When A Merry Maiden Marries

When a merry maiden marries,
Sorrow goes and pleasure tarries;
Every sound becomes a song,
All is right and nothing's wrong!
From to-day and ever after
Let your tears be tears of laughter -
Every sigh that finds a vent
Be a sigh of sweet content!
When you marry merry maiden,
Then the air with love is laden;
Every flower is a rose,
Every goose becomes a swan,
Every kind of trouble goes
Where the last year's snows have gone;
Sunlight takes the place of shade
When you marry merry maid!

When a merry maiden marries
Sorrow goes and pleasure tarries;
Every sound becomes a song,
All is right, and nothing's wrong.
Gnawing Care and aching Sorrow,
Get ye gone until to-morrow;
Jealousies in grim array,
Ye are things of yesterday!
When you marry merry maiden,
Then the air with joy is laden;
All the corners of the earth
Ring with music sweetly played,
Worry is melodious mirth,
Grief is joy in masquerade;
Sullen night is laughing day -
All the year is merry May!

They intend to send a wire
To the moon;
And they'll set the Thames on fire
Very soon;
Then they learn to make silk purses
With their rigs
From the ears of LADY CIRCE'S
Piggy-wigs.
And weasels at their slumbers
They'll trepan;
To get sunbeams from cuCUMbers
They've a plan.
They've a firmly rooted notion
They can cross the Polar Ocean,
And they'll find Perpetual Motion
If they can!

These are the phenomena
That every pretty domina
Hopes that we shall see
At this Universitee!

As for fashion, they forswear it,
So they say,
And the circle - they will square it
Some fine day;
Then the little pigs they're teaching
For to fly;
And the niggers they'll be bleaching
By-and-by!
Each newly joined aspirant
To the clan
Must repudiate the tyrant
Known as Man;
They mock at him and flout him,
For they do not care about him,
And they're "going to do without him"
If they can!

These are the phenomena
That every pretty domina
Hopes that we shall see
At this Universitee!

Only A Dancing Girl

Only a dancing girl,
With an unromantic style,
With borrowed colour and curl,
With fixed mechanical smile,
With many a hackneyed wile,
With ungrammatical lips,
And corns that mar her trips.

Hung from the "flies" in air,
She acts a palpable lie,
She's as little a fairy there
As unpoetical I!
I hear you asking, Why -
Why in the world I sing
This tawdry, tinselled thing?

No airy fairy she,
As she hangs in arsenic green
From a highly impossible tree
In a highly impossible scene
(Herself not over-clean).
For fays don't suffer, I'm told,
From bunions, coughs, or cold.

And stately dames that bring
Their daughters there to see,
Pronounce the "dancing thing"
No better than she should be,
With her skirt at her shameful knee,
And her painted, tainted phiz:
Ah, matron, which of us is?

(And, in sooth, it oft occurs
That while these matrons sigh,
Their dresses are lower than hers,
And sometimes half as high;
And their hair is hair they buy,
And they use their glasses, too,
In a way she'd blush to do.)

But change her gold and green
For a coarse merino gown,
And see her upon the scene
Of her home, when coaxing down
Her drunken father's frown,
In his squalid cheerless den:
She's a fairy truly, then!

An English Girl

A wonderful joy our eyes to bless,
In her magnificent comeliness,
Is an English girl of eleven stone two,
And five foot ten in her dancing shoe!
She follows the hounds, and on she pounds -
The "field" tails off and the muffs diminish -
Over the hedges and brooks she bounds -
Straight as a crow, from find to finish.
At cricket, her kin will lose or win -
She and her maids, on grass and clover,
Eleven maids out - eleven maids in -
(And perhaps an occasional "maiden over").
Go search the world and search the sea,
Then come you home and sing with me
There's no such gold and no such pearl
As a bright and beautiful English girl!

With a ten-mile spin she stretches her limbs,
She golfs, she punts, she rows, she swims -
She plays, she sings, she dances, too,
From ten or eleven till all is blue!
At ball or drum, till small hours come
(Chaperon's fan conceals her yawning),
She'll waltz away like a teetotum,
And never go home till daylight's dawning.
Lawn tennis may share her favours fair -
Her eyes a-dance and her cheeks a-glowing -
Down comes her hair, but what does she care?
It's all her own and it's worth the showing!
Go search the world and search the sea,
Then come you home and sing with me
There's no such gold and no such pearl
As a bright and beautiful English girl!

Her soul is sweet as the ocean air,
For prudery knows no haven there;
To find mock-modesty, please apply
To the conscious blush and the downcast eye.
Rich in the things contentment brings,
In every pure enjoyment wealthy,
Blithe as a beautiful bird she sings,
For body and mind are hale and healthy.
Her eyes they thrill with right goodwill -
Her heart is light as a floating feather -
As pure and bright as the mountain rill
That leaps and laughs in the Highland heather!
Go search the world and search the sea,
Then come you home and sing with me
There's no such gold and no such pearl
As a bright and beautiful English girl!

Haunted? Ay, in a social way
By a body of ghosts in dread array;
But no conventional spectres they -
Appalling, grim, and tricky:
I quail at mine as I'd never quail
At a fine traditional spectre pale,
With a turnip head and a ghostly wail,
And a splash of blood on the dickey!

Mine are horrible, social ghosts, -
Speeches and women and guests and hosts,
Weddings and morning calls and toasts,
In every bad variety:
Ghosts who hover about the grave
Of all that's manly, free, and brave:
You'll find their names on the architrave
Of that charnel-house, Society.

Black Monday - black as its school-room ink -
With its dismal boys that snivel and think
Of its nauseous messes to eat and drink,
And its frozen tank to wash in.
That was the first that brought me grief,
And made me weep, till I sought relief
In an emblematical handkerchief,
To choke such baby bosh in.

First and worst in the grim array-
Ghosts of ghosts that have gone their way,
Which I wouldn't revive for a single day
For all the wealth of PLUTUS -
Are the horrible ghosts that school-days scared:
If the classical ghost that BRUTUS dared
Was the ghost of his "Caesar" unprepared,
I'm sure I pity BRUTUS.

I pass to critical seventeen;
The ghost of that terrible wedding scene,
When an elderly Colonel stole my Queen,
And woke my dream of heaven.
No schoolgirl decked in her nurse-room curls
Was my gushing innocent Queen of Pearls;
If she wasn't a girl of a thousand girls,
She was one of forty-seven!

I see the ghost of my first cigar,
Of the thence-arising family jar -
Of my maiden brief (I was at the Bar,
And I called the Judge "Your wushup!")
Of reckless days and reckless nights,
With wrenched-off knockers, extinguished lights,
Unholy songs and tipsy fights,
Which I strove in vain to hush up.

Ghosts of fraudulent joint-stock banks,
Ghosts of "copy, declined with thanks,"
Of novels returned in endless ranks,
And thousands more, I suffer.
The only line to fitly grace
My humble tomb, when I've run my race,
Is, "Reader, this is the resting-place
Of an unsuccessful duffer."

I've fought them all, these ghosts of mine,
But the weapons I've used are sighs and brine,
And now that I'm nearly forty-nine,
Old age is my chiefest bogy;
For my hair is thinning away at the crown,
And the silver fights with the worn-out brown;
And a general verdict sets me down
As an irreclaimable fogy.

Lieutenant-Colonel Flare

The earth has armies plenty,
And semi-warlike bands,
I dare say there are twenty
In European lands;
But, oh! in no direction
You'd find one to compare
In brotherly affection
With that of COLONEL FLARE.

His soldiers might be rated
As military Pearls.
As unsophisticated
As pretty little girls!
They never smoked or ratted,
Or talked of Sues or Polls;
The Sergeant-Major tatted,
The others nursed their dolls.

He spent his days in teaching
These truly solemn facts;
There's little use in preaching,
Or circulating tracts.
(The vainest plan invented
For stifling other creeds,
Unless it's supplemented
With charitable DEEDS.)

He taught his soldiers kindly
To give at Hunger's call:
"Oh, better far give blindly,
Than never give at all!
Though sympathy be kindled
By Imposition's game,
Oh, better far be swindled
Than smother up its flame!"

His means were far from ample
For pleasure or for dress,
Yet note this bright example
Of single-heartedness:
Though ranking as a Colonel,
His pay was but a groat,
While their reward diurnal
Was - each a five-pound note.

Moreover, - this evinces
His kindness, you'll allow, -
He fed them all like princes,
And lived himself on cow.
He set them all regaling
On curious wines, and dear,
While he would sit pale-ale-ing,
Or quaffing ginger-beer.

Then at his instigation
(A pretty fancy this)
Their daily pay and ration
He'd take in change for his;
They brought it to him weekly,
And he without a groan,
Would take it from them meekly
And give them all his own!

Though not exactly knighted
As knights, of course, should be,
Yet no one so delighted
In harmless chivalry.
If peasant girl or ladye
Beneath misfortunes sank,
Whate'er distinctions made he,
They were not those of rank.

No maiden young and comely
Who wanted good advice
(However poor or homely)
Need ask him for it twice.
He'd wipe away the blindness
That comes of teary dew;
His sympathetic kindness
No sort of limit knew.

He always hated dealing
With men who schemed or planned;
A person harsh - unfeeling -
The Colonel could not stand.
He hated cold, suspecting,
Official men in blue,
Who pass their lives detecting
The crimes that others do.

For men who'd shoot a sparrow,
Or immolate a worm
Beneath a farmer's harrow,
He could not find a term.
Humanely, ay, and knightly
He dealt with such an one;
He took and tied him tightly,
And blew him from a gun.

The earth has armies plenty,
And semi-warlike bands,
I'm certain there are twenty
In European lands;
But, oh! in no direction
You'd find one to compare
In brotherly affection
With that of COLONEL FLARE.

The Periwinkle Girl

I've often thought that headstrong youths
Of decent education,
Determine all-important truths,
With strange precipitation.

The ever-ready victims they,
Of logical illusions,
And in a self-assertive way
They jump at strange conclusions.

Now take my case: Ere sorrow could
My ample forehead wrinkle,
I had determined that I should
Not care to be a winkle.

"A winkle," I would oft advance
With readiness provoking,
"Can seldom flirt, and never dance,
Or soothe his mind by smoking."

In short, I spurned the shelly joy,
And spoke with strange decision -
Men pointed to me as a boy
Who held them in derision.

But I was young - too young, by far -
Or I had been more wary,
I knew not then that winkles are
The stock-in-trade of MARY.

I had not watched her sunlight blithe
As o'er their shells it dances -
I've seen those winkles almost writhe
Beneath her beaming glances.

Of slighting all the winkly brood
I surely had been chary,
If I had known they formed the food
And stock-in-trade of MARY.

Both high and low and great and small
Fell prostrate at her tootsies,
They all were noblemen, and all
Had balances at COUTTS'S.

Dukes with the lovely maiden dealt,
DUKE BAILEY and DUKE HUMPHY,
Who ate her winkles till they felt
Exceedingly uncomfy.

DUKE BAILEY greatest wealth computes,
And sticks, they say, at no-thing,
He wears a pair of golden boots
And silver underclothing.

DUKE HUMPHY, as I understand,
Though mentally acuter,
His boots are only silver, and
His underclothing pewter.

A third adorer had the girl,
A man of lowly station -
A miserable grov'ling Earl
Besought her approbation.

This humble cad she did refuse
With much contempt and loathing,
He wore a pair of leather shoes
And cambric underclothing!

"Ha! ha!" she cried. "Upon my word!
Well, really - come, I never!
Oh, go along, it's too absurd!
My goodness! Did you ever?

"Two Dukes would Mary make a bride,
And from her foes defend her" -
"Well, not exactly that," they cried,
"We offer guilty splendour.

"We do not offer marriage rite,
So please dismiss the notion!"
"Oh dear," said she, "that alters quite
The state of my emotion."

The Earl he up and says, says he,
"Dismiss them to their orgies,
For I am game to marry thee
Quite reg'lar at St. George's."

(He'd had, it happily befell,
A decent education,
His views would have befitted well
A far superior station.)

His sterling worth had worked a cure,
She never heard him grumble;
She saw his soul was good and pure,
Although his rank was humble.

Her views of earldoms and their lot,
All underwent expansion -
Come, Virtue in an earldom's cot!
Go, Vice in ducal mansion!

The Sailor Boy To His Lass

I go away this blessed day,
To sail across the sea, MATILDA!
My vessel starts for various parts
At twenty after three, MATILDA.
I hardly know where we may go,
Or if it's near or far, MATILDA,
For CAPTAIN HYDE does not confide
In any 'fore-mast tar, MATILDA!

Beneath my ban that mystic man
Shall suffer, COUTE QUI COUTE, MATILDA!
What right has he to keep from me
The Admiralty route, MATILDA?
Because, forsooth! I am a youth
Of common sailors' lot, MATILDA!
Am I a man on human plan
Designed, or am I not, MATILDA?

But there, my lass, we'll let that pass!
With anxious love I burn, MATILDA.
I want to know if we shall go
To church when I return, MATILDA?
Your eyes are red, you bow your head;
It's pretty clear you thirst, MATILDA,
To name the day - What's that you say?
- "You'll see me further first," MATILDA?

I can't mistake the signs you make,
Although you barely speak, MATILDA;
Though pure and young, you thrust your tongue
Right in your pretty cheek, MATILDA!
My dear, I fear I hear you sneer -
I do - I'm sure I do, MATILDA!
With simple grace you make a face,
Ejaculating, "Ugh!" MATILDA.

Oh, pause to think before you drink
The dregs of Lethe's cup, MATILDA!
Remember, do, what I've gone through,
Before you give me up, MATILDA!
Recall again the mental pain
Of what I've had to do, MATILDA!
And be assured that I've endured
It, all along of you, MATILDA!

Do you forget, my blithesome pet,
How once with jealous rage, MATILDA,
I watched you walk and gaily talk
With some one thrice your age, MATILDA?
You squatted free upon his knee,
A sight that made me sad, MATILDA!
You pinched his cheek with friendly tweak,
Which almost drove me mad, MATILDA!

I knew him not, but hoped to spot
Some man you thought to wed, MATILDA!
I took a gun, my darling one,
And shot him through the head, MATILDA!
I'm made of stuff that's rough and gruff
Enough, I own; but, ah, MATILDA!
It DID annoy your sailor boy
To find it was your pa, MATILDA!

I've passed a life of toil and strife,
And disappointments deep, MATILDA;
I've lain awake with dental ache
Until I fell asleep, MATILDA!
At times again I've missed a train,
Or p'rhaps run short of tin, MATILDA,
And worn a boot on corns that shoot,
Or, shaving, cut my chin, MATILDA.

But, oh! no trains - no dental pains -
Believe me when I say, MATILDA,
No corns that shoot - no pinching boot
Upon a summer day, MATILDA -
It's my belief, could cause such grief
As that I've suffered for, MATILDA,
My having shot in vital spot
Your old progenitor, MATILDA.

Bethink you how I've kept the vow
I made one winter day, MATILDA -
That, come what could, I never would
Remain too long away, MATILDA.
And, oh! the crimes with which, at times,
I've charged my gentle mind, MATILDA,
To keep the vow I made - and now
You treat me so unkind, MATILDA!

For when at sea, off Caribbee,
I felt my passion burn, MATILDA,
By passion egged, I went and begged
The captain to return, MATILDA.
And when, my pet, I couldn't get
That captain to agree, MATILDA,
Right through a sort of open port
I pitched him in the sea, MATILDA!

Remember, too, how all the crew
With indignation blind, MATILDA,
Distinctly swore they ne'er before
Had thought me so unkind, MATILDA.
And how they'd shun me one by one -
An unforgiving group, MATILDA -
I stopped their howls and sulky scowls
By pizening their soup, MATILDA!

So pause to think, before you drink
The dregs of Lethe's cup, MATILDA;
Remember, do, what I've gone through,
Before you give me up, MATILDA.
Recall again the mental pain
Of what I've had to do, MATILDA,
And be assured that I've endured
It, all along of you, MATILDA!

The Sorcerer: Act Ii

DRAMATIS PERSONAE

Sir Marmaduke Pointdextre, an Elderly Baronet

Alexis, of the Grenadier Guards--His Son

Dr. Daly, Vicar of Ploverleigh

John Wellington Wells, of J. W. Wells & Co., Family Sorcerers

Lady Sangazure, a Lady of Ancient Lineage

Aline, Her Daughter--betrothed to Alexis

Mrs. Partlet, a Pew-Opener

Constance, her Daughter

Chorus of Villagers


(Twelve hours are supposed to elapse between Acts I and II)

ACT II-- Grounds of Sir Marmaduke's Mansion, Midnight


Scene--Exterior of Sir Marmaduke's mansion by moonlight. All the
peasantry are discovered asleep on the ground, as at the end
of Act I.

Enter Mr. Wells, on tiptoe, followed by Alexis and Aline. Mr. Wells
carries a dark lantern.

TRIO--ALEXIS, ALINE, and MR. WELLS

'Tis twelve, I think,
And at this mystic hour
The magic drink
Should manifest its power.
Oh, slumbering forms,
How little ye have guessed
That fire that warms
Each apathetic breast!

ALEXIS. But stay, my father is not here!

ALINE. And pray where is my mother dear?

MR. WELLS. I did not think it meet to see
A dame of lengthy pedigree,
A Baronet and K.C.B.
A Doctor of Divinity,
And that respectable Q.C.,
All fast asleep, al-fresco-ly,
And so I had them taken home
And put to bed respectably!
I trust my conduct meets your approbation.

ALEXIS. Sir, you have acted with discrimination,
And shown more delicate appreciation
Than we expect of persons of your station.

MR. WELLS. But stay--they waken one by one --
The spell has worked--the deed is done!
I would suggest that we retire
While Love, the Housemaid, lights her kitchen
fire!

(Exeunt Mr. Wells, Alexis and Aline, on tiptoe, as the villagers
stretch their arms, yawn, rub their eyes, and sit up.)

MEN. Why, where be oi, and what be oi a doin',
A sleepin' out, just when the dews du rise?
GIRLS. Why, that's the very way your health to ruin,
And don't seem quite respectable likewise!
MEN (staring at girls). Eh, that's you!
Only think o' that now!
GIRLS (coyly). What may you be at, now?
Tell me, du!
MEN (admiringly). Eh, what a nose,
And eh, what eyes, miss!
Lips like a rose,
And cheeks likewise, miss!
GIRLS (coyly). Oi tell you true,
Which I've never done, sir,
Oi loike you
As I never loiked none, sir!
ALL. Eh, but oi du loike you!
MEN. If you'll marry me, I'll dig for you and
rake for you!
GIRLS. If you'll marry be, I'll scrub for you
and bake for you!
MEN. If you'll marry me, all others I'll
forsake for you!
ALL. All this will I du, if you marry
me!
GIRLS. If you'll marry me, I'll cook for you
and brew for you!
MEN. If you'll marry me, I've guineas not a
few for you!
GIRLS. If you'll marry me, I'll take you in and
du for you!
ALL. All this will I du, if you'll marry me!
Eh, but I do loike you!

Country Dance

(At end of dance, enter Constance in tears, leading Notary, who
carries an ear-trumpet)

Aria--CONSTANCE

Dear friends, take pity on my lot,
My cup is not of nectar!
I long have loved--as who would not?--
Our kind and reverend rector.
Long years ago my love began
So sweetly--yet so sadly--
But when I saw this plain old man,
Away my old affection ran--
I found I loved him madly.
Oh!

(To Notary) You very, very plain old man,
I love, I love you madly!
CHORUS. You very, very plain old man,
She loves, she loves you madly!
NOTARY. I am a very deaf old man,
And hear you very badly!

CONST. I know not why I love him so;
It is enchantment, surely!
He's dry and snuffy, deaf and slow
Ill-tempered, weak and poorly!
He's ugly, and absurdly dressed,
And sixty-seven nearly,
He's everything that I detest,
But if the truth must be confessed,
I love him very dearly!
Oh!

(To Notary) You're everything that I detest,
But still I love you dearly!

CHORUS. You've everything that girls detest,
But still she loves you dearly!

NOTARY. I caught that line, but for the rest,
I did not hear it clearly!

(During this verse Aline and Alexis have entered at back
unobserved.)

ALINE AND ALEXIS

ALEXIS. Oh joy! oh joy!
The charm works well,
And all are now united.

ALINE. The blind young boy
Obeys the spell,
And troth they all have plighted!

ENSEMBLE

Aline & Alexis Constance Notary

Oh joy! oh joy! Oh, bitter joy! Oh joy! oh joy!
The charm works well, No words can tell No words can tell
And all are now united! How my poor heart My state of mind
The blind young boy is blighted! delighted.
Obeys the spell, They'll soon employ They'll soon employ
A marriage bell, A marriage bell,
Their troth they all To say that we're To say that we're
have plighted. united. united.
True happiness I do confess True happiness
Reigns everywhere, A sorrow rare Reigns everywhere
And dwells with both My humbled spirit And dwells with both
the sexes. vexes. the sexes,
And all will bless And none will bless And all will bless
The thoughtful care Example rare Example rare
Of their beloved Of their beloved Of their beloved
Alexis! Alexis! Alexis!
(All, except Alexis and Aline, exeunt lovingly.)

ALINE. How joyful they all seem in their new-found
happiness! The whole village has paired off in the happiest
manner. And yet not a match has been made that the hollow world
would not consider ill-advised!
ALEXIS. But we are wiser--far wiser--than the world.
Observe the good that will become of these ill-assorted unions.
The miserly wife will check the reckless expenditure of her too
frivolous consort, the wealthy husband will shower innumerable
bonnets on his penniless bride, and the young and lively spouse
will cheer the declining days of her aged partner with comic
songs unceasing!
ALINE. What a delightful prospect for him!
ALEXIS. But one thing remains to be done, that my happiness
may be complete. We must drink the philtre ourselves, that I may
be assured of your love for ever and ever.
ALINE. Oh, Alexis, do you doubt me? Is it necessary that
such love as ours should be secured by artificial means? Oh, no,
no, no!
ALEXIS. My dear Aline, time works terrible changes, and I
want to place our love beyond the chance of change.
ALINE. Alexis, it is already far beyond that chance. Have
faith in me, for my love can never, never change!
ALEXIS. Then you absolutely refuse?
ALINE. I do. If you cannot trust me, you have no right to
love me--no right to be loved by me.
ALEXIS. Enough, Aline, I shall know how to interpret this
refusal.

BALLAD--ALEXIS

Thou hast the power thy vaunted love
To sanctify, all doubt above,
Despite the gathering shade:
To make that love of thine so sure
That, come what may, it must endure
Till time itself shall fade.
They love is but a flower
That fades within the hour!
If such thy love, oh, shame!
Call it by other name--
It is not love!

Thine is the power and thine alone,
To place me on so proud a throne
That kings might envy me!
A priceless throne of love untold,
More rare than orient pearl and gold.
But no! Thou wouldst be free!
Such love is like the ray
That dies within the day:
If such thy love, oh, shame!
Call it by other name--
It is not love!

Enter Dr. Daly.

DR. D. (musing) It is singular--it is very singular. It
has overthrown all my calculations. It is distinctly opposed to
the doctrine of averages. I cannot understand it.
ALINE. Dear Dr. Daly, what has puzzled you?
DR. D. My dear, this village has not hitherto been addicted
to marrying and giving in marriage. Hitherto the youths of this
village have not been enterprising, and the maidens have been
distinctly coy. Judge then of my surprise when I tell you that
the whole village came to me in a body just now, and implored me
to join them in matrimony with as little delay as possible. Even
your excellent father has hinted to me that before very long it
is not unlikely that he may also change his condition.
ALINE. Oh, Alexis--do you hear that? Are you not
delighted?
ALEXIS. Yes, I confess that a union between your mother and
my father would be a happy circumstance indeed. (Crossing to Dr.
Daly) My dear sir--the news that you bring us is very
gratifying.
DR. D. Yes--still, in my eyes, it has its melancholy side.
This universal marrying recalls the happy days--now, alas, gone
forever--when I myself might have--but tush! I am puling. I am
too old to marry--and yet, within the last half-hour, I have
greatly yearned for companionship. I never remarked it before,
but the young maidens of this village are very comely. So
likewise are the middle-aged. Also the elderly. All are
comely--and (with a deep sigh) all are engaged!
ALINE. Here comes your father.

Enter Sir Marmaduke with Mrs. Partlet, arm-in-arm

ALINE and ALEXIS (aside). Mrs. Partlet!
SIR M. Dr. Daly, give me joy. Alexis, my dear boy, you
will, I am sure, be pleased to hear that my declining days are
not unlikely to be solaced by the companionship of this good,
virtuous, and amiable woman.
ALEXIS. (rather taken aback) My dear father, this is not
altogether what I expected. I am certainly taken somewhat by
surprise. Still it can hardly be necessary to assure you that
any wife of yours is a mother of mine. (Aside to Aline.) It is
not quite what I could have wished.
MRS. P. (crossing to Alexis) Oh, sir, I entreat your
forgiveness. I am aware that socially I am not everything that
could be desired, nor am I blessed with an abundance of worldly
goods, but I can at least confer on your estimable father the
great and priceless dowry of a true, tender, and lovin' 'art!
ALEXIS (coldly). I do not question it. After all, a
faithful love is the true source of every earthly joy.
SIR M. I knew that my boy would not blame his poor father
for acting on the impulse of a heart that has never yet misled
him. Zorah is not perhaps what the world calls beautiful--
DR. D. Still she is comely--distinctly comely. (Sighs)
ALINE. Zorah is very good, and very clean, and honest, and
quite, quite sober in her habits: and that is worth far more than
beauty, dear Sir Marmaduke.
DR. D. Yes; beauty will fade and perish, but personal
cleanliness is practically undying, for it can be renewed
whenever it discovers symptoms of decay. My dear Sir Marmaduke,
I heartily congratulate you. (Sighs)

QUINTETTE

ALEXIS, ALINE, SIR MARMADUKE, ZORAH, and DR. DALY

ALEXIS. I rejoice that it's decided,
Happy now will be his life,
For my father is provided
With a true and tender wife.
She will tend him, nurse him, mend him,
Air his linen, dry his tears;
Bless the thoughtful fate that send him
Such a wife to soothe his years!

ALINE. No young giddy thoughtless maiden,
Full of graces, airs, and jeers--
But a sober widow, laden
With the weight of fifty years!

SIR M. No high-born exacting beauty
Blazing like a jewelled sun--
But a wife who'll do her duty,
As that duty should be done!

MRS. P. I'm no saucy minx and giddy--
Hussies such as them abound--
But a clean and tidy widdy
Well be-known for miles around!

DR.D. All the village now have mated,
All are happy as can be--
I to live alone am fated:
No one's left to marry me!

ENSEMBLE. She will tend him etc.

(Exeunt Sir Marmaduke, Mrs. Partlet, and Aline, with Alexis. Dr. Daly
looks after them sentimentally, then exits with a sigh.)

Enter Mr. Wells

RECITATIVE--MR. WELLS

Oh, I have wrought much evil with my spells!
An ill I can't undo!
This is too bad of you, J. W. Wells--
What wrong have they done you?
And see--another love-lorn lady comes--
Alas, poor stricken dame!
A gentle pensiveness her life benumbs--
And mine, alone, the blame!

Lady Sangazure enters. She is very melancholy

LADY S. Alas, ah me! and well-a-day!
I sigh for love, and well I may,
For I am very old and grey.
But stay!

(Sees Mr. Wells, and becomes fascinated by him.)

RECITATIVE

LADY S. What is this fairy form I see before me?
WELLS. Oh horrible!--She's going to adore me!
This last catastrophe is overpowering!
LADY S. Why do you glare at one with visage lowering?
For pity's sake recoil not thus from me!
WELLS. My lady leave me--this may never be!

DUET--LADY SANGAZURE and MR. WELLS

WELLS. Hate me! I drop my H's--have through life!
LADY S. Love me! I'll drop them too!
WELLS. Hate me! I always eat peas with a knife!
LADY S. Love me! I'll eat like you!
WELLS. Hate me! I spend the day at Rosherville!
LADY S. Love me! that joy I'll share!
WELLS. Hate me! I often roll down One Tree Hill!
LADY S. Love me! I'll join you there!

LADY S. Love me! My prejudices I will drop!
WELLS. Hate me! that's not enough!
LADY S. Love me! I'll come and help you in the shop!
WELLS. Hate me! the life is rough!
LADY S. Love me! my grammar I will all forswear!
WELLS. Hate me! abjure my lot!
LADY S. Love me! I'll stick sunflowers in my hair!
WELLS. Hate me! they'll suit you not!

RECITATIVE--MR. WELLS

At what I am going to say be not enraged--
I may not love you--for I am engaged!
LADY S. (horrified). Engaged!
WELLS. Engaged!
To a maiden fair,
With bright brown hair,
And a sweet and simple smile,
Who waits for me
By the sounding sea,
On a South Pacific isle.
WELLS (aside). A lie! No maiden waits me there!
LADY S. (mournfully). She has bright brown hair;
WELLS (aside). A lie! No maiden smiles on me!
LADY S. (mournfully). By the sounding sea!

ENSEMBLE

LADY SANGAZURE WELLS.

Oh agony, rage, despair! Oh, agony, rage, despair!
The maiden has bright brown hair, Oh, where will this end--oh, where?
And mine is as white as snow! I should like very much to know!
False man, it will be your fault, It will certainly be my fault,
If I go to my family vault, If she goes to her family vault,
And bury my life-long woe! To bury her life-long woe!

BOTH. The family vault--the family vault.
It will certainly be (your/my) fault.
If (I go/she goes) to (my/her) family vault,
To bury (my/her) life-long woe!

(Exit Lady Sangazure, in great anguish, accompanied by Mr. Wells.)

Enter Aline, Recitative

Alexis! Doubt me not, my loved one! See,
Thine uttered will is sovereign law to me!
All fear--all thought of ill I cast away!
It is my darling's will, and I obey!
(She drinks the philtre.)

The fearful deed is done,
My love is near!
I go to meet my own
In trembling fear!
If o'er us aught of ill
Should cast a shade,
It was my darling's will,
And I obeyed!

(As Aline is going off, she meets Dr. Daly, entering pensively. He
is playing on a flageolet. Under the influence of the spell
she at once becomes strangely fascinated by him, and
exhibits every symptom of being hopelessly in love with
him.)

SONG--DR. DALY

Oh, my voice is sad and low
And with timid step I go--
For with load of love o'er laden
I enquire of every maiden,
"Will you wed me, little lady?
Will you share my cottage shady?"
Little lady answers "No!
Thank you for your kindly proffer--
Good your heart, and full your coffer;
Yet I must decline your offer--
I'm engaged to So-and-so!"
So-and-so!
So-and-so! (flageolet solo)
She's engaged to So-and-so!
What a rogue young hearts to pillage;
What a worker on Love's tillage!
Every maiden in the village
Is engaged to So-and-so!
So-and-so!
So-and-so! (flageolet solo)
All engaged to So-and-so!

(At the end of the song Dr. Daly sees Aline, and, under the
influence of the potion, falls in love with her.)

ENSEMBLE--ALINE and DR. DALY.

Oh, joyous boon! oh, mad delight;
Oh, sun and moon! oh, day and night!
Rejoice, rejoice with me!
Proclaim our joy, ye birds above--
Yet brooklets, murmur forth our love,
In choral ecstasy:
ALINE. Oh, joyous boon!
DR. D. Oh, mad delight!
ALINE. Oh, sun and moon!
DR. D. Oh, day and night!
BOTH. Ye birds, and brooks, and fruitful trees,
With choral joy, delight the breeze--
Rejoice, rejoice with me!

Enter Alexis

ALEXIS (with rapture). Aline my only love, my happiness!
The philtre--you have tasted it?
ALINE (with confusion). Yes! Yes!
ALEXIS. Oh, joy, mine, mine for ever, and for aye!
(Embraces her.)
ALINE. Alexis, don't do that--you must not!

(Dr. Daly interposes between them)

ALEXIS (amazed). Why?

DUET--ALINE and DR. DALY

ALINE. Alas! that lovers thus should meet:
Oh, pity, pity me!
Oh, charge me not with cold deceit;
Oh, pity, pity me!
You bade me drink--with trembling awe
I drank, and, by the potion's law,
I loved the very first I saw!
Oh, pity, pity, me!

DR. D. My dear young friend, consoled be--
We pity, pity you.
In this I'm not an agent free--
We pity, pity you.
Some most extraordinary spell
O'er us has cast its magic fell--
The consequence I need not tell.
We pity, pity you.

ENSEMBLE

Some most extraordinary spell
O'er (us/them) has cast its magic fell--
The consequence (we/they) need not tell.
(We/They) pity, pity (thee!/me).

ALEXIS (furiously). False one, begone--I spurn thee,
To thy new lover turn thee!
Thy perfidy all men shall know,
ALINE (wildly). I could not help it!
ALEXIS (calling off). Come one, come all!
DR. D. We could not help it!
ALEXIS (calling off). Obey my call!
ALINE (wildly). I could not help it!
ALEXIS (calling off). Come hither, run!
DR. D. We could not help it!
ALEXIS (calling off). Come, every one!

Enter all the characters except Lady Sangazure and Mr. Wells

CHORUS

Oh, what is the matter, and what is the clatter?
He's glowering at her, and threatens a blow!
Oh, why does he batter the girl he did flatter?
And why does the latter recoil from him so?

RECITATIVE--ALEXIS

Prepare for sad surprises--
My love Aline despises!
No thought of sorrow shames her--
Another lover claims her!
Be his, false girl, for better or for worse--
But, ere you leave me, may a lover's curse--

DR. D. (coming forward). Hold! Be just. This poor child
drank the philtre at your instance. She hurried off to meet
you--but, most unhappily, she met me instead. As you had
administered the potion to both of us, the result was inevitable.
But fear nothing from me--I will be no man's rival. I shall quit
the country at once--and bury my sorrow in the congenial gloom of
a Colonial Bishopric.
ALEXIS. My excellent old friend! (Taking his hand--then
turning to Mr. Wells, who has entered with Lady Sangazure.) Oh, Mr.
Wells, what, what is to be done?
WELLS. I do not know--and yet--there is one means by which
this spell may be removed.
ALEXIS. Name it--oh, name it!
WELLS. Or you or I must yield up his life to Ahrimanes. I
would rather it were you. I should have no hesitation in
sacrificing my own life to spare yours, but we take stock next
week, and it would not be fair on the Co.
ALEXIS. True. Well, I am ready!
ALINE. No, no--Alexis--it must not be! Mr. Wells, if he
must die that all may be restored to their old loves, what is to
become of me? I should be left out in the cold, with no love to
be restored to!
WELLS. True--I did not think of that. (To the others) My
friends, I appeal to you, and I will leave the decision in your
hands.

FINALE

WELLS. Or I or he
Must die!
Which shall it be?
Reply!
SIR M. Die thou!
Thou art the cause of all offending!
DR. D. Die thou!
Yield to this decree unbending!
ALL. Die thou!
WELLS. So be it! I submit! My fate is sealed.
To public execration thus I yield!

(Falls on trap)

Be happy all--leave me to my despair--
I go--it matters not with whom--or where!

(Gong)

(All quit their present partners, and rejoin their old lovers.
Sir Marmaduke leaves Mrs. Partlet, and goes to Lady Sangazure.
Aline leaves Dr. Daly, and goes to Alexis. Dr. Daly leaves
Aline, and goes to Constance. Notary leaves Constance, and goes
to Mrs. Partlet. All the Chorus makes a corresponding change.)

ALL

GENTLEMEN. Oh, my adored one!
LADIES. Unmingled joy!
GENTLEMEN. Ecstatic rapture!
LADIES. Beloved boy!

(They embrace)

SIR M. Come to my mansion, all of you! At least
We'll crown our rapture with another feast!

ENSEMBLE

SIR MARMADUKE, LADY SANGAZURE, ALEXIS, and ALINE

Now to the banquet we press--
Now for the eggs and the ham--
Now for the mustard and cress--
Now for the strawberry jam!

CHORUS. Now to the banquet, etc.

DR. DALY, CONSTANCE, NOTARY, and MRS. PARTLET

Now for the tea of our host--
Now for the rollicking bun--
Now for the muffin and toast--
Now for the gay Sally Lunn!

CHORUS. Now for the tea, etc.

(General Dance)

(During the symphony Mr. Wells sinks through the trap, amid red
fire.)

CURTAIN