Walt Whitman: Verses about Husband

AMONG the men and women, the multitude,
I perceive one picking me out by secret and divine signs,
Acknowledging none else--not parent, wife, husband, brother, child,
any nearer than I am;
Some are baffled--But that one is not--that one knows me.

Ah, lover and perfect equal!
I meant that you should discover me so, by my faint indirections;
And I, when I meet you, mean to discover you by the like in you.

AND now, gentlemen,
A word I give to remain in your memories and minds,
As base, and finale too, for all metaphysics.

(So, to the students, the old professor,
At the close of his crowded course.)

Having studied the new and antique, the Greek and Germanic systems,
Kant having studied and stated--Fichte and Schelling and Hegel,
Stated the lore of Plato--and Socrates, greater than Plato,
And greater than Socrates sought and stated--Christ divine having
studied long,
I see reminiscent to-day those Greek and Germanic systems, 10
See the philosophies all--Christian churches and tenets see,
Yet underneath Socrates clearly see--and underneath Christ the divine
I see,
The dear love of man for his comrade--the attraction of friend to
friend,
Of the well-married husband and wife--of children and parents,
Of city for city, and land for land.

I SIT and look out upon all the sorrows of the world, and upon all
oppression and shame;
I hear secret convulsive sobs from young men, at anguish with
themselves, remorseful after deeds done;
I see, in low life, the mother misused by her children, dying,
neglected, gaunt, desperate;
I see the wife misused by her husband--I see the treacherous seducer
of young women;
I mark the ranklings of jealousy and unrequited love, attempted to be
hid--I see these sights on the earth;
I see the workings of battle, pestilence, tyranny--I see martyrs and
prisoners;
I observe a famine at sea--I observe the sailors casting lots who
shall be kill'd, to preserve the lives of the rest;
I observe the slights and degradations cast by arrogant persons upon
laborers, the poor, and upon negroes, and the like;
All these--All the meanness and agony without end, I sitting, look
out upon,
See, hear, and am silent. 10

I NEED no assurances--I am a man who is preoccupied, of his own Soul;
I do not doubt that from under the feet, and beside the hands and
face I am cognizant of, are now looking faces I am not
cognizant of--calm and actual faces;
I do not doubt but the majesty and beauty of the world are latent in
any iota of the world;
I do not doubt I am limitless, and that the universes are limitless--
in vain I try to think how limitless;
I do not doubt that the orbs, and the systems of orbs, play their
swift sports through the air on purpose--and that I shall one
day be eligible to do as much as they, and more than they;
I do not doubt that temporary affairs keep on and on, millions of
years;
I do not doubt interiors have their interiors, and exteriors have
their exteriors--and that the eye-sight has another eye-sight,
and the hearing another hearing, and the voice another voice;
I do not doubt that the passionately-wept deaths of young men are
provided for--and that the deaths of young women, and the
deaths of little children, are provided for;
(Did you think Life was so well provided for--and Death, the purport
of all Life, is not well provided for?)
I do not doubt that wrecks at sea, no matter what the horrors of
them--no matter whose wife, child, husband, father, lover, has
gone down, are provided for, to the minutest points; 10
I do not doubt that whatever can possibly happen, any where, at any
time, is provided for, in the inherences of things;
I do not think Life provides for all, and for Time and Space--but I
believe Heavenly Death provides for all.

Whoever you are, holding me now in hand,
Without one thing, all will be useless,
I give you fair warning, before you attempt me further,
I am not what you supposed, but far different.

Who is he that would become my follower?
Who would sign himself a candidate for my affections?

The way is suspicious-the result uncertain, perhaps destructive;
You would have to give up all else-I alone would expect to be your
God, sole and exclusive,
Your novitiate would even then be long and exhausting,
The whole past theory of your life, and all conformity to the lives
around you, would have to be abandon'd;
Therefore release me now, before troubling yourself any further-Let
go your hand from my shoulders,
Put me down, and depart on your way.

Or else, by stealth, in some wood, for trial,
Or back of a rock, in the open air,
(For in any roof'd room of a house I emerge not-nor in company,
And in libraries I lie as one dumb, a gawk, or unborn, or dead,)
But just possibly with you on a high hill-first watching lest any
person, for miles around, approach unawares,
Or possibly with you sailing at sea, or on the beach of the sea, or
some quiet island,
Here to put your lips upon mine I permit you,
With the comrade's long-dwelling kiss, or the new husband's kiss,
For I am the new husband, and I am the comrade.

Or, if you will, thrusting me beneath your clothing,
Where I may feel the throbs of your heart, or rest upon your hip,
Carry me when you go forth over land or sea;
For thus, merely touching you, is enough-is best,
And thus, touching you, would I silently sleep and be carried
eternally.

But these leaves conning, you con at peril,
For these leaves, and me, you will not understand,
They will elude you at first, and still more afterward-I will
certainly elude you,
Even while you should think you had unquestionably caught me,
behold!
Already you see I have escaped from you.

For it is not for what I have put into it that I have written this
book,
Nor is it by reading it you will acquire it,
Nor do those know me best who admire me, and vauntingly praise me,
Nor will the candidates for my love, (unless at most a very few,)
prove victorious,
Nor will my poems do good only-they will do just as much evil,
perhaps more;
For all is useless without that which you may guess at many times and
not hit-that which I hinted at;
Therefore release me, and depart on your way.

A WOMAN waits for me--she contains all, nothing is lacking,
Yet all were lacking, if sex were lacking, or if the moisture of the
right man were lacking.

Sex contains all,
Bodies, Souls, meanings, proofs, purities, delicacies, results,
promulgations,
Songs, commands, health, pride, the maternal mystery, the seminal
milk;
All hopes, benefactions, bestowals,
All the passions, loves, beauties, delights of the earth,
All the governments, judges, gods, follow'd persons of the earth,
These are contain'd in sex, as parts of itself, and justifications of
itself.

Without shame the man I like knows and avows the deliciousness of his
sex, 10
Without shame the woman I like knows and avows hers.

Now I will dismiss myself from impassive women,
I will go stay with her who waits for me, and with those women that
are warm-blooded and sufficient for me;
I see that they understand me, and do not deny me;
I see that they are worthy of me--I will be the robust husband of
those women.

They are not one jot less than I am,
They are tann'd in the face by shining suns and blowing winds,
Their flesh has the old divine suppleness and strength,
They know how to swim, row, ride, wrestle, shoot, run, strike,
retreat, advance, resist, defend themselves,
They are ultimate in their own right--they are calm, clear, well-
possess'd of themselves. 20

I draw you close to me, you women!
I cannot let you go, I would do you good,
I am for you, and you are for me, not only for our own sake, but for
others' sakes;
Envelop'd in you sleep greater heroes and bards,
They refuse to awake at the touch of any man but me.

It is I, you women--I make my way,
I am stern, acrid, large, undissuadable--but I love you,
I do not hurt you any more than is necessary for you,
I pour the stuff to start sons and daughters fit for These States--I
press with slow rude muscle,
I brace myself effectually--I listen to no entreaties, 30
I dare not withdraw till I deposit what has so long accumulated
within me.

Through you I drain the pent-up rivers of myself,
In you I wrap a thousand onward years,
On you I graft the grafts of the best-beloved of me and America,
The drops I distil upon you shall grow fierce and athletic girls, new
artists, musicians, and singers,
The babes I beget upon you are to beget babes in their turn,
I shall demand perfect men and women out of my love-spendings,
I shall expect them to interpenetrate with others, as I and you
interpenetrate now,
I shall count on the fruits of the gushing showers of them, as I
count on the fruits of the gushing showers I give now,
I shall look for loving crops from the birth, life, death,
immortality, I plant so lovingly now. 40

FROM pent-up, aching rivers;
From that of myself, without which I were nothing;
From what I am determin'd to make illustrious, even if I stand sole
among men;
From my own voice resonant--singing the phallus,
Singing the song of procreation,
Singing the need of superb children, and therein superb grown people,
Singing the muscular urge and the blending,
Singing the bedfellow's song, (O resistless yearning!
O for any and each, the body correlative attracting!
O for you, whoever you are, your correlative body! O it, more than
all else, you delighting!) 10
--From the hungry gnaw that eats me night and day;
From native moments--from bashful pains--singing them;
Singing something yet unfound, though I have diligently sought it,
many a long year;
Singing the true song of the Soul, fitful, at random;
Singing what, to the Soul, entirely redeem'd her, the faithful one,
even the prostitute, who detain'd me when I went to the city;
Singing the song of prostitutes;
Renascent with grossest Nature, or among animals;
Of that--of them, and what goes with them, my poems informing;
Of the smell of apples and lemons--of the pairing of birds,
Of the wet of woods--of the lapping of waves, 20
Of the mad pushes of waves upon the land--I them chanting;
The overture lightly sounding--the strain anticipating;
The welcome nearness--the sight of the perfect body;
The swimmer swimming naked in the bath, or motionless on his back
lying and floating;
The female form approaching--I, pensive, love-flesh tremulous,
aching;
The divine list, for myself or you, or for any one, making;
The face--the limbs--the index from head to foot, and what it
arouses;
The mystic deliria--the madness amorous--the utter abandonment;
(Hark close, and still, what I now whisper to you,
I love you---O you entirely possess me, 30
O I wish that you and I escape from the rest, and go utterly off--O
free and lawless,
Two hawks in the air--two fishes swimming in the sea not more lawless
than we;)
--The furious storm through me careering--I passionately trembling;
The oath of the inseparableness of two together--of the woman that
loves me, and whom I love more than my life--that oath
swearing;
(O I willingly stake all, for you!
O let me be lost, if it must be so!
O you and I--what is it to us what the rest do or think?
What is all else to us? only that we enjoy each other, and exhaust
each other, if it must be so:)
--From the master--the pilot I yield the vessel to;
The general commanding me, commanding all--from him permission
taking; 40
From time the programme hastening, (I have loiter'd too long, as it
is;)
From sex--From the warp and from the woof;
(To talk to the perfect girl who understands me,
To waft to her these from my own lips--to effuse them from my own
body;)
From privacy--from frequent repinings alone;
From plenty of persons near, and yet the right person not near;
From the soft sliding of hands over me, and thrusting of fingers
through my hair and beard;
From the long sustain'd kiss upon the mouth or bosom;
From the close pressure that makes me or any man drunk, fainting with
excess;
From what the divine husband knows--from the work of fatherhood; 50
From exultation, victory, and relief--from the bedfellow's embrace in
the night;
From the act-poems of eyes, hands, hips, and bosoms,
From the cling of the trembling arm,
From the bending curve and the clinch,
From side by side, the pliant coverlid off-throwing,
From the one so unwilling to have me leave--and me just as unwilling
to leave,
(Yet a moment, O tender waiter, and I return;)
--From the hour of shining stars and dropping dews,
From the night, a moment, I, emerging, flitting out,
Celebrate you, act divine--and you, children prepared for, 60
And you, stalwart loins.

The pure contralto sings in the organ loft,
The carpenter dresses his plank, the tongue of his foreplane whistles its wild ascending lisp,
The married and unmarried children ride home to their Thanks- giving dinner,
The pilot seizes the king-pin, he heaves down with a strong arm,
The mate stands braced in the whale-boat, lance and harpoon are ready,
The duck-shooter walks by silent and cautious stretches,
The deacons are ordain'd with cross'd hands at the altar,
The spinning-girl retreats and advances to the hum of the big wheel,
The farmer stops by the bars as he walks on a First-day loafe and looks at the oats and rye,
The lunatic is carried at last to the asylum a confirm'd case,
(He will never sleep any more as he did in the cot in his mother's bed-room;)
The jour printer with gray head and gaunt jaws works at his case,
He turns his quid of tobacco while his eyes blurr with the manu- script;
The malform'd limbs are tied to the surgeon's table,
What is removed drops horribly in a pail;
The quadroon girl is sold at the auction-stand, the drunkard nods by the bar-room stove,
The machinist rolls up his sleeves, the policeman travels his beat, the gate-keeper marks who pass,
The young fellow drives the express-wagon, (I love him, though I do not know him;)
The half-breed straps on his light boots to compete in the race,
The western turkey-shooting draws old and young, some lean on their rifles, some sit on logs,
Out from the crowd steps the marksman, takes his position, levels his piece;
The groups of newly-come immigrants cover the wharf or levee,
As the woolly-pates hoe in the sugar-field, the overseer views them from his saddle,
The bugle calls in the ball-room, the gentlemen run for their part- ners, the dancers bow to each other,
The youth lies awake in the cedar-roof'd garret and harks to the musical rain,
The Wolverine sets traps on the creek that helps fill the Huron,
The squaw wrapt in her yellow-hemm'd cloth is offering moccasins and bead-bags for sale,
The connoisseur peers along the exhibition-gallery with half-shut eyes bent sideways,
As the deck-hands make fast the steamboat the plank is thrown for the shore-going passengers,
The young sister holds out the skein while the elder sister winds it off in a ball, and stops now and then for the knots,
The one-year wife is recovering and happy having a week ago borne her first child,
The clean-hair'd Yankee girl works with her sewing-machine or in the factory or mill,
The paving-man leans on his two-handed rammer, the reporter's
lead flies swiftly over the note-book, the sign-painter is lettering with blue and gold,
The canal boy trots on the tow-path, the book-keeper counts at his desk, the shoemaker waxes his thread,
The conductor beats time for the band and all the performers follow him,
The child is baptized, the convert is making his first professions,
The regatta is spread on the bay, the race is begun, (how the white sails sparkle!)
The drover watching his drove sings out to them that would stray,
The pedler sweats with his pack on his back, (the purchaser hig- gling about the odd cent;)
The bride unrumples her white dress, the minute-hand of the clock moves slowly,
The opium-eater reclines with rigid head and just-open'd lips,
The prostitute draggles her shawl, her bonnet bobs on her tipsy and pimpled neck,
The crowd laugh at her blackguard oaths, the men jeer and wink to each other,
(Miserable! I do not laugh at your oaths nor jeer you;)
The President holding a cabinet council is surrounded by the great Secretaries,
On the piazza walk three matrons stately and friendly with twined arms,
The crew of the fish-smack pack repeated layers of halibut in the hold,
The Missourian crosses the plains toting his wares and his cattle,
As the fare-collector goes through the train he gives notice by the jingling of loose change,
The floor-men are laying the floor, the tinners are tinning the roof, the masons are calling for mortar,
In single file each shouldering his hod pass onward the laborers;
Seasons pursuing each other the indescribable crowd is gather'd,
it is the fourth of Seventh-month, (what salutes of cannon and small arms!)
Seasons pursuing each other the plougher ploughs, the mower mows, and the winter-grain falls in the ground;
Off on the lakes the pike-fisher watches and waits by the hole in the frozen surface,
The stumps stand thick round the clearing, the squatter strikes deep with his axe,
Flatboatmen make fast towards dusk near the cotton-wood or pecan-trees,
Coon-seekers go through the regions of the Red river or through
those drain'd by the Tennessee, or through those of the Arkansas,
Torches shine in the dark that hangs on the Chattahooche or Altamahaw,
Patriarchs sit at supper with sons and grandsons and great-grand- sons around them,
In walls of adobie, in canvas tents, rest hunters and trappers after their day's sport,
The city sleeps and the country sleeps,
The living sleep for their time, the dead sleep for their time,
The old husband sleeps by his wife and the young husband sleeps by his wife;
And these tend inward to me, and I tend outward to them,
And such as it is to be of these more or less I am,
And of these one and all I weave the song of myself.

COME closer to me;
Push close, my lovers, and take the best I possess;
Yield closer and closer, and give me the best you possess.

This is unfinish'd business with me--How is it with you?
(I was chill'd with the cold types, cylinder, wet paper between us.)

Male and Female!
I pass so poorly with paper and types, I must pass with the contact
of bodies and souls.

American masses!
I do not thank you for liking me as I am, and liking the touch of
me--I know that it is good for you to do so.


This is the carol of occupations; 10
In the labor of engines and trades, and the labor of fields, I find the developments,
And find the eternal meanings.

Workmen and Workwomen!
Were all educations, practical and ornamental, well display'd out of
me, what would it amount to?
Were I as the head teacher, charitable proprietor, wise statesman,
what would it amount to?
Were I to you as the boss employing and paying you, would that
satisfy you?

The learn'd, virtuous, benevolent, and the usual terms;
A man like me, and never the usual terms.

Neither a servant nor a master am I;
I take no sooner a large price than a small price--I will have my
own, whoever enjoys me; 20
I will be even with you, and you shall be even with me.

If you stand at work in a shop, I stand as nigh as the nighest in the
same shop;
If you bestow gifts on your brother or dearest friend, I demand as
good as your brother or dearest friend;
If your lover, husband, wife, is welcome by day or night, I must be
personally as welcome;
If you become degraded, criminal, ill, then I become so for your
sake;
If you remember your foolish and outlaw'd deeds, do you think I
cannot remember my own foolish and outlaw'd deeds?
If you carouse at the table, I carouse at the opposite side of the
table;
If you meet some stranger in the streets, and love him or her--why I
often meet strangers in the street, and love them.

Why, what have you thought of yourself?
Is it you then that thought yourself less? 30
Is it you that thought the President greater than you?
Or the rich better off than you? or the educated wiser than you?

Because you are greasy or pimpled, or that you were once drunk, or a
thief,
Or diseas'd, or rheumatic, or a prostitute--or are so now;
Or from frivolity or impotence, or that you are no scholar, and never
saw your name in print,
Do you give in that you are any less immortal?


Souls of men and women! it is not you I call unseen, unheard,
untouchable and untouching;
It is not you I go argue pro and con about, and to settle whether you
are alive or no;
I own publicly who you are, if nobody else owns.

Grown, half-grown, and babe, of this country and every country, in-
doors and out-doors, one just as much as the other, I see, 40
And all else behind or through them.

The wife--and she is not one jot less than the husband;
The daughter--and she is just as good as the son;
The mother--and she is every bit as much as the father.

Offspring of ignorant and poor, boys apprenticed to trades,
Young fellows working on farms, and old fellows working on farms,
Sailor-men, merchant-men, coasters, immigrants,
All these I see--but nigher and farther the same I see;
None shall escape me, and none shall wish to escape me.

I bring what you much need, yet always have, 50
Not money, amours, dress, eating, but as good;
I send no agent or medium, offer no representative of value, but
offer the value itself.

There is something that comes home to one now and perpetually;
It is not what is printed, preach'd, discussed--it eludes discussion
and print;
It is not to be put in a book--it is not in this book;
It is for you, whoever you are--it is no farther from you than your
hearing and sight are from you;
It is hinted by nearest, commonest, readiest--it is ever provoked by
them.

You may read in many languages, yet read nothing about it;
You may read the President's Message, and read nothing about it
there;
Nothing in the reports from the State department or Treasury
department, or in the daily papers or the weekly papers, 60
Or in the census or revenue returns, prices current, or any accounts
of stock.


The sun and stars that float in the open air;
The apple-shaped earth, and we upon it--surely the drift of them is
something grand!
I do not know what it is, except that it is grand, and that it is
happiness,
And that the enclosing purport of us here is not a speculation, or
bon-mot, or reconnoissance,
And that it is not something which by luck may turn out well for us,
and without luck must be a failure for us,
And not something which may yet be retracted in a certain
contingency.

The light and shade, the curious sense of body and identity, the
greed that with perfect complaisance devours all things, the
endless pride and out-stretching of man, unspeakable joys and
sorrows,
The wonder every one sees in every one else he sees, and the wonders
that fill each minute of time forever,
What have you reckon'd them for, camerado? 70
Have you reckon'd them for a trade, or farm-work? or for the profits
of a store?
Or to achieve yourself a position? or to fill a gentleman's leisure,
or a lady's leisure?

Have you reckon'd the landscape took substance and form that it might
be painted in a picture?
Or men and women that they might be written of, and songs sung?
Or the attraction of gravity, and the great laws and harmonious
combinations, and the fluids of the air, as subjects for the
savans?
Or the brown land and the blue sea for maps and charts?
Or the stars to be put in constellations and named fancy names?
Or that the growth of seeds is for agricultural tables, or
agriculture itself?

Old institutions--these arts, libraries, legends, collections, and
the practice handed along in manufactures--will we rate them so
high?
Will we rate our cash and business high?--I have no objection; 80
I rate them as high as the highest--then a child born of a woman and
man I rate beyond all rate.

We thought our Union grand, and our Constitution grand;
I do not say they are not grand and good, for they are;
I am this day just as much in love with them as you;
Then I am in love with you, and with all my fellows upon the earth.

We consider bibles and religions divine--I do not say they are not
divine;
I say they have all grown out of you, and may grow out of you still;
It is not they who give the life--it is you who give the life;
Leaves are not more shed from the trees, or trees from the earth,
than they are shed out of you.


When the psalm sings instead of the singer; 90
When the script preaches instead of the preacher;
When the pulpit descends and goes, instead of the carver that carved
the supporting desk;
When I can touch the body of books, by night or by day, and when they
touch my body back again;
When a university course convinces, like a slumbering woman and child
convince;
When the minted gold in the vault smiles like the night-watchman's
daughter;
When warrantee deeds loafe in chairs opposite, and are my friendly
companions;
I intend to reach them my hand, and make as much of them as I do of
men and women like you.

The sum of all known reverence I add up in you, whoever you are;
The President is there in the White House for you--it is not you who
are here for him;
The Secretaries act in their bureaus for you--not you here for
them; 100
The Congress convenes every Twelfth-month for you;
Laws, courts, the forming of States, the charters of cities, the
going and coming of commerce and mails, are all for you.

List close, my scholars dear!
All doctrines, all politics and civilization, exurge from you;
All sculpture and monuments, and anything inscribed anywhere, are
tallied in you;
The gist of histories and statistics as far back as the records
reach, is in you this hour, and myths and tales the same;
If you were not breathing and walking here, where would they all be?
The most renown'd poems would be ashes, orations and plays would be
vacuums.

All architecture is what you do to it when you look upon it;
(Did you think it was in the white or gray stone? or the lines of the
arches and cornices?) 110

All music is what awakes from you when you are reminded by the
instruments;
It is not the violins and the cornets--it is not the oboe nor the
beating drums, nor the score of the baritone singer singing
his sweet romanza--nor that of the men's chorus, nor that of
the women's chorus,
It is nearer and farther than they.


Will the whole come back then?
Can each see signs of the best by a look in the looking-glass? is
there nothing greater or more?
Does all sit there with you, with the mystic, unseen Soul?

Strange and hard that paradox true I give;
Objects gross and the unseen Soul are one.

House-building, measuring, sawing the boards;
Blacksmithing, glass-blowing, nail-making, coopering, tin-roofing,
shingle-dressing, 120
Ship-joining, dock-building, fish-curing, ferrying, flagging of side-
walks by flaggers,
The pump, the pile-driver, the great derrick, the coal-kiln and
brick-kiln,
Coal-mines, and all that is down there,--the lamps in the darkness,
echoes, songs, what meditations, what vast native thoughts
looking through smutch'd faces,
Iron-works, forge-fires in the mountains, or by the river-banks--men
around feeling the melt with huge crowbars--lumps of ore, the
due combining of ore, limestone, coal--the blast-furnace and
the puddling-furnace, the loup-lump at the bottom of the melt
at last--the rolling-mill, the stumpy bars of pig-iron, the
strong, clean-shaped T-rail for railroads;
Oil-works, silk-works, white-lead-works, the sugar-house, steam-saws,
the great mills and factories;
Stone-cutting, shapely trimmings for façades, or window or door-
lintels--the mallet, the tooth-chisel, the jib to protect the
thumb,
Oakum, the oakum-chisel, the caulking-iron--the kettle of boiling
vault-cement, and the fire under the kettle,
The cotton-bale, the stevedore's hook, the saw and buck of the
sawyer, the mould of the moulder, the working-knife of the
butcher, the ice-saw, and all the work with ice,
The implements for daguerreotyping--the tools of the rigger,
grappler, sail-maker, block-maker,
Goods of gutta-percha, papier-maché, colors, brushes, brush-making,
glazier's implements, 130

O you robust, sacred!
I cannot tell you how I love you;
All I love America for, is contained in men and women like you.

The veneer and glue-pot, the confectioner's ornaments, the decanter
and glasses, the shears and flat-iron,
The awl and knee-strap, the pint measure and quart measure, the
counter and stool, the writing-pen of quill or metal--the
making of all sorts of edged tools,
The brewery, brewing, the malt, the vats, every thing that is done by
brewers, also by wine-makers, also vinegar-makers,
Leather-dressing, coach-making, boiler-making, rope-twisting,
distilling, sign-painting, lime-burning, cotton-picking--
electro-plating, electrotyping, stereotyping,
Stave-machines, planing-machines, reaping-machines, ploughing-
machines, thrashing-machines, steam wagons,
The cart of the carman, the omnibus, the ponderous dray;
Pyrotechny, letting off color'd fire-works at night, fancy figures
and jets;
Beef on the butcher's stall, the slaughter-house of the butcher, the
butcher in his killing-clothes,
The pens of live pork, the killing-hammer, the hog-hook, the
scalder's tub, gutting, the cutter's cleaver, the packer's
maul, and the plenteous winter-work of pork-packing;
Flour-works, grinding of wheat, rye, maize, rice--the barrels and the
half and quarter barrels, the loaded barges, the high piles on
wharves and levees; 140
The men, and the work of the men, on railroads, coasters, fish-boats,
canals;
The daily routine of your own or any man's life--the shop, yard,
store, or factory;
These shows all near you by day and night--workman! whoever you are,
your daily life!
In that and them the heft of the heaviest--in them far more than you
estimated, and far less also;
In them realities for you and me--in them poems for you and me;
In them, not yourself--you and your Soul enclose all things,
regardless of estimation;
In them the development good--in them, all themes and hints.

I do not affirm what you see beyond is futile--I do not advise you to
stop;
I do not say leadings you thought great are not great;
But I say that none lead to greater, than those lead to. 150


Will you seek afar off? you surely come back at last,
In things best known to you, finding the best, or as good as the
best,
In folks nearest to you finding the sweetest, strongest, lovingest;
Happiness, knowledge, not in another place, but this place--not for
another hour, but this hour;
Man in the first you see or touch--always in friend, brother, nighest
neighbor--Woman in mother, lover, wife;
The popular tastes and employments taking precedence in poems or any
where,
You workwomen and workmen of These States having your own divine and
strong life,
And all else giving place to men and women like you.

I WANDER all night in my vision,
Stepping with light feet, swiftly and noiselessly stepping and
stopping,
Bending with open eyes over the shut eyes of sleepers,
Wandering and confused, lost to myself, ill-assorted, contradictory,
Pausing, gazing, bending, and stopping.

How solemn they look there, stretch'd and still!
How quiet they breathe, the little children in their cradles!

The wretched features of ennuyés, the white features of
corpses, the livid faces of drunkards, the sick-gray faces of
onanists,
The gash'd bodies on battle-fields, the insane in their strong-door'd
rooms, the sacred idiots, the new-born emerging from gates, and
the dying emerging from gates,
The night pervades them and infolds them. 10

The married couple sleep calmly in their bed--he with his palm on the
hip of the wife, and she with her palm on the hip of the
husband,
The sisters sleep lovingly side by side in their bed,
The men sleep lovingly side by side in theirs,
And the mother sleeps, with her little child carefully wrapt.

The blind sleep, and the deaf and dumb sleep,
The prisoner sleeps well in the prison--the run-away son sleeps;
The murderer that is to be hung next day--how does he sleep?
And the murder'd person--how does he sleep?

The female that loves unrequited sleeps,
And the male that loves unrequited sleeps, 20
The head of the money-maker that plotted all day sleeps,
And the enraged and treacherous dispositions--all, all sleep.


I stand in the dark with drooping eyes by the worst-suffering and the
most restless,
I pass my hands soothingly to and fro a few inches from them,
The restless sink in their beds--they fitfully sleep.

Now I pierce the darkness--new beings appear,
The earth recedes from me into the night,
I saw that it was beautiful, and I see that what is not the earth is
beautiful.

I go from bedside to bedside--I sleep close with the other sleepers,
each in turn,
I dream in my dream all the dreams of the other dreamers, 30
And I become the other dreamers.


I am a dance--Play up, there! the fit is whirling me fast!

I am the ever-laughing--it is new moon and twilight,
I see the hiding of douceurs--I see nimble ghosts whichever way I
look,
Cache, and cache again, deep in the ground and sea, and where it is
neither ground or sea.

Well do they do their jobs, those journeymen divine,
Only from me can they hide nothing, and would not if they could,
I reckon I am their boss, and they make me a pet besides,
And surround me and lead me, and run ahead when I walk,
To lift their cunning covers, to signify me with stretch'd arms, and
resume the way; 40
Onward we move! a gay gang of blackguards! with mirth-shouting music,
and wild-flapping pennants of joy!


I am the actor, the actress, the voter, the politician;
The emigrant and the exile, the criminal that stood in the box,
He who has been famous, and he who shall be famous after to-day,
The stammerer, the well-form'd person, the wasted or feeble person.


I am she who adorn'd herself and folded her hair expectantly,
My truant lover has come, and it is dark.

Double yourself and receive me, darkness!
Receive me and my lover too--he will not let me go without him.

I roll myself upon you, as upon a bed--I resign myself to the
dusk. 50


He whom I call answers me, and takes the place of my lover,
He rises with me silently from the bed.

Darkness! you are gentler than my lover--his flesh was sweaty and
panting,
I feel the hot moisture yet that he left me.

My hands are spread forth, I pass them in all directions,
I would sound up the shadowy shore to which you are journeying.

Be careful, darkness! already, what was it touch'd me?
I thought my lover had gone, else darkness and he are one,
I hear the heart-beat--I follow, I fade away.


O hot-cheek'd and blushing! O foolish hectic! 60
O for pity's sake, no one must see me now! my clothes were stolen
while I was abed,
Now I am thrust forth, where shall I run?

Pier that I saw dimly last night, when I look'd from the windows!
Pier out from the main, let me catch myself with you, and stay--I
will not chafe you,
I feel ashamed to go naked about the world.

I am curious to know where my feet stand--and what this is flooding
me, childhood or manhood--and the hunger that crosses the
bridge between.


The cloth laps a first sweet eating and drinking,
Laps life-swelling yolks--laps ear of rose-corn, milky and just
ripen'd;
The white teeth stay, and the boss-tooth advances in darkness,
And liquor is spill'd on lips and bosoms by touching glasses, and the
best liquor afterward. 70


I descend my western course, my sinews are flaccid,
Perfume and youth course through me, and I am their wake.

It is my face yellow and wrinkled, instead of the old woman's,
I sit low in a straw-bottom chair, and carefully darn my grandson's
stockings.

It is I too, the sleepless widow, looking out on the winter midnight,
I see the sparkles of starshine on the icy and pallid earth.

A shroud I see, and I am the shroud--I wrap a body, and lie in the
coffin,
It is dark here under ground--it is not evil or pain here--it is
blank here, for reasons.

It seems to me that everything in the light and air ought to be
happy,
Whoever is not in his coffin and the dark grave, let him know he has
enough. 80


I see a beautiful gigantic swimmer, swimming naked through the eddies
of the sea,
His brown hair lies close and even to his head--he strikes out with
courageous arms--he urges himself with his legs,
I see his white body--I see his undaunted eyes,
I hate the swift-running eddies that would dash him head-foremost on
the rocks.

What are you doing, you ruffianly red-trickled waves?
Will you kill the courageous giant? Will you kill him in the prime of
his middle age?

Steady and long he struggles,
He is baffled, bang'd, bruis'd--he holds out while his strength holds
out,
The slapping eddies are spotted with his blood--they bear him away--
they roll him, swing him, turn him,
His beautiful body is borne in the circling eddies, it is continually
bruis'd on rocks, 90
Swiftly and out of sight is borne the brave corpse.


I turn, but do not extricate myself,
Confused, a past-reading, another, but with darkness yet.

The beach is cut by the razory ice-wind--the wreck-guns sound,
The tempest lulls--the moon comes floundering through the drifts.

I look where the ship helplessly heads end on--I hear the burst as
she strikes--I hear the howls of dismay--they grow fainter and
fainter.

I cannot aid with my wringing fingers,
I can but rush to the surf, and let it drench me and freeze upon me.

I search with the crowd--not one of the company is wash'd to us
alive;
In the morning I help pick up the dead and lay them in rows in a
barn. 100


Now of the older war-days, the defeat at Brooklyn,
Washington stands inside the lines--he stands on the intrench'd
hills, amid a crowd of officers,
His face is cold and damp--he cannot repress the weeping drops,
He lifts the glass perpetually to his eyes--the color is blanch'd
from his cheeks,
He sees the slaughter of the southern braves confided to him by their
parents.

The same, at last and at last, when peace is declared,
He stands in the room of the old tavern--the well-belov'd soldiers
all pass through,
The officers speechless and slow draw near in their turns,
The chief encircles their necks with his arm, and kisses them on the
cheek,
He kisses lightly the wet cheeks one after another--he shakes hands,
and bids good-by to the army. 110


Now I tell what my mother told me to-day as we sat at dinner
together,
Of when she was a nearly grown girl, living home with her parents on
the old homestead.

A red squaw came one breakfast time to the old homestead,
On her back she carried a bundle of rushes for rush-bottoming chairs,
Her hair, straight, shiny, coarse, black, profuse, half-envelop'd her
face,
Her step was free and elastic, and her voice sounded exquisitely as
she spoke.

My mother look'd in delight and amazement at the stranger,
She look'd at the freshness of her tall-borne face, and full and
pliant limbs,
The more she look'd upon her, she loved her,
Never before had she seen such wonderful beauty and purity, 120
She made her sit on a bench by the jamb of the fireplace--she cook'd
food for her,
She had no work to give her, but she gave her remembrance and
fondness.

The red squaw staid all the forenoon, and toward the middle of the
afternoon she went away,
O my mother was loth to have her go away!
All the week she thought of her--she watch'd for her many a month,
She remember'd her many a winter and many a summer,
But the red squaw never came, nor was heard of there again.


Now Lucifer was not dead--or if he was, I am his sorrowful terrible
heir;
I have been wrong'd--I am oppress'd--I hate him that oppresses me,
I will either destroy him, or he shall release me. 130

Damn him! how he does defile me!
How he informs against my brother and sister, and takes pay for their
blood!
How he laughs when I look down the bend, after the steamboat that
carries away my woman!

Now the vast dusk bulk that is the whale's bulk, it seems mine;
Warily, sportsman! though I lie so sleepy and sluggish, the tap of my
flukes is death.


A show of the summer softness! a contact of something unseen! an
amour of the light and air!
I am jealous, and overwhelm'd with friendliness,
And will go gallivant with the light and air myself,
And have an unseen something to be in contact with them also.

O love and summer! you are in the dreams, and in me! 140
Autumn and winter are in the dreams--the farmer goes with his thrift,
The droves and crops increase, and the barns are well-fill'd.


Elements merge in the night--ships make tacks in the dreams,
The sailor sails--the exile returns home,
The fugitive returns unharm'd--the immigrant is back beyond months
and years,
The poor Irishman lives in the simple house of his childhood, with
the well-known neighbors and faces,
They warmly welcome him--he is barefoot again, he forgets he is well
off;
The Dutchman voyages home, and the Scotchman and Welshman voyage
home, and the native of the Mediterranean voyages home,
To every port of England, France, Spain, enter well-fill'd ships,
The Swiss foots it toward his hills--the Prussian goes his way, the
Hungarian his way, and the Pole his way, 150
The Swede returns, and the Dane and Norwegian return.


The homeward bound, and the outward bound,
The beautiful lost swimmer, the ennuyé, the onanist, the
female that loves unrequited, the money-maker,
The actor and actress, those through with their parts, and those
waiting to commence,
The affectionate boy, the husband and wife, the voter, the nominee
that is chosen, and the nominee that has fail'd,
The great already known, and the great any time after to-day,
The stammerer, the sick, the perfect-form'd, the homely,
The criminal that stood in the box, the judge that sat and sentenced
him, the fluent lawyers, the jury, the audience,
The laugher and weeper, the dancer, the midnight widow, the red
squaw,
The consumptive, the erysipelite, the idiot, he that is wrong'd, 160
The antipodes, and every one between this and them in the dark,
I swear they are averaged now--one is no better than the other,
The night and sleep have liken'd them and restored them.

I swear they are all beautiful;
Every one that sleeps is beautiful--everything in the dim light is
beautiful,
The wildest and bloodiest is over, and all is peace.


Peace is always beautiful, The myth of heaven indicates peace and
night.

The myth of heaven indicates the Soul;
The Soul is always beautiful--it appears more or it appears less--it
comes, or it lags behind, 170
It comes from its embower'd garden, and looks pleasantly on itself,
and encloses the world,
Perfect and clean the genitals previously jetting, and perfect and
clean the womb cohering,
The head well-grown, proportion'd and plumb, and the bowels and
joints proportion'd and plumb.


The Soul is always beautiful,
The universe is duly in order, everything is in its place,
What has arrived is in its place, and what waits is in its place;
The twisted skull waits, the watery or rotten blood waits,
The child of the glutton or venerealee waits long, and the child of
the drunkard waits long, and the drunkard himself waits long,
The sleepers that lived and died wait--the far advanced are to go on
in their turns, and the far behind are to come on in their
turns,
The diverse shall be no less diverse, but they shall flow and unite--
they unite now. 180


The sleepers are very beautiful as they lie unclothed,
They flow hand in hand over the whole earth, from east to west, as
they lie unclothed,
The Asiatic and African are hand in hand--the European and American
are hand in hand,
Learn'd and unlearn'd are hand in hand, and male and female are hand
in hand,
The bare arm of the girl crosses the bare breast of her lover--they
press close without lust--his lips press her neck,
The father holds his grown or ungrown son in his arms with
measureless love, and the son holds the father in his arms with
measureless love,
The white hair of the mother shines on the white wrist of the
daughter,
The breath of the boy goes with the breath of the man, friend is
inarm'd by friend,
The scholar kisses the teacher, and the teacher kisses the scholar--
the wrong'd is made right,
The call of the slave is one with the master's call, and the master
salutes the slave, 190
The felon steps forth from the prison--the insane becomes sane--the
suffering of sick persons is reliev'd,
The sweatings and fevers stop--the throat that was unsound is sound--
the lungs of the consumptive are resumed--the poor distress'd
head is free,
The joints of the rheumatic move as smoothly as ever, and smoother
than ever,
Stiflings and passages open--the paralyzed become supple,
The swell'd and convuls'd and congested awake to themselves in
condition,
They pass the invigoration of the night, and the chemistry of the
night, and awake.


I too pass from the night,
I stay a while away, O night, but I return to you again, and love
you.

Why should I be afraid to trust myself to you?
I am not afraid--I have been well brought forward by you; 200
I love the rich running day, but I do not desert her in whom I lay so
long,
I know not how I came of you, and I know not where I go with you--but
I know I came well, and shall go well.

I will stop only a time with the night, and rise betimes;
I will duly pass the day, O my mother, and duly return to you.

AFTER all, not to create only, or found only,
But to bring, perhaps from afar, what is already founded,
To give it our own identity, average, limitless, free;
To fill the gross, the torpid bulk with vital religious fire;
Not to repel or destroy, so much as accept, fuse, rehabilitate;
To obey, as well as command--to follow, more than to lead;
These also are the lessons of our New World;
--While how little the New, after all--how much the Old, Old World!

Long, long, long, has the grass been growing,
Long and long has the rain been falling, 10
Long has the globe been rolling round.


Come, Muse, migrate from Greece and Ionia;
Cross out, please, those immensely overpaid accounts,
That matter of Troy, and Achilles' wrath, and Eneas', Odysseus'
wanderings;
Placard "Removed" and "To Let" on the rocks of your snowy Parnassus;
Repeat at Jerusalem--place the notice high on Jaffa's gate, and on
Mount Moriah;
The same on the walls of your Gothic European Cathedrals, and German,
French and Spanish Castles;
For know a better, fresher, busier sphere--a wide, untried domain
awaits, demands you.


Responsive to our summons,
Or rather to her long-nurs'd inclination, 20
Join'd with an irresistible, natural gravitation,

She comes! this famous Female--as was indeed to be expected;
(For who, so-ever youthful, 'cute and handsome, would wish to stay in
mansions such as those,
When offer'd quarters with all the modern improvements,
With all the fun that 's going--and all the best society?)

She comes! I hear the rustling of her gown;
I scent the odor of her breath's delicious fragrance;
I mark her step divine--her curious eyes a-turning, rolling,
Upon this very scene.

The Dame of Dames! can I believe, then, 30
Those ancient temples classic, and castles strong and feudalistic,
could none of them restrain her?
Nor shades of Virgil and Dante--nor myriad memories, poems, old
associations, magnetize and hold on to her?
But that she 's left them all--and here?

Yes, if you will allow me to say so,
I, my friends, if you do not, can plainly see Her,
The same Undying Soul of Earth's, activity's, beauty's, heroism's
Expression,
Out from her evolutions hither come--submerged the strata of her
former themes,
Hidden and cover'd by to-day's--foundation of to-day's;
Ended, deceas'd, through time, her voice by Castaly's fountain;
Silent through time the broken-lipp'd Sphynx in Egypt--silent those
century-baffling tombs; 40
Closed for aye the epics of Asia's, Europe's helmeted warriors;
Calliope's call for ever closed--Clio, Melpomene, Thalia closed and
dead;
Seal'd the stately rhythmus of Una and Oriana--ended the quest of the
Holy Graal;
Jerusalem a handful of ashes blown by the wind--extinct;
The Crusaders' streams of shadowy, midnight troops, sped with the
sunrise;
Amadis, Tancred, utterly gone--Charlemagne, Roland, Oliver gone,
Palmerin, ogre, departed--vanish'd the turrets that Usk reflected,
Arthur vanish'd with all his knights--Merlin and Lancelot and
Galahad--all gone--dissolv'd utterly, like an exhalation;
Pass'd! pass'd! for us, for ever pass'd! that once so mighty World--
now void, inanimate, phantom World!

Embroider'd, dazzling World! with all its gorgeous legends, myths, 50
Its kings and barons proud--its priests, and warlike lords, and
courtly dames;
Pass'd to its charnel vault--laid on the shelf--coffin'd, with Crown
and Armor on,
Blazon'd with Shakspeare's purple page,
And dirged by Tennyson's sweet sad rhyme.

I say I see, my friends, if you do not, the Animus of all that World,
Escaped, bequeath'd, vital, fugacious as ever, leaving those dead
remains, and now this spot approaching, filling;
--And I can hear what maybe you do not--a terrible aesthetical
commotion,
With howling, desperate gulp of "flower" and "bower,"
With "Sonnet to Matilda's Eyebrow" quite, quite frantic;
With gushing, sentimental reading circles turn'd to ice or stone; 60
With many a squeak, (in metre choice,) from Boston, New York,
Philadelphia, London;
As she, the illustrious Emigré, (having, it is true, in her day,
although the same, changed, journey'd considerable,)
Making directly for this rendezvous--vigorously clearing a path for
herself--striding through the confusion,
By thud of machinery and shrill steam-whistle undismay'd,
Bluff'd not a bit by drain-pipe, gasometers, artificial fertilizers,
Smiling and pleased, with palpable intent to stay,
She 's here, install'd amid the kitchen ware!


But hold--don't I forget my manners?
To introduce the Stranger (what else indeed have I come for?) to
thee, Columbia:
In Liberty's name, welcome, Immortal! clasp hands, 70
And ever henceforth Sisters dear be both.

Fear not, O Muse! truly new ways and days receive, surround you,
(I candidly confess, a queer, queer race, of novel fashion,)
And yet the same old human race--the same within, without,
Faces and hearts the same--feelings the same--yearnings the same,
The same old love--beauty and use the same.


We do not blame thee, Elder World--nor separate ourselves from thee:
(Would the Son separate himself from the Father?)
Looking back on thee--seeing thee to thy duties, grandeurs, through
past ages bending, building,
We build to ours to-day. 80

Mightier than Egypt's tombs,
Fairer than Grecia's, Roma's temples,
Prouder than Milan's statued, spired Cathedral,
More picturesque than Rhenish castle-keeps,
We plan, even now, to raise, beyond them all,
Thy great Cathedral, sacred Industry--no tomb,
A Keep for life for practical Invention.

As in a waking vision,
E'en while I chant, I see it rise--I scan and prophesy outside and
in,
Its manifold ensemble. 90


Around a Palace,
Loftier, fairer, ampler than any yet,
Earth's modern Wonder, History's Seven outstripping,
High rising tier on tier, with glass and iron façades.

Gladdening the sun and sky--enhued in cheerfulest hues,
Bronze, lilac, robin's-egg, marine and crimson,
Over whose golden roof shall flaunt, beneath thy banner, Freedom,
The banners of The States, the flags of every land,
A brood of lofty, fair, but lesser Palaces shall cluster.

Somewhere within the walls of all, 100
Shall all that forwards perfect human life be started,
Tried, taught, advanced, visibly exhibited.

Here shall you trace in flowing operation,
In every state of practical, busy movement,
The rills of Civilization.

Materials here, under your eye, shall change their shape, as if by
magic;
The cotton shall be pick'd almost in the very field,
Shall be dried, clean'd, ginn'd, baled, spun into thread and cloth,
before you:
You shall see hands at work at all the old processes, and all the new
ones;
You shall see the various grains, and how flour is made, and then
bread baked by the bakers; 110
You shall see the crude ores of California and Nevada passing on and
on till they become bullion;
You shall watch how the printer sets type, and learn what a composing
stick is;
You shall mark, in amazement, the Hoe press whirling its cylinders,
shedding the printed leaves steady and fast:
The photograph, model, watch, pin, nail, shall be created before you.

In large calm halls, a stately Museum shall teach you the infinite,
solemn lessons of Minerals;
In another, woods, plants, Vegetation shall be illustrated--in
another Animals, animal life and development.

One stately house shall be the Music House;
Others for other Arts--Learning, the Sciences, shall all be here;
None shall be slighted--none but shall here be honor'd, help'd,
exampled.


This, this and these, America, shall be your Pyramids and
Obelisks, 120
Your Alexandrian Pharos, gardens of Babylon,
Your temple at Olympia.

The male and female many laboring not,
Shall ever here confront the laboring many,
With precious benefits to both--glory to all,
To thee, America--and thee, Eternal Muse.

And here shall ye inhabit, Powerful Matrons!
In your vast state, vaster than all the old;
Echoed through long, long centuries to come,
To sound of different, prouder songs, with stronger themes, 130
Practical, peaceful life--the people's life--the People themselves,
Lifted, illumin'd, bathed in peace--elate, secure in peace.


Away with themes of war! away with War itself!
Hence from my shuddering sight, to never more return, that show of
blacken'd, mutilated corpses!
That hell unpent, and raid of blood--fit for wild tigers, or for lop-
tongued wolves--not reasoning men!
And in its stead speed Industry's campaigns!
With thy undaunted armies, Engineering!
Thy pennants, Labor, loosen'd to the breeze!
Thy bugles sounding loud and clear!

Away with old romance! 140
Away with novels, plots, and plays of foreign courts!
Away with love-verses, sugar'd in rhyme--the intrigues, amours of
idlers,
Fitted for only banquets of the night, where dancers to late music
slide;
The unhealthy pleasures, extravagant dissipations of the few,
With perfumes, heat and wine, beneath the dazzling chandeliers.


To you, ye Reverent, sane Sisters,
To this resplendent day, the present scene,
These eyes and ears that like some broad parterre bloom up around,
before me,
I raise a voice for far superber themes for poets and for Art,
To exalt the present and the real, 150
To teach the average man the glory of his daily walk and trade,
To sing, in songs, how exercise and chemical life are never to be
baffled;
Boldly to thee, America, to-day! and thee, Immortal Muse!
To practical, manual work, for each and all--to plough, hoe, dig,
To plant and tend the tree, the berry, the vegetables, flowers,
For every man to see to it that he really do something--for every
woman too;
To use the hammer, and the saw, (rip or cross-cut,)
To cultivate a turn for carpentering, plastering, painting,
To work as tailor, tailoress, nurse, hostler, porter,
To invent a little--something ingenious--to aid the washing, cooking,
cleaning, 160
And hold it no disgrace to take a hand at them themselves.

I say I bring thee, Muse, to-day and here,
All occupations, duties broad and close,
Toil, healthy toil and sweat, endless, without cessation,
The old, old general burdens, interests, joys,
The family, parentage, childhood, husband and wife,
The house-comforts--the house itself, and all its belongings,
Food and its preservations--chemistry applied to it;
Whatever forms the average, strong, complete, sweet-blooded Man or
Woman--the perfect, longeve Personality,
And helps its present life to health and happiness--and shapes its
Soul, 170
For the eternal Real Life to come.

With latest materials, works,
Steam-power, the great Express lines, gas, petroleum,
These triumphs of our time, the Atlantic's delicate cable,
The Pacific Railroad, the Suez canal, the Mont Cenis tunnel;
Science advanced, in grandeur and reality, analyzing every thing,
This world all spann'd with iron rails--with lines of steamships
threading every sea,
Our own Rondure, the current globe I bring.


And thou, high-towering One--America!
Thy swarm of offspring towering high--yet higher thee, above all
towering, 180
With Victory on thy left, and at thy right hand Law;
Thou Union, holding all--fusing, absorbing, tolerating all,
Thee, ever thee, I bring.

Thou--also thou, a world!
With all thy wide geographies, manifold, different, distant,
Rounding by thee in One--one common orbic language,
One common indivisible destiny and Union.


And by the spells which ye vouchsafe,
To those, your ministers in earnest,
I here personify and call my themes, 190
To make them pass before ye.

Behold, America! (And thou, ineffable Guest and Sister!)
For thee come trooping up thy waters and thy lands:
Behold! thy fields and farms, thy far-off woods and mountains,
As in procession coming.

Behold! the sea itself!
And on its limitless, heaving breast, thy ships:
See! where their white sails, bellying in the wind, speckle the green
and blue!
See! thy steamers coming and going, steaming in or out of port!
See! dusky and undulating, their long pennants of smoke! 200

Behold, in Oregon, far in the north and west,
Or in Maine, far in the north and east, thy cheerful axemen,
Wielding all day their axes!

Behold, on the lakes, thy pilots at their wheels--thy oarsmen!
Behold how the ash writhes under those muscular arms!

There by the furnace, and there by the anvil,
Behold thy sturdy blacksmiths, swinging their sledges;
Overhand so steady--overhand they turn and fall, with joyous clank,
Like a tumult of laughter.

Behold! (for still the procession moves,) 210
Behold, Mother of All, thy countless sailors, boatmen, coasters!
The myriads of thy young and old mechanics!
Mark--mark the spirit of invention everywhere--thy rapid patents,
Thy continual workshops, foundries, risen or rising;
See, from their chimneys, how the tall flame-fires stream!

Mark, thy interminable farms, North, South,
Thy wealthy Daughter-States, Eastern, and Western,
The varied products of Ohio, Pennsylvania, Missouri, Georgia, Texas,
and the rest;
Thy limitless crops--grass, wheat, sugar, corn, rice, hemp, hops,
Thy barns all fill'd--thy endless freight-trains, and thy bulging
store-houses, 220
The grapes that ripen on thy vines--the apples in thy orchards,
Thy incalculable lumber, beef, pork, potatoes--thy coal--thy gold and
silver,
The inexhaustible iron in thy mines.


All thine, O sacred Union!
Ship, farm, shop, barns, factories, mines,
City and State--North, South, item and aggregate,
We dedicate, dread Mother, all to thee!

Protectress absolute, thou! Bulwark of all!
For well we know that while thou givest each and all, (generous as
God,)
Without thee, neither all nor each, nor land, home, 230
Ship, nor mine--nor any here, this day, secure,
Nor aught, nor any day secure.


And thou, thy Emblem, waving over all!
Delicate beauty! a word to thee, (it may be salutary;)
Remember, thou hast not always been, as here to-day, so comfortably
ensovereign'd;
In other scenes than these have I observ'd thee, flag;
Not quite so trim and whole, and freshly blooming, in folds of
stainless silk;
But I have seen thee, bunting, to tatters torn, upon thy splinter'd
staff,
Or clutch'd to some young color-bearer's breast, with desperate
hands,
Savagely struggled for, for life or death--fought over long, 240
'Mid cannon's thunder-crash, and many a curse, and groan and yell--
and rifle-volleys cracking sharp,
And moving masses, as wild demons surging--and lives as nothing
risk'd,
For thy mere remnant, grimed with dirt and smoke, and sopp'd in
blood;
For sake of that, my beauty--and that thou might'st dally, as now,
secure up there,
Many a good man have I seen go under.


Now here, and these, and hence, in peace all thine, O Flag!
And here, and hence, for thee, O universal Muse! and thou for them!
And here and hence, O Union, all the work and workmen thine!
The poets, women, sailors, soldiers, farmers, miners, students thine!
None separate from Thee--henceforth one only, we and Thou; 250
(For the blood of the children--what is it only the blood Maternal?
And lives and works--what are they all at last except the roads to
Faith and Death?)

While we rehearse our measureless wealth, it is for thee, dear
Mother!
We own it all and several to-day indissoluble in Thee;
--Think not our chant, our show, merely for products gross, or
lucre--it is for Thee, the Soul, electric, spiritual!
Our farms, inventions, crops, we own in Thee! Cities and States in
Thee!
Our freedom all in Thee! our very lives in Thee!

AFOOT and light-hearted, I take to the open road,
Healthy, free, the world before me,
The long brown path before me, leading wherever I choose.

Henceforth I ask not good-fortune--I myself am good fortune;
Henceforth I whimper no more, postpone no more, need nothing,
Strong and content, I travel the open road.

The earth--that is sufficient;
I do not want the constellations any nearer;
I know they are very well where they are;
I know they suffice for those who belong to them. 10

(Still here I carry my old delicious burdens;
I carry them, men and women--I carry them with me wherever I go;
I swear it is impossible for me to get rid of them;
I am fill'd with them, and I will fill them in return.)


You road I enter upon and look around! I believe you are not all that
is here;
I believe that much unseen is also here.

Here the profound lesson of reception, neither preference or denial;
The black with his woolly head, the felon, the diseas'd, the
illiterate person, are not denied;
The birth, the hasting after the physician, the beggar's tramp, the
drunkard's stagger, the laughing party of mechanics,
The escaped youth, the rich person's carriage, the fop, the eloping
couple, 20
The early market-man, the hearse, the moving of furniture into the
town, the return back from the town,
They pass--I also pass--anything passes--none can be interdicted;
None but are accepted--none but are dear to me.


You air that serves me with breath to speak!
You objects that call from diffusion my meanings, and give them
shape!
You light that wraps me and all things in delicate equable showers!
You paths worn in the irregular hollows by the roadsides!
I think you are latent with unseen existences--you are so dear to me.

You flagg'd walks of the cities! you strong curbs at the edges!
You ferries! you planks and posts of wharves! you timber-lined sides!
you distant ships! 30
You rows of houses! you window-pierc'd façades! you roofs!
You porches and entrances! you copings and iron guards!
You windows whose transparent shells might expose so much!
You doors and ascending steps! you arches!
You gray stones of interminable pavements! you trodden crossings!
From all that has been near you, I believe you have imparted to
yourselves, and now would impart the same secretly to me;
From the living and the dead I think you have peopled your impassive
surfaces, and the spirits thereof would be evident and amicable
with me.


The earth expanding right hand and left hand,
The picture alive, every part in its best light,
The music falling in where it is wanted, and stopping where it is not
wanted, 40
The cheerful voice of the public road--the gay fresh sentiment of the
road.

O highway I travel! O public road! do you say to me, Do not leave me?
Do you say, Venture not? If you leave me, you are lost?
Do you say, I am already prepared--I am well-beaten and undenied--
adhere to me?

O public road! I say back, I am not afraid to leave you--yet I love
you;
You express me better than I can express myself;
You shall be more to me than my poem.

I think heroic deeds were all conceiv'd in the open air, and all
great poems also;
I think I could stop here myself, and do miracles;
(My judgments, thoughts, I henceforth try by the open air, the
road;) 50
I think whatever I shall meet on the road I shall like, and whoever
beholds me shall like me;
I think whoever I see must be happy.


From this hour, freedom!
From this hour I ordain myself loos'd of limits and imaginary lines,
Going where I list, my own master, total and absolute,
Listening to others, and considering well what they say,
Pausing, searching, receiving, contemplating,
Gently, but with undeniable will, divesting myself of the holds that
would hold me.

I inhale great draughts of space;
The east and the west are mine, and the north and the south are
mine. 60

I am larger, better than I thought;
I did not know I held so much goodness.

All seems beautiful to me;
I can repeat over to men and women, You have done such good to me, I
would do the same to you.

I will recruit for myself and you as I go;
I will scatter myself among men and women as I go;
I will toss the new gladness and roughness among them;
Whoever denies me, it shall not trouble me;
Whoever accepts me, he or she shall be blessed, and shall bless me.


Now if a thousand perfect men were to appear, it would not amaze
me; 70
Now if a thousand beautiful forms of women appear'd, it would not
astonish me.

Now I see the secret of the making of the best persons,
It is to grow in the open air, and to eat and sleep with the earth.

Here a great personal deed has room;
A great deed seizes upon the hearts of the whole race of men,
Its effusion of strength and will overwhelms law, and mocks all
authority and all argument against it.

Here is the test of wisdom;
Wisdom is not finally tested in schools;
Wisdom cannot be pass'd from one having it, to another not having it;
Wisdom is of the Soul, is not susceptible of proof, is its own
proof, 80
Applies to all stages and objects and qualities, and is content,
Is the certainty of the reality and immortality of things, and the
excellence of things;
Something there is in the float of the sight of things that provokes
it out of the Soul.

Now I reëxamine philosophies and religions,
They may prove well in lecture-rooms, yet not prove at all under the
spacious clouds, and along the landscape and flowing currents.

Here is realization;
Here is a man tallied--he realizes here what he has in him;
The past, the future, majesty, love--if they are vacant of you, you
are vacant of them.

Only the kernel of every object nourishes;
Where is he who tears off the husks for you and me? 90
Where is he that undoes stratagems and envelopes for you and me?

Here is adhesiveness--it is not previously fashion'd--it is apropos;
Do you know what it is, as you pass, to be loved by strangers?
Do you know the talk of those turning eye-balls?


Here is the efflux of the Soul;
The efflux of the Soul comes from within, through embower'd gates,
ever provoking questions:
These yearnings, why are they? These thoughts in the darkness, why
are they?
Why are there men and women that while they are nigh me, the sun-
light expands my blood?
Why, when they leave me, do my pennants of joy sink flat and lank?
Why are there trees I never walk under, but large and melodious
thoughts descend upon me? 100
(I think they hang there winter and summer on those trees, and always
drop fruit as I pass;)
What is it I interchange so suddenly with strangers?
What with some driver, as I ride on the seat by his side?
What with some fisherman, drawing his seine by the shore, as I walk
by, and pause?
What gives me to be free to a woman's or man's good-will? What gives
them to be free to mine?


The efflux of the Soul is happiness--here is happiness;
I think it pervades the open air, waiting at all times;
Now it flows unto us--we are rightly charged.

Here rises the fluid and attaching character;
The fluid and attaching character is the freshness and sweetness of
man and woman; 110
(The herbs of the morning sprout no fresher and sweeter every day out
of the roots of themselves, than it sprouts fresh and sweet
continually out of itself.)

Toward the fluid and attaching character exudes the sweat of the love
of young and old;
From it falls distill'd the charm that mocks beauty and attainments;
Toward it heaves the shuddering longing ache of contact.


Allons! whoever you are, come travel with me!
Traveling with me, you find what never tires.

The earth never tires;
The earth is rude, silent, incomprehensible at first--Nature is rude
and incomprehensible at first;
Be not discouraged--keep on--there are divine things, well envelop'd;
I swear to you there are divine things more beautiful than words can
tell. 120

Allons! we must not stop here!
However sweet these laid-up stores--however convenient this dwelling,
we cannot remain here;
However shelter'd this port, and however calm these waters, we must
not anchor here;
However welcome the hospitality that surrounds us, we are permitted
to receive it but a little while.


Allons! the inducements shall be greater;
We will sail pathless and wild seas;
We will go where winds blow, waves dash, and the Yankee clipper
speeds by under full sail.

Allons! with power, liberty, the earth, the elements!
Health, defiance, gayety, self-esteem, curiosity;
Allons! from all formules! 130
From your formules, O bat-eyed and materialistic priests!

The stale cadaver blocks up the passage--the burial waits no longer.

Allons! yet take warning!
He traveling with me needs the best blood, thews, endurance;
None may come to the trial, till he or she bring courage and health.

Come not here if you have already spent the best of yourself;
Only those may come, who come in sweet and determin'd bodies;
No diseas'd person--no rum-drinker or venereal taint is permitted
here.

I and mine do not convince by arguments, similes, rhymes;
We convince by our presence. 140


Listen! I will be honest with you;
I do not offer the old smooth prizes, but offer rough new prizes;
These are the days that must happen to you:

You shall not heap up what is call'd riches,
You shall scatter with lavish hand all that you earn or achieve,
You but arrive at the city to which you were destin'd--you hardly
settle yourself to satisfaction, before you are call'd by an
irresistible call to depart,
You shall be treated to the ironical smiles and mockings of those who
remain behind you;
What beckonings of love you receive, you shall only answer with
passionate kisses of parting,
You shall not allow the hold of those who spread their reach'd hands
toward you.


Allons! after the GREAT COMPANIONS! and to belong to them! 150
They too are on the road! they are the swift and majestic men; they
are the greatest women.
Over that which hinder'd them--over that which retarded--passing
impediments large or small,
Committers of crimes, committers of many beautiful virtues,
Enjoyers of calms of seas, and storms of seas,
Sailors of many a ship, walkers of many a mile of land,
Habitués of many distant countries, habitués of far-distant dwellings,
Trusters of men and women, observers of cities, solitary toilers,
Pausers and contemplators of tufts, blossoms, shells of the shore,
Dancers at wedding-dances, kissers of brides, tender helpers of
children, bearers of children,
Soldiers of revolts, standers by gaping graves, lowerers down of
coffins, 160
Journeyers over consecutive seasons, over the years--the curious
years, each emerging from that which preceded it,
Journeyers as with companions, namely, their own diverse phases,
Forth-steppers from the latent unrealized baby-days,
Journeyers gayly with their own youth--Journeyers with their bearded
and well-grain'd manhood,
Journeyers with their womanhood, ample, unsurpass'd, content,
Journeyers with their own sublime old age of manhood or womanhood,
Old age, calm, expanded, broad with the haughty breadth of the
universe,
Old age, flowing free with the delicious near-by freedom of death.


Allons! to that which is endless, as it was beginningless,
To undergo much, tramps of days, rests of nights, 170
To merge all in the travel they tend to, and the days and nights they
tend to,
Again to merge them in the start of superior journeys;
To see nothing anywhere but what you may reach it and pass it,
To conceive no time, however distant, but what you may reach it and
pass it,
To look up or down no road but it stretches and waits for you--
however long, but it stretches and waits for you;
To see no being, not God's or any, but you also go thither,
To see no possession but you may possess it--enjoying all without
labor or purchase--abstracting the feast, yet not abstracting
one particle of it;
To take the best of the farmer's farm and the rich man's elegant
villa, and the chaste blessings of the well-married couple, and
the fruits of orchards and flowers of gardens,
To take to your use out of the compact cities as you pass through,
To carry buildings and streets with you afterward wherever you
go, 180
To gather the minds of men out of their brains as you encounter
them--to gather the love out of their hearts,
To take your lovers on the road with you, for all that you leave them
behind you,
To know the universe itself as a road--as many roads--as roads for
traveling souls.


The Soul travels;
The body does not travel as much as the soul;
The body has just as great a work as the soul, and parts away at last
for the journeys of the soul.

All parts away for the progress of souls;
All religion, all solid things, arts, governments,--all that was or
is apparent upon this globe or any globe, falls into niches and
corners before the procession of Souls along the grand roads of
the universe.

Of the progress of the souls of men and women along the grand roads
of the universe, all other progress is the needed emblem and
sustenance.

Forever alive, forever forward, 190
Stately, solemn, sad, withdrawn, baffled, mad, turbulent, feeble,
dissatisfied,
Desperate, proud, fond, sick, accepted by men, rejected by men,
They go! they go! I know that they go, but I know not where they go;
But I know that they go toward the best--toward something great.


Allons! whoever you are! come forth!
You must not stay sleeping and dallying there in the house, though
you built it, or though it has been built for you.

Allons! out of the dark confinement!
It is useless to protest--I know all, and expose it.

Behold, through you as bad as the rest,
Through the laughter, dancing, dining, supping, of people, 200
Inside of dresses and ornaments, inside of those wash'd and trimm'd
faces,
Behold a secret silent loathing and despair.

No husband, no wife, no friend, trusted to hear the confession;
Another self, a duplicate of every one, skulking and hiding it goes,
Formless and wordless through the streets of the cities, polite and
bland in the parlors,
In the cars of rail-roads, in steamboats, in the public assembly,
Home to the houses of men and women, at the table, in the bed-room,
everywhere,
Smartly attired, countenance smiling, form upright, death under the
breast-bones, hell under the skull-bones,
Under the broadcloth and gloves, under the ribbons and artificial
flowers,
Keeping fair with the customs, speaking not a syllable of itself, 210
Speaking of anything else, but never of itself.


Allons! through struggles and wars!
The goal that was named cannot be countermanded.

Have the past struggles succeeded?
What has succeeded? yourself? your nation? nature?
Now understand me well--It is provided in the essence of things, that
from any fruition of success, no matter what, shall come forth
something to make a greater struggle necessary.

My call is the call of battle--I nourish active rebellion;
He going with me must go well arm'd;
He going with me goes often with spare diet, poverty, angry enemies,
desertions.


Allons! the road is before us! 220
It is safe--I have tried it--my own feet have tried it well.

Allons! be not detain'd!
Let the paper remain on the desk unwritten, and the book on the shelf unopen'd!
Let the tools remain in the workshop! let the money remain unearn'd!
Let the school stand! mind not the cry of the teacher!
Let the preacher preach in his pulpit! let the lawyer plead in the court, and the judge expound the law.

Mon enfant! I give you my hand!
I give you my love, more precious than money,
I give you myself, before preaching or law;
Will you give me yourself? will you come travel with me? 230
Shall we stick by each other as long as we live?

WEAPON, shapely, naked, wan!
Head from the mother's bowels drawn!
Wooded flesh and metal bone! limb only one, and lip only one!
Gray-blue leaf by red-heat grown! helve produced from a little seed
sown!
Resting the grass amid and upon,
To be lean'd, and to lean on.

Strong shapes, and attributes of strong shapes--masculine trades,
sights and sounds;
Long varied train of an emblem, dabs of music;
Fingers of the organist skipping staccato over the keys of the great
organ.


Welcome are all earth's lands, each for its kind; 10
Welcome are lands of pine and oak;
Welcome are lands of the lemon and fig;
Welcome are lands of gold;
Welcome are lands of wheat and maize--welcome those of the grape;
Welcome are lands of sugar and rice;
Welcome the cotton-lands--welcome those of the white potato and sweet
potato;
Welcome are mountains, flats, sands, forests, prairies;
Welcome the rich borders of rivers, table-lands, openings;
Welcome the measureless grazing-lands--welcome the teeming soil of
orchards, flax, honey, hemp;
Welcome just as much the other more hard-faced lands; 20
Lands rich as lands of gold, or wheat and fruit lands;
Lands of mines, lands of the manly and rugged ores;
Lands of coal, copper, lead, tin, zinc;
LANDS OF IRON! lands of the make of the axe!


The log at the wood-pile, the axe supported by it;
The sylvan hut, the vine over the doorway, the space clear'd for a
garden,
The irregular tapping of rain down on the leaves, after the storm is
lull'd,
The wailing and moaning at intervals, the thought of the sea,
The thought of ships struck in the storm, and put on their beam ends,
and the cutting away of masts;
The sentiment of the huge timbers of old-fashion'd houses and
barns; 30
The remember'd print or narrative, the voyage at a venture of men,
families, goods,
The disembarkation, the founding of a new city,
The voyage of those who sought a New England and found it--the outset
anywhere,
The settlements of the Arkansas, Colorado, Ottawa, Willamette,
The slow progress, the scant fare, the axe, rifle, saddle-bags;
The beauty of all adventurous and daring persons,
The beauty of wood-boys and wood-men, with their clear untrimm'd
faces,
The beauty of independence, departure, actions that rely on
themselves,
The American contempt for statutes and ceremonies, the boundless
impatience of restraint,
The loose drift of character, the inkling through random types, the
solidification; 40
The butcher in the slaughter-house, the hands aboard schooners and
sloops, the raftsman, the pioneer,
Lumbermen in their winter camp, day-break in the woods, stripes of
snow on the limbs of trees, the occasional snapping,
The glad clear sound of one's own voice, the merry song, the natural
life of the woods, the strong day's work,
The blazing fire at night, the sweet taste of supper, the talk, the
bed of hemlock boughs, and the bear-skin;
--The house-builder at work in cities or anywhere,
The preparatory jointing, squaring, sawing, mortising,
The hoist-up of beams, the push of them in their places, laying them
regular,
Setting the studs by their tenons in the mortises, according as they
were prepared,
The blows of mallets and hammers, the attitudes of the men, their
curv'd limbs,
Bending, standing, astride the beams, driving in pins, holding on by
posts and braces, 50
The hook'd arm over the plate, the other arm wielding the axe,
The floor-men forcing the planks close, to be nail'd,
Their postures bringing their weapons downward on the bearers,
The echoes resounding through the vacant building;
The huge store-house carried up in the city, well under way,
The six framing-men, two in the middle, and two at each end,
carefully bearing on their shoulders a heavy stick for a cross-
beam,
The crowded line of masons with trowels in their right hands, rapidly
laying the long side-wall, two hundred feet from front to rear,
The flexible rise and fall of backs, the continual click of the
trowels striking the bricks,
The bricks, one after another, each laid so workmanlike in its place,
and set with a knock of the trowel-handle,
The piles of materials, the mortar on the mortar-boards, and the
steady replenishing by the hod-men; 60
--Spar-makers in the spar-yard, the swarming row of well-grown
apprentices,
The swing of their axes on the square-hew'd log, shaping it toward
the shape of a mast,
The brisk short crackle of the steel driven slantingly into the pine,
The butter-color'd chips flying off in great flakes and slivers,
The limber motion of brawny young arms and hips in easy costumes;
The constructor of wharves, bridges, piers, bulk-heads, floats, stays
against the sea;
--The city fireman--the fire that suddenly bursts forth in the close-
pack'd square,
The arriving engines, the hoarse shouts, the nimble stepping and
daring,
The strong command through the fire-trumpets, the falling in line,
the rise and fall of the arms forcing the water,
The slender, spasmic, blue-white jets--the bringing to bear of the
hooks and ladders, and their execution, 70
The crash and cut away of connecting wood-work, or through floors, if
the fire smoulders under them,
The crowd with their lit faces, watching--the glare and dense
shadows;
--The forger at his forge-furnace, and the user of iron after him,
The maker of the axe large and small, and the welder and temperer,
The chooser breathing his breath on the cold steel, and trying the
edge with his thumb,
The one who clean-shapes the handle, and sets it firmly in the
socket;
The shadowy processions of the portraits of the past users also,
The primal patient mechanics, the architects and engineers,
The far-off Assyrian edifice and Mizra edifice,
The Roman lictors preceding the consuls, 80
The antique European warrior with his axe in combat,
The uplifted arm, the clatter of blows on the helmeted head,
The death-howl, the limpsey tumbling body, the rush of friend and foe
thither,
The siege of revolted lieges determin'd for liberty,
The summons to surrender, the battering at castle gates, the truce
and parley;
The sack of an old city in its time,
The bursting in of mercenaries and bigots tumultuously and
disorderly,
Roar, flames, blood, drunkenness, madness,
Goods freely rifled from houses and temples, screams of women in the
gripe of brigands,
Craft and thievery of camp-followers, men running, old persons
despairing, 90
The hell of war, the cruelties of creeds,
The list of all executive deeds and words, just or unjust,
The power of personality, just or unjust.


Muscle and pluck forever!
What invigorates life, invigorates death,
And the dead advance as much as the living advance,
And the future is no more uncertain than the present,
And the roughness of the earth and of man encloses as much as the
delicatesse of the earth and of man,
And nothing endures but personal qualities.
What do you think endures? 100
Do you think the great city endures?
Or a teeming manufacturing state? or a prepared constitution? or the
best-built steamships?
Or hotels of granite and iron? or any chef-d'oeuvres of engineering,
forts, armaments?

Away! These are not to be cherish'd for themselves;
They fill their hour, the dancers dance, the musicians play for them;
The show passes, all does well enough of course,
All does very well till one flash of defiance.

The great city is that which has the greatest man or woman;
If it be a few ragged huts, it is still the greatest city in the
whole world.


The place where the great city stands is not the place of stretch'd
wharves, docks, manufactures, deposits of produce, 110
Nor the place of ceaseless salutes of new comers, or the anchor-
lifters of the departing,
Nor the place of the tallest and costliest buildings, or shops
selling goods from the rest of the earth,
Nor the place of the best libraries and schools--nor the place where
money is plentiest,
Nor the place of the most numerous population.

Where the city stands with the brawniest breed of orators and bards;
Where the city stands that is beloved by these, and loves them in
return, and understands them;
Where no monuments exist to heroes, but in the common words and
deeds;
Where thrift is in its place, and prudence is in its place;
Where the men and women think lightly of the laws;
Where the slave ceases, and the master of slaves ceases; 120
Where the populace rise at once against the never-ending audacity of
elected persons;
Where fierce men and women pour forth, as the sea to the whistle of
death pours its sweeping and unript waves;
Where outside authority enters always after the precedence of inside
authority;
Where the citizen is always the head and ideal--and President, Mayor,
Governor, and what not, are agents for pay;
Where children are taught to be laws to themselves, and to depend on
themselves;
Where equanimity is illustrated in affairs;
Where speculations on the Soul are encouraged;
Where women walk in public processions in the streets, the same as
the men,
Where they enter the public assembly and take places the same as the
men;
Where the city of the faithfulest friends stands; 130
Where the city of the cleanliness of the sexes stands;
Where the city of the healthiest fathers stands;
Where the city of the best-bodied mothers stands,
There the great city stands.


How beggarly appear arguments before a defiant deed!
How the floridness of the materials of cities shrivels before a man's
or woman's look!

All waits, or goes by default, till a strong being appears;
A strong being is the proof of the race, and of the ability of the
universe;
When he or she appears, materials are overaw'd,
The dispute on the Soul stops, 140
The old customs and phrases are confronted, turn'd back, or laid
away.

What is your money-making now? what can it do now?
What is your respectability now?
What are your theology, tuition, society, traditions, statute-books,
now?
Where are your jibes of being now?
Where are your cavils about the Soul now?


A sterile landscape covers the ore--there is as good as the best, for
all the forbidding appearance;
There is the mine, there are the miners;
The forge-furnace is there, the melt is accomplish'd; the hammers-men
are at hand with their tongs and hammers;
What always served, and always serves, is at hand. 150

Than this, nothing has better served--it has served all:
Served the fluent-tongued and subtle-sensed Greek, and long ere the
Greek:
Served in building the buildings that last longer than any;
Served the Hebrew, the Persian, the most ancient Hindostanee;
Served the mound-raiser on the Mississippi--served those whose relics
remain in Central America;
Served Albic temples in woods or on plains, with unhewn pillars, and
the druids;
Served the artificial clefts, vast, high, silent, on the snow-cover'd
hills of Scandinavia;
Served those who, time out of mind, made on the granite walls rough
sketches of the sun, moon, stars, ships, ocean-waves;
Served the paths of the irruptions of the Goths--served the pastoral
tribes and nomads;
Served the long, long distant Kelt--served the hardy pirates of the
Baltic; 160
Served before any of those, the venerable and harmless men of
Ethiopia;
Served the making of helms for the galleys of pleasure, and the
making of those for war;
Served all great works on land, and all great works on the sea;
For the mediæval ages, and before the mediæval ages;
Served not the living only, then as now, but served the dead.


I see the European headsman;
He stands mask'd, clothed in red, with huge legs, and strong naked
arms,
And leans on a ponderous axe.

(Whom have you slaughter'd lately, European headsman?
Whose is that blood upon you, so wet and sticky?) 170

I see the clear sunsets of the martyrs;
I see from the scaffolds the descending ghosts,
Ghosts of dead lords, uncrown'd ladies, impeach'd ministers, rejected
kings,
Rivals, traitors, poisoners, disgraced chieftains, and the rest.

I see those who in any land have died for the good cause;
The seed is spare, nevertheless the crop shall never run out;
(Mind you, O foreign kings, O priests, the crop shall never run out.)

I see the blood wash'd entirely away from the axe;
Both blade and helve are clean;
They spirt no more the blood of European nobles--they clasp no more
the necks of queens. 180

I see the headsman withdraw and become useless;
I see the scaffold untrodden and mouldy--I see no longer any axe upon
it;
I see the mighty and friendly emblem of the power of my own race--the
newest, largest race.


(America! I do not vaunt my love for you;
I have what I have.)

The axe leaps!
The solid forest gives fluid utterances;
They tumble forth, they rise and form,
Hut, tent, landing, survey,
Flail, plough, pick, crowbar, spade, 190
Shingle, rail, prop, wainscot, jamb, lath, panel, gable,
Citadel, ceiling, saloon, academy, organ, exhibition-house, library,
Cornice, trellis, pilaster, balcony, window, shutter, turret, porch,
Hoe, rake, pitch-fork, pencil, wagon, staff, saw, jack-plane, mallet,
wedge, rounce,
Chair, tub, hoop, table, wicket, vane, sash, floor,
Work-box, chest, string'd instrument, boat, frame, and what not,
Capitols of States, and capitol of the nation of States,
Long stately rows in avenues, hospitals for orphans, or for the poor
or sick,
Manhattan steamboats and clippers, taking the measure of all seas.

The shapes arise! 200
Shapes of the using of axes anyhow, and the users, and all that
neighbors them,
Cutters down of wood, and haulers of it to the Penobscot or
Kennebec,
Dwellers in cabins among the California mountains, or by the little
lakes, or on the Columbia,
Dwellers south on the banks of the Gila or Rio Grande--friendly
gatherings, the characters and fun,
Dwellers up north in Minnesota and by the Yellowstone river--dwellers
on coasts and off coasts,
Seal-fishers, whalers, arctic seamen breaking passages through the
ice.

The shapes arise!
Shapes of factories, arsenals, foundries, markets;
Shapes of the two-threaded tracks of railroads;
Shapes of the sleepers of bridges, vast frameworks, girders,
arches; 210
Shapes of the fleets of barges, towns, lake and canal craft, river
craft.

The shapes arise!
Ship-yards and dry-docks along the Eastern and Western Seas, and in
many a bay and by-place,
The live-oak kelsons, the pine planks, the spars, the hackmatack-
roots for knees,
The ships themselves on their ways, the tiers of scaffolds, the
workmen busy outside and inside,
The tools lying around, the great auger and little auger, the adze,
bolt, line, square, gouge, and bead-plane.


The shapes arise!
The shape measur'd, saw'd, jack'd, join'd, stain'd,
The coffin-shape for the dead to lie within in his shroud;
The shape got out in posts, in the bedstead posts, in the posts of
the bride's bed; 220
The shape of the little trough, the shape of the rockers beneath, the
shape of the babe's cradle;
The shape of the floor-planks, the floor-planks for dancers' feet;
The shape of the planks of the family home, the home of the friendly
parents and children,
The shape of the roof of the home of the happy young man and woman--
the roof over the well-married young man and woman,
The roof over the supper joyously cook'd by the chaste wife, and
joyously eaten by the chaste husband, content after his day's
work.

The shapes arise!
The shape of the prisoner's place in the court-room, and of him or
her seated in the place;
The shape of the liquor-bar lean'd against by the young rum-drinker
and the old rum-drinker;
The shape of the shamed and angry stairs, trod by sneaking footsteps;
The shape of the sly settee, and the adulterous unwholesome
couple; 230
The shape of the gambling-board with its devilish winnings and
losings;
The shape of the step-ladder for the convicted and sentenced
murderer, the murderer with haggard face and pinion'd arms,
The sheriff at hand with his deputies, the silent and white-lipp'd
crowd, the dangling of the rope.

The shapes arise!
Shapes of doors giving many exits and entrances;
The door passing the dissever'd friend, flush'd and in haste;
The door that admits good news and bad news;
The door whence the son left home, confident and puff'd up;
The door he enter'd again from a long and scandalous absence,
diseas'd, broken down, without innocence, without means.


Her shape arises, 240
She, less guarded than ever, yet more guarded than ever;
The gross and soil'd she moves among do not make her gross and
soil'd;
She knows the thoughts as she passes--nothing is conceal'd from her;
She is none the less considerate or friendly therefor;
She is the best belov'd--it is without exception--she has no reason
to fear, and she does not fear;
Oaths, quarrels, hiccupp'd songs, smutty expressions, are idle to her
as she passes;
She is silent--she is possess'd of herself--they do not offend her;
She receives them as the laws of nature receive them--she is strong,
She too is a law of nature--there is no law stronger than she is.


The main shapes arise! 250
Shapes of Democracy, total--result of centuries;
Shapes, ever projecting other shapes;
Shapes of turbulent manly cities;
Shapes of the friends and home-givers of the whole earth,
Shapes bracing the earth, and braced with the whole earth.