Ah blame me not, Catcott, if from the right way
My notions and actions run far.
How can my ideas do other but stray,
Deprived of their ruling North-Star?

A blame me not, Broderip, if mounted aloft,
I chatter and spoil the dull air;
How can I imagine thy foppery soft,
When discord's the voice of my fair?

If Turner remitted my bluster and rhymes,
If Hardind was girlish and cold,
If never an ogle was got from Miss Grimes,
If Flavia was blasted and old;

I chose without liking, and left without pain,
Nor welcomed the frown with a sigh;
I scorned, like a monkey, to dangle my chain,
And paint them new charms with a lie.

Once Cotton was handsome; I flam'd and I burn'd,
I died to obtain the bright queen;
But when I beheld my epistle return'd,
By Jesu it alter'd the scene.

She's damnable ugly, my Vanity cried,
You lie, says my Conscience, you lie;
Resolving to follow the dictates of Pride,
I'd view her a hag to my eye.

But should she regain her bright lustre again,
And shine in her natural charms,
'Tis but to accept of the works of my pen,
And permit me to use my own arms.

Song From Aella

O SING unto my roundelay,
O drop the briny tear with me;
Dance no more at holyday,
Like a running river be:
   My love is dead,
   Gone to his death-bed
All under the willow-tree.

Black his cryne as the winter night,
White his rode as the summer snow,
Red his face as the morning light,
Cold he lies in the grave below:
   My love is dead,
   Gone to his death-bed
All under the willow-tree.

Sweet his tongue as the throstle's note,
Quick in dance as thought can be,
Deft his tabor, cudgel stout;
O he lies by the willow-tree!
   My love is dead,
   Gone to his death-bed
All under the willow-tree.

Hark! the raven flaps his wing
In the brier'd dell below;
Hark! the death-owl loud doth sing
To the nightmares, as they go:
   My love is dead,
   Gone to his death-bed
All under the willow-tree.

See! the white moon shines on high;
Whiter is my true-love's shroud:
Whiter than the morning sky,
Whiter than the evening cloud:
   My love is dead,
   Gone to his death-bed
All under the willow-tree.

Here upon my true-love's grave
Shall the barren flowers be laid;
Not one holy saint to save
All the coldness of a maid:
   My love is dead,
   Gone to his death-bed
All under the willow-tree.

With my hands I'll dent the briers
Round his holy corse to gre:
Ouph and fairy, light your fires,
Here my body still shall be:
   My love is dead,
   Gone to his death-bed
All under the willow-tree.

Come, with acorn-cup and thorn,
Drain my heartes blood away;
Life and all its good I scorn,
Dance by night, or feast by day:
   My love is dead,
   Gone to his death-bed
All under the willow-tree.

Narva And Mored

Recite the loves of Narva and Mored
The priest of Chalma's triple idol said.
High from the ground the youthful warriors sprung,
Loud on the concave shell the lances rung:
In all the mystic mazes of the dance,
The youths of Banny's burning sands advance,
Whilst the soft virgin panting looks behind,
And rides upon the pinions of the wind;
Ascends the mountain's brow, and measures round
The steepy cliffs of Chalma's sacred ground,
Chalma, the god whose noisy thunders fly
Thro' the dark covering of the midnight sky,
Whose arm directs the close-embattled host,
And sinks the labouring vessels on the coast;
Chalma, whose excellence is known from far;
From Lupa's rocky hill to Calabar.
The guardian god of Afric and the isles,
Where nature in her strongest vigour smiles;
Where the blue blossom of the forky thorn,
Bends with the nectar of the op'ning morn:
Where ginger's aromatic, matted root,
Creep through the mead, and up the mountains shoot.
Three times the virgin, swimming on the breeze,
Danc'd in the shadow of the mystic trees:
When, like a dark cloud spreading to the view,
The first-born sons of war and blood pursue;
Swift as the elk they pour along the plain;
Swift as the flying clouds distilling rain.
Swift as the boundings of the youthful row,
They course around, and lengthen as they go.
Like the long chain of rocks, whose summits rise,
Far in the sacred regions of the skies;
Upon whose top the black'ning tempest lours,
Whilst down its side the gushing torrent pours,
Like the long cliffy mountains which extend
From Lorbar's cave, to where the nations end,
Which sink in darkness, thick'ning and obscure,
Impenetrable, mystic, and impure;
The flying terrors of the war advance,
And round the sacred oak, repeat the dance.
Furious they twist around the gloomy trees,
Like leaves in autumn, twirling with the breeze.
So when the splendor of the dying day
Darts the red lustre of the watery way;
Sudden beneath Toddida's whistling brink,
The circling billows in wild eddies sink,
Whirl furious round, and the loud bursting wave
Sinks down to Chalma's sacerdotal cave,
Explores the palaces on Zira's coast,
Where howls the war-song of the chieftain's ghost;
Where the artificer in realms below,
Gilds the rich lance, or beautifies the bow;
From the young palm tree spins the useful twine,
Or makes the teeth of elephants divine.
Where the pale children of the feeble sun,
In search of gold, thro' every climate run:
From burning heat to freezing torments go,
And live in all vicissitudes of woe.
Like the loud eddies of Toddida's sea,
The warriors circle the mysterious tree:
'Till spent with exercise they spread around
Upon the op'ning blossoms of the ground.
The priestess rising, sings the sacred tale,
And the loud chorus echoes thro' the dale.

Priestess

Far from the burning sands of Calabar;
Far from the lustre of the morning star;
Far from the pleasure of the holy morn;
Far from the blessedness of Chalma's horn:
Now rests the souls of Narva and Mored,
Laid in the dust, and number'd with the dead.
Dear are their memories to us, and long,
Long shall their attributes be known in song.
Their lives were transient as the meadow flow'r.
Ripen'd in ages, wither'd in an hour.
Chalma, reward them in his gloomy cave,
And open all the prisons of the grave.
Bred to the service of the godhead's throne,
And living but to serve his God alone,
Narva was beauteous as the opening day
When on the spangling waves the sunbeams play,
When the mackaw, ascending to the sky,
Views the bright splendour with a steady eye.
Tall, as the house of Chalma's dark retreat;
Compact and firm, as Rhadal Ynca's fleet,
Completely beauteous as a summer's sun,
Was Narva, by his excellence undone.
Where the soft Togla creeps along the meads,
Thro' scented Calamus and fragrant reeds;
Where the sweet Zinsa spreads its matted bed
Liv'd the still sweeter flower, the young Mored;
Black was her face, as Togla's hidden cell;
Soft as the moss where hissing adders dwell.
As to the sacred court she brought a fawn,
The sportive tenant of the spicy lawn,
She saw and loved! and Narva too forgot
His sacred vestment and his mystic lot.
Long had the mutual sigh, the mutual tear,
Burst from the breast and scorn'd confinement there.
Existence was a torment! O my breast!
Can I find accents to unfold the rest!
Lock'd in each others arms, from Hyga's cave,
They plung'd relentless to a wat'ry grave;
And falling murmured to the powers above,
"Gods! take our lives, unless we live to love."

Elegy On The Death Of Mr. Phillips

No more I hail the morning's golden gleam,
No more the wonders of the view I sing;
Friendship requires a melancholy theme,
At her command the awful lyre I string!

Now as I wander through this leafless grove,
Where tempests howl, and blasts eternal rise,
How shall I teach the chorded shell to move,
Or stay the gushing torrent from my eyes?

Phillips! great master of the boundless lyre,
The would my soul-rack'd muse attempt to paint;
Give me a double portion of thy fire,
Or all the powers of language are too faint.

Say, soul unsullied by the filth of vice,
Say, meek-eyed spirit, where's thy tuneful shell,
Which when the silver stream was lock'd with ice,
Was wont to cheer the tempest-ravaged dell?

Oft as the filmy veil of evening drew
The thick'ning shade upon the vivid green,
Thou, lost in transport at the dying view,
Bid'st the ascending muse display the scene.

When golden Autumn, wreathed in ripen'd corn,
From purple clusters prest the foamy wine,
Thy genius did his sallow brows adorn,
And made the beauties of the season thine.

With rustling sound the yellow foliage flies,
And wantons with the wind in rapid whirls;
The gurgling riv'let to the valley hies,
Whilst on its bank the spangled serpent curls.

The joyous charms of Spring delighted saw
Their beauties doubly glaring in thy lay;
Nothing was Spring which Phillips did not draw,
And every image of his muse was May.

So rose the regal hyacinthial star,
So shone the verdure of the daisied bed,
So seemed the forest glimmering from afar;
You saw the real prospect as you read.

Majestic Summer's blooming flow'ry pride
Next claim'd the honour of his nervous song;
He taught the stream in hollow trills to glide,
And led the glories of the year along.

Pale rugged Winter bending o'er his tread,
His grizzled hair bedropt with icy dew;
His eyes, a dusky light congealed and dead,
His robe, a tinge of bright ethereal blue.

His train a motley'd, sanguine, sable cloud,
He limps along the russet, dreary moor,
Whilst rising whirlwinds, blasting, keen, and loud,
Roll the white surges to the sounding shore.

Nor were his pleasures unimproved by thee;
Pleasures he has, though horridly deform'd;
The polished lake, the silver'd hill we see,
Is by thy genius fired, preserved, and warm'd.

The rough October has his pleasures too;
But I'm insensible to every joy:
Farewell the laurel! now I grasp the yew,
And all my little powers in grief employ.

Immortal shadow of my much-loved friend!
Clothed in thy native virtue meet my soul,
When on the fatal bed, my passions bend,
And curb my floods of anguish as they roll.

In thee each virtue found a pleasing cell,
Thy mind was honour, thy soul divine;
With thee did every god of genius dwell,
Thou was the Helicon of all the nine.

Fancy, whose various figure-tinctured vest
Was ever changing to a different hue;
Her head, with varied bays and flow'rets drest,
Her eyes, two spangles of the morning dew.

With dancing attitude she swept thy string;
And now she soars, and now again descends;
And now reclining on the zephyr's wing,
Unto the velvet-vested mead she bends.

Peace, deck'd in all the softness of the dove,
Over thy passions spread her silver plume;
The rosy veil of harmony and love
Hung on thy soul in eternal bloom.

Peace, gentlest, softest of the virtues, spread
Her silver pinions, wet with dewy tears,
Upon her best distinguished poet's head,
And taught his lyre the music of the spheres.

Temp'rance, with health and beauty in her train,
And massy-muscled strength in graceful pride,
Pointed at scarlet luxury and pain,
And did at every frugal feast preside.

Black melancholy stealing to the shade
With raging madness, frantic, loud, and dire,
Whose bloody hand displays the reeking blade,
Were strangers to thy heaven-directed lyre.

Content, who smiles in every frown of fate,
Wreath'd thy pacific brow and sooth'd thy ill:
In thy own virtues and thy genius great,
The happy muse laid every trouble still.

But see! the sick'ning lamp of day retires,
And the meek evening shakes the dusky grey;
The west faint glimmers with the saffron fires,
And like thy life, O Phillips! dies away.

Here, stretched upon this heaven-ascending hill,
I'll wait the horrors of the coming night,
I'll imitate the gently-plaintive rill,
And by the glare of lambent vapours write.

Wet with the dew the yellow hawthorns bow;
The rustic whistles through the echoing cave;
Far o'er the lea the breathing cattle low,
And the full Avon lifts the darken'd wave.

Now, as the mantle of the evening swells
Upon my mind, I feel a thick'ning gloom!
Ah! could I charm by necromantic spells
The soul of Phillips from the deathy tomb!

Then would we wander through the darken'd vale,
In converse such as heavenly spirits use,
And, borne upon the pinions of the gale,
Hymn the Creator, and exert the muse.

But, horror to reflection! now no more
Will Phillips sing, the wonder of the plain!
When, doubting whether they might not adore,
Admiring mortals heard his nervous strain.

See! see! the pitchy vapour hides the lawn,
Nought but a doleful bell of death is heard,
Save where into a blasted oak withdrawn
The scream proclaims the curst nocturnal bird.

Now, rest my muse, but only rest to weep
A friend made dear by every sacred tie;
Unknown to me be comfort peace or sleep:
Phillips is dead- 'tis pleasure then to die.

Few are the pleasures Chatterton e'er knew,
Short were the moments of his transient peace;
But melancholy robb'd him of those few,
And this hath bid all future comfort cease.

And can the muse be silent, Phillips gone!
And am I still alive? My soul, arise!
The robe of immortality put on,
And meet thy Phillips in his native skies.