The Boy's Candidate

Las' time 'at Uncle Sidney come,
He bringed a watermelon home--
An' half the boys in town,
Come taggin' after him.--An' he
Says, when we et it,--_'Gracious me!
'S the boy-house fell down?'_

When chirping crickets fainter cry,
And pale stars blossom in the sky,
And twilight's gloom has dimmed the bloom
And blurred the butterfly:

When locust-blossoms fleck the walk,
And up the tiger-lily stalk
The glow-worm crawls and clings and falls
And glimmers down the garden-walls:

When buzzing things, with double wings
Of crisp and raspish flutterings,
Go whizzing by so very nigh
One thinks of fangs and stings:--

O then, within, is stilled the din
Of crib she rocks the baby in,
And heart and gate and latch's weight
Are lifted--and the lips of Kate.

When She Comes Home

When she comes home again! A thousand ways
I fashion, to myself, the tenderness
Of my glad welcome: I shall tremble--yes;
And touch her, as when first in the old days
I touched her girlish hand, nor dared upraise
Mine eyes, such was my faint heart's sweet distress.
Then silence: And the perfume of her dress:
The room will sway a little, and a haze
Cloy eyesight--soulsight, even--for a space:
And tears--yes; and the ache here in the throat,
To know that I so ill deserve the place
Her arms make for me; and the sobbing note
I stay with kisses, ere the tearful face
Again is hidden in the old embrace.

A Home-Made Fairy Tale

Bud, come here to your uncle a spell,
And I'll tell you something you mustn't tell--
For it's a secret and shore-'nuf true,
And maybe I oughtn't to tell it to you--!
But out in the garden, under the shade
Of the apple-trees, where we romped and played
Till the moon was up, and you thought I'd gone
Fast asleep--, That was all put on!
For I was a-watchin' something queer
Goin' on there in the grass, my dear--!
'Way down deep in it, there I see
A little dude-Fairy who winked at me,
And snapped his fingers, and laughed as low
And fine as the whine of a mus-kee-to!
I kept still-- watchin' him closer-- and
I noticed a little guitar in his hand,
Which he leant 'ginst a little dead bee-- and laid
His cigarette down on a clean grass-blade,
And then climbed up on the shell of a snail--
Carefully dusting his swallowtail--
And pulling up, by a waxed web-thread,
This little guitar, you remember. I said!
And there he trinkled and trilled a tune--,
'My Love, so Fair, Tans in the Moon!'
Till presently, out of the clover-top
He seemed to be singing to, came k'pop!
The purtiest, daintiest Fairy face
In all this world, or any place!
Then the little ser'nader waved his hand,
As much as to say, 'We'll excuse you!' and
I heard, as I squinted my eyelids to,
A kiss like the drip of a drop of dew!

We must get home--for we have been away
So long it seems forever and a day!
And O so very homesick we have grown,
The laughter of the world is like a moan
In our tired hearing, and its songs as vain,--
We must get home--we must get home again!

We must get home: It hurts so, staying here,
Where fond hearts must be wept out tear by tear,
And where to wear wet lashes means, at best,
When most our lack, the least our hope of rest
When most our need of joy, the more our pain--
We must get home--we must get home again!

We must get home: All is so quiet there:
The touch of loving hands on brow and hair--
Dim rooms, wherein the sunshine is made mild---
The lost love of the mother and the child
Restored in restful lullabies of rain.--
We must get home--we must get home again!

We must get home, where, as we nod and drowse,
Time humors us and tiptoes through the house,
And loves us best when sleeping baby-wise,
With dreams--not tear-drops--brimming our clenched eyes,--
Pure dreams that know nor taint nor earthly stain--
We must get home--we must get home again!

We must get home; and, unremembering there
All gain of all ambitions otherwhere,
Rest--from the feverish victory, and the crown
Of conquest whose waste glory weighs us down.--
Fame's fairest gifts we toss back with disdain--
We must get home--we must get home again!

The Old Home By The Mill

This is 'The old Home by the Mill'--far we still call it so,
Although the old mill, roof and sill, is all gone long ago.
The old home, though, and old folks, and the old spring, and a few
Old cat-tails, weeds and hartychokes, is left to welcome you!

Here, Marg'et, fetch the man a tin to drink out of' Our spring
Keeps kindo-sorto cavin' in, but don't 'taste' anything!
She's kindo agein', Marg'et is--'the old process,' like me,
All ham-stringed up with rheumatiz, and on in seventy-three.

Jes' me and Marg'et lives alone here--like in long ago;
The childern all put off and gone, and married, don't you know?
One's millin' way out West somewhere; two other miller-boys
In Minnyopolis they air; and one's in Illinoise.

The oldest gyrl--the first that went--married and died right here;
The next lives in Winn's Settlement--for purt' nigh thirty year!
And youngest one--was allus far the old home here--but no!--
Her man turns in and he packs her 'way off to Idyho!

I don't miss them like _Marg'et_ does--'cause I got _her_, you see;
And when she pines for them--that's 'cause _she's_ only jes' got
_me_!
I laugh, and joke her 'bout it all.--But talkin' sense, I'll say,
When she was tuk so bad last Fall, I laughed the t'other way!

I haint so favorble impressed 'bout dyin'; but ef I
Found I was only second-best when _us two_ come to die,
I'd 'dopt the 'new process' in full, ef _Marg'et_ died, you see,--
I'd jes' crawl in my grave and pull the green grass over me!

A Tale Of The Airly Days

Oh! tell me a tale of the airly days--
Of the times as they ust to be;
'Piller of Fi-er' and 'Shakespeare's Plays'
Is a' most too deep fer me!
I want plane facts, and I want plane words,
Of the good old-fashioned ways,
When speech run free as the songs of birds
'Way back in the airly days.

Tell me a tale of the timber-lands--
Of the old-time pioneers;
Somepin' a pore man understands
With his feelins's well as ears.
Tell of the old log house,--about
The loft, and the puncheon flore--
The old fi-er-place, with the crane swung out,
And the latch-string thrugh the door.

Tell of the things jest as they was--
They don't need no excuse!--
Don't tech 'em up like the poets does,
Tel theyr all too fine fer use!--
Say they was 'leven in the fambily--
Two beds, and the chist, below,
And the trundle-beds that each helt three,
And the clock and the old bureau.

Then blow the horn at the old back-door
Tel the echoes all halloo,
And the childern gethers home onc't more,
Jest as they ust to do:
Blow fer Pap tel he hears and comes,
With Tomps and Elias, too,
A-marchin' home, with the fife and drums
And the old Red White and Blue!

Blow and blow tel the sound draps low
As the moan of the whipperwill,
And wake up Mother, and Ruth and Jo,
All sleepin' at Bethel Hill:
Blow and call tel the faces all
Shine out in the back-log's blaze,
And the shadders dance on the old hewed wall
As they did in the airly days.

1 Granny's come to our house,
2 And ho! my lawzy-daisy!
3 All the childern round the place
4 Is ist a-runnin' crazy!
5 Fetched a cake fer little Jake,
6 And fetched a pie fer Nanny,
7 And fetched a pear fer all the pack
8 That runs to kiss their Granny!

9 Lucy Ellen's in her lap,
10 And Wade and Silas Walker
11 Both's a-ridin' on her foot,
12 And 'Pollos on the rocker;
13 And Marthy's twins, from Aunt Marinn's,
14 And little Orphant Annie,
15 All's a-eatin' gingerbread
16 And giggle-un at Granny!

17 Tells us all the fairy tales
18 Ever thought er wundered --
19 And 'bundance o' other stories --
20 Bet she knows a hunderd! --
21 Bob's the one fer "Whittington,"
22 And "Golden Locks" fer Fanny!
23 Hear 'em laugh and clap their hands,
24 Listenin' at Granny!

25 "Jack the Giant-Killer" 's good;
26 And "Bean-Stalk" 's another! --
27 So's the one of "Cinderell'"
28 And her old godmother; --
29 That-un's best of all the rest --
30 Bestest one of any, --
31 Where the mices scampers home
32 Like we runs to Granny!

33 Granny's come to our house,
34 Ho! my lawzy-daisy!
35 All the childern round the place
36 Is ist a-runnin' crazy!
37 Fetched a cake fer little Jake,
38 And fetched a pie fer Nanny,
39 And fetched a pear fer all the pack
40 That runs to kiss their Granny!

Right Here At Home

Right here at home, boys, in old Hoosierdom,
Where strangers allus joke us when they come,
And brag o' _their_ old States and interprize--
Yit _settle_ here; and 'fore they realize,
They're 'hoosier' as the rest of us, and live
Right here at home, boys, with their past fergive!

Right here at home, boys, is the place, I guess,
Fer me and you and plain old happiness:
We hear the World's lots grander--likely so,--
We'll take the World's word fer it and not go.--
We know _its_ ways aint _our_ ways--so we'll stay
Right here at home, boys, where we know the way.

Right here at home, boys, where a well-to-do
Man's plenty rich enough--and knows it, too,
And's got a' extry dollar, any time,
To boost a feller up 'at _wants_ to climb
And 's got the git-up in him to go in
And _git there_, like he purt'-nigh allus kin!

Right here at home, boys, is the place fer us!--
Where folks' heart's bigger 'n their money-pu's';
And where a _common_ feller's jes as good
As ary other in the neighborhood:
The World at large don't worry you and me
Right here at home, boys, where we ort to be!

Right here at home, boys--jes right where we air!--
Birds don't sing any sweeter anywhere:
Grass don't grow any greener'n she grows
Acrost the pastur' where the old path goes,--
All things in ear-shot's purty, er in sight,
Right here at home, boys, ef we _size_ 'em right.

Right here at home, boys, where the old home-place
Is sacerd to us as our mother's face,
Jes as we rickollect her, last she smiled
And kissed us--dyin' so and rickonciled,
Seein' us all at home here--none astray--
Right here at home, boys, where she sleeps to-day.

Writin' Back To The Home-Folks

My dear old friends--It jes beats all,
The way you write a letter
So's ever' _last_ line beats the _first_,
And ever' _next_-un's better!--
W'y, ever' fool-thing you putt down
You make so inte_rest_in',
A feller, readin' of 'em all,
Can't tell which is the _best_-un.

It's all so comfortin' and good,
'Pears-like I almost _hear_ ye
And git more sociabler, you know,
And hitch my cheer up near ye
And jes smile on ye like the sun
Acrosst the whole per-rairies
In Aprile when the thaw's begun
And country couples marries.

It's all so good-old-fashioned like
To _talk_ jes like we're _thinkin'_,
Without no hidin' back o' fans
And giggle-un and winkin',
Ner sizin' how each-other's dressed--
Like some is allus doin',--
'_Is_ Marthy Ellen's basque ben _turned_
Er shore-enough a new-un!'--

Er 'ef Steve's city-friend haint jes
'A _lee_tle kindo'-sorto''--
Er 'wears them-air blame eye-glasses
Jes 'cause he hadn't ort to?'
And so straight on, _dad-libitum_,
Tel all of us feels, _some_way,
Jes like our 'comp'ny' wuz the best
When we git up to come 'way!

That's why I like _old_ friends like you,--
Jes 'cause you're so _abidin'_.--
Ef I was built to live '_fer keeps_,'
My principul residin'
Would be amongst the folks 'at kep'
Me allus _thinkin'_ of 'em,
And sorto' eechin' all the time
To tell 'em how I love 'em.--

Sich folks, you know, I jes love so
I wouldn't live without 'em,
Er couldn't even drap asleep
But what I _dreamp'_ about 'em,--
And ef we minded God, I guess
We'd _all_ love one-another
Jes like one fam'bly,--me and Pap
And Madaline and Mother.

Mylo Jones's Wife

'Mylo Jones's wife' was all
I heerd, mighty near, last Fall--
Visitun relations down
T'other side of Morgantown!
Mylo Jones's wife she does
This and that, and 'those' and 'thus'!--
Can't 'bide babies in her sight--
Ner no childern, day and night,
Whoopin' round the premises--
NER NO NOTHIN' ELSE, I guess!

Mylo Jones's wife she 'lows
She's the boss of her own house!--
Mylo--consequences is--
Stays whare things seem SOME like HIS,--
Uses, mostly, with the stock--
Coaxin' 'Old Kate' not to balk,
Ner kick hoss-flies' branes out, ner
Act, I s'pose, so much like HER!
Yit the wimmern-folks tells you
She's PERFECTION.--Yes they do!

Mylo's wife she says she's found
Home hain't home with MEN-FOLKS round
When they's work like HERN to do-
Picklin' pears and BUTCHERN, too,
And a-rendern lard, and then
Cookin' fer a pack of men
To come trackin' up the flore
SHE'S scrubbed TEL she'll scrub no MORE!--
Yit she'd keep things clean ef they
Made her scrub tel Jedgmunt Day!

Mylo Jones's wife she sews
Carpet-rags and patches clothes
Jest year IN and OUT!--and yit
Whare's the livin' use of it?
She asts Mylo that.--And he
Gits back whare he'd ruther be,
With his team;--jest PLOWS--and don't
Never sware--like some folks won't!
Think ef HE'D CUT LOOSE, I gum!
'D he'p his heavenly chances some!

Mylo's wife don't see no use,
Ner no reason ner excuse
Fer his pore relations to
Hang round like they allus do!
Thare 'bout onc't a year--and SHE--
She jest GA'NTS 'em, folks tells me,
On spiced pears!--Pass Mylo one,
He says 'No, he don't chuse none!'
Workin'men like Mylo they
'D ort to have MEAT ev'ry day!

Dad-burn Mylo Jones's wife!
Ruther rake a blame caseknife
'Crost my wizzen than to see
Sich a womern rulin' ME!--
Ruther take and turn in and
Raise a fool mule-colt by hand'
MYLO, though--od-rot the man!--
Jest keeps ca'm--like some folks CAN--
And 'lows sich as her, I s'pose,
Is MAN'S HE'PMEET'--Mercy knows!

My Dancin'-Days Is Over

What is it in old fiddle-chunes 'at makes me ketch my breath
And ripples up my backbone tel I'm tickled most to death?--
Kindo' like that sweet-sick feelin', in the long sweep of a swing,
The first you ever swung in, with yer first sweet-heart, i jing!--
Yer first picnic--yer first ice-cream--yer first o' _ever'thing_
'At happened 'fore yer dancin'-days wuz over!

I never understood it--and I s'pose I never can,--
But right in town here, yisterd'y, I heerd a pore blindman
A-fiddlin' old 'Gray Eagle'--_And_-sir! I jes stopped my load
O' hay and listened at him--yes, and watched the way he 'bow'd,'--
And back I went, plum forty year', with boys and girls I knowed
And loved, long 'fore my dancin'-days wuz over!--

At high noon in yer city,--with yer blame Magnetic-Cars
A-hummin' and a-screetchin' past--and bands and G.A.R.'s
A-marchin'--and fire-ingines.--_All_ the noise, the whole street through,
Wuz lost on me!--I only heerd a whipperwill er two,
It 'peared-like, kindo' callin' 'crost the darkness and the dew,
Them nights afore my dancin'-days wuz over.

T'uz Chused'y-night at Wetherell's, er We'nsd'y-night at Strawn's,
Er Fourth-o'-July-night at uther Tomps's house er John's!--
With old Lew Church from Sugar Crick, with that old fiddle he
Had sawed clean through the Army, from Atlanty to the sea--
And yit he'd fetched, her home ag'in, so's he could play fer me
One't more afore my dancin'-days wuz over!

The woods 'at's all ben cut away wuz growin' same as then;
The youngsters all wuz boys ag'in 'at's now all oldish men;
And all the girls 'at _then_ wuz girls--I saw 'em, one and all,
As _plain_ as then--the middle-sized, the short-and-fat, and tall--
And, 'peared-like, I danced 'Tucker' fer 'em up and down the wall
Jes like afore my dancin' days wuz over!

* * * * *

Yer _po_-leece they can holler 'Say! _you_, Uncle! drive ahead!--
You can't use _all_ the right-o'-way!'--fer that wuz what they said!--
But, jes the same,--in spite of all 'at you call 'interprise
And prog-gress of _you_-folks Today,' we're all of _fambly-ties_--
We're all got feelin's fittin' fer the _tears_ 'at's in our eyes
Er the _smiles_ afore our dancin'-days is over.

Mr. What's-His-Name

They called him Mr. What's-his-name:
From where he was, or why he came,
Or when, or what he found to do,
Nobody in the city knew.

He lived, it seemed, shut up alone
In a low hovel of his own;
There cooked his meals and made his bed,
Careless of all his neighbors said.

His neighbors, too, said many things
Expressive of grave wonderings,
Since none of them had ever been
Within his doors, or peered therein.

In fact, grown watchful, they became
Assured that Mr. What's-his-name
Was up to something wrong--indeed,
Small doubt of it, we all agreed.

At night were heard strange noises there,
When honest people everywhere
Had long retired; and his light
Was often seen to burn all night.

He left his house but seldom--then
Would always hurry back again,
As though he feared some stranger's knock,
Finding him gone, might burst the lock.

Beside, he carried, every day,
At the one hour he went away,
A basket, with the contents hid
Beneath its woven willow lid.

And so we grew to greatly blame
This wary Mr. What's-his-name,
And look on him with such distrust
His actions seemed to sanction just.

But when he died--he died one day--
Dropped in the street while on his way
To that old wretched hut of his--
You'll think it strange--perhaps it is--

But when we lifted him, and past
The threshold of his home at last,
No man of all the crowd but stepped
With reverence,--Aye, _quailed_ and _wept_!

What was it? Just a shriek of pain
I pray to never hear again--
A withered woman, old and bowed,
That fell and crawled and cried aloud--

And kissed the dead man's matted hair--
Lifted his face and kissed him there--
Called to him, as she clutched his hand,
In words no one could understand.

Insane? Yes.--Well, we, searching, found
An unsigned letter, in a round
Free hand, within the dead man's breast:
'Look to my mother--_I'm_ at rest.

You'll find my money safely hid
Under the lining of the lid
Of my work-basket. It is hers,
And God will bless her ministers!'

And some day--though he died unknown--
If through the City by the Throne
I walk, all cleansed of earthly shame,
I'll ask for Mr. What's-his-name.

The Hoosier Folk-Child

The Hoosier Folk-Child--all unsung--
Unlettered all of mind and tongue;
Unmastered, unmolested--made
Most wholly frank and unafraid:
Untaught of any school--unvexed
Of law or creed--all unperplexed--
Unsermoned, aye, and undefiled,
An all imperfect-perfect child--
A type which (Heaven forgive us!) you
And I do tardy honor to,
And so, profane the sanctities
Of our most sacred memories.
Who, growing thus from boy to man,
That dares not be American?
Go, Pride, with prudent underbuzz--
Go _whistle_! as the Folk-Child does.

The Hoosier Folk-Child's world is not
Much wider than the stable-lot
Between the house and highway fence
That bounds the home his father rents.
His playmates mostly are the ducks
And chickens, and the boy that 'shucks
Corn by the shock,' and talks of town,
And whether eggs are 'up' or 'down,'
And prophesies in boastful tone
Of 'owning horses of his own,'
And 'being his own man,' and 'when
He gets to be, what he'll do then.'--
Takes out his jack-knife dreamily
And makes the Folk-Child two or three
Crude corn-stalk figures,--a wee span
Of horses and a little man.

The Hoosier Folk-Child's eyes are wise
And wide and round as Brownies' eyes:
The smile they wear is ever blent
With all-expectant wonderment,--
On homeliest things they bend a look
As rapt as o'er a picture-book,
And seem to ask, whate'er befall,
The happy reason of it all:--
Why grass is all so glad a green,
And leaves--and what their lispings mean;--
Why buds grow on the boughs, and why
They burst in blossom by and by--
As though the orchard in the breeze
Had shook and popped its _popcorn-trees_,
To lure and whet, as well they might,
Some seven-league giant's appetite!

The Hoosier Folk-Child's chubby face
Has scant refinement, caste or grace,--
From crown to chin, and cheek to cheek,
It bears the grimy water-streak
Of rinsings such as some long rain
Might drool across the window-pane
Wherethrough he peers, with troubled frown,
As some lorn team drives by for town.
His brow is elfed with wispish hair,
With tangles in it here and there,
As though the warlocks snarled it so
At midmirk when the moon sagged low,
And boughs did toss and skreek and shake,
And children moaned themselves awake,
With fingers clutched, and starting sight
Blind as the blackness of the night!

The Hoosier Folk-Child!--Rich is he
In all the wealth of poverty!
He owns nor title nor estate,
Nor speech but half articulate,--
He owns nor princely robe nor crown;--
Yet, draped in patched and faded brown,
He owns the bird-songs of the hills--
The laughter of the April rills;
And his are all the diamonds set.
In Morning's dewy coronet,--
And his the Dusk's first minted stars
That twinkle through the pasture-bars,
And litter all the skies at night
With glittering scraps of silver light;--
The rainbow's bar, from rim to rim,
In beaten gold, belongs to him.

We Must Get Home

We must get home! How could we stray like this?--
So far from home, we know not where it is,--
Only in some fair, apple-blossomy place
Of children's faces--and the mother's face--
We dimly dream it, till the vision clears
Even in the eyes of fancy, glad with tears.

We must get home--for we have been away
So long, it seems forever and a day!
And O so very homesick we have grown,
The laughter of the world is like a moan
In our tired hearing, and its song as vain,--
We must get home--we must get home again!

We must get home! With heart and soul we yearn
To find the long-lost pathway, and return!...
The child's shout lifted from the questing band
Of old folk, faring weary, hand in hand,
But faces brightening, as if clouds at last
Were showering sunshine on us as we passed.

We must get home: It hurts so staying here,
Where fond hearts must be wept out tear by tear,
And where to wear wet lashes means, at best,
When most our lack, the least our hope of rest--
When most our need of joy, the more our pain--
We must get home--we must get home again!

We must get home--home to the simple things--
The morning-glories twirling up the strings
And bugling color, as they blared in blue-
And-white o'er garden-gates we scampered through;
The long grape-arbor, with its under-shade
Blue as the green and purple overlaid.

We must get home: All is so quiet there:
The touch of loving hands on brow and hair--
Dim rooms, wherein the sunshine is made mild--
The lost love of the mother and the child
Restored in restful lullabies of rain,--
We must get home--we must get home again!

The rows of sweetcorn and the China beans
Beyond the lettuce-beds where, towering, leans
The giant sunflower in barbaric pride
Guarding the barn-door and the lane outside;
The honeysuckles, midst the hollyhocks,
That clamber almost to the martin-box.

We must get home, where, as we nod and drowse,
Time humors us and tiptoes through the house,
And loves us best when sleeping baby-wise,
With dreams--not tear-drops--brimming our clenched eyes,--
Pure dreams that know nor taint nor earthly stain--
We must get home--we must get home again!

We must get home! The willow-whistle's call
Trills crisp and liquid as the waterfall--
Mocking the trillers in the cherry-trees
And making discord of such rhymes as these,
That know nor lilt nor cadence but the birds
First warbled--then all poets afterwards.

We must get home; and, unremembering there
All gain of all ambition otherwhere,
Rest--from the feverish victory, and the crown
Of conquest whose waste glory weighs us down.--
Fame's fairest gifts we toss back with disdain--
We must get home--we must get home again!

We must get home again--we must--we must!--
(Our rainy faces pelted in the dust)
Creep back from the vain quest through endless strife
To find not anywhere in all of life
A happier happiness than blest us then ...
We must get home--we must get home again!

As a harvester, at dusk,
Faring down some woody trail
Leading homeward through the musk
Of may-apple and pawpaw,
Hazel-bush, and spice and haw,--
So comes Autumn, swart and hale,
Drooped of frame and slow of stride.
But withal an air of pride
Looming up in stature far
Higher than his shoulders are;
Weary both in arm and limb,
Yet the wholesome heart of him
Sheer at rest and satisfied.

Greet him as with glee of drums
And glad cymbals, as he comes!
Robe him fair, O Rain and Shine.
He the Emperor--the King--
Royal lord of everything
Sagging Plenty's granary floors
And out-bulging all her doors;
He the god of corn and wine,
Honey, milk, and fruit and oil--
Lord of feast, as lord of toil--
Jocund host of yours and mine!

Ho! the revel of his laugh!--
Half is sound of winds, and half
Roar of ruddy blazes drawn
Up the throats of chimneys wide,
Circling which, from side to side,
Faces--lit as by the Dawn,
With her highest tintings on
Tip of nose, and cheek, and chin--
Smile at some old fairy-tale
Of enchanted lovers, in
Silken gown and coat of mail,
With a retinue of elves
Merry as their very selves,
Trooping ever, hand in hand,
Down the dales of Wonderland.

Then the glory of his song!--
Lifting up his dreamy eyes--
Singing haze across the skies;
Singing clouds that trail along
Towering tops of trees that seize
Tufts of them to stanch the breeze;
Singing slanted strands of rain
In between the sky and earth,
For the lyre to mate the mirth
And the might of his refrain:
Singing southward-flying birds
Down to us, and afterwards
Singing them to flight again;
Singing blushes to the cheeks
Of the leaves upon the trees--
Singing on and changing these
Into pallor, slowly wrought,
Till the little, moaning creeks
Bear them to their last farewell,
As Elaine, the lovable,
Was borne down to Lancelot.--
Singing drip of tears, and then
Drying them with smiles again.

Singing apple, peach and grape,
Into roundest, plumpest shape,
Rosy ripeness to the face
Of the pippin; and the grace
Of the dainty stamin-tip
To the huge bulk of the pear,
Pendant in the green caress
Of the leaves, and glowing through
With the tawny laziness
Of the gold that Ophir knew,--
Haply, too, within its rind
Such a cleft as bees may find,
Bungling on it half aware.
And wherein to see them sip
Fancy lifts an oozy lip,
And the singer's falter there.

Sweet as swallows swimming through
Eddyings of dusk and dew,
Singing happy scenes of home
Back to sight of eager eyes
That have longed for them to come,
Till their coming is surprise
Uttered only by the rush
Of quick tears and prayerful hush;
Singing on, in clearer key,
Hearty palms of you and me
Into grasps that tingle still
Rapturous, and ever will!
Singing twank and twang of strings--
Trill of flute and clarinet
In a melody that rings
Like the tunes we used to play,
And our dreams are playing yet!
Singing lovers, long astray,
Each to each, and, sweeter things--
Singing in their marriage-day,
And a banquet holding all
These delights for festival.

At Noey's House

At Noey's house--when they arrived with him--
How snug seemed everything, and neat and trim:
The little picket-fence, and little gate--
It's little pulley, and its little weight,--
All glib as clock-work, as it clicked behind
Them, on the little red brick pathway, lined
With little paint-keg-vases and teapots
Of wee moss-blossoms and forgetmenots:
And in the windows, either side the door,
Were ranged as many little boxes more
Of like old-fashioned larkspurs, pinks and moss
And fern and phlox; while up and down across
Them rioted the morning-glory-vines
On taut-set cotton-strings, whose snowy lines
Whipt in and out and under the bright green
Like basting-threads; and, here and there between,
A showy, shiny hollyhock would flare
Its pink among the white and purple there.--
And still behind the vines, the children saw
A strange, bleached, wistful face that seemed to draw
A vague, indefinite sympathy. A face
It was of some newcomer to the place.--
In explanation, Noey, briefly, said
That it was 'Jason,' as he turned and led
The little fellows 'round the house to show
Them his menagerie of pets. And so
For quite a time the face of the strange guest
Was partially forgotten, as they pressed
About the squirrel-cage and rousted both
The lazy inmates out, though wholly loath
To whirl the wheel for them.--And then with awe
They walked 'round Noey's big pet owl, and saw
Him film his great, clear, liquid eyes and stare
And turn and turn and turn his head 'round there
The same way they kept circling--as though he
Could turn it one way thus eternally.

Behind the kitchen, then, with special pride
Noey stirred up a terrapin inside
The rain-barrel where he lived, with three or four
Little mud-turtles of a size not more
In neat circumference than the tiny toy
Dumb-watches worn by every little boy.

Then, back of the old shop, beneath the tree
Of 'rusty-coats,' as Noey called them, he
Next took the boys, to show his favorite new
Pet 'coon--pulled rather coyly into view
Up through a square hole in the bottom of
An old inverted tub he bent above,
Yanking a little chain, with 'Hey! you, sir!
Here's _comp'ny_ come to see you, Bolivur!'
Explanatory, he went on to say,
'I named him '_Bolivur_' jes thisaway,--
He looks so _round_ and _ovalish_ and _fat_,
'Peared like no other name 'ud fit but that.'

Here Noey's father called and sent him on
Some errand. 'Wait,' he said--'I won't be gone
A half a' hour.--Take Bud, and go on in
Where Jason is, tel I git back agin.'

Whoever _Jason_ was, they found him there
Still at the front-room window.--By his chair
Leaned a new pair of crutches; and from one
Knee down, a leg was bandaged.--'Jason done
That-air with one o' these-'ere tools _we_ call
A '_shin-hoe_'--but a _foot-adz_ mostly all
_Hardware_-store-keepers calls 'em.'--(_Noey_ made
This explanation later.)

Jason paid
But little notice to the boys as they
Came in the room:--An idle volume lay
Upon his lap--the only book in sight--
And Johnty read the title,--'Light, More Light,
There's Danger in the Dark,'--though _first_ and best--
In fact, the _whole_ of Jason's interest
Seemed centered on a little _dog_--one pet
Of Noey's all uncelebrated yet--
Though _Jason_, certainly, avowed his worth,
And niched him over all the pets on earth--
As the observant Johnty would relate
The _Jason_-episode, and imitate
The all-enthusiastic speech and air
Of Noey's kinsman and his tribute there:--

Noey's Night-Piece

'They ain't much 'tale' about it!' Noey said.--
'K'tawby grapes wuz gittin' good-n-red
I rickollect; and Tubb Kingry and me
'Ud kindo' browse round town, daytime, to see
What neighbers 'peared to have the most to spare
'At wuz git-at-able and no dog there
When we come round to git 'em, say 'bout ten
O'clock at night when mostly old folks then
Wuz snorin' at each other like they yit
Helt some old grudge 'at never slep' a bit.
Well, at the _Pars'nige_--ef ye'll call to mind,--
They's 'bout the biggest grape-arber you'll find
'Most anywheres.--And mostly there, we knowed
They wuz _k'tawbies_ thick as ever growed--
And more'n they'd _p'serve_.--Besides I've heerd
Ma say k'tawby-grape-p'serves jes 'peared
A waste o' sugar, anyhow!--And so
My conscience stayed outside and lem me go
With Tubb, one night, the back-way, clean up through
That long black arber to the end next to
The house, where the k'tawbies, don't you know,
Wuz thickest. And t'uz lucky we went _slow_,--
Fer jest as we wuz cropin' tords the gray-
End, like, of the old arber--heerd Tubb say
In a skeered whisper, 'Hold up! They's some one
Jes slippin' in here!--and _looks like a gun_
He's carryin'!' I _golly!_ we both spread
Out flat aginst the ground!

''What's that?' Tubb said.--
And jest then--'_plink! plunk! plink!_' we heerd something
Under the back-porch-winder.--Then, i jing!
Of course we rickollected 'bout the young
School-mam 'at wuz a-boardin' there, and sung,
And played on the melodium in the choir.--
And she 'uz 'bout as purty to admire
As any girl in town!--the fac's is, she
Jest _wuz_, them times, to a dead certainty,
The belle o' this-here bailywick!--But--Well,--
I'd best git back to what I'm tryin' to tell:--
It wuz some feller come to serenade
Miss Wetherell: And there he plunked and played
His old guitar, and sung, and kep' his eye
Set on her winder, blacker'n the sky!--
And black it _stayed_.--But mayby she wuz 'way
From home, er wore out--bein' _Saturday!_

'It _seemed_ a good-'eal _longer_, but I _know_
He sung and plunked there half a' hour er so
Afore, it 'peared like, he could ever git
His own free qualified consents to quit
And go off 'bout his business. When he went
I bet you could a-bought him fer a cent!

'And now, behold ye all!--as Tubb and me
Wuz 'bout to raise up,--right in front we see
A feller slippin' out the arber, square
Smack under that-air little winder where
The _other_ feller had been standin'.--And
The thing he wuz a-carryin' in his hand
Wuzn't no _gun_ at all!--It wuz a _flute_,--
And _whoop-ee!_ how it did git up and toot
And chirp and warble, tel a mockin'-bird
'Ud dast to never let hisse'f be heerd
Ferever, after sich miracalous, high
Jim-cracks and grand skyrootics played there by
Yer Cousin Rufus!--Yes-sir; it wuz him!--
And what's more,--all a-suddent that-air dim
Dark winder o' Miss Wetherell's wuz lit
Up like a' oyshture-sign, and under it
We see him sort o' wet his lips and smile
Down 'long his row o' dancin' fingers, while
He kindo' stiffened up and kinked his breath
And everlastin'ly jest blowed the peth
Out o' that-air old one-keyed flute o' his.
And, bless their hearts, that's all the 'tale' they is!'

And even as Noey closed, all radiantly
The unconscious hero of the history,
Returning, met a perfect driving storm
Of welcome--a reception strangely warm
And _unaccountable_, to _him_, although
Most _gratifying_,--and he told them so.
'I only urge,' he said, 'my right to be
Enlightened.' And a voice said: '_Certainly:_--
During your absence we agreed that you
Should tell us all a story, old or new,
Just in the immediate happy frame of mind
We knew you would return in.'

So, resigned,
The ready flutist tossed his hat aside--
Glanced at the children, smiled, and thus complied.

Uncle Mart's Poem

THE OLD SNOW-MAN

Ho! the old Snow-Man
That Noey Bixler made!
He looked as fierce and sassy
As a soldier on parade!--
'Cause Noey, when he made him,
While we all wuz gone, you see,
He made him, jist a-purpose,
Jist as fierce as he could be!--
But when we all got _ust_ to him,
Nobody wuz afraid
Of the old Snow-Man
That Noey Bixler made!

'Cause Noey told us 'bout him
And what he made him fer:--
He'd come to feed, that morning
He found we wuzn't here;
And so the notion struck him,
When we all come taggin' home
'Tud _s'prise_ us ef a' old Snow-Man
'Ud meet us when we come!
So, when he'd fed the stock, and milked,
And ben back home, and chopped
His wood, and et his breakfast, he
Jist grabbed his mitts and hopped
Right in on that-air old Snow-Man
That he laid out he'd make
Er bust a trace _a-tryin_'--jist
Fer old-acquaintance sake!--
But work like that wuz lots more fun.
He said, than when he played!
Ho! the old Snow-Man
That Noey Bixler made!

He started with a big snow-ball,
And rolled it all around;
And as he rolled, more snow 'ud stick
And pull up off the ground.--
He rolled and rolled all round the yard--
'Cause we could see the _track_,
All wher' the snow come off, you know,
And left it wet and black.
He got the Snow-Man's _legs-part_ rolled--
In front the kitchen-door,--
And then he hat to turn in then
And roll and roll some more!--
He rolled the yard all round agin,
And round the house, at that--
Clean round the house and back to wher'
The blame legs-half wuz at!
He said he missed his dinner, too--
Jist clean fergot and stayed
There workin'. Ho! the old Snow-Man
That Noey Bixler made!

And Noey said he hat to _hump_
To git the _top-half_ on
The _legs-half!_--When he _did_, he said,
His wind wuz purt'-nigh gone.--
He said, I jucks! he jist drapped down
There on the old porch-floor
And panted like a dog!--And then
He up! and rolled some more!--
The _last_ batch--that wuz fer his head,--
And--time he'd got it right
And clumb and fixed it on, he said--
He hat to quit fer night!--
And _then_, he said, he'd kep' right on
Ef they'd ben any _moon_
To work by! So he crawled in bed--
And _could_ a-slep' tel _noon_,
He wuz so plum wore out! he said,--
But it wuz washin'-day,
And hat to cut a cord o' wood
'Fore he could git away!

But, last, he got to work agin,--
With spade, and gouge, and hoe,
And trowel, too--(All tools 'ud do
What _Noey_ said, you know!)
He cut his eyebrows out like cliffs--
And his cheekbones and chin
Stuck _furder_ out--and his old _nose_
Stuck out as fur-agin!
He made his eyes o' walnuts,
And his whiskers out o' this
Here buggy-cushion stuffin'--_moss_,
The teacher says it is.
And then he made a' old wood'-gun,
Set keerless-like, you know,
Acrost one shoulder--kindo' like
Big Foot, er Adam Poe--
Er, mayby, Simon Girty,
The dinged old Renegade!
_Wooh!_ the old Snow-Man
That Noey Bixler made!

And there he stood, all fierce and grim,
A stern, heroic form:
What was the winter blast to him,
And what the driving storm?--
What wonder that the children pressed
Their faces at the pane
And scratched away the frost, in pride
To look on him again?--
What wonder that, with yearning bold,
Their all of love and care
Went warmest through the keenest cold
To that Snow-Man out there!

But the old Snow-Man--
What a dubious delight
He grew at last when Spring came on
And days waxed warm and bright.--
Alone he stood--all kith and kin
Of snow and ice were gone;--
Alone, with constant teardrops in
His eyes and glittering on
His thin, pathetic beard of black--
Grief in a hopeless cause!--
Hope--hope is for the man that _dies_--
What for the man that _thaws!_
O Hero of a hero's make!--
Let _marble_ melt and fade,
But never _you_--you old Snow-Man
That Noey Bixler made!

A Country Pathway

I come upon it suddenly, alone--
A little pathway winding in the weeds
That fringe the roadside; and with dreams my own,
I wander as it leads.

Full wistfully along the slender way,
Through summer tan of freckled shade and shine,
I take the path that leads me as it may--
Its every choice is mine.

A chipmunk, or a sudden-whirring quail,
Is startled by my step as on I fare--
A garter-snake across the dusty trail
Glances and--is not there.

Above the arching jimson-weeds flare twos
And twos of sallow-yellow butterflies,
Like blooms of lorn primroses blowing loose
When autumn winds arise.

The trail dips--dwindles--broadens then, and lifts
Itself astride a cross-road dubiously,
And, from the fennel marge beyond it, drifts
Still onward, beckoning me.

And though it needs must lure me mile on mile
Out of the public highway, still I go,
My thoughts, far in advance in Indian file,
Allure me even so.

Why, I am as a long-lost boy that went
At dusk to bring the cattle to the bars,
And was not found again, though Heaven lent
His mother all the stars

With which to seek him through that awful night
O years of nights as vain!--Stars never rise
But well might miss their glitter in the light
Of tears in mother-eyes!

So--on, with quickened breaths, I follow still--
My avant-courier must be obeyed!
Thus am I led, and thus the path, at will,
Invites me to invade

A meadow's precincts, where my daring guide
Clambers the steps of an old-fashioned stile,
And stumbles down again, the other side,
To gambol there a while.

In pranks of hide-and-seek, as on ahead
I see it running, while the clover-stalks
Shake rosy fists at me, as though they said--
'You dog our country walks

'And mutilate us with your walking-stick!--
We will not suffer tamely what you do,
And warn you at your peril,--for we'll sick
Our bumblebees on you!'

But I smile back, in airy nonchalance,--
The more determined on my wayward quest,
As some bright memory a moment dawns
A morning in my breast--

Sending a thrill that hurries me along
In faulty similes of childish skips,
Enthused with lithe contortions of a song
Performing on my lips.

In wild meanderings o'er pasture wealth--
Erratic wanderings through dead'ning lands,
Where sly old brambles, plucking me by stealth,
Put berries in my hands:

Or the path climbs a boulder--wades a slough--
Or, rollicking through buttercups and flags,
Goes gaily dancing o'er a deep bayou
On old tree-trunks and snags:

Or, at the creek, leads o'er a limpid pool
Upon a bridge the stream itself has made,
With some Spring-freshet for the mighty tool
That its foundation laid.

I pause a moment here to bend and muse,
With dreamy eyes, on my reflection, where
A boat-backed bug drifts on a helpless cruise,
Or wildly oars the air,

As, dimly seen, the pirate of the brook--
The pike, whose jaunty hulk denotes his speed--
Swings pivoting about, with wary look
Of low and cunning greed.

Till, filled with other thought, I turn again
To where the pathway enters in a realm
Of lordly woodland, under sovereign reign
Of towering oak and elm.

A puritanic quiet here reviles
The almost whispered warble from the hedge,
And takes a locust's rasping voice and files
The silence to an edge.

In such a solitude my somber way
Strays like a misanthrope within a gloom
Of his own shadows--till the perfect day
Bursts into sudden bloom,

And crowns a long, declining stretch of space,
Where King Corn's armies lie with flags unfurled,
And where the valley's dint in Nature's face
Dimples a smiling world.

And lo! through mists that may not be dispelled,
I see an old farm homestead, as in dreams,
Where, like a gem in costly setting held,
The old log cabin gleams.

. . . . . . .

O darling Pathway! lead me bravely on
Adown your valley-way, and run before
Among the roses crowding up the lawn
And thronging at the door,--

And carry up the echo there that shall
Arouse the drowsy dog, that he may bay
The household out to greet the prodigal
That wanders home to-day.

Some Songs After Master Singers

I

SONG

[W.S.]

With a hey! and a hi! and a hey-ho rhyme!
O the shepherd lad
He is ne'er so glad
As when he pipes, in the blossom-time,
So rare!
While Kate picks by, yet looks not there.
So rare! so rare!
_With a hey! and a hi! and a ho!_
_The grasses curdle where the daisies blow!_

With a hey! and a hi! and a hey-ho vow!
Then he sips her face
At the sweetest place--
And ho! how white is the hawthorn now!--
So rare!--
And the daisied world rocks round them there.
So rare! so rare!
_With a hey! and a hi! and a ho!_
_The grasses curdle where the daisies blow!_



II

TO THE CHILD JULIA

[R.H.]


Little Julia, since that we
May not as our elders be,
Let us blithely fill the days
Of our youth with pleasant plays.
First we'll up at earliest dawn,
While as yet the dew is on
The sooth'd grasses and the pied
Blossomings of morningtide;
Next, with rinsed cheeks that shine
As the enamell'd eglantine,
We will break our fast on bread
With both cream and honey spread;
Then, with many a challenge-call,
We will romp from house and hall,
Gypsying with the birds and bees
Of the green-tress'd garden trees.
In a bower of leaf and vine
Thou shalt be a lady fine
Held in duress by the great
Giant I shall personate.
Next, when many mimics more
Like to these we have played o'er,

We'll betake us home-along
Hand in hand at evensong.

III

THE DOLLY'S MOTHER

[W.W.]


A little maid, of summers four--
Did you compute her years,--
And yet how infinitely more
To me her age appears:

I mark the sweet child's serious air,
At her unplayful play,--
The tiny doll she mothers there
And lulls to sleep away,

Grows--'neath the grave similitude--
An infant real, to me,
And _she_ a saint of motherhood
In hale maturity.

So, pausing in my lonely round,
And all unseen of her,
I stand uncovered--her profound
And abject worshipper.

IV

WIND OF THE SEA

[A.T.]


Wind of the Sea, come fill my sail--
Lend me the breath of a freshening gale
And bear my port-worn ship away!
For O the greed of the tedious town--
The shutters up and the shutters down!
Wind of the Sea, sweep over the bay
And bear me away!--away!

Whither you bear me, Wind of the Sea,
Matters never the least to me:
Give me your fogs, with the sails adrip,
Or the weltering path thro' the starless night--
On, somewhere, is a new daylight
And the cheery glint of another ship
As its colors dip and dip!


Wind of the Sea, sweep over the bay
And bear me away!--away!

V

SUBTLETY

[R.B .]


Whilst little Paul, convalescing, was staying
Close indoors, and his boisterous classmates paying

Him visits, with fresh school-notes and surprises,--
With nettling pride they sprung the word 'Athletic,'
With much advice and urgings sympathetic
Anent 'Athletic exercises.' Wise as
Lad might look, quoth Paul: 'I've pondered o'er that
'Athletic,' but I mean to take, before that,
Downstairic and outdooric exercises.'



VI

BORN TO THE PURPLE

[W.M.]


Most-like it was this kingly lad
Spake out of the pure joy he had
In his child-heart of the wee maid
Whose eerie beauty sudden laid
A spell upon him, and his words
Burst as a song of any bird's:--

A peerless Princess thou shalt be,
Through wit of love's rare sorcery:
To crown the crown of thy gold hair
Thou shalt have rubies, bleeding there
Their crimson splendor midst the marred
Pulp of great pearls, and afterward

Leaking in fainter ruddy stains
Adown thy neck-and-armlet-chains
Of turquoise, chrysoprase, and mad
Light-frenzied diamonds, dartling glad
Swift spirts of shine that interfuse
As though with lucent crystal dews
That glance and glitter like split rays
Of sunshine, born of burgeoning Mays
When the first bee tilts down the lip
Of the first blossom, and the drip
Of blended dew and honey heaves
Him blinded midst the underleaves.
For raiment, Fays shall weave for thee--
Out of the phosphor of the sea
And the frayed floss of starlight, spun
With counterwarp of the firm sun--
A vesture of such filmy sheen
As, through all ages, never queen
Therewith strove truly to make less
One fair line of her loveliness.
Thus gowned and crowned with gems and gold,
Thou shalt, through centuries untold,
Rule, ever young and ever fair,
As now thou rulest, smiling there.

The Loehrs And The Hammonds

'Hey, Bud! O Bud!' rang out a gleeful call,--
'_The Loehrs is come to your house!_' And a small
But very much elated little chap,
In snowy linen-suit and tasseled cap,
Leaped from the back-fence just across the street
From Bixlers', and came galloping to meet
His equally delighted little pair
Of playmates, hurrying out to join him there--
'_The Loehrs is come!--The Loehrs is come!_' his glee
Augmented to a pitch of ecstasy
Communicated wildly, till the cry
'_The Loehrs is come!_' in chorus quavered high
And thrilling as some paean of challenge or
Soul-stirring chant of armied conqueror.
And who this _avant courier_ of 'the Loehrs'?--
This happiest of all boys out-o'-doors--
Who but Will Pierson, with his heart's excess
Of summer-warmth and light and breeziness!
'From our front winder I 'uz first to see
'Em all a-drivin' into town!' bragged he--
'An' seen 'em turnin' up the alley where
_Your_ folks lives at. An' John an' Jake wuz there
Both in the wagon;--yes, an' Willy, too;
An' Mary--Yes, an' Edith--with bran-new
An' purtiest-trimmed hats 'at ever wuz!--
An' Susan, an' Janey.--An' the _Hammonds-uz_
In their fine buggy 'at they're ridin' roun'
So much, all over an' aroun' the town
An' _ever_'wheres,--them _city_-people who's
A-visutin' at Loehrs-uz!'

Glorious news!--
Even more glorious when verified
In the boys' welcoming eyes of love and pride,
As one by one they greeted their old friends
And neighbors.--Nor until their earth-life ends
Will that bright memory become less bright
Or dimmed indeed.

... Again, at candle-light,
The faces all are gathered. And how glad
The Mother's features, knowing that she had
Her dear, sweet Mary Loehr back again.--
She always was so proud of her; and then
The dear girl, in return, was happy, too,
And with a heart as loving, kind and true
As that maturer one which seemed to blend
As one the love of mother and of friend.
From time to time, as hand-in-hand they sat,
The fair girl whispered something low, whereat
A tender, wistful look would gather in
The mother-eyes; and then there would begin
A sudden cheerier talk, directed to
The stranger guests--the man and woman who,
It was explained, were coming now to make
Their temporary home in town for sake
Of the wife's somewhat failing health. Yes, they
Were city-people, seeking rest this way,
The man said, answering a query made
By some well meaning neighbor--with a shade
Of apprehension in the answer.... No,--
They had no _children_. As he answered so,
The man's arm went about his wife, and she
Leant toward him, with her eyes lit prayerfully:
Then she arose--he following--and bent
Above the little sleeping innocent
Within the cradle at the mother's side--
He patting her, all silent, as she cried.--
Though, haply, in the silence that ensued,
His musings made melodious interlude.

In the warm, health-giving weather
My poor pale wife and I
Drive up and down the little town
And the pleasant roads thereby:
Out in the wholesome country
We wind, from the main highway,
In through the wood's green solitudes--
Fair as the Lord's own Day.

We have lived so long together.
And joyed and mourned as one,
That each with each, with a look for speech,
Or a touch, may talk as none
But Love's elect may comprehend--
Why, the touch of her hand on mine
Speaks volume-wise, and the smile of her eyes,
To me, is a song divine.

There are many places that lure us:--
'The Old Wood Bridge' just west
Of town we know--and the creek below,
And the banks the boys love best:
And 'Beech Grove,' too, on the hill-top;
And 'The Haunted House' beyond,
With its roof half off, and its old pump-trough
Adrift in the roadside pond.

We find our way to 'The Marshes'--
At least where they used to be;
And 'The Old Camp Grounds'; and 'The Indian Mounds,'
And the trunk of 'The Council Tree:'
We have crunched and splashed through 'Flint-bed Ford';
And at 'Old Big Bee-gum Spring'
We have stayed the cup, half lifted up.
Hearing the redbird sing.

And then, there is 'Wesley Chapel,'
With its little graveyard, lone
At the crossroads there, though the sun sets fair
On wild-rose, mound and stone ...
A wee bed under the willows--
My wife's hand on my own--
And our horse stops, too ... And we hear the coo
Of a dove in undertone.

The dusk, the dew, and the silence.
'Old Charley' turns his head
Homeward then by the pike again,
Though never a word is said--
One more stop, and a lingering one--
After the fields and farms,--
At the old Toll Gate, with the woman await
With a little girl in her arms.


The silence sank--Floretty came to call
The children in the kitchen, where they all
Went helter-skeltering with shout and din
Enough to drown most sanguine silence in,--
For well indeed they knew that summons meant
Taffy and popcorn--so with cheers they went.

What The Wind Said

'I muse to-day, in a listless way,
In the gleam of a summer land;
I close my eyes as a lover may
At the touch of his sweetheart's hand,
And I hear these things in the whisperings
Of the zephyrs round me fanned':--

I am the Wind, and I rule mankind,
And I hold a sovereign reign
Over the lands, as God designed,
And the waters they contain:
Lo! the bound of the wide world round
Falleth in my domain!

I was born on a stormy morn
In a kingdom walled with snow,
Whose crystal cities laugh to scorn
The proudest the world can show;
And the daylight's glare is frozen there
In the breath of the blasts that blow.

Life to me was a jubilee
From the first of my youthful days:
Clinking my icy toys with glee--
Playing my childish plays;
Filling my hands with the silver sands
To scatter a thousand ways:

Chasing the flakes that the Polar shakes
From his shaggy coat of white,
Or hunting the trace of the track he makes
And sweeping it from sight,
As he turned to glare from the slippery stair
Of the iceberg's farthest height.

Till I grew so strong that I strayed ere long
From my home of ice and chill;
With an eager heart and a merry song
I traveled the snows until
I heard the thaws in the ice-crag's jaws
Crunched with a hungry will;

And the angry crash of the waves that dash
Themselves on the jagged shore
Where the splintered masts of the ice-wrecks flash,
And the frightened breakers roar
In wild unrest on the ocean's breast
For a thousand leagues or more.

And the grand old sea invited me
With a million beckoning hands,
And I spread my wings for a flight as free
As ever a sailor plans
When his thoughts are wild and his heart beguiled
With the dreams of foreign lands.

I passed a ship on its homeward trip,
With a weary and toil-worn crew;
And I kissed their flag with a welcome lip,
And so glad a gale I blew
That the sailors quaffed their grog and laughed
At the work I made them do.

I drifted by where sea-groves lie
Like brides in the fond caress
Of the warm sunshine and the tender sky--
Where the ocean, passionless
And tranquil, lies like a child whose eyes
Are blurred with drowsiness.

I drank the air and the perfume there,
And bathed in a fountain's spray;
And I smoothed the wings and the plumage rare
Of a bird for his roundelay,
And fluttered a rag from a signal-crag
For a wretched castaway.

With a sea-gull resting on my breast,
I launched on a madder flight:
And I lashed the waves to a wild unrest,
And howled with a fierce delight
Till the daylight slept; and I wailed and wept
Like a fretful babe all night.

For I heard the boom of a gun strike doom;
And the gleam of a blood-red star
Glared at me through the mirk and gloom
From the lighthouse tower afar;
And I held my breath at the shriek of death
That came from the harbor bar.

For I am the Wind, and I rule mankind,
And I hold a sovereign reign
Over the lands, as God designed,
And the waters they contain:
Lo! the bound of the wide world round
Falleth in my domain!

I journeyed on, when the night was gone,
O'er a coast of oak and pine;
And I followed a path that a stream had drawn
Through a land of vale and vine,
And here and there was a village fair
In a nest of shade and shine.

I passed o'er lakes where the sunshine shakes
And shivers his golden lance
On the glittering shield of the wave that breaks
Where the fish-boats dip and dance,
And the trader sails where the mist unveils
The glory of old romance.

I joyed to stand where the jeweled hand
Of the maiden-morning lies
On the tawny brow of the mountain-land.
Where the eagle shrieks and cries,
And holds his throne to himself alone
From the light of human eyes.

Adown deep glades where the forest shades
Are dim as the dusk of day--
Where only the foot of the wild beast wades,
Or the Indian dares to stray,
As the blacksnakes glide through the reeds and hide
In the swamp-depths grim and gray.

And I turned and fled from the place of dread
To the far-off haunts of men.
'In the city's heart is rest,' I said,--
But I found it not, and when
I saw but care and vice reign there
I was filled with wrath again:

And I blew a spark in the midnight dark
Till it flashed to an angry flame
And scarred the sky with a lurid mark
As red as the blush of shame:
And a hint of hell was the dying yell
That up from the ruins came.

The bells went wild, and the black smoke piled
Its pillars against the night,
Till I gathered them, like flocks defiled,
And scattered them left and right,
While the holocaust's red tresses tossed
As a maddened Fury's might.

'Ye overthrown!' did I jeer and groan--
'Ho! who is your master?--say!--
Ye shapes that writhe in the slag and moan
Your slow-charred souls away--
Ye worse than worst of things accurst--
Ye dead leaves of a day!'

I am the Wind, and I rule mankind,
And I hold a sovereign reign
Over the lands, as God designed,
And the waters they contain:
Lo! the bound of the wide world round
Falleth in my domain!

. . . . . . .

'I wake, as one from a dream half done,
And gaze with a dazzled eye
On an autumn leaf like a scrap of sun
That the wind goes whirling by,
While afar I hear, with a chill of fear,
The winter storm-king sigh.'

The Silent Victors

MAY 30, 1878,

Dying for victory, cheer on cheer
Thundered on his eager ear.
--CHARLES L. HOLSTEIN.

I

Deep, tender, firm and true, the Nation's heart
Throbs for her gallant heroes passed away,
Who in grim Battle's drama played their part,
And slumber here to-day.--

Warm hearts that beat their lives out at the shrine
Of Freedom, while our country held its breath
As brave battalions wheeled themselves in line
And marched upon their death:

When Freedom's Flag, its natal wounds scarce healed,
Was torn from peaceful winds and flung again
To shudder in the storm of battle-field--
The elements of men,--

When every star that glittered was a mark
For Treason's ball, and every rippling bar
Of red and white was sullied with the dark
And purple stain of war:

When angry guns, like famished beasts of prey,
Were howling o'er their gory feast of lives,
And sending dismal echoes far away
To mothers, maids, and wives:--

The mother, kneeling in the empty night,
With pleading hands uplifted for the son
Who, even as she prayed, had fought the fight--
The victory had won:

The wife, with trembling hand that wrote to say
The babe was waiting for the sire's caress--
The letter meeting that upon the way,--
The babe was fatherless:

The maiden, with her lips, in fancy, pressed
Against the brow once dewy with her breath,
Now lying numb, unknown, and uncaressed
Save by the dews of death.

II

What meed of tribute can the poet pay
The Soldier, but to trail the ivy-vine
Of idle rhyme above his grave to-day
In epitaph design?--

Or wreathe with laurel-words the icy brows
That ache no longer with a dream of fame,
But, pillowed lowly in the narrow house,
Renowned beyond the name.

The dewy tear-drops of the night may fall,
And tender morning with her shining hand
May brush them from the grasses green and tall
That undulate the land.--

Yet song of Peace nor din of toil and thrift,
Nor chanted honors, with the flowers we heap,
Can yield us hope the Hero's head to lift
Out of its dreamless sleep:

The dear old Flag, whose faintest flutter flies
A stirring echo through each patriot breast,
Can never coax to life the folded eyes
That saw its wrongs redressed--

That watched it waver when the fight was hot,
And blazed with newer courage to its aid,
Regardless of the shower of shell and shot
Through which the charge was made;--

And when, at last, they saw it plume its wings,
Like some proud bird in stormy element,
And soar untrammeled on its wanderings,
They closed in death, content.

III

O Mother, you who miss the smiling face
Of that dear boy who vanished from your sight,
And left you weeping o'er the vacant place
He used to fill at night,--

Who left you dazed, bewildered, on a day
That echoed wild huzzas, and roar of guns
That drowned the farewell words you tried to say
To incoherent ones;--

Be glad and proud you had the life to give--
Be comforted through all the years to come,--
Your country has a longer life to live,
Your son a better home.

O Widow, weeping o'er the orphaned child,
Who only lifts his questioning eyes to send
A keener pang to grief unreconciled,--
Teach him to comprehend

He had a father brave enough to stand
Before the fire of Treason's blazing gun,
That, dying, he might will the rich old land
Of Freedom to his son.

And, Maiden, living on through lonely years
In fealty to love's enduring ties,--
With strong faith gleaming through the tender tears
That gather in your eyes,

Look up! and own, in gratefulness of prayer,
Submission to the will of Heaven's High Host:--
I see your Angel-soldier pacing there,
Expectant at his post.--

I see the rank and file of armies vast,
That muster under one supreme control;
I hear the trumpet sound the signal-blast--
The calling of the roll--

The grand divisions falling into line
And forming, under voice of One alone
Who gives command, and joins with tongue divine
The hymn that shakes the Throne.

IV

And thus, in tribute to the forms that rest
In their last camping-ground, we strew the bloom
And fragrance of the flowers they loved the best,
In silence o'er the tomb.

With reverent hands we twine the Hero's wreath
And clasp it tenderly on stake or stone
That stands the sentinel for each beneath
Whose glory is our own.

While in the violet that greets the sun,
We see the azure eye of some lost boy;
And in the rose the ruddy cheek of one
We kissed in childish joy,--

Recalling, haply, when he marched away,
He laughed his loudest though his eyes were wet.--
The kiss he gave his mother's brow that day
Is there and burning yet:

And through the storm of grief around her tossed,
One ray of saddest comfort she may see,--
Four hundred thousand sons like hers were lost
To weeping Liberty.

. . . . . . . .
But draw aside the drapery of gloom,
And let the sunshine chase the clouds away
And gild with brighter glory every tomb
We decorate to-day:

And in the holy silence reigning round,
While prayers of perfume bless the atmosphere,
Where loyal souls of love and faith are found,
Thank God that Peace is here!

And let each angry impulse that may start,
Be smothered out of every loyal breast;
And, rocked within the cradle of the heart,
Let every sorrow rest.

The Child-World

A Child-World, yet a wondrous world no less,
To those who knew its boundless happiness.
A simple old frame house--eight rooms in all--
Set just one side the center of a small
But very hopeful Indiana town,--
The upper-story looking squarely down
Upon the main street, and the main highway
From East to West,--historic in its day,
Known as The National Road--old-timers, all
Who linger yet, will happily recall
It as the scheme and handiwork, as well
As property, of 'Uncle Sam,' and tell
Of its importance, 'long and long afore
Railroads wuz ever _dreamp_' of!'--Furthermore,
The reminiscent first Inhabitants
Will make that old road blossom with romance
Of snowy caravans, in long parade
Of covered vehicles, of every grade
From ox-cart of most primitive design,
To Conestoga wagons, with their fine
Deep-chested six-horse teams, in heavy gear,
High names and chiming bells--to childish ear
And eye entrancing as the glittering train
Of some sun-smitten pageant of old Spain.
And, in like spirit, haply they will tell
You of the roadside forests, and the yell
Of 'wolfs' and 'painters,' in the long night-ride,
And 'screechin' catamounts' on every side.--
Of stagecoach-days, highwaymen, and strange crimes,
And yet unriddled mysteries of the times
Called 'Good Old.' 'And why 'Good Old'?' once a rare
Old chronicler was asked, who brushed the hair
Out of his twinkling eyes and said,--'Well John,
They're 'good old times' because they're dead and gone!'

The old home site was portioned into three
Distinctive lots. The front one--natively
Facing to southward, broad and gaudy-fine
With lilac, dahlia, rose, and flowering vine--
The dwelling stood in; and behind that, and
Upon the alley north and south, left hand,
The old wood-house,--half, trimly stacked with wood,
And half, a work-shop, where a workbench stood
Steadfastly through all seasons.--Over it,
Along the wall, hung compass, brace-and-bit,
And square, and drawing-knife, and smoothing-plane--
And little jack-plane, too--the children's vain
Possession by pretense--in fancy they
Manipulating it in endless play,
Turning out countless curls and loops of bright,
Fine satin shavings--Rapture infinite!
Shelved quilting-frames; the toolchest; the old box
Of refuse nails and screws; a rough gun-stock's
Outline in 'curly maple'; and a pair
Of clamps and old krout-cutter hanging there.
Some 'patterns,' in thin wood, of shield and scroll,
Hung higher, with a neat 'cane-fishing-pole'
And careful tackle--all securely out
Of reach of children, rummaging about.

Beside the wood-house, with broad branches free
Yet close above the roof, an apple-tree
Known as 'The Prince's Harvest'--Magic phrase!
That was _a boy's own tree_, in many ways!--
Its girth and height meet both for the caress
Of his bare legs and his ambitiousness:
And then its apples, humoring his whim,
Seemed just to fairly _hurry_ ripe for him--
Even in June, impetuous as he,
They dropped to meet him, halfway up the tree.
And O their bruised sweet faces where they fell!--
And ho! the lips that feigned to 'kiss them _well_'!

'The Old Sweet-Apple-Tree,' a stalwart, stood
In fairly sympathetic neighborhood
Of this wild princeling with his early gold
To toss about so lavishly nor hold
In bounteous hoard to overbrim at once
All Nature's lap when came the Autumn months.
Under the spacious shade of this the eyes
Of swinging children saw swift-changing skies
Of blue and green, with sunshine shot between,
And 'when the old cat died' they saw but green.
And, then, there was a cherry-tree.--We all
And severally will yet recall
From our lost youth, in gentlest memory,
The blessed fact--There was a cherry-tree.

There was a cherry-tree. Its bloomy snows
Cool even now the fevered sight that knows
No more its airy visions of pure joy--
As when you were a boy.

There was a cherry-tree. The Bluejay set
His blue against its white--O blue as jet
He seemed there then!--But _now_--Whoever knew
He was so pale a blue!

There was a cherry-tree--Our child-eyes saw
The miracle:--Its pure white snows did thaw
Into a crimson fruitage, far too sweet
But for a boy to eat.

There was a cherry-tree, give thanks and joy!--
There was a bloom of snow--There was a boy--
There was a Bluejay of the realest blue--
And fruit for both of you.

Then the old garden, with the apple-trees
Grouped 'round the margin, and 'a stand of bees'
By the 'white-winter-pearmain'; and a row
Of currant-bushes; and a quince or so.
The old grape-arbor in the center, by
The pathway to the stable, with the sty
Behind it, and _upon_ it, cootering flocks
Of pigeons, and the cutest 'martin-box'!--
Made like a sure-enough house--with roof, and doors
And windows in it, and veranda-floors
And balusters all 'round it--yes, and at
Each end a chimney--painted red at that
And penciled white, to look like little bricks;
And, to cap all the builder's cunning tricks,
Two tiny little lightning-rods were run
Straight up their sides, and twinkled in the sun.
Who built it? Nay, no answer but a smile.--
It _may_ be you can guess who, afterwhile.
Home in his stall, 'Old Sorrel' munched his hay
And oats and corn, and switched the flies away,
In a repose of patience good to see,
And earnest of the gentlest pedigree.
With half pathetic eye sometimes he gazed
Upon the gambols of a colt that grazed
Around the edges of the lot outside,
And kicked at nothing suddenly, and tried
To act grown-up and graceful and high-bred,
But dropped, _k'whop!_ and scraped the buggy-shed,
Leaving a tuft of woolly, foxy hair
Under the sharp-end of a gate-hinge there.
Then, all ignobly scrambling to his feet
And whinneying a whinney like a bleat,
He would pursue himself around the lot
And--do the whole thing over, like as not!...
Ah! what a life of constant fear and dread
And flop and squawk and flight the chickens led!
Above the fences, either side, were seen
The neighbor-houses, set in plots of green
Dooryards and greener gardens, tree and wall
Alike whitewashed, and order in it all:
The scythe hooked in the tree-fork; and the spade
And hoe and rake and shovel all, when laid
Aside, were in their places, ready for
The hand of either the possessor or
Of any neighbor, welcome to the loan
Of any tool he might not chance to own.

How John Quit The Farm

Nobody on the old farm here but Mother, me and John,
Except, of course, the extry he'p when harvest-time come on--
And then, I want to say to you, we _needed_ he'p about,
As you'd admit, ef you'd a-seen the way the crops turned out!

A better quarter-section, ner a richer soil warn't found
Than this-here old-home place o' ourn fer fifty miles around!--
The house was small--but plenty-big we found it from the day
That John--our only livin' son--packed up and went way.

You see, we tuck sich pride in John--his mother more 'n me--
That's natchurul; but _both_ of us was proud as proud could be;
Fer the boy, from a little chap, was most oncommon bright,
And seemed in work as well as play to take the same delight.

He allus went a-whistlin' round the place, as glad at heart
As robins up at five o'clock to git an airly start;
And many a time 'fore daylight Mother's waked me up to say--
'Jest listen, David!--listen!--Johnny's beat the birds to-day!'

High-sperited from boyhood, with a most inquirin' turn,--
He wanted to learn ever'thing on earth they was to learn:
He'd ast more plaguey questions in a mortal-minute here
Than his grandpap in Paradise could answer in a year!

And read! w'y, his own mother learnt him how to read and spell;
And 'The Childern of the Abbey'--w'y, he knowed that book as well
At fifteen as his parents!--and 'The Pilgrim's Progress,' too--
Jest knuckled down, the shaver did, and read 'em through and through!

At eighteen, Mother 'lowed the boy must have a better chance--
That we ort to educate him, under any circumstance;
And John he j'ined his mother, and they ding-donged and kep' on,
Tel I sent him off to school in town, half glad that he was gone.

But--I missed him--w'y of course I did!--The Fall and Winter through
I never built the kitchen-fire, er split a stick in two,
Er fed the stock, er butchered, er swung up a gambrel-pin,
But what I thought o' John, and wished that he was home agin.

He'd come, sometimes--on Sund'ys most--and stay the Sund'y out;
And on Thanksgivin'-Day he 'peared to like to be about:
But a change was workin' on him--he was stiller than before,
And did n't joke, ner laugh, ner sing and whistle any more.

And his talk was all so proper; and I noticed, with a sigh,
He was tryin' to raise side-whiskers, and had on a striped tie,
And a standin'-collar, ironed up as stiff and slick as bone;
And a breast-pin, and a watch and chain and plug-hat of his own.

But when Spring-weather opened out, and John was to come home
And he'p me through the season, I was glad to see him come;
But my happiness, that evening, with the settin' sun went down,
When he bragged of 'a position' that was offered him in town.

'But,' says I, 'you'll not accept it?' 'W'y, of course
I will,' says he.--
'This drudgin' on a farm,' he says, 'is not the life fer me;
I've set my stakes up higher,' he continued, light and gay,
'And town's the place fer me, and I'm a-goin' right away!'

And go he did!--his mother clingin' to him at the gate,
A-pleadin' and a-cryin'; but it hadn't any weight.
I was tranquiller, and told her 'twarn't no use to worry so,
And onclasped her arms from round his neck round mine--and let him go!

I felt a little bitter feelin' foolin' round about
The aidges of my conscience; but I didn't let it out;--
I simply retch out, trimbly-like, and tuck the boy's hand,
And though I did n't say a word, I knowed he'd understand.

And--well!--sence then the old home here was mighty lonesome, shore!
With me a-workin' in the field, and Mother at the door,
Her face ferever to'rds the town, and fadin' more and more---
Her only son nine miles away, a-clerkin' in a store!

The weeks and months dragged by us; and sometimes the boy would write
A letter to his mother, savin' that his work was light,
And not to feel oneasy about his health a bit--
Though his business was confinin', he was gittin' used to it.

And sometimes he would write and ast how _I_ was gittin' on,
And ef I had to pay out much fer he'p sence he was gone;
And how the hogs was doin', and the balance of the stock,
And talk on fer a page er two jest like he used to talk.

And he wrote, along 'fore harvest, that he guessed he would git home,
Fer business would, of course be dull in town.--But _didn't_ come:--
We got a postal later, sayin' when they had no trade
They filled the time 'invoicin' goods,' and that was why he staid.

And then he quit a-writin' altogether: Not a word--
Exceptin' what the neighbors brung who'd been to town and heard
What store John was clerkin' in, and went round to inquire
If they could buy their goods there less and sell their produce higher.

And so the Summer faded out, and Autumn wore away,
And a keener Winter never fetched around Thanksgivin'-Day!
The night before that day of thanks I'll never quite fergit,
The wind a-howlin' round the house--it makes me creepy yit!

And there set me and Mother--me a-twistin' at the prongs
Of a green scrub-ellum forestick with a vicious pair of tongs,
And Mother sayin', '_David! David!_' in a' undertone,
As though she thought that I was thinkin' bad-words unbeknown.

'I've dressed the turkey, David, fer to-morrow,' Mother said,
A-tryin' to wedge some pleasant subject in my stubborn head,--
'And the mince-meat I'm a-mixin' is perfection mighty nigh;
And the pound-cake is delicious-rich--' 'Who'll eat 'em?' I-says-I.

'The cramberries is drippin-sweet,' says Mother, runnin' on,
P'tendin' not to hear me;--'and somehow I thought of John
All the time they was a-jellin'--fer you know they allus was
His favour--he likes 'em so!' Says I, 'Well, s'pose he does?'

'Oh, nothin' much!' says Mother, with a quiet sort o' smile--
'This gentleman behind my cheer may tell you after while!'
And as I turned and looked around, some one riz up and leant
And put his arms round Mother's neck, and laughed in low content.

'It's _me_,' he says--'your fool-boy John, come back to shake your hand;
Set down with you, and talk with you, and make you understand
How dearer yit than all the world is this old home that we
Will spend Thanksgivin' in fer life--jest Mother, you and me!'

* * * * * *

Nobody on the old farm here but Mother, me and John,
Except of course the extry he'p, when harvest-time comes on;
And then, I want to say to you, we _need_ sich he'p about,
As you'd admit, ef you could see the way the crops turns out!

Cousin Rufus' Story

My little story, Cousin Rufus said,
Is not so much a story as a fact.
It is about a certain willful boy--
An aggrieved, unappreciated boy,
Grown to dislike his own home very much,
By reason of his parents being not
At all up to his rigid standard and
Requirements and exactions as a son
And disciplinarian.

So, sullenly
He brooded over his disheartening
Environments and limitations, till,
At last, well knowing that the outside world
Would yield him favors never found at home,
He rose determinedly one July dawn--
Even before the call for breakfast--and,
Climbing the alley-fence, and bitterly
Shaking his clenched fist at the woodpile, he
Evanished down the turnpike.--Yes: he had,
Once and for all, put into execution
His long low-muttered threatenings--He had
_Run off!_--He had--had run away from home!

His parents, at discovery of his flight,
Bore up first-rate--especially his Pa,--
Quite possibly recalling his own youth,
And therefrom predicating, by high noon,
The absent one was very probably
Disporting his nude self in the delights
Of the old swimmin'-hole, some hundred yards
Below the slaughter-house, just east of town.
The stoic father, too, in his surmise
Was accurate--For, lo! the boy was there!

And there, too, he remained throughout the day--
Save at one starving interval in which
He clad his sunburnt shoulders long enough
To shy across a wheatfield, shadow-like,
And raid a neighboring orchard--bitterly,
And with spasmodic twitchings of the lip,
Bethinking him how all the other boys
Had _homes_ to go to at the dinner-hour--
While _he_--alas!--_he had no home!_--At least
These very words seemed rising mockingly,
Until his every thought smacked raw and sour
And green and bitter as the apples he
In vain essayed to stay his hunger with.
Nor did he join the glad shouts when the boys
Returned rejuvenated for the long
Wet revel of the feverish afternoon.--
Yet, bravely, as his comrades splashed and swam
And spluttered, in their weltering merriment,
He tried to laugh, too,--but his voice was hoarse
And sounded to him like some other boy's.
And then he felt a sudden, poking sort
Of sickness at the heart, as though some cold
And scaly pain were blindly nosing it
Down in the dreggy darkness of his breast.
The tensioned pucker of his purple lips
Grew ever chillier and yet more tense--
The central hurt of it slow spreading till
It did possess the little face entire.
And then there grew to be a knuckled knot--
An aching kind of core within his throat--
An ache, all dry and swallowless, which seemed
To ache on just as bad when he'd pretend
He didn't notice it as when he did.
It was a kind of a conceited pain--
An overbearing, self-assertive and
Barbaric sort of pain that clean outhurt
A boy's capacity for suffering--
So, many times, the little martyr needs
Must turn himself all suddenly and dive
From sight of his hilarious playmates and
Surreptitiously weep under water.

Thus
He wrestled with his awful agony
Till almost dark; and then, at last--then, with
The very latest lingering group of his
Companions, he moved turgidly toward home--
Nay, rather _oozed_ that way, so slow he went,--
With lothful, hesitating, loitering,
Reluctant, late-election-returns air,
Heightened somewhat by the conscience-made resolve
Of chopping a double-armful of wood
As he went in by rear way of the kitchen.
And this resolve he executed;--yet
The hired girl made no comment whatsoever,
But went on washing up the supper-things,
Crooning the unutterably sad song, '_Then think,
Oh, think how lonely this heart must ever be!_'
Still, with affected carelessness, the boy
Ranged through the pantry; but the cupboard-door
Was locked. He sighed then like a wet fore-stick
And went out on the porch.--At least the pump,
He prophesied, would meet him kindly and
Shake hands with him and welcome his return!
And long he held the old tin dipper up--
And oh, how fresh and pure and sweet the draught!
Over the upturned brim, with grateful eyes
He saw the back-yard, in the gathering night,
Vague, dim and lonesome, but it all looked good:
The lightning-bugs, against the grape-vines, blinked
A sort of sallow gladness over his
Home-coming, with this softening of the heart.
He did not leave the dipper carelessly
In the milk-trough.--No: he hung it back upon
Its old nail thoughtfully--even tenderly.
All slowly then he turned and sauntered toward
The rain-barrel at the corner of the house,
And, pausing, peered into it at the few
Faint stars reflected there. Then--moved by some
Strange impulse new to him--he washed his feet.
He then went in the house--straight on into
The very room where sat his parents by
The evening lamp.--The father all intent
Reading his paper, and the mother quite
As intent with her sewing. Neither looked
Up at his entrance--even reproachfully,--
And neither spoke.

The wistful runaway
Drew a long, quavering breath, and then sat down
Upon the extreme edge of a chair. And all
Was very still there for a long, long while.--
Yet everything, someway, seemed _restful_-like
And _homey_ and old-fashioned, good and kind,
And sort of _kin_ to him!--Only too _still!_
If somebody would say something--just _speak_--
Or even rise up suddenly and come
And lift him by the ear sheer off his chair--
Or box his jaws--Lord bless 'em!--_any_thing!--
Was he not there to thankfully accept
Any reception from parental source
Save this incomprehensible _voicelessness_.
O but the silence held its very breath!
If but the ticking clock would only _strike_
And for an instant drown the whispering,
Lisping, sifting sound the katydids
Made outside in the grassy nowhere.

Far
Down some back-street he heard the faint halloo
Of boys at their night-game of 'Town-fox,'
But now with no desire at all to be
Participating in their sport--No; no;--
Never again in this world would he want
To join them there!--he only wanted just
To stay in home of nights--Always--always--
Forever and a day!

He moved; and coughed--
Coughed hoarsely, too, through his rolled tongue; and yet
No vaguest of parental notice or
Solicitude in answer--no response--
No word--no look. O it was deathly still!--
So still it was that really he could not
Remember any prior silence that
At all approached it in profundity
And depth and density of utter hush.
He felt that he himself must break it: So,
Summoning every subtle artifice
Of seeming nonchalance and native ease
And naturalness of utterance to his aid,
And gazing raptly at the house-cat where
She lay curled in her wonted corner of
The hearth-rug, dozing, he spoke airily
And said: 'I see you've got the same old cat!'

Maymie's Story Of Red Riding Hood

W'y, one time wuz a little-weenty dirl,
An' she wuz named Red Riding Hood, 'cause her--
Her _Ma_ she maked a little red cloak fer her
'At turnt up over her head--An' it 'uz all
Ist one piece o' red cardinal 'at 's like
The drate-long stockin's the store-keepers has.--
O! it 'uz purtiest cloak in all the world
An' _all_ this town er anywheres they is!
An' so, one day, her Ma she put it on
Red Riding Hood, she did--one day, she did--
An' it 'uz _Sund'y_--'cause the little cloak
It 'uz too nice to wear ist _ever'_ day
An' _all_ the time!--An' so her Ma, she put
It on Red Riding Hood--an' telled her not
To dit no dirt on it ner dit it mussed
Ner nothin'! An'--an'--nen her Ma she dot
Her little basket out, 'at Old Kriss bringed
Her wunst--one time, he did. And nen she fill'
It full o' whole lots an' 'bundance o' good things t' eat
(Allus my Dran'ma _she_ says ''bundance,' too.)
An' so her Ma fill' little Red Riding Hood's
Nice basket all ist full o' dood things t' eat,
An' tell her take 'em to her old Dran'ma--
An' not to _spill_ 'em, neever--'cause ef she
'Ud stump her toe an' spill 'em, her Dran'ma
She'll haf to _punish_ her!

An' nen--An' so
Little Red Riding Hood she p'omised she
'Ud be all careful nen an' cross' her heart
'At she wont run an' spill 'em all fer six--
Five--ten--two-hundred-bushel-dollars-go ld!
An' nen she kiss her Ma doo'-bye an' went
A-skippin' off--away fur off frough the
Big woods, where her Dran'ma she live at.--No!--
She didn't do _a-skippin'_, like I said:--
She ist went _walkin'_--careful-like an' slow--
Ist like a little lady--walkin' 'long
As all polite an' nice--an' slow--an' straight--
An' turn her toes--ist like she's marchin' in
The Sund'y-School k-session!

An'--an'--so
She 'uz a-doin' along--an' doin' along--
On frough the drate big woods--'cause her Dran'ma
She live 'way, 'way fur off frough the big woods
From _her_ Ma's house. So when Red Riding Hood
She dit to do there, allus have most fun--
When she do frough the drate big woods, you know.--
'Cause she ain't feared a bit o' anything!
An' so she sees the little hoppty-birds
'At's in the trees, an' flyin' all around,
An' singin' dlad as ef their parunts said
They'll take 'em to the magic-lantern show!
An' she 'ud pull the purty flowers an' things
A-growin' round the stumps--An' she 'ud ketch
The purty butterflies, an' drasshoppers,
An' stick pins frough 'em--No!--I ist _said_ that!--
'Cause she's too dood an' kind an' 'bedient
To _hurt_ things thataway.--She'd _ketch_ 'em, though,
An' ist _play_ wiv 'em ist a little while,
An' nen she'd let 'em fly away, she would,
An' ist skip on adin to her Dran'ma's.

An' so, while she uz doin' 'long an' 'long,
First thing you know they 'uz a drate big old
Mean wicked Wolf jumped out 'at wanted t' eat
Her up, but _dassent_ to--'cause wite clos't there
They wuz a Man a-choppin' wood, an' you
Could _hear_ him.--So the old Wolf he 'uz _'feared_
Only to ist be _kind_ to her.--So he
Ist 'tended like he wuz dood friends to her
An' says 'Dood-morning, little Red Riding Hood!'--
All ist as kind!

An' nen Riding Hood
She say 'Dood-morning,' too--all kind an' nice--
Ist like her Ma she learn'--No!--mustn't say
'Learn,' cause '_Learn_' it's unproper.--So she say
It like her _Ma_ she '_teached_' her.--An'--so she
Ist says 'Dood-morning' to the Wolf--'cause she
Don't know ut-tall 'at he's a _wicked_ Wolf
An' want to eat her up!

Nen old Wolf smile
An' say, so kind: 'Where air you doin' at?'
Nen little Red Riding Hood she says: 'I'm doin'
To my Dran'ma's, 'cause my Ma say I might.'
Nen, when she tell him that, the old Wolf he
Ist turn an' light out frough the big thick woods,
Where she can't see him any more. An so
She think he's went to _his_ house--but he haint,--
He's went to her Dran'ma's, to be there first--
An' _ketch_ her, ef she don't watch mighty sharp
What she's about!

An' nen when the old Wolf
Dit to her Dran'ma's house, he's purty smart,--
An' so he 'tend-like _he's_ Red Riding Hood,
An' knock at th' door. An' Riding Hood's Dran'ma
She's sick in bed an' can't come to the door
An' open it. So th' old Wolf knock _two_ times.
An' nen Red Riding Hood's Dran'ma she says
'Who's there?' she says. An' old Wolf 'tends-like he's
Little Red Riding Hood, you know, an' make'
His voice soun' ist like hers, an' says: 'It's me,
Dran'ma--an' I'm Red Riding Hood an' I'm
Ist come to see you.'

Nen her old Dran'ma
She think it _is_ little Red Riding Hood,
An' so she say: 'Well, come in nen an' make
You'se'f at home,' she says, ''cause I'm down sick
In bed, and got the 'ralgia, so's I can't
Dit up an' let ye in.'

An' so th' old Wolf
Ist march' in nen an' shet the door adin,
An' _drowl_, he did, an' _splunge_ up on the bed
An' et up old Miz Riding Hood 'fore she
Could put her specs on an' see who it wuz.--
An' so she never knowed _who_ et her up!

An' nen the wicked Wolf he ist put on
Her nightcap, an' all covered up in bed--
Like he wuz _her_, you know.

Nen, purty soon
Here come along little Red Riding Hood,
An' _she_ knock' at the door. An' old Wolf 'tend
Like _he's_ her Dran'ma; an' he say, 'Who's there?'
Ist like her Dran'ma say, you know. An' so
Little Red Riding Hood she say 'It's _me_,
Dran'ma--an' I'm Red Riding Hood and I'm
Ist come to _see_ you.'

An' nen old Wolf nen
He cough an' say: 'Well, come in nen an' make
You'se'f at home,' he says, ''cause I'm down sick
In bed, an' got the 'ralgia, so's I can't
Dit up an' let ye in.'

An' so she think
It's her Dran'ma a-talkin'.--So she ist
Open' the door an' come in, an' set down
Her basket, an' taked off her things, an' bringed
A chair an' clumbed up on the bed, wite by
The old big Wolf she thinks is her Dran'ma.--
Only she thinks the old Wolf's dot whole lots
More bigger ears, an' lots more whiskers, too,
Than her Dran'ma; an' so Red Riding Hood
She's kindo' skeered a little. So she says
'Oh, Dran'ma, what _big eyes_ you dot!' An' nen
The old Wolf says: 'They're ist big thataway
'Cause I'm so dlad to see you!'

Nen she says,--
'Oh, Dran'ma, what a drate big nose you dot!'
Nen th' old Wolf says: 'It's ist big thataway
Ist 'cause I smell the dood things 'at you bringed
Me in the basket!'

An' nen Riding Hood
She say 'Oh-me-oh-_my_! Dran'ma! what big
White long sharp teeth you dot!'

Nen old Wolf says:
'Yes--an' they're thataway,' he says--an' drowled--
'They're thataway,' he says, 'to _eat_ you wiv!'
An' nen he ist _jump_' at her.--

But she _scream_'--
An' _scream_', she did--So's 'at the Man
'At wuz a-choppin' wood, you know,--_he_ hear,
An' come a-runnin' in there wiv his ax;
An', 'fore the old Wolf know' what he's about,
He split his old brains out an' killed him s'quick
It make' his head swim!--An' Red Riding Hood
She wuzn't hurt at all!

An' the big Man
He tooked her all safe home, he did, an' tell
Her Ma she's all right an' ain't hurt at all
An' old Wolf's dead an' killed--an' ever'thing!--
So her Ma wuz so tickled an' so proud,
She divved _him_ all the dood things t' eat they wuz
'At's in the basket, an' she tell him 'at
She's much oblige', an' say to 'call adin.'
An' story's honest _truth_--an' all _so_, too!

The Hired Man And Floretty

The Hired Man's supper, which he sat before,
In near reach of the wood-box, the stove-door
And one leaf of the kitchen-table, was
Somewhat belated, and in lifted pause
His dextrous knife was balancing a bit
Of fried mush near the port awaiting it.

At the glad children's advent--gladder still
To find _him_ there--'Jest tickled fit to kill
To see ye all!' he said, with unctious cheer.--
'I'm tryin'-like to he'p Floretty here
To git things cleared away and give ye room
Accordin' to yer stren'th. But I p'sume
It's a pore boarder, as the poet says,
That quarrels with his victuals, so I guess
I'll take another wedge o' that-air cake,
Florett', that you're a-_learnin_' how to bake.'
He winked and feigned to swallow painfully.--

'Jest 'fore ye all come in, Floretty she
Was boastin' 'bout her _biscuits_--and they _air_
As good--sometimes--as you'll find anywhere.--
But, women gits to braggin' on their _bread_,
I'm s'picious 'bout their _pie_--as Danty said.'
This raillery Floretty strangely seemed
To take as compliment, and fairly beamed
With pleasure at it all.

--'Speakin' o' _bread_--
When she come here to live,' The Hired Man said,--
'Never ben out o' _Freeport_ 'fore she come
Up here,--of course she needed '_sperience_ some.--
So, one day, when yer Ma was goin' to set
The risin' fer some bread, she sent Florett
To borry _leaven_, 'crost at Ryans'--So,
She went and asked fer _twelve_.--She didn't _know_,
But thought, _whatever_ 'twuz, that she could keep
_One_ fer _herse'f_, she said. O she wuz deep!'

Some little evidence of favor hailed
The Hired Man's humor; but it wholly failed
To touch the serious Susan Loehr, whose air
And thought rebuked them all to listening there
To her brief history of the _city_-man
And his pale wife--'A sweeter woman than
_She_ ever saw!'--So Susan testified,--
And so attested all the Loehrs beside.--
So entertaining was the history, that
The Hired Man, in the corner where he sat
In quiet sequestration, shelling corn,
Ceased wholly, listening, with a face forlorn
As Sorrow's own, while Susan, John and Jake
Told of these strangers who had come to make
Some weeks' stay in the town, in hopes to gain
Once more the health the wife had sought in vain:
Their doctor, in the city, used to know
The Loehrs--Dan and Rachel--years ago,--
And so had sent a letter and request
For them to take a kindly interest
In favoring the couple all they could--
To find some home-place for them, if they would,
Among their friends in town. He ended by
A dozen further lines, explaining why
His patient must have change of scene and air--
New faces, and the simple friendships there
With _them_, which might, in time, make her forget
A grief that kept her ever brooding yet
And wholly melancholy and depressed,--
Nor yet could she find sleep by night nor rest
By day, for thinking--thinking--thinking still Upon a grief beyond the doctor's skill,--
The death of her one little girl.

'Pore thing!'
Floretty sighed, and with the turkey-wing
Brushed off the stove-hearth softly, and peered in
The kettle of molasses, with her thin
Voice wandering into song unconsciously--
In purest, if most witless, sympathy.--

''Then sleep no more:
Around thy heart
Some ten-der dream may i-dlee play.
But mid-night song,
With mad-jick art,
Will chase that dree muh-way!''

'That-air besetment of Floretty's,' said
The Hired Man,--'_singin_--she _inhairited_,--
Her _father_ wuz addicted--same as her--
To singin'--yes, and played the dulcimer!
But--gittin' back,--I s'pose yer talkin' 'bout
Them _Hammondses_. Well, Hammond he gits out
_Pattents_ on things--inventions-like, I'm told--
And's got more money'n a house could hold!
And yit he can't git up no pattent-right
To do away with _dyin'_.--And he might
Be worth a _million_, but he couldn't find
Nobody sellin' _health_ of any kind!...
But they's no thing onhandier fer _me_
To use than other people's misery.--
Floretty, hand me that-air skillet there
And lem me git 'er het up, so's them-air
Childern kin have their popcorn.'

It was good
To hear him now, and so the children stood
Closer about him, waiting.

'Things to _eat_,'
The Hired Man went on, ''s mighty hard to beat!
Now, when _I_ wuz a boy, we was so pore,
My parunts couldn't 'ford popcorn no more
To pamper _me_ with;--so, I hat to go
_Without_ popcorn--sometimes a _year_ er so!--
And _suffer'n' saints!_ how hungry I would git
Fer jest one other chance--like this--at it!
Many and many a time I've _dreamp_', at night,
About popcorn,--all busted open white,
And hot, you know--and jest enough o' salt
And butter on it fer to find no fault--
_Oomh!_--Well! as I was goin' on to say,--
After a-_dreamin_' of it thataway,
_Then_ havin' to wake up and find it's all
A _dream_, and hain't got no popcorn at-tall,
Ner haint _had_ none--I'd think, '_Well, where's the use!_'
And jest lay back and sob the plaster'n' loose!
And I have _prayed_, what_ever_ happened, it
'Ud eether be popcorn er death!.... And yit
I've noticed--more'n likely so have you--
That things don't happen when you _want_ 'em to.'

And thus he ran on artlessly, with speech
And work in equal exercise, till each
Tureen and bowl brimmed white. And then he greased
The saucers ready for the wax, and seized
The fragrant-steaming kettle, at a sign
Made by Floretty; and, each child in line,
He led out to the pump--where, in the dim
New coolness of the night, quite near to him
He felt Floretty's presence, fresh and sweet
As ... dewy night-air after kitchen-heat.

There, still, with loud delight of laugh and jest,
They plied their subtle alchemy with zest--
Till, sudden, high above their tumult, welled
Out of the sitting-room a song which held
Them stilled in some strange rapture, listening
To the sweet blur of voices chorusing:--

''When twilight approaches the season
That ever is sacred to song,
Does some one repeat my name over,
And sigh that I tarry so long?
And is there a chord in the music
That's missed when my voice is away?--
And a chord in each heart that awakens
Regret at my wearisome stay-ay--
Regret at my wearisome stay.''

All to himself, The Hired Man thought--'Of course
_They'll_ sing _Floretty_ homesick!'

... O strange source
Of ecstasy! O mystery of Song!--
To hear the dear old utterance flow along:--

''Do they set me a chair near the table
When evening's home-pleasures are nigh?--
When the candles are lit in the parlor.
And the stars in the calm azure sky.''...

Just then the moonlight sliced the porch slantwise,
And flashed in misty spangles in the eyes
Floretty clenched--while through the dark--'I jing!'
A voice asked, 'Where's that song '_you'd_ learn to sing
Ef I sent you the _ballat_?'--which I done
Last I was home at Freeport.--S'pose you run
And git it--and we'll all go in to where
They'll know the notes and sing it fer ye there.'
And up the darkness of the old stairway
Floretty fled, without a word to say--
Save to herself some whisper muffled by
Her apron, as she wiped her lashes dry.

Returning, with a letter, which she laid
Upon the kitchen-table while she made
A hasty crock of 'float,'--poured thence into
A deep glass dish of iridescent hue
And glint and sparkle, with an overflow
Of froth to crown it, foaming white as snow.--
And then--poundcake, and jelly-cake as rare,
For its delicious complement,--with air
Of Hebe mortalized, she led her van
Of votaries, rounded by The Hired Man.

Coming, clean from the Maryland-end
Of this great National Road of ours,
Through your vast West; with the time to spend,
Stopping for days in the main towns, where
Every citizen seemed a friend,
And friends grew thick as the wayside flowers,--
I found no thing that I might narrate
More singularly strange or queer
Than a thing I found in your sister-state
Ohio,--at a river-town--down here
In my notebook: _Zanesville--situate
On the stream Muskingum--broad and clear,
And navigable, through half the year,
North, to Coshocton; south, as far
As Marietta._--But these facts are
Not of the _story_, but the _scene_
Of the simple little tale I mean
To tell _directly_--from this, straight through
To the _end_ that is best worth listening to:

Eastward of Zanesville, two or three
Miles from the town, as our stage drove in,
I on the driver's seat, and he
Pointing out this and that to me,--
On beyond us--among the rest--
A grovey slope, and a fluttering throng
Of little children, which he 'guessed'
Was a picnic, as we caught their thin
High laughter, as we drove along,
Clearer and clearer. Then suddenly
He turned and asked, with a curious grin,
What were my views on _Slavery? 'Why?'_
I asked, in return, with a wary eye.
'Because,' he answered, pointing his whip
At a little, whitewashed house and shed
On the edge of the road by the grove ahead,--
'Because there are two slaves _there_,' he said--
'Two Black slaves that I've passed each trip
For eighteen years.--Though they've been set free,
They have been slaves ever since!' said he.
And, as our horses slowly drew
Nearer the little house in view,
All briefly I heard the history
Of this little old Negro woman and
Her husband, house and scrap of land;
How they were slaves and had been made free
By their dying master, years ago
In old Virginia; and then had come
North here into a _free_ state--so,
Safe forever, to found a home--
For themselves alone?--for they left South there
Five strong sons, who had, alas!
All been sold ere it came to pass
This first old master with his last breath
Had freed the _parents_.--(He went to death
Agonized and in dire despair
That the poor slave _children_ might not share
Their parents' freedom. And wildly then
He moaned for pardon and died. Amen!)

Thus, with their freedom, and little sum
Of money left them, these two had come
North, full twenty long years ago;
And, settling there, they had hopefully
Gone to work, in their simple way,
Hauling--gardening--raising sweet
Corn, and popcorn.--Bird and bee
In the garden-blooms and the apple-tree
Singing with them throughout the slow
Summer's day, with its dust and heat--
The crops that thirst and the rains that fail;
Or in Autumn chill, when the clouds hung low,
And hand-made hominy might find sale
In the near town-market; or baking pies
And cakes, to range in alluring show
At the little window, where the eyes
Of the Movers' children, driving past,
Grew fixed, till the big white wagons drew
Into a halt that would sometimes last
Even the space of an hour or two--
As the dusty, thirsty travelers made
Their noonings there in the beeches' shade
By the old black Aunty's spring-house, where,
Along with its cooling draughts, were found
Jugs of her famous sweet spruce-beer,
Served with her gingerbread-horses there,
While Aunty's snow-white cap bobbed 'round
Till the children's rapture knew no bound,
As she sang and danced for them, quavering clear
And high the chant of her old slave-days--

'Oh, Lo'd, Jinny! my toes is so',
Dancin' on yo' sandy flo'!'

Even so had they wrought all ways
To earn the pennies, and hoard them, too,--
And with what ultimate end in view?--
They were saving up money enough to be
Able, in time, to buy their own
Five children back.

Ah! the toil gone through!
And the long delays and the heartaches, too,
And self-denials that they had known!
But the pride and glory that was theirs
When they first hitched up their shackly cart
For the long, long journey South.--The start
In the first drear light of the chilly dawn,
With no friends gathered in grieving throng,--
With no farewells and favoring prayers;
But, as they creaked and jolted on,
Their chiming voices broke in song--

''Hail, all hail! don't you see the stars a-fallin'?
Hail, all hail! I'm on my way.
Gideon[1] am
A healin' ba'm--
I belong to the blood-washed army.
Gideon am
A healin' ba'm--
On my way!''

And their _return!_--with their oldest boy
Along with them! Why, their happiness
Spread abroad till it grew a joy
_Universal_--It even reached
And thrilled the town till the _Church_ was stirred
Into suspecting that wrong was wrong!--
And it stayed awake as the preacher preached
A _Real_ 'Love'-text that he had not long
To ransack for in the Holy Word.

And the son, restored, and welcomed so,
Found service readily in the town;
And, with the parents, sure and slow,
_He_ went 'saltin' de cole cash down.'

So with the _next_ boy--and each one
In turn, till _four_ of the five at last
Had been bought back; and, in each case,
With steady work and good homes not
Far from the parents, _they_ chipped in
To the family fund, with an equal grace.
Thus they managed and planned and wrought,
And the old folks throve--Till the night before
They were to start for the lone last son
In the rainy dawn--their money fast
Hid away in the house,--two mean,
Murderous robbers burst the door.
...Then, in the dark, was a scuffle--a fall--
An old man's gasping cry--and then
A woman's fife-like shriek.

...Three men
Splashing by on horseback heard
The summons: And in an instant all
Sprung to their duty, with scarce a word.
And they were _in time_--not only to save
The lives of the old folks, but to bag
Both the robbers, and buck-and-gag
And land them safe in the county-jail--
Or, as Aunty said, with a blended awe
And subtlety,--'Safe in de calaboose whah
De dawgs caint bite 'em!'

--So prevail
The faithful!--So had the Lord upheld
His servants of both deed and prayer,--
HIS the glory unparalleled--
_Theirs_ the reward,--their every son
Free, at last, as the parents were!
And, as the driver ended there
In front of the little house, I said,
All fervently, 'Well done! well done!'
At which he smiled, and turned his head
And pulled on the leaders' lines and--'See!'
He said,--''you can read old Aunty's sign?'
And, peering down through these specs of mine
On a little, square board-sign, I read:

'Stop, traveler, if you think it fit,
And quench your thirst for a-fip-and-a-bit.
The rocky spring is very clear,
And soon converted into beer.'

And, though I read aloud, I could
Scarce hear myself for laugh and shout
Of children--a glad multitude
Of little people, swarming out
Of the picnic-grounds I spoke about.--
And in their rapturous midst, I see
Again--through mists of memory--
A black old Negress laughing up
At the driver, with her broad lips rolled
Back from her teeth, chalk-white, and gums
Redder than reddest red-ripe plums.
He took from her hand the lifted cup
Of clear spring-water, pure and cold,
And passed it to me: And I raised my hat
And drank to her with a reverence that
My conscience knew was justly due
The old black face, and the old eyes, too--
The old black head, with its mossy mat
Of hair, set under its cap and frills
White as the snows on Alpine hills;
Drank to the old _black_ smile, but yet
Bright as the sun on the violet,--
Drank to the gnarled and knuckled old
Black hands whose palms had ached and bled
And pitilessly been worn pale
And white almost as the palms that hold
Slavery's lash while the victim's wail
Fails as a crippled prayer might fail.--
Aye, with a reverence infinite,
I drank to the old black face and head--
The old black breast with its life of light--
The old black hide with its heart of gold.

What Chris'Mas Fetched The Wigginses

Wintertime, er Summertime,
Of late years I notice I'm,
Kindo'-like, more subjec' to
What the _weather_ is. Now, you
Folks 'at lives in town, I s'pose,
Thinks its bully when it snows;
But the chap 'at chops and hauls
Yer wood fer ye, and then stalls,
And snapps tuggs and swingletrees,
And then has to walk er freeze,
Haint so much 'stuck on' the snow
As stuck _in_ it--Bless ye, no!--
When its packed, and sleighin's good,
And _church_ in the neighborhood,
Them 'at's _got_ their girls, I guess,
Takes 'em, likely, more er less,
Tell the plain facts o' the case,
No men-folks about our place
On'y me and Pap--and he
'Lows 'at young folks' company
Allus made him sick! So I
Jes don't want, and jes don't try!
Chinkypin, the dad-burn town,
'S too fur off to loaf aroun'
Either day er night--and no
Law compellin' me to go!--
'Less 'n some Old-Settlers' Day,
Er big-doin's thataway--
_Then_, to tell the p'inted fac',
I've went more so's to come back
By old Guthrie's 'still-house, where
Minors _has_ got licker there--
That's pervidin' we could show 'em
Old folks sent fer it from home!
Visit roun' the neighbors some,
When the boys wants me to come.--
Coon-hunt with 'em; er set traps
Fer mussrats; er jes, perhaps,
Lay in roun' the stove, you know,
And parch corn, and let her snow!
Mostly, nights like these, you'll be
(Ef you' got a writ fer _me_)
Ap' to skeer me up, I guess,
In about the Wigginses.
Nothin' roun' _our_ place to keep
Me at home--with Pap asleep
'Fore it's dark; and Mother in
Mango pickles to her chin;
And the girls, all still as death,
Piecin' quilts.--Sence I drawed breath
Twenty year' ago, and heerd
Some girls whispern' so's it 'peared
Like they had a row o' pins
In their mouth--right there begins
My first rickollections, built
On that-air blame old piece-quilt!

Summertime, it's jes the same--
'Cause I've noticed,--and I claim,
As I said afore, I'm more
Subjec' to the weather, _shore_,
'Proachin' my majority,
Than I ever ust to be!
Callin' back _last_ Summer, say,--
Don't seem hardly past away--
With night closin' in, and all
S' lonesome-like in the dew-fail:
Bats--ad-drat their ugly muggs!--
Flickern' by; and lightnin'-bugs
Huckstern' roun' the airly night
Little sickly gasps o' light;--
Whip-poor-wills, like all possessed,
Moanin' out their mournfullest;--
Frogs and katydids and things
Jes clubs in and sings and sings
Their _ding-dangdest_!--Stock's all fed,
And Pap's washed his feet fer bed;--
Mother and the girls all down
At the milk-shed, foolin' roun'--
No wunder 'at I git blue,
And lite out--and so would you!
I caint stay aroun' no place
Whur they haint no livin' face:--
'Crost the fields and thue the gaps
Of the hills they's friends, perhaps,
Waitin' somers, 'at kin be
Kindo' comfertin' to me!

Neighbors all 'is plenty good,
Scattered thue this neighberhood;
Yit, of all, I like to jes
Drap in on the Wigginses.--
Old man, and old lady too,
'Pear-like, makes so much o' you--,
Least, they've allus pampered me
Like one of the fambily.--
The boys, too, 's all thataway--
Want you jes to come and stay;--
Price, and Chape, and Mandaville,
Poke, Chasteen, and 'Catfish Bill'--
Poke's the runt of all the rest,
But he's jes the beatinest
Little schemer, fer fourteen,
Anybody ever seen!--
'Like his namesake,' old man claims,
'Jeems K. Poke, the first o' names!
Full o' tricks and jokes--and you
Never know what _Poke's_ go' do!'
Genius, too, that-air boy is,
With them awk'ard hands o' his:
Gits this blame pokeberry-juice,
Er some stuff, fer ink--and goose-
Quill pen-p'ints: And then he'll draw
Dogdest pictures yevver saw!
Er make deers and eagles good
As a writin'-teacher could!
Then they's two twin boys they've riz
Of old Coonrod Wigginses
'At's deceast--and glad of it,
'Cause his widder's livin' yit!

Course _the boys_ is mostly jes'
Why I go to Wigginses.---
Though _Melviney_, sometimes, _she_
Gits her slate and algebry
And jes' sets there ciphern' thue
Sums old Ray hisse'f caint do!--
Jes' sets there, and tilts her chair
Forreds tel, 'pear-like, her hair
Jes' _spills_ in her lap--and then
She jes' dips it up again
With her hands, as white, I swan,
As the apern she's got on!

Talk o' hospitality!--
Go to Wigginses with me--
Overhet, or froze plum thue,
You'll find welcome waitin' you:--
Th'ow out yer tobacker 'fore
You set foot acrost that floor,--
'Got to eat whatever's set--
Got to drink whatever's wet!'
Old man's sentimuns--them's his---
And means jes the best they is!
Then he lights his pipe; and she,
The old lady, presen'ly
She lights her'n; and Chape and Poke.
I haint got none, ner don't smoke,--
(In the crick afore their door--
Sorto so's 'at I'd be shore--
Drownded mine one night and says
'I won't smoke at _Wigginses_!')
Price he's mostly talkin' 'bout
Politics, and 'thieves turned out'--
What he's go' to be, ef he
Ever 'gits there'--and 'we'll see!'--
Poke he 'lows they's blame few men
Go' to hold their breath tel then!
Then Melviney smiles, as she
Goes on with her algebry,
And the clouds clear, and the room's
Sweeter 'n crabapple-blooms!
(That Melviney, she' got some
Most surprisin' ways, I gum!--
Don't 'pear like she ever _says_
Nothin', yit you'll _listen_ jes
Like she was a-talkin', and
Half-way seem to understand,
But not quite,--_Poke_ does, I know,
'Cause he good as told me so,--
Poke's her favo-rite; and he--
That is, confidentially--
He's _my_ favo-rite--and I
Got my whurfore and my why!)

I haint never ben no hand
Much at talkin', understand,
But they's _thoughts_ o' mine 'at's jes
Jealous o' them Wigginses!--
Gift o' talkin 's what they got,
Whether they want to er not--
F'r instunce, start the old man on
Huntin'-scrapes, 'fore game was gone,
'Way back in the Forties, when
Bears stold pigs right out the pen,
Er went waltzin' 'crost the farm
With a bee-hive on their arm!--
And--sir, _ping_! the old man's gun
Has plumped-over many a one,
Firin' at him from afore
That-air very cabin-door!
Yes--and _painters_, prowlin' 'bout,
Allus darkest nights.--Lay out
Clost yer cattle.--Great, big red
Eyes a-blazin' in their head,
Glittern' 'long the timber-line--
Shine out some, and then _un_-shine,
And shine back--Then, stiddy! whizz!
'N there yer Mr. Painter is
With a hole bored spang between
Them-air eyes! Er start Chasteen,
Say, on blooded racin'-stock,
Ef you want to hear him talk;
Er tobacker--how to raise,
Store, and k-yore it, so's she pays:
The old lady--and she'll cote
Scriptur' tel she'll git yer vote!

Prove to you 'at wrong is right,
Jes as plain as black is white:
Prove when you're asleep in bed
You're a-standin' on yer head,
And yer train 'at's goin' West,
'S goin' East its level best;
And when bees dies, it's their wings
Wears out--and a thousand things!
And the boys is 'chips,' you know;
'Off the old block'--So I go
To the Wigginses, 'cause--jes
'Cause I _like_ the Wigginses--
Even ef Melviney _she_
Hardly 'pears to notice me!

Rid to Chinkypin this week--
Yisterd'y.--No snow to speak
Of, and didn't have no sleigh
Anyhow; so, as I say,
I rid in--and froze one ear
And both heels--and I don't keer!--
'Mother and the girls kin jes
Bother 'bout their Chris'mases
_Next_ time fer _theirse'vs_, I jack!'
Thinks-says-I, a-startin' back,--
Whole durn meal-bag full of things
Wrapped in paper-sacks, and strings
Liable to snap their holt
Jes at any little jolt!
That in front o' me, and _wind_
With _nicks_ in it, 'at jes skinned
Me alive!--I'm here to say
Nine mile' hossback thataway
Would a-walked my log! But, as
Somepin' allus comes to pass,
As I topped old Guthrie's hill.
Saw a buggy, front the 'Still,
P'inted home'ards, and a thin
Little chap jes climbin' in.
Six more minutes I were there
On the groun's'--And course it were--
It were little Poke--and he
Nearly fainted to see me!--
'You ben in to Chinky, too?'
'Yes; and go' ride back with you,'
I-says-I. He he'pped me find
Room fer my things in behind--
Stript my hoss's reins down, and
Put his mitt' on the right hand
So's to lead--'Pile in!' says he,
'But you 've struck pore company!'
Noticed he was pale--looked sick,
Kindo-like, and had a quick
Way o' flickin' them-air eyes
0' his roun' 'at didn't size
Up right with his usual style--
s' I, 'You well?' He tried to smile,
But his chin shuck and tears come.--
'_I've run 'Viney 'way from home_!'

Don't know jes what all occurred
Next ten seconds--Nary word,
But my heart jes drapt, stobbed thue,
And whirlt over and come to.--
Wrenched a big quart bottle from
That fool-boy!--and cut my thumb
On his little fiste-teeth--helt
Him snug in one arm, and felt
That-air little heart o' his
Churn the blood o' Wigginses
Into that old bead 'at spun
Roun' her, spilt at Lexington!
His k'niptions, like enough,
He'pped us both,--though it was rough--
Rough on him, and rougher on
Me when last his nerve was gone,
And he laid there still, his face
Fishin' fer some hidin'-place
Jes a leetle lower down
In my breast than he 'd yit foun'!

Last I kindo' soothed him, so's
He could talk.--And what you s'pose
Them-air revelations of
Poke's was? . . . He'd ben writin' love-
Letters to Melviney, and
Givin her to understand
They was from 'a young man who
Loved her,' and--'the violet's blue
'N sugar's sweet'--and Lord knows what!
Tel, 'peared-like, Melviney got
S' interested in 'the young
Man,' Poke _he_ says, 'at she brung
A' answer onc't fer him to take,
Statin' 'she'd die fer his sake,'
And writ fifty xs 'fer
Love-kisses fer him from her!'
I was standin' in the road
By the buggy, all I knowed
When Poke got that fer.--'That's why,'
Poke says, 'I 'fessed up the lie--
_Had_ to--'cause I see,' says he,
''Viney was in airnest--she
Cried, too, when I told her.--Then
She swore me, and smiled again,
And got Pap and Mother to
Let me hitch and drive her thue
Into Chinkypin, to be
At Aunt 'Rindy's Chris'mas-tree--
That's to-night.' Says I, 'Poke--durn
Your lyin' soul!--'s that beau o' hern--
That--_she_--loves--Does _he_ live in
That hellhole o' Chinkypin?'
'No,' says Poke, 'er 'Viney would
Went some _other_ neighborhood.'
'Who _is_ the blame whelp?' says I.
'Promised 'Viney, hope I'd die
Ef I ever told!' says Poke,
Pittiful and jes heart-broke--
''Sides that's why she left the place,--
'She caint look him in the face
Now no more on earth!' she says.--'
And the child broke down and jes
Sobbed! Says I, 'Poke, I p'tend
T' be _your_ friend, and your _Pap's_ friend,
And your _Mother's_ friend, and all
The _boys_' friend, little, large and small--
The _whole fambily's_ friend--and you
Know that means _Melviney_, too.--
Now--you hush yer troublin!'--I'm
Go' to he'p friends ever' time--
On'y in _this_ case, _you_ got
To he'p _me_--and, like as not
I kin he'p Melviney then,
And we'll have her home again.
And now, Poke, with your consent,
I'm go' go to that-air gent
She's in love with, and confer
With _him_ on his views o' _her_.--
Blast him! give the man _some_ show.--
Who is he?--_I'm go' to know_!'
Somepin' struck the little chap
Funny, 'peared-like.--Give a slap
On his leg--laughed thue the dew
In his eyes, and says: 'It's you!'

Yes, and--'cordin' to the last
Love-letters of ours 'at passed
Thue his hands--we was to be
Married Chris'mas.--'Gee-mun-_nee_!
Poke,' says I, 'it's _suddent_--yit
We _kin_ make it! You're to git
Up tomorry, say, 'bout _three_--
Tell your folks you're go' with me:--
We'll hitch up, and jes drive in
'N take the town o' Chinkypin!'

Squire Hawkins's Story

I hain't no hand at tellin' tales,
Er spinnin' yarns, as the sailors say;
Someway o' 'nother, language fails
To slide fer me in the oily way
That LAWYERS has; and I wisht it would,
Fer I've got somepin' that I call good;
But bein' only a country squire,
I've learned to listen and admire,
Ruther preferrin' to be addressed
Than talk myse'f--but I'll do my best:--

Old Jeff Thompson--well, I'll say,
Was the clos'test man I ever saw!--
Rich as cream, but the porest pay,
And the meanest man to work fer--La!
I've knowed that man to work one 'hand'--
Fer little er nothin', you understand--
From four o'clock in the morning light
Tel eight and nine o'clock at night,
And then find fault with his appetite!
He'd drive all over the neighberhood
To miss the place where a toll-gate stood,
And slip in town, by some old road
That no two men in the county knowed,
With a jag o' wood, and a sack o' wheat,
That wouldn't burn and you couldn't eat!
And the trades he'd make, 'll I jest de-clare,
Was enough to make a preacher swear!
And then he'd hitch, and hang about
Tel the lights in the toll-gate was blowed out,
And then the turnpike he'd turn in
And sneak his way back home ag'in!

Some folks hint, and I make no doubt,
That that's what wore his old wife out--
Toilin' away from day to day
And year to year, through heat and cold,
Uncomplainin'--the same old way
The martyrs died in the days of old;
And a-clingin', too, as the martyrs done,
To one fixed faith, and her ONLY one,--
Little Patience, the sweetest child
That ever wept unrickonciled,
Er felt the pain and the ache and sting
That only a mother's death can bring.

Patience Thompson!--I think that name
Must 'a' come from a power above,
Fer it seemed to fit her jest the same
As a GAITER would, er a fine kid glove!
And to see that girl, with all the care
Of the household on her--I de-clare
It was OUDACIOUS, the work she'd do,
And the thousand plans that she'd putt through;

And sing like a medder-lark all day long,
And drowned her cares in the joys o' song;
And LAUGH sometimes tel the farmer's 'hand,'
Away fur off in the fields, would stand
A-listenin', with the plow half drawn,
Tel the coaxin' echoes called him on;
And the furries seemed, in his dreamy eyes,
Like foot-paths a-leadin' to Paradise,
As off through the hazy atmosphere
The call fer dinner reached his ear.

Now LOVE'S as cunnin'a little thing
As a hummin'-bird upon the wing,
And as liable to poke his nose
Jest where folks would least suppose,--
And more'n likely build his nest
Right in the heart you'd leave unguessed,
And live and thrive at your expense--
At least, that's MY experience.
And old Jeff Thompson often thought,
In his se'fish way, that the quiet John
Was a stiddy chap, as a farm-hand OUGHT
To always be,--fer the airliest dawn
Found John busy--and 'EASY,' too,
Whenever his wages would fall due!--
To sum him up with a final touch,
He EAT so little and WORKED so much,
That old Jeff laughed to hisse'f and said,
'He makes ME money and airns his bread!--

But John, fer all of his quietude,
Would sometimes drap a word er so
That none but PATIENCE understood,
And none but her was MEANT to know!--
Maybe at meal-times John would say,
As the sugar-bowl come down his way,
'Thanky, no; MY coffee's sweet
Enough fer ME!' with sich conceit,
SHE'D know at once, without no doubt,
HE meant because she poured it out;
And smile and blush, and all sich stuff,
And ast ef it was 'STRONG enough?'
And git the answer, neat and trim,
'It COULDN'T be too 'strong' fer HIM!'

And so things went fer 'bout a year,
Tel John, at last, found pluck to go
And pour his tale in the old man's ear--
And ef it had been HOT LEAD, I know
It couldn't 'a' raised a louder fuss,
Ner 'a' riled the old man's temper wuss!
He jest LIT in, and cussed and swore,
And lunged and rared, and ripped and tore,
And told John jest to leave his door,
And not to darken it no more!
But Patience cried, with eyes all wet,
'Remember, John, and don't ferget,
WHATEVER comes, I love you yet!'
But the old man thought, in his se'fish way,
'I'll see her married rich some day;
And THAT,' thinks he, 'is money fer ME--
And my will's LAW, as it ought to be!'

So when, in the course of a month er so,
A WIDOWER, with a farm er two,
Comes to Jeff's, w'y, the folks, you know,
Had to TALK--as the folks'll do:
It was the talk of the neighberhood--
PATIENCE and JOHN, and THEIR affairs;--
And this old chap with a few gray hairs
Had 'cut John out,' it was understood.
And some folks reckoned 'Patience, too,
Knowed what SHE was a-goin' to do--
It was LIKE her--la! indeed!--
All she loved was DOLLARS and CENTS--
Like old JEFF--and they saw no need
Fer JOHN to pine at HER negligence!'

But others said, in a KINDER way,
They missed the songs she used to sing--
They missed the smiles that used to play
Over her face, and the laughin' ring
Of her glad voice--that EVERYthing
Of her OLD se'f seemed dead and gone,
And this was the ghost that they gazed on!

Tel finally it was noised about
There was a WEDDIN' soon to be
Down at Jeff's; and the 'cat was out'
Shore enough!--'Ll the JEE-MUN-NEE!
It RILED me when John told me so,--
Fer _I_ WAS A FRIEND O' JOHN'S, you know;
And his trimblin' voice jest broke in two--
As a feller's voice'll sometimes do.--
And I says, says I, 'Ef I know my biz--
And I think I know what JESTICE is,--
I've read SOME law--and I'd advise
A man like you to wipe his eyes
And square his jaws and start AGIN,
FER JESTICE IS A-GOIN' TO WIN!'
And it wasn't long tel his eyes had cleared
As blue as the skies, and the sun appeared
In the shape of a good old-fashioned smile
That I hadn't seen fer a long, long while.

So we talked on fer a' hour er more,
And sunned ourselves in the open door,--
Tel a hoss-and-buggy down the road
Come a-drivin' up, that I guess John KNOWED,--
Fer he winked and says, 'I'll dessappear--
THEY'D smell a mice ef they saw ME here!'
And he thumbed his nose at the old gray mare,
And hid hisse'f in the house somewhere.

Well.--The rig drove up: and I raised my head
As old Jeff hollered to me and said
That 'him and his old friend there had come
To see ef the squire was at home.'
. . . I told 'em 'I was; and I AIMED to be
At every chance of a weddin'-fee!'
And then I laughed--and they laughed, too,--
Fer that was the object they had in view.
'Would I be on hands at eight that night?'
They ast; and 's-I, 'You're mighty right,
I'LL be on hand!' And then I BU'ST
Out a-laughin' my very wu'st,--
And so did they, as they wheeled away
And drove to'rds town in a cloud o' dust.
Then I shet the door, and me and John
Laughed and LAUGHED, and jest LAUGHED on,
Tel Mother drapped her specs, and BY
JEEWHILLIKERS! I thought she'd DIE!--
And she couldn't 'a' told, I'll bet my hat,
What on earth she was laughin' at!

But all o' the fun o' the tale hain't done!--
Fer a drizzlin' rain had jest begun,
And a-havin' 'bout four mile' to ride,
I jest concluded I'd better light
Out fer Jeff's and save my hide,--
Fer IT WAS A-GOIN' TO STORM, THAT NIGHT!
So we went down to the barn, and John
Saddled my beast, and I got on;
And he told me somepin' to not ferget,
And when I left, he was LAUGHIN' yet.

And, 'proachin' on to my journey's end,
The great big draps o' the rain come down,
And the thunder growled in a way to lend
An awful look to the lowerin' frown
The dull sky wore; and the lightnin' glanced
Tel my old mare jest MORE'N pranced,
And tossed her head, and bugged her eyes
To about four times their natchurl size,
As the big black lips of the clouds 'ud drap
Out some oath of a thunderclap,
And threaten on in an undertone
That chilled a feller clean to the bone!

But I struck shelter soon enough
To save myse'f. And the house was jammed
With the women-folks, and the weddin'stuff:--
A great, long table, fairly CRAMMED
With big pound-cakes--and chops and steaks--
And roasts and stews--and stumick-aches
Of every fashion, form, and size,
From twisters up to punkin-pies!
And candies, oranges, and figs,
And reezins,--all the 'whilligigs'
And 'jim-cracks' that the law allows
On sich occasions!--Bobs and bows
Of gigglin' girls, with corkscrew curls,
And fancy ribbons, reds and blues,
And 'beau-ketchers' and 'curliques'
To beat the world! And seven o'clock
Brought old Jeff;-and brought--THE GROOM,--
With a sideboard-collar on, and stock
That choked him so, he hadn't room
To SWALLER in, er even sneeze,
Er clear his th'oat with any case
Er comfort--and a good square cough
Would saw his Adam's apple off!

But as fer PATIENCE--MY! Oomh-OOMH!--
I never saw her look so sweet!--
Her face was cream and roses, too;
And then them eyes o' heavenly blue
Jest made an angel all complete!
And when she split 'em up in smiles
And splintered 'em around the room,
And danced acrost and met the groom,
And LAUGHED OUT LOUD--It kind o' spiles
My language when I come to that--
Fer, as she laid away his hat,
Thinks I, 'THE PAPERS HID INSIDE
OF THAT SAID HAT MUST MAKE A BRIDE
A HAPPY ONE FER ALL HER LIFE,
Er else a WRECKED AND WRETCHED WIFE!'
And, someway, then, I thought of JOHN,--
Then looked towards PATIENCE. . . . She was GONE!--
The door stood open, and the rain
Was dashin' in; and sharp and plain
Above the storm we heerd a cry--
A ringin', laughin', loud 'Good-by!'
That died away, as fleet and fast
A hoss's hoofs went splashin' past!
And that was all. 'Twas done that quick! . . .
You've heerd o' fellers 'lookin' sick'?
I wisht you'd seen THE GROOM jest then--
I wisht you'd seen them two old men,
With starin' eyes that fairly GLARED
At one another, and the scared
And empty faces of the crowd,--
I wisht you could 'a' been allowed
To jest look on and see it all,--
And heerd the girls and women bawl
And wring their hands; and heerd old Jeff
A-cussin' as he swung hisse'f
Upon his hoss, who champed his bit
As though old Nick had holt of it:
And cheek by jowl the two old wrecks
Rode off as though they'd break their necks.

And as we all stood starin' out
Into the night, I felt the brush
Of some one's hand, and turned about,
And heerd a voice that whispered, 'HUSH!--
THEY'RE WAITIN' IN THE KITCHEN, AND
YOU'RE WANTED. DON'T YOU UNDERSTAND?'
Well, ef my MEMORY serves me now,
I think I winked.--Well, anyhow,
I left the crowd a-gawkin' there,
And jest slipped off around to where
The back door opened, and went in,
And turned and shet the door ag'in,
And maybe LOCKED it--couldn't swear,--
A woman's arms around me makes
Me liable to make mistakes.--
I read a marriage license nex',
But as I didn't have my specs
I jest INFERRED it was all right,
And tied the knot so mortal-tight
That Patience and my old friend John
Was safe enough from that time on!

Well, now, I might go on and tell
How all the joke at last leaked out,
And how the youngsters raised the yell
And rode the happy groom about
Upon their shoulders; how the bride
Was kissed a hunderd times beside
The one _I_ give her,--tel she cried
And laughed untel she like to died!
I might go on and tell you all
About the supper--and the BALL.--
You'd ought to see me twist my heel
Through jest one old Furginny reel
Afore you die! er tromp the strings
Of some old fiddle tel she sings
Some old cowtillion, don't you know,
That putts the devil in yer toe!

We kep' the dancin' up tel FOUR
O'clock, I reckon--maybe more.--
We hardly heerd the thunders roar,
ER THOUGHT about the STORM that blowed--
AND THEM TWO FELLERS ON THE ROAD!
Tel all at onc't we heerd the door
Bu'st open, and a voice that SWORE,--
And old Jeff Thompson tuck the floor.
He shuck hisse'f and looked around
Like some old dog about half-drowned--
HIS HAT, I reckon, WEIGHED TEN POUND
To say the least, and I'll say, SHORE,
HIS OVERCOAT WEIGHED FIFTY more--
THE WETTEST MAN YOU EVER SAW,
TO HAVE SO DRY A SON-IN-LAW!

He sized it all; and Patience laid
Her hand in John's, and looked afraid,
And waited. And a stiller set
O' folks, I KNOW, you never met
In any court room, where with dread
They wait to hear a verdick read.

The old man turned his eyes on me:
'And have you married 'em?' says he.
I nodded 'Yes.' 'Well, that'll do,'
He says, 'and now we're th'ough with YOU,--
YOU jest clear out, and I decide
And promise to be satisfied!'
He hadn't nothin' more to say.
I saw, of course, how matters lay,
And left. But as I rode away
I heerd the roosters crow fer day.

The Old-Home Folks

Such was the Child-World of the long-ago--
The little world these children used to know:--
Johnty, the oldest, and the best, perhaps,
Of the five happy little Hoosier chaps
Inhabiting this wee world all their own.--
Johnty, the leader, with his native tone
Of grave command--a general on parade
Whose each punctilious order was obeyed
By his proud followers.

But Johnty yet--
After all serious duties--could forget
The gravity of life to the extent,
At times, of kindling much astonishment
About him: With a quick, observant eye,
And mind and memory, he could supply
The tamest incident with liveliest mirth;
And at the most unlooked-for times on earth
Was wont to break into some travesty
On those around him--feats of mimicry
Of this one's trick of gesture--that one's walk--
Or this one's laugh--or that one's funny talk,--
The way 'the watermelon-man' would try
His humor on town-folks that wouldn't buy;--
How he drove into town at morning--then
At dusk (alas!) how he drove out again.

Though these divertisements of Johnty's were
Hailed with a hearty glee and relish, there
Appeared a sense, on his part, of regret--
A spirit of remorse that would not let
Him rest for days thereafter.--Such times he,
As some boy said, 'jist got too overly
Blame good fer common boys like us, you know,
To '_so_ciate with--less'n we 'ud go
And jine his church!'

Next after Johnty came
His little tow-head brother, Bud by name.--
And O how white his hair was--and how thick
His face with freckles,--and his ears, how quick
And curious and intrusive!--And how pale
The blue of his big eyes;--and how a tale
Of Giants, Trolls or Fairies, bulged them still
Bigger and bigger!--and when 'Jack' would kill
The old 'Four-headed Giant,' Bud's big eyes
Were swollen truly into giant-size.
And Bud was apt in make-believes--would hear
His Grandma talk or read, with such an ear
And memory of both subject and big words,
That he would take the book up afterwards
And feign to 'read aloud,' with such success
As caused his truthful elders real distress.
But he _must_ have _big words_--they seemed to give
Extremer range to the superlative--
That was his passion. 'My Gran'ma,' he said,
One evening, after listening as she read
Some heavy old historical review--
With copious explanations thereunto
Drawn out by his inquiring turn of mind,--
'My Gran'ma she's read _all_ books--ever' kind
They is, 'at tells all 'bout the land an' sea
An' Nations of the Earth!--An' she is the
Historicul-est woman ever wuz!'
(Forgive the verse's chuckling as it does
In its erratic current.--Oftentimes
The little willowy waterbrook of rhymes
Must falter in its music, listening to
The children laughing as they used to do.)

Who shall sing a simple ditty all about the Willow,
Dainty-fine and delicate as any bending spray
That dandles high the happy bird that flutters there to trill a
Tremulously tender song of greeting to the May.

Ah, my lovely Willow!--Let the Waters lilt your graces,--
They alone with limpid kisses lave your leaves above,
Flashing back your sylvan beauty, and in shady places
Peering up with glimmering pebbles, like the eyes of love.

Next, Maymie, with her hazy cloud of hair,
And the blue skies of eyes beneath it there.
Her dignified and 'little lady' airs
Of never either romping up the stairs
Or falling down them; thoughtful everyway
Of others first--The kind of child at play
That 'gave up,' for the rest, the ripest pear
Or peach or apple in the garden there
Beneath the trees where swooped the airy swing--
She pushing it, too glad for anything!
Or, in the character of hostess, she
Would entertain her friends delightfully
In her play-house,--with strips of carpet laid
Along the garden-fence within the shade
Of the old apple-trees--where from next yard
Came the two dearest friends in her regard,
The little Crawford girls, Ella and Lu--
As shy and lovely as the lilies grew
In their idyllic home,--yet sometimes they
Admitted Bud and Alex to their play,
Who did their heavier work and helped them fix
To have a 'Festibul'--and brought the bricks
And built the 'stove,' with a real fire and all,
And stovepipe-joint for chimney, looming tall
And wonderfully smoky--even to
Their childish aspirations, as it blew
And swooped and swirled about them till their sight
Was feverish even as their high delight.
Then Alex, with his freckles, and his freaks
Of temper, and the peach-bloom of his cheeks,
And '_amber-colored_ hair'--his mother said
'Twas that, when others laughed and called it '_red_'
And Alex threw things at them--till they'd call
A truce, agreeing ''t'uz n't red _ut-tall_!'

But Alex was affectionate beyond
The average child, and was extremely fond
Of the paternal relatives of his
Of whom he once made estimate like this:--
'_I'm_ only got _two_ brothers,--but my _Pa_
He's got most brothers'n you ever saw!--
He's got _seben_ brothers!--Yes, an' they're all my
Seben Uncles!--Uncle John, an' Jim,--an' I'
Got Uncle George, an' Uncle Andy, too,
An' Uncle Frank, an' Uncle Joe.--An' you
_Know_ Uncle _Mart_.--An', all but _him_, they're great
Big mens!--An' nen s Aunt Sarah--she makes eight!--
I'm got _eight_ uncles!--'cept Aunt Sarah _can't_
Be ist my _uncle_ 'cause she's ist my _aunt_!'

Then, next to Alex--and the last indeed
Of these five little ones of whom you read--
Was baby Lizzie, with her velvet lisp,--
As though her Elfin lips had caught some wisp
Of floss between them as they strove with speech,
Which ever seemed just in yet out of reach--
Though what her lips missed, her dark eyes could say
With looks that made her meaning clear as day.

And, knowing now the children, you must know
The father and the mother they loved so:--
The father was a swarthy man, black-eyed,
Black-haired, and high of forehead; and, beside
The slender little mother, seemed in truth
A very king of men--since, from his youth,
To his hale manhood _now_--(worthy as then,--
A lawyer and a leading citizen
Of the proud little town and county-seat--
His hopes his neighbors', and their fealty sweet)--
He had known outdoor labor--rain and shine--
Bleak Winter, and bland Summer--foul and fine.
So Nature had ennobled him and set
Her symbol on him like a coronet:
His lifted brow, and frank, reliant face.--
Superior of stature as of grace,
Even the children by the spell were wrought
Up to heroics of their simple thought,
And saw him, trim of build, and lithe and straight
And tall, almost, as at the pasture-gate
The towering ironweed the scythe had spared
For their sakes, when The Hired Man declared
It would grow on till it became a _tree_,
With cocoanuts and monkeys in--maybe!

Yet, though the children, in their pride and awe
And admiration of the father, saw
A being so exalted--even more
Like adoration was the love they bore
The gentle mother.--Her mild, plaintive face
Was purely fair, and haloed with a grace
And sweetness luminous when joy made glad
Her features with a smile; or saintly sad
As twilight, fell the sympathetic gloom
Of any childish grief, or as a room
Were darkened suddenly, the curtain drawn
Across the window and the sunshine gone.
Her brow, below her fair hair's glimmering strands,
Seemed meetest resting-place for blessing hands
Or holiest touches of soft finger-tips
And little roseleaf-cheeks and dewy lips.

Though heavy household tasks were pitiless,
No little waist or coat or checkered dress
But knew her needle's deftness; and no skill
Matched hers in shaping pleat or flounce or frill;
Or fashioning, in complicate design,
All rich embroideries of leaf and vine,
With tiniest twining tendril,--bud and bloom
And fruit, so like, one's fancy caught perfume
And dainty touch and taste of them, to see
Their semblance wrought in such rare verity.

Shrined in her sanctity of home and love,
And love's fond service and reward thereof,
Restore her thus, O blessed Memory!--
Throned in her rocking-chair, and on her knee
Her sewing--her workbasket on the floor
Beside her,--Springtime through the open door
Balmily stealing in and all about
The room; the bees' dim hum, and the far shout
And laughter of the children at their play,
And neighbor-children from across the way
Calling in gleeful challenge--save alone
One boy whose voice sends back no answering tone--
The boy, prone on the floor, above a book
Of pictures, with a rapt, ecstatic look--
Even as the mother's, by the selfsame spell,
Is lifted, with a light ineffable--
As though her senses caught no mortal cry,
But heard, instead, some poem going by.

The Child-heart is so strange a little thing--
So mild--so timorously shy and small.--
When _grown-up_ hearts throb, it goes scampering
Behind the wall, nor dares peer out at all!--
It is the veriest mouse
That hides in any house--
So wild a little thing is any Child-heart!

_Child-heart!--mild heart!--
Ho, my little wild heart!--
Come up here to me out o' the dark,
Or let me come to you!_

So lorn at times the Child-heart needs must be.
With never one maturer heart for friend
And comrade, whose tear-ripened sympathy
And love might lend it comfort to the end,--
Whose yearnings, aches and stings.
Over poor little things
Were pitiful as ever any Child-heart.

_Child-heart!--mild heart!--
Ho, my little wild heart!--
Come up here to me out o' the dark,
Or let me come to you!_

Times, too, the little Child-heart must be glad--
Being so young, nor knowing, as _we_ know.
The fact from fantasy, the good from bad,
The joy from woe, the--_all_ that hurts us so!
What wonder then that thus
It hides away from us?--
So weak a little thing is any Child-heart!

_Child-heart!--mild heart!--
Ho, my little wild heart!--
Come up here to me out o' the dark,
Or let me come to you!_

Nay, little Child-heart, you have never need
To fear _us_,--we are weaker far than you--
Tis _we_ who should be fearful--we indeed
Should hide us, too, as darkly as you do,--
Safe, as yourself, withdrawn,
Hearing the World roar on
Too willful, woful, awful for the Child-heart!

_Child-heart!--mild heart!--
Ho, my little wild heart!--
Come up here to me out o' the dark,
Or let me come to you!_

The clock chats on confidingly; a rose
Taps at the window, as the sunlight throws
A brilliant, jostling checkerwork of shine
And shadow, like a Persian-loom design,
Across the homemade carpet--fades,--and then
The dear old colors are themselves again.
Sounds drop in visiting from everywhere--
The bluebird's and the robin's trill are there,
Their sweet liquidity diluted some
By dewy orchard spaces they have come:
Sounds of the town, too, and the great highway--
The Mover-wagons' rumble, and the neigh
Of overtraveled horses, and the bleat
Of sheep and low of cattle through the street--
A Nation's thoroughfare of hopes and fears,
First blazed by the heroic pioneers
Who gave up old-home idols and set face
Toward the unbroken West, to found a race
And tame a wilderness now mightier than
All peoples and all tracts American.
Blent with all outer sounds, the sounds within:--
In mild remoteness falls the household din
Of porch and kitchen: the dull jar and thump
Of churning; and the 'glung-glung' of the pump,
With sudden pad and skurry of bare feet
Of little outlaws, in from field or street:
The clang of kettle,--rasp of damper-ring
And bang of cookstove-door--and everything
That jingles in a busy kitchen lifts
Its individual wrangling voice and drifts
In sweetest tinny, coppery, pewtery tone
Of music hungry ear has ever known
In wildest famished yearning and conceit
Of youth, to just cut loose and eat and eat!--
The zest of hunger still incited on
To childish desperation by long-drawn
Breaths of hot, steaming, wholesome things that stew
And blubber, and up-tilt the pot-lids, too,
Filling the sense with zestful rumors of
The dear old-fashioned dinners children love:
Redolent savorings of home-cured meats,
Potatoes, beans, and cabbage; turnips, beets
And parsnips--rarest composite entire
That ever pushed a mortal child's desire
To madness by new-grated fresh, keen, sharp
Horseradish--tang that sets the lips awarp
And watery, anticipating all
The cloyed sweets of the glorious festival.--
Still add the cinnamony, spicy scents
Of clove, nutmeg, and myriad condiments
In like-alluring whiffs that prophesy
Of sweltering pudding, cake, and custard pie--
The swooning-sweet aroma haunting all
The house--upstairs and down--porch, parlor, hall
And sitting-room--invading even where
The Hired Man sniffs it in the orchard-air,
And pauses in his pruning of the trees
To note the sun minutely and to--sneeze.

Then Cousin Rufus comes--the children hear
His hale voice in the old hall, ringing clear
As any bell. Always he came with song
Upon his lips and all the happy throng
Of echoes following him, even as the crowd
Of his admiring little kinsmen--proud
To have a cousin _grown_--and yet as young
Of soul and cheery as the songs he sung.

He was a student of the law--intent
Soundly to win success, with all it meant;
And so he studied--even as he played,--
With all his heart: And so it was he made
His gallant fight for fortune--through all stress
Of battle bearing him with cheeriness
And wholesome valor.

And the children had
Another relative who kept them glad
And joyous by his very merry ways--
As blithe and sunny as the summer days,--
Their father's youngest brother--Uncle Mart.
The old 'Arabian Nights' he knew by heart--
'Baron Munchausen,' too; and likewise 'The
Swiss Family Robinson.'--And when these three
Gave out, as he rehearsed them, he could go
Straight on in the same line--a steady flow
Of arabesque invention that his good
Old mother never clearly understood.
He _was_ to be a _printer_--wanted, though,
To be an _actor_.--But the world was 'show'
Enough for _him_,--theatric, airy, gay,--
Each day to him was jolly as a play.
And some poetic symptoms, too, in sooth,
Were certain.--And, from his apprentice youth,
He joyed in verse-quotations--which he took
Out of the old 'Type Foundry Specimen Book.'
He craved and courted most the favor of
The children.--They were foremost in his love;
And pleasing _them_, he pleased his own boy-heart
And kept it young and fresh in every part.
So was it he devised for them and wrought
To life his quaintest, most romantic thought:--
Like some lone castaway in alien seas,
He built a house up in the apple-trees,
Out in the corner of the garden, where
No man-devouring native, prowling there,
Might pounce upon them in the dead o' night--
For lo, their little ladder, slim and light,
They drew up after them. And it was known
That Uncle Mart slipped up sometimes alone
And drew the ladder in, to lie and moon
Over some novel all the afternoon.
And one time Johnty, from the crowd below,--
Outraged to find themselves deserted so--
Threw bodily their old black cat up in
The airy fastness, with much yowl and din.
Resulting, while a wild periphery
Of cat went circling to another tree,
And, in impassioned outburst, Uncle Mart
Loomed up, and thus relieved his tragic heart:

''_Hence, long-tailed, ebon-eyed, nocturnal ranger!
What led thee hither 'mongst the types and cases?
Didst thou not know that running midnight races
O'er standing types was fraught with imminent danger?
Did hunger lead thee--didst thou think to find
Some rich old cheese to fill thy hungry maw?
Vain hope! for none but literary jaw
Can masticate our cookery for the mind!_''

So likewise when, with lordly air and grace,
He strode to dinner, with a tragic face
With ink-spots on it from the office, he
Would aptly quote more 'Specimen-poetry--'
Perchance like ''Labor's bread is sweet to eat,
(_Ahem!_) And toothsome is the toiler's meat.''

Ah, could you see them _all_, at lull of noon!--
A sort of _boisterous_ lull, with clink of spoon
And clatter of deflecting knife, and plate
Dropped saggingly, with its all-bounteous weight,
And dragged in place voraciously; and then
Pent exclamations, and the lull again.--
The garland of glad faces 'round the board--
Each member of the family restored
To his or her place, with an extra chair
Or two for the chance guests so often there.--
The father's farmer-client, brought home from
The courtroom, though he 'didn't _want_ to come
Tel he jist saw he _hat_ to!' he'd explain,
Invariably, time and time again,
To the pleased wife and hostess, as she pressed
Another cup of coffee on the guest.--
Or there was Johnty's special chum, perchance,
Or Bud's, or both--each childish countenance
Lit with a higher glow of youthful glee,
To be together thus unbrokenly,--
Jim Offutt, or Eck Skinner, or George Carr--
The very nearest chums of Bud's these are,--
So, very probably, _one_ of the three,
At least, is there with Bud, or _ought_ to be.
Like interchange the town-boys each had known--
His playmate's dinner better than his own--
_Yet_ blest that he was ever made to stay
At _Almon Keefer's, any_ blessed day,
For _any_ meal!... Visions of biscuits, hot
And flaky-perfect, with the golden blot
Of molten butter for the center, clear,
Through pools of clover-honey--_dear-o-dear!_--
With creamy milk for its divine 'farewell':
And then, if any one delectable
Might yet exceed in sweetness, O restore
The cherry-cobbler of the days of yore
Made only by Al Keefer's mother!--Why,
The very thought of it ignites the eye
Of memory with rapture--cloys the lip
Of longing, till it seems to ooze and drip
With veriest juice and stain and overwaste
Of that most sweet delirium of taste
That ever visited the childish tongue,
Or proved, as now, the sweetest thing unsung.