William Wordsworth: Verses about Hunting

. With an incident in which he was concerned
In the sweet shire of Cardigan,
Not far from pleasant Ivor-hall,
An old Man dwells, a little man,--
'Tis said he once was tall.
For five-and-thirty years he lived
A running huntsman merry;
And still the centre of his cheek
Is red as a ripe cherry.
No man like him the horn could sound,
And hill and valley rang with glee
When Echo bandied, round and round
The halloo of Simon Lee.
In those proud days, he little cared
For husbandry or tillage;
To blither tasks did Simon rouse
The sleepers of the village.

He all the country could outrun,
Could leave both man and horse behind;
And often, ere the chase was done,
He reeled, and was stone-blind.
And still there's something in the world
At which his heart rejoices;
For when the chiming hounds are out,
He dearly loves their voices!

But, oh the heavy change!--bereft
Of health, strength, friends, and kindred, see!
Old Simon to the world is left
In liveried poverty.
His Master's dead--and no one now
Dwells in the Hall of Ivor;
Men, dogs, and horses, all are dead;
He is the sole survivor.

And he is lean and he is sick;
His body, dwindled and awry,
Rests upon ankles swoln and thick;
His legs are thin and dry.
One prop he has, and only one,
His wife, an aged woman,
Lives with him, near the waterfall,
Upon the village Common.

Beside their moss-grown hut of clay,
Not twenty paces from the door,
A scrap of land they have, but they
Are poorest of the poor.
This scrap of land he from the heath
Enclosed when he was stronger;
But what to them avails the land
Which he can till no longer?

Oft, working by her Husband's side,
Ruth does what Simon cannot do;
For she, with scanty cause for pride,
Is stouter of the two.
And, though you with your utmost skill
From labour could not wean them,
'Tis little, very little--all
That they can do between them.

Few months of life has he in store
As he to you will tell,
For still, the more he works, the more
Do his weak ankles swell.
My gentle Reader, I perceive,
How patiently you've waited,
And now I fear that you expect
Some tale will be related.

O Reader! had you in your mind
Such stores as silent thought can bring,
O gentle Reader! you would find
A tale in every thing.
What more I have to say is short,
And you must kindly take it:
It is no tale; but, should you think,
Perhaps a tale you'll make it.

One summer-day I chanced to see
This old Man doing all he could
To unearth the root of an old tree,
A stump of rotten wood.
The mattock tottered in his hand;
So vain was his endeavour,
That at the root of the old tree
He might have worked for ever.

"You're overtasked, good Simon Lee,
Give me your tool," to him I said;
And at the word right gladly he
Received my proffered aid.
I struck, and with a single blow
The tangled root I severed,
At which the poor old Man so long
And vainly had endeavoured.

The tears into his eyes were brought,
And thanks and praises seemed to run
So fast out of his heart, I thought
They never would have done.
--I've heard of hearts unkind, kind deeds
With coldness still returning;
Alas! the gratitude of men
Hath oftener left me mourning.

'Tis eight o'clock,--a clear March night,
The moon is up,--the sky is blue,
The owlet, in the moonlight air,
Shouts from nobody knows where;
He lengthens out his lonely shout,
Halloo! halloo! a long halloo!

--Why bustle thus about your door,
What means this bustle, Betty Foy?
Why are you in this mighty fret?
And why on horseback have you set
Him whom you love, your Idiot Boy?

Scarcely a soul is out of bed;
Good Betty, put him down again;
His lips with joy they burr at you;
But, Betty! what has he to do
With stirrup, saddle, or with rein?

But Betty's bent on her intent;
For her good neighbour, Susan Gale,
Old Susan, she who dwells alone,
Is sick, and makes a piteous moan
As if her very life would fail.

There's not a house within a mile,
No hand to help them in distress;
Old Susan lies a-bed in pain,
And sorely puzzled are the twain,
For what she ails they cannot guess.

And Betty's husband's at the wood,
Where by the week he doth abide,
A woodman in the distant vale;
There's none to help poor Susan Gale;
What must be done? what will betide?

And Betty from the lane has fetched
Her Pony, that is mild and good;
Whether he be in joy or pain,
Feeding at will along the lane,
Or bringing faggots from the wood.

And he is all in travelling trim,--
And, by the moonlight, Betty Foy
Has on the well-girt saddle set
(The like was never heard of yet)
Him whom she loves, her Idiot Boy.

And he must post without delay
Across the bridge and through the dale,
And by the church, and o'er the down,
To bring a Doctor from the town,
Or she will die, old Susan Gale.

There is no need of boot or spur,
There is no need of whip or wand;
For Johnny has his holly-bough,
And with a 'hurly-burly' now
He shakes the green bough in his hand.

And Betty o'er and o'er has told
The Boy, who is her best delight,
Both what to follow, what to shun,
What do, and what to leave undone,
How turn to left, and how to right.

And Betty's most especial charge,
Was, 'Johnny! Johnny! mind that you
Come home again, nor stop at all,--
Come home again, whate'er befall,
My Johnny, do, I pray you do.'

To this did Johnny answer make,
Both with his head and with his hand,
And proudly shook the bridle too;
And then! his words were not a few,
Which Betty well could understand.

And now that Johnny is just going,
Though Betty's in a mighty flurry,
She gently pats the Pony's side,
On which her Idiot Boy must ride,
And seems no longer in a hurry.

But when the Pony moved his legs,
Oh! then for the poor Idiot Boy!
For joy he cannot hold the bridle,
For joy his head and heels are idle,
He's idle all for very joy.

And while the Pony moves his legs,
In Johnny's left hand you may see
The green bough motionless and dead:
The Moon that shines above his head
Is not more still and mute than he.

His heart it was so full of glee,
That till full fifty yards were gone,
He quite forgot his holly whip,
And all his skill in horsemanship:
Oh! happy, happy, happy John.

And while the Mother, at the door,
Stands fixed, her face with joy o'erflows,
Proud of herself, and proud of him,
She sees him in his travelling trim,
How quietly her Johnny goes.

The silence of her Idiot Boy,
What hopes it sends to Betty's heart!
He's at the guide-post--he turns right;
She watches till he's out of sight,
And Betty will not then depart.

Burr, burr--now Johnny's lips they burr,
As loud as any mill, or near it;
Meek as a lamb the Pony moves,
And Johnny makes the noise he loves, 0
And Betty listens, glad to hear it.

Away she hies to Susan Gale:
Her Messenger's in merry tune;
The owlets hoot, the owlets curr,
And Johnny's lips they burr, burr, burr,
As on he goes beneath the moon.

His steed and he right well agree;
For of this Pony there's a rumour,
That, should he lose his eyes and ears,
And should he live a thousand years,
He never will be out of humour.

But then he is a horse that thinks!
And when he thinks, his pace is slack;
Now, though he knows poor Johnny well,
Yet, for his life, he cannot tell
What he has got upon his back.

So through the moonlight lanes they go,
And far into the moonlight dale,
And by the church, and o'er the down,
To bring a Doctor from the town,
To comfort poor old Susan Gale.

And Betty, now at Susan's side,
Is in the middle of her story,
What speedy help her Boy will bring,
With many a most diverting thing,
Of Johnny's wit, and Johnny's glory.

And Betty, still at Susan's side,
By this time is not quite so flurried:
Demure with porringer and plate
She sits, as if in Susan's fate
Her life and soul were buried.

But Betty, poor good woman! she,
You plainly in her face may read it,
Could lend out of that moment's store
Five years of happiness or more
To any that might need it.

But yet I guess that now and then
With Betty all was not so well;
And to the road she turns her ears,
And thence full many a sound she hears,
Which she to Susan will not tell.

Poor Susan moans, poor Susan groans;
'As sure as there's a moon in heaven,'
Cries Betty, 'he'll be back again;
They'll both be here--'tis almost ten--
Both will be here before eleven.'

Poor Susan moans, poor Susan groans;
The clock gives warning for eleven;
'Tis on the stroke--'He must be near,'
Quoth Betty, 'and will soon be here,
As sure as there's a moon in heaven.'

The clock is on the stroke of twelve,
And Johnny is not yet in sight:
--The Moon's in heaven, as Betty sees,
But Betty is not quite at ease;
And Susan has a dreadful night.

And Betty, half an hour ago,
On Johnny vile reflections cast:
'A little idle sauntering Thing!'
With other names, an endless string;
But now that time is gone and past.

And Betty's drooping at the heart,
That happy time all past and gone,
'How can it be he is so late?
The Doctor, he has made him wait;
Susan! they'll both be here anon.'

And Susan's growing worse and worse,
And Betty's in a sad 'quandary';
And then there's nobody to say
If she must go, or she must stay!
--She's in a sad 'quandary'.

The clock is on the stroke of one;
But neither Doctor nor his Guide
Appears along the moonlight road;
There's neither horse nor man abroad,
And Betty's still at Susan's side.

And Susan now begins to fear
Of sad mischances not a few,
That Johnny may perhaps be drowned;
Or lost, perhaps, and never found;
Which they must both for ever rue.

She prefaced half a hint of this
With, 'God forbid it should be true!'
At the first word that Susan said
Cried Betty, rising from the bed,
'Susan, I'd gladly stay with you.

'I must be gone, I must away:
Consider, Johnny's but half-wise;
Susan, we must take care of him,
If he is hurt in life or limb'--
'Oh God forbid!' poor Susan cries.

'What can I do?' says Betty, going,
'What can I do to ease your pain?
Good Susan tell me, and I'll stay;
I fear you're in a dreadful way,
But I shall soon be back again.'

'Nay, Betty, go! good Betty, go!
There's nothing that can ease my pain,'
Then off she hies, but with a prayer
That God poor Susan's life would spare, 0
Till she comes back again.

So, through the moonlight lane she goes,
And far into the moonlight dale;
And how she ran, and how she walked,
And all that to herself she talked,
Would surely be a tedious tale.

In high and low, above, below,
In great and small, in round and square,
In tree and tower was Johnny seen,
In bush and brake, in black and green;
'Twas Johnny, Johnny, every where.

And while she crossed the bridge, there came
A thought with which her heart is sore--
Johnny perhaps his horse forsook,
To hunt the moon within the brook,
And never will be heard of more.

Now is she high upon the down,
Alone amid a prospect wide;
There's neither Johnny nor his Horse
Among the fern or in the gorse;
There's neither Doctor nor his Guide.

'O saints! what is become of him?
Perhaps he's climbed into an oak,
Where he will stay till he is dead;
Or, sadly he has been misled,
And joined the wandering gipsy-folk.

'Or him that wicked Pony's carried
To the dark cave, the goblin's hall;
Or in the castle he's pursuing
Among the ghosts his own undoing;
Or playing with the waterfall.'

At poor old Susan then she railed,
While to the town she posts away;
'If Susan had not been so ill,
Alas! I should have had him still,
My Johnny, till my dying day.'

Poor Betty, in this sad distemper,
The Doctor's self could hardly spare:
Unworthy things she talked, and wild;
Even he, of cattle the most mild,
The Pony had his share.

But now she's fairly in the town,
And to the Doctor's door she hies;
'Tis silence all on every side;
The town so long, the town so wide,
Is silent as the skies.

And now she's at the Doctor's door,
She lifts the knocker, rap, rap, rap;
The Doctor at the casement shows
His glimmering eyes that peep and doze!
And one hand rubs his old night-cap.

'O Doctor! Doctor! where's my Johnny?'
'I'm here, what is't you want with me?'
'O Sir! you know I'm Betty Foy,
And I have lost my poor dear Boy,
You know him--him you often see;

'He's not so wise as some folks be:'
'The devil take his wisdom!' said
The Doctor, looking somewhat grim,
'What, Woman! should I know of him?'
And, grumbling, he went back to bed!

'O woe is me! O woe is me!
Here will I die, here will I die;
I thought to find my lost one here,
But he is neither far nor near,
Oh! what a wretched Mother I!'

She stops, she stands, she looks about;
Which way to turn she cannot tell.
Poor Betty! it would ease her pain
If she had heart to knock again;
--The clock strikes three--a dismal knell!

Then up along the town she hies,
No wonder if her senses fail;
This piteous news so much it shocked her,
She quite forgot to send the Doctor,
To comfort poor old Susan Gale.

And now she's high upon the down,
And she can see a mile of road:
'O cruel! I'm almost threescore;
Such night as this was ne'er before,
There's not a single soul abroad.'

She listens, but she cannot hear
The foot of horse, the voice of man;
The streams with softest sound are flowing,
The grass you almost hear it growing,
You hear it now, if e'er you can.

The owlets through the long blue night
Are shouting to each other still:
Fond lovers! yet not quite hob nob,
They lengthen out the tremulous sob,
That echoes far from hill to hill.

Poor Betty now has lost all hope,
Her thoughts are bent on deadly sin,
A green-grown pond she just has past,
And from the brink she hurries fast,
Lest she should drown herself therein.

And now she sits her down and weeps;
Such tears she never shed before;
'Oh dear, dear Pony! my sweet joy!
Oh carry back my Idiot Boy! 0
And we will ne'er o'erload thee more.'

A thought is come into her head:
The Pony he is mild and good,
And we have always used him well;
Perhaps he's gone along the dell,
And carried Johnny to the wood.

Then up she springs as if on wings;
She thinks no more of deadly sin;
If Betty fifty ponds should see,
The last of all her thoughts would be
To drown herself therein.

O Reader! now that I might tell
What Johnny and his Horse are doing
What they've been doing all this time,
Oh could I put it into rhyme,
A most delightful tale pursuing!

Perhaps, and no unlikely thought!
He with his Pony now doth roam
The cliffs and peaks so high that are,
To lay his hands upon a star,
And in his pocket bring it home.

Perhaps he's turned himself about,
His face unto his horse's tail,
And, still and mute, in wonder lost,
All silent as a horseman-ghost,
He travels slowly down the vale.

And now, perhaps, is hunting sheep,
A fierce and dreadful hunter he;
Yon valley, now so trim and green,
In five months' time, should he be seen,
A desert wilderness will be!

Perhaps, with head and heels on fire,
And like the very soul of evil,
He's galloping away, away,
And so will gallop on for aye,
The bane of all that dread the devil!

I to the Muses have been bound
These fourteen years, by strong indentures:
O gentle Muses! let me tell
But half of what to him befell;
He surely met with strange adventures.

O gentle Muses! is this kind?
Why will ye thus my suit repel?
Why of your further aid bereave me?
And can ye thus unfriended leave me
Ye Muses! whom I love so well?

Who's yon, that, near the waterfall,
Which thunders down with headlong force,
Beneath the moon, yet shining fair,
As careless as if nothing were,
Sits upright on a feeding horse?

Unto his horse--there feeding free,
He seems, I think, the rein to give;
Of moon or stars he takes no heed;
Of such we in romances read:
--'Tis Johnny! Johnny! as I live.

And that's the very Pony, too!
Where is she, where is Betty Foy?
She hardly can sustain her fears;
The roaring waterfall she hears,
And cannot find her Idiot Boy.

Your Pony's worth his weight in gold:
Then calm your terrors, Betty Foy!
She's coming from among the trees,
And now all full in view she sees
Him whom she loves, her Idiot Boy.

And Betty sees the Pony too:
Why stand you thus, good Betty Foy?
It is no goblin, 'tis no ghost,
'Tis he whom you so long have lost,
He whom you love, your Idiot Boy.

She looks again--her arms are up--
She screams--she cannot move for joy;
She darts, as with a torrent's force,
She almost has o'erturned the Horse,
And fast she holds her Idiot Boy.

And Johnny burrs, and laughs aloud;
Whether in cunning or in joy
I cannot tell; but while he laughs,
Betty a drunken pleasure quaffs
To hear again her Idiot Boy.

And now she's at the Pony's tail,
And now is at the Pony's head,--
On that side now, and now on this;
And, almost stifled with her bliss,
A few sad tears does Betty shed.

She kisses o'er and o'er again
Him whom she loves, her Idiot Boy;
She's happy here, is happy there,
She is uneasy every where;
Her limbs are all alive with joy.

She pats the Pony, where or when
She knows not, happy Betty Foy!
The little Pony glad may be,
But he is milder far than she,
You hardly can perceive his joy.

'Oh! Johnny, never mind the Doctor;
You've done your best, and that is all:'
She took the reins, when this was said,
And gently turned the Pony's head 0
From the loud waterfall.

By this the stars were almost gone,
The moon was setting on the hill,
So pale you scarcely looked at her:
The little birds began to stir,
Though yet their tongues were still.

The Pony, Betty, and her Boy,
Wind slowly through the woody dale;
And who is she, betimes abroad,
That hobbles up the steep rough road?
Who is it, but old Susan Gale?

Long time lay Susan lost in thought;
And many dreadful fears beset her,
Both for her Messenger and Nurse;
And, as her mind grew worse and worse,
Her body--it grew better.

She turned, she tossed herself in bed,
On all sides doubts and terrors met her;
Point after point did she discuss;
And, while her mind was fighting thus,
Her body still grew better.

'Alas! what is become of them?
These fears can never be endured;
I'll to the wood.'--The word scarce said,
Did Susan rise up from her bed,
As if by magic cured.

Away she goes up hill and down,
And to the wood at length is come;
She spies her Friends, she shouts a greeting;
Oh me! it is a merry meeting
As ever was in Christendom.

The owls have hardly sung their last,
While our four travellers homeward wend;
The owls have hooted all night long,
And with the owls began my song,
And with the owls must end.

For while they all were travelling home,
Cried Betty, 'Tell us, Johnny, do,
Where all this long night you have been,
What you have heard, what you have seen:
And, Johnny, mind you tell us true.'

Now Johnny all night long had heard
The owls in tuneful concert strive;
No doubt too he the moon had seen;
For in the moonlight he had been
From eight o'clock till five.

And thus, to Betty's question, he
Made answer, like a traveller bold,
(His very words I give to you,)
'The cocks did crow to-whoo, to-whoo,
And the sun did shine so cold!'
--Thus answered Johnny in his glory,
And that was all his travel's story,

SIX changeful years have vanished since I first
Poured out (saluted by that quickening breeze
Which met me issuing from the City's walls)
A glad preamble to this Verse: I sang
Aloud, with fervour irresistible
Of short-lived transport, like a torrent bursting,
From a black thunder-cloud, down Scafell's side
To rush and disappear. But soon broke forth
(So willed the Muse) a less impetuous stream,
That flowed awhile with unabating strength,
Then stopped for years; not audible again
Before last primrose-time. Beloved Friend!
The assurance which then cheered some heavy thoughts
On thy departure to a foreign land
Has failed; too slowly moves the promised work.
Through the whole summer have I been at rest,
Partly from voluntary holiday,
And part through outward hindrance. But I heard,
After the hour of sunset yester-even,
Sitting within doors between light and dark,
A choir of redbreasts gathered somewhere near
My threshold,--minstrels from the distant woods
Sent in on Winter's service, to announce,
With preparation artful and benign,
That the rough lord had left the surly North
On his accustomed journey. The delight,
Due to this timely notice, unawares
Smote me, and, listening, I in whispers said,
'Ye heartsome Choristers, ye and I will be
Associates, and, unscared by blustering winds,
Will chant together.' Thereafter, as the shades
Of twilight deepened, going forth, I spied
A glow-worm underneath a dusky plume
Or canopy of yet unwithered fern,
Clear-shining, like a hermit's taper seen
Through a thick forest. Silence touched me here
No less than sound had done before; the child
Of Summer, lingering, shining, by herself,
The voiceless worm on the unfrequented hills,
Seemed sent on the same errand with the choir
Of Winter that had warbled at my door,
And the whole year breathed tenderness and love.

The last night's genial feeling overflowed
Upon this morning, and my favourite grove,
Tossing in sunshine its dark boughs aloft,
As if to make the strong wind visible,
Wakes in me agitations like its own,
A spirit friendly to the Poet's task,
Which we will now resume with lively hope,
Nor checked by aught of tamer argument
That lies before us, needful to be told.

Returned from that excursion, soon I bade
Farewell for ever to the sheltered seats
Of gowned students, quitted hall and bower,
And every comfort of that privileged ground,
Well pleased to pitch a vagrant tent among
The unfenced regions of society.

Yet, undetermined to what course of life
I should adhere, and seeming to possess
A little space of intermediate time
At full command, to London first I turned,
In no disturbance of excessive hope,
By personal ambition unenslaved,
Frugal as there was need, and, though self-willed,
From dangerous passions free. Three years had flown
Since I had felt in heart and soul the shock
Of the huge town's first presence, and had paced
Her endless streets, a transient visitant:
Now, fixed amid that concourse of mankind
Where Pleasure whirls about incessantly,
And life and labour seem but one, I filled
An idler's place; an idler well content
To have a house (what matter for a home?)
That owned him; living cheerfully abroad
With unchecked fancy ever on the stir,
And all my young affections out of doors.

There was a time when whatsoe'er is feigned
Of airy palaces, and gardens built
By Genii of romance; or hath in grave
Authentic history been set forth of Rome,
Alcairo, Babylon, or Persepolis;
Or given upon report by pilgrim friars,
Of golden cities ten months' journey deep
Among Tartarian wilds--fell short, far short,
Of what my fond simplicity believed
And thought of London--held me by a chain
Less strong of wonder and obscure delight.
Whether the bolt of childhood's Fancy shot
For me beyond its ordinary mark,
'Twere vain to ask; but in our flock of boys
Was One, a cripple from his birth, whom chance
Summoned from school to London; fortunate
And envied traveller! When the Boy returned,
After short absence, curiously I scanned
His mien and person, nor was free, in sooth,
From disappointment, not to find some change
In look and air, from that new region brought,
As if from Fairy-land. Much I questioned him;
And every word he uttered, on my ears
Fell flatter than a caged parrot's note,
That answers unexpectedly awry,
And mocks the prompter's listening. Marvellous things
Had vanity (quick Spirit that appears
Almost as deeply seated and as strong
In a Child's heart as fear itself) conceived
For my enjoyment. Would that I could now
Recall what then I pictured to myself,
Of mitred Prelates, Lords in ermine clad,
The King, and the King's Palace, and, not last,
Nor least, Heaven bless him! the renowned Lord Mayor.
Dreams not unlike to those which once begat
A change of purpose in young Whittington,
When he, a friendless and a drooping boy,
Sate on a stone, and heard the bells speak out
Articulate music. Above all, one thought
Baffled my understanding: how men lived
Even next-door neighbours, as we say, yet still
Strangers, not knowing each the other's name.

Oh, wondrous power of words, by simple faith
Licensed to take the meaning that we love!
Vauxhall and Ranelagh! I then had heard
Of your green groves, and wilderness of lamps
Dimming the stars, and fireworks magical,
And gorgeous ladies, under splendid domes,
Floating in dance, or warbling high in air
The songs of spirits! Nor had Fancy fed
With less delight upon that other class
Of marvels, broad-day wonders permanent:
The River proudly bridged; the dizzy top
And Whispering Gallery of St. Paul's; the tombs
Of Westminster; the Giants of Guildhall;
Bedlam, and those carved maniacs at the gates,
Perpetually recumbent; Statues--man,
And the horse under him--in gilded pomp
Adorning flowery gardens, 'mid vast squares;
The Monument, and that Chamber of the Tower
Where England's sovereigns sit in long array,
Their steeds bestriding,--every mimic shape
Cased in the gleaming mail the monarch wore,
Whether for gorgeous tournament addressed,
Or life or death upon the battle-field.
Those bold imaginations in due time
Had vanished, leaving others in their stead:
And now I looked upon the living scene;
Familiarly perused it; oftentimes,
In spite of strongest disappointment, pleased
Through courteous self-submission, as a tax
Paid to the object by prescriptive right.

Rise up, thou monstrous ant-hill on the plain
Of a too busy world! Before me flow,
Thou endless stream of men and moving things!
Thy every-day appearance, as it strikes--
With wonder heightened, or sublimed by awe--
On strangers, of all ages; the quick dance
Of colours, lights, and forms; the deafening din;
The comers and the goers face to face,
Face after face; the string of dazzling wares,
Shop after shop, with symbols, blazoned names,
And all the tradesman's honours overhead:
Here, fronts of houses, like a title-page,
With letters huge inscribed from top to toe,
Stationed above the door, like guardian saints;
There, allegoric shapes, female or male,
Or physiognomies of real men,
Land-warriors, kings, or admirals of the sea,
Boyle, Shakspeare, Newton, or the attractive head
Of some quack-doctor, famous in his day.

Meanwhile the roar continues, till at length,
Escaped as from an enemy, we turn
Abruptly into some sequestered nook,
Still as a sheltered place when winds blow loud!
At leisure, thence, through tracts of thin resort,
And sights and sounds that come at intervals,
We take our way. A raree-show is here,
With children gathered round; another street
Presents a company of dancing dogs,
Or dromedary, with an antic pair
Of monkeys on his back; a minstrel band
Of Savoyards; or, single and alone,
An English ballad-singer. Private courts,
Gloomy as coffins, and unsightly lanes
Thrilled by some female vendor's scream, belike
The very shrillest of all London cries,
May then entangle our impatient steps;
Conducted through those labyrinths, unawares,
To privileged regions and inviolate,
Where from their airy lodges studious lawyers
Look out on waters, walks, and gardens green.

Thence back into the throng, until we reach,
Following the tide that slackens by degrees,
Some half-frequented scene, where wider streets
Bring straggling breezes of suburban air.
Here files of ballads dangle from dead walls;
Advertisements, of giant-size, from high
Press forward, in all colours, on the sight;
These, bold in conscious merit, lower down;
'That', fronted with a most imposing word,
Is, peradventure, one in masquerade.
As on the broadening causeway we advance,
Behold, turned upwards, a face hard and strong
In lineaments, and red with over-toil.
'Tis one encountered here and everywhere;
A travelling cripple, by the trunk cut short,
And stumping on his arms. In sailor's garb
Another lies at length, beside a range
Of well-formed characters, with chalk inscribed
Upon the smooth flint stones: the Nurse is here,
The Bachelor, that loves to sun himself,
The military Idler, and the Dame,
That field-ward takes her walk with decent steps.

Now homeward through the thickening hubbub, where
See, among less distinguishable shapes,
The begging scavenger, with hat in hand;
The Italian, as he thrids his way with care,
Steadying, far-seen, a frame of images
Upon his head; with basket at his breast
The Jew; the stately and slow-moving Turk,
With freight of slippers piled beneath his arm!

Enough;--the mighty concourse I surveyed
With no unthinking mind, well pleased to note
Among the crowd all specimens of man,
Through all the colours which the sun bestows,
And every character of form and face:
The Swede, the Russian; from the genial south,
The Frenchman and the Spaniard; from remote
America, the Hunter-Indian; Moors,
Malays, Lascars, the Tartar, the Chinese,
And Negro Ladies in white muslin gowns.

At leisure, then, I viewed, from day to day,
The spectacles within doors,--birds and beasts
Of every nature, and strange plants convened
From every clime; and, next, those sights that ape
The absolute presence of reality,
Expressing, as in mirror, sea and land,
And what earth is, and what she has to show.
I do not here allude to subtlest craft,
By means refined attaining purest ends,
But imitations, fondly made in plain
Confession of man's weakness and his loves.
Whether the Painter, whose ambitious skill
Submits to nothing less than taking in
A whole horizon's circuit, do with power,
Like that of angels or commissioned spirits,
Fix us upon some lofty pinnacle,
Or in a ship on waters, with a world
Of life, and life-like mockery beneath,
Above, behind, far stretching and before;
Or more mechanic artist represent
By scale exact, in model, wood or clay,
From blended colours also borrowing help,
Some miniature of famous spots or things,--
St. Peter's Church; or, more aspiring aim,
In microscopic vision, Rome herself;
Or, haply, some choice rural haunt,--the Falls
Of Tivoli; and, high upon that steep,
The Sibyl's mouldering Temple! every tree,
Villa, or cottage, lurking among rocks
Throughout the landscape; tuft, stone scratch minute--
All that the traveller sees when he is there.

Add to these exhibitions, mute and still,
Others of wider scope, where living men,
Music, and shifting pantomimic scenes,
Diversified the allurement. Need I fear
To mention by its name, as in degree,
Lowest of these and humblest in attempt,
Yet richly graced with honours of her own,
Half-rural Sadler's Wells? Though at that time
Intolerant, as is the way of youth
Unless itself be pleased, here more than once
Taking my seat, I saw (nor blush to add,
With ample recompense) giants and dwarfs,
Clowns, conjurors, posture-masters, harlequins,
Amid the uproar of the rabblement,
Perform their feats. Nor was it mean delight
To watch crude Nature work in untaught minds;
To note the laws and progress of belief;
Though obstinate on this way, yet on that
How willingly we travel, and how far!
To have, for instance, brought upon the scene
The champion, Jack the Giant-killer: Lo!
He dons his coat of darkness; on the stage
Walks, and achieves his wonders, from the eye
Of living Mortal covert, 'as the moon
Hid in her vacant interlunar cave.'
Delusion bold! and how can it be wrought?
The garb he wears is black as death, the word
'Invisible' flames forth upon his chest.

Here, too, were 'forms and pressures of the time,'
Rough, bold, as Grecian comedy displayed
When Art was young; dramas of living men,
And recent things yet warm with life; a sea-fight,
Shipwreck, or some domestic incident
Divulged by Truth and magnified by Fame;
Such as the daring brotherhood of late
Set forth, too serious theme for that light place--
I mean, O distant Friend! a story drawn
From our own ground,--the Maid of Buttermere,--
And how, unfaithful to a virtuous wife
Deserted and deceived, the Spoiler came
And wooed the artless daughter of the hills,
And wedded her, in cruel mockery
Of love and marriage bonds. These words to thee
Must needs bring back the moment when we first,
Ere the broad world rang with the maiden's name,
Beheld her serving at the cottage inn;
Both stricken, as she entered or withdrew,
With admiration of her modest mien
And carriage, marked by unexampled grace.
We since that time not unfamiliarly
Have seen her,--her discretion have observed,
Her just opinions, delicate reserve,
Her patience, and humility of mind
Unspoiled by commendation and the excess
Of public notice--an offensive light
To a meek spirit suffering inwardly.

From this memorial tribute to my theme
I was returning, when, with sundry forms
Commingled--shapes which met me in the way
That we must tread--thy image rose again,
Maiden of Buttermere! She lives in peace
Upon the spot where she was born and reared;
Without contamination doth she live
In quietness, without anxiety:
Beside the mountain chapel, sleeps in earth
Her new-born infant, fearless as a lamb
That, thither driven from some unsheltered place,
Rests underneath the little rock-like pile
When storms are raging. Happy are they both--
Mother and child!--These feelings, in themselves
Trite, do yet scarcely seem so when I think
On those ingenuous moments of our youth
Ere we have learnt by use to slight the crimes
And sorrows of the world. Those simple days
Are now my theme; and, foremost of the scenes,
Which yet survive in memory, appears
One, at whose centre sate a lovely Boy,
A sportive infant, who, for six months' space,
Not more, had been of age to deal about
Articulate prattle--Child as beautiful
As ever clung around a mother's neck,
Or father fondly gazed upon with pride.
There, too, conspicuous for stature tall
And large dark eyes, beside her infant stood
The mother; but, upon her cheeks diffused,
False tints too well accorded with the glare
From play-house lustres thrown without reserve
On every object near. The Boy had been
The pride and pleasure of all lookers-on
In whatsoever place, but seemed in this
A sort of alien scattered from the clouds.
Of lusty vigour, more than infantine
He was in limb, in cheek a summer rose
Just three parts blown--a cottage-child--if e'er,
By cottage-door on breezy mountain-side,
Or in some sheltering vale, was seen a babe
By Nature's gifts so favoured. Upon a board
Decked with refreshments had this child been placed
'His' little stage in the vast theatre,
And there he sate, surrounded with a throng
Of chance spectators, chiefly dissolute men
And shameless women, treated and caressed;
Ate, drank, and with the fruit and glasses played,
While oaths and laughter and indecent speech
Were rife about him as the songs of birds
Contending after showers. The mother now
Is fading out of memory, but I see
The lovely Boy as I beheld him then
Among the wretched and the falsely gay,
Like one of those who walked with hair unsinged
Amid the fiery furnace. Charms and spells
Muttered on black and spiteful instigation
Have stopped, as some believe, the kindliest growths.
Ah, with how different spirit might a prayer
Have been preferred, that this fair creature, checked
By special privilege of Nature's love,
Should in his childhood be detained for ever!
But with its universal freight the tide
Hath rolled along, and this bright innocent,
Mary! may now have lived till he could look
With envy on thy nameless babe that sleeps,
Beside the mountain chapel, undisturbed.

Four rapid years had scarcely then been told
Since, travelling southward from our pastoral hills,
I heard, and for the first time in my life,
The voice of woman utter blasphemy--
Saw woman as she is, to open shame
Abandoned, and the pride of public vice;
I shuddered, for a barrier seemed at once
Thrown in that from humanity divorced
Humanity, splitting the race of man
In twain, yet leaving the same outward form.
Distress of mind ensued upon the sight,
And ardent meditation. Later years
Brought to such spectacle a milder sadness,
Feelings of pure commiseration, grief
For the individual and the overthrow
Of her soul's beauty; farther I was then
But seldom led, or wished to go; in truth
The sorrow of the passion stopped me there.

But let me now, less moved, in order take
Our argument. Enough is said to show
How casual incidents of real life,
Observed where pastime only had been sought,
Outweighed, or put to flight, the set events
And measured passions of the stage, albeit
By Siddons trod in the fulness of her power.
Yet was the theatre my dear delight;
The very gilding, lamps and painted scrolls,
And all the mean upholstery of the place,
Wanted not animation, when the tide
Of pleasure ebbed but to return as fast
With the ever-shifting figures of the scene,
Solemn or gay: whether some beauteous dame
Advanced in radiance through a deep recess
Of thick entangled forest, like the moon
Opening the clouds; or sovereign king, announced
With flourishing trumpet, came in full-blown state
Of the world's greatness, winding round with train
Of courtiers, banners, and a length of guards;
Or captive led in abject weeds, and jingling
His slender manacles; or romping girl
Bounced, leapt, and pawed the air; or mumbling sire,
A scare-crow pattern of old age dressed up
In all the tatters of infirmity
All loosely put together, hobbled in,
Stumping upon a cane with which he smites,
From time to time, the solid boards, and makes them
Prate somewhat loudly of the whereabout
Of one so overloaded with his years.
But what of this! the laugh, the grin, grimace,
The antics striving to outstrip each other,
Were all received, the least of them not lost,
With an unmeasured welcome. Through the night,
Between the show, and many-headed mass
Of the spectators, and each several nook
Filled with its fray or brawl, how eagerly
And with what flashes, as it were, the mind
Turned this way--that way! sportive and alert
And watchful, as a kitten when at play,
While winds are eddying round her, among straws
And rustling leaves. Enchanting age and sweet!
Romantic almost, looked at through a space,
How small, of intervening years! For then,
Though surely no mean progress had been made
In meditations holy and sublime,
Yet something of a girlish child-like gloss
Of novelty survived for scenes like these;
Enjoyment haply handed down from times
When at a country-playhouse, some rude barn
Tricked out for that proud use, if I perchance
Caught, on a summer evening through a chink
In the old wall, an unexpected glimpse
Of daylight, the bare thought of where I was
Gladdened me more than if I had been led
Into a dazzling cavern of romance,
Crowded with Genii busy among works
Not to be looked at by the common sun.

The matter that detains us now may seem,
To many, neither dignified enough
Nor arduous, yet will not be scorned by them,
Who, looking inward, have observed the ties
That bind the perishable hours of life
Each to the other, and the curious props
By which the world of memory and thought
Exists and is sustained. More lofty themes,
Such as at least do wear a prouder face,
Solicit our regard; but when I think
Of these, I feel the imaginative power
Languish within me; even then it slept,
When, pressed by tragic sufferings, the heart
Was more than full; amid my sobs and tears
It slept, even in the pregnant season of youth.
For though I was most passionately moved
And yielded to all changes of the scene
With an obsequious promptness, yet the storm
Passed not beyond the suburbs of the mind;
Save when realities of act and mien,
The incarnation of the spirits that move
In harmony amid the Poet's world,
Rose to ideal grandeur, or, called forth
By power of contrast, made me recognise,
As at a glance, the things which I had shaped,
And yet not shaped, had seen and scarcely seen,
When, having closed the mighty Shakspeare's page,
I mused, and thought, and felt, in solitude.

Pass we from entertainments, that are such
Professedly, to others titled higher,
Yet, in the estimate of youth at least,
More near akin to those than names imply,--
I mean the brawls of lawyers in their courts
Before the ermined judge, or that great stage
Where senators, tongue-favoured men, perform,
Admired and envied. Oh! the beating heart,
When one among the prime of these rose up,--
One, of whose name from childhood we had heard
Familiarly, a household term, like those,
The Bedfords, Glosters, Salsburys, of old,
Whom the fifth Harry talks of. Silence! hush!
This is no trifler, no short-flighted wit,
No stammerer of a minute, painfully
Delivered, No! the Orator hath yoked
The Hours, like young Aurora, to his car:
Thrice welcome Presence! how can patience e'er
Grow weary of attending on a track
That kindles with such glory! All are charmed,
Astonished; like a hero in romance,
He winds away his never-ending horn;
Words follow words, sense seems to follow sense:
What memory and what logic! till the strain
Transcendent, superhuman as it seemed,
Grows tedious even in a young man's ear.

Genius of Burke! forgive the pen seduced
By specious wonders, and too slow to tell
Of what the ingenuous, what bewildered men,
Beginning to mistrust their boastful guides,
And wise men, willing to grow wiser, caught,
Rapt auditors! from thy most eloquent tongue--
Now mute, for ever mute in the cold grave.
I see him,--old, but vigorous in age,--
Stand like an oak whose stag-horn branches start
Out of its leafy brow, the more to awe
The younger brethren of the grove. But some--
While he forewarns, denounces, launches forth,
Against all systems built on abstract rights,
Keen ridicule; the majesty proclaims
Of Institutes and Laws, hallowed by time;
Declares the vital power of social ties
Endeared by Custom; and with high disdain,
Exploding upstart Theory, insists
Upon the allegiance to which men are born--
Some--say at once a froward multitude--
Murmur (for truth is hated, where not loved)
As the winds fret within the Aeolian cave,
Galled by their monarch's chain. The times were big
With ominous change, which, night by night, provoked
Keen struggles, and black clouds of passion raised;
But memorable moments intervened,
When Wisdom, like the Goddess from Jove's brain,
Broke forth in armour of resplendent words,
Startling the Synod. Could a youth, and one
In ancient story versed, whose breast had heaved
Under the weight of classic eloquence,
Sit, see, and hear, unthankful, uninspired?

Nor did the Pulpit's oratory fail
To achieve its higher triumph. Not unfelt
Were its admonishments, nor lightly heard
The awful truths delivered thence by tongues
Endowed with various power to search the soul;
Yet ostentation, domineering, oft
Poured forth harangues, how sadly out of place!--
There have I seen a comely bachelor,
Fresh from a toilette of two hours, ascend
His rostrum, with seraphic glance look up,
And, in a tone elaborately low
Beginning, lead his voice through many a maze
A minuet course; and, winding up his mouth,
From time to time, into an orifice
Most delicate, a lurking eyelet, small,
And only not invisible, again
Open it out, diffusing thence a smile
Of rapt irradiation, exquisite.
Meanwhile the Evangelists, Isaiah, Job,
Moses, and he who penned, the other day,
The Death of Abel, Shakspeare, and the Bard
Whose genius spangled o'er a gloomy theme
With fancies thick as his inspiring stars,
And Ossian (doubt not--'tis the naked truth)
Summoned from streamy Morven--each and all
Would, in their turns, lend ornaments and flowers
To entwine the crook of eloquence that helped
This pretty Shepherd, pride of all the plains,
To rule and guide his captivated flock.

I glance but at a few conspicuous marks,
Leaving a thousand others, that, in hall,
Court, theatre, conventicle, or shop,
In public room or private, park or street,
Each fondly reared on his own pedestal,
Looked out for admiration. Folly, vice,
Extravagance in gesture, mien, and dress,
And all the strife of singularity,
Lies to the ear, and lies to every sense--
Of these, and of the living shapes they wear,
There is no end. Such candidates for regard,
Although well pleased to be where they were found,
I did not hunt after, nor greatly prize,
Nor made unto myself a secret boast
Of reading them with quick and curious eye;
But, as a common produce, things that are
To-day, to-morrow will be, took of them
Such willing note, as, on some errand bound
That asks not speed, a traveller might bestow
On sea-shells that bestrew the sandy beach,
Or daisies swarming through the fields of June.

But foolishness and madness in parade,
Though most at home in this their dear domain,
Are scattered everywhere, no rarities,
Even to the rudest novice of the Schools.
Me, rather, it employed, to note, and keep
In memory, those individual sights
Of courage, or integrity, or truth,
Or tenderness, which there, set off by foil,
Appeared more touching. One will I select--
A Father--for he bore that sacred name;--
Him saw I, sitting in an open square,
Upon a corner-stone of that low wall,
Wherein were fixed the iron pales that fenced
A spacious grass-plot; there, in silence, sate
This One Man, with a sickly babe outstretched
Upon his knee, whom he had thither brought
For sunshine, and to breathe the fresher air.
Of those who passed, and me who looked at him,
He took no heed; but in his brawny arms
(The Artificer was to the elbow bare,
And from his work this moment had been stolen)
He held the child, and, bending over it,
As if he were afraid both of the sun
And of the air, which he had come to seek,
Eyed the poor babe with love unutterable.

As the black storm upon the mountain top
Sets off the sunbeam in the valley, so
That huge fermenting mass of human-kind
Serves as a solemn back-ground, or relief,
To single forms and objects, whence they draw,
For feeling and contemplative regard,
More than inherent liveliness and power.
How oft, amid those overflowing streets,
Have I gone forward with the crowd, and said
Unto myself, 'The face of every one
That passes by me is a mystery!'
Thus have I looked, nor ceased to look, oppressed
By thoughts of what and whither, when and how,
Until the shapes before my eyes became
A second-sight procession, such as glides
Over still mountains, or appears in dreams;
And once, far-travelled in such mood, beyond
The reach of common indication, lost
Amid the moving pageant, I was smitten
Abruptly, with the view (a sight not rare)
Of a blind Beggar, who, with upright face,
Stood, propped against a wall, upon his chest
Wearing a written paper, to explain
His story, whence he came, and who he was.
Caught by the spectacle my mind turned round
As with the might of waters; and apt type
This label seemed of the utmost we can know,
Both of ourselves and of the universe;
And, on the shape of that unmoving man,
His steadfast face and sightless eyes, I gazed,
As if admonished from another world.

Though reared upon the base of outward things,
Structures like these the excited spirit mainly
Builds for herself; scenes different there are,
Full-formed, that take, with small internal help,
Possession of the faculties,--the peace
That comes with night; the deep solemnity
Of nature's intermediate hours of rest,
When the great tide of human life stands still:
The business of the day to come, unborn,
Of that gone by, locked up, as in the grave;
The blended calmness of the heavens and earth,
Moonlight and stars, and empty streets, and sounds
Unfrequent as in deserts; at late hours
Of winter evenings, when unwholesome rains
Are falling hard, with people yet astir,
The feeble salutation from the voice
Of some unhappy woman, now and then
Heard as we pass, when no one looks about,
Nothing is listened to. But these, I fear,
Are falsely catalogued; things that are, are not,
As the mind answers to them, or the heart
Is prompt, or slow, to feel. What say you, then,
To times, when half the city shall break out
Full of one passion, vengeance, rage, or fear?
To executions, to a street on fire,
Mobs, riots, or rejoicings? From these sights
Take one,--that ancient festival, the Fair,
Holden where martyrs suffered in past time,
And named of St. Bartholomew; there, see
A work completed to our hands, that lays,
If any spectacle on earth can do,
The whole creative powers of man asleep!--
For once, the Muse's help will we implore,
And she shall lodge us, wafted on her wings,
Above the press and danger of the crowd,
Upon some showman's platform. What a shock
For eyes and ears! what anarchy and din,
Barbarian and infernal,--a phantasma,
Monstrous in colour, motion, shape, sight, sound!
Below, the open space, through every nook
Of the wide area, twinkles, is alive
With heads; the midway region, and above,
Is thronged with staring pictures and huge scrolls,
Dumb proclamations of the Prodigies;
With chattering monkeys dangling from their poles,
And children whirling in their roundabouts;
With those that stretch the neck and strain the eyes,
And crack the voice in rivalship, the crowd
Inviting; with buffoons against buffoons
Grimacing, writhing, screaming,--him who grinds
The hurdy-gurdy, at the fiddle weaves,
Rattles the salt-box, thumps the kettle-drum,
And him who at the trumpet puffs his cheeks,
The silver-collared Negro with his timbrel,
Equestrians, tumblers, women, girls, and boys,
Blue-breeched, pink-vested, with high-towering plumes.--
All moveables of wonder, from all parts,
Are here--Albinos, painted Indians, Dwarfs,
The Horse of knowledge, and the learned Pig,
The Stone-eater, the man that swallows fire,
Giants, Ventriloquists, the Invisible Girl,
The Bust that speaks and moves its goggling eyes,
The Wax-work, Clock-work, all the marvellous craft
Of modern Merlins, Wild Beasts, Puppet-shows,
All out-o'-the-way, far-fetched, perverted things,
All freaks of nature, all Promethean thoughts
Of man, his dulness, madness, and their feats
All jumbled up together, to compose
A Parliament of Monsters. Tents and Booths
Meanwhile, as if the whole were one vast mill,
Are vomiting, receiving on all sides,
Men, Women, three-years' Children, Babes in arms.

Oh, blank confusion! true epitome
Of what the mighty City is herself,
To thousands upon thousands of her sons,
Living amid the same perpetual whirl
Of trivial objects, melted and reduced
To one identity, by differences
That have no law, no meaning, and no end--
Oppression, under which even highest minds
Must labour, whence the strongest are not free.
But though the picture weary out the eye,
By nature an unmanageable sight,
It is not wholly so to him who looks
In steadiness, who hath among least things
An under-sense of greatest; sees the parts
As parts, but with a feeling of the whole.
This, of all acquisitions, first awaits
On sundry and most widely different modes
Of education, nor with least delight
On that through which I passed. Attention springs,
And comprehensiveness and memory flow,
From early converse with the works of God
Among all regions; chiefly where appear
Most obviously simplicity and power.
Think, how the everlasting streams and woods,
Stretched and still stretching far and wide, exalt
The roving Indian, on his desert sands:
What grandeur not unfelt, what pregnant show
Of beauty, meets the sun-burnt Arab's eye:
And, as the sea propels, from zone to zone,
Its currents; magnifies its shoals of life
Beyond all compass; spreads, and sends aloft
Armies of clouds,--even so, its powers and aspects
Shape for mankind, by principles as fixed,
The views and aspirations of the soul
To majesty. Like virtue have the forms
Perennial of the ancient hills; nor less
The changeful language of their countenances
Quickens the slumbering mind, and aids the thoughts,
However multitudinous, to move
With order and relation. This, if still,
As hitherto, in freedom I may speak,
Not violating any just restraint,
As may be hoped, of real modesty,--
This did I feel, in London's vast domain.
The Spirit of Nature was upon me there;
The soul of Beauty and enduring Life
Vouchsafed her inspiration, and diffused,
Through meagre lines and colours, and the press
Of self-destroying, transitory things,
Composure, and ennobling Harmony.