Elizabeth Barrett Browning: Verses about Music

WITH stammering lips and insufficient sound
I strive and struggle to deliver right
That music of my nature, day and night
With dream and thought and feeling interwound
And inly answering all the senses round
With octaves of a mystic depth and height
Which step out grandly to the infinite
From the dark edges of the sensual ground.
This song of soul I struggle to outbear
Through portals of the sense, sublime and whole,
And utter all myself into the air:
But if I did it,--as the thunder-roll
Breaks its own cloud, my flesh would perish there,
Before that dread apocalypse of soul.

EXPERIENCE, like a pale musician, holds
A dulcimer of patience in his hand,
Whence harmonies, we cannot understand,
Of God; will in his worlds, the strain unfolds
In sad-perplexed minors: deathly colds
Fall on us while we hear, and countermand
Our sanguine heart back from the fancyland
With nightingales in visionary wolds.
We murmur ' Where is any certain tune
Or measured music in such notes as these ? '
But angels, leaning from the golden seat,
Are not so minded their fine ear hath won
The issue of completed cadences,
And, smiling down the stars, they whisper--
SWEET.

Thou hast thy calling to some palace-floor,
Most gracious singer of high poems! where
The dancers will break footing, from the care
Of watching up thy pregnant lips for more.
And dost thou lift this house's latch too poor
For hand of thine? and canst thou think and bear
To let thy music drip here unaware
In folds of golden fulness at my door?
Look up and see the casement broken in,
The bats and owlets builders in the roof!
My cricket chirps against thy mandolin.
Hush, call no echo up in further proof
Of desolation! there's a voice within
That weeps...as thou must sing...alone, aloof.

My poet, thou canst touch on all the notes
God set between his After and Before,
And strike up and strike off the general roar
Of the rushing worlds a melody that floats
In a serene air purely. Antidotes
Of medicated music, answering for
Mankind's forlornest uses, thou canst pour
From thence into their ears. God's will devotes
Thine to such ends, and mine to wait on thine.
How, Dearest, wilt thou have me for most use?
A hope, to sing by gladly? or a fine
Sad memory, with thy songs to interfuse?
A shade, in which to sing--of palm or pine?
A grave, on which to rest from singing? Choose.

My poet, thou canst touch on all the notes
God set between his After and Before,
And strike up and strike off the general roar
Of the rushing worlds a melody that floats
In a serene air purely. Antidotes
Of medicated music, answering for
Mankind's forlornest uses, thou canst pour
From thence into their ears. God's will devotes
Thine to such ends, and mine to wait on thine.
How, Dearest, wilt thou have me for most use ?
A hope, to sing by gladly ? or a fine
Sad memory, with thy songs to interfuse ?
A shade, in which to sing--of palm or pine ?
A grave, on which to rest from singing ? Choose.

My poet, thou canst touch on all the notes
God set between his After and Before,
And strike up and strike off the general roar
Of the rushing worlds a melody that floats
In a serene air purely. Antidotes
Of medicated music, answering for
Mankind's forlornest uses, thou canst pour
From thence into their ears. God's will devotes
Thine to such ends, and mine to wait on thine.
How, Dearest, wilt thou have me for most use ?
A hope, to sing by gladly ? or a fine
Sad memory, with thy songs to interfuse ?
A shade, in which to sing--of palm or pine ?
A grave, on which to rest from singing ? Choose.

AND, O beloved voices, upon which
Ours passionately call because erelong
Ye brake off in the middle of that song
We sang together softly, to enrich
The poor world with the sense of love, and witch,
The heart out of things evil,--I am strong,
Knowing ye are not lost for aye among

The hills, with last year's thrush. God keeps a niche
In Heaven to hold our idols; and albeit
He brake them to our faces and denied
That our close kisses should impair their white,
I know we shall behold them raised, complete,
The dust swept from their beauty,--glorified
New Memnons singing in the great God-light.

Thou hast thy calling to some palace-floor,
Most gracious singer of high poems ! where
The dancers will break footing, from the care
Of watching up thy pregnant lips for more.
And dost thou lift this house's latch too poor
For hand of thine ? and canst thou think and bear
To let thy music drop here unaware
In folds of golden fulness at my door ?
Look up and see the casement broken in,
The bats and owlets builders in the roof !
My cricket chirps against thy mandolin.
Hush, call no echo up in further proof
Of desolation ! there 's a voice within
That weeps . . . as thou must sing . . . alone, aloof

The woman singeth at her spinning-wheel
A pleasant chant, ballad or barcarole;
She thinketh of her song, upon the whole,
Far more than of her flax; and yet the reel
Is full, and artfully her fingers feel
With quick adjustment, provident control,
The lines--too subtly twisted to unroll--
Out to a perfect thread. I hence appeal
To the dear Christian Church--that we may do
Our Father's business in these temples mirk,
Thus swift and steadfast, thus intent and strong;
While thus, apart from toil, our souls pursue
Some high calm spheric tune, and prove our work
The better for the sweetness of our song.

Thou hast thy calling to some palace-floor,
Most gracious singer of high poems ! where
The dancers will break footing, from the care
Of watching up thy pregnant lips for more.
And dost thou lift this house's latch too poor
For hand of thine ? and canst thou think and bear
To let thy music drop here unaware
In folds of golden fulness at my door ?
Look up and see the casement broken in,
The bats and owlets builders in the roof !
My cricket chirps against thy mandolin.
Hush, call no echo up in further proof
Of desolation ! there 's a voice within
That weeps . . . as thou must sing . . . alone, aloof

Unlike are we, unlike, O princely Heart!
Unlike our uses and our destinies.
Our ministering two angels look surprise
On one another, as they strike athwart
Their wings in passing. Thou, bethink thee, art
A guest for queens to social pageantries,
With gages from a hundred brighter eyes
Than tears even can make mine, to play thy part
Of chief musician. What hast thou to do
With looking from the lattice-lights at me,
A poor, tired, wandering singer, singing through
The dark, and leaning up a cypress tree?
The chrism is on thine head,--on mine, the dew--
And Death must dig the level where these agree.

Unlike are we, unlike, O princely Heart !
Unlike our uses and our destinies.
Our ministering two angels look surprise
On one another, as they strike athwart
Their wings in passing. Thou, bethink thee, art
A guest for queens to social pageantries,
With gages from a hundred brighter eyes
Than tears even can make mine, to play thy part
Of chief musician. What hast thou to do
With looking from the lattice-lights at me,
A poor, tired, wandering singer, singing through
The dark, and leaning up a cypress tree ?
The chrism is on thine head,--on mine, the dew,--
And Death must dig the level where these agree.

Unlike are we, unlike, O princely Heart !
Unlike our uses and our destinies.
Our ministering two angels look surprise
On one another, as they strike athwart
Their wings in passing. Thou, bethink thee, art
A guest for queens to social pageantries,
With gages from a hundred brighter eyes
Than tears even can make mine, to play thy part
Of chief musician. What hast thou to do
With looking from the lattice-lights at me,
A poor, tired, wandering singer, singing through
The dark, and leaning up a cypress tree ?
The chrism is on thine head,--on mine, the dew,--
And Death must dig the level where these agree.

IV

Thou hast thy calling to some palace-floor,
Most gracious singer of high poems! where
The dancers will break footing, from the care
Of watching up thy pregnant lips for more.
And dost thou lift this house's latch too poor
For hand of thine? and canst thou think and bear
To let thy music drop here unaware
In folds of golden fulness at my door?
Look up and see the casement broken in,
The bats and owlets builders in the roof!
My cricket chirps against thy mandolin.
Hush, call no echo up in further proof
Of desolation! there 's a voice within
That weeps . . . as thou must sing . . . alone, aloof

XVII

My poet, thou canst touch on all the notes
God set between his After and Before,
And strike up and strike off the general roar
Of the rushing worlds a melody that floats
In a serene air purely. Antidotes
Of medicated music, answering for
Mankind's forlornest uses, thou canst pour
From thence into their ears. God's will devotes
Thine to such ends, and mine to wait on thine.
How, Dearest, wilt thou have me for most use?
A hope, to sing by gladly? or a fine
Sad memory, with thy songs to interfuse?
A shade, in which to sing—of palm or pine?
A grave, on which to rest from singing? Choose.

III

Unlike are we, unlike, O princely Heart!
Unlike our uses and our destinies.
Our ministering two angels look surprise
On one another, as they strike athwart
Their wings in passing. Thou, bethink thee, art
A guest for queens to social pageantries,
With gages from a hundred brighter eyes
Than tears even can make mine, to play thy part
Of chief musician. What hast thou to do
With looking from the lattice-lights at me,
A poor, tired, wandering singer, singing through
The dark, and leaning up a cypress tree?
The chrism is on thine head,—on mine, the dew,—
And Death must dig the level where these agree.

WHEN some beloved voice that was to you
Both sound and sweetness, faileth suddenly,
And silence, against which you dare not cry,
Aches round you like a strong disease and new--
What hope ? what help ? what music will undo
That silence to your sense ? Not friendship's sigh,
Not reason's subtle count; not melody
Of viols, nor of pipes that Faunus blew;
Not songs of poets, nor of nightingales
Whose hearts leap upward through the cypress-trees
To the clear moon; nor yet the spheric laws
Self-chanted, nor the angels' sweet ' All hails,'
Met in the smile of God: nay, none of these.
Speak THOU, availing Christ !--and fill this pause.

The first time that the sun rose on thine oath
To love me, I looked forward to the moon
To slacken all those bonds which seemed too soon
And quickly tied to make a lasting troth.
Quick-loving hearts, I thought, may quickly loathe;
And, looking on myself, I seemed not one
For such man's love!--more like an out-of-tune
Worn viol, a good singer would be wroth
To spoil his song with, and which, snatched in haste,
Is laid down at the first ill-sounding note.
I did not wrong myself so, but I placed
A wrong on thee. For perfect strains may float
'Neath master-hands, from instruments defaced,--
And great souls, at one stroke, may do and doat.

The first time that the sun rose on thine oath
To love me, I looked forward to the moon
To slacken all those bonds which seemed too soon
And quickly tied to make a lasting troth.
Quick-loving hearts, I thought, may quickly loathe;
And, looking on myself, I seemed not one
For such man's love !--more like an out-of-tune
Worn viol, a good singer would be wroth
To spoil his song with, and which, snatched in haste,
Is laid down at the first ill-sounding note.
I did not wrong myself so, but I placed
A wrong on thee. For perfect strains may float
'Neath master-hands, from instruments defaced,--
And great souls, at one stroke, may do and doat.

The first time that the sun rose on thine oath
To love me, I looked forward to the moon
To slacken all those bonds which seemed too soon
And quickly tied to make a lasting troth.
Quick-loving hearts, I thought, may quickly loathe;
And, looking on myself, I seemed not one
For such man's love !--more like an out-of-tune
Worn viol, a good singer would be wroth
To spoil his song with, and which, snatched in haste,
Is laid down at the first ill-sounding note.
I did not wrong myself so, but I placed
A wrong on thee. For perfect strains may float
'Neath master-hands, from instruments defaced,--
And great souls, at one stroke, may do and doat.

The face of all the world is changed, I think,
Since first I heard the footsteps of thy soul
Move still, oh, still, beside me, as they stole
Betwixt me and the dreadful outer brink
Of obvious death, where I, who thought to sink,
Was caught up into love, and taught the whole
Of life in a new rhythm. The cup of dole
God gave for baptism, I am fain to drink,
And praise its sweetness, Sweet, with thee anear.
The names of country, heaven, are changed away
For where thou art or shalt be, there or here;
And this . . . this lute and song . . . loved yesterday,
(The singing angels know) are only dear
Because thy name moves right in what they say.

The face of all the world is changed, I think,
Since first I heard the footsteps of thy soul
Move still, oh, still, beside me, as they stole
Betwixt me and the dreadful outer brink
Of obvious death, where I, who thought to sink,
Was caught up into love, and taught the whole
Of life in a new rhythm. The cup of dole
God gave for baptism, I am fain to drink,
And praise its sweetness, Sweet, with thee anear.
The names of country, heaven, are changed away
For where thou art or shalt be, there or here;
And this . . . this lute and song . . . loved yesterday,
(The singing angels know) are only dear
Because thy name moves right in what they say.

The face of all the world is changed, I think,
Since first I heard the footsteps of thy soul
Move still, oh, still, beside me, as they stole
Betwixt me and the dreadful outer brink
Of obvious death, where I, who thought to sink,
Was caught up into love, and taught the whole
Of life in a new rhythm. The cup of dole
God gave for baptism, I am fain to drink,
And praise its sweetness, Sweet, with thee anear.
The names of country, heaven, are changed away
For where thou art or shalt be, there or here;
And this . . . this lute and song . . . loved yesterday,
(The singing angels know) are only dear
Because thy name moves right in what they say.

VII

The face of all the world is changed, I think,
Since first I heard the footsteps of thy soul
Move still, oh, still, beside me, as they stole
Betwixt me and the dreadful outer brink
Of obvious death, where I, who thought to sink,
Was caught up into love, and taught the whole
Of life in a new rhythm. The cup of dole
God gave for baptism, I am fain to drink,
And praise its sweetness, Sweet, with thee anear.
The names of country, heaven, are changed away
For where thou art or shalt be, there or here;
And this . . . this lute and song . . . loved yesterday,
(The singing angels know) are only dear
Because thy name moves right in what they say.

XXXII

The first time that the sun rose on thine oath
To love me, I looked forward to the moon
To slacken all those bonds which seemed too soon
And quickly tied to make a lasting troth.
Quick-loving hearts, I thought, may quickly loathe;
And, looking on myself, I seemed not one
For such man's love!—more like an out-of-tune
Worn viol, a good singer would be wroth
To spoil his song with, and which, snatched in haste,
Is laid down at the first ill-sounding note.
I did not wrong myself so, but I placed
A wrong on thee. For perfect strains may float
'Neath master-hands, from instruments defaced,—
And great souls, at one stroke, may do and doat.

UNLIKE are we, unlike, O princely Heart!
   Unlike our uses and our destinies.
   Our ministering two angels look surprise
On one another, as they strike athwart
Their wings in passing. Thou, bethink thee, art
   A guest for queens to social pageantries,
   With gages from a hundred brighter eyes
Than tears even can make mine, to play thy part
Of chief musician. What hast thou to do
   With looking from the lattice-lights at me--
A poor, tired, wandering singer, singing through
   The dark, and leaning up a cypress tree?
The chrism is on thine head--on mine the dew--
   And Death must dig the level where these agree.

Said a people to a poet---' Go out from among us straightway!
While we are thinking earthly things, thou singest of divine.
There's a little fair brown nightingale, who, sitting in the gateways
Makes fitter music to our ears than any song of thine!'

The poet went out weeping---the nightingale ceased chanting;
'Now, wherefore, O thou nightingale, is all thy sweetness done?'
I cannot sing my earthly things, the heavenly poet wanting,
Whose highest harmony includes the lowest under sun.'

The poet went out weeping,---and died abroad, bereft there---
The bird flew to his grave and died, amid a thousand wails:---
And, when I last came by the place, I swear the music left there
Was only of the poet's song, and not the nightingale's.

Mine is a wayward lay;
And, if its echoing rhymes I try to string,
Proveth a truant thing,
Whenso some names I love, send it away!

For then, eyes swimming o'er,
And clasped hands, and smiles in fondness meant,
Are much more eloquent --
So it had fain begone, and speak no more!

Yet shall it come again,
Ah, friend belov'd! if so thy wishes be,
And, with wild melody,
I will, upon thine ear, cadence my strain --

Cadence my simple line,
Unfashion'd by the cunning hand of Art,
But coming from my heart,
To tell the message of its love to thine!

As ocean shells, when taken
From Ocean's bed, will faithfully repeat
Her ancient music sweet --
Ev'n so these words, true to my heart, shall waken!

Oh! while our bark is seen,
Our little bark of kindly, social love,
Down life's clear stream to move
Toward the summer shores, where all is green --

So long thy name shall bring,
Echoes of joy unto the grateful gales,
And thousand tender tales,
To freshen the fond hearts that round thee cling!

Hast thou not look'd upon
The flowerets of the field in lowly dress?
Blame not my simpleness --
Think only of my love! -- my song is gone.

HEARKEN, oh hearken! let your souls behind you
Turn, gently moved!
Our voices feel along the Dread to find you,
O lost, beloved!
Through the thick-shielded and strong-marshalled angels,
They press and pierce:
Our requiems follow fast on our evangels,—
Voice throbs in verse.
We are but orphaned spirits left in Eden
A time ago:
God gave us golden cups, and we were bidden
To feed you so.
But now our right hand hath no cup remaining,
No work to do,
The mystic hydromel is spilt, and staining
The whole earth through.
Most ineradicable stains, for showing
(Not interfused!)
That brighter colours were the world’s foregoing,
Than shall be used.
Hearken, oh hearken! ye shall hearken surely
For years and years,
The noise beside you, dripping coldly, purely,
Of spirits’ tears.
The yearning to a beautiful denied you,
Shall strain your powers.
Ideal sweetnesses shall over-glide you,
Resumed from ours.
In all your music, our pathetic minor
Your ears shall cross;
And all good gifts shall mind you of diviner,
With sense of loss.
We shall be near you in your poet-languors
And wild extremes,
What time ye vex the desert with vain angers,
Or mock with dreams.
And when upon you, weary after roaming,
Death’s seal is put,
By the foregone ye shall discern the coming,
Through eyelids shut.

She has laughed as softly as if she sighed,
She has counted six, and over,
Of a purse well filled, and a heart well tried -
Oh, each a worthy lover!
They "give her time"; for her soul must slip
Where the world has set the grooving;
She will lie to none with her fair red lip:
But love seeks truer loving.

She trembles her fan in a sweetness dumb,
As her thoughts were beyond recalling;
With a glance for one, and a glance for some,
From her eyelids rising and falling;
Speaks common words with a blushful air,
Hears bold words, unreproving;
But her silence says - what she never will swear -
And love seeks better loving.

Go, lady! lean to the night-guitar,
And drop a smile to the bringer;
Then smile as sweetly, when he is far,
At the voice of an in-door singer.
Bask tenderly beneath tender eyes;
Glance lightly, on their removing;
And join new vows to old perjuries -
But dare not call it loving!

Unless you can think, when the song is done,
No other is soft in the rhythm;
Unless you can feel, when left by One,
That all men else go with him;
Unless you can know, when unpraised by his breath,
That your beauty itself wants proving;
Unless you can swear "For life, for death!" -
Oh, fear to call it loving!

Unless you can muse in a crowd all day
On the absent face that fixed you;
Unless you can love, as the angels may,
With the breadth of heaven betwixt you;
Unless you can dream that his faith is fast,
Through behoving and unbehoving;
Unless you can die when the dream is past -
Oh, never call it loving!

For ever, since my childish looks
Could rest on Nature's pictured books;
For ever, since my childish tongue
Could name the themes our bards have sung;
So long, the sweetness of their singing
Hath been to me a rapture bringing!
Yet ask me not the reason why
I have delight in minstrelsy.

I know that much whereof I sing,
Is shapen but for vanishing;
I know that summer's flower and leaf
And shine and shade are very brief,
And that the heart they brighten, may,
Before them all, be sheathed in clay! --
I do not know the reason why
I have delight in minstrelsy.

A few there are, whose smile and praise
My minstrel hope, would kindly raise:
But, of those few -- Death may impress
The lips of some with silentness;
While some may friendship's faith resign,
And heed no more a song of mine. --
Ask not, ask not the reason why
I have delight in minstrelsy.

The sweetest song that minstrels sing,
Will charm not Joy to tarrying;
The greenest bay that earth can grow,
Will shelter not in burning woe;
A thousand voices will not cheer,
When one is mute that aye is dear! --
Is there, alas! no reason why
I have delight in minstrelsy.

I do not know! The turf is green
Beneath the rain's fast-dropping sheen,
Yet asks not why that deeper hue
Doth all its tender leaves renew; --
And I, like-minded, am content,
While music to my soul is sent,
To question not the reason why
I have delight in minstrelsy.

Years pass -- my life with them shall pass:
And soon, the cricket in the grass
And summer bird, shall louder sing
Than she who owns a minstrel's string.
Oh then may some, the dear and few,
Recall her love, whose truth they knew;
When all forget to question why
She had delight in minstrelsy!

How he sleepeth! having drunken
Weary childhood's mandragore,
From his pretty eyes have sunken
Pleasures, to make room for more- -
Sleeping near the withered nosegay, which he pulled the day before.

Nosegays! leave them for the waking:
Throw them earthward where they grew.
Dim are such, beside the breaking
Amaranths he looks unto- -
Folded eyes see brighter colours than the open ever do.

Heaven-flowers, rayed by shadows golden
From the paths they sprang beneath,
Now perhaps divinely holden,
Swing against him in a wreath- -
We may think so from the quickening of his bloom and of his breath.

Vision unto vision calleth,
While the young child dreameth on.
Fair, O dreamer, thee befalleth
With the glory thou hast won!
Darker wert thou in the garden, yestermorn, by summer sun.

We should see the spirits ringing
Round thee,- -were the clouds away.
'Tis the child-heart draws them, singing
In the silent-seeming clay- -
Singing! - -Stars that seem the mutest, go in music all the way.

As the moths around a taper,
As the bees around a rose,
As the gnats around a vapour,- -
So the Spirits group and close
Round about a holy childhood, as if drinking its repose.

Shapes of brightness overlean thee,- -
Flash their diadems of youth
On the ringlets which half screen thee,- -
While thou smilest,... not in sooth
Thy smile... but the overfair one, dropt from some aethereal mouth.

Haply it is angels' duty,
During slumber, shade by shade:
To fine down this childish beauty
To the thing it must be made,
Ere the world shall bring it praises, or the tomb shall see it fade.

Softly, softly! make no noises!
Now he lieth dead and dumb- -
Now he hears the angels' voices
Folding silence in the room- -
Now he muses deep the meaning of the Heaven-words as they come.

Speak not! he is consecrated- -
Breathe no breath across his eyes.
Lifted up and separated,
On the hand of God he lies,
In a sweetness beyond touching- -held in cloistral sanctities.

Could ye bless him- -father- -mother?
Bless the dimple in his cheek?
Dare ye look at one another,
And the benediction speak?
Would ye not break out in weeping, and confess yourselves too weak?

He is harmless- -ye are sinful,- -
Ye are troubled- -he, at ease:
From his slumber, virtue winful
Floweth outward with increase- -
Dare not bless him! but be blessed by his peace- -and go in peace.

I would build a cloudy House
For my thoughts to live in;
When for earth too fancy-loose
And too low for Heaven!
Hush! I talk my dream aloud---
I build it bright to see,---
I build it on the moonlit cloud,
To which I looked with thee.

Cloud-walls of the morning's grey,
Faced with amber column,---
Crowned with crimson cupola
From a sunset solemn!
May mists, for the casements, fetch,
Pale and glimmering;
With a sunbeam hid in each,
And a smell of spring.

Build the entrance high and proud,
Darkening and then brightening,---
If a riven thunder-cloud,
Veined by the lightning.
Use one with an iris-stain,
For the door within;
Turning to a sound like rain,
As I enter in.

Build a spacious hall thereby:
Boldly, never fearing.
Use the blue place of the sky,
Which the wind is clearing;
Branched with corridors sublime,
Flecked with winding stairs---
Such as children wish to climb,
Following their own prayers.

In the mutest of the house,
I will have my chamber:
Silence at the door shall use
Evening's light of amber,
Solemnising every mood,
Softemng in degree,---
Turning sadness into good,
As I turn the key.

Be my chamber tapestried
With the showers of summer,
Close, but soundless,---glorified
When the sunbeams come here;
Wandering harpers, harping on
Waters stringed for such,---
Drawing colours, for a tune,
With a vibrant touch.

Bring a shadow green and still
From the chestnut forest,
Bring a purple from the hill,
When the heat is sorest;
Spread them out from wall to wall,
Carpet-wove around,---
Whereupon the foot shall fall
In light instead of sound.

Bring the fantasque cloudlets home
From the noontide zenith
Ranged, for sculptures, round the room,---
Named as Fancy weeneth:
Some be Junos, without eyes;
Naiads, without sources
Some be birds of paradise,---
Some, Olympian horses.

Bring the dews the birds shake off,
Waking in the hedges,---
Those too, perfumed for a proof,
From the lilies' edges:
From our England's field and moor,
Bring them calm and white in;
Whence to form a mirror pure,
For Love's self-delighting.

Bring a grey cloud from the east,
Where the lark is singing;
Something of the song at least,
Unlost in the bringing:
That shall be a morning chair,
Poet-dream may sit in,
When it leans out on the air,
Unrhymed and unwritten.

Bring the red cloud from the sun
While he sinketh, catch it.
That shall be a couch,---with one
Sidelong star to watch it,---
Fit for poet's finest Thought,
At the curfew-sounding,--- ;
Things unseen being nearer brought
Than the seen, around him.

Poet's thought,----not poet's sigh!
'Las, they come together!
Cloudy walls divide and fly,
As in April weather!
Cupola and column proud,
Structure bright to see---
Gone---except that moonlit cloud,
To which I looked with thee!

Let them! Wipe such visionings
From the Fancy's cartel---
Love secures some fairer things
Dowered with his immortal.
The sun may darken,---heaven be bowed---
But still, unchanged shall be,---
Here in my soul,---that moonlit cloud,
To which I looked with THEE!

I

The face, which, duly as the sun,
Rose up for me with life begun,
To mark all bright hours of the day
With hourly love, is dimmed away—
And yet my days go on, go on.

II

The tongue which, like a stream, could run
Smooth music from the roughest stone,
And every morning with ' Good day'
Make each day good, is hushed away,
And yet my days go on, go on.

III

The heart which, like a staff, was one
For mine to lean and rest upon,
The strongest on the longest day
With steadfast love, is caught away,
And yet my days go on, go on.

IV

And cold before my summer's done,
And deaf in Nature's general tune,
And fallen too low for special fear,
And here, with hope no longer here,
While the tears drop, my days go on.

V

The world goes whispering to its own,
‘This anguish pierces to the bone;’
And tender friends go sighing round,
‘What love can ever cure this wound ?'
My days go on, my days go on.

VI

The past rolls forward on the sun
And makes all night. O dreams begun,
Not to be ended! Ended bliss,
And life that will not end in this!
My days go on, my days go on.

VII

Breath freezes on my lips to moan:
As one alone, once not alone,
I sit and knock at Nature's door,
Heart-bare, heart-hungry, very poor,
Whose desolated days go on.

VIII

I knock and cry, —Undone, undone!
Is there no help, no comfort, —none?
No gleaning in the wide wheat plains
Where others drive their loaded wains?
My vacant days go on, go on.

IX

This Nature, though the snows be down,
Thinks kindly of the bird of June:
The little red hip on the tree
Is ripe for such. What is for me,
Whose days so winterly go on?

X

No bird am I, to sing in June,
And dare not ask an equal boon.
Good nests and berries red are Nature's
To give away to better creatures, —
And yet my days go on, go on.

XI

I ask less kindness to be done, —
Only to loose these pilgrim shoon,
(Too early worn and grimed) with sweet
Cool deadly touch to these tired feet.
Till days go out which now go on.

XII

Only to lift the turf unmown
From off the earth where it has grown,
Some cubit-space, and say ‘Behold,
Creep in, poor Heart, beneath that fold,
Forgetting how the days go on.’


XIII

What harm would that do? Green anon
The sward would quicken, overshone
By skies as blue; and crickets might
Have leave to chirp there day and night
While my new rest went on, went on.

XIV

From gracious Nature have I won
Such liberal bounty? may I run
So, lizard-like, within her side,
And there be safe, who now am tried
By days that painfully go on?

XV

—A Voice reproves me thereupon,
More sweet than Nature's when the drone
Of bees is sweetest, and more deep
Than when the rivers overleap
The shuddering pines, and thunder on.

XVI

God's Voice, not Nature's! Night and noon
He sits upon the great white throne
And listens for the creatures' praise.
What babble we of days and days?
The Day-spring He, whose days go on.

XVII

He reigns above, He reigns alone;
Systems burn out and have his throne;
Fair mists of seraphs melt and fall
Around Him, changeless amid all,
Ancient of Days, whose days go on.

XVIII

He reigns below, He reigns alone,
And, having life in love forgone
Beneath the crown of sovran thorns,
He reigns the Jealous God. Who mourns
Or rules with Him, while days go on?

XIX

By anguish which made pale the sun,
I hear Him charge his saints that none
Among his creatures anywhere
Blaspheme against Him with despair,
However darkly days go on.

XX

Take from my head the thorn-wreath brown!
No mortal grief deserves that crown.
O supreme Love, chief misery,
The sharp regalia are for Thee
Whose days eternally go on!

XXI

For us, —whatever's undergone,
Thou knowest, willest what is done,
Grief may be joy misunderstood;
Only the Good discerns the good.
I trust Thee while my days go on.

XXII

Whatever's lost, it first was won;
We will not struggle nor impugn.
Perhaps the cup was broken here,
That Heaven's new wine might show more clear.
I praise Thee while my days go on.

XXIII

I praise Thee while my days go on;
I love Thee while my days go on:
Through dark and dearth, through fire and frost,
With emptied arms and treasure lost,
I thank Thee while my days go on.

XXIV

And having in thy life-depth thrown
Being and suffering (which are one),
As a child drops his pebble small
Down some deep well, and hears it fall
Smiling—so I. THY DAYS GO ON.

Do ye hear the children weeping, O my brothers,
Ere the sorrow comes with years?
They are leaning their young heads against their mothers---
And that cannot stop their tears.
The young lambs are bleating in the meadows;
The young birds are chirping in the nest;
The young fawns are playing with the shadows;
The young flowers are blowing toward the west---
But the young, young children, O my brothers,
They are weeping bitterly!---
They are weeping in the playtime of the others
In the country of the free.

Do you question the young children in the sorrow,
Why their tears are falling so?---
The old man may weep for his to-morrow
Which is lost in Long Ago---
The old tree is leafless in the forest---
The old year is ending in the frost---
The old wound, if stricken, is the sorest---
The old hope is hardest to be lost:
But the young, young children, O my brothers,
Do you ask them why they stand
Weeping sore before the bosoms of their mothers,
In our happy Fatherland?

They look up with their pale and sunken faces,
And their looks are sad to see,
For the man's grief abhorrent, draws and presses
Down the cheeks of infancy---
'Your old earth,' they say, 'is very dreary;'
'Our young feet,' they say, 'are very weak!
Few paces have we taken, yet are wearyÑ
Our grave-rest is very far to seek.
Ask the old why they weep, and not the children,
For the outside earth is cold,---
And we young ones stand without, in our bewildering,
And the graves are for the old.

'True,' say the young children, 'it may happen
That we die before our time.
Little Alice died last year---the grave is shapen
Like a snowball, in the rime.
We looked into the pit prepared to take her---
Was no room for any work in the close clay:
From the sleep wherein she lieth none will wake her
Crying, 'Get up, little Alice! it is day.'
If you listen by that grave, in sun and shower,
With your ear down, little Alice never cries!---
Could we see her face, be sure we should not know her,
For the smile has time for growing in her eyes---
And merry go her moments, lulled and stilled in
The shroud, by the kirk-chime!
It is good when it happens,' say the children,
'That we die before our time.'

Alas, alas, the children! they are seeking
Death in life, as best to have!
They are binding up their hearts away from breaking,
With a cerement from the grave.
Go out, children, from the mine and from the city---
Sing out, children, as the little thrushes do---
Pluck your handfuls of the meadow-cowslips pretty---
Laugh aloud, to feel your fingers let them through!
But they answer, 'Are your cowslips of the meadows
Like our weeds anear the mine?
Leave us quiet in the dark of the coal-shadows,
From your pleasures fair and fine!

'For oh,' say the children, 'we are weary,
And we cannot run or leap---
If we cared for any meadows, it were merely
To drop down in them and sleep.
Our knees tremble sorely in the stooping---
We fall upon our faces, trying to go;
And, underneath our heavy eyelids drooping,
The reddest flower would look as pale as snow.
For, all day, we drag our burden tiring,
Through the coal-dark, underground---
Or, all day, we drive the wheels of iron
In the factories, round and round.

'For, all day, the wheels are droning, turning,---
Their wind comes in our faces,---
Till our hearts turn,---our head, with pulses burning,
And the walls turn in their places---
Turns the sky in the high window blank and reeling---
Turns the long light that droppeth down the wall---
Turn the black flies that crawl along the ceiling---
All are turning, all the day, and we with all.---
And, all day, the iron wheels are droning;
And sometimes we could pray,
'O ye wheels,' (breaking out in a mad moaning)
'Stop! be silent for to-day!' '

Ay! be silent! Let them hear each other breathing
For a moment, mouth to mouth---
Let them touch each other's hands, in a fresh wreathing
Of their tender human youth!
Let them feel that this cold metallic motion
Is not all the life God fashions or reveals---
Let them prove their inward souls against the notion
That they live in you, os under you, O wheels!---
Still, all day, the iron wheels go onward,
Grinding life down from its mark;
And the children's souls, which God is calling sunward,
Spin on blindly in the dark.

Now, tell the poor young children, O my brothers,
To look up to Him and pray---
So the blessed One, who blesseth all the others,
Will bless them another day.
They answer, 'Who is God that He should hear us,
White the rushing of the iron wheels is stirred?
When we sob aloud, the human creatures near us
Pass by, hearing not, or answer not a word!
And we hear not (for the wheels in their resounding)
Strangers speaking at the door:
Is it likely God, with angels singing round Him,
Hears our weeping any more?

'Two words, indeed, of praying we remember,
And at midnight's hour of harm,---
'Our Father,' looking upward in the chamber,
We say softly for a charm.
We know no other words except 'Our Father,'
And we think that, in some pause of angels' song,
God may pluck them with the silence sweet to gather,
And hold both within His right hand which is strong.
'Our Father!' If He heard us, He would surely
(For they call Him good and mild)
Answer, smiling down the steep world very purely,
'Come and rest with me, my child.'

'But no!' say the children, weeping faster,
'He is speechless as a stone;
And they tell us, of His image is the master
Who commands us to work on.
Go to!' say the children,---'Up in Heaven,
Dark, wheel-like, turning clouds are all we find.
Do not mock us; grief has made us unbelieving---
We look up for God, but tears have made us blind.'
Do you hear the children weeping and disproving,
O my brothers, what ye preach?
For God's possible is taught by His world's loving---
And the children doubt of each.

And well may the children weep before you;
They are weary ere they run;
They have never seen the sunshine, nor the glory
Which is brighter than the sun:
They know the grief of man, but not the wisdom;
They sink in man's despair, without its calm---
Are slaves, without the liberty in Christdom,---
Are martyrs, by the pang without the palm,---
Are worn, as if with age, yet unretrievingly
No dear remembrance keep,---
Are orphans of the earthly love and heavenly:
Let them weep! let them weep!

They look up, with their pale and sunken faces,
And their look is dread to see,
For they mind you of their angels in their places,
With eyes meant for Deity;---
'How long,' they say, 'how long, O cruel nation,
Will you stand, to move the world, on a child's heart,
Stifle down with a mailed heel its palpitation,
And tread onward to your throne amid the mart?
Our blood splashes upward, O our tyrants,
And your purple shows yo}r path;
But the child's sob curseth deeper in the silence
Than the strong man in his wrath!'

I.
I stand on the mark beside the shore
Of the first white pilgrim's bended knee,
Where exile turned to ancestor,
And God was thanked for liberty.
I have run through the night, my skin is as dark,
I bend my knee down on this mark . . .
I look on the sky and the sea.

II.
O pilgrim-souls, I speak to you!
I see you come out proud and slow
From the land of the spirits pale as dew. . .
And round me and round me ye go!
O pilgrims, I have gasped and run
All night long from the whips of one
Who in your names works sin and woe.

III.
And thus I thought that I would come
And kneel here where I knelt before,
And feel your souls around me hum
In undertone to the ocean's roar;
And lift my black face, my black hand,
Here, in your names, to curse this land
Ye blessed in freedom's evermore.

IV.
I am black, I am black;
And yet God made me, they say.
But if He did so, smiling back
He must have cast His work away
Under the feet of His white creatures,
With a look of scorn,--that the dusky features
Might be trodden again to clay.

V.
And yet He has made dark things
To be glad and merry as light.
There's a little dark bird sits and sings;
There's a dark stream ripples out of sight;
And the dark frogs chant in the safe morass,
And the sweetest stars are made to pass
O'er the face of the darkest night.

VI.
But we who are dark, we are dark!
Ah, God, we have no stars!
About our souls in care and cark
Our blackness shuts like prison bars:
The poor souls crouch so far behind,
That never a comfort can they find
By reaching through the prison-bars.

VII.
Indeed, we live beneath the sky, . . .
That great smooth Hand of God, stretched out
On all His children fatherly,
To bless them from the fear and doubt,
Which would be, if, from this low place,
All opened straight up to His face
Into the grand eternity.

VIII.
And still God's sunshine and His frost,
They make us hot, they make us cold,
As if we were not black and lost:
And the beasts and birds, in wood and fold,
Do fear and take us for very men!
Could the weep-poor-will or the cat of the glen
Look into my eyes and be bold?

IX.
I am black, I am black!--
But, once, I laughed in girlish glee;
For one of my colour stood in the track
Where the drivers drove, and looked at me--
And tender and full was the look he gave:
Could a slave look so at another slave?--
I look at the sky and the sea.

X.
And from that hour our spirits grew
As free as if unsold, unbought:
Oh, strong enough, since we were two
To conquer the world, we thought!
The drivers drove us day by day;
We did not mind, we went one way,
And no better a liberty sought.

XI.
In the sunny ground between the canes,
He said 'I love you' as he passed:
When the shingle-roof rang sharp with the rains,
I heard how he vowed it fast:
While others shook, he smiled in the hut
As he carved me a bowl of the cocoa-nut,
Through the roar of the hurricanes.

XII.
I sang his name instead of a song;
Over and over I sang his name--
Upward and downward I drew it along
My various notes; the same, the same!
I sang it low, that the slave-girls near
Might never guess from aught they could hear,
It was only a name.

XIII.
I look on the sky and the sea--
We were two to love, and two to pray,--
Yes, two, O God, who cried to Thee,
Though nothing didst Thou say.
Coldly Thou sat'st behind the sun!
And now I cry who am but one,
How wilt Thou speak to-day?--

XIV.
We were black, we were black!
We had no claim to love and bliss:
What marvel, if each turned to lack?
They wrung my cold hands out of his,--
They dragged him . . . where ? . . . I crawled to touch
His blood's mark in the dust! . . . not much,
Ye pilgrim-souls, . . . though plain as this!

XV.
Wrong, followed by a deeper wrong!
Mere grief's too good for such as I.
So the white men brought the shame ere long
To strangle the sob of my agony.
They would not leave me for my dull
Wet eyes!--it was too merciful
To let me weep pure tears and die.

XVI.
I am black, I am black!--
I wore a child upon my breast
An amulet that hung too slack,
And, in my unrest, could not rest:
Thus we went moaning, child and mother,
One to another, one to another,
Until all ended for the best:

XVII.
For hark ! I will tell you low . . . Iow . . .
I am black, you see,--
And the babe who lay on my bosom so,
Was far too white . . . too white for me;
As white as the ladies who scorned to pray
Beside me at church but yesterday;
Though my tears had washed a place for my knee.

XVIII.
My own, own child! I could not bear
To look in his face, it was so white.
I covered him up with a kerchief there;
I covered his face in close and tight:
And he moaned and struggled, as well might be,
For the white child wanted his liberty--
Ha, ha! he wanted his master right.

XIX.
He moaned and beat with his head and feet,
His little feet that never grew--
He struck them out, as it was meet,
Against my heart to break it through.
I might have sung and made him mild--
But I dared not sing to the white-faced child
The only song I knew.

XX.
I pulled the kerchief very close:
He could not see the sun, I swear,
More, then, alive, than now he does
From between the roots of the mango . . . where
. . . I know where. Close! a child and mother
Do wrong to look at one another,
When one is black and one is fair.

XXI.
Why, in that single glance I had
Of my child's face, . . . I tell you all,
I saw a look that made me mad . . .
The master's look, that used to fall
On my soul like his lash . . . or worse!
And so, to save it from my curse,
I twisted it round in my shawl.

XXII.
And he moaned and trembled from foot to head,
He shivered from head to foot;
Till, after a time, he lay instead
Too suddenly still and mute.
I felt, beside, a stiffening cold, . . .
I dared to lift up just a fold . . .
As in lifting a leaf of the mango-fruit.

XXIII.
But my fruit . . . ha, ha!--there, had been
(I laugh to think on't at this hour! . . .)
Your fine white angels, who have seen
Nearest the secret of God's power, . . .
And plucked my fruit to make them wine,
And sucked the soul of that child of mine,
As the humming-bird sucks the soul of the flower.

XXIV.
Ha, ha, for the trick of the angels white!
They freed the white child's spirit so.
I said not a word, but, day and night,
I carried the body to and fro;
And it lay on my heart like a stone . . . as chill.
--The sun may shine out as much as he will:
I am cold, though it happened a month ago.

XXV.
From the white man's house, and the black man's hut,
I carried the little body on,
The forest's arms did round us shut,
And silence through the trees did run:
They asked no question as I went,--
They stood too high for astonishment,--
They could see God sit on His throne.

XXVI.
My little body, kerchiefed fast,
I bore it on through the forest . . . on:
And when I felt it was tired at last,
I scooped a hole beneath the moon.
Through the forest-tops the angels far,
With a white sharp finger from every star,
Did point and mock at what was done.

XXVII.
Yet when it was all done aright, . . .
Earth, 'twixt me and my baby, strewed,
All, changed to black earth, . . . nothing white, . . .
A dark child in the dark,--ensued
Some comfort, and my heart grew young:
I sate down smiling there and sung
The song I learnt in my maidenhood.

XXVIII.
And thus we two were reconciled,
The white child and black mother, thus:
For, as I sang it, soft and wild
The same song, more melodious,
Rose from the grave whereon I sate!
It was the dead child singing that,
To join the souls of both of us.

XXIX.
I look on the sea and the sky!
Where the pilgrims' ships first anchored lay,
The free sun rideth gloriously;
But the pilgrim-ghosts have slid away
Through the earliest streaks of the morn.
My face is black, but it glares with a scorn
Which they dare not meet by day.

XXX.
Ah!--in their 'stead, their hunter sons!
Ah, ah! they are on me--they hunt in a ring--
Keep off! I brave you all at once--
I throw off your eyes like snakes that sting!
You have killed the black eagle at nest, I think:
Did you never stand still in your triumph, and shrink
From the stroke of her wounded wing?

XXXI.
(Man, drop that stone you dared to lift!--)
I wish you, who stand there five a-breast,
Each, for his own wife's joy and gift,
A little corpse as safely at rest
As mine in the mangos!--Yes, but she
May keep live babies on her knee,
And sing the song she liketh best.

XXXll.
I am not mad: I am black.
I see you staring in my face--
I know you, staring, shrinking back--
Ye are born of the Washington-race:
And this land is the free America:
And this mark on my wrist . . . (I prove what I say)
Ropes tied me up here to the flogging-place.

XXXIII.
You think I shrieked then? Not a sound!
I hung, as a gourd hangs in the sun.
I only cursed them all around,
As softly as I might have done
My very own child!--From these sands
Up to the mountains, lift your hands,
O slaves, and end what I begun!

XXXIV.
Whips, curses; these must answer those!
For in this UNION, you have set
Two kinds of men in adverse rows,
Each loathing each: and all forget
The seven wounds in Christ's body fair;
While HE sees gaping everywhere
Our countless wounds that pay no debt.

XXXV.
Our wounds are different. Your white men
Are, after all, not gods indeed,
Nor able to make Christs again
Do good with bleeding. We who bleed . . .
(Stand off!) we help not in our loss!
We are too heavy for our cross,
And fall and crush you and your seed.

XXXVI.
I fall, I swoon! I look at the sky:
The clouds are breaking on my brain;
I am floated along, as if I should die
Of liberty's exquisite pain--
In the name of the white child, waiting for me
In the death-dark where we may kiss and agree,
White men, I leave you all curse-free
In my broken heart's disdain!