Were my Native Land and I.

O, a lonely place was the firing line
When the gaps were wide between—
Hundreds of miles, in this land of mine
And never a soldier seen.
The dying must die and the dead were left
Unmarked by the deadly tired—
When struck to the heart in a firing line
Where never a shot was fired.

O, a lonely place was the firing line
In the days of the dearth of men,
But hundreds and hundreds of soldiers’ sons
Have flocked to the line since then
We left it weak in the hour of pride,
When our rule seemed firmly set,
But danger threatened the firing line,
And there’s deadly danger yet.

Proud of virtue, and proud of sin,
Or proud ’neath a cruel wrong;
Proud in failure or proud to win—
Oh, the pride of man is strong!
Proud of gold or of being without
Or proud of women and wine—
But get you down from your horse of pride
And into the firing line.

Pride in poverty—all the same—
There’s work for all men to do,
With wrong to fight there is deathless fame
To win in a land so new.
Preacher and drunkard! and sportsman and bard!
In the dawning of Nineteen Nine—
Saints and sinners! ride hard! ride hard!
They are pressed in the Firing Line.

There's a wind that blows out of the South in the drought,
And we pray for the touch of his breath
When siroccos come forth from the North-West and North,
Or in dead calms of fever and death.
With eyes glad and dim we should sing him a hymn,
For depression and death are his foes,
And he gives us new life for the bread-winning strife—
When the glorious Old Southerly blows.
Old Southerly Buster! your forces you muster
Where seldom a wind bloweth twice,
And your ‘white-caps’ have hint of the snow caps, and glint of
The far-away barriers of ice.
No wind the wide sea on can sing such a poean
Or do the great work that you do;
Our own wind and only, from seas wild and lonely—
Old Southerly Buster!—To you!

Oh, the city is baked, and its thirst is unslaked,
Though it swallows iced drinks by the score,
And the blurred sky is low and the air seems aglow
As if breezes would cool it no more.
We are watching all hands where the Post Office stands—
We are watching out hopefully too—
For a red light shall glower from the Post Office tower
When the Southerly Buster is due.

The yachts run away at the end of the day
From the breakers commencing to comb,
For a few he may swamp in the health-giving romp
With the friendly Old Southerly home.
But he never drowns one, for the drowning is done
By the fools, or the reckless in sport;
And the alleys and slums shall be cooled when he comes
With the weary wind-jammers to port.

Oh softly he plays through the city’s hot ways
To the beds where they’re calling ‘Come quick!’
He is gentle and mild round the feverish child,
And he cools the hot brow of the sick.
Clearing drought-hazy skies, up the North Coast he hies
Till the mouths of our rivers are fair—
And along the sea, too, he has good work to do,
For he takes the old timber-tubs there.

’Tis a glorious mission, Old Sydney’s Physician!
Broom, Bucket, and Cloth of the East,
’Tis a breeze and a sprayer that answers our prayer,
And it’s free to the greatest and least.
The red-lamp’s a warning to drought and its scorning—
A sign to the city at large—
Hence! Headache and Worry! Despondency hurry!
Old Southerly Buster’s in charge

Old Southerly Buster! your forces you muster
Where seldom a wind bloweth twice,
And your ‘white-caps’ have hint of the snow caps, and glint of
The far-away barriers of ice.
No wind the wide sea on can sing such a poean
Or do the great work that you do;
Our own wind and only, from seas wild and lonely—
Old Southerly Buster!—To you!

The future was dark and the past was dead
As they gazed on the sea once more –
But a nation was born when the immigrants said
"Good-bye!" as they stepped ashore!
In their loneliness they were parted thus
Because of the work to do,
A wild wide land to be won for us
By hearts and hands so few.

The darkest land 'neath a blue sky's dome,
And the widest waste on earth;
The strangest scenes and the least like home
In the lands of our fathers' birth;
The loneliest land in the wide world then,
And away on the furthest seas,
A land most barren of life for men –
And they won it by twos and threes!

With God, or a dog, to watch, they slept
By the camp-fires' ghastly glow,
Where the scrubs were dark as the blacks that crept
With "nulla" and spear held low;
Death was hidden amongst the trees,
And bare on the glaring sand
They fought and perished by twos and threes –
And that's how they won the land!

It was two that failed by the dry creek bed,
While one reeled on alone –
The dust of Australia's greatest dead
With the dust of the desert blown!
Gaunt cheek-bones cracking the parchment skin
That scorched in the blazing sun,
Black lips that broke in a ghastly grin –
And that's how the land was won!

Starvation and toil on the tracks they went,
And death by the lonely way;
The childbirth under the tilt or tent,
The childbirth under the dray!
The childbirth out in the desolate hut
With a half-wild gin for nurse –
That's how the first were born to bear
The brunt of the first man's curse!

They toiled and they fought through the shame of it –
Through wilderness, flood, and drought;
They worked, in the struggles of early days,
Their sons' salvation out.
The white girl-wife in the hut alone,
The men on the boundless run,
The miseries suffered, unvoiced, unknown –
And that's how the land was won.

No armchair rest for the old folk then –
But, ruined by blight and drought,
They blazed the tracks to the camps again
In the big scrubs further out.
The worn haft, wet with a father's sweat,
Gripped hard by the eldest son,
The boy's back formed to the hump of toil –
And that's how the land was won!

And beyond Up Country, beyond Out Back,
And the rainless belt, they ride,
The currency lad and the ne'er-do-well
And the black sheep, side by side;
In wheeling horizons of endless haze
That disk through the Great North-west,
They ride for ever by twos and by threes –
And that's how they win the rest.

Jack Denver died on Talbragar when Christmas Eve began,
And there was sorrow round the place, for Denver was a man;
Jack Denver’s wife bowed down her head—her daughter’s grief was wild,
And big Ben Duggan by the bed stood sobbing like a child.
But big Ben Duggan saddled up, and galloped fast and far,
To raise the biggest funeral ever seen on Talbragar.

By station home
And shearing shed
Ben Duggan cried, “Jack Denver’s dead!
Roll up at Talbragar!”

He borrowed horses here and there, and rode all Christmas Eve,
And scarcely paused a moment’s time the mournful news to leave;
He rode by lonely huts and farms, until the day was done
And then he turned his horse’s head and made for Ross’s Run.
No Bushman in a single day had ridden half so far
Since Johnson brought the doctor to his wife at Talbragar.

By diggers’ camps
Ben Duggan sped—
At each he cried, “Jack Denver’s dead!
Roll up at Talbragar!”

That night he passed the humpies of the splitters on the ridge,
And roused the bullock-drivers camped at Belinfante’s Bridge;
And as he climbed the ridge again the moon shone on the rise;
The soft white moonbeams glistened in the tears that filled his eyes;
He dashed the rebel drops away—for blinding things they are—
But ’twas his best and truest friend who died on Talbragar.

At Blackman’s Run
Before the dawn,
Ben Duggan cried, “Jack Denver’s gone!
Roll up at Talbragar!”

At all the shanties round the place they‘d beard his horse’s tramp,
He took the track to Wilson’s Luck, and told the diggers’ camp;
But in the gorge by Deadman’s Gap the mountain shades were black,
And there a newly-fallen tree was lying on the track—
He saw too late, and then he heard the swift hoof ’s sudden jar,
And big Ben Duggan ne’er again rode home to Talbragar.

“The wretch is drunk,
And Denver’s dead—
A burning shame!” the people said
Next day at Talbragar.

For thirty miles round Talbragar the boys rolled up in strength,
And Denver had a funeral a good long mile in length;
Round Denver’s grave that Christmas day rough Bushmen’s eyes were dim—
The Western Bushmen knew the way to bury dead like him;
But some returning homeward found, by light of moon and star,
Ben Duggan dying in the rocks, ten miles from Talbragar.

They knelt around.
He raised his head
And faintly gasped, “Jack Denver’s dead,
Roll up at Talbragar!”

But one short hour before he died he woke and understood;
They told him, when he asked them, that the funeral was good;
And then there came into his eyes a sad and softened light.
He said. “Poor Denver’s wife and kids—you’ll see that they’re all right?”
And still the careless Bushmen tell by tent and shanty bar
How Duggan raised a funeral years back on Talbragar.

And far and wide
When Duggan died.
The bushmen of the western side
Rode in to Talbragar.

If I ever be worthy or famous—
Which I’m sadly beginning to doubt—
When the angel whose place ’tis to name us
Shall say to my spirit, ‘Pass out!’
I wish for no sniv’lling about me
(My work was the work of the land),
But I hope that my country will shout me
The price of a decent brass band.
Thump! thump! of the drum and ‘Ta-ra-rit,’
Thump! thump! and the music—it’s grand,
If only in dreams, or in spirit,
To ride or march after the band!
And myself and my mourners go straying,
And strolling and drifting along
With a band in the front of us playing
The tune of an old battle song!

I ask for no ‘turn-out’ to bear me;
I ask not for railings or slabs,
And spare me! my country—oh, spare me!
The hearse and the long string of cabs!
I ask not the baton or ‘starts’ of
The bore with the musical ear,
But the music that’s blown from the hearts of
The men who work hard and drink beer.

And let ’em strike up ‘Annie Laurie,’
And let them burst out with ‘Lang Syne’—
Twin voices of sadness and glory,
That have ever been likings of mine.
And give the French war-hymn deep-throated
The Watch of the Germans between,
And let the last mile be devoted
To ‘Britannia’ and ‘Wearing the Green.’

And if, in the end—more’s the pity—
There is fame more than money to spare—
There’s a van-man I know in the city
Who’ll convey me, right side up with care.
True sons of Australia, and noble,
Have gone from the long dusty way,
While the sole mourner fought down his trouble
With his pipe on the shaft of the dray.
But let them strike up ‘Annie Laurie,’ &c.

And my spirit will join the procession—
Will pause, if it may, on the brink—
Nor feel the least shade of depression
When the mourners drop out for a drink;
It may be a hot day in December,
Or a cold day in June it may be,
And the drink will but help them remember
The good points the world missed in me.
And help ’em to love ‘Annie Laurie,’
And help ’em to raise ‘Auld Lang Syne,’ &c.

‘Unhook the West Port’ for an orphan,
An old digger chorus revive—
If you don’t hear a whoop from the coffin,
I am not being buried alive.
But I’ll go with a spirit less bitter
Than mine own on the earth may have been,
And, perhaps, to save trouble, Saint Peter
Will pass me, two comrades between.

And let them strike up ‘Annie Laurie,’
And let ’em burst out with ‘Lang Syne,’
Twin voices of sadness and glory
That have ever been likings of mine.
Let them swell the French war-hymn deep-throated
(And I’ll not buck at ‘God Save the Queen’),
But let the last mile be devoted
To ‘Britannia’ and ‘Wearing the Green.’

Thump! thump! of the drums we inherit—
War-drums of my dreams! Oh it’s grand,
If only in fancy or spirit,
To ride or march after a band!
And we, the World-Battlers, go straying
And loving and laughing along—
With Hope in the lead of us playing
The tune of a life-battle song!

They took dead Cromwell from his grave,
And stuck his head on high;
The Merry Monarch and his men,
They laughed as they passed by
The common people cheered and jeered,
To England’s deep disgrace—
The crowds who’d ne’er have dared to look
Live Cromwell in the face.

He came in England’s direst need
With law and fire and sword,
He thrashed her enemies at home
And crushed her foes abroad;
He kept his word by sea and land,
His parliament he schooled,
He made the nations understand
A Man in England ruled!

Van Tromp, with twice the English ships,
And flushed by victory—
A great broom to his masthead bound—
Set sail to sweep the sea.
But England’s ruler was a man
Who needed lots of room—
So Blake soon lowered the Dutchman’s tone,
And smashed the Dutchman’s broom.

He sent a bill to Tuscany
For sixty thousand pounds,
For wrong done to his subjects there,
And merchants in her bounds.
He sent by Debt Collector Blake,
And—you need but be told
That, by the Duke of Tuscany
That bill was paid in gold.

To pirate ports in Africa
He sent a message grim
To have each captured Englishman
Delivered up to him;
And every ship and cargo’s worth,
And every boat and gun—
And this—all this, as Dickens says—
“Was gloriously done.”

They’d tortured English prisoners
Who’d sailed the Spanish Main;
So Cromwell sent a little bill
By Admiral Blake to Spain.
To keep his hand in, by the way.
He whipped the Portuguese;
And he made it safe for English ships
To sail the Spanish seas.

The Protestants in Southern lands
Had long been sore oppressed;
They sent their earnest prayers to Noll
To have their wrongs redressed.
He sent a message to the Powers,
In which he told them flat,
All men must praise God as they chose,
Or he would see to that.

And, when he’d hanged the fools at home
And settled foreign rows,
He found the time to potter round
Amongst his pigs and cows.
Of private rows he never spoke,
That grand old Ironsides.
They said a father’s strong heart broke
When Cromwell’s daughter died.

(They dragged his body from its grave,
His head stuck on a pole,
They threw his wife’s and daughter’s bones
Into a rubbish hole
To rot with those of two who’d lived
And fought for England’s sake,
And each one in his own brave way—
Great Pym, and Admiral Blake.)

From Charles to Charles, throughout the world
Old England’s name was high,
And that’s a thing no Royalist
Could ever yet deny.
Long shameful years have passed since then,
In spite of England’s boast—
But Englishmen were Englishmen,
While Cromwell carved the roast.

And, in my country’s hour of need—
For it shall surely come,
While run by fools who’ll never heed
The beating of the drum.
While baffled by the fools at home,
And threatened from the sea—
Lord! send a man like Oliver—
And let me live to see.

Jack Denver died on Talbragar when Christmas Eve began,
And there was sorrow round the place, for Denver was a man;
Jack Denver's wife bowed down her head -- her daughter's grief was wild,
And big Ben Duggan by the bed stood sobbing like a child.
But big Ben Duggan saddled up, and galloped fast and far,
To raise the longest funeral ever seen on Talbragar.

By station home
And shearing shed
Ben Duggan cried, `Jack Denver's dead!
Roll up at Talbragar!'

He borrowed horses here and there, and rode all Christmas Eve,
And scarcely paused a moment's time the mournful news to leave;
He rode by lonely huts and farms, and when the day was done
He turned his panting horse's head and rode to Ross's Run.
No bushman in a single day had ridden half so far
Since Johnson brought the doctor to his wife at Talbragar.

By diggers' camps
Ben Duggan sped --
At each he cried, `Jack Denver's dead!
Roll up at Talbragar!'

That night he passed the humpies of the splitters on the ridge,
And roused the bullock-drivers camped at Belinfante's Bridge;
And as he climbed the ridge again the moon shone on the rise;
The soft white moonbeams glistened in the tears that filled his eyes;
He dashed the rebel drops away -- for blinding things they are --
But 'twas his best and truest friend who died on Talbragar.

At Blackman's Run
Before the dawn,
Ben Duggan cried, `Poor Denver's gone!
Roll up at Talbragar!'

At all the shanties round the place they'd heard his horse's tramp,
He took the track to Wilson's Luck, and told the diggers' camp;
But in the gorge by Deadman's Gap the mountain shades were black,
And there a newly-fallen tree was lying on the track --
He saw too late, and then he heard the swift hoof's sudden jar,
And big Ben Duggan ne'er again rode home to Talbragar.

`The wretch is drunk,
And Denver's dead --
A burning shame!' the people said
Next day at Talbragar.

For thirty miles round Talbragar the boys rolled up in strength,
And Denver had a funeral a good long mile in length;
Round Denver's grave that Christmas day rough bushmen's eyes were dim --
The western bushmen knew the way to bury dead like him;
But some returning homeward found, by light of moon and star,
Ben Duggan dying in the rocks, five miles from Talbragar.

They knelt around,
He raised his head
And faintly gasped, `Jack Denver's dead,
Roll up at Talbragar!'

But one short hour before he died he woke to understand,
They told him, when he asked them, that the funeral was `grand';
And then there came into his eyes a strange victorious light,
He smiled on them in triumph, and his great soul took its flight.
And still the careless bushmen tell by tent and shanty bar
How Duggan raised a funeral years back on Talbragar.

And far and wide
When Duggan died,
The bushmen of the western side
Rode in to Talbragar.

It is night-time when the saddest and the darkest memories haunt,
When outside the printing office the most glaring posters flaunt,
When the love-wrong is accomplished. And I think of things and mark
That the blackest lies are written, told, and printed after dark.
’Tis the time of “late editions”. It is night when, as of old,
Foulest things are done for hatred, for ambition, love and gold.


Racing from the senseless city down the dull suburban streets,
Come again the ragged newsboys yelping with their paltry sheets—
Lying posters meaning nothing, double columns meaning less,
Twisted facts and reckless falsehoods—dodges of the Daily Press.
In the town the roar and rattle of the great machines once more,
Greedy for the extra penny, while the “Public” howls for war.

War because of one poor blunder made in panic far away,
While a thousand men were lying on the battlefield to-day:
Dead heaped on the helpless dying, blinded eyes and brains that swim,
Parched or choked with their own life-blood, battered head and broken limb.
Wounds too ghastly to be pictured. Things to seem like men no more,
Crying out to Christ for water, and oblivion—that is war.

And the poets of the nation—singing-birds or carrion-birds—
Bluff with cheap alliteration and the boom of empty words,
Catch the crowd with cheating phrases, as a jingo laureate flings
Recklessly his high defiance in the “grinning teeth of Things”.
They pretend to lead who follow this day’s crowd with lying tact;
Let them fling their high defiance in the stony face of Fact.

And so Russia, maimed and baited, seeing nought but storm to come,
Sailed upon a desperate venture, cursed by treachery at home;
Seeing danger in each shadow, thinking doubtless now and then
Of the swift fate of her warship with its seven hundred men;
And she struck out in the darkness at the ally of her foe,
Struck out blindly as a wounded dying bear might strike a blow.

Ah, we well might howl for vengeance, we who killed for killing’s sake—
Murdered helpless men in daylight, in cold blood by no mistake,
We who burnt the homes of women when the nights were cold and damp;
We who murdered little children in the concentration camp!
(When the farmers downed the lion for a season in his pride,
Say, did Russia take advantage then, while England’s hands were tied?)

Wipe away the blood that binds you!—struggle to your feet again—
Shake them from your shoulders, Ivan—Ivan nearly mad with pain.
You must fight it single-handed on the deck or in the trench.
Look not to the boorish German! Look not to the fickle French!
Rather look to blinded England when her sight is clear again.
(And remember in the future there is chivalry in Spain.)

Scoff at Russia on the ocean and her helplessness forget,
But on land the braggart Mongol has not done with Ivan yet;
He’s a fierce and cruel tyrant (we are not as others are);
But his slaves would die by thousands for their country and the Czar,
While a single broken column drags a battery through the mire,
And a single battered cruiser has a gun that she can fire.

The diggings were just in their glory when Alister Cameron came,
With recommendations, he told me, from friends and a parson `at hame';
He read me his recommendations -- he called them a part of his plant --
The first one was signed by an Elder, the other by Cameron's aunt.
The meenister called him `ungodly -- a stray frae the fauld o' the Lord',
And his aunt set him down as a spendthrift, `a rebel at hame and abroad'.

He got drunk now and then and he gambled (such heroes are often the same);
That's all they could say in connection with Alister Cameron's name.
He was straight and he stuck to his country
and spoke with respect of his kirk;
He did his full share of the cooking, and more than his share of the work.
And many a poor devil then, when his strength and his money were spent,
Was sure of a lecture -- and tucker, and a shakedown in Cameron's tent.

He shunned all the girls in the camp,
and they said he was proof to the dart --
That nothing but whisky and gaming had ever a place in his heart;
He carried a packet about him, well hid, but I saw it at last,
And -- well, 'tis a very old story -- the story of Cameron's past:
A ring and a sprig o' white heather, a letter or two and a curl,
A bit of a worn silver chain, and the portrait of Cameron's girl.

. . . . .

It chanced in the first of the Sixties that Ally and I and McKean
Were sinking a shaft on Mundoorin, near Fosberry's puddle-machine.
The bucket we used was a big one, and rather a weight when 'twas full,
Though Alister wound it up easy, for he had the strength of a bull.
He hinted at heart-disease often, but, setting his fancy apart,
I always believed there was nothing the matter with Cameron's heart.

One day I was working below -- I was filling the bucket with clay,
When Alister cried, `Pack it on, mon! we ought to be bottomed to-day.'
He wound, and the bucket rose steady and swift to the surface until
It reached the first log on the top,
where it suddenly stopped, and hung still.
I knew what was up in a moment when Cameron shouted to me:
`Climb up for your life by the footholes.
I'LL STICK TAE TH' HAUN'LE -- OR DEE!'

And those were the last words he uttered.
He groaned, for I heard him quite plain --
There's nothing so awful as that when it's wrung from a workman in pain.
The strength of despair was upon me; I started, and scarcely drew breath,
But climbed to the top for my life in the fear of a terrible death.
And there, with his waist on the handle, I saw the dead form of my mate,
And over the shaft hung the bucket, suspended by Cameron's weight.

I wonder did Alister think of the scenes in the distance so dim,
When Death at the windlass that morning took cruel advantage of him?
He knew if the bucket rushed down it would murder or cripple his mate --
His hand on the iron was closed with a grip that was stronger than Fate;
He thought of my danger, not his, when he felt in his bosom the smart,
And stuck to the handle in spite of the Finger of Death on his heart.

The old year went, and the new returned, in the withering weeks of drought,
The cheque was spent that the shearer earned,
and the sheds were all cut out;
The publican's words were short and few,
and the publican's looks were black --
And the time had come, as the shearer knew, to carry his swag Out Back.

For time means tucker, and tramp you must,
where the scrubs and plains are wide,
With seldom a track that a man can trust, or a mountain peak to guide;
All day long in the dust and heat -- when summer is on the track --
With stinted stomachs and blistered feet,
they carry their swags Out Back.

He tramped away from the shanty there, when the days were long and hot,
With never a soul to know or care if he died on the track or not.
The poor of the city have friends in woe, no matter how much they lack,
But only God and the swagmen know how a poor man fares Out Back.

He begged his way on the parched Paroo and the Warrego tracks once more,
And lived like a dog, as the swagmen do, till the Western stations shore;
But men were many, and sheds were full, for work in the town was slack --
The traveller never got hands in wool,
though he tramped for a year Out Back.

In stifling noons when his back was wrung
by its load, and the air seemed dead,
And the water warmed in the bag that hung to his aching arm like lead,
Or in times of flood, when plains were seas,
and the scrubs were cold and black,
He ploughed in mud to his trembling knees, and paid for his sins Out Back.

He blamed himself in the year `Too Late' --
in the heaviest hours of life --
'Twas little he dreamed that a shearing-mate had care of his home and wife;
There are times when wrongs from your kindred come,
and treacherous tongues attack --
When a man is better away from home, and dead to the world, Out Back.

And dirty and careless and old he wore, as his lamp of hope grew dim;
He tramped for years till the swag he bore seemed part of himself to him.
As a bullock drags in the sandy ruts, he followed the dreary track,
With never a thought but to reach the huts when the sun went down Out Back.

It chanced one day, when the north wind blew
in his face like a furnace-breath,
He left the track for a tank he knew -- 'twas a short-cut to his death;
For the bed of the tank was hard and dry, and crossed with many a crack,
And, oh! it's a terrible thing to die of thirst in the scrub Out Back.

A drover came, but the fringe of law was eastward many a mile;
He never reported the thing he saw, for it was not worth his while.
The tanks are full and the grass is high in the mulga off the track,
Where the bleaching bones of a white man lie
by his mouldering swag Out Back.

For time means tucker, and tramp they must,
where the plains and scrubs are wide,
With seldom a track that a man can trust, or a mountain peak to guide;
All day long in the flies and heat the men of the outside track
With stinted stomachs and blistered feet
must carry their swags Out Back.

The old year went, and the new returned, in the withering weeks of drought,
The cheque was spent that the shearer earned,
and the sheds were all cut out;
The publican's words were short and few,
and the publican's looks were black --
And the time had come, as the shearer knew, to carry his swag Out Back.

For time means tucker, and tramp you must,
where the scrubs and plains are wide,
With seldom a track that a man can trust, or a mountain peak to guide;
All day long in the dust and heat -- when summer is on the track --
With stinted stomachs and blistered feet,
they carry their swags Out Back.

He tramped away from the shanty there, when the days were long and hot,
With never a soul to know or care if he died on the track or not.
The poor of the city have friends in woe, no matter how much they lack,
But only God and the swagmen know how a poor man fares Out Back.

He begged his way on the parched Paroo and the Warrego tracks once more,
And lived like a dog, as the swagmen do, till the Western stations shore;
But men were many, and sheds were full, for work in the town was slack --
The traveller never got hands in wool,
though he tramped for a year Out Back.

In stifling noons when his back was wrung
by its load, and the air seemed dead,
And the water warmed in the bag that hung to his aching arm like lead,
Or in times of flood, when plains were seas,
and the scrubs were cold and black,
He ploughed in mud to his trembling knees, and paid for his sins Out Back.

He blamed himself in the year `Too Late' --
in the heaviest hours of life --
'Twas little he dreamed that a shearing-mate had care of his home and wife;
There are times when wrongs from your kindred come,
and treacherous tongues attack --
When a man is better away from home, and dead to the world, Out Back.

And dirty and careless and old he wore, as his lamp of hope grew dim;
He tramped for years till the swag he bore seemed part of himself to him.
As a bullock drags in the sandy ruts, he followed the dreary track,
With never a thought but to reach the huts when the sun went down Out Back.

It chanced one day, when the north wind blew
in his face like a furnace-breath,
He left the track for a tank he knew -- 'twas a short-cut to his death;
For the bed of the tank was hard and dry, and crossed with many a crack,
And, oh! it's a terrible thing to die of thirst in the scrub Out Back.

A drover came, but the fringe of law was eastward many a mile;
He never reported the thing he saw, for it was not worth his while.
The tanks are full and the grass is high in the mulga off the track,
Where the bleaching bones of a white man lie
by his mouldering swag Out Back.

For time means tucker, and tramp they must,
where the plains and scrubs are wide,
With seldom a track that a man can trust, or a mountain peak to guide;
All day long in the flies and heat the men of the outside track
With stinted stomachs and blistered feet
must carry their swags Out Back.