A Vision Splendid

Half waking and half dreaming,
While starry lamps hung low
I saw a vision splendid
Upon the darkness glow.

The Capital Australian,
With waving banners plumed -
A shining flower of marble -
Magnificently bloomed.

Beside a snow-fed river
'Twas built in fashion rare -
Upon a lofty mountain,
All in a valley fair.

The stately ships were sailing,
Like brides with flowing trains,
To seek its secret harbor
Amidst Australian plains.

And all around it flourished
Luxuriantly free,
The giant gum and mangrove,
The crimson desert-pea.

And I beheld a building
That made a stately show -
The National Australian
Head Poetry Bureau.

I gazed upon that Building
With trembling joy aghast;
The long-felt want of ages
Was filled (I thought) at last.

No more the Native Poet
Need wildly beat his head
For lofty lyric measures
To buy him beer and bed.

Now he would lodge right nobly
And sleep serene, secure,
All in a chamber filled with
Adhesive furniture.

For never foot of Bailiff
Should pass his threshold o'er,
And never knock of landlord
Sound direful on his door.

The State should also aid him
To build his lofty rhyme
On lordly eggs-and-bacon,
And sausages sublime.

And he should drink no longer
Cheap beer at common bar,
But royal wine of Wunghnu
At two-and-nine the jar.

It was a vision splendid,
And brighter still did grow
When I was made the Chief of
The Poetry Bureau.

They clad me all in purple,
They hung me with festoons,
My singing-robes were spangled
With aluminium moons.

And, as a sign of genius
Above the common kind,
A wreath of gilded laurel
Around my hat they twined.

They also gave me power to
The grain sift from the chaff,
And choose at my large pleasure
My own poetic staff.

Then straightaway I appointed
To chant by day and night,
The brilliant young Australian
Who sang 'The Land of Light.'

I also gave in fashion
Hilariously free,
The Girl and Horse Department
In charge of Ogilvie.

And on the roof-ridge Brady
Sang salt-junk chanties great
To cheer the stout sea-lawyers
Who sail the Ship of State.

And tender-hearted Lawson
Sang everybody's wrongs;
And Brennan, in the basement,
Crooned weird, symbolic songs.

And on the throne beside me,
Above the common din,
He sang his Songs of Beauty,
My friend, the poet Quinn.

Our own Australian artists
Made beautiful its halls -
The mighty steeds of Mahony
Pranced proudly on the walls.

Tom Roberts, he was there, too,
With painted portraits fine
Of men of light and leading -
Me, and some friends of mine.

And Souter's Leering Lady,
'Neath hat and over fan,
With Souter's cat was ogling
His check-clothed gentleman.

And Fischer, Ashton, Lister,
With beetling genius rife -
Pardieu! I was their Patron,
And set them up for life.

And from each dusky corner,
In petrified new birth,
Glared busts of Me and Barton,
By Nelson Illingworth.

And nine fair Muses dwelt there,
With board and lodging free;
Six by the States were chosen,
And I selected three.

And there we turned out blithely
Australian poems sound,
To sell in lengths like carpet,
And also by the pound.

For Paddy Quinn, the Statesman,
Had made a law which said
That native authors only
On pain of death be read.

O, brother bards, I grieve that
Good dreams do not come true;
You see how very nobly
I would have done to you!

But, ah! the vision vanished,
And took away in tow
The National Australian
Head Poetry Bureau.

There was a Boy, long years ago,
Who hour by hour awake would lie,
And watch the white moon gliding slow
Along her pathway in the sky.
And every night as thus he lay
Entranced in lonely fantasy,
Borne swiftly on a bright moon-ray
There came to him a Golden Key.

And with that Golden Key the Boy
Oped every night a magic door
That to a melody of Joy
Turned on its hinges evermore.

Then, trembling with delight and awe,
When he the charmèd threshold crossed,
A radiant corridor he saw—
Its end in dazzling distance lost.

Great windows shining in a row
Lit up the wondrous corridor,
And each its own rich light did throw
In stream resplendent on the floor.

One window showed the Boy a scene
Within a forest old and dim,
Where fairies danced upon the green
And kissed their little hands to him.

Sweet strains of elfin harp and horn
He heard so clearly sounding there,
And he to Wonderland was borne
And breathed its soft enchanted air.

Then, passing onward with the years,
He turned his back on Elf and Fay,
And sadly sweet, as if in tears,
The fairy music died away.

The second window held him long:
It looked upon a field of fight
Whereon the countless hordes of Wrong
Fought fiercely with the friends of Right.

And, lo! upon that fateful field,
Where cannon thundered, banners streamed,
And rushing squadrons rocked and reeled,
His sword a star of battle gleamed.

And when the hordes of Wrong lay still,
And that great fight was fought and won,
He stood, bright-eyed, upon a hill,
His white plume shining in the sun.

A glorious vision! yet behind
He left it with its scarlet glow,
And faint and far upon the wind
He heard the martial trumpets blow.

For to his listening ear was borne
A music more entrancing far
Than strains of elfin harp or horn,
More thrilling than the trump of war.

No longer as a dreamy boy
He trod the radiant corridor:
His young man’s heart presaged a joy
More dear than all the joys of yore.

To that third window, half in awe,
He moved, and slowly raised his eyes—
And was it earth grown young he saw?
Or was it man’s lost Paradise?

For all the flowers that ever bloomed
Upon the earth, and all the rare
Sweet Loveliness by Time entombed,
Seemed blushing, blooming, glowing there.

And every mellow-throated bird
That ever sang the trees among
Seemed singing there, with one sweet word—
“Love! Love!” on every little tongue.

Then he by turns grew rosy-red,
And he by turns grew passion-pale.
“Sweet Love!” the lark sang overhead,
“Sweet Love!” sang Love’s own nightingale.

In mid-heart of the hawthorn-tree
The thrush sang all its buds to bloom;
“Love! Love! Love! Love! Sweet Love,” sang he
Amidst the soft green sun-flecked gloom.


She stood upon a lilied lawn,
With dreamful eyes that gazed afar:
A maiden tender as the Dawn
And lovely as the Morning Star.
She stooped and kissed him on the brow,
And in a low, sweet voice said she:
“I am this country’s queen—and thou?”
“I am thy vassal,” murmured he.

She hid him with her hair gold-red,
That flowed like sunshine to her knee;
She kissed him on the lips, and said:
“Dear heart! I’ve waited long for thee.”

And, oh, she was so fair, so fair,
So gracious was her beauty bright,
Around her the enamoured air
Pulsed tremulously with delight.

In passionate melody did melt
Bird-voices, scent of flower and tree,
And he within his bosom felt
The piercing thorn of ecstasy.


The years passed by in dark and light,
In storm and shine; the man grew old,
Yet never more by day or night
There came to him the Key of Gold.
But ever, ere the great sun flowers
In gold above the sky’s blue rim,
All in the dark and lonely hours
There comes an Iron Key to him.

And with that key he opes a wide
And gloomy door—the Door of Fate—
That makes, whene’er it swings aside,
A music sad and desolate,

A music sad from saddest source:
He sees beside the doorway set
The chill, gray figure of Remorse,
The pale, cold image of Regret.

For all the glory and the glow
Of Life are passed, and dead, and gone:
The Light and Life of Long Ago
Are memories only—moonlight wan.

There is no man of woman born
So brave, so good, so wise but he
Must sometimes in a night forlorn
Take up and use the Iron Key.

The River Maiden

Her gown was simple woven wool,
But, in repayment,
Her body sweet made beautiful
The simplest raiment:
For all its fine, melodious curves
With life a-quiver
Were graceful as the bends and swerves
Of her own river.

Her round arms, from the shoulders down
To sweet hands slender,
The sun had kissed them amber-brown
With kisses tender.

For though she loved the secret shades
Where ferns grow stilly,
And wild vines droop their glossy braids,
And gleams the lily,

And Nature, with soft eyes that glow
In gloom that glistens,
Unto her own heart, beating slow,
In silence listens:

She loved no less the meadows fair,
And green, and spacious;
The river, and the azure air,
And sunlight gracious.

I saw her first when tender, wan,
Green light enframed her;
And, in my heart, the Flower of Dawn
I softly named her.

The bright sun, like a king in state,
With banners streaming,
Rode through the fair auroral gate
In mail gold-gleaming.

The witch-eyed stars before him paled—
So high his scorning!—
And round the hills the rose-clouds sailed,
And it was morning.

The light mimosas bended low
To do her honour,
As in that rosy morning glow
I gazed upon her.

My boat swung bowward to the stream
Where tall reeds shiver;
We floated onward, in a dream,
Far down the River.

The River that full oft has told
To Ocean hoary
A many-coloured, sweet, and old
Unending story:

The story of the tall, young trees,
For ever sighing
To sail some day the rolling seas
’Neath banners flying.

The Ocean hears, and through his caves
Roars gusty laughter;
And takes the River, with his waves
To roll thereafter.

But Love deep waters cannot drown;
To its old fountains
The stream returns in clouds that crown
Its parent mountains.

The River was to her so dear
She seemed its daughter;
Her deep translucent eyes were clear
As sunlit water;

And in her bright veins seemed to run,
Pulsating, glowing,
The music of the wind and sun,
And waters flowing.

The secrets of the trees she knew:
Their growth, their gladness,
And, when their time of death was due,
Their stately sadness.

Gray gums, like old men warped by time,
She knew their story;
And theirs that laughed in pride of prime
And leafy glory;

And theirs that, where clear waters run,
Drooped dreaming, dreaming;
And theirs that shook against the sun
Their green plumes gleaming.

All things of gladness that exist
Did seem to woo her,
And well that woodland satirist,
The lyre-bird, knew her.

And there were hidden mossy dells
That she knew only,
Where Beauty born of silence dwells
Mysterious, lonely.

No sounds of toil their stillness taunt,
No hearth-smoke sullies
The air: the Mountain Muses haunt
Those lone, green gullies.

And there they weave a song of Fate
That never slumbers:
A song some bard shall yet translate
In golden numbers.

A blue haze veiled the hills’ huge shapes
A misty lustre—
Like rime upon the purple grapes,
When ripe they cluster:

’Twas noon, and all the Vale was gold—
An El Dorado:
The damask river seaward rolled,
Through shine and shadow.

And, gazing on its changing glow,
I saw, half-sighing,
The wondrous Fairyland below
Its surface lying.

There all things shone with paler sheen:
More softly shimmered
The fern-fronds, and with softer green
The myrtles glimmered:

And—like that Fisher gazing in
The sea-depths, pining
For days gone by, who saw Julin
Beneath him shining,

With many a wave-washed corridor,
And sea-filled portal,
And plunged below, and nevermore
Was seen of mortal—

So I, long gazing at the gleam
Of fern and flower,
Felt drawn down to that World of Dream
By magic power:

For there, I knew, in silence sat,
With breasts slow-heaving,
Illusion’s Queen Rabesquerat,
Her web a-weaving.

But when the moon shone, large and low,
Against Orion,
Then, as from some pale portico
Might issue Dian,

She came through tall tree-pillars pale,
A silver vision,
A nymph strayed out of Ida’s vale
Or fields Elysian.

White stars shone out with mystic gleams
The woods illuming:
It seemed as if the trees in dreams
Once more were blooming.

And all beneath those starry blooms,
By bends and beaches,
We floated on through glassy glooms,
Down moonlit reaches.

Ah, that was in the glad years when
Joys ne’er were sifted,
But I on wilder floods since then
Have darkly drifted.

Yet, River of Romance, for me
With pictures glowing,
Through dim, green fields of Memory
Thou still art flowing.

And still I hear, thy shores along,
All faintly ringing,
The notes of ghosts of birds that long
Have ceased their singing.

Was she, who then my heart did use
To touch so purely,
A mortal maiden—or a Muse?
I know not, surely.

But still in dreams I see her stand,
A fairer Flora,
Serene, immortal, by the strand
Of clear Narora.

The Dream Of Margaret

It fell upon a summer night
The village folk were soundly sleeping,
Unconscious of the glamour white
In which the moon all things was steeping;
One window only showed a light;
Behind it, silent vigil keeping,
Sat Margaret, as one in trance—
The dark-eyed daughter of the Manse.
A flood of strange, sweet thoughts was surging
Her passionate heart and brain within.
At last, some secret impulse urging,
She laid aside her garment thin,
And from its snowy folds emerging,
Like Lamia from the serpent-skin,
She stood before her mirror bright
Naked, and lovely as the night.

Her dark hair o’er her shoulders flowing
Might well have been a silken pall
O’er Galatea’s image glowing
To life and love: she was withal—
The lamplight o’er her radiance throwing—
With her high bosom virginal,
A woman made to madden men,
A Cleopatra born again.

Hers was the beauty dark and splendid,
Whose spell upon the heart of man
Falls swiftly as, when day is ended,
Night falls in lands Australian.
Her rich, ripe, scarlet lips, bow-bended,
Smiled as such ripe lips only can;
Her eyes, wherein strange lightnings shone,
Were deeper than Oblivion.

With round, white arms, whose warm caress
No lover knew, raised towards the ceiling,
She looked like some young Pythoness
The secrets dark of Fate revealing,
Or goddess in divine distress
To higher powers for help appealing.
This invocation, standing so,
She sang in clear, sweet tones, but low:


Soul, from this narrow,
Mean life we know,
Speed as an arrow
From bended bow!
Seek, and discover,
On land or sea,
My destined lover,
Where’er he be.

How shalt thou know him,
My heart’s desire?—
His mien will show him,
His glance of fire.

High is his bearing,
His pride is high,
His spirit daring
Burns in his eye.

Birds have done mating;
The Spring is past;
My arms are waiting,
My heart beats fast.

“Oh, why,” she sighed, “has Fate awarded
This lot to me whose heart is bold?
My days by trifles are recorded,
My suitors men whose God is gold.
Oh for the Heroes helmed and sworded,
The lovers of the days of old,
Who broke for ladies many a lance
In gallant days of old Romance!

“Would I had lived in that great time when
A lady’s love was knight’s best boon;
When sword with sword made ringing rhyme, when
Mailed sea-kings fought from noon to moon,
And thought the slaughter grim no crime, when
The prize was golden-haired Gudrun.
Then I might find swords, broad and bright
And keen as theirs, for me to fight.

“But narrow bounds my life environ,
And hold my eager spirit in.
The men I see no heart of fire in
Their bodies bear. My love to win
A man must have a will of iron,
A soul of flame. Then sweet were sin
Or Death for him!” With ardent glance
Thus spake the daughter of the Manse.

Then, with a smile, she fell asleep in
Her white and dainty maiden bed.
The chaste, cold moon alone could peep in,
And view her tresses dark outspread
Upon an arm whose clasp might keep in
The life of one given up for dead:
And, as she drifted down the stream
Of Slumber deep, she dreamt a dream.

. . . . .
It was a banquet rich and rare,
The wine of France was foaming madly;
The proud and great of earth were there,
And all were slaves to serve her gladly,
And yet on them with haughty air
She gazed, half-scornfully, half-sadly;
The Lady of the Feast was she—
So ran her strange dream-fantasy.
A Prince was at her fair right hand,
And at her left a famous leader
Of hosts, with look of high command,
And—blacker than the tents of Kedar—
An Eastern King, barbaric, grand,
Sat near—their Queen they had decreed her.
Below the proud, the brave, the wise,
Sat charmed by her mesmeric eyes.

Then thus she spake: “O Lords of Earth!
Than you I know none nobler, braver;
And yet your fame, and rank, and birth,
And wealth in my sight find small favour,
For all too well I know their worth—
Long since for me they lost their savour.
The Spirit, fit to mate with mine,
Must be demoniac—or divine.

“A toast!” she cried. The gallant throng
Sprang up, their foaming glasses clinking.
“Satan! The Spirit proud and strong!
The bravest lover to my thinking!
The Wine of Life I’ve drunk too long:
The Wine of death I now am drinking!” . . .
“Our Queen she was a moment since—
Bear forth the body!” said the Prince.

. . . . .
A ghostly wind arose, all wet
With tears, and full of cries and wailing,
And wringing hands, and faces set
In bitter anguish unavailing;
It bore the soul of Margaret
To where a voice, in tones of railing,
Cried, “Spirit proud, thou hast done well!
Thou art within the Gates of Hell!”
The soul of Margaret passed slowly,
Yet bravely, through the Hall of Dread,
The roof whereof was hidden wholly
By black clouds hanging overhead.
No sound disturbed the melancholy
Deep silence—which itself seemed dead.
No wailing of the damned was heard,
No voice the fearful stillness stirred.

But that deep silence held in keeping
The secret of Eternal Woe—
That yet seemed like a serpent creeping
Around the walls. It was as though
The cries of pain and hopeless weeping
Had died out ages long ago.
No face was seen, no figure dread. . . .
Were all the damned and devils dead?

No lustre known on earth was gleaming
In that dread Hall, but some weird light
Around the pillars vast was streaming,
And down the vistas infinite;
A light like that men see in dreaming,
And, waking, shudder with affright.
Its glare a baleful splendour shed
For ever through the Hall of Dread.

Then suddenly she was aware
That from the walls, and all around her,
In motionless and burning stare,
Millions of eyes glowed, that spellbound her:
The everlasting dumb despair
That spoke from them made Pity founder;
And, as she passed along the floor,
She trod on burning millions more.

For floor and pillar, roof and all,
Were full of eyes, for ever burning—
’Twas these that lit the Dreadful Hall,
These were the damned beyond returning,
Sealed up in pillar, floor, and wall,
Without a tongue to voice their yearning,
Or grief, or hate, so God might know:
Their eyes alone could speak their woe.

Her way lit by the weird light flowing
From those sad, awful eyes, she passed
To where—her terror ever growing—
Upon a Throne, in fire set fast,
And like a Rose of fire far-glowing,
She saw a Figure, Veiled and Vast.
She trembled, for she knew full well
She stood before the Lord of Hell.

And then, an instant courage taking,
She knelt before the burning throne,
And, all her hopes of heaven forsaking,
She cried, “O Lord, make me thine own!
For men, though they be of God’s making,
I love not. Thee I love alone.”
The figure veiled spake thus: “Arise,
O Spirit proud—and most unwise!”

And as It spake, unveiling slowly,
A brow of awful beauty shone
On Margaret’s soul—yet Melancholy
And Woe Eternal sat thereon.
But, lo! the form was woman wholly.
A faint smile played her lips upon,
As in a voice low, sweet, and level
She said: “My dear, I am the Devil!”

With one wild wail of bitter scorning
The stricken soul of Margaret fled,
Sore harrowed by that dreadful warning;
And, shrieking, through the Hall of Dread
She passed . . . and woke . . . and it was morning,
And she was in her own white bed.

Fragments Pts 1, 11, 111

These broken lines for pardon crave;
I cannot end the song with art:
My grief is gray and old—her grave
Is dug so deep within my heart.

I.—Her Last Day
IT was a day of sombre heat:
The still, dense air was void of sound
And life; no wing of bird did beat
A little breeze through it—the ground
Was like live ashes to the feet.
From the black hills that loomed around
The valley many a sudden spire
Of flame shot up, and writhed, and curled,
And sank again for heaviness:
And heavy seemed to men that day
The burden of the weary world.
For evermore the sky did press
Closer upon the earth that lay
Fainting beneath, as one in dire
Dreams of the night, upon whose breast
Sits a black phantom of unrest
That holds him down. The earth and sky
Appeared unto the troubled eye
A roof of smoke, a floor of fire.

There was no water in the land.
Deep in the night of each ravine
Men, vainly searching for it, found
Dry hollows in the gaping ground,
Like sockets where clear eyes had been,
Now burnt out with a burning brand.
There was no water in the land
But the salt sea tide, that did roll
Far past the places where, till then,
The sweet streams met and flung it back;
The beds of little brooks, that stole
In spring-time down each ferny glen,
And rippled over rock and sand,
Were drier than a cattle-track.
A dull, strange languor of disease,
That ever with the heat increased,
Fell upon man, and bird, and beast;
The thin-flanked cattle gasped for breath;
The birds dropped dead from drooping trees;
And men, who drank the muddy lees
From each near-dry though deep-dug well,
Grew faint; and over all things fell
A heavy stupor, dank as Death.


Fierce Nature, glaring with a face
Of savage scorn at my despair,
Withered my heart. From cone to base
The hills were full of hollow eyes
That rayed out darkness, dead and dull;
Gray rocks grinned under ridges bare,
Like dry teeth in a mouldered skull;
And ghastly gum-tree trunks did loom
Out of black clefts and rifts of gloom,
As sheeted spectres that arise
From yawning graves at dead of night
To fill the living with affright;
And, like to witches foul that bare
Their withered arms, and bend, and cast
Dread curses on the sleeping lands
In awful legends of the past,
Red gums, with outstretched bloody hands,
Shook maledictions in the air.
Fear was around me everywhere:
The wrinkled foreheads of the rocks
Frowned on me, and methought I saw—
Deep down in dismal gulfs of awe,
Where gray death-adders have their lair,
With the fiend-bat, the flying-fox,
And dim sun-rays, down-groping far,
Pale as a dead man’s fingers are—
The grisly image of Decay,
That at the root of Life doth gnaw,
Sitting alone upon a throne
Of rotting skull and bleaching bone.

“There is an end to all our griefs:
Little the red worm of the grave
Will vex us when our days are done.”
So changed my thought: up-gazing then
On gray-piled stones that seemed the cairns
Of dead and long-forgotten chiefs—
The men of old, the poor wild men
Who, under dim lights, fought a brave,
Sad fight of Life, where hope was none,
In the vague, voiceless, far-off years—
It changed again to present pain,
And I saw Sorrow everywhere:
In blackened trees and rust-red ferns,
Blasted by bush-fires and the sun;
And by the salt-flood—salt as tears—
Where the wild apple-trees hung low,
And evermore stooped down to stare
At their drowned shadows in the wave,
Wringing their knotted hands of woe;
And the dark swamp-oaks, row on row,
Lined either bank—a sombre train
Of mourners with down-streaming hair.


II.—Sunset
THE DAY and its delights are done;
So all delights and days expire:
Down in the dim, sad West the sun
Is dying like a dying fire.

The fiercest lances of his light
Are spent; I watch him droop and die
Like a great king who falls in fight;
None dared the duel of his eye

Living, but, now his eye is dim,
The eyes of all may stare at him.

How lovely in his strength at morn
He orbed along the burning blue!
The blown gold of his flying hair
Was tangled in green-tressèd trees,
And netted in the river sand
In gleaming links of amber clear;
But all his shining locks are shorn,
His brow of its bright crown is bare,
The golden sceptre leaves his hand,
And deeper, darker, grows the hue
Of the dim purple draperies
And cloudy banners round his bier.

O beautiful, rose-hearted dawn!—
O splendid noon of gold and blue!—
Is this wan glimmer all of you?
Where are the blush and bloom ye gave
To laughing land and smiling sea?—
The swift lights that did flash and shiver
In diamond rain upon the river,
And set a star in each blue wave?
Where are the merry lights and shadows
That danced through wood and over lawn,
And flew across the dewy meadows
Like white nymphs chased by satyr lovers?
Faded and perished utterly.

All delicate and all rich colour
In flower and cloud, on lawn and lea,
On butterfly, and bird, and bee,
A little space and all are gone—
And darkness, like a raven, hovers
Above the death-bed of the day.

So, when the long, last night draws on,
And all the world grows ghastly gray,
We see our beautiful and brave
Wither, and watch with heavy sighs
The life-light dying in their eyes,
The love-light slowly fading out,
Leaving no faint hope in their place,
But only on each dear wan face
The shadow of a weary doubt,
The ashen pallor of the grave.
O gracious morn and golden noon!
With what fair dreams did ye depart—
Beloved so well and lost so soon!
I could not fold you to my breast:
I could not hide you in my heart;
I saw the watchers in the West—
Sad, shrouded shapes, with hands that wring
And phantom fingers beckoning!


III.—Years After
Fade off the ridges, rosy light,
Fade slowly from the last gray height,
And leave no gloomy cloud to grieve
The heart of this enchanted eve!

All things beneath the still sky seem
Bound by the spell of a sweet dream;
In the dusk forest, dreamingly,
Droops slowly down each plumèd head;
The river flowing softly by
Dreams of the sea; the quiet sea
Dreams of the unseen stars; and I
Am dreaming of the dreamless dead.

The river has a silken sheen,
But red rays of the sunset stain
Its pictures, from the steep shore caught,
Till shades of rock, and fern, and tree
Glow like the figures on a pane
Of some old church by twilight seen,
Or like the rich devices wrought
In mediaeval tapestry.

All lonely in a drifting boat
Through shine and shade I float and float,
Dreaming and dreaming, till I seem
Part of the picture and the dream.

There is no sound to break the spell,
No voice of bird or stir of bough;
Only the lisp of waters wreathing
In little ripples round the prow,
And a low air, like Silence breathing,
That hardly dusks the sleepy swell
Whereon I float to that strange deep
That sighs upon the shores of Sleep.

But in the silent heaven blooming
Behold the wondrous sunset flower
That blooms and fades within the hour—
The flower of fantasy, perfuming
With subtle melody of scent
The blue aisles of the firmament!
For colour, music, scent, are one;
From deeps of air to airless heights,
Lo! how he sweeps, the splendid sun,
His burning lyre of many lights!

See the clear golden lily blowing!
It shines as shone thy gentle soul,
O my most sweet, when from the goal
Of life, far-gazing, thou didst see—
While Death still feared to touch thine eyes,
Where such immortal light was glowing—
The vision of eternity,
The pearly gates of Paradise!

Now richer hues the skies illume:
The pale gold blushes into bloom,
Delicate as the flowering
Of first love in the tender spring
Of Life, when love is wizardry
That over narrow days can throw
A glamour and a glory! so
Did thine, my Beautiful, for me
So long ago; so long ago.

So long ago! so long ago!
Ah, who can Love and Grief estrange?
Or Memory and Sorrow part?
Lo, in the West another change—
A deeper glow: a rose of fire:
A rose of passionate desire
Lone burning in a lonely heart.

A lonely heart; a lonely flood.
The wave that glassed her gleaming head
And smiling passed, it does not know
That gleaming head lies dark and low;
The myrtle-tree that bends above,
I pray that it may early bud,
For under its green boughs sat we—
We twain, we only, hand in hand,
When Love was lord of all the land—
It does not know that she is dead
And all is over now with Love,
Is over now with Love and me.

Once more, once more, O shining years
Gone by; once more, O vanished days
Whose hours flew by on iris-wings,
Come back and bring my love to me!
My voice faints down the wooded ways
And dies along the darkling flood.
The past is past; I cry in vain,
For when did Death an answer deign
To Love’s heart-broken questionings?
The dead are deaf; dust chokes their ears;
Only the rolling river hears
Far off the calling of the sea—
A shiver strikes through all my blood,
Mine eyes are full of sudden tears.

. . . . .
The shadows gather over all,
The valley, and the mountains old;
Shadow on shadow fast they fall
On glooming green and waning gold;
And on my heart they gather drear,
Damp as with grave-damps, dark with fear.

O Sorrow, Sorrow, couldst thou leave me
Not one brief hour to dream alone?
Hast thou not all my days to grieve me?
My nights, are they not all thine own?
Thou hauntest me at morning light,
Thou blackenest the white moonbeams;
A hollow voice at noon; at night
A crowned ghost, sitting on a throne,
Ruling the kingdom of my dreams.

Maker of men, Thou gavest breath,
Thou gavest love to all that live,
Thou rendest loves and lives apart;
Allwise art Thou; who questioneth
Thy will, or who can read Thy heart?
But couldst Thou not in mercy give
A sign to us—one little spark
Of sure hope that the end of all
Is not concealed beneath the pall,
Or wound up with the winding-sheet?
Who heedeth aught the preacher saith
When eyes wax dim, and limbs grow stark,
And fear sits on the darkened bed?
The dying man turns to the wall.
What hope have we above our dead?—
Tense fingers clutching at the dark,
And hopeless hands that vainly beat
Against the iron doors of Death!