William Ernest Henley: Verses about Time

The spring, my dear,
Is no longer spring.
Does the blackbird sing
What he sang last year?
Are the skies the old
Immemorial blue?
Or am I, or are you,
Grown cold?

Though life be change,
It is hard to bear
When the old sweet air
Sounds forced and strange.
To be out of tune,
Plain You and I . . .
It were better to die,
And soon!

'Liza's old man's perhaps a little shady,
'Liza's old woman's prone to booze and cring;
But 'Liza deems herself a perfect lady,
And proves it in her feathers and her fringe.
For 'Liza has a bloke her heart to cheer,
With pearlies and a barrer and a jack,
So all the vegetables of the year
Are duly represented on her back.
Her boots are sacrifices to her hats,
Which knock you speechless-like a load of bricks!
Her summer velvets dazzle Wanstead Flats,
And cost, at times, a good eighteen-and-six.
Withal, outside the gay and giddy whirl,
'Liza's a stupid, straight, hard-working girl.

Let us be drunk, and for a while forget,
Forget, and, ceasing even from regret,
Live without reason and despite of rhyme,
As in a dream preposterous and sublime,
Where place and hour and means for once are met.

Where is the use of effort? Love and debt
And disappointment have us in a net.
Let us break out, and taste the morning prime . . .
Let us be drunk.

In vain our little hour we strut and fret,
And mouth our wretched parts as for a bet:
We cannot please the tragicaster Time.
To gain the crystal sphere, the silver dime,
Where Sympathy sits dimpling on us yet,
Let us be drunk!

O, Time and Change, they range and range
From sunshine round to thunder! -
They glance and go as the great winds blow,
And the best of our dreams drive under:
For Time and Change estrange, estrange -
And, now they have looked and seen us,
O, we that were dear, we are all-too near
With the thick of the world between us.

O, Death and Time, they chime and chime
Like bells at sunset falling! -
They end the song, they right the wrong,
They set the old echoes calling:
For Death and Time bring on the prime
Of God's own chosen weather,
And we lie in the peace of the Great Release
As once in the grass together.

When you are old, and I am passed away –
Passed, and your face, your golden face is gray –
I think, what’er the end, this dream of mine,
Comforting you, a friendly star will shine
Down the dim slope where you still stumble and stray.
So may it be: that so dead yesterday,
Not sad-eyed ghost but generous and gay,
May serve your memories like almighty wine,
When you are old!

Dear Heart, it shall be so. Under the sway
Of death the past’s enormous disarray
Lies hushed and dark. Yet though there come no sign,
Live on well pleased: immortal and divine
Love shall still tend you, as God’s angels may,
When you are old.

Time, the old humourist, has a trick to-day
Of moving landmarks and of levelling down,
Till into Town the Suburbs edge their way,
And in the Suburbs you may scent the Town.
With Mount Street thus approaching Muswell Hill,
And Clapham Common marching with the Mile,
You get a Hammersmith that fills the bill,
A Hampstead with a serious sense of style.
So this fair creature, pictured in The Row,
As one of that 'gay adulterous world,' whose round
Is by the Serpentine, as well would show,
And might, I deem, as readily be found
On Streatham's Hill, or Wimbledon's, or where
Brixtonian kitchens lard the late-dining air.

The greater masters of the commonplace,
REMBRANDT and good SIR WALTER-only these
Could paint her all to you: experienced ease
And antique liveliness and ponderous grace;
The sweet old roses of her sunken face;
The depth and malice of her sly, grey eyes;
The broad Scots tongue that flatters, scolds, defies;
The thick Scots wit that fells you like a mace.
These thirty years has she been nursing here,
Some of them under SYME , her hero still.
Much is she worth, and even more is made of her.
Patients and students hold her very dear.
The doctors love her, tease her, use her skill.
They say 'The Chief' himself is half-afraid of her.

If I were king, my pipe should be premier.
The skies of time and chance are seldom clear,
We would inform them all with bland blue weather.
Delight alone would need to shed a tear,
For dream and deed should war no more together.

Art should aspire, yet ugliness be dear;
Beauty, the shaft, should speed with wit for feather;
And love, sweet love, should never fall to sere,
If I were king.

But politics should find no harbour near;
The Philistine should fear to slip his tether;
Tobacco should be duty free, and beer;
In fact, in room of this, the age of leather,
An age of gold all radiant should appear,
If I were king.

His beat lies knee-high through a dust of story-
A dust of terror and torture, grief and crime;
Ghosts that are England's wonder, and shame, and glory
Throng where he walks, an antic of old time;
A sense of long immedicable tears
Were ever with him, could his ears but heed;
The stern Hic Jacets of our bloodiest years
Are for his reading, had he eyes to read,
But here, where Crookback raged, and Cranmer trimmed,
And More and Strafford faced the axe's proving,
He shows that Crown the desperate Colonel nimmed,
Or simply keeps the Country Cousin moving,
Or stays such Cockney pencillers as would shame
The wall where some dead Queen hath traced her name.

Joy of the Milliner, Envy of the Line,
Star of the Parks, jack-booted, sworded, helmed,
He sits between his holsters, solid of spine;
Nor, as it seems, though Westminster were whelmed,
With the great globe, in earthquake and eclipse,
Would he and his charger cease from mounting guard,
This Private in the Blues, nor would his lips
Move, though his gorge with throttled oaths were charred!
He wears his inches weightily, as he wears
His old-world armours; and with his port and pride,
His sturdy graces and enormous airs,
He towers, in speech his Colonel countrified,
A triumph, waxing statelier year by year,
Of British blood, and bone, and beef, and beer.

In the year that's come and gone, love, his flying feather
Stooping slowly, gave us heart, and bade us walk together.
In the year that's coming on, though many a troth be broken,
We at least will not forget aught that love hath spoken.

In the year that's come and gone, dear, we wove a tether
All of gracious words and thoughts, binding two together.
In the year that's coming on with its wealth of roses
We shall weave it stronger, yet, ere the circle closes.

In the year that's come and gone, in the golden weather,
Sweet, my sweet, we swore to keep the watch of life together.
In the year that's coming on, rich in joy and sorrow,
We shall light our lamp, and wait life's mysterious morrow.

The West a glimmering lake of light,
A dream of pearly weather,
The first of stars is burning white -
The star we watch together.
Is April dead? The unresting year
Will shape us our September,
And April's work is done, my dear -
Do you not remember?

O gracious eve! O happy star,
Still-flashing, glowing, sinking! -
Who lives of lovers near or far
So glad as I in thinking?
The gallant world is warm and green,
For May fulfils November.
When lights and leaves and loves have been,
Sweet, will you remember?

O star benignant and serene,
I take the good to-morrow,
That fills from verge to verge my dream,
With all its joy and sorrow!
The old, sweet spell is unforgot
That turns to June December;
And, tho' the world remembered not,
Love, we would remember.

Here they trysted, here they strayed,
In the leafage dewy and boon,
Many a man and many a maid,
And the morn was merry June.
'Death is fleet, Life is sweet,'
Sang the blackbird in the may;
And the hour with flying feet,
While they dreamed, was yesterday.

Many a maid and many a man
Found the leafage close and boon;
Many a destiny began -
O, the morn was merry June!
Dead and gone, dead and gone,
(Hark the blackbird in the may!),
Life and Death went hurrying on,
Cheek on cheek--and where were they?

Dust on dust engendering dust
In the leafage fresh and boon,
Man and maid fulfil their trust -
Still the morn turns merry June.
Mother Life, Father Death
(O, the blackbird in the may!),
Each the other's breath for breath,
Fleet the times of the world away.

Or ever the knightly years were gone
With the old world to the grave,
I was a King in Babylon
And you were a Christian Slave.

I saw, I took, I cast you by,
I bent and broke your pride.
You loved me well, or I heard them lie,
But your longing was denied.
Surely I knew that by and by
You cursed your gods and died.

And a myriad suns have set and shone
Since then upon the grave
Decreed by the King in Babylon
To her that had been his Slave.

The pride I trampled is now my scathe,
For it tramples me again.
The old resentment lasts like death,
For you love, yet you refrain.
I break my heart on your hard unfaith,
And I break my heart in vain.

Yet not for an hour do I wish undone
The deed beyond the grave,
When I was a King in Babylon
And you were a Virgin Slave.

Friends… old friends…
One sees how it ends.
A woman looks
Or a man lies,
And the pleasant brooks
And the quiet skies,
Ruined with brawling
And caterwauling,
Enchant no more
As they did before,
And so it ends
With friends.

Friends… old friends…
And what if it ends?
Shall we dare to shirk
What we live to learn?
It has done its work,
It has served its turn;
And, forgive and forget
Or hanker and fret,
We can be no more
As we were before.
When it ends, it ends
With friends.

Friends… old friends…
So it breaks, so it ends.
There let it rest!
It has fought and won,
And is still the best
That either has done.
Each as he stands
The work of its hands
Which shall be more
As he was before?…
What is it ends
With friends?

SONS of Shannon, Tamar, Trent,
Men of the Lothians, Men of Kent,
Essex, Wessex, shore and shire,
Mates of the net, the mine, the fire,
Lads of the wheel and desk and loom,
Noble and trader, squire and groom,
Come where the bugles of England play,
'Over the hills and far away!'

Southern Cross and Polar Star --
Here are the Britons bred afar;
Serry, O serry them, fierce and keen,
Under the flag of the Empress-Queen;
Shoulder to shoulder down the track,
Where, to the unretreating Jack,
The victor bugles of England play,
'Over the hills and far away!'

What if the best of our wages be
An empty sleeve, a stiff-set knee,
A crutch for the rest of life -- who cares,
So long as the One Flag floats and dares?
So long as the One Race dares and grows?
Death -- what is death but God's own rose?
Let but the bugles of England play,
'Over the hills and far away!'

Something is dead . . .
The grace of sunset solitudes, the march
Of the solitary moon, the pomp and power
Of round on round of shining soldier-stars
Patrolling space, the bounties of the sun -
Sovran, tremendous, unimaginable -
The multitudinous friendliness of the sea,
Possess no more--no more.

Something is dead . . .
The Autumn rain-rot deeper and wider soaks
And spreads, the burden of Winter heavier weighs,
His melancholy close and closer yet
Cleaves, and those incantations of the Spring
That made the heart a centre of miracles
Grow formal, and the wonder-working bours
Arise no more--no more.

Something is dead . . .
'Tis time to creep in close about the fire
And tell grey tales of what we were, and dream
Old dreams and faded, and as we may rejoice
In the young life that round us leaps and laughs,
A fountain in the sunshine, in the pride
Of God's best gift that to us twain returns,
Dear Heart, no more--no more.

Time and the Earth -
The old Father and Mother -
Their teeming accomplished,
Their purpose fulfilled,
Close with a smile
For a moment of kindness,
Ere for the winter
They settle to sleep.

Failing yet gracious,
Slow pacing, soon homing,
A patriarch that strolls
Through the tents of his children,
The Sun, as he journeys
His round on the lower
Ascents of the blue,
Washes the roofs
And the hillsides with clarity;
Charms the dark pools
Till they break into pictures;
Scatters magnificent
Alms to the beggar trees;
Touches the mist-folk,
That crowd to his escort,
Into translucencies
Radiant and ravishing:
As with the visible
Spirit of Summer
Gloriously vaporised,
Visioned in gold!

Love, though the fallen leaf
Mark, and the fleeting light
And the loud, loitering
Footfall of darkness
Sign to the heart
Of the passage of destiny,
Here is the ghost
Of a summer that lived for us,
Here is a promise
Of summers to be.

Was I a Samurai renowned,
Two-sworded, fierce, immense of bow?
A histrion angular and profound?
A priest? a porter?--Child, although
I have forgotten clean, I know
That in the shade of Fujisan,
What time the cherry-orchards blow,
I loved you once in old Japan.

As here you loiter, flowing-gowned
And hugely sashed, with pins a-row
Your quaint head as with flamelets crowned,
Demure, inviting--even so,
When merry maids in Miyako
To feel the sweet o' the year began,
And green gardens to overflow,
I loved you once in old Japan.

Clear shine the hills; the rice-fields round
Two cranes are circling; sleepy and slow,
A blue canal the lake's blue bound
Breaks at the bamboo bridge; and lo!
Touched with the sundown's spirit and glow,
I see you turn, with flirted fan,
Against the plum-tree's bloomy snow . . .
I loved you once in old Japan!

Envoy

Dear, 'twas a dozen lives ago;
But that I was a lucky man
The Toyokuni here will show:
I loved you--once--in old Japan.

There's a regret
So grinding, so immitigably sad,
Remorse thereby feels tolerant, even glad. ...
Do you not know it yet?

For deeds undone
Rnakle and snarl and hunger for their due,
Till there seems naught so despicable as you
In all the grin o' the sun.

Like an old shoe
The sea spurns and the land abhors, you lie
About the beach of Time, till by and by
Death, that derides you too --

Death, as he goes
His ragman's round, espies you, where you stray,
With half-an-eye, and kicks you out of his way
And then -- and then, who knows

But the kind Grave
Turns on you, and you feel the convict Worm,
In that black bridewell working out his term,
Hanker and grope and crave?

"Poor fool that might --
That might, yet would not, dared not, let this be,
Think of it, here and thus made over to me
In the implacable night!"

And writhing, fain
And like a triumphing lover, he shall take,
His fill where no high memory lives to make
His obscene victory vain.

Spring at her height on a morn at prime,
Sails that laugh from a flying squall,
Pomp of harmony, rapture of rhyme -
Youth is the sign of them, one and all.
Winter sunsets and leaves that fall,
An empty flagon, a folded page,
A tumble-down wheel, a tattered ball -
These are a type of the world of Age.

Bells that clash in a gaudy chime,
Swords that clatter in onsets tall,
The words that ring and the fames that climb -
Youth is the sign of them, one and all.
Hymnals old in a dusty stall,
A bald, blind bird in a crazy cage,
The scene of a faded festival -
These are a type of the world of Age.

Hours that strut as the heirs of time,
Deeds whose rumour's a clarion-call,
Songs where the singers their souls sublime -
Youth is the sign of them, one and all.
A staff that rests in a nook of wall,
A reeling battle, a rusted gage,
The chant of a nearing funeral -
These are a type of the world of Age.

Envoy

Struggle and turmoil, revel and brawl -
Youth is the sign of them, one and all.
A smouldering hearth and a silent stage -
These are a type of the world of Age.

Under a stagnant sky,
Gloom out of gloom uncoiling into gloom,
The River, jaded and forlorn,
Welters and wanders wearily--wretchedly--on;
Yet in and out among the ribs
Of the old skeleton bridge, as in the piles
Of some dead lake-built city, full of skulls,
Worm-worn, rat-riddled, mouldy with memories,
Lingers to babble to a broken tune
(Once, O, the unvoiced music of my heart!)
So melancholy a soliloquy
It sounds as it might tell
The secret of the unending grief-in-grain,
The terror of Time and Change and Death,
That wastes this floating, transitory world.

What of the incantation
That forced the huddled shapes on yonder shore
To take and wear the night
Like a material majesty?
That touched the shafts of wavering fire
About this miserable welter and wash -
(River, O River of Journeys, River of Dreams!) -
Into long, shining signals from the panes
Of an enchanted pleasure-house,
Where life and life might live life lost in life
For ever and evermore?

O Death! O Change! O Time!
Without you, O, the insuperable eyes
Of these poor Might-Have-Beens,
These fatuous, ineffectual Yesterdays!

Do you remember
That afternoon--that Sunday afternoon! -
When, as the kirks were ringing in,
And the grey city teemed
With Sabbath feelings and aspects,
LEWIS--our LEWIS then,
Now the whole world's--and you,
Young, yet in shape most like an elder, came,
Laden with BALZACS
(Big, yellow books, quite impudently French),
The first of many times
To that transformed back-kitchen where I lay
So long, so many centuries -
Or years is it!--ago?

Dear CHARLES, since then
We have been friends, LEWIS and you and I,
(How good it sounds, 'LEWIS and you and I!'):
Such friends, I like to think,
That in us three, LEWIS and me and you,
Is something of that gallant dream
Which old DUMAS--the generous, the humane,
The seven-and-seventy times to be forgiven! -
Dreamed for a blessing to the race,
The immortal Musketeers.

Our ATHOS rests--the wise, the kind,
The liberal and august, his fault atoned,
Rests in the crowded yard
There at the west of Princes Street. We three -
You, I, and LEWIS!--still afoot,
Are still together, and our lives,
In chime so long, may keep
(God bless the thought!)
Unjangled till the end.

Lived on one's back,
In the long hours of repose,
Life is a practical nightmare -
Hideous asleep or awake.

Shoulders and loins
Ache-- -!
Ache, and the mattress,
Run into boulders and hummocks,
Glows like a kiln, while the bedclothes -
Tumbling, importunate, daft -
Ramble and roll, and the gas,
Screwed to its lowermost,
An inevitable atom of light,
Haunts, and a stertorous sleeper
Snores me to hate and despair.

All the old time
Surges malignant before me;
Old voices, old kisses, old songs
Blossom derisive about me;
While the new days
Pass me in endless procession:
A pageant of shadows
Silently, leeringly wending
On . . . and still on . . . still on!

Far in the stillness a cat
Languishes loudly. A cinder
Falls, and the shadows
Lurch to the leap of the flame. The next man to me
Turns with a moan; and the snorer,
The drug like a rope at his throat,
Gasps, gurgles, snorts himself free, as the night-nurse,
Noiseless and strange,
Her bull's eye half-lanterned in apron,
(Whispering me, 'Are ye no sleepin' yet?'),
Passes, list-slippered and peering,
Round . . . and is gone.

Sleep comes at last -
Sleep full of dreams and misgivings -
Broken with brutal and sordid
Voices and sounds that impose on me,
Ere I can wake to it,
The unnatural, intolerable day.

A desolate shore,
The sinister seduction of the Moon,
The menace of the irreclaimable Sea.

Flaunting, tawdry and grim,
From cloud to cloud along her beat,
Leering her battered and inveterate leer,
She signals where he prowls in the dark alone,
Her horrible old man,
Mumbling old oaths and warming
His villainous old bones with villainous talk -
The secrets of their grisly housekeeping
Since they went out upon the pad
In the first twilight of self-conscious Time:
Growling, hideous and hoarse,
Tales of unnumbered Ships,
Goodly and strong, Companions of the Advance,
In some vile alley of the night
Waylaid and bludgeoned -
Dead.

Deep cellared in primeval ooze,
Ruined, dishonoured, spoiled,
They lie where the lean water-worm
Crawls free of their secrets, and their broken sides
Bulge with the slime of life. Thus they abide,
Thus fouled and desecrate,
The summons of the Trumpet, and the while
These Twain, their murderers,
Unravined, imperturbable, unsubdued,
Hang at the heels of their children--She aloft
As in the shining streets,
He as in ambush at some accomplice door.

The stalwart Ships,
The beautiful and bold adventurers!
Stationed out yonder in the isle,
The tall Policeman,
Flashing his bull's-eye, as he peers
About him in the ancient vacancy,
Tells them this way is safety--this way home.

Tree, Old Tree of the Triple Crook
And the rope of the Black Election,
'Tis the faith of the Fool that a race you rule
Can never achieve perfection:
So 'It's O, for the time of the new Sublime
And the better than human way,
When the Rat (poor beast) shall come to his own
And the Wolf shall have his day!'

For Tree, Old Tree of the Triple Beam
And the power of provocation,
You have cockered the Brute with your dreadful fruit
Till your fruit is mere stupration:
And 'It's how should we rise to be pure and wise,
And how can we choose but fall,
So long as the Hangman makes us dread,
And the Noose floats free for all?'

So Tree, Old Tree of the Triple Coign
And the trick there's no recalling,
They will haggle and hew till they hack you through
And at last they lay you sprawling:
When 'Hey! for the hour of the race in flower
And the long good-bye to sin!'
And for the lack the fires of Hell gone out
Of the fuel to keep them in!'

But Tree, Old Tree of the Triple Bough
And the ghastly Dreams that tend you,
Your growth began with the life of Man,
And only his death can end you.
They may tug in line at your hempen twine,
They may flourish with axe and saw;
But your taproot drinks of the Sacred Springs
In the living rock of Law.

And Tree, Old Tree of the Triple Fork,
When the spent sun reels and blunders
Down a welkin lit with the flare of the Pit
As it seethes in spate and thunders,
Stern on the glare of the tortured air
Your lines august shall gloom,
And your master-beam be the last thing whelmed
In the ruining roar of Doom.

In the waste hour
Between to-day and yesterday
We watched, while on my arm -
Living flesh of her flesh, bone of her bone -
Dabbled in sweat the sacred head
Lay uncomplaining, still, contemptuous, strange:
Till the dear face turned dead,
And to a sound of lamentation
The good, heroic soul with all its wealth -
Its sixty years of love and sacrifice,
Suffering and passionate faith--was reabsorbed
In the inexorable Peace,
And life was changed to us for evermore.

Was nothing left of her but tears
Like blood-drops from the heart?
Nought save remorse
For duty unfulfilled, justice undone,
And charity ignored? Nothing but love,
Forgiveness, reconcilement, where in truth,
But for this passing
Into the unimaginable abyss
These things had never been?

Nay, there were we,
Her five strong sons!
To her Death came--the great Deliverer came! -
As equal comes to equal, throne to throne.
She was a mother of men.

The stars shine as of old. The unchanging River,
Bent on his errand of immortal law,
Works his appointed way
To the immemorial sea.
And the brave truth comes overwhelmingly home:-
That she in us yet works and shines,
Lives and fulfils herself,
Unending as the river and the stars.

Dearest, live on
In such an immortality
As we thy sons,
Born of thy body and nursed
At those wild, faithful breasts,
Can give--of generous thoughts,
And honourable words, and deeds
That make men half in love with fate!
Live on, O brave and true,
In us thy children, in ours whose life is thine -
Our best and theirs! What is that best but thee -
Thee, and thy gift to us, to pass
Like light along the infinite of space
To the immitigable end?

Between the river and the stars,
O royal and radiant soul,
Thou dost return, thine influences return
Upon thy children as in life, and death
Turns stingless! What is Death
But Life in act? How should the Unteeming Grave
Be victor over thee,
Mother, a mother of men?

Not to the staring Day,
For all the importunate questionings he pursues
In his big, violent voice,
Shall those mild things of bulk and multitude,
The Trees--God's sentinels
Over His gift of live, life-giving air,
Yield of their huge, unutterable selves.
Midsummer-manifold, each one
Voluminous, a labyrinth of life,
They keep their greenest musings, and the dim dreams
That haunt their leafier privacies,
Dissembled, baffling the random gapeseed still
With blank full-faces, or the innocent guile
Of laughter flickering back from shine to shade,
And disappearances of homing birds,
And frolicsome freaks
Of little boughs that frisk with little boughs.

But at the word
Of the ancient, sacerdotal Night,
Night of the many secrets, whose effect -
Transfiguring, hierophantic, dread -
Themselves alone may fully apprehend,
They tremble and are changed.
In each, the uncouth individual soul
Looms forth and glooms
Essential, and, their bodily presences
Touched with inordinate significance,
Wearing the darkness like the livery
Of some mysterious and tremendous guild,
They brood--they menace--they appal;
Or the anguish of prophecy tears them, and they wring
Wild hands of warning in the face
Of some inevitable advance of the doom;
Or, each to the other bending, beckoning, signing
As in some monstrous market-place,
They pass the news, these Gossips of the Prime,
In that old speech their forefathers
Learned on the lawns of Eden, ere they heard
The troubled voice of Eve
Naming the wondering folk of Paradise.

Your sense is sealed, or you should hear them tell
The tale of their dim life, with all
Its compost of experience: how the Sun
Spreads them their daily feast,
Sumptuous, of light, firing them as with wine;
Of the old Moon's fitful solicitude
And those mild messages the Stars
Descend in silver silences and dews;
Or what the sweet-breathing West,
Wanton with wading in the swirl of the wheat,
Said, and their leafage laughed;
And how the wet-winged Angel of the Rain
Came whispering . . . whispering; and the gifts of the Year -
The sting of the stirring sap
Under the wizardry of the young-eyed Spring,
Their summer amplitudes of pomp,
Their rich autumnal melancholy, and the shrill,
Embittered housewifery
Of the lean Winter: all such things,
And with them all the goodness of the Master,
Whose right hand blesses with increase and life,
Whose left hand honours with decay and death.

Thus under the constraint of Night
These gross and simple creatures,
Each in his scores of rings, which rings are years,
A servant of the Will!
And God, the Craftsman, as He walks
The floor of His workshop, hearkens, full of cheer
In thus accomplishing
The aims of His miraculous artistry.

Down through the ancient Strand
The spirit of October, mild and boon
And sauntering, takes his way
This golden end of afternoon,
As though the corn stood yellow in all the land,
And the ripe apples dropped to the harvest-moon.

Lo! the round sun, half-down the western slope -
Seen as along an unglazed telescope -
Lingers and lolls, loth to be done with day:
Gifting the long, lean, lanky street
And its abounding confluences of being
With aspects generous and bland;
Making a thousand harnesses to shine
As with new ore from some enchanted mine,
And every horse's coat so full of sheen
He looks new-tailored, and every 'bus feels clean,
And never a hansom but is worth the feeing;
And every jeweller within the pale
Offers a real Arabian Night for sale;
And even the roar
Of the strong streams of toil, that pause and pour
Eastward and westward, sounds suffused -
Seems as it were bemused
And blurred, and like the speech
Of lazy seas on a lotus-haunted beach -
With this enchanted lustrousness,
This mellow magic, that (as a man's caress
Brings back to some faded face, beloved before,
A heavenly shadow of the grace it wore
Ere the poor eyes were minded to beseech)
Old things transfigures, and you hail and bless
Their looks of long-lapsed loveliness once more:
Till Clement's, angular and cold and staid,
Gleams forth in glamour's very stuffs arrayed;
And Bride's, her aery, unsubstantial charm
Through flight on flight of springing, soaring stone
Grown flushed and warm,
Laughs into life full-mooded and fresh-blown;
And the high majesty of Paul's
Uplifts a voice of living light, and calls -
Calls to his millions to behold and see
How goodly this his London Town can be!

For earth and sky and air
Are golden everywhere,
And golden with a gold so suave and fine
The looking on it lifts the heart like wine.
Trafalgar Square
(The fountains volleying golden glaze)
Shines like an angel-market. High aloft
Over his couchant Lions, in a haze
Shimmering and bland and soft,
A dust of chrysoprase,
Our Sailor takes the golden gaze
Of the saluting sun, and flames superb,
As once he flamed it on his ocean round.
The dingy dreariness of the picture-place,
Turned very nearly bright,
Takes on a luminous transiency of grace,
And shows no more a scandal to the ground.
The very blind man pottering on the kerb,
Among the posies and the ostrich feathers
And the rude voices touched with all the weathers
Of the long, varying year,
Shares in the universal alms of light.
The windows, with their fleeting, flickering fires,
The height and spread of frontage shining sheer,
The quiring signs, the rejoicing roofs and spires -
'Tis El Dorado--El Dorado plain,
The Golden City! And when a girl goes by,
Look! as she turns her glancing head,
A call of gold is floated from her ear!
Golden, all golden! In a golden glory,
Long-lapsing down a golden coasted sky,
The day, not dies but, seems
Dispersed in wafts and drifts of gold, and shed
Upon a past of golden song and story
And memories of gold and golden dreams.

Out of the poisonous East,
Over a continent of blight,
Like a maleficent Influence released
From the most squalid cellerage of hell,
The Wind-Fiend, the abominable-
The Hangman Wind that tortures temper and light-
Comes slouching, sullen and obscene,
Hard on the skirts of the embittered night;
And in a cloud unclean
Of excremental humours, roused to strife
By the operation of some ruinous change,
Wherever his evil mandate run and range,
Into a dire intensity of life,
A craftsman at his bench, he settles down
To the grim job of throttling London Town.
So, by a jealous lightlessness beset
That might have oppressed the dragons of old time
Crunching and groping in the abysmal slime,
A cave of cut-throat thoughts and villainous dreams,
Hag-rid and crying with cold and dirt and wet,
The afflicted City. prone from mark to mark
In shameful occultation, seems
A nightmare labryrinthine, dim and drifting,
With wavering gulfs and antic heights, and shifting,
Rent in the stuff of a material dark,
Wherein the lamplight, scattered and sick and pale,
Shows like the leper's living blotch of bale:
Uncoiling monstrous into street on street
Paven with perils, teeming with mischance,
Where man and beast go blindfold and in dread,
Working with oaths and threats and faltering feet
Somewhither in the hideousness ahead;
Working through wicked airs and deadly dews
That make the laden robber grin askance
At the good places in his black romance,
And the poor, loitering harlot rather choose
Go pinched and pined to bed
Than lurk and shiver and curse her wretched way
From arch to arch, scouting some threepenny prey.
Forgot his dawns and far-flushed afterglows,
His green garlands and windy eyots forgot,
The old Father-River flows,
His watchfires cores of menace in the gloom,
As he came oozing from the Pit, and bore,
Sunk in his filthily transfigured sides,
Shoals of dishonoured dead to tumble and rot
In the squalor of the universal shore:
His voices sounding through the gruesome air
As from the Ferry where the Boat of Doom
With her blaspheming cargo reels and rides:
The while his children, the brave ships,
No more adventurous and fair,
Nor tripping it light of heel as home-bound brides,
But infamously enchanted,
Huddle together in the foul eclipse,
Or feel their course by inches desperately,
As through a tangle of alleys murder-haunted,
From sinister reach to reach out - out - to sea.
And Death the while -
Death with his well-worn, lean, professional smile,
Death in his threadbare working trim-
Comes to your bedside, unannounced and bland,
And with expert, inevitable hand
Feels at your windpipe, fingers you in the lung,
Or flicks the clot well into the labouring heart:
Thus signifying unto old and young,
However hard of mouth or wild of whim,
'Tis time - 'tis time by his ancient watch - to part
From books and women and talk and drink and art.
And you go humbly after him
To a mean suburban lodging: on the way
To what or where
Not Death, who is old and very wise, can say:
And you - how should you care
So long as, unreclaimed of hell,
The Wind-Fiend, the insufferable,
Thus vicious and thus patient, sits him down
To the black job of burking London Town?

Out of the poisonous East,
Over a continent of blight,
Like a maleficent Influence released
From the most squalid cellerage of hell,
The Wind-Fiend, the abominable--
The Hangman Wind that tortures temper and light--
Comes slouching, sullen and obscene,
Hard on the skirts of the embittered night;
And in a cloud unclean
Of excremental humours, roused to strife
By the operation of some ruinous change,
Wherever his evil mandate run and range,
Into a dire intensity of life,
A craftsman at his bench, he settles down
To the grim job of throttling London Town.
So, by a jealous lightlessness beset
That might have oppressed the dragons of old time
Crunching and groping in the abysmal slime,
A cave of cut-throat thoughts and villainous dreams,
Hag-rid and crying with cold and dirt and wet,
The afflicted City. prone from mark to mark
In shameful occultation, seems
A nightmare labryrinthine, dim and drifting,
With wavering gulfs and antic heights, and shifting,
Rent in the stuff of a material dark,
Wherein the lamplight, scattered and sick and pale,
Shows like the leper's living blotch of bale:
Uncoiling monstrous into street on street
Paven with perils, teeming with mischance,
Where man and beast go blindfold and in dread,
Working with oaths and threats and faltering feet
Somewhither in the hideousness ahead;
Working through wicked airs and deadly dews
That make the laden robber grin askance
At the good places in his black romance,
And the poor, loitering harlot rather choose
Go pinched and pined to bed
Than lurk and shiver and curse her wretched way
From arch to arch, scouting some threepenny prey.
Forgot his dawns and far-flushed afterglows,
His green garlands and windy eyots forgot,
The old Father-River flows,
His watchfires cores of menace in the gloom,
As he came oozing from the Pit, and bore,
Sunk in his filthily transfigured sides,
Shoals of dishonoured dead to tumble and rot
In the squalor of the universal shore:
His voices sounding through the gruesome air
As from the Ferry where the Boat of Doom
With her blaspheming cargo reels and rides:
The while his children, the brave ships,
No more adventurous and fair,
Nor tripping it light of heel as home-bound brides,
But infamously enchanted,
Huddle together in the foul eclipse,
Or feel their course by inches desperately,
As through a tangle of alleys murder-haunted,
From sinister reach to reach out -- out -- to sea.
And Death the while --
Death with his well-worn, lean, professional smile,
Death in his threadbare working trim--
Comes to your bedside, unannounced and bland,
And with expert, inevitable hand
Feels at your windpipe, fingers you in the lung,
Or flicks the clot well into the labouring heart:
Thus signifying unto old and young,
However hard of mouth or wild of whim,
'Tis time -- 'tis time by his ancient watch -- to part
From books and women and talk and drink and art.
And you go humbly after him
To a mean suburban lodging: on the way
To what or where
Not Death, who is old and very wise, can say:
And you -- how should you care
So long as, unreclaimed of hell,
The Wind-Fiend, the insufferable,
Thus vicious and thus patient, sits him down
To the black job of burking London Town?

Forth from the dust and din,
The crush, the heat, the many-spotted glare,
The odour and sense of life and lust aflare,
The wrangle and jangle of unrests,
Let us take horse, Dear Heart, take horse and win -
As from swart August to the green lap of May -
To quietness and the fresh and fragrant breasts
Of the still, delicious night, not yet aware
In any of her innumerable nests
Of that first sudden plash of dawn,
Clear, sapphirine, luminous, large,
Which tells that soon the flowing springs of day
In deep and ever deeper eddies drawn
Forward and up, in wider and wider way,
Shall float the sands, and brim the shores,
On this our lith of the World, as round it roars
And spins into the outlook of the Sun
(The Lord's first gift, the Lord's especial charge),
With light, with living light, from marge to marge
Until the course He set and staked be run.

Through street and square, through square and street,
Each with his home-grown quality of dark
And violated silence, loud and fleet,
Waylaid by a merry ghost at every lamp,
The hansom wheels and plunges. Hark, O, hark,
Sweet, how the old mare's bit and chain
Ring back a rough refrain
Upon the marked and cheerful tramp
Of her four shoes! Here is the Park,
And O, the languid midsummer wafts adust,
The tired midsummer blooms!
O, the mysterious distances, the glooms
Romantic, the august
And solemn shapes! At night this City of Trees
Turns to a tryst of vague and strange
And monstrous Majesties,
Let loose from some dim underworld to range
These terrene vistas till their twilight sets:
When, dispossessed of wonderfulness, they stand
Beggared and common, plain to all the land
For stooks of leaves! And lo! the Wizard Hour,
His silent, shining sorcery winged with power!
Still, still the streets, between their carcanets
Of linking gold, are avenues of sleep.
But see how gable ends and parapets
In gradual beauty and significance
Emerge! And did you hear
That little twitter-and-cheep,
Breaking inordinately loud and clear
On this still, spectral, exquisite atmosphere?
'Tis a first nest at matins! And behold
A rakehell cat--how furtive and acold!
A spent witch homing from some infamous dance -
Obscene, quick-trotting, see her tip and fade
Through shadowy railings into a pit of shade!
And now! a little wind and shy,
The smell of ships (that earnest of romance),
A sense of space and water, and thereby
A lamplit bridge ouching the troubled sky,
And look, O, look! a tangle of silver gleams
And dusky lights, our River and all his dreams,
His dreams that never save in our deaths can die.

What miracle is happening in the air,
Charging the very texture of the gray
With something luminous and rare?
The night goes out like an ill-parcelled fire,
And, as one lights a candle, it is day.
The extinguisher, that perks it like a spire
On the little formal church, is not yet green
Across the water: but the house-tops nigher,
The corner-lines, the chimneys--look how clean,
How new, how naked! See the batch of boats,
Here at the stairs, washed in the fresh-sprung beam!
And those are barges that were goblin floats,
Black, hag-steered, fraught with devilry and dream!
And in the piles the water frolics clear,
The ripples into loose rings wander and flee,
And we--we can behold that could but hear
The ancient River singing as he goes,
New-mailed in morning, to the ancient Sea.
The gas burns lank and jaded in its glass:
The old Ruffian soon shall yawn himself awake,
And light his pipe, and shoulder his tools, and take
His hobnailed way to work!

Let us too pass -
Pass ere the sun leaps and your shadow shows -
Through these long, blindfold rows
Of casements staring blind to right and left,
Each with his gaze turned inward on some piece
Of life in death's own likeness--Life bereft
Of living looks as by the Great Release -
Pass to an exquisite night's more exquisite close!

Reach upon reach of burial--so they feel,
These colonies of dreams! And as we steal
Homeward together, but for the buxom breeze,
Fitfully frolicking to heel
With news of dawn-drenched woods and tumbling seas,
We might--thus awed, thus lonely that we are -
Be wandering some dispeopled star,
Some world of memories and unbroken graves,
So broods the abounding Silence near and far:
Till even your footfall craves
Forgiveness of the majesty it braves.

Once on a time
There was a little boy: a master-mage
By virtue of a Book
Of magic--O, so magical it filled
His life with visionary pomps
Processional! And Powers
Passed with him where he passed. And Thrones
And Dominations, glaived and plumed and mailed,
Thronged in the criss-cross streets,
The palaces pell-mell with playing-fields,
Domes, cloisters, dungeons, caverns, tents, arcades,
Of the unseen, silent City, in his soul
Pavilioned jealously, and hid
As in the dusk, profound,
Green stillnesses of some enchanted mere. -

I shut mine eyes . . . And lo!
A flickering snatch of memory that floats
Upon the face of a pool of darkness five
And thirty dead years deep,
Antic in girlish broideries
And skirts and silly shoes with straps
And a broad-ribanded leghorn, he walks
Plain in the shadow of a church
(St. Michael's: in whose brazen call
To curfew his first wails of wrath were whelmed),
Sedate for all his haste
To be at home; and, nestled in his arm,
Inciting still to quiet and solitude,
Boarded in sober drab,
With small, square, agitating cuts
Let in a-top of the double-columned, close,
Quakerlike print, a Book! . . .
What but that blessed brief
Of what is gallantest and best
In all the full-shelved Libraries of Romance?
The Book of rocs,
Sandalwood, ivory, turbans, ambergris,
Cream-tarts, and lettered apes, and calendars,
And ghouls, and genies--O, so huge
They might have overed the tall Minster Tower
Hands down, as schoolboys take a post!
In truth, the Book of Camaralzaman,
Schemselnihar and Sindbad, Scheherezade
The peerless, Bedreddin, Badroulbadour,
Cairo and Serendib and Candahar,
And Caspian, and the dim, terrific bulk -
Ice-ribbed, fiend-visited, isled in spells and storms -
Of Kaf! . . . That centre of miracles,
The sole, unparalleled Arabian Nights!

Old friends I had a-many--kindly and grim
Familiars, cronies quaint
And goblin! Never a Wood but housed
Some morrice of dainty dapperlings. No Brook
But had his nunnery
Of green-haired, silvry-curving sprites,
To cabin in his grots, and pace
His lilied margents. Every lone Hillside
Might open upon Elf-Land. Every Stalk
That curled about a Bean-stick was of the breed
Of that live ladder by whose delicate rungs
You climbed beyond the clouds, and found
The Farm-House where the Ogre, gorged
And drowsy, from his great oak chair,
Among the flitches and pewters at the fire,
Called for his Faery Harp. And in it flew,
And, perching on the kitchen table, sang
Jocund and jubilant, with a sound
Of those gay, golden-vowered madrigals
The shy thrush at mid-May
Flutes from wet orchards flushed with the triumphing dawn;
Or blackbirds rioting as they listened still,
In old-world woodlands rapt with an old-world spring,
For Pan's own whistle, savage and rich and lewd,
And mocked him call for call!

I could not pass
The half-door where the cobbler sat in view
Nor figure me the wizen Leprechaun,
In square-cut, faded reds and buckle-shoes,
Bent at his work in the hedge-side, and know
Just how he tapped his brogue, and twitched
His wax-end this and that way, both with wrists
And elbows. In the rich June fields,
Where the ripe clover drew the bees,
And the tall quakers trembled, and the West Wind
Lolled his half-holiday away
Beside me lolling and lounging through my own,
'Twas good to follow the Miller's Youngest Son
On his white horse along the leafy lanes;
For at his stirrup linked and ran,
Not cynical and trapesing, as he loped
From wall to wall above the espaliers,
But in the bravest tops
That market-town, a town of tops, could show:
Bold, subtle, adventurous, his tail
A banner flaunted in disdain
Of human stratagems and shifts:
King over All the Catlands, present and past
And future, that moustached
Artificer of fortunes, Puss-in-Boots!
Or Bluebeard's Closet, with its plenishing
Of meat-hooks, sawdust, blood,
And wives that hung like fresh-dressed carcases -
Odd-fangled, most a butcher's, part
A faery chamber hazily seen
And hazily figured--on dark afternoons
And windy nights was visiting of the best.
Then, too, the pelt of hoofs
Out in the roaring darkness told
Of Herne the Hunter in his antlered helm
Galloping, as with despatches from the Pit,
Between his hell-born Hounds.
And Rip Van Winkle . . . often I lurked to hear,
Outside the long, low timbered, tarry wall,
The mutter and rumble of the trolling bowls
Down the lean plank, before they fluttered the pins;
For, listening, I could help him play
His wonderful game,
In those blue, booming hills, with Mariners
Refreshed from kegs not coopered in this our world.

But what were these so near,
So neighbourly fancies to the spell that brought
The run of Ali Baba's Cave
Just for the saying 'Open Sesame,'
With gold to measure, peck by peck,
In round, brown wooden stoups
You borrowed at the chandler's? . . . Or one time
Made you Aladdin's friend at school,
Free of his Garden of Jewels, Ring and Lamp
In perfect trim? . . . Or Ladies, fair
For all the embrowning scars in their white breasts
Went labouring under some dread ordinance,
Which made them whip, and bitterly cry the while,
Strange Curs that cried as they,
Till there was never a Black Bitch of all
Your consorting but might have gone
Spell-driven miserably for crimes
Done in the pride of womanhood and desire . . .
Or at the ghostliest altitudes of night,
While you lay wondering and acold,
Your sense was fearfully purged; and soon
Queen Labe, abominable and dear,
Rose from your side, opened the Box of Doom,
Scattered the yellow powder (which I saw
Like sulphur at the Docks in bulk),
And muttered certain words you could not hear;
And there! a living stream,
The brook you bathed in, with its weeds and flags
And cresses, glittered and sang
Out of the hearthrug over the nakedness,
Fair-scrubbed and decent, of your bedroom floor! . . .

I was--how many a time! -
That Second Calendar, Son of a King,
On whom 'twas vehemently enjoined,
Pausing at one mysterious door,
To pry no closer, but content his soul
With his kind Forty. Yet I could not rest
For idleness and ungovernable Fate.
And the Black Horse, which fed on sesame
(That wonder-working word!),
Vouchsafed his back to me, and spread his vans,
And soaring, soaring on
From air to air, came charging to the ground
Sheer, like a lark from the midsummer clouds,
And, shaking me out of the saddle, where I sprawled
Flicked at me with his tail,
And left me blinded, miserable, distraught
(Even as I was in deed,
When doctors came, and odious things were done
On my poor tortured eyes
With lancets; or some evil acid stung
And wrung them like hot sand,
And desperately from room to room
Fumble I must my dark, disconsolate way),
To get to Bagdad how I might. But there
I met with Merry Ladies. O you three -
Safie, Amine, Zobeide--when my heart
Forgets you all shall be forgot!
And so we supped, we and the rest,
On wine and roasted lamb, rose-water, dates,
Almonds, pistachios, citrons. And Haroun
Laughed out of his lordly beard
On Giaffar and Mesrour (I knew the Three
For all their Mossoul habits). And outside
The Tigris, flowing swift
Like Severn bend for bend, twinkled and gleamed
With broken and wavering shapes of stranger stars;
The vast, blue night
Was murmurous with peris' plumes
And the leathern wings of genies; words of power
Were whispering; and old fishermen,
Casting their nets with prayer, might draw to shore
Dead loveliness: or a prodigy in scales
Worth in the Caliph's Kitchen pieces of gold:
Or copper vessels, stopped with lead,
Wherein some Squire of Eblis watched and railed,
In durance under potent charactry
Graven by the seal of Solomon the King . . .

Then, as the Book was glassed
In Life as in some olden mirror's quaint,
Bewildering angles, so would Life
Flash light on light back on the Book; and both
Were changed. Once in a house decayed
From better days, harbouring an errant show
(For all its stories of dry-rot
Were filled with gruesome visitants in wax,
Inhuman, hushed, ghastly with Painted Eyes),
I wandered; and no living soul
Was nearer than the pay-box; and I stared
Upon them staring--staring. Till at last,
Three sets of rafters from the streets,
I strayed upon a mildewed, rat-run room,
With the two Dancers, horrible and obscene,
Guarding the door: and there, in a bedroom-set,
Behind a fence of faded crimson cords,
With an aspect of frills
And dimities and dishonoured privacy
That made you hanker and hesitate to look,
A Woman with her litter of Babes--all slain,
All in their nightgowns, all with Painted Eyes
Staring--still staring; so that I turned and ran
As for my neck, but in the street
Took breath. The same, it seemed,
And yet not all the same, I was to find,
As I went up! For afterwards,
Whenas I went my round alone -
All day alone--in long, stern, silent streets,
Where I might stretch my hand and take
Whatever I would: still there were Shapes of Stone,
Motionless, lifelike, frightening--for the Wrath
Had smitten them; but they watched,
This by her melons and figs, that by his rings
And chains and watches, with the hideous gaze,
The Painted Eyes insufferable,
Now, of those grisly images; and I
Pursued my best-beloved quest,
Thrilled with a novel and delicious fear.
So the night fell--with never a lamplighter;
And through the Palace of the King
I groped among the echoes, and I felt
That they were there,
Dreadfully there, the Painted staring Eyes,
Hall after hall . . . Till lo! from far
A Voice! And in a little while
Two tapers burning! And the Voice,
Heard in the wondrous Word of God, was--whose?
Whose but Zobeide's,
The lady of my heart, like me
A True Believer, and like me
An outcast thousands of leagues beyond the pale! . . .

Or, sailing to the Isles
Of Khaledan, I spied one evenfall
A black blotch in the sunset; and it grew
Swiftly . . . and grew. Tearing their beards,
The sailors wept and prayed; but the grave ship,
Deep laden with spiceries and pearls, went mad,
Wrenched the long tiller out of the steersman's hand,
And, turning broadside on,
As the most iron would, was haled and sucked
Nearer, and nearer yet;
And, all awash, with horrible lurching leaps
Rushed at that Portent, casting a shadow now
That swallowed sea and sky; and then,
Anchors and nails and bolts
Flew screaming out of her, and with clang on clang,
A noise of fifty stithies, caught at the sides
Of the Magnetic Mountain; and she lay,
A broken bundle of firewood, strown piecemeal
About the waters; and her crew
Passed shrieking, one by one; and I was left
To drown. All the long night I swam;
But in the morning, O, the smiling coast
Tufted with date-trees, meadowlike,
Skirted with shelving sands! And a great wave
Cast me ashore; and I was saved alive.
So, giving thanks to God, I dried my clothes,
And, faring inland, in a desert place
I stumbled on an iron ring -
The fellow of fifty built into the Quays:
When, scenting a trap-door,
I dug, and dug; until my biggest blade
Stuck into wood. And then,
The flight of smooth-hewn, easy-falling stairs,
Sunk in the naked rock! The cool, clean vault,
So neat with niche on niche it might have been
Our beer-cellar but for the rows
Of brazen urns (like monstrous chemist's jars)
Full to the wide, squat throats
With gold-dust, but a-top
A layer of pickled-walnut-looking things
I knew for olives! And far, O, far away,
The Princess of China languished! Far away
Was marriage, with a Vizier and a Chief
Of Eunuchs and the privilege
Of going out at night
To play--unkenned, majestical, secure -
Where the old, brown, friendly river shaped
Like Tigris shore for shore! Haply a Ghoul
Sat in the churchyard under a frightened moon,
A thighbone in his fist, and glared
At supper with a Lady: she who took
Her rice with tweezers grain by grain.
Or you might stumble--there by the iron gates
Of the Pump Room--underneath the limes -
Upon Bedreddin in his shirt and drawers,
Just as the civil Genie laid him down.
Or those red-curtained panes,
Whence a tame cornet tenored it throatily
Of beer-pots and spittoons and new long pipes,
Might turn a caravansery's, wherein
You found Noureddin Ali, loftily drunk,
And that fair Persian, bathed in tears,
You'd not have given away
For all the diamonds in the Vale Perilous
You had that dark and disleaved afternoon
Escaped on a roc's claw,
Disguised like Sindbad--but in Christmas beef!
And all the blissful while
The schoolboy satchel at your hip
Was such a bulse of gems as should amaze
Grey-whiskered chapmen drawn
From over Caspian: yea, the Chief Jewellers
Of Tartary and the bazaars,
Seething with traffic, of enormous Ind. -

Thus cried, thus called aloud, to the child heart
The magian East: thus the child eyes
Spelled out the wizard message by the light
Of the sober, workaday hours
They saw, week in week out, pass, and still pass
In the sleepy Minster City, folded kind
In ancient Severn's arm,
Amongst her water-meadows and her docks,
Whose floating populace of ships -
Galliots and luggers, light-heeled brigantines,
Bluff barques and rake-hell fore-and-afters--brought
To her very doorsteps and geraniums
The scents of the World's End; the calls
That may not be gainsaid to rise and ride
Like fire on some high errand of the race;
The irresistible appeals
For comradeship that sound
Steadily from the irresistible sea.
Thus the East laughed and whispered, and the tale,
Telling itself anew
In terms of living, labouring life,
Took on the colours, busked it in the wear
Of life that lived and laboured; and Romance,
The Angel-Playmate, raining down
His golden influences
On all I saw, and all I dreamed and did,
Walked with me arm in arm,
Or left me, as one bediademed with straws
And bits of glass, to gladden at my heart
Who had the gift to seek and feel and find
His fiery-hearted presence everywhere.
Even so dear Hesper, bringer of all good things,
Sends the same silver dews
Of happiness down her dim, delighted skies
On some poor collier-hamlet--(mound on mound
Of sifted squalor; here a soot-throated stalk
Sullenly smoking over a row
Of flat-faced hovels; black in the gritty air
A web of rails and wheels and beams; with strings
Of hurtling, tipping trams) -
As on the amorous nightingales
And roses of Shiraz, or the walls and towers
Of Samarcand--the Ineffable--whence you espy
The splendour of Ginnistan's embattled spears,
Like listed lightnings.
Samarcand!
That name of names! That star-vaned belvedere
Builded against the Chambers of the South!
That outpost on the Infinite!
And behold!
Questing therefrom, you knew not what wild tide
Might overtake you: for one fringe,
One suburb, is stablished on firm earth; but one
Floats founded vague
In lubberlands delectable--isles of palm
And lotus, fortunate mains, far-shimmering seas,
The promise of wistful hills -
The shining, shifting Sovranties of Dream.