''The voice of America has no undertones or overtones in it. It repeats its optimistic catchwords in a tireless monologue that has the slightly metallic sound of a gramophone.''All quotations
Edward Vivian (Vance) Palmer was born in Bundaberg, Queensland, on 28 August 1885, the son of Henry Burnet Palmer, a school master with literary leanings and literary friendships. His youth was spent in a succession of country towns between Bundaberg and Stanthorpe. In 1899 he went as a boarder to the Ipswich Boys' Grammar School where he remained until December 1901.
In 1905 Vance went to London where he worked as a freelance journalist. After three years he made the return journey via Finland and Russia. Back in Australia he worked for some time as tutor and bookkeeper on a cattle station in the Maranoa district of Queensland. On his second visit to London in 1910, Vance met many noted literary figures, and this association - in particular with the editor of the New Age, A.R. Orage - influenced his later social and political opinions. Orage's magazine carried much of the contemporary radical, socialist, and Fabian social comment, and back in Australia, Vance gravitated to groups of a similar persuasion. He became closely allied to the Victorian Socialist Party, and was a member of the Y Club, a discussion group formed in 1918 for those with socialist inclinations.
Vance was married in London on 23 May 1914 to Janet (Nettie) Higgins. This was the beginning of the most famous partnership in Australian literary history, and, for Vance, it was a personal relationship from which he was to draw steady strength for the rest of his life.
When war broke out in 1915 the Palmers were in Brittany. Nettie had been teaching and studying and Vance was writing. They returned to Australia in September 1915. Before leaving England they had both published two books. Vance enlisted in the Fourteenth Battalion, A.I.F.. He was sent overseas, but the Armistice had been signed when he arrived in Europe.
After the war he lived for a time in Melbourne. In 1925 he and Nettie, with their two young daughters, went to Caloundra on the Queensland coast for a holiday. They remained there for four years. Nettie assumed the responsibility of providing for the family and wrote thousands of words every week for papers around Australia. This left Vance free to concentrate solely on his creative writings. During this period Vance drafted the small group of novels which were to establish his reputation - The man Hamilton (1928), Men are human (1930), Daybreak (1932) and The Swayne family (1934).
The Palmers went to London in 1935. By mid-1936 they had moved to Spain where Vance worked on Such is life and Legend for Sanderson. They left the country after the outbreak of civil war later the same year. Aileen remained as an interpreter with the Republican forces. The Palmers were deeply involved with the war and on their return to Australia endeavoured to awaken the people to the issues being fought on the other side of the world. Through his life-time Vance was vitally interested in world events and was concerned with the apathetic attitude of the average Australian to such matters.
Another decade had passed before Vance was to publish another novel. In 1947 he wrote Cyclone and the next year the first volume of a trilogy Golconda appeared. The second volume, Seedtime, was published in 1957, followed two years later by The big fellow.
Vance had an active interest in the theatre. In 1922 and 1923 both he and Nettie had been intimately connected with the Pioneer Players, a group of amateur actors organised by Louis Esson and Dr Stewart Macky with the express intention of fostering and producing native Australian drama. Vance was later to write a history of the Players in his book Louis Esson and the Australian theatre (1948). He was also a dramatist in his own right. The black horse and other plays was published in 1924 and Hail tomorrow, a full length four act play, in 1947.
Vance Palmer was one of Australia's leading literary critics. He contributed review articles to newspapers and literary magazines and also wrote several books in which he sought to delineate the nature of the Australian social and cultural tradition. In 1940 National portraits appeared, to be followed in 1941 by A.G. Stephens: his life and work, Frank Wilmot (1942), Old Australian bush ballads (with Margaret Sutherland) in 1951 and The legend of the nineties in 1954.
From 1940 onwards Vance was heard regularly over the national network of the A.B.C. He talked on a wide variety of literary matters, and it was his review programme 'Current Books Worth Reading' to which he largely owed his reputation as one of the foremost and reliable critics in Australia.
In 1942 he was appointed to a position on the Advisory Board of the Commonwealth Literary Fund. Five years later he became chairman of the Board. Vance enjoyed considerable prestige among Australian writers at this time, and he was chosen as their representative at the Writers' Conference in New Zealand in 1951.
Vance continued on write and to lecture in spite of persistent illness in his later years. He died unexpectedly at his home in Kew, Melbourne, on 15 July 1959.
As a writer Vance Palmer held a prominent position in the Australian radical-nationalistic tradition which began with the Bulletin and included such writers as Bernard O'Dowd, Louis Esson, Katharine Susannah Prichard, E.J. Brady, and Alan Marshall. T. Inglis Moore gives Palmer particular credit in this tradition in being able to accept the realities of the Australian scene naturally and unconsciously.
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