William Ernest Henley: Verses about Life

Praise the generous gods for giving
In a world of wrath and strife,
With a little time for living,
Unto all the joy of life.

At whatever source we drink it,
Art or life or faith or wine,
In whatever terms we think it,
It is common and divine.

Praise the high gods, for in giving
This for man, and this alone,
They have made his chance for living
Shine the equal of their own.

Life in her creaking shoes
Goes, and more formal grows,
A round of calls and cues:
Love blows as the wind blows.
Blows! . . . in the quiet close
As in the roaring mart,
By ways no mortal knows
Love blows into the heart.

The stars some cadence use,
Forthright the river flows,
In order fall the dews,
Love blows as the wind blows:
Blows! . . . and what reckoning shows
The courses of his chart?
A spirit that comes and goes,
Love blows into the heart.

Life is bitter. All the faces of the years,
Young and old, are gray with travail and with tears.
Must we only wake to toil, to tire, to weep?
In the sun, among the leaves, upon the flowers,
Slumber stills to dreamy death the heavy hours …
Let me sleep.

Riches won but mock the old, unable years;
Fame’s a pearl that hides beneath a sea of tears;
Love must wither, or must live alone and weep.
In the sunshine, through the leaves, across the flowers,
While we slumber, death approaches through the hours …
Let me sleep.

The Past was goodly once, and yet, when all is said,
The best of it we know is that it's done and dead.

Dwindled and faded quite, perished beyond recall,
Nothing is left at last of what one time was all.

Coming back like a ghost, staring and lingering on,
Never a word it speaks but proves it dead and gone.

Duty and work and joy--these things it cannot give;
And the Present is life, and life is good to live.

Let it lie where it fell, far from the living sun,
The Past that, goodly once, is gone and dead and done.

Some starlit garden grey with dew,
Some chamber flushed with wine and fire,
What matters where, so I and you
Are worthy our desire?

Behind, a past that scolds and jeers
For ungirt loins and lamps unlit;
In front, the unmanageable years,
The trap upon the Pit;

Think on the shame of dreams for deeds,
The scandal of unnatural strife,
The slur upon immortal needs,
The treason done to life:

Arise! no more a living lie,
And with me quicken and control
Some memory that shall magnify
The universal Soul.

Joy of the Milliner, Envy of the Line,
Star of the Parks, jack-booted, sworded, helmed,
He sits between his holsters, solid of spine;
Nor, as it seems, though Westminster were whelmed,
With the great globe, in earthquake and eclipse,
Would he and his charger cease from mounting guard,
This Private in the Blues, nor would his lips
Move, though his gorge with throttled oaths were charred!
He wears his inches weightily, as he wears
His old-world armours; and with his port and pride,
His sturdy graces and enormous airs,
He towers, in speech his Colonel countrified,
A triumph, waxing statelier year by year,
Of British blood, and bone, and beef, and beer.

Fools may pine, and sots may swill,
Cynics gibe, and prophets rail,
Moralists may scourge and drill,
Preachers prose, and fainthearts quail.
Let them whine, or threat, or wail!
Till the touch of Circumstance
Down to darkness sink the scale,
Fate’s a fiddler, Life’s a dance.

What if skies be wan and chill?
What if winds be harsh and stale?
Presently the east will thrill,
And the sad and shrunken sail
Bellying with a kindly gale,
Bear you sunwards, while your chance
Sends you back the hopeful hail: -
‘Fate’s a fiddler, Life’s a dance.’

Idle shot or coming bill,
Hapless love or broken bail,
Gulp it (never chew your pill!)
And if Burgundy should fail,
Try the humbler pot of ail!
Over all is heaven’s expanse.
Gold’s to find among the shale,
Fate’s a fiddler, Life’s a dance.

Midsummer midnight skies,
Midsummer midnight influences and airs,
The shining, sensitive silver of the sea
Touched with the strange-hued blazonings of dawn;
And all so solemnly still I seem to hear
The breathing of Life and Death,
The secular Accomplices,
Renewing the visible miracle of the world.

The wistful stars
Shine like good memories. The young morning wind
Blows full of unforgotten hours
As over a region of roses. Life and Death
Sound on--sound on . . . And the night magical,
Troubled yet comforting, thrills
As if the Enchanted Castle at the heart
Of the wood's dark wonderment
Swung wide his valves, and filled the dim sea-banks
With exquisite visitants:
Words fiery-hearted yet, dreams and desires
With living looks intolerable, regrets
Whose voice comes as the voice of an only child
Heard from the grave: shapes of a Might-Have-Been -
Beautiful, miserable, distraught -
The Law no man may baffle denied and slew.

The spell-bound ships stand as at gaze
To let the marvel by. The grey road glooms . . .
Glimmers . . . goes out . . . and there, O, there where it fades,
What grace, what glamour, what wild will,
Transfigure the shadows? Whose,
Heart of my heart, Soul of my soul, but yours?

Ghosts--ghosts--the sapphirine air
Teems with them even to the gleaming ends
Of the wild day-spring! Ghosts,
Everywhere--everywhere--till I and you
At last--dear love, at last! -
Are in the dreaming, even as Life and Death,
Twin-ministers of the unoriginal Will.

Tree, Old Tree of the Triple Crook
And the rope of the Black Election,
'Tis the faith of the Fool that a race you rule
Can never achieve perfection:
So 'It's O, for the time of the new Sublime
And the better than human way,
When the Rat (poor beast) shall come to his own
And the Wolf shall have his day!'

For Tree, Old Tree of the Triple Beam
And the power of provocation,
You have cockered the Brute with your dreadful fruit
Till your fruit is mere stupration:
And 'It's how should we rise to be pure and wise,
And how can we choose but fall,
So long as the Hangman makes us dread,
And the Noose floats free for all?'

So Tree, Old Tree of the Triple Coign
And the trick there's no recalling,
They will haggle and hew till they hack you through
And at last they lay you sprawling:
When 'Hey! for the hour of the race in flower
And the long good-bye to sin!'
And for the lack the fires of Hell gone out
Of the fuel to keep them in!'

But Tree, Old Tree of the Triple Bough
And the ghastly Dreams that tend you,
Your growth began with the life of Man,
And only his death can end you.
They may tug in line at your hempen twine,
They may flourish with axe and saw;
But your taproot drinks of the Sacred Springs
In the living rock of Law.

And Tree, Old Tree of the Triple Fork,
When the spent sun reels and blunders
Down a welkin lit with the flare of the Pit
As it seethes in spate and thunders,
Stern on the glare of the tortured air
Your lines august shall gloom,
And your master-beam be the last thing whelmed
In the ruining roar of Doom.

In the waste hour
Between to-day and yesterday
We watched, while on my arm -
Living flesh of her flesh, bone of her bone -
Dabbled in sweat the sacred head
Lay uncomplaining, still, contemptuous, strange:
Till the dear face turned dead,
And to a sound of lamentation
The good, heroic soul with all its wealth -
Its sixty years of love and sacrifice,
Suffering and passionate faith--was reabsorbed
In the inexorable Peace,
And life was changed to us for evermore.

Was nothing left of her but tears
Like blood-drops from the heart?
Nought save remorse
For duty unfulfilled, justice undone,
And charity ignored? Nothing but love,
Forgiveness, reconcilement, where in truth,
But for this passing
Into the unimaginable abyss
These things had never been?

Nay, there were we,
Her five strong sons!
To her Death came--the great Deliverer came! -
As equal comes to equal, throne to throne.
She was a mother of men.

The stars shine as of old. The unchanging River,
Bent on his errand of immortal law,
Works his appointed way
To the immemorial sea.
And the brave truth comes overwhelmingly home:-
That she in us yet works and shines,
Lives and fulfils herself,
Unending as the river and the stars.

Dearest, live on
In such an immortality
As we thy sons,
Born of thy body and nursed
At those wild, faithful breasts,
Can give--of generous thoughts,
And honourable words, and deeds
That make men half in love with fate!
Live on, O brave and true,
In us thy children, in ours whose life is thine -
Our best and theirs! What is that best but thee -
Thee, and thy gift to us, to pass
Like light along the infinite of space
To the immitigable end?

Between the river and the stars,
O royal and radiant soul,
Thou dost return, thine influences return
Upon thy children as in life, and death
Turns stingless! What is Death
But Life in act? How should the Unteeming Grave
Be victor over thee,
Mother, a mother of men?

Down through the ancient Strand
The spirit of October, mild and boon
And sauntering, takes his way
This golden end of afternoon,
As though the corn stood yellow in all the land,
And the ripe apples dropped to the harvest-moon.

Lo! the round sun, half-down the western slope -
Seen as along an unglazed telescope -
Lingers and lolls, loth to be done with day:
Gifting the long, lean, lanky street
And its abounding confluences of being
With aspects generous and bland;
Making a thousand harnesses to shine
As with new ore from some enchanted mine,
And every horse's coat so full of sheen
He looks new-tailored, and every 'bus feels clean,
And never a hansom but is worth the feeing;
And every jeweller within the pale
Offers a real Arabian Night for sale;
And even the roar
Of the strong streams of toil, that pause and pour
Eastward and westward, sounds suffused -
Seems as it were bemused
And blurred, and like the speech
Of lazy seas on a lotus-haunted beach -
With this enchanted lustrousness,
This mellow magic, that (as a man's caress
Brings back to some faded face, beloved before,
A heavenly shadow of the grace it wore
Ere the poor eyes were minded to beseech)
Old things transfigures, and you hail and bless
Their looks of long-lapsed loveliness once more:
Till Clement's, angular and cold and staid,
Gleams forth in glamour's very stuffs arrayed;
And Bride's, her aery, unsubstantial charm
Through flight on flight of springing, soaring stone
Grown flushed and warm,
Laughs into life full-mooded and fresh-blown;
And the high majesty of Paul's
Uplifts a voice of living light, and calls -
Calls to his millions to behold and see
How goodly this his London Town can be!

For earth and sky and air
Are golden everywhere,
And golden with a gold so suave and fine
The looking on it lifts the heart like wine.
Trafalgar Square
(The fountains volleying golden glaze)
Shines like an angel-market. High aloft
Over his couchant Lions, in a haze
Shimmering and bland and soft,
A dust of chrysoprase,
Our Sailor takes the golden gaze
Of the saluting sun, and flames superb,
As once he flamed it on his ocean round.
The dingy dreariness of the picture-place,
Turned very nearly bright,
Takes on a luminous transiency of grace,
And shows no more a scandal to the ground.
The very blind man pottering on the kerb,
Among the posies and the ostrich feathers
And the rude voices touched with all the weathers
Of the long, varying year,
Shares in the universal alms of light.
The windows, with their fleeting, flickering fires,
The height and spread of frontage shining sheer,
The quiring signs, the rejoicing roofs and spires -
'Tis El Dorado--El Dorado plain,
The Golden City! And when a girl goes by,
Look! as she turns her glancing head,
A call of gold is floated from her ear!
Golden, all golden! In a golden glory,
Long-lapsing down a golden coasted sky,
The day, not dies but, seems
Dispersed in wafts and drifts of gold, and shed
Upon a past of golden song and story
And memories of gold and golden dreams.

Spring winds that blow
As over leagues of myrtle-blooms and may;
Bevies of spring clouds trooping slow,
Like matrons heavy bosomed and aglow
With the mild and placid pride of increase! Nay,
What makes this insolent and comely stream
Of appetence, this freshet of desire
(Milk from the wild breasts of the wilful Day!),
Down Piccadilly dance and murmur and gleam
In genial wave on wave and gyre on gyre?
Why does that nymph unparalleled splash and churn
The wealth of her enchanted urn
Till, over-billowing all between
Her cheerful margents, grey and living green,
It floats and wanders, glittering and fleeing,
An estuary of the joy of being?
Why should the lovely leafage of the Park
Touch to an ecstasy the act of seeing?
- Sure, sure my paramour, my Bride of Brides,
Lingering and flushed, mysteriously abides
In some dim, eye-proof angle of odorous dark,
Some smiling nook of green-and-golden shade,
In the divine conviction robed and crowned
The globe fulfils his immemorial round
But as the marrying-place of all things made!

There is no man, this deifying day,
But feels the primal blessing in his blood.
There is no woman but disdains -
The sacred impulse of the May
Brightening like sex made sunshine through her veins -
To vail the ensigns of her womanhood.
None but, rejoicing, flaunts them as she goes,
Bounteous in looks of her delicious best,
On her inviolable quest:
These with their hopes, with their sweet secrets those,
But all desirable and frankly fair,
As each were keeping some most prosperous tryst,
And in the knowledge went imparadised!
For look! a magical influence everywhere,
Look how the liberal and transfiguring air
Washes this inn of memorable meetings,
This centre of ravishments and gracious greetings,
Till, through its jocund loveliness of length
A tidal-race of lust from shore to shore,
A brimming reach of beauty met with strength,
It shines and sounds like some miraculous dream,
Some vision multitudinous and agleam,
Of happiness as it shall be evermore!

Praise God for giving
Through this His messenger among the days
His word the life He gave is thrice-worth living!
For Pan, the bountiful, imperious Pan -
Not dead, not dead, as impotent dreamers feigned,
But the gay genius of a million Mays
Renewing his beneficent endeavour! -
Still reigns and triumphs, as he hath triumphed and reigned
Since in the dim blue dawn of time
The universal ebb-and-flow began,
To sound his ancient music, and prevails,
By the persuasion of his mighty rhyme,
Here in this radiant and immortal street
Lavishly and omnipotently as ever
In the open hills, the undissembling dales,
The laughing-places of the juvenile earth.
For lo! the wills of man and woman meet,
Meet and are moved, each unto each endeared,
As once in Eden's prodigal bowers befell,
To share his shameless, elemental mirth
In one great act of faith: while deep and strong,
Incomparably nerved and cheered,
The enormous heart of London joys to beat
To the measures of his rough, majestic song;
The lewd, perennial, overmastering spell
That keeps the rolling universe ensphered,
And life, and all for which life lives to long,
Wanton and wondrous and for ever well.

Out of the poisonous East,
Over a continent of blight,
Like a maleficent Influence released
From the most squalid cellerage of hell,
The Wind-Fiend, the abominable-
The Hangman Wind that tortures temper and light-
Comes slouching, sullen and obscene,
Hard on the skirts of the embittered night;
And in a cloud unclean
Of excremental humours, roused to strife
By the operation of some ruinous change,
Wherever his evil mandate run and range,
Into a dire intensity of life,
A craftsman at his bench, he settles down
To the grim job of throttling London Town.
So, by a jealous lightlessness beset
That might have oppressed the dragons of old time
Crunching and groping in the abysmal slime,
A cave of cut-throat thoughts and villainous dreams,
Hag-rid and crying with cold and dirt and wet,
The afflicted City. prone from mark to mark
In shameful occultation, seems
A nightmare labryrinthine, dim and drifting,
With wavering gulfs and antic heights, and shifting,
Rent in the stuff of a material dark,
Wherein the lamplight, scattered and sick and pale,
Shows like the leper's living blotch of bale:
Uncoiling monstrous into street on street
Paven with perils, teeming with mischance,
Where man and beast go blindfold and in dread,
Working with oaths and threats and faltering feet
Somewhither in the hideousness ahead;
Working through wicked airs and deadly dews
That make the laden robber grin askance
At the good places in his black romance,
And the poor, loitering harlot rather choose
Go pinched and pined to bed
Than lurk and shiver and curse her wretched way
From arch to arch, scouting some threepenny prey.
Forgot his dawns and far-flushed afterglows,
His green garlands and windy eyots forgot,
The old Father-River flows,
His watchfires cores of menace in the gloom,
As he came oozing from the Pit, and bore,
Sunk in his filthily transfigured sides,
Shoals of dishonoured dead to tumble and rot
In the squalor of the universal shore:
His voices sounding through the gruesome air
As from the Ferry where the Boat of Doom
With her blaspheming cargo reels and rides:
The while his children, the brave ships,
No more adventurous and fair,
Nor tripping it light of heel as home-bound brides,
But infamously enchanted,
Huddle together in the foul eclipse,
Or feel their course by inches desperately,
As through a tangle of alleys murder-haunted,
From sinister reach to reach out - out - to sea.
And Death the while -
Death with his well-worn, lean, professional smile,
Death in his threadbare working trim-
Comes to your bedside, unannounced and bland,
And with expert, inevitable hand
Feels at your windpipe, fingers you in the lung,
Or flicks the clot well into the labouring heart:
Thus signifying unto old and young,
However hard of mouth or wild of whim,
'Tis time - 'tis time by his ancient watch - to part
From books and women and talk and drink and art.
And you go humbly after him
To a mean suburban lodging: on the way
To what or where
Not Death, who is old and very wise, can say:
And you - how should you care
So long as, unreclaimed of hell,
The Wind-Fiend, the insufferable,
Thus vicious and thus patient, sits him down
To the black job of burking London Town?

Out of the poisonous East,
Over a continent of blight,
Like a maleficent Influence released
From the most squalid cellerage of hell,
The Wind-Fiend, the abominable--
The Hangman Wind that tortures temper and light--
Comes slouching, sullen and obscene,
Hard on the skirts of the embittered night;
And in a cloud unclean
Of excremental humours, roused to strife
By the operation of some ruinous change,
Wherever his evil mandate run and range,
Into a dire intensity of life,
A craftsman at his bench, he settles down
To the grim job of throttling London Town.
So, by a jealous lightlessness beset
That might have oppressed the dragons of old time
Crunching and groping in the abysmal slime,
A cave of cut-throat thoughts and villainous dreams,
Hag-rid and crying with cold and dirt and wet,
The afflicted City. prone from mark to mark
In shameful occultation, seems
A nightmare labryrinthine, dim and drifting,
With wavering gulfs and antic heights, and shifting,
Rent in the stuff of a material dark,
Wherein the lamplight, scattered and sick and pale,
Shows like the leper's living blotch of bale:
Uncoiling monstrous into street on street
Paven with perils, teeming with mischance,
Where man and beast go blindfold and in dread,
Working with oaths and threats and faltering feet
Somewhither in the hideousness ahead;
Working through wicked airs and deadly dews
That make the laden robber grin askance
At the good places in his black romance,
And the poor, loitering harlot rather choose
Go pinched and pined to bed
Than lurk and shiver and curse her wretched way
From arch to arch, scouting some threepenny prey.
Forgot his dawns and far-flushed afterglows,
His green garlands and windy eyots forgot,
The old Father-River flows,
His watchfires cores of menace in the gloom,
As he came oozing from the Pit, and bore,
Sunk in his filthily transfigured sides,
Shoals of dishonoured dead to tumble and rot
In the squalor of the universal shore:
His voices sounding through the gruesome air
As from the Ferry where the Boat of Doom
With her blaspheming cargo reels and rides:
The while his children, the brave ships,
No more adventurous and fair,
Nor tripping it light of heel as home-bound brides,
But infamously enchanted,
Huddle together in the foul eclipse,
Or feel their course by inches desperately,
As through a tangle of alleys murder-haunted,
From sinister reach to reach out -- out -- to sea.
And Death the while --
Death with his well-worn, lean, professional smile,
Death in his threadbare working trim--
Comes to your bedside, unannounced and bland,
And with expert, inevitable hand
Feels at your windpipe, fingers you in the lung,
Or flicks the clot well into the labouring heart:
Thus signifying unto old and young,
However hard of mouth or wild of whim,
'Tis time -- 'tis time by his ancient watch -- to part
From books and women and talk and drink and art.
And you go humbly after him
To a mean suburban lodging: on the way
To what or where
Not Death, who is old and very wise, can say:
And you -- how should you care
So long as, unreclaimed of hell,
The Wind-Fiend, the insufferable,
Thus vicious and thus patient, sits him down
To the black job of burking London Town?

Forth from the dust and din,
The crush, the heat, the many-spotted glare,
The odour and sense of life and lust aflare,
The wrangle and jangle of unrests,
Let us take horse, Dear Heart, take horse and win -
As from swart August to the green lap of May -
To quietness and the fresh and fragrant breasts
Of the still, delicious night, not yet aware
In any of her innumerable nests
Of that first sudden plash of dawn,
Clear, sapphirine, luminous, large,
Which tells that soon the flowing springs of day
In deep and ever deeper eddies drawn
Forward and up, in wider and wider way,
Shall float the sands, and brim the shores,
On this our lith of the World, as round it roars
And spins into the outlook of the Sun
(The Lord's first gift, the Lord's especial charge),
With light, with living light, from marge to marge
Until the course He set and staked be run.

Through street and square, through square and street,
Each with his home-grown quality of dark
And violated silence, loud and fleet,
Waylaid by a merry ghost at every lamp,
The hansom wheels and plunges. Hark, O, hark,
Sweet, how the old mare's bit and chain
Ring back a rough refrain
Upon the marked and cheerful tramp
Of her four shoes! Here is the Park,
And O, the languid midsummer wafts adust,
The tired midsummer blooms!
O, the mysterious distances, the glooms
Romantic, the august
And solemn shapes! At night this City of Trees
Turns to a tryst of vague and strange
And monstrous Majesties,
Let loose from some dim underworld to range
These terrene vistas till their twilight sets:
When, dispossessed of wonderfulness, they stand
Beggared and common, plain to all the land
For stooks of leaves! And lo! the Wizard Hour,
His silent, shining sorcery winged with power!
Still, still the streets, between their carcanets
Of linking gold, are avenues of sleep.
But see how gable ends and parapets
In gradual beauty and significance
Emerge! And did you hear
That little twitter-and-cheep,
Breaking inordinately loud and clear
On this still, spectral, exquisite atmosphere?
'Tis a first nest at matins! And behold
A rakehell cat--how furtive and acold!
A spent witch homing from some infamous dance -
Obscene, quick-trotting, see her tip and fade
Through shadowy railings into a pit of shade!
And now! a little wind and shy,
The smell of ships (that earnest of romance),
A sense of space and water, and thereby
A lamplit bridge ouching the troubled sky,
And look, O, look! a tangle of silver gleams
And dusky lights, our River and all his dreams,
His dreams that never save in our deaths can die.

What miracle is happening in the air,
Charging the very texture of the gray
With something luminous and rare?
The night goes out like an ill-parcelled fire,
And, as one lights a candle, it is day.
The extinguisher, that perks it like a spire
On the little formal church, is not yet green
Across the water: but the house-tops nigher,
The corner-lines, the chimneys--look how clean,
How new, how naked! See the batch of boats,
Here at the stairs, washed in the fresh-sprung beam!
And those are barges that were goblin floats,
Black, hag-steered, fraught with devilry and dream!
And in the piles the water frolics clear,
The ripples into loose rings wander and flee,
And we--we can behold that could but hear
The ancient River singing as he goes,
New-mailed in morning, to the ancient Sea.
The gas burns lank and jaded in its glass:
The old Ruffian soon shall yawn himself awake,
And light his pipe, and shoulder his tools, and take
His hobnailed way to work!

Let us too pass -
Pass ere the sun leaps and your shadow shows -
Through these long, blindfold rows
Of casements staring blind to right and left,
Each with his gaze turned inward on some piece
Of life in death's own likeness--Life bereft
Of living looks as by the Great Release -
Pass to an exquisite night's more exquisite close!

Reach upon reach of burial--so they feel,
These colonies of dreams! And as we steal
Homeward together, but for the buxom breeze,
Fitfully frolicking to heel
With news of dawn-drenched woods and tumbling seas,
We might--thus awed, thus lonely that we are -
Be wandering some dispeopled star,
Some world of memories and unbroken graves,
So broods the abounding Silence near and far:
Till even your footfall craves
Forgiveness of the majesty it braves.

Once on a time
There was a little boy: a master-mage
By virtue of a Book
Of magic--O, so magical it filled
His life with visionary pomps
Processional! And Powers
Passed with him where he passed. And Thrones
And Dominations, glaived and plumed and mailed,
Thronged in the criss-cross streets,
The palaces pell-mell with playing-fields,
Domes, cloisters, dungeons, caverns, tents, arcades,
Of the unseen, silent City, in his soul
Pavilioned jealously, and hid
As in the dusk, profound,
Green stillnesses of some enchanted mere. -

I shut mine eyes . . . And lo!
A flickering snatch of memory that floats
Upon the face of a pool of darkness five
And thirty dead years deep,
Antic in girlish broideries
And skirts and silly shoes with straps
And a broad-ribanded leghorn, he walks
Plain in the shadow of a church
(St. Michael's: in whose brazen call
To curfew his first wails of wrath were whelmed),
Sedate for all his haste
To be at home; and, nestled in his arm,
Inciting still to quiet and solitude,
Boarded in sober drab,
With small, square, agitating cuts
Let in a-top of the double-columned, close,
Quakerlike print, a Book! . . .
What but that blessed brief
Of what is gallantest and best
In all the full-shelved Libraries of Romance?
The Book of rocs,
Sandalwood, ivory, turbans, ambergris,
Cream-tarts, and lettered apes, and calendars,
And ghouls, and genies--O, so huge
They might have overed the tall Minster Tower
Hands down, as schoolboys take a post!
In truth, the Book of Camaralzaman,
Schemselnihar and Sindbad, Scheherezade
The peerless, Bedreddin, Badroulbadour,
Cairo and Serendib and Candahar,
And Caspian, and the dim, terrific bulk -
Ice-ribbed, fiend-visited, isled in spells and storms -
Of Kaf! . . . That centre of miracles,
The sole, unparalleled Arabian Nights!

Old friends I had a-many--kindly and grim
Familiars, cronies quaint
And goblin! Never a Wood but housed
Some morrice of dainty dapperlings. No Brook
But had his nunnery
Of green-haired, silvry-curving sprites,
To cabin in his grots, and pace
His lilied margents. Every lone Hillside
Might open upon Elf-Land. Every Stalk
That curled about a Bean-stick was of the breed
Of that live ladder by whose delicate rungs
You climbed beyond the clouds, and found
The Farm-House where the Ogre, gorged
And drowsy, from his great oak chair,
Among the flitches and pewters at the fire,
Called for his Faery Harp. And in it flew,
And, perching on the kitchen table, sang
Jocund and jubilant, with a sound
Of those gay, golden-vowered madrigals
The shy thrush at mid-May
Flutes from wet orchards flushed with the triumphing dawn;
Or blackbirds rioting as they listened still,
In old-world woodlands rapt with an old-world spring,
For Pan's own whistle, savage and rich and lewd,
And mocked him call for call!

I could not pass
The half-door where the cobbler sat in view
Nor figure me the wizen Leprechaun,
In square-cut, faded reds and buckle-shoes,
Bent at his work in the hedge-side, and know
Just how he tapped his brogue, and twitched
His wax-end this and that way, both with wrists
And elbows. In the rich June fields,
Where the ripe clover drew the bees,
And the tall quakers trembled, and the West Wind
Lolled his half-holiday away
Beside me lolling and lounging through my own,
'Twas good to follow the Miller's Youngest Son
On his white horse along the leafy lanes;
For at his stirrup linked and ran,
Not cynical and trapesing, as he loped
From wall to wall above the espaliers,
But in the bravest tops
That market-town, a town of tops, could show:
Bold, subtle, adventurous, his tail
A banner flaunted in disdain
Of human stratagems and shifts:
King over All the Catlands, present and past
And future, that moustached
Artificer of fortunes, Puss-in-Boots!
Or Bluebeard's Closet, with its plenishing
Of meat-hooks, sawdust, blood,
And wives that hung like fresh-dressed carcases -
Odd-fangled, most a butcher's, part
A faery chamber hazily seen
And hazily figured--on dark afternoons
And windy nights was visiting of the best.
Then, too, the pelt of hoofs
Out in the roaring darkness told
Of Herne the Hunter in his antlered helm
Galloping, as with despatches from the Pit,
Between his hell-born Hounds.
And Rip Van Winkle . . . often I lurked to hear,
Outside the long, low timbered, tarry wall,
The mutter and rumble of the trolling bowls
Down the lean plank, before they fluttered the pins;
For, listening, I could help him play
His wonderful game,
In those blue, booming hills, with Mariners
Refreshed from kegs not coopered in this our world.

But what were these so near,
So neighbourly fancies to the spell that brought
The run of Ali Baba's Cave
Just for the saying 'Open Sesame,'
With gold to measure, peck by peck,
In round, brown wooden stoups
You borrowed at the chandler's? . . . Or one time
Made you Aladdin's friend at school,
Free of his Garden of Jewels, Ring and Lamp
In perfect trim? . . . Or Ladies, fair
For all the embrowning scars in their white breasts
Went labouring under some dread ordinance,
Which made them whip, and bitterly cry the while,
Strange Curs that cried as they,
Till there was never a Black Bitch of all
Your consorting but might have gone
Spell-driven miserably for crimes
Done in the pride of womanhood and desire . . .
Or at the ghostliest altitudes of night,
While you lay wondering and acold,
Your sense was fearfully purged; and soon
Queen Labe, abominable and dear,
Rose from your side, opened the Box of Doom,
Scattered the yellow powder (which I saw
Like sulphur at the Docks in bulk),
And muttered certain words you could not hear;
And there! a living stream,
The brook you bathed in, with its weeds and flags
And cresses, glittered and sang
Out of the hearthrug over the nakedness,
Fair-scrubbed and decent, of your bedroom floor! . . .

I was--how many a time! -
That Second Calendar, Son of a King,
On whom 'twas vehemently enjoined,
Pausing at one mysterious door,
To pry no closer, but content his soul
With his kind Forty. Yet I could not rest
For idleness and ungovernable Fate.
And the Black Horse, which fed on sesame
(That wonder-working word!),
Vouchsafed his back to me, and spread his vans,
And soaring, soaring on
From air to air, came charging to the ground
Sheer, like a lark from the midsummer clouds,
And, shaking me out of the saddle, where I sprawled
Flicked at me with his tail,
And left me blinded, miserable, distraught
(Even as I was in deed,
When doctors came, and odious things were done
On my poor tortured eyes
With lancets; or some evil acid stung
And wrung them like hot sand,
And desperately from room to room
Fumble I must my dark, disconsolate way),
To get to Bagdad how I might. But there
I met with Merry Ladies. O you three -
Safie, Amine, Zobeide--when my heart
Forgets you all shall be forgot!
And so we supped, we and the rest,
On wine and roasted lamb, rose-water, dates,
Almonds, pistachios, citrons. And Haroun
Laughed out of his lordly beard
On Giaffar and Mesrour (I knew the Three
For all their Mossoul habits). And outside
The Tigris, flowing swift
Like Severn bend for bend, twinkled and gleamed
With broken and wavering shapes of stranger stars;
The vast, blue night
Was murmurous with peris' plumes
And the leathern wings of genies; words of power
Were whispering; and old fishermen,
Casting their nets with prayer, might draw to shore
Dead loveliness: or a prodigy in scales
Worth in the Caliph's Kitchen pieces of gold:
Or copper vessels, stopped with lead,
Wherein some Squire of Eblis watched and railed,
In durance under potent charactry
Graven by the seal of Solomon the King . . .

Then, as the Book was glassed
In Life as in some olden mirror's quaint,
Bewildering angles, so would Life
Flash light on light back on the Book; and both
Were changed. Once in a house decayed
From better days, harbouring an errant show
(For all its stories of dry-rot
Were filled with gruesome visitants in wax,
Inhuman, hushed, ghastly with Painted Eyes),
I wandered; and no living soul
Was nearer than the pay-box; and I stared
Upon them staring--staring. Till at last,
Three sets of rafters from the streets,
I strayed upon a mildewed, rat-run room,
With the two Dancers, horrible and obscene,
Guarding the door: and there, in a bedroom-set,
Behind a fence of faded crimson cords,
With an aspect of frills
And dimities and dishonoured privacy
That made you hanker and hesitate to look,
A Woman with her litter of Babes--all slain,
All in their nightgowns, all with Painted Eyes
Staring--still staring; so that I turned and ran
As for my neck, but in the street
Took breath. The same, it seemed,
And yet not all the same, I was to find,
As I went up! For afterwards,
Whenas I went my round alone -
All day alone--in long, stern, silent streets,
Where I might stretch my hand and take
Whatever I would: still there were Shapes of Stone,
Motionless, lifelike, frightening--for the Wrath
Had smitten them; but they watched,
This by her melons and figs, that by his rings
And chains and watches, with the hideous gaze,
The Painted Eyes insufferable,
Now, of those grisly images; and I
Pursued my best-beloved quest,
Thrilled with a novel and delicious fear.
So the night fell--with never a lamplighter;
And through the Palace of the King
I groped among the echoes, and I felt
That they were there,
Dreadfully there, the Painted staring Eyes,
Hall after hall . . . Till lo! from far
A Voice! And in a little while
Two tapers burning! And the Voice,
Heard in the wondrous Word of God, was--whose?
Whose but Zobeide's,
The lady of my heart, like me
A True Believer, and like me
An outcast thousands of leagues beyond the pale! . . .

Or, sailing to the Isles
Of Khaledan, I spied one evenfall
A black blotch in the sunset; and it grew
Swiftly . . . and grew. Tearing their beards,
The sailors wept and prayed; but the grave ship,
Deep laden with spiceries and pearls, went mad,
Wrenched the long tiller out of the steersman's hand,
And, turning broadside on,
As the most iron would, was haled and sucked
Nearer, and nearer yet;
And, all awash, with horrible lurching leaps
Rushed at that Portent, casting a shadow now
That swallowed sea and sky; and then,
Anchors and nails and bolts
Flew screaming out of her, and with clang on clang,
A noise of fifty stithies, caught at the sides
Of the Magnetic Mountain; and she lay,
A broken bundle of firewood, strown piecemeal
About the waters; and her crew
Passed shrieking, one by one; and I was left
To drown. All the long night I swam;
But in the morning, O, the smiling coast
Tufted with date-trees, meadowlike,
Skirted with shelving sands! And a great wave
Cast me ashore; and I was saved alive.
So, giving thanks to God, I dried my clothes,
And, faring inland, in a desert place
I stumbled on an iron ring -
The fellow of fifty built into the Quays:
When, scenting a trap-door,
I dug, and dug; until my biggest blade
Stuck into wood. And then,
The flight of smooth-hewn, easy-falling stairs,
Sunk in the naked rock! The cool, clean vault,
So neat with niche on niche it might have been
Our beer-cellar but for the rows
Of brazen urns (like monstrous chemist's jars)
Full to the wide, squat throats
With gold-dust, but a-top
A layer of pickled-walnut-looking things
I knew for olives! And far, O, far away,
The Princess of China languished! Far away
Was marriage, with a Vizier and a Chief
Of Eunuchs and the privilege
Of going out at night
To play--unkenned, majestical, secure -
Where the old, brown, friendly river shaped
Like Tigris shore for shore! Haply a Ghoul
Sat in the churchyard under a frightened moon,
A thighbone in his fist, and glared
At supper with a Lady: she who took
Her rice with tweezers grain by grain.
Or you might stumble--there by the iron gates
Of the Pump Room--underneath the limes -
Upon Bedreddin in his shirt and drawers,
Just as the civil Genie laid him down.
Or those red-curtained panes,
Whence a tame cornet tenored it throatily
Of beer-pots and spittoons and new long pipes,
Might turn a caravansery's, wherein
You found Noureddin Ali, loftily drunk,
And that fair Persian, bathed in tears,
You'd not have given away
For all the diamonds in the Vale Perilous
You had that dark and disleaved afternoon
Escaped on a roc's claw,
Disguised like Sindbad--but in Christmas beef!
And all the blissful while
The schoolboy satchel at your hip
Was such a bulse of gems as should amaze
Grey-whiskered chapmen drawn
From over Caspian: yea, the Chief Jewellers
Of Tartary and the bazaars,
Seething with traffic, of enormous Ind. -

Thus cried, thus called aloud, to the child heart
The magian East: thus the child eyes
Spelled out the wizard message by the light
Of the sober, workaday hours
They saw, week in week out, pass, and still pass
In the sleepy Minster City, folded kind
In ancient Severn's arm,
Amongst her water-meadows and her docks,
Whose floating populace of ships -
Galliots and luggers, light-heeled brigantines,
Bluff barques and rake-hell fore-and-afters--brought
To her very doorsteps and geraniums
The scents of the World's End; the calls
That may not be gainsaid to rise and ride
Like fire on some high errand of the race;
The irresistible appeals
For comradeship that sound
Steadily from the irresistible sea.
Thus the East laughed and whispered, and the tale,
Telling itself anew
In terms of living, labouring life,
Took on the colours, busked it in the wear
Of life that lived and laboured; and Romance,
The Angel-Playmate, raining down
His golden influences
On all I saw, and all I dreamed and did,
Walked with me arm in arm,
Or left me, as one bediademed with straws
And bits of glass, to gladden at my heart
Who had the gift to seek and feel and find
His fiery-hearted presence everywhere.
Even so dear Hesper, bringer of all good things,
Sends the same silver dews
Of happiness down her dim, delighted skies
On some poor collier-hamlet--(mound on mound
Of sifted squalor; here a soot-throated stalk
Sullenly smoking over a row
Of flat-faced hovels; black in the gritty air
A web of rails and wheels and beams; with strings
Of hurtling, tipping trams) -
As on the amorous nightingales
And roses of Shiraz, or the walls and towers
Of Samarcand--the Ineffable--whence you espy
The splendour of Ginnistan's embattled spears,
Like listed lightnings.
Samarcand!
That name of names! That star-vaned belvedere
Builded against the Chambers of the South!
That outpost on the Infinite!
And behold!
Questing therefrom, you knew not what wild tide
Might overtake you: for one fringe,
One suburb, is stablished on firm earth; but one
Floats founded vague
In lubberlands delectable--isles of palm
And lotus, fortunate mains, far-shimmering seas,
The promise of wistful hills -
The shining, shifting Sovranties of Dream.