Through the shine, through the rain
We have shared the day’s load;
To the old march again
We have tramped the long road;
We have laughed, we have cried,
And we’ve tossed the King’s crown;
We have fought, we have died,
And we’ve trod the day down.
So it’s lift the old song
Ere the night flies again,
Where the road leads along
Through the shine, through the rain.

Long ago, far away,
Came a sign from the skies;
And we feared then to pray
For the new sun to rise:
With the King there at hand,
Not a child stepped or stirred—
Where the light filled the land
And the light brought the word;
For we knew then the gleam
Though we feared then the day,
And the dawn smote the dream
Long ago, far away.

But the road leads us all,
For the King now is dead;
And we know, stand or fall,
We have shared the day’s bread.
We may laugh down the dream,
For the dream breaks and flies;
And we trust now the gleam,
For the gleam never dies;—
So it’s off now the load,
For we know the night’s call,
And we know now the road
And the road leads us all.

Through the shine, through the rain,
We have wrought the day’s quest;
To the old march again
We have earned the day’s rest;
We have laughed, we have cried,
And we’ve heard the King’s groans;
We have fought, we have died,
And we’ve burned the King’s bones,
And we lift the old song
Ere the night flies again,
Where the road leads along
Through the shine, through the rain.

(ROOSEVELT)

He turned aside to see the carcase of the lion: and behold, there was a swarm of bees and honey in the carcase of the lion … And the men of the city said unto him, What is sweeter than honey? and what is stronger than a lion?—Judges, 14.


The palms of Mammon have disowned
The gift of our complacency;
The bells of ages have intoned
Again their rhythmic irony;
And from the shadow, suddenly,
’Mid echoes of decrepit rage,
The seer of our necessity
Confronts a Tyrian heritage.

Equipped with unobscured intent
He smiles with lions at the gate,
Acknowledging the compliment
Like one familiar with his fate;
The lions, having time to wait,
Perceive a small cloud in the skies,
Whereon they look, disconsolate,
With scared, reactionary eyes.

A shadow falls upon the land,—
They sniff, and they are like to roar;
For they will never understand
What they have never seen before.
They march in order to the door,
Not knowing the best thing to seek,
Nor caring if the gods restore
The lost composite of the Greek.

The shadow fades, the light arrives,
And ills that were concealed are seen;
The combs of long-defended hives
Now drip dishonored and unclean;
No Nazarite or Nazarene
Compels our questioning to prove
The difference that is between
Dead lions—or the sweet thereof.

But not for lions, live or dead,
Except as we are all as one,
Is he the world’s accredited
Revealer of what we have done;
What You and I and Anderson
Are still to do is his reward;
If we go back when he is gone—
There is an Angel with a Sword.

He cannot close again the doors
That now are shattered for our sake;
He cannot answer for the floors
We crowd on, or for walls that shake;
He cannot wholly undertake
The cure of our immunity;
He cannot hold the stars, or make
Of seven years a century.

So Time will give us what we earn
Who flaunt the handful for the whole,
And leave us all that we may learn
Who read the surface for the soul;
And we’ll be steering to the goal,
For we have said so to our sons:
When we who ride can pay the toll,
Time humors the far-seeing ones.

Down to our nose’s very end
We see, and are invincible,—
Too vigilant to comprehend
The scope of what we cannot sell;
But while we seem to know as well
As we know dollars, or our skins,
The Titan may not always tell
Just where the boundary begins.

Two Gardens In Linndale

Two brothers, Oakes and Oliver,
Two gentle men as ever were,
Would roam no longer, but abide
In Linndale, where their fathers died,
And each would be a gardener.

“Now first we fence the garden through,
With this for me and that for you,”
Said Oliver.—“Divine!” said Oakes,
“And I, while I raise artichokes,
Will do what I was born to do.”

“But this is not the soil, you know,”
Said Oliver, “to make them grow:
The parent of us, who is dead,
Compassionately shook his head
Once on a time and told me so.”

“I hear you, gentle Oliver,”
Said Oakes, “and in your character
I find as fair a thing indeed
As ever bloomed and ran to seed
Since Adam was a gardener.

“Still, whatsoever I find there,
Forgive me if I do not share
The knowing gloom that you take on
Of one who doubted and is done:
For chemistry meets every prayer.”

“Sometimes a rock will meet a plough,”
Said Oliver; “but anyhow
’Tis here we are, ’tis here we live,
With each to take and each to give:
There’s no room for a quarrel now.

“I leave you in all gentleness
To science and a ripe success.
Now God be with you, brother Oakes,
With you and with your artichokes:
You have the vision, more or less.”

“By fate, that gives to me no choice,
I have the vision and the voice:
Dear Oliver, believe in me,
And we shall see what we shall see;
Henceforward let us both rejoice.”

“But first, while we have joy to spare
We’ll plant a little here and there;
And if you be not in the wrong,
We’ll sing together such a song
As no man yet sings anywhere.”

They planted and with fruitful eyes
Attended each his enterprise.
“Now days will come and days will go,
And many a way be found, we know,”
Said Oakes, “and we shall sing, likewise.”

“The days will go, the years will go,
And many a song be sung, we know,”
Said Oliver; “and if there be
Good harvesting for you and me,
Who cares if we sing loud or low?”

They planted once, and twice, and thrice,
Like amateurs in paradise;
And every spring, fond, foiled, elate,
Said Oakes, “We are in tune with Fate:
One season longer will suffice.”

Year after year ’twas all the same:
With none to envy, none to blame,
They lived along in innocence,
Nor ever once forgot the fence,
Till on a day the Stranger came.

He came to greet them where they were,
And he too was a Gardener:
He stood between these gentle men,
He stayed a little while, and then
The land was all for Oliver.

’Tis Oliver who tills alone
Two gardens that are now his own;
’Tis Oliver who sows and reaps
And listens, while the other sleeps,
For songs undreamed of and unknown.

’Tis he, the gentle anchorite,
Who listens for them day and night;
But most he hears them in the dawn,
When from his trees across the lawn
Birds ring the chorus of the light.

He cannot sing without the voice,
But he may worship and rejoice
For patience in him to remain,
The chosen heir of age and pain,
Instead of Oakes—who had no choice.

’Tis Oliver who sits beside
The other’s grave at eventide,
And smokes, and wonders what new race
Will have two gardens, by God’s grace,
In Linndale, where their fathers died.

And often, while he sits and smokes,
He sees the ghost of gentle Oakes
Uprooting, with a restless hand,
Soft, shadowy flowers in a land
Of asphodels and artichokes.

I

I doubt if ten men in all Tilbury Town
Had ever shaken hands with Captain Craig,
Or called him by his name, or looked at him
So curiously, or so concernedly,
As they had looked at ashes; but a few—
Say five or six of us—had found somehow
The spark in him, and we had fanned it there,
Choked under, like a jest in Holy Writ,
By Tilbury prudence. He had lived his life
And in his way had shared, with all mankind,
Inveterate leave to fashion of himself,
By some resplendent metamorphosis,
Whatever he was not. And after time,
When it had come sufficiently to pass
That he was going patch-clad through the streets,
Weak, dizzy, chilled, and half starved, he had laid
Some nerveless fingers on a prudent sleeve,
And told the sleeve, in furtive confidence,
Just how it was: “My name is Captain Craig,”
He said, “and I must eat.” The sleeve moved on,
And after it moved others—one or two;
For Captain Craig, before the day was done,
Got back to the scant refuge of his bed
And shivered into it without a curse—
Without a murmur even. He was cold,
And old, and hungry; but the worst of it
Was a forlorn familiar consciousness
That he had failed again. There was a time
When he had fancied, if worst came to worst,
And he could do no more, that he might ask
Of whom he would. But once had been enough,
And soon there would be nothing more to ask.
He was himself, and he had lost the speed
He started with, and he was left behind.
There was no mystery, no tragedy;
And if they found him lying on his back
Stone dead there some sharp morning, as they might,—
Well, once upon a time there was a man—
Es war einmal ein König, if it pleased him.
And he was right: there were no men to blame:
There was just a false note in the Tilbury tune—
A note that able-bodied men might sound
Hosannas on while Captain Craig lay quiet.
They might have made him sing by feeding him
Till he should march again, but probably
Such yielding would have jeopardized the rhythm;
They found it more melodious to shout
Right on, with unmolested adoration,
To keep the tune as it had always been,
To trust in God, and let the Captain starve.

He must have understood that afterwards—
When we had laid some fuel to the spark
Of him, and oxidized it—for he laughed
Out loud and long at us to feel it burn,
And then, for gratitude, made game of us:
“You are the resurrection and the life,”
He said, “and I the hymn the Brahmin sings;
O Fuscus! and we’ll go no more a-roving.”
We were not quite accoutred for a blast
Of any lettered nonchalance like that,
And some of us—the five or six of us
Who found him out—were singularly struck.
But soon there came assurance of his lips,
Like phrases out of some sweet instrument
Man’s hand had never fitted, that he felt
“No penitential shame for what had come,
No virtuous regret for what had been,—
But rather a joy to find it in his life
To be an outcast usher of the soul
For such as had good courage of the Sun
To pattern Love.” The Captain had one chair;
And on the bottom of it, like a king,
For longer time than I dare chronicle,
Sat with an ancient ease and eulogized
His opportunity. My friends got out,
Like brokers out of Arcady; but I—
May be for fascination of the thing,
Or may be for the larger humor of it—
Stayed listening, unwearied and unstung.
When they were gone the Captain’s tuneful ooze
Of rhetoric took on a change; he smiled
At me and then continued, earnestly:
“Your friends have had enough of it; but you,
For a motive hardly vindicated yet
By prudence or by conscience, have remained;
And that is very good, for I have things
To tell you: things that are not words alone—
Which are the ghosts of things—but something firmer.
“First, would I have you know, for every gift
Or sacrifice, there are—or there may be—
Two kinds of gratitude: the sudden kind
We feel for what we take, the larger kind
We feel for what we give. Once we have learned
As much as this, we know the truth has been
Told over to the world a thousand times;—
But we have had no ears to listen yet
For more than fragments of it: we have heard
A murmur now and then, and echo here
And there, and we have made great music of it;
And we have made innumerable books
To please the Unknown God. Time throws away
Dead thousands of them, but the God that knows
No death denies not one: the books all count,
The songs all count; and yet God’s music has
No modes, his language has no adjectives.”

“You may be right, you may be wrong,” said I;
“But what has this that you are saying now—
This nineteenth-century Nirvana-talk—
To do with you and me?” The Captain raised
His hand and held it westward, where a patched
And unwashed attic-window filtered in
What barren light could reach us, and then said,
With a suave, complacent resonance: “There shines
The sun. Behold it. We go round and round,
And wisdom comes to us with every whirl
We count throughout the circuit. We may say
The child is born, the boy becomes a man,
The man does this and that, and the man goes,—
But having said it we have not said much,
Not very much. Do I fancy, or you think,
That it will be the end of anything
When I am gone? There was a soldier once
Who fought one fight and in that fight fell dead.
Sad friends went after, and they brought him home
And had a brass band at his funeral,
As you should have at mine; and after that
A few remembered him. But he was dead,
They said, and they should have their friend no more.—
However, there was once a starveling child—
A ragged-vested little incubus,
Born to be cuffed and frighted out of all
Capacity for childhood’s happiness—
Who started out one day, quite suddenly,
To drown himself. He ran away from home,
Across the clover-fields and through the woods,
And waited on a rock above a stream,
Just like a kingfisher. He might have dived,
Or jumped, or he might not; but anyhow,
There came along a man who looked at him
With such an unexpected friendliness,
And talked with him in such a common way,
That life grew marvelously different:
What he had lately known for sullen trunks
And branches, and a world of tedious leaves,
Was all transmuted; a faint forest wind
That once had made the loneliest of all
Sad sounds on earth, made now the rarest music;
And water that had called him once to death
Now seemed a flowing glory. And that man,
Born to go down a soldier, did this thing.
Not much to do? Not very much, I grant you:
Good occupation for a sonneteer,
Or for a clown, or for a clergyman,
But small work for a soldier. By the way,
When you are weary sometimes of your own
Utility, I wonder if you find
Occasional great comfort pondering
What power a man has in him to put forth?
‘Of all the many marvelous things that are,
Nothing is there more marvelous than man,’
Said Sophocles; and he lived long ago;
‘And earth, unending ancient of the gods
He furrows; and the ploughs go back and forth,
Turning the broken mould, year after year.’…

“I turned a little furrow of my own
Once on a time, and everybody laughed—
As I laughed afterwards; and I doubt not
The First Intelligence, which we have drawn
In our competitive humility
As if it went forever on two legs,
Had some diversion of it: I believe
God’s humor is the music of the spheres—
But even as we draft omnipotence
Itself to our own image, we pervert
The courage of an infinite ideal
To finite resignation. You have made
The cement of your churches out of tears
And ashes, and the fabric will not stand:
The shifted walls that you have coaxed and shored
So long with unavailing compromise
Will crumble down to dust and blow away,
And younger dust will follow after them;
Though not the faintest or the farthest whirled
First atom of the least that ever flew
Shall be by man defrauded of the touch
God thrilled it with to make a dream for man
When Science was unborn. And after time,
When we have earned our spiritual ears,
And art’s commiseration of the truth
No longer glorifies the singing beast,
Or venerates the clinquant charlatan,—
Then shall at last come ringing through the sun,
Through time, through flesh, a music that is true.
For wisdom is that music, and all joy
That wisdom:—you may counterfeit, you think,
The burden of it in a thousand ways;
But as the bitterness that loads your tears
Makes Dead Sea swimming easy, so the gloom,
The penance, and the woeful pride you keep,
Make bitterness your buoyance of the world.
And at the fairest and the frenziedest
Alike of your God-fearing festivals,
You so compound the truth to pamper fear
That in the doubtful surfeit of your faith
You clamor for the food that shadows eat.
You call it rapture or deliverance,—
Passion or exaltation, or what most
The moment needs, but your faint-heartedness
Lives in it yet: you quiver and you clutch
For something larger, something unfulfilled,
Some wiser kind of joy that you shall have
Never, until you learn to laugh with God.”
And with a calm Socratic patronage,
At once half sombre and half humorous,
The Captain reverently twirled his thumbs
And fixed his eyes on something far away;
Then, with a gradual gaze, conclusive, shrewd,
And at the moment unendurable
For sheer beneficence, he looked at me.

“But the brass band?” I said, not quite at ease
With altruism yet.—He made a sort
Of reminiscent little inward noise,
Midway between a chuckle and a laugh,
And that was all his answer: not a word
Of explanation or suggestion came
From those tight-smiling lips. And when I left,
I wondered, as I trod the creaking snow
And had the world-wide air to breathe again,—
Though I had seen the tremor of his mouth
And honored the endurance of his hand—
Whether or not, securely closeted
Up there in the stived haven of his den,
The man sat laughing at me; and I felt
My teeth grind hard together with a quaint
Revulsion—as I recognize it now—
Not only for my Captain, but as well
For every smug-faced failure on God’s earth;
Albeit I could swear, at the same time,
That there were tears in the old fellow’s eyes.
I question if in tremors or in tears
There be more guidance to man’s worthiness
Than—well, say in his prayers. But oftentimes
It humors us to think that we possess
By some divine adjustment of our own
Particular shrewd cells, or something else,
What others, for untutored sympathy,
Go spirit-fishing more than half their lives
To catch—like cheerful sinners to catch faith;
And I have not a doubt but I assumed
Some egotistic attribute like this
When, cautiously, next morning I reduced
The fretful qualms of my novitiate,
For most part, to an undigested pride.
Only, I live convinced that I regret
This enterprise no more than I regret
My life; and I am glad that I was born.

That evening, at “The Chrysalis,” I found
The faces of my comrades all suffused
With what I chose then to denominate
Superfluous good feeling. In return,
They loaded me with titles of odd form
And unexemplified significance,
Like “Bellows-mender to Prince Æolus,”
“Pipe-filler to the Hoboscholiast,”
“Bread-fruit for the Non-Doing,” with one more
That I remember, and a dozen more
That I forget. I may have been disturbed,
I do not say that I was not annoyed,
But something of the same serenity
That fortified me later made me feel
For their skin-pricking arrows not so much
Of pain as of a vigorous defect
In this world’s archery. I might have tried,
With a flat facetiousness, to demonstrate
What they had only snapped at and thereby
Made out of my best evidence no more
Than comfortable food for their conceit;
But patient wisdom frowned on argument,
With a side nod for silence, and I smoked
A series of incurable dry pipes
While Morgan fiddled, with obnoxious care,
Things that I wished he wouldn’t. Killigrew,
Drowsed with a fond abstraction, like an ass,
Lay blinking at me while he grinned and made
Remarks. The learned Plunket made remarks.

It may have been for smoke that I cursed cats
That night, but I have rather to believe
As I lay turning, twisting, listening,
And wondering, between great sleepless yawns,
What possible satisfaction those dead leaves
Could find in sending shadows to my room
And swinging them like black rags on a line,
That I, with a forlorn clear-headedness
Was ekeing out probation. I had sinned
In fearing to believe what I believed,
And I was paying for it.—Whimsical,
You think,—factitious; but “there is no luck,
No fate, no fortune for us, but the old
Unswerving and inviolable price
Gets paid: God sells himself eternally,
But never gives a crust,” my friend had said;
And while I watched those leaves, and heard those cats,
And with half mad minuteness analyzed
The Captain’s attitude and then my own,
I felt at length as one who throws himself
Down restless on a couch when clouds are dark,
And shuts his eyes to find, when he wakes up
And opens them again, what seems at first
An unfamiliar sunlight in his room
And in his life—as if the child in him
Had laughed and let him see; and then I knew
Some prowling superfluity of child
In me had found the child in Captain Craig
And let the sunlight reach him. While I slept,
My thought reshaped itself to friendly dreams,
And in the morning it was with me still.

Through March and shifting April to the time
When winter first becomes a memory
My friend the Captain—to my other friend’s
Incredulous regret that such as he
Should ever get the talons of his talk
So fixed in my unfledged credulity—
Kept up the peroration of his life,
Not yielding at a threshold, nor, I think,
Too often on the stairs. He made me laugh
Sometimes, and then again he made me weep
Almost; for I had insufficiency
Enough in me to make me know the truth
Within the jest, and I could feel it there
As well as if it were the folded note
I felt between my fingers. I had said
Before that I should have to go away
And leave him for the season; and his eyes
Had shone with well-becoming interest
At that intelligence. There was no mist
In them that I remember; but I marked
An unmistakable self-questioning
And a reticence of unassumed regret.
The two together made anxiety—
Not selfishness, I ventured. I should see
No more of him for six or seven months,
And I was there to tell him as I might
What humorous provision we had made
For keeping him locked up in Tilbury Town.
That finished—with a few more commonplace
Prosaics on the certified event
Of my return to find him young again—
I left him neither vexed, I thought, with us,
Nor over much at odds with destiny.
At any rate, save always for a look
That I had seen too often to mistake
Or to forget, he gave no other sign.

That train began to move; and as it moved,
I felt a comfortable sudden change
All over and inside. Partly it seemed
As if the strings of me had all at once
Gone down a tone or two; and even though
It made me scowl to think so trivial
A touch had owned the strength to tighten them,
It made me laugh to think that I was free.
But free from what—when I began to turn
The question round—was more than I could say:
I was no longer vexed with Killigrew,
Nor more was I possessed with Captain Craig;
But I was eased of some restraint, I thought,
Not qualified by those amenities,
And I should have to search the matter down;
For I was young, and I was very keen.
So I began to smoke a bad cigar
That Plunket, in his love, had given me
The night before; and as I smoked I watched
The flying mirrors for a mile or so,
Till to the changing glimpse, now sharp, now faint,
They gave me of the woodland over west,
A gleam of long-forgotten strenuous years
Came back, when we were Red Men on the trail,
With Morgan for the big chief Wocky-Bocky;
And yawning out of that I set myself
To face again the loud monotonous ride
That lay before me like a vista drawn
Of bag-racks to the fabled end of things.