Victor James Daley: Verses about Sorrow

What! Don't you our Mæcenas know
The man who started, years ago,
Our Wild Australian Author show?

You don't? Your ignorance sublime
Exceeds - to use a Boston rhyme -
The taciturnity of time.

Well, there he is, across the way -
Tall, thin, and growing somwhat grey -
He has good reason, you will say.

He's entering a bookshop. Fine!
He buys a book. Don't make a sign!
Don't speak! Don't breathe! It may be mine!

Alas! The cover isn't blue;
It's green - it's Quinn's - I always knew
His taste was never sound and true!

We all have hobbies. Some endure,
Some pass. Australian Literature
Is his. He likes it straight and pure.

Those breezy gentlemen you see
Walk up the street so spaciously,
He started them; he started me.

My word! My oath, if that you wish!
I would have now been selling fish,
Or something hot and sausageish -

And friends of mine, with names renowned
Would now be driving picks in ground,
And hoisting New South Wales around,

If he - the Lord of the Event -
Had not appeared, pre-subsequent,
And given us encouragement.

He's now, you see, just skin and bone,
Yet once he weighed quite fourteen stone -
When he left coves like us alone.

And he was - breathe it hoarse and low -
A man of substance. This I know -
But that was several years ago.

Now was he thus to leanness brought?
What tragic Fate his sorrow wrought?
Alas! he read the books he bought!

And now he's growing grey and old:
But while he lives, we'll say: 'Behold!
One copy of our works is sold!'

He is the apple of our eye;
His health to us is precious. Why?
We have to live; he dare not die.

There is a town in Ireland,
A little town I know;
Its girls have tender Irish eyes
Beneath their brows of snow;
And in the field around it
The Fairy Hawthorns grow.

O, the Hawthorn is a Queen
And the daughter of a King,
And amidst her branches green
The sweet brown thrushes sing.

And from that little city
Three roads forever run
And on those roads the people,
The father and the son,
The mother and the daughter,
Walk till the day is done.

O, the Hawthorn is a Queen
And the daughter of a King,
And amidst her branches green
The thrushes sadly sing.

One road runs to the seaport
Where stately vessels lie -
American, Australian -
The weeping exiles cry,
Farewell to Grave and Hearthstone!
Dear Ireland - good-bye!

O, the Hawthorn is a Queen
And the daughter of a King,
And amidst her branches green
'Farewell!' the thrushes sing.

One road it is a red, red road -
That road to England goes;
The battle-drums are sounding,
The trump of battle blows;
And Ireland's sons go forth to fight
Against Red England's foes.

O, the Hawthorn is a Queen
And the daughter of a King,
And within her heart of green
The mournful thrushes sing.

One road it is a quiet road;
They travel it full slow,
Their eyes are filled with sorrow,
The silent folk who go
To where the Stones of Silence
Are shining, row on row.

O, the Hawthorn is a Queen
And a Lady fair and grand,
And the thrushes sing the keen
Of the Dead - in Ireland.

ALL silent is the room,
There is no stir of breath,
Save mine, as in the gloom
I sit alone with Death.
Short life it had, the sweet,
Small babe here lying dead,
With tapers at its feet
And tapers at its head.

Dear little hands, too frail
Their grasp on life to hold;
Dear little mouth so pale,
So solemn, and so cold;

Small feet that nevermore
About the house shall run;
Thy little life is o’er!
Thy little journey done!

Sweet infant, dead too soon,
Thou shalt no more behold
The face of sun or moon,
Or starlight clear and cold;

Nor know, where thou art gone,
The mournfulness and mirth
We know who dwell upon
This sad, glad, mad, old earth.

The foolish hopes and fond
That cheat us to the last
Thou shalt not feel; beyond
All these things thou hast passed.

The struggles that upraise
The soul by slow degrees
To God, through weary days—
Thou hast no part in these.

And at thy childish play
Shall we, O little one,
No more behold thee? Nay,
No more beneath the sun.

Death’s sword may well be bared
’Gainst those grown old in strife,
But, ah! it might have spared
Thy little unlived life.

Why talk as in despair?
Just God, whose rod I kiss,
Did not make thee so fair
To end thy life at this.

There is some pleasant shore—
Far from His Heaven of Pride,
Where those strong souls who bore
His Cross in bliss abide—

Some place where feeble things,
For Life’s long war too weak,
Young birds with unfledged wings,
Buds nipped by storm-winds bleak,

Young lambs left all forlorn
Beneath a bitter sky,
Meek souls to sorrow born,
Find refuge when they die.

There day is one long dawn,
And from the cups of flowers
Light dew-filled clouds updrawn
Rain soft and perfumed showers.

Child Jesus walketh there
Amidst child-angel bands,
With smiling lips, and fair
White roses in His hands.

I kiss thee on the brow,
I kiss thee on the eyes—
Farewell! Thy home is now
The Children’s Paradise.

He sat beneath the curling vines
That round the gay verandah twined,
His forehead seamed with sorrow’s lines,
An old man with a weary mind.

His young wife, with a rosy face
And brown arms ambered by the sun,
Went flitting all about the place—
Master and mistress both in one.

What caused that old man’s look of care?
Was she not blithe and fair to see?
What blacker than her raven hair,
What darker than her eyes might be?

The old man bent his weary head;
The sunlight on his gray hair shone;
His thoughts were with a woman dead
And buried, years and years agone:

The good old wife who took her stand
Beside him at the altar-side,
And walked with him, hand clasped in hand,
Through joy and sorrow till she died.

Ah, she was fair as heart’s desire,
And gay, and supple-limbed, in truth,
And in his veins there leapt like fire
The hot red blood of lusty youth.

She stood by him in shine and shade,
And, when hard-beaten at his best,
She took him like a child and laid
His aching head upon her breast.

She helped him make a little home
Where once were gum-trees gaunt and stark,
And bloodwoods waved green-feathered foam—
Working from dawn of day to dark,

Till that dark forest formed a frame
For vineyards that the gods might bless,
And what was savage once became
An Eden in the wilderness.

And how at their first vintage-time
She laughed and sang—you see such shapes
On vases of the Grecian prime—
And danced a reel upon the grapes!

And ever, as the years went on,
All things she kept with thrifty hand,
Till never shone the sun upon
A fairer homestead in the land.

Then children came—ah, me! ah, me!
Sad blessings that a mother craves!
That old man from his seat could see
The shadows playing o’er their graves.

And then she closed her eyes at last,
Her gentle, useful, peaceful life
Was over—garnered with the past;
God rest thee gently, Good Old Wife!

His young wife has a rosy face,
And laughs, with reddest lips apart,
But cannot fill the empty place
Within that old man’s lonely heart.
His young wife has a rosy face,
And brown arms ambered by the sun,
Goes flitting all about the place,
Master and mistress both in one;

But though she sings, or though she sighs,
He sees her not—he sees instead
A gray-haired Shade with gentle eyes—
The good old wife, long dead, long dead.

He sits beneath the curling vines,
Through which the merry sunrays dart,
His forehead seamed with sorrow’s lines—
An old man with a broken heart.

Not only on cross and gibbet,
By sword, and fire, and flood,
Have perished the world’s sad martyrs
Whose names are writ in blood.

A woman lay in a hovel,
Mean, dismal, gasping for breath;
One friend alone was beside her—
The name of him was—Death.

For the sake of her orphan children,
For money to buy them food,
She had slaved in the dismal hovel
And wasted her womanhood.

Winter and Spring and Summer
Came each with a load of cares;
And Autumn to her brought only
A harvest of gray hairs.

Far out in the blessèd country,
Beyond the smoky town,
The winds of God were blowing
Evermore up and down;

The trees were waving signals
Of joy from the bush beyond;
The gum its blue-green banner,
The fern its dark green frond;

Flower called to flower in whispers
By sweet caressing names,
And young gum shoots sprang upward
Like woodland altar-flames;

And, deep in the distant ranges,
The magpie’s fluting song
Roused musical, mocking echoes
In the woods of Dandenong;

And riders were galloping gaily
With loose-held flowing reins,
Through dim and shadowy gullies,
Across broad, treeless plains;

And winds through the Heads came wafting
A breath of life from the sea,
And over the blue horizon
The ships sailed silently;

And out of the sea at morning
The sun rose, golden bright,
And in crimson, and gold, and purple
Sank in the sea at night;

But in dreams alone she saw them,
Her hours of toil between;
For life to her was only
A heartless dead machine.

Her heart was in the graveyard
Where lay her children three,
Nor work nor prayer could save them,
Nor tears of agony.

On the lips of her last and dearest
Pressing a farewell kiss,
She cried aloud in her anguish—
“Can God make amends for this?”

Dull, desperate, ceaseless slaving
Bereft her of power to pray,
And Man was careless and cruel,
And God was far away.

But who shall measure His mercies!
His ways are in the deep;
And, after a life of sorrow,
He gave her His gift of sleep.

Rest comes at last to the weary,
And freedom to the slave;
Her tired and worn-out body
Sleeps well in its pauper grave.

But His angel bore her soul up
To that Bright Land and Fair,
Where Sorrow enters never,
Nor any cloud of Care.

They came to a lovely valley,
Agleam with asphodel,
And the soul of the woman speaking
Said—“Here I fain would dwell!”

The Angel answered gently:
“O Soul most pure and dear,
O Soul most tried and truest,
They dwelling is not here!

“Behold thy place appointed—
Long kept, long waiting—come!—
Where bloom on the hills of heaven
The roses of Martyrdom!’

Dedicated to Louis Becke


You are now in London town,
Louis Becke,
Keeping up your old renown,
Writing yarns of women brown,
Getting yellow money down,
Or a cheque.

That is right enough, maybe -
You are wise;
But your Isles of the South Sea,
Where the life is bold and free,
You may have them all for me -
Dash your eyes!

I armful of you, I am,
To the neck;
And I cannot think with a calm
Of your tales 'By Reef and Palm'
But I have to mutter 'D--n
Louis Becke!'

You have lined, the press records
(Not in joke),
At the hospitable boards
Of a lot of dukes and lords,
And beguiled them with you words -
Simple folk!

Yet I would not envy you,
Be it said,
if the tales you told were true
As they were unique and new -
But you made them all up, Loo,
In your head.

Never, as in days of yore,
(You will see)
On your pages shall I pore,
With their yarns of love and gore,
Never, Louis, anymore
Becke for me.

I'd rejoice to have you here
(You might grieve!)
With your pen behind your ear,
In this clammy atmosphere,
Where it rains all round the year,
I believe.

O, you made a fine renown!
Mr. B.,
With your yarns of women brown,
And the red hibiscus crown
On the black hair hanging down
To the knee.

I have seen in Santa Cruz,
(Bet your life!)
Women browner than tan shoes -
And I'd rather die than choose
Any on of them as Muse,
Or as wife.

They had hair limed freely, but
Wore no wreath;
They (a) mouths of comic cut -
Mounts that hardly ever shut -
Red with chewing betel-nut,
And black teeth.

And their tank ears hung in loops,
And were well
Loaded down with rings in groups,
Blocks of wood, and things like scoops,
and their noses shone with hoops
Made of shell.

They exhales a perfume rare
(Potent yet,
Even in this strong sea-air)
Of its name I'm not aware -
But it was not, I can swear,
Mignonette.

Could Romance live there? Alas,
It took wings!
Louis, you can take the class,
You can have the lot - I pass -
With their petticoats of grass,
And nose-rings

And your traders - Grand old Drunks -
Where are they?
I have seen some queer quidnuncs
Who go sober to their bunks,
And are temperate as monks,
Sad to say.

They were clothed in suits of white,
Fresh and neat;
And no marks of recent fight
Marred their countenances bright,
And they spoke in words polite,
Clean and sweet.

If this Reehabitish crew,
This tame lot,
Are indeed the models true
Of the Traders bold you drew -
Then I really think that you
Should be shot.

You may say in weak excuse -
Being gnawed
By your conscience - that the loose
Stories that you did produce
Dealt with other isles. No use!
You're a Fraud!

Well, my Last Illusion so
Come to wreck.
'Tis your fault, as well you know,
Yet I would not wish you woe -
But you know where liars go,
Louis Becke!

Ah! that God once would touch my lips with song
To pierce, as prayer doth heaven, earth’s breast of iron,
So that with sweet mouth I might sing to thee,
O sweet dead singer buried by the sea,
A song, to woo thee, as a wooing siren,
Out of that silent sleep which seals too long
Thy mouth of melody.
For, if live lips might speak awhile to dead,
Or any speech could reach the sad world under
This world of ours, song surely should awake
Thee who didst dwell in shadow for song’s sake!
Alas! thou canst not hear the voice of thunder,
Nor low dirge over thy low-lying head
The winds of morning make.

Down through the clay there comes no sound of these;
Down in the grave there is no sign of Summer,
Nor any knowledge of the soft-eyed Spring;
But Death sits there, with outspread ebon wing,
Closing with dust the mouth of each new-comer
To that mute land, where never sound of seas
Is heard, and no birds sing.

Now thou hast found the end of all thy days
Hast thou found any heart a vigil keeping
For thee among the dead—some heart that heard
Thy singing when thou wert a brown, sweet bird
Gray Æons gone, in some old forest sleeping
Beneath the seas long since? in Death’s dim ways
Has thy heart any word?

For surely those in whom the deathless spark
Of song is kindled, sang from the beginning
If life were always? But the old desires—
Do they exist when sad-eyed Hope expires?
How live the dead? what crowns have they for winning?
Have they, to warm them in the dreamless dark,
For sun earth’s central fires?

Are the dead dead indeed whom we call dead?
Has God no life but this of ours for giving?—
When that they took thee by each well-known place,
Stark in thy coffin with a cold white face,
What thought, O Brother, hadst thou of the living?
What of the sun that round thee glory shed?
What of the fair day’s grace?

Is thy new life made up of memories
Or dreams that lull the dead, bright visions bringing
Of Spring above! Are thy days short or long?
Thou who wert master of our singing throng
Mayhap in death thou hast not lost thy singing,
But chauntst unheard, beside the moaning sea,
A solitary song.

The chance spade turns up skulls. God help the dead
And thee whose singing days have all passed over—
Thee, whom the gold-haired Spring shall seek in vain
When at the glad year’s doors she stands again,
Remembering the song-garlands thou hast wove her
In years gone by: but all these years have fled
With all their joy and pain.

My soul laughed out to hear my heart speak so,
And sprang forth skyward, as an eagle, hoping
To look upon thy soul with living eyes,
Until it came to where our dim life dies,
And dead suns darkly for a grave are groping
Through cycles of immeasurable woe,
Stone-blind in the blind skies.
The stars walk shuddering on that awful verge
From which my soul, with swift and fearless motion,
Clove the black depths, and sought for God and thee;
But God dwells where nor stars nor suns there be—
No shore there is to His Eternal Ocean;
A thousand systems are a fringe of surge
On that great starless sea.

And thou wert not. So that, with weary plumes,
My soul through the great void its way came winging
To earth again. “What hope for him who sings
Is there?” it sighed. “Death ends all sweetest things.”
When lo! there came a swell of mighty singing,
Flooding all space, and swift athwart the glooms
A flash of sudden wings.


Dreamer of dreams, thy songs and dreams are done.
Down where thou sleepest in earth’s secret bosom
There is no sorrow and no joy for thee,
Who canst not see what stars at eve there be,
Nor evermore at morn the green dawn blossom
Into the golden king-flower of the sun
Across the golden sea.
But haply there shall come in days to be
One who shall hear his own heart beating faster,
Plucking a rose sprung from thy heart beneath,
And from his soul, as sword from out its sheath,
Song shall leap forth where now, O silent master,
On thy lone grave beside the sounding sea,
I lay this laurel-wreath.

At Dawn and Dusk
Love-Laurel
IN MEMORY OF HENRY KENDALL

AH! that God once would touch my lips with song
To pierce, as prayer doth heaven, earth’s breast of iron,
So that with sweet mouth I might sing to thee,
O sweet dead singer buried by the sea,
A song, to woo thee, as a wooing siren,
Out of that silent sleep which seals too long
Thy mouth of melody.
For, if live lips might speak awhile to dead,
Or any speech could reach the sad world under
This world of ours, song surely should awake
Thee who didst dwell in shadow for song’s sake!
Alas! thou canst not hear the voice of thunder,
Nor low dirge over thy low-lying head
The winds of morning make.

Down through the clay there comes no sound of these;
Down in the grave there is no sign of Summer,
Nor any knowledge of the soft-eyed Spring;
But Death sits there, with outspread ebon wing,
Closing with dust the mouth of each new-comer
To that mute land, where never sound of seas
Is heard, and no birds sing.

Now thou hast found the end of all thy days
Hast thou found any heart a vigil keeping
For thee among the dead—some heart that heard
Thy singing when thou wert a brown, sweet bird
Gray Æons gone, in some old forest sleeping
Beneath the seas long since? in Death’s dim ways
Has thy heart any word?

For surely those in whom the deathless spark
Of song is kindled, sang from the beginning
If life were always? But the old desires—
Do they exist when sad-eyed Hope expires?
How live the dead? what crowns have they for winning?
Have they, to warm them in the dreamless dark,
For sun earth’s central fires?

Are the dead dead indeed whom we call dead?
Has God no life but this of ours for giving?—
When that they took thee by each well-known place,
Stark in thy coffin with a cold white face,
What thought, O Brother, hadst thou of the living?
What of the sun that round thee glory shed?
What of the fair day’s grace?

Is thy new life made up of memories
Or dreams that lull the dead, bright visions bringing
Of Spring above! Are thy days short or long?
Thou who wert master of our singing throng
Mayhap in death thou hast not lost thy singing,
But chauntst unheard, beside the moaning sea,
A solitary song.

The chance spade turns up skulls. God help the dead
And thee whose singing days have all passed over—
Thee, whom the gold-haired Spring shall seek in vain
When at the glad year’s doors she stands again,
Remembering the song-garlands thou hast wove her
In years gone by: but all these years have fled
With all their joy and pain.

. . . . .
My soul laughed out to hear my heart speak so,
And sprang forth skyward, as an eagle, hoping
To look upon thy soul with living eyes,
Until it came to where our dim life dies,
And dead suns darkly for a grave are groping
Through cycles of immeasurable woe,
Stone-blind in the blind skies.
The stars walk shuddering on that awful verge
From which my soul, with swift and fearless motion,
Clove the black depths, and sought for God and thee;
But God dwells where nor stars nor suns there be—
No shore there is to His Eternal Ocean;
A thousand systems are a fringe of surge
On that great starless sea.

And thou wert not. So that, with weary plumes,
My soul through the great void its way came winging
To earth again. “What hope for him who sings
Is there?” it sighed. “Death ends all sweetest things.”
When lo! there came a swell of mighty singing,
Flooding all space, and swift athwart the glooms
A flash of sudden wings.

. . . . .
Dreamer of dreams, thy songs and dreams are done.
Down where thou sleepest in earth’s secret bosom
There is no sorrow and no joy for thee,
Who canst not see what stars at eve there be,
Nor evermore at morn the green dawn blossom
Into the golden king-flower of the sun
Across the golden sea.
But haply there shall come in days to be
One who shall hear his own heart beating faster,
Plucking a rose sprung from thy heart beneath,
And from his soul, as sword from out its sheath,
Song shall leap forth where now, O silent master,
On thy lone grave beside the sounding sea,
I lay this laurel-wreath.

The night is young yet; an enchanted night
In early summer: calm and darkly bright.

I love the Night, and every little breeze
She brings, to soothe the sleep of dreaming trees.

Hearst thou the Voices? Sough! Susurrus!— Hark!
’Tis Mother Nature whispering in the dark!

Burden of cities, mad turmoil of men,
That vex the daylight—she forgets them then.

Her breasts are bare; Grief gains from them surcease:
She gives her restless sons the milk of Peace.

To sleep she lulls them—drawn from thoughts of pelf—
By telling sweet old stories of herself.

All secrets deep—yea, all I hear and see
Of things mysterious—Night reveals to me.
I know what every flower, with drowsy head
Down-drooping, dreams of—and the seeming dead.

I know how they, escaped from care and strife,
Ironically moralise on Life.

And know what—when the moon walks on the waves—
They whisper to each other in their graves.

I know that white clouds drifting from stark coasts
Across the sky at midnight are the ghosts

Of sailors drowned at sea, who yearn to win
A quiet grave beside their kith and kin

In still green graveyards, where they lie at ease
Far from the sound of surge and roar of seas.

I know the message of the mournful rain
That beats upon the widow’s window-pane.

I know the meaning of the roar of seas;
I know the glad Spring sap-song of the trees;

And that great chant to which in tuneful grooves
The green round earth upon its axis moves;

And that still greater chant the Bright Sun sings—
Fire-crowned Apollo—the great chant that brings

All things to life, and draws through spaces dim,
And star-sown realms, his planets after him.

I know the tune that led, since Life began,
The upward, downward, onward March of Man.

I hear the whispers that the Angels twain
Of Death and Life exchange in meeting—fain

Are they to pause and greet, yet may not stay.
“Never!” “For ever.” This is all they say.

I hear the twitterings inarticulate
Of souls unborn that press around the Gate

Of Birth, each striving which shall first escape
From formless vapour into human shape.

I know the tale the bird of passionate heart,
The nightingale, tries ever to impart

To men, though vainly—for I well believe
That in her brown breast beats the heart of Eve,

Who with her sweet, sad, wistful music tries
To tell her sons of their lost Paradise,

And solemn secrets Man had grace to know,
When God walked in the Garden long ago.

Yea, I have seen, methought, on nights of awe,
The vision terrible Lucretius saw:
The trembling Universe—suns, stars, grief, bliss—
Plunging for ever down a black abyss.

But more I love good Bishop Jeremy,
Who likens all the star-worlds that we see—

Which seem to run an everlasting race—
Unto a snowstorm sweeping on through space.

Suns, planets, stars, in glorious array
They march, melodious, on their unknown way.

Thought, seraph-winged and swifter than the light,
Unto the dim verge of the Infinite,

Pursues them, through that strange ethereal flood
In which they swim (mayhap it is the blood

Of Universal God wherein they are
But corpuscles—sun, satellite, and star—

And their great stream of glory but a dim,
Small pulse in the remotest vein of Him)

Pursues in vain, and from lone, awful glooms
Turns back to earth again with weary plumes.

Through glacial gulfs of Space the soul must roam
To feel the comfort of its earthly home.
Ah, Mother dear! broad-bosomed Mother Earth!
Mother of all our Joy, Grief, Madness, Mirth!—

Mother of flower and fruit, of stream and sea!—
We are thy children and must cling to thee.

I lay my head upon thy breast and hear—
Small, small and faint, yet strangely sweet and clear—

The hum and clash of little worlds below,
Each on its own path moving, swift or slow.

And listening, ever with intenter ear,
Through din of wars invisible I hear

A Homer—genius is not gauged by mass—
Singing his Iliad on a blade of grass.

And nations hearken: his great song resounds
Unto the tussock’s very utmost bounds.

States rise and fall, each blade of grass upon,
But still his song from blade to blade rolls on

Through all the tussock-world, and Helen still
Is Fairest Fair, and Ajax wild of will—

An Ajax whose huge size, when measured o’er,
Is full ten-thousandth of an inch or more—

Still hurls defiance at the gods whose home
Is in the distant, awful, dew-drop dome

That trembling hangs, suspended from a spray
An inch above him—worlds of space away.

Old prophecies foretell—but Time proves all—
The day will come when it, like Troy, shall fall.

Lo! through this small great wondrous song there runs
The marching melody of stars and suns.

I know these things, yet cannot speak and tell
Their meanings. Over all is cast a spell.
Secrets they are, sealed with a sevenfold seal;
My soul knows what my tongue may not reveal.

I love the Night! Bright Day the soul shuts in;
Night sends it soaring to its starry kin.
If I must leave at last my place of birth—
This homely, gracious, green, familiar Earth,

With all it holds of sorrow and delight—
I pray my parting-hour may be at night,

And that her curtain dark may softly fall
On scenes I love, ere I depart from all.

Then shall I haply, journeying through the Vast
Mysterious Silences, take one long, last

Fond look at Earth, and watch from depths afar
The dear old planet dwindling to a star;

And sigh farewell unto the friends of yore,
Whose kindly faces I shall see no more.

The wan light of a stormy dawn
Gleamed on a tossing ship:
It was the In Memoriam
Upon a mourning trip.
Wild waves were on the windward bow,
And breakers on the lee;
And through her sides the women heard
The seething of the sea.

“O Captain!” cried a widow fair,
Her plump white hands clasped she,
“Thinkst thou, if drowned in this dread storm,
That savèd we shall be?”

“You speak in riddles, lady dear,
How savèd can we be
If we are drowned?” “Alas, I mean
In Paradise!” said she.

“O I’ve sailed North, and I’ve sailed South”
(He was a godless wight),
“But boy or man, since my days began,
That shore I ne’er did sight!”

The Captain told the First Mate bold
What that fair lady said;
The First Mate sneered in his black beard—
His eyes burned in his head.

“Full forty souls are here aboard,
A-sailing on the wave—
Without the crew, and, ’twixt us two,
I think they’ve none to save—

“Full forty souls, and each one is
A mourner, as you know.
They weep the scuppers full; the ship
Is waterlogged with woe.”

Again he sneered in his black beard:
“The cruise is not so brief,
But, ere we land on earthly strand,
All will have found relief.”

“Nay, nay,” the Captain said, “First Mate,
You have forgotten one
With eyes of blue; the tears are true
From those dear eyes that run!

“She mourns her sweetheart drowned last year,
A seaman he, forsooth!
I would not drown for Christ his crown
If she were mine, Fair Ruth!”

“Brave words! but words,” the First Mate cried,
“Are wind! Behold in me
The warmest lover and the last!
Mine shall the maiden be.”

. . . . .
Fair Ruth stood by the taffrail high,
A cross dropped in the sea,
If you lie here, my sweetheart dear,
By this remember me!”
Fair Ruth stood by the taffrail high,
A ring dropped in the sea:
“Marry him not, ye false mermaids,
Married he’s now to me!”

The heavens flashed flame; a black cloud came,
Its wings the sky did span,
And hovered above the fated ship
Like death o’er a dying man.

Bended the spars and shrieked the shrouds,
The sails flew from the mast,
And, like a soul by fiends pursued,
The ship fled through the blast.

“More sail! more sail!” the First Mate cried
(The Captain stood aghast),
“More sail! more sail!” and he laughed in scorn,
All by the mizen mast.

“O brethren dear, there’s nought to fear,
The steward told me so!”
’Twas the parson meek who thus did speak,
Just come up from below:

“And were there,” he said, with upraised head,
And hands clasped piously,
“I have a sainted spouse in Heaven—
I trow she waits for me.”

Then grimly laughed the false First Mate
“Good parson, let her be!
I’ve a wife in every port but that—
And that we shall not see.”

“Oh, pardon seek!” cried the parson meek,
“And pray, if pray you can,
For much I fear, by your scornful sneer,
That you are a sinful man.”

Then louder laughed the false First Mate,
Louder and louder still,
And the wicked crew laughed loudly too,
As wicked seamen will.

“O Captain!” whispered a gentle dame,
“When shall we see the land?”
The Captain answered never a word,
But clasped her by the hand.

. . . . .
Day after day, night after night,
On, on the ship did reel:
The Captain drank with the second mate,
The First Mate held the wheel.
Down came a black cloud on the ship,
And wrapped her like a pall,
And horror of awful darkness fell
Upon them one and all.

The night had swallowed them utterly,
None could his fellow see,
But ghostly voices up and down
Went whispering fearsomely.

No faint ray shone from moon or sun,
The light of Heaven was gone,
But ever the First Mate held the wheel,
And ever the ship rushed on.

. . . . .
Fair Ruth knelt down in that grim gloom,
She prayed beneath her breath:
“God carry me o’er this dread sea
That seems the Sea of Death!”
She ceased—and lo! a lurid glow
O’er that dark water spread,
And in the blackness burned, afar,
A line of bloody red.

“What lights are yon?” the Captain said.
The First Mate answered then:
“No lights that ever shone upon
The world of living men.”

“Down on your knees!” the parson cried;
“Thank God, for all is well!”
The First Mate laughed: “Those lights, they are
The harbour lights of Hell.”

On flew the ship; to every lip
An ashen pallor came,
For all might see that suddenly
The sea had turned to flame.

The lights were near; the Sea of Fear,
Amid the silence dire,
On that dread shore broke evermore
In soundless foam of fire.

“Oh, what are yon gray ghosts and wan!”
The parson cried, “who seem
With coloured strings of beads to play,
As in a dreadful dream?”

“Damned souls;” the First Mate said; “they sit
And count, through endless years,
The moments of Eternity
On beads of burning tears.”

Then, “Who are you,” the parson said,
“That talk so free of Hell?”
“My name is Satan,” he replied,
“Have I not steered you well?”

“Back—back the yards!” the Captain cried
Then quoth the false First Mate:
“Like many more who sight this shore,
You back your yards too late.”

“There are the dear deceased you mourned
With such exceeding zest;
They call you—whoso freely goes
E’en yet may save the rest.”

One pale ghost waved the vessel back
With gestures sad and dumb—
Fair Ruth has plunged into the sea,
“My love, my love, I come!”

. . . . .
All in a moment shone the sun,
Blue gleamed the sky and sea,
The brave old ship upon the waves
Was dancing merrily.
And merrily to sound of bells
To her old port full soon
The In Memoriam that went forth
Returned the Honeymoon.

There o’er their grog sea-captains still
Her wondrous story tell,
And how her Captain backed his yards
A biscuit-throw from Hell.

It fell upon a summer night
The village folk were soundly sleeping,
Unconscious of the glamour white
In which the moon all things was steeping;
One window only showed a light;
Behind it, silent vigil keeping,
Sat Margaret, as one in trance—
The dark-eyed daughter of the Manse.
A flood of strange, sweet thoughts was surging
Her passionate heart and brain within.
At last, some secret impulse urging,
She laid aside her garment thin,
And from its snowy folds emerging,
Like Lamia from the serpent-skin,
She stood before her mirror bright
Naked, and lovely as the night.

Her dark hair o’er her shoulders flowing
Might well have been a silken pall
O’er Galatea’s image glowing
To life and love: she was withal—
The lamplight o’er her radiance throwing—
With her high bosom virginal,
A woman made to madden men,
A Cleopatra born again.

Hers was the beauty dark and splendid,
Whose spell upon the heart of man
Falls swiftly as, when day is ended,
Night falls in lands Australian.
Her rich, ripe, scarlet lips, bow-bended,
Smiled as such ripe lips only can;
Her eyes, wherein strange lightnings shone,
Were deeper than Oblivion.

With round, white arms, whose warm caress
No lover knew, raised towards the ceiling,
She looked like some young Pythoness
The secrets dark of Fate revealing,
Or goddess in divine distress
To higher powers for help appealing.
This invocation, standing so,
She sang in clear, sweet tones, but low:


Soul, from this narrow,
Mean life we know,
Speed as an arrow
From bended bow!
Seek, and discover,
On land or sea,
My destined lover,
Where’er he be.

How shalt thou know him,
My heart’s desire?—
His mien will show him,
His glance of fire.

High is his bearing,
His pride is high,
His spirit daring
Burns in his eye.

Birds have done mating;
The Spring is past;
My arms are waiting,
My heart beats fast.

“Oh, why,” she sighed, “has Fate awarded
This lot to me whose heart is bold?
My days by trifles are recorded,
My suitors men whose God is gold.
Oh for the Heroes helmed and sworded,
The lovers of the days of old,
Who broke for ladies many a lance
In gallant days of old Romance!

“Would I had lived in that great time when
A lady’s love was knight’s best boon;
When sword with sword made ringing rhyme, when
Mailed sea-kings fought from noon to moon,
And thought the slaughter grim no crime, when
The prize was golden-haired Gudrun.
Then I might find swords, broad and bright
And keen as theirs, for me to fight.

“But narrow bounds my life environ,
And hold my eager spirit in.
The men I see no heart of fire in
Their bodies bear. My love to win
A man must have a will of iron,
A soul of flame. Then sweet were sin
Or Death for him!” With ardent glance
Thus spake the daughter of the Manse.

Then, with a smile, she fell asleep in
Her white and dainty maiden bed.
The chaste, cold moon alone could peep in,
And view her tresses dark outspread
Upon an arm whose clasp might keep in
The life of one given up for dead:
And, as she drifted down the stream
Of Slumber deep, she dreamt a dream.

. . . . .
It was a banquet rich and rare,
The wine of France was foaming madly;
The proud and great of earth were there,
And all were slaves to serve her gladly,
And yet on them with haughty air
She gazed, half-scornfully, half-sadly;
The Lady of the Feast was she—
So ran her strange dream-fantasy.
A Prince was at her fair right hand,
And at her left a famous leader
Of hosts, with look of high command,
And—blacker than the tents of Kedar—
An Eastern King, barbaric, grand,
Sat near—their Queen they had decreed her.
Below the proud, the brave, the wise,
Sat charmed by her mesmeric eyes.

Then thus she spake: “O Lords of Earth!
Than you I know none nobler, braver;
And yet your fame, and rank, and birth,
And wealth in my sight find small favour,
For all too well I know their worth—
Long since for me they lost their savour.
The Spirit, fit to mate with mine,
Must be demoniac—or divine.

“A toast!” she cried. The gallant throng
Sprang up, their foaming glasses clinking.
“Satan! The Spirit proud and strong!
The bravest lover to my thinking!
The Wine of Life I’ve drunk too long:
The Wine of death I now am drinking!” . . .
“Our Queen she was a moment since—
Bear forth the body!” said the Prince.

. . . . .
A ghostly wind arose, all wet
With tears, and full of cries and wailing,
And wringing hands, and faces set
In bitter anguish unavailing;
It bore the soul of Margaret
To where a voice, in tones of railing,
Cried, “Spirit proud, thou hast done well!
Thou art within the Gates of Hell!”
The soul of Margaret passed slowly,
Yet bravely, through the Hall of Dread,
The roof whereof was hidden wholly
By black clouds hanging overhead.
No sound disturbed the melancholy
Deep silence—which itself seemed dead.
No wailing of the damned was heard,
No voice the fearful stillness stirred.

But that deep silence held in keeping
The secret of Eternal Woe—
That yet seemed like a serpent creeping
Around the walls. It was as though
The cries of pain and hopeless weeping
Had died out ages long ago.
No face was seen, no figure dread. . . .
Were all the damned and devils dead?

No lustre known on earth was gleaming
In that dread Hall, but some weird light
Around the pillars vast was streaming,
And down the vistas infinite;
A light like that men see in dreaming,
And, waking, shudder with affright.
Its glare a baleful splendour shed
For ever through the Hall of Dread.

Then suddenly she was aware
That from the walls, and all around her,
In motionless and burning stare,
Millions of eyes glowed, that spellbound her:
The everlasting dumb despair
That spoke from them made Pity founder;
And, as she passed along the floor,
She trod on burning millions more.

For floor and pillar, roof and all,
Were full of eyes, for ever burning—
’Twas these that lit the Dreadful Hall,
These were the damned beyond returning,
Sealed up in pillar, floor, and wall,
Without a tongue to voice their yearning,
Or grief, or hate, so God might know:
Their eyes alone could speak their woe.

Her way lit by the weird light flowing
From those sad, awful eyes, she passed
To where—her terror ever growing—
Upon a Throne, in fire set fast,
And like a Rose of fire far-glowing,
She saw a Figure, Veiled and Vast.
She trembled, for she knew full well
She stood before the Lord of Hell.

And then, an instant courage taking,
She knelt before the burning throne,
And, all her hopes of heaven forsaking,
She cried, “O Lord, make me thine own!
For men, though they be of God’s making,
I love not. Thee I love alone.”
The figure veiled spake thus: “Arise,
O Spirit proud—and most unwise!”

And as It spake, unveiling slowly,
A brow of awful beauty shone
On Margaret’s soul—yet Melancholy
And Woe Eternal sat thereon.
But, lo! the form was woman wholly.
A faint smile played her lips upon,
As in a voice low, sweet, and level
She said: “My dear, I am the Devil!”

With one wild wail of bitter scorning
The stricken soul of Margaret fled,
Sore harrowed by that dreadful warning;
And, shrieking, through the Hall of Dread
She passed . . . and woke . . . and it was morning,
And she was in her own white bed.

These broken lines for pardon crave;
I cannot end the song with art:
My grief is gray and old—her grave
Is dug so deep within my heart.

I.—Her Last Day
IT was a day of sombre heat:
The still, dense air was void of sound
And life; no wing of bird did beat
A little breeze through it—the ground
Was like live ashes to the feet.
From the black hills that loomed around
The valley many a sudden spire
Of flame shot up, and writhed, and curled,
And sank again for heaviness:
And heavy seemed to men that day
The burden of the weary world.
For evermore the sky did press
Closer upon the earth that lay
Fainting beneath, as one in dire
Dreams of the night, upon whose breast
Sits a black phantom of unrest
That holds him down. The earth and sky
Appeared unto the troubled eye
A roof of smoke, a floor of fire.

There was no water in the land.
Deep in the night of each ravine
Men, vainly searching for it, found
Dry hollows in the gaping ground,
Like sockets where clear eyes had been,
Now burnt out with a burning brand.
There was no water in the land
But the salt sea tide, that did roll
Far past the places where, till then,
The sweet streams met and flung it back;
The beds of little brooks, that stole
In spring-time down each ferny glen,
And rippled over rock and sand,
Were drier than a cattle-track.
A dull, strange languor of disease,
That ever with the heat increased,
Fell upon man, and bird, and beast;
The thin-flanked cattle gasped for breath;
The birds dropped dead from drooping trees;
And men, who drank the muddy lees
From each near-dry though deep-dug well,
Grew faint; and over all things fell
A heavy stupor, dank as Death.


Fierce Nature, glaring with a face
Of savage scorn at my despair,
Withered my heart. From cone to base
The hills were full of hollow eyes
That rayed out darkness, dead and dull;
Gray rocks grinned under ridges bare,
Like dry teeth in a mouldered skull;
And ghastly gum-tree trunks did loom
Out of black clefts and rifts of gloom,
As sheeted spectres that arise
From yawning graves at dead of night
To fill the living with affright;
And, like to witches foul that bare
Their withered arms, and bend, and cast
Dread curses on the sleeping lands
In awful legends of the past,
Red gums, with outstretched bloody hands,
Shook maledictions in the air.
Fear was around me everywhere:
The wrinkled foreheads of the rocks
Frowned on me, and methought I saw—
Deep down in dismal gulfs of awe,
Where gray death-adders have their lair,
With the fiend-bat, the flying-fox,
And dim sun-rays, down-groping far,
Pale as a dead man’s fingers are—
The grisly image of Decay,
That at the root of Life doth gnaw,
Sitting alone upon a throne
Of rotting skull and bleaching bone.

“There is an end to all our griefs:
Little the red worm of the grave
Will vex us when our days are done.”
So changed my thought: up-gazing then
On gray-piled stones that seemed the cairns
Of dead and long-forgotten chiefs—
The men of old, the poor wild men
Who, under dim lights, fought a brave,
Sad fight of Life, where hope was none,
In the vague, voiceless, far-off years—
It changed again to present pain,
And I saw Sorrow everywhere:
In blackened trees and rust-red ferns,
Blasted by bush-fires and the sun;
And by the salt-flood—salt as tears—
Where the wild apple-trees hung low,
And evermore stooped down to stare
At their drowned shadows in the wave,
Wringing their knotted hands of woe;
And the dark swamp-oaks, row on row,
Lined either bank—a sombre train
Of mourners with down-streaming hair.


II.—Sunset
THE DAY and its delights are done;
So all delights and days expire:
Down in the dim, sad West the sun
Is dying like a dying fire.

The fiercest lances of his light
Are spent; I watch him droop and die
Like a great king who falls in fight;
None dared the duel of his eye

Living, but, now his eye is dim,
The eyes of all may stare at him.

How lovely in his strength at morn
He orbed along the burning blue!
The blown gold of his flying hair
Was tangled in green-tressèd trees,
And netted in the river sand
In gleaming links of amber clear;
But all his shining locks are shorn,
His brow of its bright crown is bare,
The golden sceptre leaves his hand,
And deeper, darker, grows the hue
Of the dim purple draperies
And cloudy banners round his bier.

O beautiful, rose-hearted dawn!—
O splendid noon of gold and blue!—
Is this wan glimmer all of you?
Where are the blush and bloom ye gave
To laughing land and smiling sea?—
The swift lights that did flash and shiver
In diamond rain upon the river,
And set a star in each blue wave?
Where are the merry lights and shadows
That danced through wood and over lawn,
And flew across the dewy meadows
Like white nymphs chased by satyr lovers?
Faded and perished utterly.

All delicate and all rich colour
In flower and cloud, on lawn and lea,
On butterfly, and bird, and bee,
A little space and all are gone—
And darkness, like a raven, hovers
Above the death-bed of the day.

So, when the long, last night draws on,
And all the world grows ghastly gray,
We see our beautiful and brave
Wither, and watch with heavy sighs
The life-light dying in their eyes,
The love-light slowly fading out,
Leaving no faint hope in their place,
But only on each dear wan face
The shadow of a weary doubt,
The ashen pallor of the grave.
O gracious morn and golden noon!
With what fair dreams did ye depart—
Beloved so well and lost so soon!
I could not fold you to my breast:
I could not hide you in my heart;
I saw the watchers in the West—
Sad, shrouded shapes, with hands that wring
And phantom fingers beckoning!


III.—Years After
Fade off the ridges, rosy light,
Fade slowly from the last gray height,
And leave no gloomy cloud to grieve
The heart of this enchanted eve!

All things beneath the still sky seem
Bound by the spell of a sweet dream;
In the dusk forest, dreamingly,
Droops slowly down each plumèd head;
The river flowing softly by
Dreams of the sea; the quiet sea
Dreams of the unseen stars; and I
Am dreaming of the dreamless dead.

The river has a silken sheen,
But red rays of the sunset stain
Its pictures, from the steep shore caught,
Till shades of rock, and fern, and tree
Glow like the figures on a pane
Of some old church by twilight seen,
Or like the rich devices wrought
In mediaeval tapestry.

All lonely in a drifting boat
Through shine and shade I float and float,
Dreaming and dreaming, till I seem
Part of the picture and the dream.

There is no sound to break the spell,
No voice of bird or stir of bough;
Only the lisp of waters wreathing
In little ripples round the prow,
And a low air, like Silence breathing,
That hardly dusks the sleepy swell
Whereon I float to that strange deep
That sighs upon the shores of Sleep.

But in the silent heaven blooming
Behold the wondrous sunset flower
That blooms and fades within the hour—
The flower of fantasy, perfuming
With subtle melody of scent
The blue aisles of the firmament!
For colour, music, scent, are one;
From deeps of air to airless heights,
Lo! how he sweeps, the splendid sun,
His burning lyre of many lights!

See the clear golden lily blowing!
It shines as shone thy gentle soul,
O my most sweet, when from the goal
Of life, far-gazing, thou didst see—
While Death still feared to touch thine eyes,
Where such immortal light was glowing—
The vision of eternity,
The pearly gates of Paradise!

Now richer hues the skies illume:
The pale gold blushes into bloom,
Delicate as the flowering
Of first love in the tender spring
Of Life, when love is wizardry
That over narrow days can throw
A glamour and a glory! so
Did thine, my Beautiful, for me
So long ago; so long ago.

So long ago! so long ago!
Ah, who can Love and Grief estrange?
Or Memory and Sorrow part?
Lo, in the West another change—
A deeper glow: a rose of fire:
A rose of passionate desire
Lone burning in a lonely heart.

A lonely heart; a lonely flood.
The wave that glassed her gleaming head
And smiling passed, it does not know
That gleaming head lies dark and low;
The myrtle-tree that bends above,
I pray that it may early bud,
For under its green boughs sat we—
We twain, we only, hand in hand,
When Love was lord of all the land—
It does not know that she is dead
And all is over now with Love,
Is over now with Love and me.

Once more, once more, O shining years
Gone by; once more, O vanished days
Whose hours flew by on iris-wings,
Come back and bring my love to me!
My voice faints down the wooded ways
And dies along the darkling flood.
The past is past; I cry in vain,
For when did Death an answer deign
To Love’s heart-broken questionings?
The dead are deaf; dust chokes their ears;
Only the rolling river hears
Far off the calling of the sea—
A shiver strikes through all my blood,
Mine eyes are full of sudden tears.

. . . . .
The shadows gather over all,
The valley, and the mountains old;
Shadow on shadow fast they fall
On glooming green and waning gold;
And on my heart they gather drear,
Damp as with grave-damps, dark with fear.

O Sorrow, Sorrow, couldst thou leave me
Not one brief hour to dream alone?
Hast thou not all my days to grieve me?
My nights, are they not all thine own?
Thou hauntest me at morning light,
Thou blackenest the white moonbeams;
A hollow voice at noon; at night
A crowned ghost, sitting on a throne,
Ruling the kingdom of my dreams.

Maker of men, Thou gavest breath,
Thou gavest love to all that live,
Thou rendest loves and lives apart;
Allwise art Thou; who questioneth
Thy will, or who can read Thy heart?
But couldst Thou not in mercy give
A sign to us—one little spark
Of sure hope that the end of all
Is not concealed beneath the pall,
Or wound up with the winding-sheet?
Who heedeth aught the preacher saith
When eyes wax dim, and limbs grow stark,
And fear sits on the darkened bed?
The dying man turns to the wall.
What hope have we above our dead?—
Tense fingers clutching at the dark,
And hopeless hands that vainly beat
Against the iron doors of Death!