Christopher Pearse Cranch: Verses about Death

IF death be final, what is life, with all
Its lavish promises, its thwarted aims,
Its lost ideals, its dishonored claims,
Its uncompleted growth? A prison wall,
Whose heartless stones but echo back our call;
An epitaph recording but our names;
A puppet-stage where joys and griefs and shames
Furnish a demon jester's carnival;
A plan without a purpose or a form;
A footless temple; an unfinished tale.
And men like madrepores through calm and storm
Toil, die to build a branch of fossil frail,
And add from all their dreams, thoughts, acts, belief,
A few more inches to a coral-reef.

NOT for a rapture unalloyed I ask.
Not for a recompense for all I miss.
A banquet of the gods in heavenly bliss,
A realm in whose warm sunshine I may bask,
Life without discipline or earnest task
Could ill repay the unfinished work of this.
Nay — e'en to clasp some long-lost Beatrice
In bowers of paradise — the mortal mask
Dropped from her face now glorified and bright.
But I would fain take up what here I left
All crude and incomplete; would toil and strive
To regain the power of which I am bereft
By slow decay and death, with fuller light
To aid the larger life that may survive.

OR endless sleep 't will be, — and that is rest,
Freedom forever from life's weary cares —
Or else a life beyond the climbing stairs
And dizzy pinnacles of thought expressed
In symbols such as in our mortal breast
Are framed by time and space; — life that upbears
The soul by a law untried amid these snares
Of sense that make it a too willing guest.
So sleep or waking were a boon divine.
Yet why this inextinguishable thirst,
This hope, this faith that to existence cling?
Nay e'en the poor dark chrysalis some fine
Ethereal creature prisons, till it burst
Into the unknown, air on golden wing.

YET in all facts of sense life stands revealed;
And from a thousand symbols hope may take
Its charter to escape the Stygian lake,
And find existence in an ampler field.
The streams by winter's icy breath congealed
Flow when the voices of the spring awake.
The electric current lives when tempests break
The wires. The chemic energies unsealed
By sudden change, in other forms survive.
The senses cheat us where the mind corrects
Their partial verdict. More than all, the heart —
The heart cold science counts not, is alive —
Of the undivided soul that vital part
Her microscopic eye in vain dissects.

IF at one door stands life to cheat our trust,
And at another, death, to mock because
We thought life's promise good; if all that was
And is and should be ends in fume and dust —
Then let us live for joy alone — the rust
Of ease encase our minds — the grader laws
Of souls be set aside. Let no man pause
To weigh between his virtue and his lust.
From first to last life baffles all our hopes
Of aught but present bliss. Death waits to mock
Our haste to indorse a visionary bond.
Let pleasure dance us down earth's sunny slopes,
And crown our heads with roses, ere the shock
Of thunder falls. There is no life beyond?

So, heralded by Reason, Faith may tread
The darkened vale, the dolorous paths of night,
In the great thought secure that life and light
Flow from the Soul of all, who, with the dead
As with the living, is the fountain-head.
And though our loved and lost are snatched from sight,
Some unseen power will guide them in their flight,
And to some unknown home their steps are led.
Yet has no seer, by sacred visions fired,
Disclosed their state to those they leave behind;
No holy prophet, saint or sage inspired —
Save in the magic lantern of the mind —
Seen in ecstatic trance those realms desired:
And all the oracles are dumb and blind.

O SOLEMN portal, veiled in mist and cloud,
Where all who have lived throng in, an endless line,
Forbid to tell by backward look or sign
What destiny awaits the advancing crowd;
Bourne crossed but once with no return allowed;
Dumb, spectral gate, terrestrial yet divine,
Beyond whose arch all powers and fates combine,
Pledged to divulge no secrets of the shroud.
Close, close behind we step, and strive to catch
Some whisper in the dark, some glimmering light;
Through circling whirls of thought intent to snatch
A drifting hope — a faith that grows to sight;
And yet assured, whatever may befall,
That must be somehow best that comes to all.

THE wish behind the thought is the soul's star
Of faith, and out of earth we build our heaven.
Life to each unschooled child of time has given
A fairy wand with which he thinks to unbar
The dark gate to a region vast and far,
Where all is gained at length for which he has striven —
All loss requited — all offences shriven —
All toil o'erpassed — effaced each battle-scar.
But ah! what heaven of rest could countervail
The ever widening thought — the endless stress
Of action whereinto the heart is born?
What sphere so blessèd it could overbless
With sweets the soul, when all such gifts must fail,
If from its chosen work that soul were torn?

To G. W. C.
LONG, long ago, in the sweet Roman spring
Through the bright morning air we slowly strolled,
And in the blue heaven heard the skylarks sing
Above the ruins old —
Beyond the Forum's crumbling grass-grown piles,
Through high-walled lanes o'erhung with blossoms white
That opened on the far Campagna's miles
Of verdure and of light;
Till by the grave of Keats we stood, and found
A rose some loyal hand had planted there.
Making more sacred still that hallowed ground,
And that enchanted air.
A single rose, whose fading petals drooped,
And seemed to wait for us to gather them.
So, kneeling on the humble mound, we stooped
And plucked it from its stem.
One rose, and nothing more. We shared its leaves
Between us, as we shared the thoughts of one
Called from the fields before his unripe sheaves
Could feel the harvest sun.
That rose's fragrance is forever fled
For us, dear friend — but not the poet's lay.
He is the rose — deathless among the dead —
Whose perfume lives to-day.

I.
ON the high road travelling steady,
Sure, alert, and ever ready,
Prompt to seize all fit occasion,
Courting power and wealth and station;
One clear aim before him keeping
With a vigilance unsleeping;
Prizing most the ephemeral flower
Blooming for a brilliant hour;
With self-conscious action moving;
Well known truths intent on proving;
Radiant in his day and season
With the world's reflected reason;
Noting times, effects, and causes,
Phaon wins the crowd's applauses.
II.
Wing'd like an eagle o'er mountains and meadows,
Lit by their splendors or hid by their shadows;
Borne by a power supernal, resistless;
Dreaming through trances abstracted and listless;
Swooping capricious to faults and to errors,
Redeemed by a virtue unconscious of terrors;
Linking with ease his result and endeavor;
Opening through chaos fresh pathways forever;
Gilding the world with his thoughts and his fancies;
Scornful of fashions and heedless of chances;
Yet in obscurity living and dying —
Hylas, a voice in the wilderness crying,
Only is heard when no hand can restore him,
Only is known when the grave closes o'er him.

GRAY-HEADED POETS, whom the full years bless
With life and health and chance still multiplied
To hold your forward course — fame and success
Close at your side;
Who easier won your bays because the fields
Lacked reapers; — time has been your helper long.
Rich are the crops your busy tillage yields —
Your arms still strong.
Honor to you, your talent and your truth.
As ye have soared and sung, still may ye sing!
Yet we remember some who fell in youth
With broken wing.
Names nigh forgotten now, by time erased,
Or else placarded o'er by those long known,
Had fate permitted, might they not have blazed
Beside your own?
Ah yes, due fame for all who have achieved;
And yet a thought for those who died too young —
Their green fruit dropped — their visions half conceived —
Their lays unsung!
A tribute song for them! Reach forth, renowned
And honored ones, from your green sunny glades,
And grasp their spirit-hands — the bards uncrowned
Amid the shades.
Not those whom glory follows to a bier
Enshrined in marble, decked with costly flowers.
The loud world speaks their praise from year to year.
They need not ours.
But for the dead whose promise failed through death,
The great who might have been — whose early bloom
Dropping like roses in the north-wind's breath,
Found but a tomb.
Yet it may be, in some bright land, unchecked
By fate — some fair Elysian field unknown,
Their brows by brighter laurel wreaths are decked —
Their seat a throne;
While spirits of the illustrious dead, the seers,
Prophets and poets of the olden days
Mingle, perchance, with theirs, as with their peers,
Immortal lays.

O BOON and curse in one — this ceaseless need
Of looking still behind us and before!
Gift to the soul of eyes that cannot read
Life's open book of cabalistic lore; —
Eyes that discern a light and joy divine
Twinkling beyond the twilight clouds afar,
Yet know not if it be the countersign
Of moods and thoughts, or some eternal star.
What taunt of destiny still stimulates
Yet baffles all desire, or wise or fond,
To pierce the veil ne'er lifted by the fates
Between the life that ends and life beyond?
We sit before the doors of death, and dream
That when they ope to let our brothers in,
We catch, before they close, some flitting gleam
Of glory where their after-lives begin.
And with the light a transient burst of song
Comes from within the gates that shut again
Upon our dead. Then we, the proud, the strong,
Sit crushed and lonely in our wordless pain.
Weeping, we knock against the bars, and call,
'Speak — speak, O love, for we are left alone!'
We hear our voices echo against the wall,
And dream it is a spirit's answering tone.
'Come back, or answer us!'
In vain we cry.
Naught is so near as death, so far away
As life beyond. They only know who die:
And we who live can only guess and pray.
If 't were indeed a voice not born within —
Some sure authentic sign from unknown realms —
Some note that heart and reason both could win —
Some carol like yon oriole in the elms;
Though but a vague and broken music caught,
Heard in the darkness, and then heard no more —
Sinking in sudden silence — while in thought
We piece the strains outside the muffled door
That leads into the light and perfect joy
Of the full concert — then 't were bliss indeed
No present griefs could darken or destroy;
Somewhere life's mystery we should learn to read.
Somewhere we then might drop the ripened seed
Of life, to grow again beyond the sky —
Nor deem the human soul a withering weed
Born but to bloom a summer time and die.

1.
COME, we 'll light the parlor fire;
Winter sets in sharp and rough.
Wood is dear, but coal's provided,
For three months, I think, enough.
Bring one hod of Lackawanna,
One of Sidney's softer kind,
Mix them well — clap on the blower,
Let the grate outroar the wind.
2.
See — they are coming — the guests I expected,
Not a man's party, o'er punch and cigars;
Sexes must blend in the friends I've selected,
Moonlight must mellow the glittering stars.
Soon will it kindle, the blithe conversation,
Spirits to spirits responsively fit;
Men with their logic and grave moderation,
Women with sentiment, gossip and wit.
3.
Now the softly flaming Sidney
Mixes with the anthracite;
Quickens all its slow-paced ardor
With a fluttering glow and light;
While their heat and radiance blended
Flash in gleams of red and blue,
Filling all the room with sunshine,
Gaily sparkling up the flue.
4.
Lonely was Adam till Eve came to cheer him —
Came to commingle her warmth with his light.
Man is a fossil till woman comes near him,
A rose on his brier — a moon to his night.
Then when the tenderer feminine color
Rims the hard stalk with its delicate gleams,
All his best life growing sweeter and fuller
Wakes in the glow of those holier beams.
5.
Hard and soft in cordial union
Now have fused, like molten wax.
Each a temper gives and borrows —
Each the half the other lacks.
Should they lose their flames and smoulder
With a dull and sullen light,
Stir them up — the sparking Sidney
Soon will start the anthracite.
6.
What — have my guests then exhausted their topics?
Why is this lull in the murmur of tongues?
Where is that breath from the flowery tropics?
Lead to the piano our empress of songs!
Music shall stir us to harmonies hidden,
Flooding to rapture like beakers of wine.
Stories shall move us to laughter unbidden;
Laughter like music is something divine.
7.
Ah, 't is midnight! Are you going?
Parties will break up so soon.
Count not hours so swiftly flowing,
Heed not the high wintry moon.
One more song before we sever,
And the cinders turn to white;
One old story, good as ever!
No? Too late? Ah, well — good night!
8.
Now they have gone with the pale dying embers.
Here in my parlor, still cosy and warm
With the glow of the hearth, how my fancy remembers
Each guest of the evening — each talent and charm; —
The slow-burning fervors of masculine reason,
The swift-glancing flame of the feminine heart; —
And I vow that no fire shall be lit at this season,
But coal of each sex shall contribute its part.

A Moorish Ballad
IN Grenada reigned Mohammed,
Sixth who bore the name was he;
But the rightful king, Prince Yousuf,
Pined in long captivity:
Yousuf, brother to Mohammed.
Him the king had seized and sent
Prisoner to a Moorish castle,
Where ten years his life was spent.
Ill and feeble, now the usurper
Felt his death was hastening on,
And would fain bequeath his kingdom
And his title to his son.
Calling then a trusty servant,
He to him a letter gave —
'Take my fleetest horse, and hasten,
If my life you wish to save.
'Hie thee to the brave Alcayde
Of my castle by the sea;
To his hands give thou this letter,
And his physician bring to me.'
Then in haste his servant mounted,
And for many a league he rode,
Till he reached the court and castle
Where the captive prince abode.
There sat Yousuf and the Alcayde
In the castle, playing chess.
'What is this?'
the keeper muttered.
'Some bad tidings, as I guess.'
Pale he grew, and sat and trembled,
While his eye the letter scanned;
And his voice was choked and speechless,
As he dropped it from his hand.
'Now what ails thee?'
cried Prince Yousuf.
'Doth the king demand my head?'
'Read it!'
gasps the good Alcayde.
'Ah, my lord — would I were dead!'
Yousuf read: 'When this shall reach you,
Slay my brother, and his head
Straightway by the bearer send me;,,
So I may be sure he's dead.'
'So' — cried Yousuf. 'This I looked for.
Now let us play out our game.
I was losing — you were winning
When this ugly message came.'
All confused, the poor Alcayde
Played his knights and bishops wrong;
And the prince his moves corrected.
So in silence sat they long.
In his mind Prince Yousuf pondered,
'Why this hasty message send,
If my kind and thoughtful brother
Were not hastening to his end?
'Surely he is ill or dying.
And if I must lose my head,
My young nephew will succeed him
O'er Grenada in my stead.
'Though my keeper still is friendly,
I must gain some hours' delay.
He is poor: the king may bribe him.
He may change ere close of day.'
Then aloud — 'Come, good Alcayde —
One more game before I die.
And be sure you make no blunders —
I may beat you yet. I'll try.'
In his lonely life the keeper
Dearly loved his game of chess;
Therefore needs he little urging,
Though sad thoughts his soul oppress.
For an hour or two they battled,
And the Alcayde gained amain;
For the prince with restless glances
Gazed beyond the window-pane.
Still the chess-board lay between them;
And the Alcayde played his best;
Took no note of gliding hours,
Till the sunset fired the west.
Yet he gained not, for Prince Yousuf
With a sudden checkmate sprang
Unforeseen — and that same moment —
Hark — was that a bugle rang?
Through the western windows gazing
Far across the dusty plain,
Yousuf saw the flash of lances —
And the bugle rang again.
And two knights appeared advancing
Like two eagles on the wing.
Allah Akbar! From Grenada
Faces flushed with joy they bring.
The king is dead! Long live King Yousuf!
Long lost lord — our rightful king!

O good old Year! this night's your last.
And must you go? With you I've passed
Some days that bear revision.
For these I'd thank you, ere you make
Your journey to the Stygian lake,
Or to the fields Elysian.
Long have you been our household guest;
To keep you we have tried our best.
You must not stay, you tell us,
Not even to introduce your heir,
Who comes so fresh and debonnair
He needs must make you jealous.
I heard your footsteps overhead
To-night — and to myself I said
He's packing his portmanteau.
His book and staff like Prospero's
He has buried, where nobody knows,
And finished his last canto.
Your well-known hat and cloak still look
The same upon their entry hook,
And seem as if they grew here.
But they, ah me! will soon be gone,
And we be sitting here alone
To welcome in the New Year.
The boots so oft put out at night
Will vanish ere to-morrow's light
Across the east is burning.
When morning comes, full well I know
They'll leave no footprints in the snow
Of going or returning.
At twelve o'clock to-night Queen Mab
Will take you in her spectral cab
To catch the downward fast train.
Some of us will sit up with you,
And drink a parting cup with you,
While I indite this last strain.
O good old wise frost-headed Year,
You're brought us health and strength and cheer,
Though sometimes care and sorrow.
Each morn you gave us newer hope
That reached beyond the cloudy scope
Of our unseen to-morrow.
We knew you when you were, forsooth,
No better than a stranger youth —
A fast youth, some one muttered,
When thinking how the days you gave
On ghostly horses to their grave
Have galloped, flown and fluttered.
But what is time, by moon and stars
Checked off in monthly calendars,
To fairy kings like you here?
What are the centuries that span
The inch-wide spaces ruled by man?
Or what are Old and New Year?
You go to join the million years,
The great veiled deep that never clears
Before our mortal seeing:
The shrouded death, the evolving life,
The growth, the mystery, the strife
Of elemental being.
We see in your abstracted eye
The clouded flame of prophecy,
Of time the immortal scorning —
And yet the sympathetic smile
That says, 'I fain would stay awhile
To bid your rhymes good-morning.'
Ah! no more rhymes for you and me,
Old Year, shall we together see, —
Yes, we to-night must sever.
Good-bye, old Number Seventy-five!
It 's nearly time you took your drive
Into the dark forever.
The train that stops for you will let
A stranger out we never met,
To take your place and station.
With greetings glad and shouts of joy
They'll welcome him — while you, old boy,
Depart with no ovation.
Besides, he has a higher claim
Than you — a grand ancestral name
That sets the bells a-ringing.
The great Centennial Year is he.
The nation's noisy jubilee
Young Seventy-six is bringing.
I hear the puffing of his steam.
I hear his locomotive scream
Across the hills and meadows.
One parting glass — the last — the last!
Ten minutes more, and you'll have passed
Into the realm of shadows.
Five minutes yet? But talk must end.
On with your cloak and cap, old friend!
Too long we have been prating.
Your blessing now! We'll think of you.
Ah, there's the clock! Adieu — adieu!
I see your cab is waiting.

Saint Brandan, a Scotch abbot, long ago
Sailed southward with a swarm of monks, to sow
The seeds of true religion — nothing else —
Among the tribes of naked infidels.
And venturing far in unknown seas, he found
An island, which became monastic ground.
So runs the legend. Little else was known
Of him we Spaniards call San Borondon.
Some said he was a sorcerer, some a priest;
None truly knew. But this is clear at least,
That there was seen to appear and disappear
An island in the west, for many a year,
That bore his name: but no discoverer yet
His feet upon that shore had ever set.
At Teneriffe and Palma I was one
Who saw that island of San Borondon.
A hundred of us stood upon the shore,
And saw it as it oft was seen before.
The morn was clear; and westward from the bay
It glimmered on the horizon far away.
We watched the fog at sunrise upward curl
And float above that land of rose and pearl;
And sometimes saw behind a purple peak
The sun go down. And some said, 'We will seek
Westward, until we touch the fairy coast,
Or prove it only some drowned island's ghost' —
But after many days returned to swear
The vision vanished in the pale blue air.
Yet still from off the fair Canary beach
Lay the strange land that none could ever reach.
Then others sailed and searched: and some of these
Returned no more across the treacherous seas;
And no one knew their fate. Until at last
We hailed a caravel with shattered mast
Toiling to harbor. Half her sails were gone.
'Ho, mariners, what news of Borondon?'
We shouted — but no answering voice replied;
No sailors on her gangway we descried;
Her shrouds looked ghostly thin, her ropes were dim
As spiders' webs athwart a tree's dead limb;
And still as death she drifted up the bay,
A battered hulk grown dumb and old and gray.
At length she touched the strand, and out there crept
A haggard man, who feebly toward us stepped,
And answered slowly, while we brought him food
And wine. He sitting on a stone, we stood
An eager crowd around him, while we sought
What news he from San Borondon had brought.
With eyes that seemed to gaze beyond the space
Of sea and sky — with strange averted face,
And voice as when some muttering undertone
Of wind is heard, when sitting all alone
On wintry nights, we see the moon grow pale
With hurrying mists — he thus began his tale.
'We saw the island as we sailed away.
It glimmered on the horizon half that day.
But while our caravel still westward steered,
Amazed we stood — the isle had disappeared.
At night there came a storm. The lightning flashed
From north to south. The frightful thunder crashed.
Under bare poles we scudded through the dark,
Till morning gleamed upon our drifting bark —
The red-eyed morn 'neath beetling brows of cloud, —
And the wind changed. Then some one cried aloud,
'Land — at the westward!' And with one accord
All took contagion of that haunting word
'San Borondon.' The island seemed to lie
Three leagues away against a strip of sky
That on the horizon opened like a crack
Of yellow light beneath the vault of black;
Then, as with hearts elate, we nearer sailed,
The clouds dispersed, the sun arose unveiled.
The wind had almost lulled; the waves grew calm.
We neared the isle, we saw the groves of palm,
The rugged cliffs, the streamlet's silver thread
Dropped from the misty mountains overhead;
The shadow-haunted gorges damp and deep;
The flowery meadows in their dewy sleep;
The waving grass along the winding rills;
And, inland far, long slopes of wooded hills.
And all the sea was calm for many a mile
About the shores of that enchanted isle.
Our sails half-filled flapped idly on the mast;
And all the morning and the noon had passed
Before we touched the shore. Then on the sand
We stepped and took possession of the land
For Spain. No signs of life we heard or saw.
But suddenly we stopped with fear and awe;
For on the beach were giant footsteps seen,
And upward tracked into the forests green,
Then lost. But there, with wondering eyes we found
A cross nailed to a tree — and on the ground
Stones ranged in mystic order — and the trace
Of fire once kindled in that lonely place.
As though some sorcerer's sabbath on this ground
A place for its unholy rites had found.
And so, in vague perplexity and doubt,
Until the sun had set, we roamed about.
And some into the forest far had strayed,
While others watched the ship at anchor laid.
When through the woods there rang a distant bell.
We crossed our breasts, and on our knees we fell.
Ave Maria — 't was the hour of prayer.
A consecrated stillness filled the air.
No heathen land was this; no wizard's spell
The clear sweet ringing of that holy bell.
Scarce had we spoken, when we heard a blast
Come rushing from the mountains, fierce and fast
Down a ravine with hoarse and hollow roar;
And sudden darkness fell upon the shore.
The ship — the ship! See how she strains her rope —
All, all aboard — cast off! we may not hope
To save her on these rocks. Away, away!'
Then as we leapt aboard in tossing spray,
Still fiercer blew the wind, and hurled us far
Into the night without a moon or star.
And from the deck the sea swept all the crew.
And I alone was left, to bring to you
This tale. When morning came, the isle was gone —
The unhallowed land you call San Borondon;
A land of sorcery and of wicked spells,
Of hills and groves profane and demon dells.
Good friends, beware! Seek not the accursed shore,
For they who touch its sands return no more,
Save by a miracle, as I have done —
Praised be Madonna and her blessed Son!'
Such was his story. But when morning came,
There lay that smiling island, just the same.
And still they sail to find the enchanted shore
That guards a fearful mystery evermore.
A thousand years may pass away — but none
Shall know the secret of San Borondon.
And so perchance, a thousand years may roll,
And none shall solve the enigma of the soul —
That baffling island in the unknown sea
Whose boundless deep we name Eternity.

I.
IN the beautiful Castleton Island a mansion of lordly style,
Embowered in gardens and lawns, looks over the glimmering bay.
In the light of a morning in summer, with stately beauty and pride,
Its turrets and glittering roof flash down from the hills like a star.
There, pillowed in woods, it blinks on the dusty village below;
And ere it settles itself to its rest in the ambered dusk,
Its windows blaze from afar in the gold of the setting sun.
There in a curtained alcove facing a lawn to the south,
Lucille one morning in early spring was sitting alone.
Now in a novel she read, and now at her broidery stitched;
And now, throwing both aside, at her piano warbled and trilled.
Then on a balcony leaning, she wished that the weeks would pass,
For she with her mother to Europe was going. Her father had died
And left her an heiress; and lovers like moths came fluttering round,
Dazzled with visions of gold, and half believing them love, —
All but one, who was poor, and loved her, but not for her wealth.
Three months had Lionel known her — but never had told her his love.
How could he ask her to wed him, the scholar who drudged for his bread?
Even were his offers accepted, (and little his chances, he thought,)
What would they say in the city? 'He has picked up a fortune, it seems:
A shrewd lucky fellow!' So proudly he kept his fond thoughts to himself.
Seldom he saw her alone. In a circle of fashion she moved.
Whenever he called, there were carriages waiting, with liveries fine —
Visitors going and coming, with shallow and gossiping talk.
Those who knew him would surely have said, ''T is strange he should love
A girl of such frivolous tastes.' But such are the ways of the heart —
Ever a riddle too deep for the crude common-sense of the world.
To-day no visitors came, and Lucille was deep in her book —
(A tale of romantic affection far back in the Orient days) —
When a ring at the door was heard, and — Lionel stood in the hall.
He had heard she was going to Europe. He would n't yet bid her good-bye,
For he hoped he might see her again ere fate put an ocean between.
Something more earnest than usual she felt was in Lionel's face;
Something more tender and deep in the tones of his tremulous voice,
Though half hidden in jest too grave and intense for a smile.
She, brimming o'er with her poets, and fresh from her bath of romance,
Clothed the season, and him, and herself, in an opaline light.
Softer her tones, and her words less tinged with fashion and form,
Cordially lighted like birds on the ground of his intimate thoughts.
And as he left her, to stroll on the hills of the beautiful island,
Hope with her roseate colors enveloped the earth and the sky.
'T was one of those April days when the lingering Winter stands
Waving his breezy scarfs from the north for a last good-bye;
When the delicate wind-flowers peep from the matting and moss of the woods,
And the blue Hepatica lurks in the shadowy dells of the fern;
When the beautiful nun, the Arbutus, down in her cloisters brown,
Creeps through her corridors damp in the dead old leaves of the past,
Whispering with fragrant breath to the bold things dancing above:
'Tell me, has Winter gone? May I peep — just peep, at the world?'
—
When the spaces of sky are bluer, with white clouds hurrying fast,
Blurring the sun for a moment, then letting him flash on the fields,
While the shadows are miles in breadth, and travel as swift as the wind
Over the sparkling cities afar and the roughening bay; —
When the pine-groves sigh and sing as the wind sweeps under and through
The cheerful gloom of their spicy shade; and the willows lithe
Bend and wave with the tender green of their trailing boughs; —
When the furry catkins drop from the silvery poplar tree;
When the bare, gray bushes are tipped with the light of their new-born leaves,
And the petted hyacinths sprout and curl their parasite lips
Under the sunlit, sheltering sides of the palace walls,
And seem to scoff at the violets hidden deep in the grass,
And the common, yellow face of the dandelion's star,
As it peeps like a poor man's child through the rails of the garden fence.
Then, as Lionel entered the crowd and the city again,
Lighter his labors appeared in his office, wall-shadowed and dusk.
Dreams of the island and woods swept over his figures and books:
Visions of love in a cottage, with fashion and splendor forgotten.
Changeable April had shown but its sunniest side to his heart.
Once more, — twice, to the island he went: and Lionel hoped
A tenderer feeling for him had dawned in the heart of Lucille.
Ever with friendlier greeting she met him: for she in her mind
Had dressed up a hero of fiction; and Lionel — could it be he?
Was not his name of itself a romance? Then his face and his form,
Voice and manners and culture, were just what her hero's should be.
So with the glamour of life unreal she saw him; and yet —
Was it love? She thought so, perhaps. At least she would dream out her dream:
This was a real live novel — and worth reading through, was it not?
II.
One day, when the bushes were white in the lanes, and the bees were astir
In the blooms of the apple-trees, and the green woods ringing with birds,
Lionel asked Lucille to walk with him over the heights
Looking far down on the Narrows and out on the dim blue sea.
So through the forest they strolled. They stopped here and there for a flower,
Then sat to rest on a rock. An oak-tree over their heads
Stretched abroad its flickering lights and shadows. The birds
Sang in the woodlands around them. The spot seemed made for romance.
And Lionel drew from his pocket a book that had lately appeared,
A volume of lovers' verse by a poet over the seas,
And read aloud from its pages. Lucille sat twisting a wreath,
Laurel and white-thorn blossoms that half dropped away as she twined them; —
Paused now and then to listen; and as he was closing the book,
Laid a wild flower between the leaves to remember the place —
And playfully placed her wreath on his head, as if he were the poet.
Silent and musing they sat, as they turned to look at the sea,
Watching the smoke of the steamers and white sails skimming afar.
And Lionel said, 'Ah, soon you too will be steaming away
Down the blue Narrows; and I — shall miss you — more than you know.'
'Why should you miss me?'
she said.
'So seldom you visit our house.'
'Had I but followed my wishes; — but you like the lady appeared,
Shut in the circle of Comus. How hard to enter your ring!'
'What should prevent you from coming? How often I wished you would come!
Nobody calls that I care for: our island is growing so dull.'
'Yes — and you long for a change — and so you are going to Europe.
There in a whirl of delights, with fashion and wealth at command,
Soon you'll forget your poor island, and all the admirers you knew.'
'No'
— she whispered —
'not all'
— and blushed, with her head turned away,
Looked down and murmured: 'You think I am wedded to fashion and wealth:
Yet often I long for the simpler manners the poets have sung,
The grand old days when souls were prized for their natural worth.
You think I can rise to no feelings and thoughts of a serious life —
Can value no mind and no heart but — such as you meet at our house.
I care not for such — I fancied you knew me far better than that.'
'Lucille'
— he never had called her Lucille, but the name came unbidden;
'Lucille, could you love a poor toiler who dared not to offer his heart
And his hand — and in silence had loved you, and wished you were poor for his sake,
So fortunes were equal?' And she, still floating in rosy romance,
Murmured,
'I could,'
with a look that melted the walls of reserve
And mingled two souls into one. Then, turning away from the sea,
The sea that so soon must divide them, they pledged to each other their troth.
And Lionel saw not the fates that were frowning afar o'er the waves;
For the world wore the color of dreams, as homeward they wended their way.
Bright were the meetings that followed — and yet with a shadowy touch
On Lionel's hopes, as if in the changeable April days
He still were roaming the hills, and still looked over the bay
Where cloud and sunshine were flying, with doubtful promise of spring.
Lucille had a reason, it seemed, to keep their betrothal untold.
The day was so near of their parting. She feared what her mother might say.
'T were best they should part but as friends. They would write to each other the same —
And they would be true to each other — and all would be clear before long.
And Lionel yielded, and pondered. And so they parted at last.
III.
The summer had hardly begun when a letter from England came,
Full of the voyage and landing — but little of what he had hoped.
Too light, too glancing it seemed for a first love-letter from one
Far over the sea, who had said he should ever be first in her thoughts.
Bright and witty it fluttered from topic to topic — but never
Paused with a tremulous wing to dwell on the love she had left.
Something there was in its tone that said
'I am happy without you:'
Something too little regretful — too full of her glittering life.
And as one gathers a beautiful flower ne'er gathered before,
Hoping a fragrance he misses, and yet half imagines he finds —
Wooing the depths of its color too rich for no perfume to match —
So seemed her letter to him, as he read the lines over and over.
Yet when Lionel answered, he breathed not a word of the thought,
Shading the glowing disc of his love with distant surmise.
'Soon,' he said, 'will the novelty cease of this foreign excitement.
Then she will think sometimes of me as the sun goes down
Over the western waves — and tenderer tones will flow,
And mingle with warmer words in her letters from over the sea.'
Yet when another letter came, it brought her no nearer,
Less of herself, and more of the colors that tinted her life.
And Lionel wrote with passionate words: 'Only tell me, Lucille,
Tell me you love me — but one brief line — and I will not complain.'
Restless, troubled, one day he passed her house on the island;
Shut to the sun and the breeze, it blinked on the village below.
Over the balcony leaned a purple Wisteria vine,
(Blooming, but not in its season, as oft 't is their habit to do,)
Trailing its ladylike flounces from window and carved balustrade,
And dropping its blossoms as brief as love. And Lionel muttered:
'She too over that balcony leaned one day as I passed —
Leaned like a flowery vine; and smiled as I passed below,
And waved me an airy kiss, with a pose of her beautiful form.
Can love that promised so truly be frail as these clusters of June?'
Month after month now passed. Though he wrote as fondly as ever,
Brief were her answers, and longer between — till they finally ceased.
A year from the day when they parted, a letter from Paris arrived,
Short and constrained. It said: 'I fear I have made you unhappy.
We have read too much of the poets. Our troth was a thing of romance.
My mother forbids it, it seems. There are reasons 't were painful to tell.
I'm sure you would find me unfitted — and I am not worth your regretting.
Adieu — and be happy. Lucille.'
Next month in the papers he saw
She had married a Count — some Pole with an unpronounceable name.

Daybreak.

CHORUS OF PLANETARY SPIRITS.

YE interstellar spaces, serene and still and clear.
Above, below, around!
Ye gray unmeasured breadths of ether, — sphere on sphere!
We listen, but no sound
Rings from your depths profound.

But ever along and all across the morning bars
Fast-flashing meteors run —
The trailing wrecks of fierce and fiery-bearded stars,
Scattered and lost and won
Back to their parent sun.

Through rifts of bronzing clouds the tides of morning glow
And swell and mount apace.
We watch and wait if haply we at last may know
Some record we may trace
Upon the orbs of space.

Above, below, around we track our planets' flight;
Their paths and destinies
Are intertwined with ours. Remote or near, their light
Or darkness to our eyes
A mystic picture lies.

FIRST SPIRIT.

Close to the morn a small and sparkling star-world dances,
Bathed in the flaming mist;
Flashing and quivering like a million moving lances
Of gold and amethyst
By slanting sunrise kissed.

A fairy realm of rapid and unimpeded sprites,
That fly and leap and dart;
All fierce and tropic fervors, all swift and warm delights
Bound and flash and start
In every fiery heart.

SECOND SPIRIT.

Deep in the dawn floats up a star of dewy fire —
So pure it seems new-born;
As though the soul of morn
Were pulsing through its heart in dim, divine desire
Of poesy and love; — the star of morn and eve —
Whose crystal sphere is shining
With joys beyond divining —
Passion that never tortures, and hopes that ne'er deceive.

THIRD SPIRIT.

There swims the pale, green Earth, half drowned and thunder-rifted,
Steeped in a sea of rain. Above the watery waste
Of God's primeval flood, all other land effaced —
One peak alone uplifted.
The baffled lightnings play around its crags and chasms;
So far away they flash, I hear no thunder-spasms.
But now the scowling clouds are drifting from its spaces,
And leave it to the wind and coming day's embraces.

FOURTH SPIRIT.

Beyond, a planet rolls with darkly lurid sides,
Flooded and seamed and stained by drenching Stygian tides;
Deep gorges, up whose black and slimy slopes there peep
All monstrous Saurian growths that run or fly or creep;
And, in and out the holes and caverns clogged with mud,
Crawl through their giant ferns to suck each other's blood.
I see them battling there in fog and oozy water,
Symbols of savage lust, deformity, and slaughter.

FIFTH SPIRIT.

I see an orb above that spins with rapid motion,
Vaster and raster growing —
Belted with sulphurous clouds; and through the rents an ocean
Boiling and plunging up on a crust of fiery shore.
And now I hear far off the elemental roar,
And the red fire-winds blowing:
A low, dull, steady moan a million miles away,
Of whirling hurricanes that rage all night, all day.
No life of man or beast, were life engendered there,
Could bide those flaming winds, that white metallic glare.

SIXTH SPIRIT.

But yonder, studded round with lamps of moonlight tender,
And arched from pole to pole with rings of rainbow splendor,
A world rolls far apart; as though in haughty scorning
Of all the alien light of his diminished morning.

SEVENTH AND EIGHTH SPIRITS.

Cold, cold and dark — and farther still
We dimly see the icy spheres
Like spectre worlds, who yet fulfil,
Through slow dull centuries of years,
Their circuit round the distant sun who winds them at his will.

CHORUS.

Round and round one central orb
The wheeling planets move,
And some reflect and some absorb
The floods of light and love.

The rolling globe of molten stones,
The spinning watery waste,
The forests whirled through tropic zones
By circling moons embraced —

We watch their element strife;
We wait, that we may see
Some record of their inner life,
Where all is mystery.

A pause. The Spirits approach the Earth. The Sun rises over the Continent of Asia.

SECOND SPIRIT.

Look, brothers, look! The quivering sunrise tinges
Our nearest orb of Earth. The forest fringes
Redden with joy; and all about the sun,
That gilds the boundless east, the cloud-banks dun
Flame into gold; and with a crimson kiss
Wake the green world to beauty and to bliss.
See how she glows with sweet responsive smile!
Hark, how the waves of air lap round her!
As though she were some green, embowered isle,
And the fond ocean had just found her,
In Time's primeval morn of unrecorded calms
Hidden away with all her lilies and her palms;
And flattering at her feet, had smoothed his angry mane,
And moving round her kissed her o'er and o'er again.

THIRD SPIRIT.

And now, behold, our wings are rapid as our thought;
And nearer yet have brought
Our feet, until we hover above the Asian lands
Beyond the desert sands.
There, girt about by mountain peaks that cleave the skies,
A blooming valley lies:
A pathway, sloping down from visionary heights
Through shades and dappled lights,
Lost in a garden widerness of tropic trees
And flowers and birds and bees.
Far off I smell the rose, the amaranth, the spice,
The breath of Paradise.
Far off I hear the singing through hidden groves and vales
Of Eden's nightingales;
And, sliding down through pines and moss and rocky walls,
The murmuring waterfalls.
And lo, two radiant forms that seem akin to us,
Walk, calm and beauteous,
Crowed with the light of thought and mutual love, whose blisses
Are sealed with rapturous kisses.
Ah, beautiful green Earth! ah, happy, happy pair!
Can there be aught so fair,
O brothers, in yon vast unpeopled worlds afar,
As these bright beings are!

CHORUS OF SPIRITS.

The stars in the heavens are singing
Response to the wonderful story;
Joy, joy to the race that is springing
To cover the earth with its glory!

The race that enfolds in its bosom
A birthright divine and immortal;
As the fruit is enwrapped in the blossom,
As the garden is hid by the portal!

DISTAINT VOICES.

(A change to a minor key.)

Sin and weakness, misery and pain,
Cloud their sunlit birth;
And the sons of Heaven alone remain
Gods unmixed with earth.

Light and darkness are the twins of fate;
Undivided they,
Through all realms that bear a mortal date,
Hold alternate sway.

Through the universe the lords of life
Never at peace can be.
Good and evil in a ceaseless strife
Fight for victory.

THIRD SPIRIT.

I hear in the spaces below
A discord of voices that flow
In muttering tones through the air.
But where are they hidden — where?
There are trailings of gloom through the spaces,
And far-darting cones that eclipse
The splendor of planets whose faces
Are dimmed by their darkening traces,
And frozen by alien lips;
And the dream of a swift-coming change
Foretokens a destiny strange.

And what is yon Shadow that creeps
On the marge of her crystalline deeps?
On the field and the river and grove,
On the borders of hope and of rest;
On the Eden of wedlock and love;
On the labor contentment hath blessed?
That crawls like a serpent of mist
Through the vales and the gardens of peace,
With a blight upon all it hath kissed,
And a shade that shall never decrease?
That maddens the wings of desire,
And saddens the ardors of joy —
Winged like a phantom of fire —
Armed like a fiend to destroy!

SECOND SPIRIT.

Before me there flitted a vision —
A vision of dawn and Creation,
Of faith and of doubt and division,
Of mystical fruit and temptation:
A garden of lilies and roses,
Ah, sweeter than dreams ever fashioned;
Hopes in whose splendor reposes
A love that was pure and impassioned.
But alas for the sons and the daughters
Of man, in the morning of nations!
Alas for their rivers of waters!
Alas for their fruitless oblations!
The curse and the blight and the sentence
Have fallen too swift for repentance.
I see it, I feel it — O brother!
It shadows one half of their garden.
O Earth! O improvident Mother!
Where left'st thou thy angel, thy warden?
Is it theirs, or the guilt of another?
Must they die without hope of a pardon?
What is it they suffer, O brother,
In the red, rosy light of their garden?

THE SPIRITS.

Ye Angels — ye heavenly Powers
Whose wisdom is higher than ours —
From the blight, from the terror defend them —
Help, help! In their Eden befriend them.

THE ANGEL RAPHAEL.
Beyond the imagined limits of such space
As ye can guess, I passed, yet heard your cry.
For ye are brother spirits. And I come,
Swifter than light, to shield you from the dread
Of earth-born shadows, and the ghostly folds
Of seeming evil curtaining round your worlds.
Yet can I bring no amulet to guard
One peaceful breast from sorrow; for yourselves
Are girt about, as I, by that divine,
Exhaustless Love, whose pledge your souls contain.

THE SPIRITS.

Ah, not for ourselves — but our brothers
We plead, in their dawn overglooming,
For the death is not theirs, but anothers.
Help, help! from the doom that is coming;

For they stand all alone and unguided;
No Past with its lesson upholds them;
Their life from their race is divided;
A childhood unconscious enfolds them.

Is it sin — is it death that has shrouded
Their souls, or a taint in their nature?
Is there hope for a future unclouded?
Tell — tell us — angelical teacher!

RAPHAEL.

Yon earth, which claimed your closer vigilance,
And seems so near to you in time and space,
Is far away. Your present is its past.
To spirits, worlds and æons are condensed
Into a moment's feeling or a thought.
While ye were singing as ye watched those orbs,
They grew and grew from incandescent globes
Girdled with thunder, wreathed with sulphurous steam —
Or from the slime where rude gigantic forms
Of crocodile or bat plunged through the dense
And flowerless wilds of cane, or flapped like dreams
Of darkness through the foul mephitic air.
These shapes gave way to forests, rocks, and seas,
And shapely forms of beast and bird and man —
The last result of wonder-working Time —
Man — the tall crowning flower and fruit of all —
And the vast complex tissues he hath wrought
Of life and laws and government and arts.
All this ye knew not; tranced in choral song,
Your music was the oblivion of all time.

THE SPIRITS.

Have we not seen the approaching doom of Earth?

RAPHAEL.

The vision ye have had of joy and doom
Flashing and glooming o'er two little lives,
Is truth half-typed in legend, such as fed
The people of the ancient days, distilled
From crude primordial growths of time, when sin
Saw the fierce flaming sword of conscience shake
Its terror through the groves of Paradise,
Grasped by Jehovah's red right hand in wrath.

THE SPIRITS.

Was it a dream? We saw that red right hand.

RAPHAEL.

The events and thoughts that passed in olden time
Dawn on your senses with the beams of light
That left long, long ago those distant worlds,
And flash from out the past like present truths.
It was a poet's dream ye saw. It held
A truth. 'Tis yours to unfold the mythic form,
And guess the meaning of the ancient tale.

THE SPIRITS.

We mark thy words; we know that thou art wise
And good; and yet we hover in a mist
Of doubt. Help us! Our sight is weak and dim.

RAPHAEL.

Know then that men and Angels can conceive
Through symbols only, the eternal truths.
Through all creation streams this dual ray —
The marriage of the spirit with the form —
The correspondence of the universe
With souls through sense; and that the deepest thought
And firmest faith are nurtured and sustained
By the great visible universe of time
And space — the alphabet whose mystic forms
Present all inner lessons to the soul —
And thus the unseen by the seen is known.
Yea, even the blank and sterile voids that span
The dead unpalpitating space 'twixt star
And star, shall speak, as light hath spoken once.

And hark! Even now the unfathomable deeps
Begin to stir. I hear a far off sound
Of shuddering wings, beyond the hurrying clouds,
Beyond the stars — now nearer, nearer still!

DISTANT VOICES.

(Confusedly, in a minor key.)

Behind us shines the Light of lights.
We are the Shadows, we the nights,
That blot the pure expanse of time.
And yet we weave the destined rhyme
Of creatures with the Increate —
Of God and man, free will and fate;
The warp and woof of heavens and hells;
The noiseless round of death and birth;
The eternal protoplasmic spells
Binding the sons of God to earth; —
The ceaseless web of mystery
That has been, and shall ever be.

THE SPIRITS.

Far off we seem to hear a chorus strange,
Rising and falling through the gathering gloom.
And now the congregated clouds appear
To take the semblance of a Shape, that bends
This way — as when a whirling ocean-spout
Drinks, as it moves along, the light of heaven.

RAPHAEL.

Spirit — if Spirit or Presence
Thou art, or the gloom of a symbol —
Approach, if thou canst, to interpret
Thy name and thy work and thy essence.

( A pause. )

Behold, the Shadow spreads and towers apace,
Like a dense cloud that rolls along the sea
Landward, then shrouds the winding shore, the fields,
The network of rite gray autumnal woods,
And the low cottage roofs of upland farms;
What seemed a vapor with a ragged fringe
Changes to wings, that sweep from north to south.
And round about the mass whose cloudy dome
Should be a head, I see the lambent flames
Of distant lightnings play. And now a voice
Of winds and waves and crumbling thunder tones
Commingled, muttering unintelligible things,
Approaches us. The air grows strangely chill
And nebulous. Daylight hath backward stepped.
The morning sun is blotted with eclipse.

CHORUS OF THE SPIRITS.

Like the pale stricken leaves of the Autumn
When Winter swoops downward to whirl them
Afar from the nooks of the woodlands,
And up through the clouds of the twilight,
We shudder! We hear a wind roaring
And booming below in the darkness;
A voice whose low thunder is mingled
With waves of the sibilant ocean.
The clouds that were pearly and golden
Are steeped in a blackening crimson.
The spell of a magical presence
Is nearing us out of the darkness.
What is it? No shape we distinguish —
No voice — but a sound that is muffled,
Muffled and stifled in thunder.
We are troubled. Oh, help us, strong Angel!
A Form gathers out of the darkness,
Awful and dim and abysmal!

RAPHAEL.

Fear not the gloomy Phantasm. Speak to him.
If he will answer, ye may learn of him
What human books of dead theology
Have seldom taught, or poets, though they sang
Of Eden and the primal curse of man.

THE SPIRITS.

Spirit, or phantom — darkening earth and sky,
And creeping through the soul in grim despair —
What art thou? Speak! whose shadow darkens thus
The eye of morn?

SATAN.

I am not what I seem.

THE SPIRITS.

Art thou that fallen Angel who seduced
From their allegiance the bright hosts of heaven
And men, and reignest now the lord of doom?

SATAN.

I am not what I seem to finite minds; —
No fallen Angel — for I never fell,
Though priest and poet feign me exiled and doomed;
But ever was and ever shall be thus —
Nor worse nor better than the Eternal planned.
I am the Retribution, not the Curse.
I am the shadow and reverse of God;
The type of mixed and interrupted good;
The clod of sense without whose earthly base
You spirit-flowers can never grow and bloom.

THE SPIRITS.

We dread to ask — what need have we of thee?

SATAN.

I am that stern necessity of fate —
Creation's temperament — the mass and mould
Of circumstance, through which eternal law
Works in its own mysterious way its will.

THE SPIRITS.

Art thou not Evil — Sin abstract and pure?

SATAN.

There were no shadows till the worlds were made;
No evil and no sin till finite souls,
Imperfect thence, conditioned in free-will,
Took form, projected by eternal law
Through co-existent realms of time and space.

THE SPIRITS.

Thy words are dark. We dimly catch their sense.

SATAN.

Naught evil, though it were the Prince of evil,
Hath being in itself. For God alone
Existeth in Himself, and Good, which lives
As sunshine lives, born of the Parent Sun.
I am the finite shadow of that Sun,
Opposite, not opposing, only seen
Upon the nether side.

THE SPIRITS.

Art happy then?

SATAN.

Nor happy I nor wretched. I but do
My work, as finite fate and law prescribe.

THE SPIRITS.

Didst thou not tempt the woman and the man
Of Eden, and beguile them to their doom?

SATAN.

No personal will am I, no influence bad
Or good. I symbolize the wild and deep
And unregenerated wastes of life,
Dark with transmitted tendencies of race
And blind mischance; all crude mistakes of will —
Proclivity unbalanced by due weight
Of favoring circumstance; all passion blown
By wandering winds; all surplusage of force
Piled up for use, but slipping from its base
Of law and order; all undisciplined
And ignorant mutiny against the wise
Restraint of rules by centuries old indorsed,
And proved the best so long it needs no proof; —
All quality o'erstrained until it cracks —
Yet but a surface crack; the Eternal Eye
Sees underneath the soul's sphere, as above,
And knows the deep foundations of the world
Will not be jarred or loosened by the stress
Of sun and wind and rain upon the crust
Of upper soil. Nay, let the earthquake split
The mountains into steep and splintered chasms —
Down deeper than the shock the adamant
Of ages stands, symbol no less divine
Of the eternal Law than heaven above.

THE SPIRITS.

Shall we then doubt the sacred books — the faith
That Satan was of old the foe of God?

SATAN.

Nations have planned their demons as they planned
Their gods. Say, rather, God and Satan mixed, —
A hybrid of perplexed theology, —
Stood at the centre of the universe;
Ormuzd and Ahriman, in ceaseless war —
A double spirit through whose nerves and veins
Throbbed the vast pulses of his feverish moods
Of blight and benediction. Did the Jew
Or Pagan, save the few of finer mould,
Own an unchanging God, or one self-willed,
Who, like themselves, was moved to wrath, revenge
And jealousy, to petty strifes and bars
Of sect and clan — the reflex of their thought?

THE SPIRITS.

What if it were revealed to holy men,
By faith, that God had formed a spirit vast
Who fell, rebelled, tempted the race to death?
Whether a foe who rode upon the wind,
Or one within, leagued with some sweet, strong drift
Of natural desire, tainted yet sweet?

SATAN.

Alas, did ever human eyes transcend
And pierce beyond the hemisphere of tints
That overarched their thought and hope, yet seemed
A heaven of truth? As man is so his God.
So too his spirit of evil. Evil fixed
He saw, eternal and abstract, whose tree
Thrust down its grappling tap-roots in the heart,
And poisoned where it grew; its blighting shade
By no sweet wandering winds of heaven caressed,
No raindrops from the pitiless clouds. No birds
Of song and summer in its branches built
Their little nests of love. No hermit sought
The shivering rustle of its chilly shade.
Accursed of God it stood — accursed and drear
It stood apart — a thing by God and man
Hated or pitied as a pestilence
O'er-passing cure. So hate not me. For I
Am but the picture mortal eyes behold
Shadowing the dread results of broken laws
Designed by eternal wisdom for the good
Of man, though typed as Darkness, Pain, and Fire.

THE SPIRITS.

Must not the eternal Justice punish man
And spirits — now and in the great To-Be?
What sinner can escape his burning wrath?

SATAN.

The soul of man is man's own heaven or hell.
God's love and justice will no curse on men
Or spirits, who condemn themselves, and hide
Their faces in the murky fogs of sense
And lawless passion, and the hate and feud
Born of all dense inwoven ignorance.
Man loves or fears the shadow of himself.
God shines behind him. Let him turn and see.
[Vanishes slowly.]

THE SPIRITS.

Yet stay — speak, speak once more! Tell us what fate
Awaits the human race — now on this earth
Teeming with life — and in the great Hereafter!

RAPHAEL.

The phantom-lips are dumb: nor could they answer.
The book of fate is known to One alone.

THE SPIRITS.

And thou — thou, sovereign Angel, knowest not?

RAPHAEL.

He alone knows whose being contains the all.
Cease questioning. Have faith. Love reigns supreme.