NOW come the rosy dogwoods,
The golden tulip-tree,
And the scarlet yellow maple,
To make a day for me.
The ash-trees on the ridges,
The alders in the swamp,
Put on their red and purple
To join the autumn pomp.
The woodbine hangs her crimson
Along the pasture wall,
And all the bannered sumacs
Have heard the frosty call.
Who then so dead to valor
As not to raise a cheer,
When all the woods are marching
In triumph of the year?

A Vagabond Song

There is something in the autumn that is native to my blood—
Touch of manner, hint of mood;
And my heart is like a rhyme,
With the yellow and the purple and the crimson keeping time.

The scarlet of the maples can shake me like a cry
Of bugles going by.
And my lonely spirit thrills
To see the frosty asters like a smoke upon the hills.

There is something in October sets the gypsy blood astir;
We must rise and follow her,
When from every hill of flame
She calls and calls each vagabond by name.

The Joys Of The Road

NOW the joys of the road are chiefly these:
A crimson touch on the hard-wood trees;

A vagrant's morning wide and blue,
In early fall, when the wind walks too;

A shadowy highway cool and brown,
Alluring up and enticing down

From rippled water to dappled swamp,
From purple glory to scarlet pomp;

The outward eye, the quiet will,
And the striding heart from hill to hill;

The tempter apple over the fence;
The cobweb bloom on the yellow quince;

The palish asters along the wood,-
A lyric touch of solitude;

An open hand, an easy shoe,
And a hope to make the day go through,-

Another to sleep with, and a third
To wake me up at the voice of a bird;

A scrap of gossip at the ferry;
A comrade neither glum nor merry,

Who never defers and never demands,
But, smiling, takes the world in his hands,-

Seeing it good as when God first saw
And gave it the weight of his will for law.

And oh, the joy that is never won,
But follows and follows the journeying sun,

By marsh and tide, by meadow and stream,
A will-o'-the-wind, a light-o'-dream,

The racy smell of the forest loam,
When the stealthy sad-heart leaves go home;

The broad gold wake of the afternoon;
The silent fleck of the cold new moon;

The sound of the hollow sea's release
From stormy tumult to starry peace;

With only another league to wend;
And two brown arms at the journey's end!

These are the joys of the open road-
For him who travels without a load.

The Winter Scene

I
The rutted roads are all like iron; skies
Are keen and brilliant; only the oak-leaves cling
In the bare woods, or the hardy bitter-sweet
;
Drivers have put their sheepskin jackets on;
And all the ponds are sealed with sheeted ice
That rings with stroke of skate and hockey-stick
,
Or in the twilight cracks with running whoop.
Bring in the logs of oak and hickory,
And make an ample blaze on the wide hearth.
Now is the time, with winter o'er the world,
For books and friends and yellow candle-light
,
And timeless lingering by the settling fire.

While all the shuddering stars are keen with cold.
II

Out from the silent portal of the hours,
When frosts are come and all the hosts put on.
Their burnished gear to march across the night
And o'er a darkened earth in splendor shine,
Slowly above the world Orion wheels
His glittering square, while on the shadowy hill
And throbbing like a sea-light through the dusk,
Great Sirius rises in his flashing blue.
Lord of the winter night, august and pure,
Returning year on year untouched by time,
To hearten faith with thine unfaltering fire,
There are no hurts that beauty cannot ease,
No ills that love cannot at last repair,
In the victorious progress of the soul.
III

Russet and white and gray is the oak wood
In the great snow. Still from the North it comes,
Whispering, settling, sifting through the trees,
O'erloading branch and twig. The road is lost.
Clearing and meadow, stream and ice-bound pond
Are made once more a trackless wilderness
In the white hush where not a creature stirs;
And the pale sun is blotted from the sky.
In that strange twilight the lone traveller halts
To listen to the stealthy snowflakes fall.
And then far off toward the Stamford shore,
Where through the storm the coastwise liners go,
Faint and recurrent on the muffled air,
A foghorn booming through the Smother-har
k!
IV

When the day changed and the mad wind died down,
The powdery drifts that all day long had blown
Across the meadows and the open fields,
Or whirled like diamond dust in the bright sun,
Settled to rest, and for a tranquil hour
The lengthening bluish shadows on the snow
Stole down the orchard slope, and a rose light
Flooded the earth with beauty and with peace.
Then in the west behind the cedars black
The sinking sun stained red the winter dusk
With sullen flare upon the snowy ridge,-
As in a masterpiece by Hokusai,
Where on a background gray, with flaming breath
A scarlet dragon dies in dusky gold.

The Weed’s Counsel

SAID a traveller by the way
Pausing, 'What hast thou to say,
Flower by the dusty road,
That would ease a mortal's load?'
Traveller, hearken unto me!
I will tell thee how to see
Beauties in the earth and sky
Hidden from the careless eye.
I will tell thee how to hear
Nature's music wild and clear,—
Songs of midday and of dark
Such as many never mark,
Lyrics of creation sung
Ever since the world was young.
And thereafter thou shalt know
Neither weariness nor woe.
Thou shalt see the dawn unfold
Artistries of rose and gold,
And the sunbeams on the sea
Dancing with the wind for glee.
The red lilies of the moors
Shall be torches on the floors,
Where the field-lark lifts his cry
To rejoice the passer-by,
In a wide world rimmed with blue
Lovely as when time was new.
And thereafter thou shalt fare
Light of foot and free from care.
I will teach thee how to find
Lost enchantments of the mind
All about thee, never guessed
By indifferent unrest.
Thy distracted thought shall learn
Patience from the roadside fern,
And a sweet philosophy
From the flowering locust tree, —
While thy heart shall not disdain
The consolation of the rain.
Not an acre but shall give
Of its strength to help thee live.
With the many-wintered sun
Shall thy hardy course be run.
And the bright new moon shall be
A lamp to thy felicity.
When green-mantled spring shall come
Past thy door with flute and drum,
And when over wood and swamp
Autumn trails her scarlet pomp,
No misgiving shalt thou know,
Passing glad to rise and go.
So thy days shall be unrolled
Like a wondrous cloth of gold.
When gray twilight with her star
Makes a heaven that is not far,
Touched with shadows and with dreams,
Thou shalt hear the woodland streams
Singing through the starry night
Holy anthems of delight.
So the ecstasy of earth
Shall refresh thee as at birth,
And thou shalt arise each morn
Radiant with a soul reborn.
And this wisdom of a day
None shall ever take away.
What the secret, what the clew
The wayfarer must pursue?
Only one thing he must have
Who would share these transports brave.
Love within his heart must dwell
Like a bubbling roadside well,
For a spring to quicken thought,
Else my counsel comes to naught.
For without that quickening trust
We are less than roadside dust.
This, O traveller, is my creed, —
All the wisdom of the weed!
Then the traveller set his pack
Once more on his dusty back,
And trudged on for many a mile
Fronting fortune with a smile.

A Northern Vigil

HERE by the gray north sea,
In the wintry heart of the wild,
Comes the old dream of thee,
Guendolen, mistress and child.

The heart of the forest grieves
In the drift against my door;
A voice is under the eaves,
A footfall on the floor.

Threshold, mirror, and hall,
Vacant and strangely aware,
Wait for their soul's recall
With the dumb expectant air.

Here when the smouldering west
Burns down into the sea,
I take no heed of rest
And keep the watch for thee.

I sit by the fire and hear
The restless wind go by,
On the long dirge and drear,
Under the low bleak sky.

When day puts out to sea
And night makes in for land,
There is no lock for thee,
Each door awaits thy hand!

When night goes over the hill
And dawn comes down the dale,
It's O for the wild sweet will
That shall no more prevail!

When the zenith moon is round,
And snow-wraiths gather and run,
And there is set no bound
To love beneath the sun,

O wayward will, come near
The old mad wilful way,
The soft mouth at my ear
With words too sweet to say!

Come, for the night is cold,
The ghostly moonlight fills
Hollow and rift and fold
Of the eerie Ardise hills!

The windows of my room
Are dark with bitter frost,
The stillness aches with doom
Of something loved and lost.

Outside, the great blue star
Burns in the ghostland pale,
Where giant Algebar
Holds on the endless trail.

Come, for the years are long
And silence keeps the door,
Where shapes with the shadows throng
The firelit chamber floor.

Come, for thy kiss was warm,
With the red embers' glare
Across thy folding arm
And dark tumultuous hair!

And though thy coming rouse
The sleep-cry of no bird,
The keepers of the house
Shall tremble at thy word.

Come, for the soul is free!
In all the vast dreamland
There is no lock for thee,
Each door awaits thy hand.

Ah, not in dreams at all,
Fleering, perishing, dim,
But thy old self, supple and tall,
Mistress and child of whim!

The proud imperious guise,
Impetuous and serene,
The sad mysterious eyes,
And dignity of mien!

Yea, wilt thou not return,
When the late hill-winds veer,
And the bright hill-flowers burn
With the reviving year?

When April comes, and the sea
Sparkles as if it smiled,
Will they restore to me
My dark Love, empress and child?

The curtains seem to part;
A sound is on the stair,
As if at the last . . . I start;
Only the wind is there.

Lo, now far on the hills
The crimson fumes uncurled,
Where the caldron mantles and spills
Another dawn on the world!

An Autumn Garden

My tent stands in a garden
Of aster and golden-rod,
Tilled by the rain and the sunshine,
And sown by the hand of God, -
An old New England pasture
Abandoned to peace and time,
And by the magic of beauty
Reclaimed to the sublime.

About it are golden woodlands
Of tulip and hickory;
On the open ridge behind it
You may mount to a glimpse of sea, -
The far-off, blue, Homeric
Rim of the world's great shield,
A border of boundless glamor
For the soul's familiar field.

In purple and gray-wrought lichen
The boulders lie in the sun;
Along its grassy footpath,
The white-tailed rabbits run.
The crickets work and chirrup
Through the still afternoon;
And the owl calls at twilight
Under the frosty moon.

The odorous wild grape clambers
Over the tumbling wall,
And through the autumnal quiet
The chestnuts open and fall.
Sharing time's freshness and fragrance,
Part of the earth's great soul,
Here man's spirit may ripen
To wisdom serene and whole.

Shall we not grow with the asters? -
Never reluctant nor sad,
Not counting the cost of being,
Living to dare and be glad.
Shall we not lift with the crickets
A chorus of ready cheer,
Braving the frost of oblivion,
Quick to be happy here?

The deep red cones of the sumach
And the woodbine's crimson sprays
Have bannered the common roadside
For the pageant of passing days.
These are the oracles Nature
Fills with her holy breath,
Giving them glory of color,
Transcending the shadow of death.

Here in the sifted sunlight
A spirit seems to brood
On the beauty and worth of being,
In tranquil, instinctive mood;
And the heart, athrob with gladness
Such as the wise earth knows,
Wells with a full thanksgiving
For the gifts that life bestows:

For the ancient and virile nurture
Of the teeming primordial ground,
For the splendid gospel of color,

The rapt revelations of sound;
For the morning-blue above us
And the rusted gold of the fern,
For the chickadee's call to valor
Bidding the faint-heart turn;

For fire and running water,
Snowfall and summer rain;
For sunsets and quiet meadows,
The fruit and the standing grain;
For the solemn hour of moonrise
Over the crest of trees,
When the mellow lights are kindled
In the lamps of the centuries.

For those who wrought aforetime,
Led by the mystic strain
To strive for the larger freedom,
And live for the greater gain;
For plenty and peace and playtime,
The homely goods of earth,
And for rare immaterial treasures
Accounted of little worth;

For art and learning and friendship,
Where beneficent truth is supreme,
Those everlasting cities
Built on the hills of dream;
For all things growing and goodly
That foster this life, and breed
The immortal flower of wisdom
Out of the mortal seed.

But most of all for the spirit
That can not rest nor bide
In stale and sterile convenience,
Nor safety proven and tried,
But still inspired and driven,
Must seek what better may be,
And up from the loveliest garden
Must climb for a glimpse of sea.

A Creature Catechism

I
Soul, what art thou in the tribes of the sea?


LORD, said a flying fish,
Below the foundations of storm
We feel the primal wish
Of the earth take form.

Through the dim green water-fire
We see the red sun loom,
And the quake of a new desire
Takes hold on us down in the gloom.

No more can the filmy drift
Nor draughty currents buoy
Our whim to its bent, nor lift
Our heart to the height of its joy.

When sheering down to the Line
Come polar tides from the North,
Thy silver folk of the brine
Must glimmer and forth.

Down in the crumbling mill
Grinding eternally,
We are the type of thy will
To the tribes of the sea.

II

Soul, what art thou in the tribes of the air


Lord, said a butterfly,
Out of a creeping thing,
For days in the dust put by,
The spread of a wing

Emerges with pulvil of gold
On a tissue of green and blue,
And there is thy purpose of old
Unspoiled and fashioned anew.

Ephemera, ravellings of sky
And shreds of the Northern light,
We age in a heart-beat and die
Under the eaves of night.

What if the small breath quail,
Or cease at a touch of the frost?
Not a tremor of joy shall fail,
Nor a pulse be lost.

This fluttering life, never still,
Survives to oblivion’s despair.
We are the type of thy will
To the tribes of the air.

III

Soul, what art thou in the tribes of the field?


Lord, said a maple seed,
Though well we are wrapped and bound,
We are the first to give heed,
When thy bugles give sound.

We banner thy House of the Hills
With green and vermilion and gold,
When the floor of April thrills
With the myriad stir of the mould,

And her hosts for migration prepare.
We too have the veined twin-wings,
Vans for the journey of air.
With the urge of a thousand springs

Pent for a germ in our side,
We perish of joy, being dumb,
That our race may be and abide
For aeons to come.

When rivulet answers to rill
In snow-blue valleys unsealed,
We are the type of thy will
To the tribes of the field.

IV

Soul, what art thou in the tribes of the ground?


Lord, when the time is ripe,
Said a frog through the quiet rain,
We take up the silver pipe
For the pageant again.

When the melting wind of the South
Is over meadow and pond,
We draw the breath of thy mouth,
Reviving the ancient bond.

Then must we fife and declare
The unquenchable joy of earth,—
Testify hearts still dare,
Signalize beauty’s worth.

Then must we rouse and blow
On the magic reed once more,
Till the glad earth-children know
Not a thing to deplore.

When rises the marshy trill
To the soft spring night’s profound,
We are the type of thy will
To the tribes of the ground.

V

Soul, what art thou in the tribes of the earth?


Lord, said an artist born,
We leave the city behind
For the hills of open morn,
For fear of our kind.

Our brother they nailed to a tree
For sedition; they bully and curse
All those whom love makes free.
Yet the very winds disperse

Rapture of birds and brooks,
Colours of sea and cloud,—
Beauty not learned of books,
Truth that is never loud.

We model our joy into clay,
Or help it with line and hue,
Or hark for its breath in stray
Wild chords and new.

For to-morrow can only fulfil
Dreams which to-day have birth;
We are the type of thy will
To the tribes of the earth.

There is fog upon the river, there is mirk upon the town;
You can hear the groping ferries as they hoot each other down;
From the Battery to Harlem there's seven miles of slush,
Through looming granite canyons of glitter, noise, and rush.
Are you sick of phones and tickers and crazing cable gongs,
Of the theatres, the hansoms, and the breathless Broadway throngs,
Of Flouret's and the Waldorf and the chilly, drizzly Park,
When there's hardly any morning and five o'clock is dark?
I know where there's a city, whose streets are white and clean,
And sea-blue morning loiters by walls where roses lean,
And quiet dwells; that's Nassau, beside her creaming key,
The queen of the Lucayas in the blue Bahaman sea.

She's ringed with surf and coral, she's crowned with sun and palm;
She has the old-world leisure, the regal tropic calm;
The trade winds fan her forehead; in everlasting June
She reigns from deep verandas above her blue lagoon.

She has had many suitors,-Sp
aniard and Buccaneer,-

Who roistered for her beauty and spilt their blood for her;
But none has dared molest her, since the Loyalist Deveaux
Went down from Carolina a hundred years ago.

Unmodern, undistracted
, by grassy ramp and fort,
In decency and order she holds her modest court;
She seems to have forgotten rapine and greed and strife,
In that unaging gladness and dignity of life.

Through streets as smooth as asphalt and white as bleaching shell,
Where the slip-shod heel is happy and the naked foot goes well,
In their gaudy cotton kerchiefs, with swaying hips and free,
Go her black folk in the morning to the market of the sea.

Into her bright sea-gardens the flushing tide-gates lead,
Where fins of chrome and scarlet loll in the lifting weed;
With the long sea-draft behind them, through luring coral groves
The shiny water-people
go by in painted droves.

Under her old pink gateways, where Time a moment turns,
Where hang the orange lanterns and the red hibiscus burns,
Live the harmless merry lizards, quicksilver in the sun,
Or still as any image with their shadow on a stone.

Through the lemon-trees at leisure a tiny olive bird
Moves all day long and utters his wise assuring word;
While up in their blue chantry murmur the solemn palms.
At their litanies of joyance, their ancient ceaseless psalms.

There in the endless sunlight, within the surf's low sound,
Peace tarries for a lifetime at doorways unrenowned;
And a velvet air goes breathing across the sea-girt land,
Till the sense begins to waken and the soul to understand.

There's a pier in the East River, where a black Ward Liner lies,
With her wheezy donkey-engin
es taking cargo and supplies;
She will clear the Hook to-morrow for the Indies of the West,
For the lovely white girl city in the Islands of the Blest.

She'll front the riding winter on the gray Atlantic seas,
And thunder through the surf-heads till her funnels crust and freeze;
She'll grapple the Southeaster,
the Thing without a Mind,
Till she drops him, mad and monstrous, with the light ship far behind.

Then out into a morning all summer warmth and blue!
By the breathing of her pistons, by the purring of the screw,
By the springy dip and tremor as she rises, you can tell
Her heart is light and easy as she meets the lazy swell.

With the flying fish before her, and the white wake running aft,
Her smoke-wreath
hanging idle, without breeze enough for draft,
She will travel fair and steady, and in the afternoon
Run down the floating palm-tops where lift the Isles of June.

With the low boom of breakers for her only signal gun,
She will anchor off the harbor when her thousand miles are done,
And there's my love, white Nassau, girt with her foaming key,
The queen of the Lucayas in the blue Bahaman sea!

TO the assembled folk
At great St. Kavin’s spoke
Young Brother Amiel on Christmas Eve;
I give you joy, my friends,
That as the round year ends,
We meet once more for gladness by God’s leave.

On other festal days
For penitence or praise
Or prayer we meet, or fullness of thanksgiving;
To-night we calendar
The rising of that star
Which lit the old world with new joy of living.

Ah, we disparage still
The Tidings of Good Will,
Discrediting Love’s gospel now as then!
And with the verbal creed
That God is love indeed,
Who dares make Love his god before all men?

Shall we not, therefore, friends,
Resolve to make amends
To that glad inspiration of the heart;
To grudge not, to cast out
Selfishness, malice, doubt,
Anger and fear; and for the better part,

To love so much, so well,
The spirit cannot tell
The range and sweep of her own boundary!
There is no period
Between the soul and God;
Love is the tide, God the eternal sea.…

To-day we walk by love;
To strive is not enough,
Save against greed and ignorance and might.
We apprehend peace comes
Not with the roll of drums,
But in the still processions of the night.

And we perceive, not awe
But love is the great law
That binds the world together safe and whole.
The splendid planets run
Their courses in the sun;
Love is the gravitation of the soul.

In the profound unknown,
Illumined, fair, and lone,
Each star is set to shimmer in its place.
In the profound divine
Each soul is set to shine,
And its unique appointed orbit trace.

There is no near nor far,
Where glorious Algebar
Swings round his mighty circuit through the night,
Yet where without a sound
The winged seed comes to ground,
And the red leaf seems hardly to alight.

One force, one lore, one need
For satellite and seed,
In the serene benignity for all.
Letting her time-glass run
With star-dust, sun by sun,
In Nature’s thought there is no great nor small.

There is no far nor near
Within the spirit’s sphere.
The summer sunset’s scarlet-yellow wings
Are tinged with the same dye
That paints the tulip’s ply.
And what is colour but the soul of things?

(The earth was without form;
God moulded it with storm,
Ice, flood, and tempest, gleaming tint and hue;
Lest it should come to ill
For lack of spirit still,
He gave it colour,—let the love shine through.)…

Of old, men said, ‘Sin not;
By every line and jot
Ye shall abide; man’s heart is false and vile.’
Christ said, ‘By love alone
In man’s heart is God known;
Obey the word no falsehood can defile.’…

And since that day we prove
Only how great is love,
Nor to this hour its greatness half believe.
For to what other power
Will life give equal dower,
Or chaos grant one moment of reprieve!

Look down the ages’ line,
Where slowly the divine
Evinces energy, puts forth control;
See mighty love alone
Transmuting stock and stone,
Infusing being, helping sense and soul.

And what is energy,
In-working, which bids be
The starry pageant and the life of earth?
What is the genesis
Of every joy and bliss,
Each action dared, each beauty brought to birth?

What hangs the sun on high?
What swells the growing rye?
What bids the loons cry on the Northern lake?
What stirs in swamp and swale,
When April winds prevail,
And all the dwellers of the ground awake?…

What lurks in the deep gaze
Of the old wolf? Amaze,
Hope, recognition, gladness, anger, fear.
But deeper than all these
Love muses, yearns, and sees,
And is the self that does not change nor veer.

Not love of self alone,
Struggle for lair and bone,
But self-denying love of mate and young,
Love that is kind and wise,
Knows trust and sacrifice,
And croons the old dark universal tongue.…

And who has understood
Our brothers of the wood,
Save he who puts off guile and every guise
Of violence,—made truce
With panther, bear, and moose,
As beings like ourselves whom love makes wise?

For they, too, do love’s will,
Our lesser clansmen still;
The House of Many Mansions holds us all;
Courageous, glad and hale,
They go forth on the trail,
Hearing the message, hearkening to the call.…

Open the door to-night
Within your heart, and light
The lantern of love there to shine afar.
On a tumultuous sea
Some straining craft, maybe,
With bearings lost, shall sight love’s silver star.

To T. B. M.
IN the crowd that thronged the pierhead, come to see their friends take ship
For new ventures in seafaring, when the hawsers were let slip
And we swung out in the current, with good-byes on every lip,
'Midst the waving caps and kisses, as we dropped down with the tide
And the faces blurred and faded, last of all your hand I spied
Signalling, Farewell, Good fortune! then my heart rose up and cried:
'While the world holds one such comrade, whose sweet durable regard
Would so speed my safe departure, lest home-leaving should be hard,
What care I who keeps the ferry, whether Charon or Cunard!'
Then we cleared the bar, and laid her on the course, the thousand miles
From the Hook to the Bahamas, from midwinter to the isles
Where frost never laid a finger, and eternal summer smiles.
Three days through the surly storm-beat, while the surf-heads threshed and flew,
And the rolling mountains thundered to the trample of the screw,
The black liner heaved and scuffled and strained on, as if she knew.
On the fourth, the round blue morning sparkled there, all light and breeze,
Clean and tenuous as a bubble blown from two immensities,
Shot and coloured with sheer sunlight and the magic of those seas.
In that bright new world of wonder, it was life enough to laze
All day underneath the awnings, and through half-shut eyes to gaze
At the marvel of the sea-blue; and I faltered for a phrase
Should half give you the impression, tell you how the very tint
Justified your finest daring, as if Nature gave the hint,
'Plodders, see Imagination set his pallet without stint!'
Cobalt, gobelin, and azure, turquoise, sapphire, indigo,
Changing from the spectral bluish of a shadow upon snow
To the deep of Canton china,—one unfathomable glow.
And the flying-fish,—to see them in a scurry lift and flee,
Silvery as the foam they sprang from, fragile people of the sea,
Whom their heart's great aspiration for a moment had set free.
From the dim and cloudy ocean, thunder-centred, rosy-verged,
At the lord sun's Sursum Corda, as implicit impulse urged,
Frail as vapour, fine as music, these bright spirit-things emerged;
Like those flocks of small white snowbirds we have seen start up before
Our brisk walk in winter weather by the snowy Scituate shore;
And the tiny shining sea-folk brought you back to me once more.
So we ran down Abaco; and passing that tall sentinel
Black against the sundown, sighted, as the sudden twilight fell,
Nassau light; and the warm darkness breathed on us from breeze and swell.
Stand-by bell and stop of engine; clank of anchor going down;
And we're riding in the roadstead off a twinkling-lighted town,
Low dark shore with boom of breakers and white beach the palm-trees crown.
In the soft wash of the sea air, on the long swing of the tide,
Here for once the dream came true, the voyage ended close beside
The Hesperides in moonlight on mid-ocean where they ride!
And those Hesperidean joy-lands were not strange to you and me.
Just beyond the lost horizon, every time we looked to sea
From Testudo, there they floated, looming plain as plain could be.
Who believed us? 'Myth and fable are a science in our time.'
'Never saw the sea that colour. ''Never heard of such a rhyme.'
Well, we've proved it, prince of idlers,—knowledge wrong and faith sublime.
Right were you to follow fancy, give the vaguer instinct room
In a heaven of clear colour, where the spirit might assume
All her elemental beauty, past the fact of sky or bloom.
Paint the vision, not the view,—the touch that bids the sense good-bye,
Lifting spirit at a bound beyond the frontiers of the eye,
To suburb unguessed dominions of the soul's credulity.
Never yet was painter, poet, born content with things that are,—
Must divine from every beauty other beauties greater far,
Till the arc of truth be circled, and her lantern blaze, a star.
This alone is art's ambition, to arrest with form and hue
Dominant ungrasped ideals, known to credence, hid from view,
In a mimic of creation,—to the life, yet fairer too,—
Where the soul may take her pleasure, contemplate perfection's plan,
And returning bring the tidings of his heritage to man,—
News of continents uncharted she has stood tip-toe to scan.
So she fires his gorgeous fancy with a cadence, with a line,
Till the artist wakes within him, and the toiler grows divine,
Shaping the rough world about him nearer to some fair design.
Every heart must have its Indies,—an inheritance unclaimed
In the unsubstantial treasure of a province never named,
Loved and longed for through a lifetime, dull, laborious, and unfamed,
Never wholly disillusioned. Spiritus, read, haeres sit
Patriæ quæ tristia mescit. This alone the great king writ
O'er the tomb of her he cherished in this fair world she must quit.
Love in one farewell for ever, taking counsel to implore
Best of human benedictions on its dead, could ask no more.
The heart's country for a dwelling, this at last is all our lore.
But the fairies at your cradle gave you craft to build a home
In the wide bright world of colour, with the cunning of a gnome;
Blessed you so above your fellows of the tribe that still must roam.
Still across the world they go, tormented by a strange unrest,
And the unabiding spirit knocks for ever at their breast,
Bidding them away to fortune in some undiscovered West;
While at home you sit and call the Orient up at your command,
Master of the iris seas and Prospero of the purple land.
Listen, here was one world-corner matched the cunning of your hand.
Not, my friend, since we were children, and all wonder-tales were true,—
Jason, Hengest, Hiawatha, fairy prince or pirate crew—
Was there ever such a landing in a country strange and new?
Up the harbour where there gathered, fought and revelled many a year,
Swarthy Spaniard, lost Lucayan, Loyalist, and Buccaneer,
'Once upon a time' was now, and 'far across the sea' was here.
Tropic moonlight, in great floods and fathoms pouring through the trees
On a ground as white as sea-froth its fantastic traceries,
While the poincianas, rustling like the rain, moved in the breeze,
Showed a city, coral-streeted, melting in the mellow shine,
Built of creamstone and enchantment, fairy work in every line,
In a velvet atmosphere that bids the heart her haste resign.
Thanks to Julian Hospitator, saint of travellers by sea,
Roving minstrels and all boatmen,—just such vagabonds as we—
On the shaded wharf we landed, rich in leisure, hale and free.
What more would you for God's creatures, but the little tide of sleep?
In a clean white room I wakened, saw the careless sunlight peep
Through the roses at the window, lay and listened to the creep
Of the soft wind in the shutters, heard the palm-tops stirring high,
And that strange mysterious shuffle of the slipshod foot go by.
In a world all glad with colour, gladdest of all things was I;
In a quiet convent garden, tranquil as the day is long,
Here to sit without intrusion of the world or strife or wrong,—
Watch the lizards chase each other, and the green bird make his song;
Warmed and freshened, lulled yet quickened in that Paradisal air,
Motherly and uncapricious, healing every hurt or care,
Wooing body, mind, and spirit, firmly back to strong and fair;
By the Angelus reminded, silence waits the touch of sound,
As the soul waits her awaking to some Gloria profound;
Till the mighty Southern Cross is lighted at the day's last bound.
And if ever your fair fortune make you good Saint Vincent's guest,
At his door take leave of trouble, welcomed to his decent rest,
Of his ordered peace partaker, by his solace healed and blessed;
Where this flowered cloister garden, hidden from the passing view,
Lies behind its yellow walls in prayer the holy hours through:
And beyond, that fairy harbour, floored in malachite and blue.
In that old white-streeted city gladness has her way at last
Under burdens finely poised, and with a freedom unsurpassed,
Move the naked-footed bearers in the blue day deep and vast.
This is Bay Street broad and low-built, basking in its quiet trade;
Here the sponging fleet is anchored; here shell trinkets are displayed;
Here the cable news is posted daily; here the market's made,
With its oranges from Andros, heaps of yam and tamarind,
Red-juiced shadducks from the Current, ripened in the long trade-wind,
Gaudy fish from their sea-gardens, yellow-tailed and azure-tinned.
Here a group of diving boys in bronze and ivory, bright and slim,
Sparkling copper in the high noon, dripping loin-cloth, polished limb,
Poised a moment and then plunged in that deep daylight green and dim.
Here the great rich Spanish laurels spread across the public square
Their dense, solemn shade; and near by, half within the open glare,
Mannerly in their clean cottons, knots of blacks are waiting there
By the court-house, where a magistrate is hearing cases through,
Dealing justice prompt and level, as the sturdy English do,—
One more tent-peg of the Empire, holding that great shelter true.
Last the picture from the town's end, palmed and foam-fringed through the cane,
Where the gorgeous sunset yellows pour aloft and spill and stain
The pure amethystine sea and far faint islands of the main.
Loveliest of the Lucayas, peace be yours till time be done!
In the gray North I shall see you, with your white streets in the sun,
Old pink walls and purple gateways, where the lizards bask and run,
Where the great hibiscus blossoms in their scarlet loll and glow,
And the idling gay bandannas through the hot noons come and go,
While the ever-stirring sea-wind sways the palm-tops to and fro.
Far from stress and storm for ever, dream behind your jalousies,
While the long white lines of breakers crumble on your reefs and keys,
And the crimson oleanders burn against the peacock seas.

Behind The Arras

I like the old house tolerably well,
Where I must dwell
Like a familiar gnome;
And yet I never shall feel quite at home.
I love to roam.
Day after day I loiter and explore
From door to door;
So many treasures lure
The curious mind. What histories obscure
They must immure!

I hardly know which room I care for best;
This fronting west,
With the strange hills in view,
Where the great sun goes,—where I may go too,
When my lease is through,—

Or this one for the morning and the east,
Where a man may feast
His eyes on looming sails,
And be the first to catch their foreign hails
Or spy their bales

Then the pale summer twilights towards the pole!
It thrills my soul
With wonder and delight,
When gold-green shadows walk the world at night,
So still, so bright.

There at the window many a time of year,
Strange faces peer,
Solemn though not unkind,
Their wits in search of something left behind
Time out of mind;

As if they once had lived here, and stole back
To the window crack
For a peep which seems to say,
'Good fortune, brother, in your house of clay!'
And then, 'Good day!'

I hear their footsteps on the gravel walk,
Their scraps of talk,
And hurrying after, reach
Only the crazy sea-drone of the beach
In endless speech.

And often when the autumn noons are still,
By swale and hill
I see their gipsy signs,
Trespassing somewhere on my border lines;
With what designs?

I forth afoot; but when I reach the place,
Hardly a trace,
Save the soft purple haze
Of smouldering camp-fires, any hint betrays
Who went these ways.

Or tatters of pale aster blue, descried
By the roadside,
Reveal whither they fled;
Or the swamp maples, here and there a shred
Of Indian red.

But most of all, the marvellous tapestry
Engrosses me,
Where such strange things are rife,
Fancies of beasts and flowers, and love and strife,
Woven to the life;

Degraded shapes and splendid seraph forms,
And teeming swarms
Of creatures gauzy dim
That cloud the dusk, and painted fish that swim,
At the weaver's whim;

And wonderful birds that wheel and hang in the air;
And beings with hair,
And moving eyes in the face,
And white bone teeth and hideous grins, who race
From place to place;

They build great temples to their John-a-nod,
And fume and plod
To deck themselves with gold,
And paint themselves like chattels to be sold,
Then turn to mould.

Sometimes they seem almost as real as I;
I hear them sigh;
I see them bow with grief,
Or dance for joy like any aspen leaf;
But that is brief.

They have mad wars and phantom marriages;
Nor seem to guess
There are dimensions still,
Beyond thought's reach, though not beyond love's will,
For soul to fill.

And some I call my friends, and make believe
Their spirits grieve,
Brood, and rejoice with mine;
I talk to them in phrases quaint and fine
Over the wine;

I tell them all my secrets; touch their hands;
One understands
Perhaps. How hard he tries
To speak! And yet those glorious mild eyes,
His best replies!

I even have my cronies, one or two,
My cherished few.
But ah, they do not stay!
For the sun fades them and they pass away,
As I grow gray.


Yet while they last how actual they seem!
Their faces beam;
I give them all their names,
Bertram and Gilbert, Louis, Frank and James,
Each with his aims;


One thinks he is a poet, and writes verse
His friends rehearse;
Another is full of law;
A third sees pictures which his hand can draw
Without a flaw.


Strangest of all, they never rest. Day long
They shift and throng,
Moved by invisible will,
Like a great breath which puffs across my sill,
And then is still;


It shakes my lovely manikins on the wall;
Squall after squall,
Gust upon crowding gust,
It sweeps them willy nilly like blown dust
With glory or lust.


It is the world-ghost, the time-spirit, come
None knows wherefrom,
The viewless draughty tide
And wash of being. I hear it yaw and glide,
And then subside,


Along these ghostly corridors and halls
Like faint footfalls;
The hangings stir in the air;
And when I start and challenge, 'Who goes there?'
It answers, 'Where?'


The wail and sob and moan of the sea's dirge,
Its plangor and surge;
The awful biting sough
Of drifted snows along some arctic bluff,
That veer and luff,


And have the vacant boding human cry,
As they go by;—
Is it a banished soul
Dredging the dark like a distracted mole
Under a knoll?


Like some invisible henchman old and gray,
Day after day
I hear it come and go,
With stealthy swift unmeaning to and fro,
Muttering low,


Ceaseless and daft and terrible and blind,
Like a lost mind.
I often chill with fear
When I bethink me, What if it should peer
At my shoulder here!


Perchance he drives the merry-go-rou nd whose track
Is the zodiac;
His name is No-man's-fri end;
And his gabbling parrot-talk has neither trend,
Beginning, nor end.


A prince of madness too, I'd cry, 'A rat!'
And lunge thereat,—
Let out at one swift thrust
The cunning arch-delusio n of the dust
I so mistrust,


But that I fear I should disclose a face
Wearing the trace
Of my own human guise,
Piteous, unharmful, loving, sad, and wise
With the speaking eyes.


I would the house were rid of his grim pranks,
Moaning from banks
Of pine trees in the moon,
Startling the silence like a demoniac loon
At dead of noon.


Or whispering his fool-talk to the leaves
About my eaves.
And yet how can I know
'T is not a happy Ariel masking so
In mocking woe?


Then with a little broken laugh I say,
Snatching away
The curtain where he grinned
(My feverish sight thought) like a sin unsinned,
'Only the wind!'


Yet often too he steals so softly by.
With half a sigh,
I deem he must be mild,
Fair as a woman, gentle as a child,
And forest wild.


Passing the door where an old wind-harp swings,
With its five strings,
Contrived long years ago
By my first predecessor bent to show
His handcraft so,


He lay his fingers on the aeolian wire,
As a core of fire
Is laid upon the blast
To kindle and glow and fill the purple vast
Of dark at last.


Weird wise, and low, piercing and keen and glad,
Or dim and sad
As a forgotten strain
Born when the broken legions of the rain
Swept through the plain—


He plays, like some dread veiled mysteriarch,
Lighting the dark,
Bidding the spring grow warm,
The gendering merge and loosing of spirit in form,
Peace out of storm.


For music is the sacrament of love;
He broods above
The virgin silence, till
She yields for rapture shuddering, yearning still
To his sweet will.


I hear him sing, 'Your harp is like a mesh,
Woven of flesh
And spread within the shoal
Of life, where runs the tide-race of the soul
In my control.


'Though my wild way may ruin what it bends,
It makes amends
To the frail downy clocks,
Telling their seed a secret that unlocks
The granite rocks.


'The womb of silence to the crave of sound
Is heaven unfound,
Till I, to soothe and slake
Being's most utter and imperious ache,
Bid rhythm awake.


'If with such agonies of bliss, my kin,
I enter in
Your prison house of sense,
With what a joyous freed intelligence
I shall go hence.'


I need no more to guess the weaver's name,
Nor ask his aim,
Who hung each hall and room
With swarthy-ting ed vermilion upon gloom;
I know that loom.


Give me a little space and time enough,
From ravelings rough
I could revive, reweave,
A fabric of beauty art might well believe
Were past retrieve.


O men and women in that rich design,
Sleep-soft, sun-fine,
Dew-tenuous and free,
A tone of the infinite wind-themes of the sea,
Borne in to me,


Reveals how you were woven to the might
Of shadow and light.
You are the dream of One
Who loves to haunt and yet appears to shun
My door in the sun;


As the white roving sea tern fleck and skim
The morning's rim;
Or the dark thrushes clear
Their flutes of music leisurely and sheer,
Then hush to hear.


I know him when the last red brands of day
Smoulder away,
And when the vernal showers
Bring back the heart to all my valley flowers
In the soft hours.


O hand of mine and brain of mine, be yours,
While time endures,
To acquiesce and learn!
For what we best may dare and drudge and yearn,
Let soul discern.


So, fellows, we shall reach the gusty gate,
Early or late,
And part without remorse,
A cadence dying down unto its source
In music's course;


You to the perfect rhythms of flowers and birds,
Colors and words,
The heart-beats of the earth,
To be remoulded always of one worth
From birth to birth;


I to the broken rhythm of thought and man,
The sweep and span
Of memory and hope
About the orbit where they still must grope
For wider scope,


To be through thousand springs restored, renewed,
With love imbrued,
With increments of will
Made strong, perceiving unattainment still
From each new skill.


Always the flawless beauty, always the chord
Of the Overword,
Dominant, pleading, sure,
No truth too small to save and make endure.
No good too poor!


And since no mortal can at last disdain
That sweet refrain,
But lets go strife and care,
Borne like a strain of bird notes on the air,
The wind knows where;


Some quiet April evening soft and strange,
When comes the change
No spirit can deplore,
I shall be one with all I was before,
In death once more.

Above The Gaspereau

To H. E. C.
THERE are sunflowers too in my garden on top of the hill,
Where now in the early September the sun has his will—
The slow autumn sun that goes leisurely, taking his fill
Of life in the orchards and fir-woods so moveless and still;
As if, should they stir, they might break some illusion and spill
The germ of their long summer musing on top of the hill.

The crowds of black spruces in tiers from the valley below,
Ranged round their sky-roofed coliseum, mount row after row.
How often there, rank above rank, they have watched for the slow
Silver-lanterned processions of twilight—the moon's come and go!
How often, as if they expected some bugle to blow,
Announcing a bringer of news they were breathless to know,
They have hushed every leaf,—to hear only the murmurous flow
Of the small mountain river sent up from the valley below!

How still through the sweet summer sun, through the soft summer rain,
They have stood there awaiting the summons should bid them attain
The freedom of knowledge, the last touch of truth to explain
The great golden gist of their brooding, the marvellous train
Of thought they have followed so far, been so strong to sustain,—
The white gospel of sun and the long revelations of rain!

Then the orchards that dot, all in order, the green valley floor,
Every tree with its boughs weighed to earth, like a tent from whose door
Not a lodger looks forth,—yet the signs are there gay and galore,
The great ropes of red fruitage and russet, crisp snow to the core.
Can the dark-eyed Romany here have deserted of yore
Their camp at the coming of frost? Will they seek it no more?
Who dwells in St. Eulalie's village? Who knows the fine lore
Of the tribes of the apple-trees there on the green valley floor?

Who, indeed? From the blue mountain gorge to the dikes by the sea,
Goes that stilly wanderer, small Gaspereau; who but he
Should give the last hint of perfection, the touch that sets free
From the taut string of silence the whisper of beauties to be!
The very sun seems to have tarried, turned back a degree,
To lengthen out noon for the apple folk here by the sea.

What is it? Who comes? What's abroad on the blue mountain side?
A hush has been laid on the leaves and will not be defied.
Is the great Scarlet Hunter at last setting out on his ride
From the North with deliverance now? Were the lights we descried
Last night in the heavens his camp-fire seen far and wide,
The white signal of peace for whose coming the ages have cried?
'Expectancy lingers; fulfilment postponed,' I replied,
When soul said uneasily,'Who is it haunts your hillside?'

All the while not a word from my sunflowers here on the hill.
And to-night when the stars over Blomidon flower and fill
The blue Northern garden of heaven, so pale and so still,
From the lordly king-aster Aldebaran there by the sill
Of the East, where the moonlight will enter, not one will fulfil
A lordlier lot than my sunflowers here on the hill.

So much for mere fact, mere impression. So much I portray
Of the atmosphere, colour, illusion of one autumn day
In the little Acadian valley above the Grand Pré;
Just the quiet of orchards and firs, where the sun had full sway,
And the river went trolling his soft wander-song to the bay,
While roseberry, aster, and sagaban tangled his way.
Be you their interpreter, reasoner; tell what they say,
These children of silence whose patient regard I portray.

You Londoner, walking in Bishopsgate, strolling the Strand,
Some morning in autumn afford, at a fruit-dealer's stand,
The leisure to look at his apples there ruddy and tanned.
Then ask, when he's smiling to serve you, if choice can command
A Gravenstein grown oversea on Canadian land.
(And just for the whim's sake, for once, you'll have no other brand!)
How teach you to tell them? Pick one, and with that in your hand,
Bethink you a while as you turn again into the Strand.

'What if,' you will say,—so smooth in your hand it will lie,
So round and so firm, of so rich a red to the eye,
Like a dash of Fortuny, a tinge of some Indian dye,
While you turn it and toss, mark the bloom, ere you taste it and try—
'Now what if this grew where the same bright pavilion of sky
Is stretched o'er the valley and hillside he bids me descry,
The windless valley of peace, where the seasons go by,
And the river goes down through the orchards where long shadows lie!'

There's the fruit in your hand, in your ears is the roar of the street,
The pulse of an empire keeping its volume and beat,
Its sure come and go day and night, while we sleep or we eat.
Taste the apple, bite in to the juice—how abundant and sweet!
As sound as your own English heart, and wholesome as wheat,—
There grow no such apples as that in your Bishopsgate Street.

Or perhaps in St. Helen's Place, when your business is done
And the ledgers put by, you will think of the hundred and one
Commissions and errands to do; but what under the sun
Was that, so important? Ah, yes! the new books overrun
The old shelves. It is high time to order a new set begun.
Then off to the joiner's. You enter, to see his plane run
With a long high shriek through the lumber he's working upon.
Then he turns from his shavings to query what you would have done.

But homeward 'tis you who make question. That song of the blade!
And the sharp sweet cry of the wood, what an answer it made!
What stories the joiner must hear, as he plies his clean trade,
Of all the wild life of the forest where long shadows wade
The untrodden moss, and the firs send a journeying shade
So slow through the valley so far from the song of his blade.

Come back to my orchards a moment. They're waiting for you.
How still are the little gray leaves where the pippins peep through!
The boughs where the ribstons hang red are half breaking in two.
Above them September in magical soft Northern blue
Has woven the spell of her silence, like frost or like dew,
Yet warm as a poppy's red dream. When All Saints shall renew
The beauty of summer a while, will their dreaming come true?
Ah, not of my Grand Pré they dream, nor your London and you!

Their life is their own, and the surge of it. All through the spring
They pushed forth their buds, and the rainbirds at twilight would sing.
They put forth their bloom, and the world was as fairy a thing
As a Japanese garden. Then midsummer came with the zing
And the clack of the locust; then fruit time and coolness, to bring
This aftermath deep underfoot with its velvety spring.

And they all the while with the fatherly, motherly care,
Taking sap from the strength of the ground, taking sun from the air,
Taking chance of the frost and the worm, taking courage to dare,
Have given their life that the life might be goodly and fair
In their kind for the seasons to come, with good witness to bear
How the sturdy old race of the apples could give and not spare.
To-morrow the harvest begins. We shall rifle them there
Of the beautiful fruit of their bodies, the crown of their care.

How lovingly then shall the picker set hand to the bough!—
Bid it yield, ere the seed come to earth or the graft to the plough,
Not only sweet life for its kind, as the instincts allow,
That savour and shape may survive generations from now,
But life to its kin who can say, 'I am stronger than thou,'—
Fulfilling a lordlier law than the law of the bough.

I heard before dawn, with planets beginning to quail,—
'Whoso hath life, let him give, that my purpose prevail;
Whoso hath none, let him take, that his strength may be hale.
Behold, I have reckoned the tally, I keep the full tale.
Whoso hath love, let him give, lest his spirit grow stale;
Whoso hath none, let him die; he shall wither and fail.
Behold, I will plenish the loss at the turn of the scale.
He hath law to himself, who hath love; ye shall hope and not quail.'

Then the sun arose, and my sunflowers here on the hill,
Like good little Catholics, turned to the East to fulfil
Their daily observance, receiving his peace and his will,—
The lord of their light who alone bids the darkness be nil,
The lord of their love who alone bids the life in them thrill;
Undismayed and serene, they awaited him here on the hill.

Ah, the patience of earth! Look down at the dark pointed firs;
They are carved out of blackness; one pattern recurs and recurs.
They crowd all the gullies and hillsides, the gashes and spurs,
As silent as death. What an image! How nature avers
The goodness of calm with that taciturn beauty of hers!
As silent as sleep. Yet the life in them climbs and stirs.
They too have received the great law, know that haste but defers
The perfection of time,—the initiate gospeller firs.

So year after year, slow ring upon ring, they have grown,
Putting infinite long-loving care into leafage and cone,
By the old ancient craft of the earth they have pondered and known
In the dead of the hot summer noons, as still as a stone.
Not for them the gay fruit of the thorn, nor the high scarlet roan,
Nor the plots of the deep orchard land where the apples are grown.

In winter the wind, all huddled and shuddering, came
To warm his old bones by the fires of sunset aflame
Behind the black house of the firs. When the moose-birds grew tame
In the lumberers' camps in the woods, what marvellous fame
His talk and the ice of his touch would spread and proclaim,
Of the berg and the floe and the lands without nation or name,
Where the earth and the sky, night and noon, north and south are the same,
The white and awful Nirvana of cold whence he came!

Then April, some twilight picked out with a great yellow star,
Returning, like Hylas long lost and come back with his jar
Of sweet living water at last, having wandered so far,
Leads the heart out of doors, and the eye to the point of a spar,
At whose base in the half-melted snow the first Mayflowers are,—
And there the first robin is pealing below the great star.

So soon, over-soon, the full summer. Within those dark boughs,
Deliberate and far, a faltering reed-note will rouse
The shy transports of earth, till the wood-creatures hear where they house,
And grow bold as the tremble-eared rabbits that nibble and mouse.
While up through the pasture-lot, startling the sheep as they browse,
Where kingbirds and warblers are piercing the heat's golden drowse,
Some girl, whom the sun has made tawny, the wind had to blowse,
Will come there to gentle her lover beneath those dark boughs.

Then out of the hush, when the grasses are frosty and old,
Will the chickadee's tiny alarm against winter be rolled;
And soon, when the ledges and ponds are bitten with cold,
The honk of the geese, that wander-cry stirring and bold,
Will sound through the night, where those hardy mariners hold
The uncharted course through the dark, as it was from of old.

Ah, the life of the woods, how they share and partake of it all,
These evergreens, silent as Indians, solemn and tall!
From the goldenwing's first far-heard awakening call,
The serene flute of the thrush in his high beech hall,
And the pipe of the frog, to the bannered approach of the fall,
And the sullen wind, when snow arrives on a squall,
Trooping in all night from the North with news would appal
Any outposts but these; with a zest they partake of it all.

Lo, out of the hush they seem to mount and aspire!
From basement to tip they have builded, with heed to go higher,
One circlet of branches a year with their lift of green spire.
Nay, rather they seem to repose, having done with desire,
Awaiting the frost, with the fruit scarlet-bright on the brier,
Each purpose fulfilled, each ardour that bade them aspire.

Then hate be afar from the bite of the axe that shall fell
These keepers of solitude, makers of quiet, who dwell
On the Slopes of the North. And clean be the hand that shall quel
The tread of the sap that was wont to go mounting so well,
Round on round with the sun in a spiral, slow cell after cell,
As a bellringer climbs in a turret. That resinous smell
From the eighth angel's hand might have risen with the incense to swell
His offering in heaven, when the half-hour's silence befell.

Behold, as the prayers of the saints that went up to God's knees
In John's Revelation, the silence and patience of these
Our brothers of orchard and hill, the unhurrying trees,
To better the burden of earth till the dark suns freeze,
Shall go out to the stars with the sound of Acadian seas,
And the scent of the wood-flowers blowing about their great knees.

To-night when Altair and Alshain are ruling the West,
Whence Boötes is driving his dogs to long hunting addressed;
With Alioth sheer over Blomidon standing at rest;
When Algol is leading the Pleiades over the crest
Of the magical East, and the South puts Alpherat to test
With Menkar just risen; will come, like a sigh from Earth's breast,
The first sob of the tide turning home,—one distraught in his quest
For ever, and calling for ever the wind in the west.

And to-night there will answer the ghost of a sigh on the hill,
So small you would say, Is it wind, or the frost with a will
Walking down through the woods, and to-morrow shall show us his skill
In yellows and reds? So noiseless, it hardly will thrill
The timorous aspens, which tremble when all else is still;
Yet the orchards will know, and the firs be aware on the hill.

'O Night, I am old, I endure. Since my being began,
When out of the dark thy aurora spread up like a fan,
I have founded the lands and the islands; the hills are my plan.
I have covered the pits of the earth with my bridge of one span.
From the Horn to Dunedin unbroken my long rollers ran,
From Pentland and Fastnet and Foyle to Bras d'Or and Manan,
To dredge and upbuild for the creatures of tribe and of clan.
Lo, now who shall end the contriving my fingers began?'

Then the little wind that blows from the great star-drift
Will answer: 'Thou tide in the least of the planets I lift,
Consider the journeys of light. Are thy journeyings swift?
Thy sands are as smoke to the star-banks I huddle and shift.
Peace! I have seeds of the grasses to scatter and sift.
I have freighting to do for the weed and the frail thistle drift.

'O ye apples and firs, great and small are as one in the end.
Because ye had life to the full, and spared not to spend;
Because ye had love of your kind, to cherish and fend;
Held hard the good instinct to thrive, cleaving close to life's trend;
Nor questioned where impulse had origin,—purpose might tend;
Now, beauty is yours, and the freedom whose promptings transcend
Attainment for ever, in death with new being to blend.
O ye orchards and woods, death is naught, love is all in the end.'

Ah, friend of mine over the sea, shall we not discern,
In the life of our brother the beech and our sister the fern,
As St. Francis would call them (his Minorites, too, would we learn!)
In death but a door to new being no creature may spurn,
But must enter for beauty's completion,—pass up in his turn
To the last round of joy, yours and mine, whence to think and discern?

Who shall say 'the last round'? Have I passed by the exit of soul?
From behind the tall door that swings outward, replies no patrol
To our restless Qui vive? when is paid each implacable toll.
Not a fin of the tribes shall return, having cleared the great shoal;
Not a wing of the migrants come back from below the dark knoll;
Yet the zest of the flight and the swimming who fails to extol?
Saith the Riddle, 'The parts are all plain; ye may guess at the whole.'
I guess, 'Immortality, knowledge, survival of Soul.'

To-night, with the orchards below and the firs on the hill
Asleep in the long solemn moonlight and taking no ill,
A hand will open the sluice of the great sea-mill,—
Start the gear and the belts of the tide. Then a murmur will fill
The hollows of midnight with sound, when all else is still,
And stray through the dream of the sunflowers here on the hill.