Walt Whitman: Verses about Murder

Now I tell what I knew in Texas in my early youth,
(I tell not the fall of Alamo,
Not one escaped to tell the fall of Alamo,
The hundred and fifty are dumb yet at Alamo,)
'Tis the tale of the murder in cold blood of four hundred and twelve young men.

Retreating they had form'd in a hollow square with their baggage for breastworks,
Nine hundred lives out of the surrounding enemy's, nine times their number, was the price they took in advance,
Their colonel was wounded and their ammunition gone,
They treated for an honorable capitulation, receiv'd writing and seal, gave up their arms and march'd back prisoners of war.

They were the glory of the race of rangers,
Matchless with horse, rifle, song, supper, courtship,
Large, turbulent, generous, handsome, proud, and affectionate,
Bearded, sunburnt, drest in the free costume of hunters,
Not a single one over thirty years of age.

The second First-day morning they were brought out in squads and massacred, it was beautiful early summer,
The work commenced about five o'clock and was over by eight.

None obey'd the command to kneel,
Some made a mad and helpless rush, some stood stark and straight,
A few fell at once, shot in the temple or heart, the living and dead lay together,
The maim'd and mangled dug in the dirt, the new-comers saw
them there,
Some half-kill'd attempted to crawl away,
These were despatch'd with bayonets or batter'd with the blunts of muskets,
A youth not seventeen years old seiz'd his assassin till two more came to release him,
The three were all torn and cover'd with the boy's blood.

At eleven o'clock began the burning of the bodies;
That is the tale of the murder of the four hundred and twelve young men.

A CALIFORNIA song!
A prophecy and indirection--a thought impalpable, to breathe, as air;
A chorus of dryads, fading, departing--or hamadryads departing;
A murmuring, fateful, giant voice, out of the earth and sky,
Voice of a mighty dying tree in the Redwood forest dense.

Farewell, my brethren,
Farewell, O earth and sky--farewell, ye neighboring waters;
My time has ended, my term has come.


Along the northern coast,
Just back from the rock-bound shore, and the caves, 10
In the saline air from the sea, in the Mendocino country,
With the surge for bass and accompaniment low and hoarse,
With crackling blows of axes, sounding musically, driven by strong
arms,
Riven deep by the sharp tongues of the axes--there in the Redwood
forest dense,
I heard the mighty tree its death-chant chanting.

The choppers heard not--the camp shanties echoed not;
The quick-ear'd teamsters, and chain and jack-screw men, heard not,
As the wood-spirits came from their haunts of a thousand years, to
join the refrain;
But in my soul I plainly heard.

Murmuring out of its myriad leaves, 20
Down from its lofty top, rising two hundred feet high,
Out of its stalwart trunk and limbs--out of its foot-thick bark,
That chant of the seasons and time--chant, not of the past only, but
the future.


You untold life of me,
And all you venerable and innocent joys,
Perennial, hardy life of me, with joys, 'mid rain, and many a summer
sun,
And the white snows, and night, and the wild winds;
O the great patient, rugged joys! my soul's strong joys, unreck'd by
man;
(For know I bear the soul befitting me--I too have consciousness,
identity,
And all the rocks and mountains have--and all the earth;) 30
Joys of the life befitting me and brothers mine,
Our time, our term has come.

Nor yield we mournfully, majestic brothers,
We who have grandly fill'd our time;
With Nature's calm content, and tacit, huge delight,
We welcome what we wrought for through the past,
And leave the field for them.

For them predicted long,
For a superber Race--they too to grandly fill their time,
For them we abdicate--in them ourselves, ye forest kings! 40
In them these skies and airs--these mountain peaks--Shasta--Nevadas,
These huge, precipitous cliffs--this amplitude--these valleys grand--
Yosemite,
To be in them absorb'd, assimilated.


Then to a loftier strain,
Still prouder, more ecstatic, rose the chant,
As if the heirs, the Deities of the West,
Joining, with master-tongue, bore part.

Not wan from Asia's fetishes,
Nor red from Europe's old dynastic slaughter-house,
(Area of murder-plots of thrones, with scent left yet of wars and
scaffolds every where,) 50
But come from Nature's long and harmless throes--peacefully builded
thence,
These virgin lands--Lands of the Western Shore,
To the new Culminating Man--to you, the Empire New,
You, promis'd long, we pledge, we dedicate.

You occult, deep volitions,
You average Spiritual Manhood, purpose of all, pois'd on yourself--
giving, not taking law,
You Womanhood divine, mistress and source of all, whence life and
love, and aught that comes from life and love,
You unseen Moral Essence of all the vast materials of America, (age
upon age, working in Death the same as Life,)
You that, sometimes known, oftener unknown, really shape and mould
the New World, adjusting it to Time and Space,
You hidden National Will, lying in your abysms, conceal'd, but ever
alert, 60
You past and present purposes, tenaciously pursued, may-be
unconscious of yourselves,
Unswerv'd by all the passing errors, perturbations of the surface;
You vital, universal, deathless germs, beneath all creeds, arts,
statutes, literatures,
Here build your homes for good--establish here--These areas entire,
Lands of the Western Shore,
We pledge, we dedicate to you.

For man of you--your characteristic Race,
Here may be hardy, sweet, gigantic grow--here tower, proportionate to
Nature,
Here climb the vast, pure spaces, unconfined, uncheck'd by wall or
roof,
Here laugh with storm or sun--here joy--here patiently inure,
Here heed himself, unfold himself (not others' formulas heed)--here
fill his time, 70
To duly fall, to aid, unreck'd at last,
To disappear, to serve.

Thus, on the northern coast,
In the echo of teamsters' calls, and the clinking chains, and the
music of choppers' axes,
The falling trunk and limbs, the crash, the muffled shriek, the
groan,
Such words combined from the Redwood-tree--as of wood-spirits' voices
ecstatic, ancient and rustling,
The century-lasting, unseen dryads, singing, withdrawing,
All their recesses of forests and mountains leaving,
From the Cascade range to the Wasatch--or Idaho far, or Utah,
To the deities of the Modern henceforth yielding, 80
The chorus and indications, the vistas of coming humanity--the
settlements, features all,
In the Mendocino woods I caught.


The flashing and golden pageant of California!
The sudden and gorgeous drama--the sunny and ample lands;
The long and varied stretch from Puget Sound to Colorado south;
Lands bathed in sweeter, rarer, healthier air--valleys and mountain
cliffs;
The fields of Nature long prepared and fallow--the silent, cyclic
chemistry;
The slow and steady ages plodding--the unoccupied surface ripening--
the rich ores forming beneath;
At last the New arriving, assuming, taking possession,
A swarming and busy race settling and organizing every where;
Ships coming in from the whole round world, and going out to the
whole world, 90
To India and China and Australia, and the thousand island paradises
of the Pacific;
Populous cities--the latest inventions--the steamers on the rivers--
the railroads--with many a thrifty farm, with machinery,
And wool, and wheat, and the grape--and diggings of yellow gold.


But more in you than these, Lands of the Western Shore!
(These but the means, the implements, the standing-ground,)
I see in you, certain to come, the promise of thousands of years,
till now deferr'd,
Promis'd, to be fulfill'd, our common kind, the Race.

The New Society at last, proportionate to Nature,
In Man of you, more than your mountain peaks, or stalwart trees
imperial, 100
In Woman more, far more, than all your gold, or vines, or even vital
air.

Fresh come, to a New World indeed, yet long prepared,
I see the Genius of the Modern, child of the Real and Ideal,
Clearing the ground for broad humanity, the true America, heir of the
past so grand,
To build a grander future.

EARTH, round, rolling, compact--suns, moons, animals--all these are
words to be said;
Watery, vegetable, sauroid advances--beings, premonitions, lispings
of the future,
Behold! these are vast words to be said.

Were you thinking that those were the words--those upright lines?
those curves, angles, dots?
No, those are not the words--the substantial words are in the ground
and sea,
They are in the air--they are in you.

Were you thinking that those were the words--those delicious sounds
out of your friends' mouths?
No, the real words are more delicious than they.

Human bodies are words, myriads of words;
In the best poems re-appears the body, man's or woman's, well-shaped,
natural, gay, 10
Every part able, active, receptive, without shame or the need of
shame.


Air, soil, water, fire--these are words;
I myself am a word with them--my qualities interpenetrate with
theirs--my name is nothing to them;
Though it were told in the three thousand languages, what would air,
soil, water, fire, know of my name?

A healthy presence, a friendly or commanding gesture, are words,
sayings, meanings;
The charms that go with the mere looks of some men and women, are
sayings and meanings also.


The workmanship of souls is by the inaudible words of the earth;
The great masters know the earth's words, and use them more than the
audible words.

Amelioration is one of the earth's words;
The earth neither lags nor hastens; 20
It has all attributes, growths, effects, latent in itself from the
jump;
It is not half beautiful only--defects and excrescences show just as
much as perfections show.

The earth does not withhold, it is generous enough;
The truths of the earth continually wait, they are not so conceal'd
either;
They are calm, subtle, untransmissible by print;
They are imbued through all things, conveying themselves willingly,
Conveying a sentiment and invitation of the earth--I utter and utter,
I speak not, yet if you hear me not, of what avail am I to you?
To bear--to better--lacking these, of what avail am I?


Accouche! Accouchez! 30
Will you rot your own fruit in yourself there?
Will you squat and stifle there?

The earth does not argue,
Is not pathetic, has no arrangements,
Does not scream, haste, persuade, threaten, promise,
Makes no discriminations, has no conceivable failures,
Closes nothing, refuses nothing, shuts none out,
Of all the powers, objects, states, it notifies, shuts none out.


The earth does not exhibit itself, nor refuse to exhibit itself--
possesses still underneath;
Underneath the ostensible sounds, the august chorus of heroes, the
wail of slaves, 40
Persuasions of lovers, curses, gasps of the dying, laughter of young
people, accents of bargainers,
Underneath these, possessing the words that never fail.

To her children, the words of the eloquent dumb great mother never
fail;
The true words do not fail, for motion does not fail, and reflection
does not fail;
Also the day and night do not fail, and the voyage we pursue does not
fail.


Of the interminable sisters,
Of the ceaseless cotillions of sisters,
Of the centripetal and centrifugal sisters, the elder and younger
sisters,
The beautiful sister we know dances on with the rest.
With her ample back towards every beholder, 50
With the fascinations of youth, and the equal fascinations of age,
Sits she whom I too love like the rest--sits undisturb'd,
Holding up in her hand what has the character of a mirror, while her
eyes glance back from it,
Glance as she sits, inviting none, denying none,
Holding a mirror day and night tirelessly before her own face.


Seen at hand, or seen at a distance,
Duly the twenty-four appear in public every day,
Duly approach and pass with their companions, or a companion,
Looking from no countenances of their own, but from the countenances
of those who are with them,
From the countenances of children or women, or the manly
countenance, 60
From the open countenances of animals, or from inanimate things,
From the landscape or waters, or from the exquisite apparition of the
sky,
From our countenances, mine and yours, faithfully returning them,
Every day in public appearing without fail, but never twice with the
same companions.


Embracing man, embracing all, proceed the three hundred and sixty-
five resistlessly round the sun;
Embracing all, soothing, supporting, follow close three hundred and
sixty-five offsets of the first, sure and necessary as they.


Tumbling on steadily, nothing dreading,
Sunshine, storm, cold, heat, forever withstanding, passing, carrying,
The Soul's realization and determination still inheriting,
The fluid vacuum around and ahead still entering and dividing, 70
No balk retarding, no anchor anchoring, on no rock striking,
Swift, glad, content, unbereav'd, nothing losing,
Of all able and ready at any time to give strict account,
The divine ship sails the divine sea.


Whoever you are! motion and reflection are especially for you;
The divine ship sails the divine sea for you.

Whoever you are! you are he or she for whom the earth is solid and
liquid,
You are he or she for whom the sun and moon hang in the sky,
For none more than you are the present and the past,
For none more than you is immortality. 80


Each man to himself, and each woman to herself, such is the word of
the past and present, and the word of immortality;
No one can acquire for another--not one!
Not one can grow for another--not one!

The song is to the singer, and comes back most to him;
The teaching is to the teacher, and comes back most to him;
The murder is to the murderer, and comes back most to him;
The theft is to the thief, and comes back most to him;
The love is to the lover, and comes back most to him;
The gift is to the giver, and comes back most to him--it cannot fail;
The oration is to the orator, the acting is to the actor and actress,
not to the audience; 90
And no man understands any greatness or goodness but his own, or the
indication of his own.


I swear the earth shall surely be complete to him or her who shall be
complete!
I swear the earth remains jagged and broken only to him or her who
remains jagged and broken!
I swear there is no greatness or power that does not emulate those of
the earth!
I swear there can be no theory of any account, unless it corroborate
the theory of the earth!
No politics, art, religion, behavior, or what not, is of account,
unless it compare with the amplitude of the earth,
Unless it face the exactness, vitality, impartiality, rectitude of
the earth.


I swear I begin to see love with sweeter spasms than that which
responds love!
It is that which contains itself--which never invites, and never
refuses.

I swear I begin to see little or nothing in audible words! 100
I swear I think all merges toward the presentation of the unspoken
meanings of the earth!
Toward him who sings the songs of the Body, and of the truths of the
earth;
Toward him who makes the dictionaries of words that print cannot
touch.


I swear I see what is better than to tell the best;
It is always to leave the best untold.

When I undertake to tell the best, I find I cannot,
My tongue is ineffectual on its pivots,
My breath will not be obedient to its organs,
I become a dumb man.

The best of the earth cannot be told anyhow--all or any is best; 110
It is not what you anticipated--it is cheaper, easier, nearer;
Things are not dismiss'd from the places they held before;
The earth is just as positive and direct as it was before;
Facts, religions, improvements, politics, trades, are as real as before;
But the Soul is also real,--it too is positive and direct;
No reasoning, no proof has establish'd it,
Undeniable growth has establish'd it.


This is a poem--a carol of words--these are hints of meanings,
These are to echo the tones of Souls, and the phrases of Souls;
If they did not echo the phrases of Souls, what were they then? 120
If they had not reference to you in especial, what were they then?

I swear I will never henceforth have to do with the faith that tells
the best!
I will have to do only with that faith that leaves the best untold.


Say on, sayers!
Delve! mould! pile the words of the earth!
Work on--(it is materials you must bring, not breaths;)
Work on, age after age! nothing is to be lost;
It may have to wait long, but it will certainly come in use;
When the materials are all prepared, the architects shall appear.

I swear to you the architects shall appear without fail! I announce
them and lead them; 130
I swear to you they will understand you, and justify you;
I swear to you the greatest among them shall be he who best knows
you, and encloses all, and is faithful to all;
I swear to you, he and the rest shall not forget you--they shall
perceive that you are not an iota less than they;
I swear to you, you shall be glorified in them.

COME closer to me;
Push close, my lovers, and take the best I possess;
Yield closer and closer, and give me the best you possess.

This is unfinish'd business with me--How is it with you?
(I was chill'd with the cold types, cylinder, wet paper between us.)

Male and Female!
I pass so poorly with paper and types, I must pass with the contact
of bodies and souls.

American masses!
I do not thank you for liking me as I am, and liking the touch of
me--I know that it is good for you to do so.


This is the carol of occupations; 10
In the labor of engines and trades, and the labor of fields, I find the developments,
And find the eternal meanings.

Workmen and Workwomen!
Were all educations, practical and ornamental, well display'd out of
me, what would it amount to?
Were I as the head teacher, charitable proprietor, wise statesman,
what would it amount to?
Were I to you as the boss employing and paying you, would that
satisfy you?

The learn'd, virtuous, benevolent, and the usual terms;
A man like me, and never the usual terms.

Neither a servant nor a master am I;
I take no sooner a large price than a small price--I will have my
own, whoever enjoys me; 20
I will be even with you, and you shall be even with me.

If you stand at work in a shop, I stand as nigh as the nighest in the
same shop;
If you bestow gifts on your brother or dearest friend, I demand as
good as your brother or dearest friend;
If your lover, husband, wife, is welcome by day or night, I must be
personally as welcome;
If you become degraded, criminal, ill, then I become so for your
sake;
If you remember your foolish and outlaw'd deeds, do you think I
cannot remember my own foolish and outlaw'd deeds?
If you carouse at the table, I carouse at the opposite side of the
table;
If you meet some stranger in the streets, and love him or her--why I
often meet strangers in the street, and love them.

Why, what have you thought of yourself?
Is it you then that thought yourself less? 30
Is it you that thought the President greater than you?
Or the rich better off than you? or the educated wiser than you?

Because you are greasy or pimpled, or that you were once drunk, or a
thief,
Or diseas'd, or rheumatic, or a prostitute--or are so now;
Or from frivolity or impotence, or that you are no scholar, and never
saw your name in print,
Do you give in that you are any less immortal?


Souls of men and women! it is not you I call unseen, unheard,
untouchable and untouching;
It is not you I go argue pro and con about, and to settle whether you
are alive or no;
I own publicly who you are, if nobody else owns.

Grown, half-grown, and babe, of this country and every country, in-
doors and out-doors, one just as much as the other, I see, 40
And all else behind or through them.

The wife--and she is not one jot less than the husband;
The daughter--and she is just as good as the son;
The mother--and she is every bit as much as the father.

Offspring of ignorant and poor, boys apprenticed to trades,
Young fellows working on farms, and old fellows working on farms,
Sailor-men, merchant-men, coasters, immigrants,
All these I see--but nigher and farther the same I see;
None shall escape me, and none shall wish to escape me.

I bring what you much need, yet always have, 50
Not money, amours, dress, eating, but as good;
I send no agent or medium, offer no representative of value, but
offer the value itself.

There is something that comes home to one now and perpetually;
It is not what is printed, preach'd, discussed--it eludes discussion
and print;
It is not to be put in a book--it is not in this book;
It is for you, whoever you are--it is no farther from you than your
hearing and sight are from you;
It is hinted by nearest, commonest, readiest--it is ever provoked by
them.

You may read in many languages, yet read nothing about it;
You may read the President's Message, and read nothing about it
there;
Nothing in the reports from the State department or Treasury
department, or in the daily papers or the weekly papers, 60
Or in the census or revenue returns, prices current, or any accounts
of stock.


The sun and stars that float in the open air;
The apple-shaped earth, and we upon it--surely the drift of them is
something grand!
I do not know what it is, except that it is grand, and that it is
happiness,
And that the enclosing purport of us here is not a speculation, or
bon-mot, or reconnoissance,
And that it is not something which by luck may turn out well for us,
and without luck must be a failure for us,
And not something which may yet be retracted in a certain
contingency.

The light and shade, the curious sense of body and identity, the
greed that with perfect complaisance devours all things, the
endless pride and out-stretching of man, unspeakable joys and
sorrows,
The wonder every one sees in every one else he sees, and the wonders
that fill each minute of time forever,
What have you reckon'd them for, camerado? 70
Have you reckon'd them for a trade, or farm-work? or for the profits
of a store?
Or to achieve yourself a position? or to fill a gentleman's leisure,
or a lady's leisure?

Have you reckon'd the landscape took substance and form that it might
be painted in a picture?
Or men and women that they might be written of, and songs sung?
Or the attraction of gravity, and the great laws and harmonious
combinations, and the fluids of the air, as subjects for the
savans?
Or the brown land and the blue sea for maps and charts?
Or the stars to be put in constellations and named fancy names?
Or that the growth of seeds is for agricultural tables, or
agriculture itself?

Old institutions--these arts, libraries, legends, collections, and
the practice handed along in manufactures--will we rate them so
high?
Will we rate our cash and business high?--I have no objection; 80
I rate them as high as the highest--then a child born of a woman and
man I rate beyond all rate.

We thought our Union grand, and our Constitution grand;
I do not say they are not grand and good, for they are;
I am this day just as much in love with them as you;
Then I am in love with you, and with all my fellows upon the earth.

We consider bibles and religions divine--I do not say they are not
divine;
I say they have all grown out of you, and may grow out of you still;
It is not they who give the life--it is you who give the life;
Leaves are not more shed from the trees, or trees from the earth,
than they are shed out of you.


When the psalm sings instead of the singer; 90
When the script preaches instead of the preacher;
When the pulpit descends and goes, instead of the carver that carved
the supporting desk;
When I can touch the body of books, by night or by day, and when they
touch my body back again;
When a university course convinces, like a slumbering woman and child
convince;
When the minted gold in the vault smiles like the night-watchman's
daughter;
When warrantee deeds loafe in chairs opposite, and are my friendly
companions;
I intend to reach them my hand, and make as much of them as I do of
men and women like you.

The sum of all known reverence I add up in you, whoever you are;
The President is there in the White House for you--it is not you who
are here for him;
The Secretaries act in their bureaus for you--not you here for
them; 100
The Congress convenes every Twelfth-month for you;
Laws, courts, the forming of States, the charters of cities, the
going and coming of commerce and mails, are all for you.

List close, my scholars dear!
All doctrines, all politics and civilization, exurge from you;
All sculpture and monuments, and anything inscribed anywhere, are
tallied in you;
The gist of histories and statistics as far back as the records
reach, is in you this hour, and myths and tales the same;
If you were not breathing and walking here, where would they all be?
The most renown'd poems would be ashes, orations and plays would be
vacuums.

All architecture is what you do to it when you look upon it;
(Did you think it was in the white or gray stone? or the lines of the
arches and cornices?) 110

All music is what awakes from you when you are reminded by the
instruments;
It is not the violins and the cornets--it is not the oboe nor the
beating drums, nor the score of the baritone singer singing
his sweet romanza--nor that of the men's chorus, nor that of
the women's chorus,
It is nearer and farther than they.


Will the whole come back then?
Can each see signs of the best by a look in the looking-glass? is
there nothing greater or more?
Does all sit there with you, with the mystic, unseen Soul?

Strange and hard that paradox true I give;
Objects gross and the unseen Soul are one.

House-building, measuring, sawing the boards;
Blacksmithing, glass-blowing, nail-making, coopering, tin-roofing,
shingle-dressing, 120
Ship-joining, dock-building, fish-curing, ferrying, flagging of side-
walks by flaggers,
The pump, the pile-driver, the great derrick, the coal-kiln and
brick-kiln,
Coal-mines, and all that is down there,--the lamps in the darkness,
echoes, songs, what meditations, what vast native thoughts
looking through smutch'd faces,
Iron-works, forge-fires in the mountains, or by the river-banks--men
around feeling the melt with huge crowbars--lumps of ore, the
due combining of ore, limestone, coal--the blast-furnace and
the puddling-furnace, the loup-lump at the bottom of the melt
at last--the rolling-mill, the stumpy bars of pig-iron, the
strong, clean-shaped T-rail for railroads;
Oil-works, silk-works, white-lead-works, the sugar-house, steam-saws,
the great mills and factories;
Stone-cutting, shapely trimmings for façades, or window or door-
lintels--the mallet, the tooth-chisel, the jib to protect the
thumb,
Oakum, the oakum-chisel, the caulking-iron--the kettle of boiling
vault-cement, and the fire under the kettle,
The cotton-bale, the stevedore's hook, the saw and buck of the
sawyer, the mould of the moulder, the working-knife of the
butcher, the ice-saw, and all the work with ice,
The implements for daguerreotyping--the tools of the rigger,
grappler, sail-maker, block-maker,
Goods of gutta-percha, papier-maché, colors, brushes, brush-making,
glazier's implements, 130

O you robust, sacred!
I cannot tell you how I love you;
All I love America for, is contained in men and women like you.

The veneer and glue-pot, the confectioner's ornaments, the decanter
and glasses, the shears and flat-iron,
The awl and knee-strap, the pint measure and quart measure, the
counter and stool, the writing-pen of quill or metal--the
making of all sorts of edged tools,
The brewery, brewing, the malt, the vats, every thing that is done by
brewers, also by wine-makers, also vinegar-makers,
Leather-dressing, coach-making, boiler-making, rope-twisting,
distilling, sign-painting, lime-burning, cotton-picking--
electro-plating, electrotyping, stereotyping,
Stave-machines, planing-machines, reaping-machines, ploughing-
machines, thrashing-machines, steam wagons,
The cart of the carman, the omnibus, the ponderous dray;
Pyrotechny, letting off color'd fire-works at night, fancy figures
and jets;
Beef on the butcher's stall, the slaughter-house of the butcher, the
butcher in his killing-clothes,
The pens of live pork, the killing-hammer, the hog-hook, the
scalder's tub, gutting, the cutter's cleaver, the packer's
maul, and the plenteous winter-work of pork-packing;
Flour-works, grinding of wheat, rye, maize, rice--the barrels and the
half and quarter barrels, the loaded barges, the high piles on
wharves and levees; 140
The men, and the work of the men, on railroads, coasters, fish-boats,
canals;
The daily routine of your own or any man's life--the shop, yard,
store, or factory;
These shows all near you by day and night--workman! whoever you are,
your daily life!
In that and them the heft of the heaviest--in them far more than you
estimated, and far less also;
In them realities for you and me--in them poems for you and me;
In them, not yourself--you and your Soul enclose all things,
regardless of estimation;
In them the development good--in them, all themes and hints.

I do not affirm what you see beyond is futile--I do not advise you to
stop;
I do not say leadings you thought great are not great;
But I say that none lead to greater, than those lead to. 150


Will you seek afar off? you surely come back at last,
In things best known to you, finding the best, or as good as the
best,
In folks nearest to you finding the sweetest, strongest, lovingest;
Happiness, knowledge, not in another place, but this place--not for
another hour, but this hour;
Man in the first you see or touch--always in friend, brother, nighest
neighbor--Woman in mother, lover, wife;
The popular tastes and employments taking precedence in poems or any
where,
You workwomen and workmen of These States having your own divine and
strong life,
And all else giving place to men and women like you.

I WANDER all night in my vision,
Stepping with light feet, swiftly and noiselessly stepping and
stopping,
Bending with open eyes over the shut eyes of sleepers,
Wandering and confused, lost to myself, ill-assorted, contradictory,
Pausing, gazing, bending, and stopping.

How solemn they look there, stretch'd and still!
How quiet they breathe, the little children in their cradles!

The wretched features of ennuyés, the white features of
corpses, the livid faces of drunkards, the sick-gray faces of
onanists,
The gash'd bodies on battle-fields, the insane in their strong-door'd
rooms, the sacred idiots, the new-born emerging from gates, and
the dying emerging from gates,
The night pervades them and infolds them. 10

The married couple sleep calmly in their bed--he with his palm on the
hip of the wife, and she with her palm on the hip of the
husband,
The sisters sleep lovingly side by side in their bed,
The men sleep lovingly side by side in theirs,
And the mother sleeps, with her little child carefully wrapt.

The blind sleep, and the deaf and dumb sleep,
The prisoner sleeps well in the prison--the run-away son sleeps;
The murderer that is to be hung next day--how does he sleep?
And the murder'd person--how does he sleep?

The female that loves unrequited sleeps,
And the male that loves unrequited sleeps, 20
The head of the money-maker that plotted all day sleeps,
And the enraged and treacherous dispositions--all, all sleep.


I stand in the dark with drooping eyes by the worst-suffering and the
most restless,
I pass my hands soothingly to and fro a few inches from them,
The restless sink in their beds--they fitfully sleep.

Now I pierce the darkness--new beings appear,
The earth recedes from me into the night,
I saw that it was beautiful, and I see that what is not the earth is
beautiful.

I go from bedside to bedside--I sleep close with the other sleepers,
each in turn,
I dream in my dream all the dreams of the other dreamers, 30
And I become the other dreamers.


I am a dance--Play up, there! the fit is whirling me fast!

I am the ever-laughing--it is new moon and twilight,
I see the hiding of douceurs--I see nimble ghosts whichever way I
look,
Cache, and cache again, deep in the ground and sea, and where it is
neither ground or sea.

Well do they do their jobs, those journeymen divine,
Only from me can they hide nothing, and would not if they could,
I reckon I am their boss, and they make me a pet besides,
And surround me and lead me, and run ahead when I walk,
To lift their cunning covers, to signify me with stretch'd arms, and
resume the way; 40
Onward we move! a gay gang of blackguards! with mirth-shouting music,
and wild-flapping pennants of joy!


I am the actor, the actress, the voter, the politician;
The emigrant and the exile, the criminal that stood in the box,
He who has been famous, and he who shall be famous after to-day,
The stammerer, the well-form'd person, the wasted or feeble person.


I am she who adorn'd herself and folded her hair expectantly,
My truant lover has come, and it is dark.

Double yourself and receive me, darkness!
Receive me and my lover too--he will not let me go without him.

I roll myself upon you, as upon a bed--I resign myself to the
dusk. 50


He whom I call answers me, and takes the place of my lover,
He rises with me silently from the bed.

Darkness! you are gentler than my lover--his flesh was sweaty and
panting,
I feel the hot moisture yet that he left me.

My hands are spread forth, I pass them in all directions,
I would sound up the shadowy shore to which you are journeying.

Be careful, darkness! already, what was it touch'd me?
I thought my lover had gone, else darkness and he are one,
I hear the heart-beat--I follow, I fade away.


O hot-cheek'd and blushing! O foolish hectic! 60
O for pity's sake, no one must see me now! my clothes were stolen
while I was abed,
Now I am thrust forth, where shall I run?

Pier that I saw dimly last night, when I look'd from the windows!
Pier out from the main, let me catch myself with you, and stay--I
will not chafe you,
I feel ashamed to go naked about the world.

I am curious to know where my feet stand--and what this is flooding
me, childhood or manhood--and the hunger that crosses the
bridge between.


The cloth laps a first sweet eating and drinking,
Laps life-swelling yolks--laps ear of rose-corn, milky and just
ripen'd;
The white teeth stay, and the boss-tooth advances in darkness,
And liquor is spill'd on lips and bosoms by touching glasses, and the
best liquor afterward. 70


I descend my western course, my sinews are flaccid,
Perfume and youth course through me, and I am their wake.

It is my face yellow and wrinkled, instead of the old woman's,
I sit low in a straw-bottom chair, and carefully darn my grandson's
stockings.

It is I too, the sleepless widow, looking out on the winter midnight,
I see the sparkles of starshine on the icy and pallid earth.

A shroud I see, and I am the shroud--I wrap a body, and lie in the
coffin,
It is dark here under ground--it is not evil or pain here--it is
blank here, for reasons.

It seems to me that everything in the light and air ought to be
happy,
Whoever is not in his coffin and the dark grave, let him know he has
enough. 80


I see a beautiful gigantic swimmer, swimming naked through the eddies
of the sea,
His brown hair lies close and even to his head--he strikes out with
courageous arms--he urges himself with his legs,
I see his white body--I see his undaunted eyes,
I hate the swift-running eddies that would dash him head-foremost on
the rocks.

What are you doing, you ruffianly red-trickled waves?
Will you kill the courageous giant? Will you kill him in the prime of
his middle age?

Steady and long he struggles,
He is baffled, bang'd, bruis'd--he holds out while his strength holds
out,
The slapping eddies are spotted with his blood--they bear him away--
they roll him, swing him, turn him,
His beautiful body is borne in the circling eddies, it is continually
bruis'd on rocks, 90
Swiftly and out of sight is borne the brave corpse.


I turn, but do not extricate myself,
Confused, a past-reading, another, but with darkness yet.

The beach is cut by the razory ice-wind--the wreck-guns sound,
The tempest lulls--the moon comes floundering through the drifts.

I look where the ship helplessly heads end on--I hear the burst as
she strikes--I hear the howls of dismay--they grow fainter and
fainter.

I cannot aid with my wringing fingers,
I can but rush to the surf, and let it drench me and freeze upon me.

I search with the crowd--not one of the company is wash'd to us
alive;
In the morning I help pick up the dead and lay them in rows in a
barn. 100


Now of the older war-days, the defeat at Brooklyn,
Washington stands inside the lines--he stands on the intrench'd
hills, amid a crowd of officers,
His face is cold and damp--he cannot repress the weeping drops,
He lifts the glass perpetually to his eyes--the color is blanch'd
from his cheeks,
He sees the slaughter of the southern braves confided to him by their
parents.

The same, at last and at last, when peace is declared,
He stands in the room of the old tavern--the well-belov'd soldiers
all pass through,
The officers speechless and slow draw near in their turns,
The chief encircles their necks with his arm, and kisses them on the
cheek,
He kisses lightly the wet cheeks one after another--he shakes hands,
and bids good-by to the army. 110


Now I tell what my mother told me to-day as we sat at dinner
together,
Of when she was a nearly grown girl, living home with her parents on
the old homestead.

A red squaw came one breakfast time to the old homestead,
On her back she carried a bundle of rushes for rush-bottoming chairs,
Her hair, straight, shiny, coarse, black, profuse, half-envelop'd her
face,
Her step was free and elastic, and her voice sounded exquisitely as
she spoke.

My mother look'd in delight and amazement at the stranger,
She look'd at the freshness of her tall-borne face, and full and
pliant limbs,
The more she look'd upon her, she loved her,
Never before had she seen such wonderful beauty and purity, 120
She made her sit on a bench by the jamb of the fireplace--she cook'd
food for her,
She had no work to give her, but she gave her remembrance and
fondness.

The red squaw staid all the forenoon, and toward the middle of the
afternoon she went away,
O my mother was loth to have her go away!
All the week she thought of her--she watch'd for her many a month,
She remember'd her many a winter and many a summer,
But the red squaw never came, nor was heard of there again.


Now Lucifer was not dead--or if he was, I am his sorrowful terrible
heir;
I have been wrong'd--I am oppress'd--I hate him that oppresses me,
I will either destroy him, or he shall release me. 130

Damn him! how he does defile me!
How he informs against my brother and sister, and takes pay for their
blood!
How he laughs when I look down the bend, after the steamboat that
carries away my woman!

Now the vast dusk bulk that is the whale's bulk, it seems mine;
Warily, sportsman! though I lie so sleepy and sluggish, the tap of my
flukes is death.


A show of the summer softness! a contact of something unseen! an
amour of the light and air!
I am jealous, and overwhelm'd with friendliness,
And will go gallivant with the light and air myself,
And have an unseen something to be in contact with them also.

O love and summer! you are in the dreams, and in me! 140
Autumn and winter are in the dreams--the farmer goes with his thrift,
The droves and crops increase, and the barns are well-fill'd.


Elements merge in the night--ships make tacks in the dreams,
The sailor sails--the exile returns home,
The fugitive returns unharm'd--the immigrant is back beyond months
and years,
The poor Irishman lives in the simple house of his childhood, with
the well-known neighbors and faces,
They warmly welcome him--he is barefoot again, he forgets he is well
off;
The Dutchman voyages home, and the Scotchman and Welshman voyage
home, and the native of the Mediterranean voyages home,
To every port of England, France, Spain, enter well-fill'd ships,
The Swiss foots it toward his hills--the Prussian goes his way, the
Hungarian his way, and the Pole his way, 150
The Swede returns, and the Dane and Norwegian return.


The homeward bound, and the outward bound,
The beautiful lost swimmer, the ennuyé, the onanist, the
female that loves unrequited, the money-maker,
The actor and actress, those through with their parts, and those
waiting to commence,
The affectionate boy, the husband and wife, the voter, the nominee
that is chosen, and the nominee that has fail'd,
The great already known, and the great any time after to-day,
The stammerer, the sick, the perfect-form'd, the homely,
The criminal that stood in the box, the judge that sat and sentenced
him, the fluent lawyers, the jury, the audience,
The laugher and weeper, the dancer, the midnight widow, the red
squaw,
The consumptive, the erysipelite, the idiot, he that is wrong'd, 160
The antipodes, and every one between this and them in the dark,
I swear they are averaged now--one is no better than the other,
The night and sleep have liken'd them and restored them.

I swear they are all beautiful;
Every one that sleeps is beautiful--everything in the dim light is
beautiful,
The wildest and bloodiest is over, and all is peace.


Peace is always beautiful, The myth of heaven indicates peace and
night.

The myth of heaven indicates the Soul;
The Soul is always beautiful--it appears more or it appears less--it
comes, or it lags behind, 170
It comes from its embower'd garden, and looks pleasantly on itself,
and encloses the world,
Perfect and clean the genitals previously jetting, and perfect and
clean the womb cohering,
The head well-grown, proportion'd and plumb, and the bowels and
joints proportion'd and plumb.


The Soul is always beautiful,
The universe is duly in order, everything is in its place,
What has arrived is in its place, and what waits is in its place;
The twisted skull waits, the watery or rotten blood waits,
The child of the glutton or venerealee waits long, and the child of
the drunkard waits long, and the drunkard himself waits long,
The sleepers that lived and died wait--the far advanced are to go on
in their turns, and the far behind are to come on in their
turns,
The diverse shall be no less diverse, but they shall flow and unite--
they unite now. 180


The sleepers are very beautiful as they lie unclothed,
They flow hand in hand over the whole earth, from east to west, as
they lie unclothed,
The Asiatic and African are hand in hand--the European and American
are hand in hand,
Learn'd and unlearn'd are hand in hand, and male and female are hand
in hand,
The bare arm of the girl crosses the bare breast of her lover--they
press close without lust--his lips press her neck,
The father holds his grown or ungrown son in his arms with
measureless love, and the son holds the father in his arms with
measureless love,
The white hair of the mother shines on the white wrist of the
daughter,
The breath of the boy goes with the breath of the man, friend is
inarm'd by friend,
The scholar kisses the teacher, and the teacher kisses the scholar--
the wrong'd is made right,
The call of the slave is one with the master's call, and the master
salutes the slave, 190
The felon steps forth from the prison--the insane becomes sane--the
suffering of sick persons is reliev'd,
The sweatings and fevers stop--the throat that was unsound is sound--
the lungs of the consumptive are resumed--the poor distress'd
head is free,
The joints of the rheumatic move as smoothly as ever, and smoother
than ever,
Stiflings and passages open--the paralyzed become supple,
The swell'd and convuls'd and congested awake to themselves in
condition,
They pass the invigoration of the night, and the chemistry of the
night, and awake.


I too pass from the night,
I stay a while away, O night, but I return to you again, and love
you.

Why should I be afraid to trust myself to you?
I am not afraid--I have been well brought forward by you; 200
I love the rich running day, but I do not desert her in whom I lay so
long,
I know not how I came of you, and I know not where I go with you--but
I know I came well, and shall go well.

I will stop only a time with the night, and rise betimes;
I will duly pass the day, O my mother, and duly return to you.

WEAPON, shapely, naked, wan!
Head from the mother's bowels drawn!
Wooded flesh and metal bone! limb only one, and lip only one!
Gray-blue leaf by red-heat grown! helve produced from a little seed
sown!
Resting the grass amid and upon,
To be lean'd, and to lean on.

Strong shapes, and attributes of strong shapes--masculine trades,
sights and sounds;
Long varied train of an emblem, dabs of music;
Fingers of the organist skipping staccato over the keys of the great
organ.


Welcome are all earth's lands, each for its kind; 10
Welcome are lands of pine and oak;
Welcome are lands of the lemon and fig;
Welcome are lands of gold;
Welcome are lands of wheat and maize--welcome those of the grape;
Welcome are lands of sugar and rice;
Welcome the cotton-lands--welcome those of the white potato and sweet
potato;
Welcome are mountains, flats, sands, forests, prairies;
Welcome the rich borders of rivers, table-lands, openings;
Welcome the measureless grazing-lands--welcome the teeming soil of
orchards, flax, honey, hemp;
Welcome just as much the other more hard-faced lands; 20
Lands rich as lands of gold, or wheat and fruit lands;
Lands of mines, lands of the manly and rugged ores;
Lands of coal, copper, lead, tin, zinc;
LANDS OF IRON! lands of the make of the axe!


The log at the wood-pile, the axe supported by it;
The sylvan hut, the vine over the doorway, the space clear'd for a
garden,
The irregular tapping of rain down on the leaves, after the storm is
lull'd,
The wailing and moaning at intervals, the thought of the sea,
The thought of ships struck in the storm, and put on their beam ends,
and the cutting away of masts;
The sentiment of the huge timbers of old-fashion'd houses and
barns; 30
The remember'd print or narrative, the voyage at a venture of men,
families, goods,
The disembarkation, the founding of a new city,
The voyage of those who sought a New England and found it--the outset
anywhere,
The settlements of the Arkansas, Colorado, Ottawa, Willamette,
The slow progress, the scant fare, the axe, rifle, saddle-bags;
The beauty of all adventurous and daring persons,
The beauty of wood-boys and wood-men, with their clear untrimm'd
faces,
The beauty of independence, departure, actions that rely on
themselves,
The American contempt for statutes and ceremonies, the boundless
impatience of restraint,
The loose drift of character, the inkling through random types, the
solidification; 40
The butcher in the slaughter-house, the hands aboard schooners and
sloops, the raftsman, the pioneer,
Lumbermen in their winter camp, day-break in the woods, stripes of
snow on the limbs of trees, the occasional snapping,
The glad clear sound of one's own voice, the merry song, the natural
life of the woods, the strong day's work,
The blazing fire at night, the sweet taste of supper, the talk, the
bed of hemlock boughs, and the bear-skin;
--The house-builder at work in cities or anywhere,
The preparatory jointing, squaring, sawing, mortising,
The hoist-up of beams, the push of them in their places, laying them
regular,
Setting the studs by their tenons in the mortises, according as they
were prepared,
The blows of mallets and hammers, the attitudes of the men, their
curv'd limbs,
Bending, standing, astride the beams, driving in pins, holding on by
posts and braces, 50
The hook'd arm over the plate, the other arm wielding the axe,
The floor-men forcing the planks close, to be nail'd,
Their postures bringing their weapons downward on the bearers,
The echoes resounding through the vacant building;
The huge store-house carried up in the city, well under way,
The six framing-men, two in the middle, and two at each end,
carefully bearing on their shoulders a heavy stick for a cross-
beam,
The crowded line of masons with trowels in their right hands, rapidly
laying the long side-wall, two hundred feet from front to rear,
The flexible rise and fall of backs, the continual click of the
trowels striking the bricks,
The bricks, one after another, each laid so workmanlike in its place,
and set with a knock of the trowel-handle,
The piles of materials, the mortar on the mortar-boards, and the
steady replenishing by the hod-men; 60
--Spar-makers in the spar-yard, the swarming row of well-grown
apprentices,
The swing of their axes on the square-hew'd log, shaping it toward
the shape of a mast,
The brisk short crackle of the steel driven slantingly into the pine,
The butter-color'd chips flying off in great flakes and slivers,
The limber motion of brawny young arms and hips in easy costumes;
The constructor of wharves, bridges, piers, bulk-heads, floats, stays
against the sea;
--The city fireman--the fire that suddenly bursts forth in the close-
pack'd square,
The arriving engines, the hoarse shouts, the nimble stepping and
daring,
The strong command through the fire-trumpets, the falling in line,
the rise and fall of the arms forcing the water,
The slender, spasmic, blue-white jets--the bringing to bear of the
hooks and ladders, and their execution, 70
The crash and cut away of connecting wood-work, or through floors, if
the fire smoulders under them,
The crowd with their lit faces, watching--the glare and dense
shadows;
--The forger at his forge-furnace, and the user of iron after him,
The maker of the axe large and small, and the welder and temperer,
The chooser breathing his breath on the cold steel, and trying the
edge with his thumb,
The one who clean-shapes the handle, and sets it firmly in the
socket;
The shadowy processions of the portraits of the past users also,
The primal patient mechanics, the architects and engineers,
The far-off Assyrian edifice and Mizra edifice,
The Roman lictors preceding the consuls, 80
The antique European warrior with his axe in combat,
The uplifted arm, the clatter of blows on the helmeted head,
The death-howl, the limpsey tumbling body, the rush of friend and foe
thither,
The siege of revolted lieges determin'd for liberty,
The summons to surrender, the battering at castle gates, the truce
and parley;
The sack of an old city in its time,
The bursting in of mercenaries and bigots tumultuously and
disorderly,
Roar, flames, blood, drunkenness, madness,
Goods freely rifled from houses and temples, screams of women in the
gripe of brigands,
Craft and thievery of camp-followers, men running, old persons
despairing, 90
The hell of war, the cruelties of creeds,
The list of all executive deeds and words, just or unjust,
The power of personality, just or unjust.


Muscle and pluck forever!
What invigorates life, invigorates death,
And the dead advance as much as the living advance,
And the future is no more uncertain than the present,
And the roughness of the earth and of man encloses as much as the
delicatesse of the earth and of man,
And nothing endures but personal qualities.
What do you think endures? 100
Do you think the great city endures?
Or a teeming manufacturing state? or a prepared constitution? or the
best-built steamships?
Or hotels of granite and iron? or any chef-d'oeuvres of engineering,
forts, armaments?

Away! These are not to be cherish'd for themselves;
They fill their hour, the dancers dance, the musicians play for them;
The show passes, all does well enough of course,
All does very well till one flash of defiance.

The great city is that which has the greatest man or woman;
If it be a few ragged huts, it is still the greatest city in the
whole world.


The place where the great city stands is not the place of stretch'd
wharves, docks, manufactures, deposits of produce, 110
Nor the place of ceaseless salutes of new comers, or the anchor-
lifters of the departing,
Nor the place of the tallest and costliest buildings, or shops
selling goods from the rest of the earth,
Nor the place of the best libraries and schools--nor the place where
money is plentiest,
Nor the place of the most numerous population.

Where the city stands with the brawniest breed of orators and bards;
Where the city stands that is beloved by these, and loves them in
return, and understands them;
Where no monuments exist to heroes, but in the common words and
deeds;
Where thrift is in its place, and prudence is in its place;
Where the men and women think lightly of the laws;
Where the slave ceases, and the master of slaves ceases; 120
Where the populace rise at once against the never-ending audacity of
elected persons;
Where fierce men and women pour forth, as the sea to the whistle of
death pours its sweeping and unript waves;
Where outside authority enters always after the precedence of inside
authority;
Where the citizen is always the head and ideal--and President, Mayor,
Governor, and what not, are agents for pay;
Where children are taught to be laws to themselves, and to depend on
themselves;
Where equanimity is illustrated in affairs;
Where speculations on the Soul are encouraged;
Where women walk in public processions in the streets, the same as
the men,
Where they enter the public assembly and take places the same as the
men;
Where the city of the faithfulest friends stands; 130
Where the city of the cleanliness of the sexes stands;
Where the city of the healthiest fathers stands;
Where the city of the best-bodied mothers stands,
There the great city stands.


How beggarly appear arguments before a defiant deed!
How the floridness of the materials of cities shrivels before a man's
or woman's look!

All waits, or goes by default, till a strong being appears;
A strong being is the proof of the race, and of the ability of the
universe;
When he or she appears, materials are overaw'd,
The dispute on the Soul stops, 140
The old customs and phrases are confronted, turn'd back, or laid
away.

What is your money-making now? what can it do now?
What is your respectability now?
What are your theology, tuition, society, traditions, statute-books,
now?
Where are your jibes of being now?
Where are your cavils about the Soul now?


A sterile landscape covers the ore--there is as good as the best, for
all the forbidding appearance;
There is the mine, there are the miners;
The forge-furnace is there, the melt is accomplish'd; the hammers-men
are at hand with their tongs and hammers;
What always served, and always serves, is at hand. 150

Than this, nothing has better served--it has served all:
Served the fluent-tongued and subtle-sensed Greek, and long ere the
Greek:
Served in building the buildings that last longer than any;
Served the Hebrew, the Persian, the most ancient Hindostanee;
Served the mound-raiser on the Mississippi--served those whose relics
remain in Central America;
Served Albic temples in woods or on plains, with unhewn pillars, and
the druids;
Served the artificial clefts, vast, high, silent, on the snow-cover'd
hills of Scandinavia;
Served those who, time out of mind, made on the granite walls rough
sketches of the sun, moon, stars, ships, ocean-waves;
Served the paths of the irruptions of the Goths--served the pastoral
tribes and nomads;
Served the long, long distant Kelt--served the hardy pirates of the
Baltic; 160
Served before any of those, the venerable and harmless men of
Ethiopia;
Served the making of helms for the galleys of pleasure, and the
making of those for war;
Served all great works on land, and all great works on the sea;
For the mediæval ages, and before the mediæval ages;
Served not the living only, then as now, but served the dead.


I see the European headsman;
He stands mask'd, clothed in red, with huge legs, and strong naked
arms,
And leans on a ponderous axe.

(Whom have you slaughter'd lately, European headsman?
Whose is that blood upon you, so wet and sticky?) 170

I see the clear sunsets of the martyrs;
I see from the scaffolds the descending ghosts,
Ghosts of dead lords, uncrown'd ladies, impeach'd ministers, rejected
kings,
Rivals, traitors, poisoners, disgraced chieftains, and the rest.

I see those who in any land have died for the good cause;
The seed is spare, nevertheless the crop shall never run out;
(Mind you, O foreign kings, O priests, the crop shall never run out.)

I see the blood wash'd entirely away from the axe;
Both blade and helve are clean;
They spirt no more the blood of European nobles--they clasp no more
the necks of queens. 180

I see the headsman withdraw and become useless;
I see the scaffold untrodden and mouldy--I see no longer any axe upon
it;
I see the mighty and friendly emblem of the power of my own race--the
newest, largest race.


(America! I do not vaunt my love for you;
I have what I have.)

The axe leaps!
The solid forest gives fluid utterances;
They tumble forth, they rise and form,
Hut, tent, landing, survey,
Flail, plough, pick, crowbar, spade, 190
Shingle, rail, prop, wainscot, jamb, lath, panel, gable,
Citadel, ceiling, saloon, academy, organ, exhibition-house, library,
Cornice, trellis, pilaster, balcony, window, shutter, turret, porch,
Hoe, rake, pitch-fork, pencil, wagon, staff, saw, jack-plane, mallet,
wedge, rounce,
Chair, tub, hoop, table, wicket, vane, sash, floor,
Work-box, chest, string'd instrument, boat, frame, and what not,
Capitols of States, and capitol of the nation of States,
Long stately rows in avenues, hospitals for orphans, or for the poor
or sick,
Manhattan steamboats and clippers, taking the measure of all seas.

The shapes arise! 200
Shapes of the using of axes anyhow, and the users, and all that
neighbors them,
Cutters down of wood, and haulers of it to the Penobscot or
Kennebec,
Dwellers in cabins among the California mountains, or by the little
lakes, or on the Columbia,
Dwellers south on the banks of the Gila or Rio Grande--friendly
gatherings, the characters and fun,
Dwellers up north in Minnesota and by the Yellowstone river--dwellers
on coasts and off coasts,
Seal-fishers, whalers, arctic seamen breaking passages through the
ice.

The shapes arise!
Shapes of factories, arsenals, foundries, markets;
Shapes of the two-threaded tracks of railroads;
Shapes of the sleepers of bridges, vast frameworks, girders,
arches; 210
Shapes of the fleets of barges, towns, lake and canal craft, river
craft.

The shapes arise!
Ship-yards and dry-docks along the Eastern and Western Seas, and in
many a bay and by-place,
The live-oak kelsons, the pine planks, the spars, the hackmatack-
roots for knees,
The ships themselves on their ways, the tiers of scaffolds, the
workmen busy outside and inside,
The tools lying around, the great auger and little auger, the adze,
bolt, line, square, gouge, and bead-plane.


The shapes arise!
The shape measur'd, saw'd, jack'd, join'd, stain'd,
The coffin-shape for the dead to lie within in his shroud;
The shape got out in posts, in the bedstead posts, in the posts of
the bride's bed; 220
The shape of the little trough, the shape of the rockers beneath, the
shape of the babe's cradle;
The shape of the floor-planks, the floor-planks for dancers' feet;
The shape of the planks of the family home, the home of the friendly
parents and children,
The shape of the roof of the home of the happy young man and woman--
the roof over the well-married young man and woman,
The roof over the supper joyously cook'd by the chaste wife, and
joyously eaten by the chaste husband, content after his day's
work.

The shapes arise!
The shape of the prisoner's place in the court-room, and of him or
her seated in the place;
The shape of the liquor-bar lean'd against by the young rum-drinker
and the old rum-drinker;
The shape of the shamed and angry stairs, trod by sneaking footsteps;
The shape of the sly settee, and the adulterous unwholesome
couple; 230
The shape of the gambling-board with its devilish winnings and
losings;
The shape of the step-ladder for the convicted and sentenced
murderer, the murderer with haggard face and pinion'd arms,
The sheriff at hand with his deputies, the silent and white-lipp'd
crowd, the dangling of the rope.

The shapes arise!
Shapes of doors giving many exits and entrances;
The door passing the dissever'd friend, flush'd and in haste;
The door that admits good news and bad news;
The door whence the son left home, confident and puff'd up;
The door he enter'd again from a long and scandalous absence,
diseas'd, broken down, without innocence, without means.


Her shape arises, 240
She, less guarded than ever, yet more guarded than ever;
The gross and soil'd she moves among do not make her gross and
soil'd;
She knows the thoughts as she passes--nothing is conceal'd from her;
She is none the less considerate or friendly therefor;
She is the best belov'd--it is without exception--she has no reason
to fear, and she does not fear;
Oaths, quarrels, hiccupp'd songs, smutty expressions, are idle to her
as she passes;
She is silent--she is possess'd of herself--they do not offend her;
She receives them as the laws of nature receive them--she is strong,
She too is a law of nature--there is no law stronger than she is.


The main shapes arise! 250
Shapes of Democracy, total--result of centuries;
Shapes, ever projecting other shapes;
Shapes of turbulent manly cities;
Shapes of the friends and home-givers of the whole earth,
Shapes bracing the earth, and braced with the whole earth.