THE DAYS go by—the days go by,
Sadly and wearily to die:
Each with its burden of small cares,
Each with its sad gift of gray hairs
For those who sit, like me, and sigh,
“The days go by! The days go by!”
Ah, nevermore on shining plumes,
Shedding a rain of rare perfumes
That men call memories, they are borne
As in life’s many-visioned morn,
When Love sang in the myrtle-blooms—
Ah, nevermore on shining plumes!

Where is my life? Where is my life?
The morning of my youth was rife
With promise of a golden day.
Where have my hopes gone? Where are they—
The passion and the splendid strife?
Where is my life? Where is my life?

My thoughts take hue from this wild day,
And, like the skies, are ashen gray;
The sharp rain, falling constantly,
Lashes with whips of steel the sea:
What words are left for Hope to say?
My thoughts take hue from this wild day.

I dreamt—my life is all a dream!—
That I should sing a song supreme
To gladden all sad eyes that weep,
And take the Harp to Time, and sweep
Its chords to some eternal theme.
I dreamt—my life is all a dream.

The world is very old and wan—
The sun that once so brightly shone
Is now as pale as the pale moon.
I would that Death came swift and soon;
For all my dreams are dead and gone.
The world is very old and wan.

The world is young, the world is strong,
But I in dreams have wandered long.
God lives. What can Death do to me
The sun is shining on the sea.
Yet shall I sing my splendid song—
The world is young, the world is strong.

THE DAYS go by—the days go by,
Sadly and wearily to die:
Each with its burden of small cares,
Each with its sad gift of gray hairs
For those who sit, like me, and sigh,
“The days go by! The days go by!”
Ah, nevermore on shining plumes,
Shedding a rain of rare perfumes
That men call memories, they are borne
As in life’s many-visioned morn,
When Love sang in the myrtle-blooms—
Ah, nevermore on shining plumes!

Where is my life? Where is my life?
The morning of my youth was rife
With promise of a golden day.
Where have my hopes gone? Where are they—
The passion and the splendid strife?
Where is my life? Where is my life?

My thoughts take hue from this wild day,
And, like the skies, are ashen gray;
The sharp rain, falling constantly,
Lashes with whips of steel the sea:
What words are left for Hope to say?
My thoughts take hue from this wild day.

I dreamt—my life is all a dream!—
That I should sing a song supreme
To gladden all sad eyes that weep,
And take the Harp to Time, and sweep
Its chords to some eternal theme.
I dreamt—my life is all a dream.

The world is very old and wan—
The sun that once so brightly shone
Is now as pale as the pale moon.
I would that Death came swift and soon;
For all my dreams are dead and gone.
The world is very old and wan.

. . . . .
The world is young, the world is strong,
But I in dreams have wandered long.
God lives. What can Death do to me
The sun is shining on the sea.
Yet shall I sing my splendid song—
The world is young, the world is strong.

THE CURTAIN rose—the play began—
The limelight on the gay garbs shone;
Yet carelessly I gazed upon
The painted players, maid and man,
As one with idle eyes who sees
The marble figures on a frieze.
Long lark-notes clear the first act close,
So the soprano: then a hush—
The tenor, tender as a thrush;
Then loud and high the chorus rose,
Till, with a sudden rush and strong,
It ended in a storm of song.

The curtain fell—the music died—
The lights grew bright, revealing there
The flash of jewelled fingers fair,
And wreaths of pearls on brows of pride;
Then, with a quick-flushed cheek, I turned,
And into mine her dark eyes burned.

Such eyes but once a man may see,
And, seeing once, his fancy dies
To thought of any other eyes:
So shadow-soft, they seemed to be
Twin haunted lakes, lit by the gleams
Of a mysterious moon of dreams.

Silk lashes veiled their liquid light
With such a shade as tall reeds fling
From the lake-marge at sunsetting:
Their darkness might have hid the night—
Yet whoso saw their glance would say
Night dreamt therein, and saw the day.

Long looked I at them, wondering
What tender memories were hid
Beneath each blue-veined lily-lid;
What hopes of joys the years would bring;
What griefs? In vain: I might not guess
The secret of their silentness.

What of her face? Her face, meseems,
Was such as painters see who muse
By moonlight in dim avenues,
Yet cannot paint; or as in dreams,
Young poets see, but, when they try
To limn in verse are dumb—so I.

Yet well I know that I have seen
That sweet face in the long ago
In a rose-bower—well I know—
Laughing the singing leaves between,
In that strange land of rose and rhyme—
The land of Once upon a Time.

O unknown sweet, so sweetly known,
I know not what your name may be—
Madonna is your name for me—
Nor where your lines in life are thrown;
But soul sees soul—what is the rest?
A passing phantom at the best.

Did your young bosom never glow
To love? or burns your heart beneath
As burns the rosebud in its sheath?
I neither know nor wish to know:
I smell the rose upon the tree;
Who will may pluck and wear, for me—

May wear the rose, and watch it die,
And, leaf by red leaf, fade and fall,
Till there be nothing left at all
Of its sweet loveliness; but I
Love it so well, I leave it free—
The scent alone I take with me!

As one who visits sacred spots
Brings tokens back, so I from you
A glance, a smile, a rapture new!
And these are my forget-me-nots!
I take from you but only these—
Give all the rest to whom you please.

Sweet eyes, your glance a light shall cast
On me, when dreaded ghosts arise
Of dead regrets with shrouded eyes,
And phantoms of the perished past,
Old thoughts, old hopes, and old desire
Gather around my lonely fire!

Farewell! In rhyme, I kiss your hand—
Kiss not unsweet, although unheard!—
This is our secret—say no word—
That I have been in Fairyland,
And seen for one brief moment’s space
The Queen Titania face to face.

The Rajah’s Sapphires

IN my garden, O Beloved!
Many pleasant trees are growing,
Peach, and apricot, and apple,
Myrtle, lilac, and laburnum.

Fair are they, but midst them lonely,
Like an exiled Eastern Princess
In a strange land far from kindred,
Stands a lonely fair Pomegranate.

Dreaming of its native Orient
Always is the fair Pomegranate,
And beneath it I lie dreaming
Of thine eyes and thee, Beloved!

Overhead its red globes, gleaming
Like red moons, old tales recall of
Eastern moons and songs of Hafiz—
Nightingales, and wine, and roses.

And at times it seems a mystic
Tree Circéan, whose red fruit is
Broken hearts of old-time lovers,
Thus their secrets sad revealing.

And within each red sun-cloven
Glossy globe, like little rosy
Hearts within a great heart glowing,
Glow translucent seeds of crimson.

Like the fruit of the Pomegranate
Full of little hearts my heart is,
And the little hearts so glowing
They are thoughts of thee, Beloved!

Haply these at times are woven
In with dreams of the Pomegranate;
Thus, perchance, I dreamt the wondrous
Dream within a dream here written.

In his palace-hall, methought, I
Saw a splendid Indian Rajah;
Fame and Fortune were his vassals,
But his heart was sad within him.

Round him stood his chiefs and captains.
“Great art thou,” they cried, “O Rajah!
And thy hand is strong in battle.”
But he smiled not at their speeches.

Silently through his Zenana
Passed he, glanced with cold and careless
Eyes at women, fair as houris
Seen in visions bred of hasheesh.

Like to dawn, and noon, and starry
Night—like all the moods of passion—
Were they, rose-and-white Circassians,
Amber Hindoos, dark-eyed Persians.

Dancing girls with golden armlets,
Golden rings around their ankles—
Making music clear, melodious
As the plash of crystal fountains

Heard in still, hot nights of summer—
Danced the Lovers’ Dance before him;
But he heeded not their dancing,
For his heart was sad within him.

Thence unto his treasure-chamber
Strode he—there to gaze on gems that
Rajahs dead had won and hoarded;
Tragic-storied, splendid jewels—

Flashing diamonds, like fallen
Stars, for whose bright evil beauty
Blood in old days had been spilt that
Should have made them burn like rubies;

Emeralds greener than Spring’s garments,
Pearls like unto tears of Peris
Weeping by the gates of Eden;
Opals with their fateful lustre.

Long on these, and countless other
Many-coloured gems, the Rajah
Gazed, but found no more delight in
Their sun-flashing brilliant beauty.

He had dreamt a dream enchanting
Of twin-sapphires, blue as Heaven,
And his heart was filled with hunger
And with yearning to possess them.

Therefore unto his Vizier he
Told his dream, and gave command that
He should seek the wide world over,
Till he found the wondrous sapphires.

Doth that sad Vizier still wander
O’er the earth the sapphires seeking?
Sooth, I know not—but I know that
He will never find them, never.

For they were no cold, bright sapphires
That the Rajah in his dream saw. . . .
Waking from my dream I knew that
They were thy blue eyes, Beloved!

The Dream Of Margaret

It fell upon a summer night
The village folk were soundly sleeping,
Unconscious of the glamour white
In which the moon all things was steeping;
One window only showed a light;
Behind it, silent vigil keeping,
Sat Margaret, as one in trance—
The dark-eyed daughter of the Manse.
A flood of strange, sweet thoughts was surging
Her passionate heart and brain within.
At last, some secret impulse urging,
She laid aside her garment thin,
And from its snowy folds emerging,
Like Lamia from the serpent-skin,
She stood before her mirror bright
Naked, and lovely as the night.

Her dark hair o’er her shoulders flowing
Might well have been a silken pall
O’er Galatea’s image glowing
To life and love: she was withal—
The lamplight o’er her radiance throwing—
With her high bosom virginal,
A woman made to madden men,
A Cleopatra born again.

Hers was the beauty dark and splendid,
Whose spell upon the heart of man
Falls swiftly as, when day is ended,
Night falls in lands Australian.
Her rich, ripe, scarlet lips, bow-bended,
Smiled as such ripe lips only can;
Her eyes, wherein strange lightnings shone,
Were deeper than Oblivion.

With round, white arms, whose warm caress
No lover knew, raised towards the ceiling,
She looked like some young Pythoness
The secrets dark of Fate revealing,
Or goddess in divine distress
To higher powers for help appealing.
This invocation, standing so,
She sang in clear, sweet tones, but low:


Soul, from this narrow,
Mean life we know,
Speed as an arrow
From bended bow!
Seek, and discover,
On land or sea,
My destined lover,
Where’er he be.

How shalt thou know him,
My heart’s desire?—
His mien will show him,
His glance of fire.

High is his bearing,
His pride is high,
His spirit daring
Burns in his eye.

Birds have done mating;
The Spring is past;
My arms are waiting,
My heart beats fast.

“Oh, why,” she sighed, “has Fate awarded
This lot to me whose heart is bold?
My days by trifles are recorded,
My suitors men whose God is gold.
Oh for the Heroes helmed and sworded,
The lovers of the days of old,
Who broke for ladies many a lance
In gallant days of old Romance!

“Would I had lived in that great time when
A lady’s love was knight’s best boon;
When sword with sword made ringing rhyme, when
Mailed sea-kings fought from noon to moon,
And thought the slaughter grim no crime, when
The prize was golden-haired Gudrun.
Then I might find swords, broad and bright
And keen as theirs, for me to fight.

“But narrow bounds my life environ,
And hold my eager spirit in.
The men I see no heart of fire in
Their bodies bear. My love to win
A man must have a will of iron,
A soul of flame. Then sweet were sin
Or Death for him!” With ardent glance
Thus spake the daughter of the Manse.

Then, with a smile, she fell asleep in
Her white and dainty maiden bed.
The chaste, cold moon alone could peep in,
And view her tresses dark outspread
Upon an arm whose clasp might keep in
The life of one given up for dead:
And, as she drifted down the stream
Of Slumber deep, she dreamt a dream.

. . . . .
It was a banquet rich and rare,
The wine of France was foaming madly;
The proud and great of earth were there,
And all were slaves to serve her gladly,
And yet on them with haughty air
She gazed, half-scornfully, half-sadly;
The Lady of the Feast was she—
So ran her strange dream-fantasy.
A Prince was at her fair right hand,
And at her left a famous leader
Of hosts, with look of high command,
And—blacker than the tents of Kedar—
An Eastern King, barbaric, grand,
Sat near—their Queen they had decreed her.
Below the proud, the brave, the wise,
Sat charmed by her mesmeric eyes.

Then thus she spake: “O Lords of Earth!
Than you I know none nobler, braver;
And yet your fame, and rank, and birth,
And wealth in my sight find small favour,
For all too well I know their worth—
Long since for me they lost their savour.
The Spirit, fit to mate with mine,
Must be demoniac—or divine.

“A toast!” she cried. The gallant throng
Sprang up, their foaming glasses clinking.
“Satan! The Spirit proud and strong!
The bravest lover to my thinking!
The Wine of Life I’ve drunk too long:
The Wine of death I now am drinking!” . . .
“Our Queen she was a moment since—
Bear forth the body!” said the Prince.

. . . . .
A ghostly wind arose, all wet
With tears, and full of cries and wailing,
And wringing hands, and faces set
In bitter anguish unavailing;
It bore the soul of Margaret
To where a voice, in tones of railing,
Cried, “Spirit proud, thou hast done well!
Thou art within the Gates of Hell!”
The soul of Margaret passed slowly,
Yet bravely, through the Hall of Dread,
The roof whereof was hidden wholly
By black clouds hanging overhead.
No sound disturbed the melancholy
Deep silence—which itself seemed dead.
No wailing of the damned was heard,
No voice the fearful stillness stirred.

But that deep silence held in keeping
The secret of Eternal Woe—
That yet seemed like a serpent creeping
Around the walls. It was as though
The cries of pain and hopeless weeping
Had died out ages long ago.
No face was seen, no figure dread. . . .
Were all the damned and devils dead?

No lustre known on earth was gleaming
In that dread Hall, but some weird light
Around the pillars vast was streaming,
And down the vistas infinite;
A light like that men see in dreaming,
And, waking, shudder with affright.
Its glare a baleful splendour shed
For ever through the Hall of Dread.

Then suddenly she was aware
That from the walls, and all around her,
In motionless and burning stare,
Millions of eyes glowed, that spellbound her:
The everlasting dumb despair
That spoke from them made Pity founder;
And, as she passed along the floor,
She trod on burning millions more.

For floor and pillar, roof and all,
Were full of eyes, for ever burning—
’Twas these that lit the Dreadful Hall,
These were the damned beyond returning,
Sealed up in pillar, floor, and wall,
Without a tongue to voice their yearning,
Or grief, or hate, so God might know:
Their eyes alone could speak their woe.

Her way lit by the weird light flowing
From those sad, awful eyes, she passed
To where—her terror ever growing—
Upon a Throne, in fire set fast,
And like a Rose of fire far-glowing,
She saw a Figure, Veiled and Vast.
She trembled, for she knew full well
She stood before the Lord of Hell.

And then, an instant courage taking,
She knelt before the burning throne,
And, all her hopes of heaven forsaking,
She cried, “O Lord, make me thine own!
For men, though they be of God’s making,
I love not. Thee I love alone.”
The figure veiled spake thus: “Arise,
O Spirit proud—and most unwise!”

And as It spake, unveiling slowly,
A brow of awful beauty shone
On Margaret’s soul—yet Melancholy
And Woe Eternal sat thereon.
But, lo! the form was woman wholly.
A faint smile played her lips upon,
As in a voice low, sweet, and level
She said: “My dear, I am the Devil!”

With one wild wail of bitter scorning
The stricken soul of Margaret fled,
Sore harrowed by that dreadful warning;
And, shrieking, through the Hall of Dread
She passed . . . and woke . . . and it was morning,
And she was in her own white bed.