Worked-Out Mine

On summer nights when moonbeams flow
And glisten o’er the high, white tips,
And winds make lamentation low,
As through the ribs of shattered ships,
And steal about the broken brace
Where pendant timbers swing and moan,
And flitting bats give aimless chase,
Who dares to seek the mine alone?

The shrinking bush with sable rims
A skeleton forlorn and bowed,
With pipe-clay white about its limbs
And at its feet a tattered shroud;
And ghostly figures lurk and groan,
Shrill whispers sound from ghostly lips,
And ghostly footsteps start the stone
That clatters sharply down the tips.

The engine-house is dark and still,
The life that raged within has fled;
Like open graves the boilers chill
That once with glowing fires were red;
Above the shaft in measured space
A rotted rope swings to and fro,
Whilst o’er the plat and on the brace
The silent shadows come and go.

And there below, in chambers dread
Where darkness like a fungus clings,
Are lingering still the old mine’s dead—
Bend o’er and hear their whisperings!
Up from the blackness sobs and sighs
Are flung with moans and muttered fears,
A low lament that never dies,
And ceaseless sound of falling tears.

My ears intent have heard their grief—
The fitful tones of Carter’s tongue,
The strong man crushed beneath the reef,
The groans of Panton, Praer, and Young,
And ‘Trucker Bill’ of Number Five,
Along the ruined workings roll;
For deep in every shoot and drive
This mine secretes a shackled soul.

Ah! woful mine, where wives have wept,
And mothers prayed in anxious pain,
And long, distracting vigil kept,
You yawn for victims now in vain!
Still to that god, whose shrine you were,
Is homage done in wild device;
Men hate you as the sepulchre
That stores their bloody sacrifice.

IF YOU want a game to tame you and to take your measure in,
Try a week or two of trucking in a mine
Where the rails are never level for a half-a-minute’s spin,
And the curves are short and sharp along the line.

Try the feverish bottom level, down five hundred feet of shaft,
Where the atmosphere is like a second suit,
When the wash is full of water, and you’ve got to run the graft,
For there’s forty ton of gravel in the shoot.

‘Want a job o’ truckin’, dost tha?’ says the boss, old Geordie Rist,
Shift’s a trucker short, ma lad, but aw don’ know—
Can’st tha do th’ work, though, think’st tha? Art a pretty decent fist?
Eh, well, damme! thoo can try it; go below.’

So the cage is manned, the knocker clangs and clatters on the brace,
The engine draws a deep, defiant breath
To inflate her lungs of iron; and in silence, face to face,
We drop into the darkness deep as death.

Then a fairy sense of lightness and of floating on the night,
A sudden glare, and Number Three is passed;
Soon a sound of warring waters and another rush of light—
‘All clear!’ The up-trip never seems so fast.

It is rough upon the tyro, that first tussle with the trucks—
The wretched four, with worn, three-cornered wheels
That are sure to fall to his lot and to floor him if his pluck’s
Not true when mates are grinding at his heels.

Then the struggle at the incline, and the deuced ticklish squeeze
At the curves where strength alone not all avails,
And the floundering in the mullock, and the badly-broken knees
Before he learns to run upon the rails.

But it’s like all other grafting, and the man that has the grit
Won’t tucker out with one back-racking shift;
When he’s sweated to condition, with his muscles firm and fit,
He’ll disdain to stick at seven trucks of drift.

He can swarm around the pinches with a scramble and a dash,
And negotiate the inclines just as pat;
And the sheets of iron rattle and the waters surge and splash
As he shoots the 'full ’uns' in along the plat.

When the empties wind and clatter down the drive and through the dark—
As ‘blowing’ spells those backward journeys serve—
On before, deep set in darkness, glints and glows a feeble spark,
The candle burning dimly at the curve.

After cribs are polished off, and when the smoke begins to rise
And cling about the caps and in the cracks,
There’s a passing satisfaction in the patriarchal lies
Of the Geordie pioneers and Cousin Jacks—

Lanky Steve’s unwritten stories of the fun of Fifty-two,
Or the dashing days at Donkey Woman’s Flat,
Of traps, and beaks, and heavy yields, and pugilists put through,
And lifting up the flag at Ballarat.

Yes, the truckers’ toil is rather heavy grafting as a rule—
Much heavier than the wages, well I know;
But the life’s not full of trouble, and the fellow is a fool
Who cannot find some pleasure down below.

This war's a waste of slurry, and its at-
mosphere is mud,
All is bog from here to sunset. Wadin'
through
We're the victims of a thicker sort of universal
flood,
With discomforts that old Noah never knew.

We have dubbed our trench The Cecil.
There's a brass-plate and a dome,
And a quagmire where the doormat used
to be,
If you're calling, second Tuesday is our reg'-
lar day at home,
So delighted if you'll toddle in to tea!

There is mud along the corridors enough to
bog a cow;
In the air there hangs a musty kind of
woof;
There's a frog-pond in the parlour, and the
kitchen is a slough.
She has neither doors nor windows, nor a
roof.

When they post our bald somnambulist as
missing from his flat
We take soundings for the digger with a
prop.
By the day the board is gratis, by the week
it's half of that;
For the season there's a corresponding drop.

Opening off the spacious hallway is my natty
little suite,
A commodious and accessible abode.
By judicious disposition, with exclusion of
my feet,
There is sleeping room for Oliver the toad.

Though the ventilation's gusty, and in gobs
the ceiling falls—
Which with oral respiration disagrees—
Though there comes a certain quantity of
seepage from the walls,
There are some I knew in diggings worse
than these.

On my right is Cobber Carkeek. There's a
spring above his head,
And his mattress is a special kind of clay.
He's a most punctilious bloke about the
fashion of his bed,
And he makes it with a shovel every day.

Man is dust. If so, the Cobber has been
puddled up a treat.
On domestic sanitation he's a toff,
For he lights a fire on Sunday, bakes his sur-
face in the heat,
Then he takes a little maul, and cracks it
off.

After hanging out a winter in this Cimmerian
hole
We're forgetting sheets, and baths, and
tidy skins.
In the dark and deadly calm last night they
took us on patrol.
Seven, little fellows, thinking of their sins.

It was ours like blinded snails to prowl the
soggy, slimy night,
With a feeler pricking out at every pore
For the death that stalks in darkness, or the
blinking stab of light,
And the other trifling matters that are war.

That's the stuff to get your liver, that's the
acid on a man,
For it tries his hones, and seeks his marrow
throngh.
You have got the thought to comfort you that
life is but a span,
If Fritz squirts his loathly limelight over
you.

We got back again at daybreak. Cobber
ducked to doss and said,
From the soft, embracing mud: “No more
I'll roam.
“Oh, thank Heaven, blokes,” he murmured,
“for the comforts of a bed!
Gorstruth, but ain't it good to have a
home!”

THERE’S a sudden, fierce clang of the knocker, then the sound of a voice in the shaft,
Shrieking words that drum hard on the centres, and the braceman goes suddenly daft:
‘Set the whistle a-blowing like blazes! Billy, run, give old Mackie a call—
Run, you fool! Number Two’s gone to pieces, and Fred Baker is caught in the fall!
Say, hello! there below—any hope, boys, any chances of saving his life?
‘Heave away!’ says the knocker. ‘They’ve started. God be praised, he’s no youngsters or wife!’

Screams the whistle in fearful entreaty, and the wild echo raves on the spur,
And the night, that was still as a sleeper in soft, charmed sleep, is astir
With the fluttering of wings in the wattles, and the vague frightened murmur of birds,
With far cooeys that carry the warning, running feet, inarticulate words.
From the black belt of bush come the miners, and they gather by Mack on the brace,
Out of breath, barely clad, and half-wakened, with a question in every face.

‘Who’s below?’ ‘Where’s the fall?’ Didn’t I tell you?—Didn’t I say that them sets wasn’t sound?’
‘Is it Fred? He was reckless was Baker; now he’s seen his last shift underground.’
‘And his mate? Where is Sandy M‘Fadyn?’ ’Sandy’s snoring at home on his bunk.’
‘Not at work! Name o’ God! a foreboding?’ ‘A foreboding be hanged! He is drunk!’
Take it steady there, lads!’ the boss orders. He is white to the roots of his hair.
We may get him alive before daybreak if he’s close to the face and has air.’

In the dim drive with ardour heroic two facemen are pegging away.
Long and Coots in the rise heard her thunder, and they fled without word or delay
Down the drive, and they rushed for the ladders, and they went up the shaft with a run,
For they knew the weak spot in the workings, and they guessed there was graft to be done.
Number Two was pitch dark, and they scrambled to the plat and they made for the face,
But the roof bad come down fifty yards in, and the reef was all over the place.

Fresher men from the surface replace them, and they’re hauled up on top for a blow;
When a life and death job is in doing there’s room only for workers below.
Bare-armed, and bare-chested, and brawny, with a grim, meaning set of the jaw,
The relay hurries in to the rescue, caring not for the danger a straw;
’Tis not toil, but a battle, they’re called to, and like Trojans the miners respond,
For a dead man lies crushed ’neath the timbers, or a live man is choking beyond.

By the faint, yellow glow of the candles, where the dank drive is hot with their breath,
On the verge of the Land of the Shadow, waging war breast to bosom with Death,
How they struggle, these giants! and slowly, as the trucks rattle into the gloom,
Inch by inch they advance to the conquest of a prison—or is it a tomb?
And the working’s re-echo a volley as the timbers are driven in place;
Then a whisper is borne to the toilers ‘Boys, his mother is there on the brace!’

Like veterans late into action, fierce with longing to hew and to hack,
Riordan’s shift rushes in to relieve them, and the toil-stricken men stagger back.
‘Stow the stuff, mates, wherever there’s stowage! Run the man on the brace till he drops!
There’s no time to think on this billet! Bark the heels of the trucker who stops!
Keep the props well in front, and be careful. He’s in there, and alive, never fret.’
But the grey dawn is softening the ridges, and the word has not come to us yet.

Still the knocker rings out, and the engine shrieks and strains like a creature in pain
As the cage rushes up to the surface and drops back into darkness again.
By the capstan a woman is crouching. In her eyes neither hope nor despair;
But a yearning that glowers like frenzy bids those who’d speak pity forbear.
Like a figure in stone she is seated till the labour of rescue be done.
For the father was killed in the Phoenix, and the son—Lord of pity! the son?

‘Hello! there on top!’ they are calling. ‘They are through! He is seen in the drive!’
‘They have got him—thank Heaven! they’ve got him, and oh, blessed be God, he’s alive!’
‘Man on! heave away!’ ‘Step aside, lads; let his mother be first when he lands.’
She was silent and strong in her anguish; now she babbles and weeps where she stands,
And the stern men, grown gentle, support her at the mouth of the shaft, till at last
With a rush the cage springs to the landing, and her son’s arms encircle her fast.

She has cursed the old mine for its murders, for the victims its drives have ensnared,
Now she cries a great blessing upon it for the one precious life it has spared.

The Deserted Homestead

PAST a dull, grey plain where a world-old grief seems to brood o’er the silent land,
When the orbéd moon turns her tense, white face on the ominous waste of sand,
And the wind that steals by the dreamer feels like the touch of a phantom hand,

Through the tall, still trees and the tangled scrub that has sprung on the old bush track,
In a clearing wide, where a willow broods and the cowering bush shrinks backs,
Stands a house alone that no dwellers own, yet unharmed by the storm’s attack.

’Tis a strange, sad place. On the shingle roof mosses gather and corn-blades spring,
And a stillness reigns in the air unstirred by the beat of a wild bird’s wing.
He who sees believes that the old house grieves with the grief of a sentient thing.

From the charmed gums that about the land in a reverent circle throng
Comes no parrot’s call, nor the wild cat’s cry, nor the magpie’s mellow song,
And their shadows chill with an icy thrill and the sense of an awful wrong.

And the creek winds by ’neath the twisted briar and the curling creepers here;
In the dusky depths of its bed it slips on it’s slime-green rocks in fear,
And it murmurs low to its stealthy flow in a monotone quaint and drear.

On a furrowed paddock that fronts the house grow the saplings straight and tall,
And noxious weeds in the garden ground on the desolate pathways crawl;
But the briar twists back with the supple-jack ’tween the rocks of the rubble wall.

On the rotting wall of the gloomy rooms bats gather with elfin wings,
And a snake is coiled by the shattered door where a giant lizard clings,
For this house of care is the fitting lair of a myriad voiceless things.

Once I camped alone on the clearing’s edge through the lapse of a livelong night,
When the wan moon flooded the house and land in a lake of her ghostly light,
And the silence dread of a world long dead filled my credulous soul with fright.

For no wind breathed by, but a nameless awe was abroad in the open there,
And the camp-fire burned with a pale, thin flame in the chill, translucent air,
And my dog lay prone, like a chiselled stone, with his opaline eyes a-stare.

In the trancéd air was an omen felt and the sway of a subtle spell,
And I waited long for I know not what, but the pale night augured well—
At a doleful hour, when the dead have power, lo! A hideous thing befell.

From the shadows flung by the far bush wall came a treacherous, phantom crew,
Like the smoke rack blown o’er the plain at morn when the bracken is wet with dew.
Not a sound they made, and their forms no shade on the moonlit surface threw.

And the night was changed to the quiet eve of a beautiful summer’s day,
And the old house warmed as with life and light, and was set in a garden gay,
And a babe that crawled by the doorway called to a kitten that leapt in play.

But the black fiends circled the peaceful home, and I fathomed their evil quest;
From the ground up-springing they hurled their spears, and danced with a demon zest,
And a girl lay dead ’neath the roses red with a wound in her fair, white breast.

Through the looped wall spat a rifle’s flame, and the devilish pack gave tongue,
For a lean form writhed in a torment dire, on the crimsoned stubble flung.
Many echoes spoke, and the sluggish smoke on the shingles rolled and clung.

Yet again and oft did the flame spring forth, and each shaft from the dwelling shore
Through a savage heart, but the band unawed at the walls of the homestead tore,
And a man and wife fought for love and life with the horde by the broken door.

Then ghostly and grey, from the dusky bush came a company riding fast.
Seven horses strode on the buoyant air, and I trembled and gazed aghast,
Such a deadly hate on the forehead sate of each rider racing past.

With a cry they leapt on the dusky crew, and swept them aside like corn
In the lusty stroke of the mower’s scythe, and distracted and overborne
Many demons fled, leaving many dead, by the hoofs of the horses torn.

Not in vain—not all—though a father lay with the light on his cold, grey face,
And a mother bled, with a murdered maid held close in a last embrace,
For the babe laughed back at a visage black death drawn to a foul grimace.

Came a soft wind swaying the pendent leaves, like the sigh of awakening day,
And the darkness fell on my tired eyes, for the phantoms had passed away;
And the breezes bore from a distant shore faint echoes of ocean’s play.

Past a dull, grey plain, through the tall, still trees, where the lingering days inspire
An unspoken woe in the heart of man, and the nights hold visions dire,
Stands a house alone that no dwellers own, yet unmarred by the storm or fire.