Victor James Daley: Verses about Sleep

These are the flowers of sleep
That nod in the heavy noon,
Ere the brown shades eastward creep
To a drowsy and dreamful tune—
These are the flowers of sleep.

Love’s lilies are passion-pale,
But these on the sun-kissed flood
Of the corn, that rolls breast deep,
Burn redder than drops of blood
On a dead king’s golden mail.

Heart’s dearest, I would that we
These blooms of forgetfulness
Might bind on our brows, and steep
Our love in Lethe ere less
Grow its flame with thee or me.

When Time with his evil eye
The beautiful Love has slain,
There is nought to gain or keep
Thereafter, and all is vain.
Should we wait to see Love die?

Sweetheart, of the joys men reap
We have reaped; ’tis time to rest.
Why should we wake but to weep?
Sleep and forgetting is best—
These are the flowers of sleep.

Unto the Person kind there came
A young girl bearing her fruit of shame:
She fell and it had to pay the price -
Innocent Lamb of Sacrifice!

Lovingly then the Person smiled,
Gazing upon the face of the child;
Smiled like an ogress - 'Don't despond! -
I am of children all too fond.'

Then said the mother, speaking low,
Kissing the babe she had born in woe:
'Treat him tenderly-nurse him well.'
Hotly the tears on the baby fell.

Taking the mother's coin with a leer
Ogress remarked: 'Don't cry, my dear,
Motherly persons to me are known,
One is named Wood and another Stone.

'Either of them will your baby keep
Hushing him into a soft, long sleep,
Crooning a lonesome lullaby song;
They have been used to children long.'

Cold and yet kind was the nurse's breast;
Cold fell the rain on the babe at rest;
Pale was his face as an immortelle,
Old Mother Doorstep had nursed him well.

The pale discrowned stacks of maize,
   Like spectres in the sun,
Stand shivering nigh Avonaise,
   Where all is dead and gone.

The sere leaves make a music vain,
   With melancholy chords;
Like cries from some old battle-plain,
   Like clash of phantom swords.

But when the maize was lush and green
   With musical green waves,
She went, its plumed ranks between,
   Unto the hill of graves.

There you may see sweet flowers set
   O'er damsels and o'er dames --
Rose, Ellen, Mary, Margaret --
   The sweet old quiet names.

The gravestones show in long array,
   Though white or green with moss,
How linked in Life and Death are they --
   The Shamrock and the Cross.

The gravestones face the Golden East,
   And in the morn they take
The blessing of the Great High Priest,
   Before the living wake.

Who was she? Never ask her name,
   Her beauty and her grace
Have passed, with her poor little shame,
   Into the Silent Place.

In Avonaise, in Avonaise,
   Where all is dead and done,
The folk who rest there all their days
   Care not for moon or sun.

They care not, when the living pass,
   Whether they sigh or smile;
They hear above their graves the grass
   That sighs -- "A little while!"

A white stone marks her small green bed
   With "Anna" and "Adieu".
Madonna Mary, rest her head
   On your dear lap of blue!

The red sun on the lonely lands
   Gazed, under clouds of rose,
As one who under knitted hands
   Takes one last look and goes.

Then Pain, with her white sister Fear,
   Crept nearer to my bed:
"The sands are running; dost thou hear
   Thy sobbing heart?" she said.

There came a rider to the gate,
   And stern and clear spake he:
"For meat or drink thou must not wait,
   But rise and ride with me."

I waited not for meat or drink,
   Or kiss, or farewell kind --
But oh! my heart was sore to think
   Of friends I left behind.

We rode o'er hills that seemed to sweep
   Skyward like swelling waves;
The living stirred not in their sleep,
   The dead slept in their graves.

And ever as we rode I heard
   A moan of anguish sore --
No voice of man or beast or bird,
   But all of these and more.

"Is it the moaning of the Earth?
   Dark Rider, answer me!"
"It is the cry of life at birth"
   He answered quietly:

"But thou canst turn a face of cheer
   To good days still in store;
Thou needst not care for Pain or Fear --
   They cannot harm thee more."

Yet I rode on with sullen heart,
   And said with breaking breath,
"If thou art he I think thou art,
   Then slay me now, O Death!"

The veil was from my eyesight drawn --
   "Thou knowest now," said he:
"I am the Angel of the Dawn!
   Ride back, and wait for me."

So I rode back at morning light,
   And there, beside my bed,
Fear had become a lily white
   And Pain a rose of red.

Not only on cross and gibbet,
By sword, and fire, and flood,
Have perished the world’s sad martyrs
Whose names are writ in blood.

A woman lay in a hovel,
Mean, dismal, gasping for breath;
One friend alone was beside her—
The name of him was—Death.

For the sake of her orphan children,
For money to buy them food,
She had slaved in the dismal hovel
And wasted her womanhood.

Winter and Spring and Summer
Came each with a load of cares;
And Autumn to her brought only
A harvest of gray hairs.

Far out in the blessèd country,
Beyond the smoky town,
The winds of God were blowing
Evermore up and down;

The trees were waving signals
Of joy from the bush beyond;
The gum its blue-green banner,
The fern its dark green frond;

Flower called to flower in whispers
By sweet caressing names,
And young gum shoots sprang upward
Like woodland altar-flames;

And, deep in the distant ranges,
The magpie’s fluting song
Roused musical, mocking echoes
In the woods of Dandenong;

And riders were galloping gaily
With loose-held flowing reins,
Through dim and shadowy gullies,
Across broad, treeless plains;

And winds through the Heads came wafting
A breath of life from the sea,
And over the blue horizon
The ships sailed silently;

And out of the sea at morning
The sun rose, golden bright,
And in crimson, and gold, and purple
Sank in the sea at night;

But in dreams alone she saw them,
Her hours of toil between;
For life to her was only
A heartless dead machine.

Her heart was in the graveyard
Where lay her children three,
Nor work nor prayer could save them,
Nor tears of agony.

On the lips of her last and dearest
Pressing a farewell kiss,
She cried aloud in her anguish—
“Can God make amends for this?”

Dull, desperate, ceaseless slaving
Bereft her of power to pray,
And Man was careless and cruel,
And God was far away.

But who shall measure His mercies!
His ways are in the deep;
And, after a life of sorrow,
He gave her His gift of sleep.

Rest comes at last to the weary,
And freedom to the slave;
Her tired and worn-out body
Sleeps well in its pauper grave.

But His angel bore her soul up
To that Bright Land and Fair,
Where Sorrow enters never,
Nor any cloud of Care.

They came to a lovely valley,
Agleam with asphodel,
And the soul of the woman speaking
Said—“Here I fain would dwell!”

The Angel answered gently:
“O Soul most pure and dear,
O Soul most tried and truest,
They dwelling is not here!

“Behold thy place appointed—
Long kept, long waiting—come!—
Where bloom on the hills of heaven
The roses of Martyrdom!’

Half waking and half dreaming,
While starry lamps hung low
I saw a vision splendid
Upon the darkness glow.

The Capital Australian,
With waving banners plumed -
A shining flower of marble -
Magnificently bloomed.

Beside a snow-fed river
'Twas built in fashion rare -
Upon a lofty mountain,
All in a valley fair.

The stately ships were sailing,
Like brides with flowing trains,
To seek its secret harbor
Amidst Australian plains.

And all around it flourished
Luxuriantly free,
The giant gum and mangrove,
The crimson desert-pea.

And I beheld a building
That made a stately show -
The National Australian
Head Poetry Bureau.

I gazed upon that Building
With trembling joy aghast;
The long-felt want of ages
Was filled (I thought) at last.

No more the Native Poet
Need wildly beat his head
For lofty lyric measures
To buy him beer and bed.

Now he would lodge right nobly
And sleep serene, secure,
All in a chamber filled with
Adhesive furniture.

For never foot of Bailiff
Should pass his threshold o'er,
And never knock of landlord
Sound direful on his door.

The State should also aid him
To build his lofty rhyme
On lordly eggs-and-bacon,
And sausages sublime.

And he should drink no longer
Cheap beer at common bar,
But royal wine of Wunghnu
At two-and-nine the jar.

It was a vision splendid,
And brighter still did grow
When I was made the Chief of
The Poetry Bureau.

They clad me all in purple,
They hung me with festoons,
My singing-robes were spangled
With aluminium moons.

And, as a sign of genius
Above the common kind,
A wreath of gilded laurel
Around my hat they twined.

They also gave me power to
The grain sift from the chaff,
And choose at my large pleasure
My own poetic staff.

Then straightaway I appointed
To chant by day and night,
The brilliant young Australian
Who sang 'The Land of Light.'

I also gave in fashion
Hilariously free,
The Girl and Horse Department
In charge of Ogilvie.

And on the roof-ridge Brady
Sang salt-junk chanties great
To cheer the stout sea-lawyers
Who sail the Ship of State.

And tender-hearted Lawson
Sang everybody's wrongs;
And Brennan, in the basement,
Crooned weird, symbolic songs.

And on the throne beside me,
Above the common din,
He sang his Songs of Beauty,
My friend, the poet Quinn.

Our own Australian artists
Made beautiful its halls -
The mighty steeds of Mahony
Pranced proudly on the walls.

Tom Roberts, he was there, too,
With painted portraits fine
Of men of light and leading -
Me, and some friends of mine.

And Souter's Leering Lady,
'Neath hat and over fan,
With Souter's cat was ogling
His check-clothed gentleman.

And Fischer, Ashton, Lister,
With beetling genius rife -
Pardieu! I was their Patron,
And set them up for life.

And from each dusky corner,
In petrified new birth,
Glared busts of Me and Barton,
By Nelson Illingworth.

And nine fair Muses dwelt there,
With board and lodging free;
Six by the States were chosen,
And I selected three.

And there we turned out blithely
Australian poems sound,
To sell in lengths like carpet,
And also by the pound.

For Paddy Quinn, the Statesman,
Had made a law which said
That native authors only
On pain of death be read.

O, brother bards, I grieve that
Good dreams do not come true;
You see how very nobly
I would have done to you!

But, ah! the vision vanished,
And took away in tow
The National Australian
Head Poetry Bureau.

Through the noiseless doors of Death
Three passed out, as with one breath.

Two had faces stern as Fate,
Stamped with unrelenting hate.

One upon her lips of guile
Wore a cold, mysterious smile.

Each of each unseen, the pale
Shades went down the hollow vale

Till they came unto the deep
River of Eternal Sleep.

Breath of wind, or wing of bird,
Never that dark stream hath stirred;

Still it seems as is the shore,
But it flows for evermore

Softly, through the meadows wan
To the Sea Oblivion.

In the dusk, like drops of blood,
Poppies hang above the flood;

On its surface lies a thin,
Ghostly web of mist, wherein

All things vague and changing seem
As the faces in a dream.

Two knelt down upon the bank
And of that dark water drank.

But the Third stood by the while,
Smiling her mysterious smile.

Rising up, those shades of men
Gazed upon each other, then

Side by side, upon the bank,
In a bed of poppies sank.

“What,” one to the other saith,
“Sent thee through the doors of death?”—

“While life throbbed in every vein,
For a woman I was slain.

“Love is but a fleeting spell,
Hate alone remembers well.

“For my slayer I shall wait,
And though he at Heaven’s gate

“Stand, and wear an angel’s crown,
I shall seize and drag him down!”

So the stern shade made reply.
Then the first that spake said: “I

“For a woman’s sake, also,
Slew myself—and slew my foe.

“Slew myself, that in no shape
He my vengeance should escape,

“Till Oblivion swallow both:
And I swore a solemn oath

“I would—hate remembers well—
Hunt his spotted soul to hell.

“But I left, ere leave-taking,
Round her throat a dark red ring.

“I shall know her—you shall note—
By that red ring round her throat.

“Well I loved my fair, false wife,
And perchance in this new life

“She may love me—we shall see—
She shall choose ’twixt him and me.”

Softly did the other sigh:
“My love’s love will never die.

“Love is not a fleeting spell—
Love, like hate, remembers well.

“Soon—mayhap on this dim shore—
We shall meet to part no more.”

Then the first Shade spoke and said:
“In this Kingdom of the Dead

“Let us, who so strangely meet,
Pledge each other in this sweet

“Water, our revenge to wreak
Side by side, and so to seek,

“Side by side, whate’er our fate,
Those we love and those we hate.”

Kneeling on the dim shore then,
Side by side, they drank again.

And they saw, like drops of blood,
Poppies nodding o’er the flood,

And they gazed upon the thin
Ghostly web of mist, wherein

All things vague and changing seem
As the faces in a dream;

And by some enchantment weird,
As they gazed thereon appeared

Unto each, down-bending low,
Form and features of his foe,

For a moment, then were gone,
And upon the meadows wan—

Half in Death and half a-swoon—
Shone a pale and spectral moon.

Then these twain rose, drowsy-eyed,
And departed side by side.

But the Woman Shade the while
Smiled her cold, mysterious smile.

And her beauty made a light
In that realm of pallid night

(Beauty laughs at worm and grave)
Like the moon beneath the wave.

Back she flung her hair of gold,
Glowing, gleaming, fold on fold,

Showing—all but these might note—
The red ring around her throat.

But they passed with cold surprise,
And unrecognising eyes.

Lightly laughed she then, and said:
“In this Kingdom of the Dead

“Strange the sights that one may see!
There go twain who died for me

“Seeking, through Creation wide,
For each other—side by side!”

Then she wove a poppy crown,
Placed it on her head, and down

On the river’s margin sank
Midst the poppies of its bank,

Saying: “In the world above
Long he tarries, my true love.

“Here beside this river’s rim
I will sleep, and wait for him.”

Ah! that God once would touch my lips with song
To pierce, as prayer doth heaven, earth’s breast of iron,
So that with sweet mouth I might sing to thee,
O sweet dead singer buried by the sea,
A song, to woo thee, as a wooing siren,
Out of that silent sleep which seals too long
Thy mouth of melody.
For, if live lips might speak awhile to dead,
Or any speech could reach the sad world under
This world of ours, song surely should awake
Thee who didst dwell in shadow for song’s sake!
Alas! thou canst not hear the voice of thunder,
Nor low dirge over thy low-lying head
The winds of morning make.

Down through the clay there comes no sound of these;
Down in the grave there is no sign of Summer,
Nor any knowledge of the soft-eyed Spring;
But Death sits there, with outspread ebon wing,
Closing with dust the mouth of each new-comer
To that mute land, where never sound of seas
Is heard, and no birds sing.

Now thou hast found the end of all thy days
Hast thou found any heart a vigil keeping
For thee among the dead—some heart that heard
Thy singing when thou wert a brown, sweet bird
Gray Æons gone, in some old forest sleeping
Beneath the seas long since? in Death’s dim ways
Has thy heart any word?

For surely those in whom the deathless spark
Of song is kindled, sang from the beginning
If life were always? But the old desires—
Do they exist when sad-eyed Hope expires?
How live the dead? what crowns have they for winning?
Have they, to warm them in the dreamless dark,
For sun earth’s central fires?

Are the dead dead indeed whom we call dead?
Has God no life but this of ours for giving?—
When that they took thee by each well-known place,
Stark in thy coffin with a cold white face,
What thought, O Brother, hadst thou of the living?
What of the sun that round thee glory shed?
What of the fair day’s grace?

Is thy new life made up of memories
Or dreams that lull the dead, bright visions bringing
Of Spring above! Are thy days short or long?
Thou who wert master of our singing throng
Mayhap in death thou hast not lost thy singing,
But chauntst unheard, beside the moaning sea,
A solitary song.

The chance spade turns up skulls. God help the dead
And thee whose singing days have all passed over—
Thee, whom the gold-haired Spring shall seek in vain
When at the glad year’s doors she stands again,
Remembering the song-garlands thou hast wove her
In years gone by: but all these years have fled
With all their joy and pain.

My soul laughed out to hear my heart speak so,
And sprang forth skyward, as an eagle, hoping
To look upon thy soul with living eyes,
Until it came to where our dim life dies,
And dead suns darkly for a grave are groping
Through cycles of immeasurable woe,
Stone-blind in the blind skies.
The stars walk shuddering on that awful verge
From which my soul, with swift and fearless motion,
Clove the black depths, and sought for God and thee;
But God dwells where nor stars nor suns there be—
No shore there is to His Eternal Ocean;
A thousand systems are a fringe of surge
On that great starless sea.

And thou wert not. So that, with weary plumes,
My soul through the great void its way came winging
To earth again. “What hope for him who sings
Is there?” it sighed. “Death ends all sweetest things.”
When lo! there came a swell of mighty singing,
Flooding all space, and swift athwart the glooms
A flash of sudden wings.


Dreamer of dreams, thy songs and dreams are done.
Down where thou sleepest in earth’s secret bosom
There is no sorrow and no joy for thee,
Who canst not see what stars at eve there be,
Nor evermore at morn the green dawn blossom
Into the golden king-flower of the sun
Across the golden sea.
But haply there shall come in days to be
One who shall hear his own heart beating faster,
Plucking a rose sprung from thy heart beneath,
And from his soul, as sword from out its sheath,
Song shall leap forth where now, O silent master,
On thy lone grave beside the sounding sea,
I lay this laurel-wreath.

At Dawn and Dusk
Love-Laurel
IN MEMORY OF HENRY KENDALL

AH! that God once would touch my lips with song
To pierce, as prayer doth heaven, earth’s breast of iron,
So that with sweet mouth I might sing to thee,
O sweet dead singer buried by the sea,
A song, to woo thee, as a wooing siren,
Out of that silent sleep which seals too long
Thy mouth of melody.
For, if live lips might speak awhile to dead,
Or any speech could reach the sad world under
This world of ours, song surely should awake
Thee who didst dwell in shadow for song’s sake!
Alas! thou canst not hear the voice of thunder,
Nor low dirge over thy low-lying head
The winds of morning make.

Down through the clay there comes no sound of these;
Down in the grave there is no sign of Summer,
Nor any knowledge of the soft-eyed Spring;
But Death sits there, with outspread ebon wing,
Closing with dust the mouth of each new-comer
To that mute land, where never sound of seas
Is heard, and no birds sing.

Now thou hast found the end of all thy days
Hast thou found any heart a vigil keeping
For thee among the dead—some heart that heard
Thy singing when thou wert a brown, sweet bird
Gray Æons gone, in some old forest sleeping
Beneath the seas long since? in Death’s dim ways
Has thy heart any word?

For surely those in whom the deathless spark
Of song is kindled, sang from the beginning
If life were always? But the old desires—
Do they exist when sad-eyed Hope expires?
How live the dead? what crowns have they for winning?
Have they, to warm them in the dreamless dark,
For sun earth’s central fires?

Are the dead dead indeed whom we call dead?
Has God no life but this of ours for giving?—
When that they took thee by each well-known place,
Stark in thy coffin with a cold white face,
What thought, O Brother, hadst thou of the living?
What of the sun that round thee glory shed?
What of the fair day’s grace?

Is thy new life made up of memories
Or dreams that lull the dead, bright visions bringing
Of Spring above! Are thy days short or long?
Thou who wert master of our singing throng
Mayhap in death thou hast not lost thy singing,
But chauntst unheard, beside the moaning sea,
A solitary song.

The chance spade turns up skulls. God help the dead
And thee whose singing days have all passed over—
Thee, whom the gold-haired Spring shall seek in vain
When at the glad year’s doors she stands again,
Remembering the song-garlands thou hast wove her
In years gone by: but all these years have fled
With all their joy and pain.

. . . . .
My soul laughed out to hear my heart speak so,
And sprang forth skyward, as an eagle, hoping
To look upon thy soul with living eyes,
Until it came to where our dim life dies,
And dead suns darkly for a grave are groping
Through cycles of immeasurable woe,
Stone-blind in the blind skies.
The stars walk shuddering on that awful verge
From which my soul, with swift and fearless motion,
Clove the black depths, and sought for God and thee;
But God dwells where nor stars nor suns there be—
No shore there is to His Eternal Ocean;
A thousand systems are a fringe of surge
On that great starless sea.

And thou wert not. So that, with weary plumes,
My soul through the great void its way came winging
To earth again. “What hope for him who sings
Is there?” it sighed. “Death ends all sweetest things.”
When lo! there came a swell of mighty singing,
Flooding all space, and swift athwart the glooms
A flash of sudden wings.

. . . . .
Dreamer of dreams, thy songs and dreams are done.
Down where thou sleepest in earth’s secret bosom
There is no sorrow and no joy for thee,
Who canst not see what stars at eve there be,
Nor evermore at morn the green dawn blossom
Into the golden king-flower of the sun
Across the golden sea.
But haply there shall come in days to be
One who shall hear his own heart beating faster,
Plucking a rose sprung from thy heart beneath,
And from his soul, as sword from out its sheath,
Song shall leap forth where now, O silent master,
On thy lone grave beside the sounding sea,
I lay this laurel-wreath.

Stand up, my young Australian,
In the brave light of the sun,
And hear how Freedom's battle
Was in the old days lost - and won.
The blood burns in my veins, boy,
As it did in years of yore,
Remembering Eureka,
And the men of 'Fifty-four.

The old times were the grand times,
And to me the Past appears
As rich as seas at sunset,
With its many-coloured years;
And like a lonely island
Aglow in sunset light,
One day stands out in splendour -
The day of the Good Fight.

Where Ballarat the Golden
On her throne sits like a Queen,
Ten thousand tents were shining
In the brave days that have been.
There dwelt the stalwart diggers,
When our hearts with hope were high.
The stream of Life ran brimming
In that golden time gone by.

They came from many countries,
And far islands in the main,
And years shall pass and vanish
Ere their like are seen again.
Small chance was there for weaklings
With these man of iron core,
Who worked and played like Giants
In the year of 'Fifty-four.

The Tyrants of the Goldfields
Would not let us live in peace;
They harried us and chased us
With their horse and foot police.
Each man must show his licence
When they chose, by fits and starts:
They tried to break our spirits,
And they almost broke our hearts.

We wrote a Declaration
In the store of Shanahan,
Demanding Right and justice,
And we signed it, man by man,
And unto Charles Hotham,
Who was then the Lord of High,
We sent it; Charles Hotham
Sent a regiment in reply.

There comes a time to all men
When submission is a sin;
We made a bonfire brave, and
Flung our licences therein.
Our hearts with scorn and anger
Burned more fiercely than the flame,
Full well we knew our peril,
But we dared it all the same.

On Bakery Hill the Banner
Of the Southern Cross flew free;
Then up rose Peter Lalor,
And with lifted hand spake he: -
'We swear by God above us
While we live to work and fight
For Freedom and for justice,
For our Manhood and our Right.'

Then, on the bare earth kneeling,
As on a chapel-floor,
Beneath the sacred Banner,
One and all, that oath we swore;
And some of those who swore it
Were like straws upon a flood,
But there were men who swore it
And who sealed it with their blood.

We held a stern War Council,
For in bitter mood were we,
With Vern and Hayes and Humffray,
Brady, Ross, and Kennedy,
And fire-eyed Raffaello,
Who was brave as steel, though small
But gallant Peter Lalor
Was the leader of us all.

Pat Curtain we made captain
Of our Pikemen, soon enrolled,
And Ross, the tall Canadian,
Was our standard-bearer bold.
He came from where St Lawrence
Flows majestic to the main;
But the River of St Lawrence
He would never see again.

Then passed along the order
That a fortress should be made,
And soon, with planks and palings,
We constructed the Stockade.
We worked in teeth-set silence,
For we knew what was in store:
Sure never men defended
Such a feeble fort before.

All day the German blacksmith
At his forge wrought fierce and fast;
All day the gleaming pike-blades
At his side in piles were cast;
All day the diggers fitted
Blade to staff with stern goodwill,
Till all men, save the watchers,
Slept upon the fatal hill.

The night fell cold and dreary,
And the hours crawled slowly be.
Deep sleep was all around me,
But a sentinel was I.
And then the moon grew ghostly,
And I saw the grey dawn creep,
A wan and pallid phantom
O'er the Mount of Warrenheip.

When over the dark mountain
Rose the red rim of the sun,
Right sharply in the stillness
Rang our picket's warning gun.
And scarce had died the echo
Ere, of all our little host,
Each man had grasped his weapon,
And each man was at his post.

The foe came on in silence
Like an army of the dumb;
There was no blare of trumpet.
And there was no tap of drum.
But ever they came onward,
And I thought, with indrawn breath,
The Redcoats looked like Murder,
And the Blackcoats looked like Death.

Our gunners, in their gun-pits
That were near the palisade,
Fired fiercely, but the Redcoats
Fired as if upon parade.
Yet, in the front rank leading
On his men with blazing eyes,
The bullet of a digger
Struck down valiant Captain Wise.

Then 'Charge!' cried Captain Thomas,
And with bayonets fixed they came.
The palisade crashed inwards,
Like a wall devoured by flame.
I saw our gallant gunners,
Struggling vainly, backward reel
Before that surge of scarlet
All alive with stabbing steel.

There Edward Quinn of Cavan,
Samuel Green the Englishman,
And Haffele the German,
Perished, fighting in the van.
And with the William Quinlan
Fell while battling for the Right,
The first Australian Native
In the first Australian Fight.

But Robertson the Scotchman,
In his gripping Scottish way,
Caught by the throat a Redcoat,
And upon that Redcoat lay.
They beat the Scotchman's head in
Smiting hard with butt of gun,
And slew him - but the Redcoat
Died before the week was done.

These diggers fought like heroes
Charged to guard a kingdom's gate.
But vain was all their valour,
For they could not conquer Fate.
The Searchers for the Wounded
Found them lying side by side.
They lived good mates together,
And good mates together died.

Then Peter Lalor, gazing
On the fight with fiery glance,
His lion-voice uplifted,
Shouting, 'Pikemen, now advance!'
A bullet struck him, speaking,
And he fell as fall the dead:
The Fight had lost its leader,
And the Pikemen broke and fled.

The battle was not over,
For there stood upon the hill
A little band of diggers,
Fighting desperately still,
With pistol, pike, and hayfork,
Against bayonet and gun.
There was no madder combat
Ever seen beneath the sun.

Then Donaghey and Dimond,
And Pat Gittins fighting fell,
With Thaddeus Moore, and Reynolds:
And the muskets rang their knell.
And staring up at Heaven,
As if watching his soul's track,
Shot through his heart so merry,
Lay our jester 'Happy Jack'.

The sky grew black above us,
And the earth below was red,
And, oh, our eyes were burning
As we gazed upon our dead.
On came the troopers charging,
Valiant cut-throats of the Crown,
And wounded men and dying
Flung their useless weapons down.

The bitter fight was ended,
And, with cruel coward-lust,
They dragged our sacred Banner
Through the Stockade's bloody dust.
But, patient as the gods are,
Justice counts the years and waits -
That Banner now waves proudly
Over six Australian States.

I said, my young Australian,
That the fight was lost - and won -
But, oh, our hearts were heavy
At the setting of the sun.
Yet, ere the year was over,
Freedom rolled in like a flood:
They gave us all we asked for -
When we asked for it in blood.

God rest you, Peter Lalor!
For you were a whiteman whole;
A swordblade in the sunlight
Was your bright and gallant soul.
And God reward you kindly,
Father Smith, alive or dead:
'Twas you that give him shelter
When a price was on his head.

Within the Golden City
In the place of peace profound
The Heroes sleep. Tread softly:
'Tis Australia's Holy Ground.
And ever more Australia
Will keep green in her heart's core
The memory of Lalor
And the men of 'Fifty-four.

It fell upon a summer night
The village folk were soundly sleeping,
Unconscious of the glamour white
In which the moon all things was steeping;
One window only showed a light;
Behind it, silent vigil keeping,
Sat Margaret, as one in trance—
The dark-eyed daughter of the Manse.
A flood of strange, sweet thoughts was surging
Her passionate heart and brain within.
At last, some secret impulse urging,
She laid aside her garment thin,
And from its snowy folds emerging,
Like Lamia from the serpent-skin,
She stood before her mirror bright
Naked, and lovely as the night.

Her dark hair o’er her shoulders flowing
Might well have been a silken pall
O’er Galatea’s image glowing
To life and love: she was withal—
The lamplight o’er her radiance throwing—
With her high bosom virginal,
A woman made to madden men,
A Cleopatra born again.

Hers was the beauty dark and splendid,
Whose spell upon the heart of man
Falls swiftly as, when day is ended,
Night falls in lands Australian.
Her rich, ripe, scarlet lips, bow-bended,
Smiled as such ripe lips only can;
Her eyes, wherein strange lightnings shone,
Were deeper than Oblivion.

With round, white arms, whose warm caress
No lover knew, raised towards the ceiling,
She looked like some young Pythoness
The secrets dark of Fate revealing,
Or goddess in divine distress
To higher powers for help appealing.
This invocation, standing so,
She sang in clear, sweet tones, but low:


Soul, from this narrow,
Mean life we know,
Speed as an arrow
From bended bow!
Seek, and discover,
On land or sea,
My destined lover,
Where’er he be.

How shalt thou know him,
My heart’s desire?—
His mien will show him,
His glance of fire.

High is his bearing,
His pride is high,
His spirit daring
Burns in his eye.

Birds have done mating;
The Spring is past;
My arms are waiting,
My heart beats fast.

“Oh, why,” she sighed, “has Fate awarded
This lot to me whose heart is bold?
My days by trifles are recorded,
My suitors men whose God is gold.
Oh for the Heroes helmed and sworded,
The lovers of the days of old,
Who broke for ladies many a lance
In gallant days of old Romance!

“Would I had lived in that great time when
A lady’s love was knight’s best boon;
When sword with sword made ringing rhyme, when
Mailed sea-kings fought from noon to moon,
And thought the slaughter grim no crime, when
The prize was golden-haired Gudrun.
Then I might find swords, broad and bright
And keen as theirs, for me to fight.

“But narrow bounds my life environ,
And hold my eager spirit in.
The men I see no heart of fire in
Their bodies bear. My love to win
A man must have a will of iron,
A soul of flame. Then sweet were sin
Or Death for him!” With ardent glance
Thus spake the daughter of the Manse.

Then, with a smile, she fell asleep in
Her white and dainty maiden bed.
The chaste, cold moon alone could peep in,
And view her tresses dark outspread
Upon an arm whose clasp might keep in
The life of one given up for dead:
And, as she drifted down the stream
Of Slumber deep, she dreamt a dream.

. . . . .
It was a banquet rich and rare,
The wine of France was foaming madly;
The proud and great of earth were there,
And all were slaves to serve her gladly,
And yet on them with haughty air
She gazed, half-scornfully, half-sadly;
The Lady of the Feast was she—
So ran her strange dream-fantasy.
A Prince was at her fair right hand,
And at her left a famous leader
Of hosts, with look of high command,
And—blacker than the tents of Kedar—
An Eastern King, barbaric, grand,
Sat near—their Queen they had decreed her.
Below the proud, the brave, the wise,
Sat charmed by her mesmeric eyes.

Then thus she spake: “O Lords of Earth!
Than you I know none nobler, braver;
And yet your fame, and rank, and birth,
And wealth in my sight find small favour,
For all too well I know their worth—
Long since for me they lost their savour.
The Spirit, fit to mate with mine,
Must be demoniac—or divine.

“A toast!” she cried. The gallant throng
Sprang up, their foaming glasses clinking.
“Satan! The Spirit proud and strong!
The bravest lover to my thinking!
The Wine of Life I’ve drunk too long:
The Wine of death I now am drinking!” . . .
“Our Queen she was a moment since—
Bear forth the body!” said the Prince.

. . . . .
A ghostly wind arose, all wet
With tears, and full of cries and wailing,
And wringing hands, and faces set
In bitter anguish unavailing;
It bore the soul of Margaret
To where a voice, in tones of railing,
Cried, “Spirit proud, thou hast done well!
Thou art within the Gates of Hell!”
The soul of Margaret passed slowly,
Yet bravely, through the Hall of Dread,
The roof whereof was hidden wholly
By black clouds hanging overhead.
No sound disturbed the melancholy
Deep silence—which itself seemed dead.
No wailing of the damned was heard,
No voice the fearful stillness stirred.

But that deep silence held in keeping
The secret of Eternal Woe—
That yet seemed like a serpent creeping
Around the walls. It was as though
The cries of pain and hopeless weeping
Had died out ages long ago.
No face was seen, no figure dread. . . .
Were all the damned and devils dead?

No lustre known on earth was gleaming
In that dread Hall, but some weird light
Around the pillars vast was streaming,
And down the vistas infinite;
A light like that men see in dreaming,
And, waking, shudder with affright.
Its glare a baleful splendour shed
For ever through the Hall of Dread.

Then suddenly she was aware
That from the walls, and all around her,
In motionless and burning stare,
Millions of eyes glowed, that spellbound her:
The everlasting dumb despair
That spoke from them made Pity founder;
And, as she passed along the floor,
She trod on burning millions more.

For floor and pillar, roof and all,
Were full of eyes, for ever burning—
’Twas these that lit the Dreadful Hall,
These were the damned beyond returning,
Sealed up in pillar, floor, and wall,
Without a tongue to voice their yearning,
Or grief, or hate, so God might know:
Their eyes alone could speak their woe.

Her way lit by the weird light flowing
From those sad, awful eyes, she passed
To where—her terror ever growing—
Upon a Throne, in fire set fast,
And like a Rose of fire far-glowing,
She saw a Figure, Veiled and Vast.
She trembled, for she knew full well
She stood before the Lord of Hell.

And then, an instant courage taking,
She knelt before the burning throne,
And, all her hopes of heaven forsaking,
She cried, “O Lord, make me thine own!
For men, though they be of God’s making,
I love not. Thee I love alone.”
The figure veiled spake thus: “Arise,
O Spirit proud—and most unwise!”

And as It spake, unveiling slowly,
A brow of awful beauty shone
On Margaret’s soul—yet Melancholy
And Woe Eternal sat thereon.
But, lo! the form was woman wholly.
A faint smile played her lips upon,
As in a voice low, sweet, and level
She said: “My dear, I am the Devil!”

With one wild wail of bitter scorning
The stricken soul of Margaret fled,
Sore harrowed by that dreadful warning;
And, shrieking, through the Hall of Dread
She passed . . . and woke . . . and it was morning,
And she was in her own white bed.

These broken lines for pardon crave;
I cannot end the song with art:
My grief is gray and old—her grave
Is dug so deep within my heart.

I.—Her Last Day
IT was a day of sombre heat:
The still, dense air was void of sound
And life; no wing of bird did beat
A little breeze through it—the ground
Was like live ashes to the feet.
From the black hills that loomed around
The valley many a sudden spire
Of flame shot up, and writhed, and curled,
And sank again for heaviness:
And heavy seemed to men that day
The burden of the weary world.
For evermore the sky did press
Closer upon the earth that lay
Fainting beneath, as one in dire
Dreams of the night, upon whose breast
Sits a black phantom of unrest
That holds him down. The earth and sky
Appeared unto the troubled eye
A roof of smoke, a floor of fire.

There was no water in the land.
Deep in the night of each ravine
Men, vainly searching for it, found
Dry hollows in the gaping ground,
Like sockets where clear eyes had been,
Now burnt out with a burning brand.
There was no water in the land
But the salt sea tide, that did roll
Far past the places where, till then,
The sweet streams met and flung it back;
The beds of little brooks, that stole
In spring-time down each ferny glen,
And rippled over rock and sand,
Were drier than a cattle-track.
A dull, strange languor of disease,
That ever with the heat increased,
Fell upon man, and bird, and beast;
The thin-flanked cattle gasped for breath;
The birds dropped dead from drooping trees;
And men, who drank the muddy lees
From each near-dry though deep-dug well,
Grew faint; and over all things fell
A heavy stupor, dank as Death.


Fierce Nature, glaring with a face
Of savage scorn at my despair,
Withered my heart. From cone to base
The hills were full of hollow eyes
That rayed out darkness, dead and dull;
Gray rocks grinned under ridges bare,
Like dry teeth in a mouldered skull;
And ghastly gum-tree trunks did loom
Out of black clefts and rifts of gloom,
As sheeted spectres that arise
From yawning graves at dead of night
To fill the living with affright;
And, like to witches foul that bare
Their withered arms, and bend, and cast
Dread curses on the sleeping lands
In awful legends of the past,
Red gums, with outstretched bloody hands,
Shook maledictions in the air.
Fear was around me everywhere:
The wrinkled foreheads of the rocks
Frowned on me, and methought I saw—
Deep down in dismal gulfs of awe,
Where gray death-adders have their lair,
With the fiend-bat, the flying-fox,
And dim sun-rays, down-groping far,
Pale as a dead man’s fingers are—
The grisly image of Decay,
That at the root of Life doth gnaw,
Sitting alone upon a throne
Of rotting skull and bleaching bone.

“There is an end to all our griefs:
Little the red worm of the grave
Will vex us when our days are done.”
So changed my thought: up-gazing then
On gray-piled stones that seemed the cairns
Of dead and long-forgotten chiefs—
The men of old, the poor wild men
Who, under dim lights, fought a brave,
Sad fight of Life, where hope was none,
In the vague, voiceless, far-off years—
It changed again to present pain,
And I saw Sorrow everywhere:
In blackened trees and rust-red ferns,
Blasted by bush-fires and the sun;
And by the salt-flood—salt as tears—
Where the wild apple-trees hung low,
And evermore stooped down to stare
At their drowned shadows in the wave,
Wringing their knotted hands of woe;
And the dark swamp-oaks, row on row,
Lined either bank—a sombre train
Of mourners with down-streaming hair.


II.—Sunset
THE DAY and its delights are done;
So all delights and days expire:
Down in the dim, sad West the sun
Is dying like a dying fire.

The fiercest lances of his light
Are spent; I watch him droop and die
Like a great king who falls in fight;
None dared the duel of his eye

Living, but, now his eye is dim,
The eyes of all may stare at him.

How lovely in his strength at morn
He orbed along the burning blue!
The blown gold of his flying hair
Was tangled in green-tressèd trees,
And netted in the river sand
In gleaming links of amber clear;
But all his shining locks are shorn,
His brow of its bright crown is bare,
The golden sceptre leaves his hand,
And deeper, darker, grows the hue
Of the dim purple draperies
And cloudy banners round his bier.

O beautiful, rose-hearted dawn!—
O splendid noon of gold and blue!—
Is this wan glimmer all of you?
Where are the blush and bloom ye gave
To laughing land and smiling sea?—
The swift lights that did flash and shiver
In diamond rain upon the river,
And set a star in each blue wave?
Where are the merry lights and shadows
That danced through wood and over lawn,
And flew across the dewy meadows
Like white nymphs chased by satyr lovers?
Faded and perished utterly.

All delicate and all rich colour
In flower and cloud, on lawn and lea,
On butterfly, and bird, and bee,
A little space and all are gone—
And darkness, like a raven, hovers
Above the death-bed of the day.

So, when the long, last night draws on,
And all the world grows ghastly gray,
We see our beautiful and brave
Wither, and watch with heavy sighs
The life-light dying in their eyes,
The love-light slowly fading out,
Leaving no faint hope in their place,
But only on each dear wan face
The shadow of a weary doubt,
The ashen pallor of the grave.
O gracious morn and golden noon!
With what fair dreams did ye depart—
Beloved so well and lost so soon!
I could not fold you to my breast:
I could not hide you in my heart;
I saw the watchers in the West—
Sad, shrouded shapes, with hands that wring
And phantom fingers beckoning!


III.—Years After
Fade off the ridges, rosy light,
Fade slowly from the last gray height,
And leave no gloomy cloud to grieve
The heart of this enchanted eve!

All things beneath the still sky seem
Bound by the spell of a sweet dream;
In the dusk forest, dreamingly,
Droops slowly down each plumèd head;
The river flowing softly by
Dreams of the sea; the quiet sea
Dreams of the unseen stars; and I
Am dreaming of the dreamless dead.

The river has a silken sheen,
But red rays of the sunset stain
Its pictures, from the steep shore caught,
Till shades of rock, and fern, and tree
Glow like the figures on a pane
Of some old church by twilight seen,
Or like the rich devices wrought
In mediaeval tapestry.

All lonely in a drifting boat
Through shine and shade I float and float,
Dreaming and dreaming, till I seem
Part of the picture and the dream.

There is no sound to break the spell,
No voice of bird or stir of bough;
Only the lisp of waters wreathing
In little ripples round the prow,
And a low air, like Silence breathing,
That hardly dusks the sleepy swell
Whereon I float to that strange deep
That sighs upon the shores of Sleep.

But in the silent heaven blooming
Behold the wondrous sunset flower
That blooms and fades within the hour—
The flower of fantasy, perfuming
With subtle melody of scent
The blue aisles of the firmament!
For colour, music, scent, are one;
From deeps of air to airless heights,
Lo! how he sweeps, the splendid sun,
His burning lyre of many lights!

See the clear golden lily blowing!
It shines as shone thy gentle soul,
O my most sweet, when from the goal
Of life, far-gazing, thou didst see—
While Death still feared to touch thine eyes,
Where such immortal light was glowing—
The vision of eternity,
The pearly gates of Paradise!

Now richer hues the skies illume:
The pale gold blushes into bloom,
Delicate as the flowering
Of first love in the tender spring
Of Life, when love is wizardry
That over narrow days can throw
A glamour and a glory! so
Did thine, my Beautiful, for me
So long ago; so long ago.

So long ago! so long ago!
Ah, who can Love and Grief estrange?
Or Memory and Sorrow part?
Lo, in the West another change—
A deeper glow: a rose of fire:
A rose of passionate desire
Lone burning in a lonely heart.

A lonely heart; a lonely flood.
The wave that glassed her gleaming head
And smiling passed, it does not know
That gleaming head lies dark and low;
The myrtle-tree that bends above,
I pray that it may early bud,
For under its green boughs sat we—
We twain, we only, hand in hand,
When Love was lord of all the land—
It does not know that she is dead
And all is over now with Love,
Is over now with Love and me.

Once more, once more, O shining years
Gone by; once more, O vanished days
Whose hours flew by on iris-wings,
Come back and bring my love to me!
My voice faints down the wooded ways
And dies along the darkling flood.
The past is past; I cry in vain,
For when did Death an answer deign
To Love’s heart-broken questionings?
The dead are deaf; dust chokes their ears;
Only the rolling river hears
Far off the calling of the sea—
A shiver strikes through all my blood,
Mine eyes are full of sudden tears.

. . . . .
The shadows gather over all,
The valley, and the mountains old;
Shadow on shadow fast they fall
On glooming green and waning gold;
And on my heart they gather drear,
Damp as with grave-damps, dark with fear.

O Sorrow, Sorrow, couldst thou leave me
Not one brief hour to dream alone?
Hast thou not all my days to grieve me?
My nights, are they not all thine own?
Thou hauntest me at morning light,
Thou blackenest the white moonbeams;
A hollow voice at noon; at night
A crowned ghost, sitting on a throne,
Ruling the kingdom of my dreams.

Maker of men, Thou gavest breath,
Thou gavest love to all that live,
Thou rendest loves and lives apart;
Allwise art Thou; who questioneth
Thy will, or who can read Thy heart?
But couldst Thou not in mercy give
A sign to us—one little spark
Of sure hope that the end of all
Is not concealed beneath the pall,
Or wound up with the winding-sheet?
Who heedeth aught the preacher saith
When eyes wax dim, and limbs grow stark,
And fear sits on the darkened bed?
The dying man turns to the wall.
What hope have we above our dead?—
Tense fingers clutching at the dark,
And hopeless hands that vainly beat
Against the iron doors of Death!