Poems on Red

Red slippers in a shop-window, and outside in the
street, flaws of grey,
windy sleet!

by Amy Lowell.

The rose that blushes rosy red,
She must hang her head;
The lily that blows spotless white,
She may stand upright.

by Christina Georgina Rossetti.

Crimson curtains round my mother's bed,
Silken soft as may be;
Cool white curtains round about my bed,
For I am but a baby.

by Christina Georgina Rossetti.

Many red devils ran from my heart
And out upon the page,
They were so tiny
The pen could mash them.
And many struggled in the ink.
It was strange
To write in this red muck
Of things from my heart.

by Stephen Crane.

469

The Red—Blaze—is the Morning—
The Violet—is Noon—
The Yellow—Day—is falling—
And after that—is none—

But Miles of Sparks—at Evening—
Reveal the Width that burned—
The Territory Argent—that
Never yet—consumed—

by Emily Dickinson.

595

Like Mighty Foot Lights—burned the Red
At Bases of the Trees—
The far Theatricals of Day
Exhibiting—to These—

'Twas Universe—that did applaud—
While Chiefest—of the Crowd—
Enabled by his Royal Dress—
Myself distinguished God—

by Emily Dickinson.

Red flags the reason for pretty flags.
And ribbons.
Ribbons of flags
And wearing material
Reason for wearing material.
Give pleasure.
Can you give me the regions.
The regions and the land.
The regions and wheels.
All wheels are perfect.
Enthusiasm.

by Gertrude Stein.

Whole Gulfs - of Red, and Fleets - of Red -
And Crews - of solid Blood -
Did place upon the West - Tonight -
As 'twere specific Ground -

And They - appointed Creatures -
In Authorized Arrays -
Due - promptly - as a Drama -
That bows - and disappears -

by Emily Dickinson.

A dark grey, a very dark grey, a quite dark grey is monstrous ordinarily, it is so monstrous because there is no red in it. If red is in everything it is not necessary. Is that not an argument for any use of it and even so is there any place that is better, is there any place that has so much stretched out.

by Gertrude Stein.

Roses blushing red and white,
For delight;
Honeysuckle wreaths above,
For love;
Dim sweet-scented heliotrope,
For hope;
Shining lilies tall and straight,
For royal state;
Dusky pansies, let them be
For memory;
With violets of fragrant breath,
For death.

by Christina Georgina Rossetti.

There was crimson clash of war.
Lands turned black and bare;
Women wept;
Babes ran, wondering.
There came one who understood not these things.
He said, "Why is this?"
Whereupon a million strove to answer him.
There was such intricate clamour of tongues,
That still the reason was not.

by Stephen Crane.

When the summer sky is a tent of blue,
And rosy June is the regnant queen,
A crimson shuttle, he flashes through
The leafy warp of the forest green.

And the thread of a sweet song follows him,
In mazy tangles of shade and sun,
And stretches away in the distance dim-
And the bonny bird, and the song- are one!

by Andrew Jackson Downing.

15

The Guest is gold and crimson—
An Opal guest and gray—
Of Ermine is his doublet—
His Capuchin gay—

He reaches town at nightfall—
He stops at every door—
Who looks for him at morning
I pray him too—explore
The Lark's pure territory—
Or the Lapwing's shore!

by Emily Dickinson.

Now in the west is spread
A golden bed;
Great purple curtains hang around,
With fiery fringes bound,
And cushions, crimson red,
For Phœbus' lovely head;
And as he sinks through waves of amber light,
Down to the crystal halls of Amphitrite,
Hesper leads forth his starry legions bright
Into the violet fields of air—Good night!

by Frances Anne Kemble.

656

The name—of it—is 'Autumn'—
The hue—of it—is Blood—
An Artery—upon the Hill—
A Vein—along the Road—

Great Globules—in the Alleys—
And Oh, the Shower of Stain—
When Winds—upset the Basin—
And spill the Scarlet Rain—

It sprinkles Bonnets—far below—
It gathers ruddy Pools—
Then—eddies like a Rose—away—
Upon Vermilion Wheels—

by Emily Dickinson.

That is the current that makes machinery, that makes it crackle, what is the current that presents a long line and a necessary waist. What is this current.

What is the wind, what is it.

Where is the serene length, it is there and a dark place is not a dark place, only a white and red are black, only a yellow and green are blue, a pink is scarlet, a bow is every color. A line distinguishes it. A line just distinguishes it.

by Gertrude Stein.

What is the current that makes machinery, that makes it crackle, what is the current that presents a long line and a necessary waist. What is this current.

What is the wind, what is it.

Where is the serene length, it is there and a dark place is not a dark place, only a white and red are black, only a yellow and green are blue, a pink is scarlet, a bow is every color. A line distinguishes it. A line just distinguishes it.

by Gertrude Stein.

The rain gullies the garden paths
And tinkles on the broad sides of grass blades.
A tree, at the end of my arm, is hazy with mist.
Even so, I can see that it has red berries,
A scarlet fruit,
Filmed over with moisture.
It seems as though the rain,
Dripping from it,
Should be tinged with colour.
I desire the berries,
But, in the mist, I only scratch my hand on the thorns.
Probably, too, they are bitter.

by Amy Lowell.

NOW come the rosy dogwoods,
The golden tulip-tree,
And the scarlet yellow maple,
To make a day for me.
The ash-trees on the ridges,
The alders in the swamp,
Put on their red and purple
To join the autumn pomp.
The woodbine hangs her crimson
Along the pasture wall,
And all the bannered sumacs
Have heard the frosty call.
Who then so dead to valor
As not to raise a cheer,
When all the woods are marching
In triumph of the year?

by Bliss William Carman.

There is something in the autumn that is native to my blood—
Touch of manner, hint of mood;
And my heart is like a rhyme,
With the yellow and the purple and the crimson keeping time.

The scarlet of the maples can shake me like a cry
Of bugles going by.
And my lonely spirit thrills
To see the frosty asters like a smoke upon the hills.

There is something in October sets the gypsy blood astir;
We must rise and follow her,
When from every hill of flame
She calls and calls each vagabond by name.

by Bliss William Carman.

Snow is a strange white word.
No ice or frost
Has asked of bud or bird
For Winter's cost.

Yet ice and frost and snow
From earth to sky
This Summer land doth know.
No man knows why.

In all men's hearts it is.
Some spirit old
Hath turned with malign kiss
Our lives to mould.

Red fangs have torn His face.
God's blood is shed.
He mourns from His lone place
His children dead.

O! ancient crimson curse!
Corrode, consume.
Give back this universe
Its pristine bloom.

by Isaac Rosenberg.

'A cup for hope!' she said,
In springtime ere the bloom was old:
The crimson wine was poor and cold
By her mouth's richer red.


'A cup for love!' how low,
How soft the words; and all the while
Her blush was rippling with a smile
Like summer after snow.


'A cup for memory!'
Cold cup that one must drain alone:
While autumn winds are up and moan
Across the barren sea.


Hope, memory, love:
Hope for fair morn, and love for day,
And memory for the evening grey
And solitary dove.

by Christina Georgina Rossetti.

74

A Lady red—amid the Hill
Her annual secret keeps!
A Lady white, within the Field
In placid Lily sleeps!

The tidy Breezes, with their Brooms—
Sweep vale—and hill—and tree!
Prithee, My pretty Housewives!
Who may expected be?

The Neighbors do not yet suspect!
The Woods exchange a smile!
Orchard, and Buttercup, and Bird—
In such a little while!

And yet, how still the Landscape stands!
How nonchalant the Hedge!
As if the "Resurrection"
Were nothing very strange!

by Emily Dickinson.

Now sleeps the crimson petal, now the white;
Nor waves the cypress in the palace walk;
Nor winks the gold fin in the porphyry font;
The firefly wakens, waken thou with me.

Now droops the milk-white peacock like a ghost,
And like a ghost she glimmers on to me.

Now lies the Earth all Danae to the stars,
And all thy heart lies open unto me.

Now slides the silent meteor on, and leaves
A shining furrow, as thy thoughts, in me.

Now folds the lily all her sweetness up,
And slips into the bosom of the lake.
So fold thyself, my dearest, thou, and slip
Into my bosom and be lost in me.

by Alfred Lord Tennyson.

Guarded within the old red wall's embrace,
Marshalled like soldiers in gay company,
The tulips stand arrayed. Here infantry
Wheels out into the sunlight. What bold grace
Sets off their tunics, white with crimson lace!
Here are platoons of gold-frocked cavalry,
With scarlet sabres tossing in the eye
Of purple batteries, every gun in place.
Forward they come, with flaunting colours spread,
With torches burning, stepping out in time
To some quick, unheard march. Our ears are dead,
We cannot catch the tune. In pantomime
Parades that army. With our utmost powers
We hear the wind stream through a bed of flowers.

by Amy Lowell.

There was a red star stone, old poets feign,
Hung on the neck of Helen, the most fair
Of women, the world's wonder; gathering there,
Dripped ever one bright drop of blood; like rain
That ere it fails blows into mist again.
The crimson gout melted to roseate air,
And that divine white bosom, proudly bare,
Of all the woe it cost bore never a stain.
So you, serene and beauteous lady, rove
'Mid throngs of luckless ones who gaze and die.
And not a tremor of heartbreak, not a sigh
Nor strangling sob of strong men whelmed in love
Avails your calm heart by one beat to move
Or dims the cloudless heaven of your eye.

by John Hay.

The hush of death is on the night. The corn,
That loves to whisper to the wind; the leaves,
That dance with it, are silent: one perceives
No motion mid the fields, as dry as horn.
What light is that? It cannot be the morn!
Yet in the east it seems its witchcraft weaves
A fiery rose. Look! how it grows! it heaves
And flames and tosses! 'Tis a burning barn!
And now the night is rent with shouts and shots.
Dark forms and faces hurry past. The gloom
Gallops with riders. Homes are less than straw
Before this madness: human lives, mere lots
Flung in and juggled from the cap of Doom,
Where Crime stamps yelling on the face of Law.

by Madison Julius Cawein.

Now sleeps the crimson petal, now the white;
Nor waves the cypress in the palace walk;
Nor winks the gold fin in the porphyry font:
The fire-fly wakens: waken thou with me.
Now droops the milk-white peacock like a ghost,
And like a ghost she glimmers on to me.
Now lies the earth all Danaë to the stars,
And all thy heart lies open unto me.
Now slides the silent meteor on, and leaves
A shining furrow, as thy thoughts in me.

Now folds the lily all her sweetness up,
And slips into the bosom of the lake:
So fold thyself, my dearest, thou, and slip
Into my bosom and be lost in me.

by Alfred Lord Tennyson.

Dearest, forgive that with my clumsy touch
I broke and bruised your rose.
I hardly could suppose
It were a thing so fragile that my clutch
Could kill it, thus.

It stood so proudly up upon its stem,
I knew no thought of fear,
And coming very near
Fell, overbalanced, to your garment's hem,
Tearing it down.

Now, stooping, I upgather, one by one,
The crimson petals, all
Outspread about my fall.
They hold their fragrance still, a blood-red cone
Of memory.

And with my words I carve a little jar
To keep their scented dust,
Which, opening, you must
Breathe to your soul, and, breathing, know me far
More grieved than you.

by Amy Lowell.

The dying sunset's slanting rays
Incarnadine the soldier's deed,
His sturdy countenance betrays
The bull-dog breed.

Not his to shun the stubborn fight,
The struggle against cruel odds.
Alone, unaided 'tis a sight
For men and gods.

And now his back is bowed and bent,
Now stooping, now erect he stands,
And now the red life blood is sprent
From both his hands.

He takes his enemies on trust
As one who sees and yet is blind,
For every mutilating thrust
Comes from behind.

'Tis done ! The dying sun has gone,
But triumph fills the soldier's breast.
He's sewn his back brace button on
While fully dressed.

by Jessie Pope.

Over the plains where Persian hosts
Laid down their lives for glory
Flutter the cyclamens, like ghosts
That witness to their story.
Oh, fair! Oh, white! Oh, pure as snow!
On countless graves how sweet they grow!

Or crimson, like the cruel wounds
From which the life-blood, flowing,
Poured out where now on grassy mounds
The low, soft winds are blowing:
Oh, fair! Oh, red! Like blood of slain;
Not even time can cleanse that stain.

But when my dear these blossoms holds,
All loveliness her dower,
All woe and joy the past enfolds
In her find fullest flower.
Oh, fair! Oh, pure! Oh, white and red!
If she but live, what are the dead!

by Arlo Bates.

It is a sad and cruel fate the country’s coming to,
And there’s no use in striking, ‘so what are we to do?’
“I know what we could do, but then, there might be traitors near,
And things are running in my head that only mates should hear!”
The world cannot go on like this, in spite of all that’s said,
And millions now are waiting for – the Waving of the Red.

“Last night as I lay slipping out a vision came to me;
A girl with face as fair and grand as ever man might see –
Her form was like the statues raised to Liberty in France,
And in her hand a blood-red flag was wrapped around a lance.
She shook the grand old colour loose, she smiled at me and said;
“Go bid your brothers gather for the Waving of the Red.”

by Henry Lawson.

`Roses crimson, roses white,
Deadly pale or lovely blushing,
Both in love with May at sight,
And their maiden blood is rushing
To and fro in hope to hide
Tumult it but thus discloses.
Bring the Bridegroom to the Bride!
Everywhere are roses, roses.'

`Every wall is white with roses
`Every wall is white with roses,
Linnets pair in every tree;
Brim your beakers, twine your posies,
Kiss and quaff ere Springtime closes;
Bloom and beauty quickly flee.'

`Nay, let me sleep, or, best, be stone or steel
`Nay, let me sleep, or, best, be stone or steel,
While still endures this infamy of woe.
My one sole bliss is nor to see nor feel:
So, wake me not; and, lest you should, speak low.'

by Alfred Austin.

Through the red dusk of war they flew
From Shiloh to the sea.
Black fumes from shattered bolts that blew
Withered the colors three,
And crimson rains made sombre stains.

For every flag a grave—yes, more—
For each a score of graves.
Crossed are the heroes' hands that bore,
No wind the furled folds waves.
Sweet be their rest, by soft peace blest.

Is there no end? What mighty host
Of spirits ranged for war
The signal of the Holy Ghost
Shall summon hence afar!
Vast armies wait in solemn state.

Where valor fights for freedom—there,
Till the last slave is free,
These ragged flags will float in air,
There will our heroes be.
And shall we dare fight with them there?

by Harriet Monroe.

Oh, Mignon's mouth is like a rose,
A red, red rose, that half uncurls
Sweet petals o'er a crimson bee:
Or like a shell, that, opening, shows
Within its rosy curve white pearls,
White rows of pearls,
Is Mignon's mouth that smiles at me.

Oh, Mignon's eyes are like blue gems,
Two azure gems, that gleam and glow,
Soft sapphires set in ivory:
Or like twin violets, whose stems
Bloom blue beneath the covering snow,
The lidded snow,
Are Mignon's eyes that laugh at me.

O mouth of Mignon, Mignon's eyes!
O eyes of violet, mouth of fire!
Within which lies all ecstasy
Of tears and kisses and of sighs:
O mouth, O eyes, and O desire,
O love's desire,
Have mercy on the soul of me!

by Madison Julius Cawein.

The alder by the river
Shakes out her powdery curls;
The willow buds in silver
For little boys and girls.

The little birds fly over
And oh, how sweet they sing!
To tell the happy children
That once again ’tis spring.

The gay green grass comes creeping
So soft beneath their feet;
The frogs begin to ripple
A music clear and sweet.

And buttercups are coming,
And scarlet columbine,
And in the sunny meadows
The dandelions shine.

And just as many daisies
As their soft hands can hold
The little ones may gather,
All fair in white and gold.

Here blows the warm red clover,
There peeps the violet blue;
O happy little children!
God made them all for you.

by Celia Thaxter.

Sweet little myth of the nursery story--
Earliest love of mine infantile breast,
Be something tangible, bloom in thy glory
Into existence, as thou art addressed!
Hasten! appear to me, guileless and good--
Thou are so dear to me, Red Riding-Hood!

Azure-blue eyes, in a marvel of wonder,
Over the dawn of a blush breaking out;
Sensitive nose, with a little smile under
Trying to hide in a blossoming pout--
Couldn't be serious, try as you would,
Little mysterious Red Riding-Hood!

Hah! little girl, it is desolate, lonely,
Out in this gloomy old forest of Life!--
Here are not pansies and buttercups only--
Brambles and briers as keen as a knife;
And a Heart, ravenous, trails in the wood
For the meal have he must,--Red Riding-Hood!

by James Whitcomb Riley.

OUT upon the bleak hillside, the bleak hillside, he lay--
Her lips were red, and red the stream that slipped his life away.
Ah, crimson, crimson were her lips, but his were turning gray.

The troubled sky seemed bending low, bending low to hide
The foam-white face so wild upturned from off the bleak hillside--
White as the beaten foam her face, and she was wond'rous eyed.

The soft, south-wind came creeping up, creeping stealthily
To breathe upon his clay-cold face--but all too cold was he,
Too cold for you to warm, south-wind, since cold at heart was she!

Sweet morning peeped above the hill, above the hill to find
The shattered, useless, godlike thing the night had left behind--
Wept the sweet morn her crystal tears that love should prove unkind!

by Isabel Ecclestone Mackay.

'Heaven lies about us in our infancy.'

Sweet child of fairy land! since first
I dwelt, with tearful eye,
Upon the page that tells thy tale,
Long years have glided by.

Then, in thy fabled history,
No marvel could I see;
For then the worlds of thought and sense
Were fairy lands to me.

The fields and meadows were as bright
As those where thou didst stray; -
And gaily through their tangled flowers,
Like thee I took my way.

And while I walked that sunny path,
Nor doubt nor fear was mine;
For childhood's trustfulness and faith
Are ever strong, like thine.

Alas! that coming years should throw
Dark shadows o'er our way;
And leave us with this aching sense
Of glory passed away.

by Anne Charlotte Lynch Botta.

Wondering maiden, so puzzled and fair,
Why dost thou murmur and ponder and stare?
'Why are my eyelids so open and wild?'
Only the better to see with, my child!
Only the better and clearer to view
Cheeks that are rosy and eyes that are blue.

Dost thou still wonder, and ask why these arms
Fill thy soft bosom with tender alarms,
Swaying so wickedly? Are they misplaced
Clasping or shielding some delicate waist?
Hands whose coarse sinews may fill you with fear
Only the better protect you, my dear!

Little Red Riding-Hood, when in the street,
Why do I press your small hand when we meet?
Why, when you timidly offered your cheek,
Why did I sigh, and why didn't I speak?
Why, well: you see--if the truth must appear--
I'm not your grandmother, Riding-Hood, dear!

by Francis Bret Harte.