Religious Progress

Professor dear, I think it queer
That all these good religions
('Twixt you and me, some two or three
Are schemes for plucking pigeons)

I mean 'tis strange that every change
Our poor minds to unfetter
Entails a new religion-true
As t' other one, and better.

From each in turn the truth we learn,
That wood or flesh or spirit
May justly boast it rules the roast
Until we cease to fear it.

Nay, once upon a time long gone
Man worshipped Cat and Lizard:
His God he'd find in any kind
Of beast, from a to izzard.

When risen above his early love
Of dirt and blood and slumber,
He pulled down these vain deities,
And made one out of lumber.

'Far better that than even a cat,'
The Howisons all shouted;
'When God is wood religion's good!'
But one poor cynic doubted.

'A timber God-that's very odd!'
Said Progress, and invented
The simple plan to worship Man,
Who, kindly soul! consented.

But soon our eye we lift asky,
Our vows all unregarded,
And find (at least so says the priest)
The Truth-and Man's discarded.

Along our line of march recline
Dead gods devoid of feeling;
And thick about each sun-cracked lout
Dried Howisons are kneeling.

'Twas a weary-looking mortal, and he wandered near the portal
Of the melancholy City of the Discontented Dead.
He was pale and worn exceeding and his manner was unheeding,
As if it could not matter what he did nor what he said.

'Sacred stranger'-I addressed him with a reverence befitting
The austere, unintermitting, dread solemnity he wore;
'Tis the custom, too, prevailing in that vicinage when hailing
One who possibly may be a person lately 'gone before'

'Sacred stranger, much I ponder on your evident dejection,
But my carefulest reflection leaves the riddle still unread.
How do you yourself explain your dismal tendency to wander
By the melancholy City of the Discontented Dead?'

Then that solemn person, pausing in the march that he was making,
Roused himself as if awaking, fixed his dull and stony eye
On my countenance and, slowly, like a priest devout and holy,
Chanted in a mournful monotone the following reply:

'O my brother, do not fear it; I'm no disembodied spirit
I am Lampton, the Slang Poet, with a price upon my head.
I am watching by this portal for some late lamented mortal
To arise in his disquietude and leave his earthy bed.

'Then I hope to take possession and pull in the earth above me
And, renouncing my profession, ne'er be heard of any more.
For there's not a soul to love me and no living thing respects me,
Which so painfully affects me that I fain would 'go before.''

Then I felt a deep compassion for the gentleman's dejection,
For privation of affection would refrigerate a frog.
So I said: 'If nothing human, and if neither man nor woman
Can appreciate the fashion of your merit-buy a dog.'

An Unmerry Christmas

Christmas, you tell me, comes but once a year.
One place it never comes, and that is here.
Here, in these pages no good wishes spring,
No well-worn greetings tediously ring
For Christmas greetings are like pots of ore:
The hollower they are they ring the more.
Here shall no holly cast a spiny shade,
Nor mistletoe my solitude invade,
No trinket-laden vegetable come,
No jorum steam with Sheolate of rum.
No shrilling children shall their voices rear.
Hurrah for Christmas without Christmas cheer!

No presents, if you please-I know too well
What Herbert Spencer, if he didn't tell
(I know not if he did) yet might have told
Of present-giving in the days of old,
When Early Man with gifts propitiated
The chiefs whom most he doubted, feared and hated,
Or tendered them in hope to reap some rude
Advantage from the taker's gratitude.
Since thus the Gift its origin derives
(How much of its first character survives
You know as well as I) my stocking's tied,
My pocket buttoned-with my soul inside.
I save my money and I save my pride.

Dinner? Yes; thank you-just a human body
Done to a nutty brown, and a tear toddy
To give me appetite; and as for drink,
About a half a jug of blood, I think,
Will do; for still I love the red, red wine,
Coagulating well, with wrinkles fine
Fretting the satin surface of its flood.
O tope of kings-divine Falernian-blood!

Duse take the shouting fowls upon the limb,
The kneeling cattle and the rising hymn!
Has not a pagan rights to be regarded-
His heart assaulted and his ear bombarded
With sentiments and sounds that good old Pan
Even in his demonium would ban?

No, friends-no Christmas here, for I have sworn
To keep my heart hard and my knees unworn.
Enough you have of jester, player, priest:
I as the skeleton attend your feast,
In the mad revelry to make a lull
With shaken finger and with bobbing skull.
However you my services may flout,
Philosophy disdain and reason doubt,
I mean to hold in customary state,
My dismal revelry and celebrate
My yearly rite until the crack o' doom,
Ignore the cheerful season's warmth and bloom
And cultivate an oasis of gloom.

The Passing Of 'Boss' Shepherd

The sullen church-bell's intermittent moan,
The dirge's melancholy monotone,
The measured march, the drooping flags, attest
A great man's progress to his place of rest.
Along broad avenues himself decreed
To serve his fellow men's disputed need
Past parks he raped away from robbers' thrift
And gave to poverty, wherein to lift
Its voice to curse the giver and the gift
Past noble structures that he reared for men
To meet in and revile him, tongue and pen,
Draws the long retinue of death to show
The fit credentials of a proper woe.

'Boss' Shepherd, you are dead. Your hand no more
Throws largess to the mobs that ramp and roar
For blood of benefactors who disdain
Their purity of purpose to explain,
Their righteous motive and their scorn of gain.
Your period of dream-'twas but a breath
Is closed in the indifference of death.
Sealed in your silences, to you alike
If hands are lifted to applaud or strike.
No more to your dull, inattentive ear
Praise of to-day than curse of yesteryear.
From the same lips the honied phrases fall
That still are bitter from cascades of gall.
We note the shame; you in your depth of dark
The red-writ testimony cannot mark
On every honest cheek; your senses all
Locked, _incommunicado_, in your pall,
Know not who sit and blush, who stand and bawl.

'Seven Grecian cities claim great Homer dead,
Through which the living Homer begged his
bread.'
So sang, as if the thought had been his own,
An unknown bard, improving on a known.
'Neglected genius!'-that is sad indeed,
But malice better would ignore than heed,
And Shepherd's soul, we rightly may suspect,
Prayed often for the mercy of neglect
When hardly did he dare to leave his door
Without a guard behind him and before
To save him from the gentlemen that now
In cheap and easy reparation bow
Their corrigible heads above his corse
To counterfeit a grief that's half remorse.

The pageant passes and the exile sleeps,
And well his tongue the solemn secret keeps
Of the great peace he found afar, until,
Death's writ of extradition to fulfill,
They brought him, helpless, from that friendly zone
To be a show and pastime in his own
A final opportunity to those
Who fling with equal aim the stone and rose;
That at the living till his soul is freed,
This at the body to conceal the deed!

Lone on his hill he's lying to await
What added honors may befit his state
The monument, the statue, or the arch
(Where knaves may come to weep and dupes to march)
Builded by clowns to brutalize the scenes
His genius beautified. To get the means,
His newly good traducers all are dunned
For contributions to the conscience fund.
If each subscribe (and pay) one cent 'twill rear
A structure taller than their tallest ear.