Vachel Lindsay: Verses about Water

Where a river roars in rapids
And doves in maples fret,
Where peace has decked the pastures
Our guardian angels met.

Long they had sought each other
In God's mysterious name,
Had climbed the solemn chaos tides
Alone, with hope aflame:

Amid the demon deeps had wound
By many a fearful way.
As they beheld each other
Their shout made glad the day.

No need of purse delayed them,
No hand of friend or kin —
Nor menace of the bell and book,
Nor fear of mortal sin.

You did not speak, my girl,
At this, our parting hour.
Long we held each other
And watched their deeds of power.

They made a curious Eden.
We saw that it was good.
We thought with them in unison.
We proudly understood

Their amaranth eternal,
Their roses strange and fair,
The asphodels they scattered
Upon the living air.

They built a house of clouds
With skilled immortal hands.
They entered through the silver doors.
Their wings were wedded brands.

I labored up the valley
To granite mountains free.
You hurried down the river
To Zidon by the sea.

But at their place of meeting
They keep a home and shrine.
Your angel twists a purple flax,
Then weaves a mantle fine.

My angel, her defender
Upstanding, spreads the light
On painted clouds of fancy
And mists that touch the height.

Their sturdy babes speak kindly
And fly and run with joy,
Shepherding the helpless lambs —
A Grecian girl and boy.

These children visit Heaven
Each year and make of worth
All we planned and wrought in youth
And all our tears on earth.

From books our God has written
They sing of high desire.
They turn the leaves in gentleness.
Their wings are folded fire.

I opened the ink-well and smoke filled the room.
The smoke formed the giant frog-cat of my doom.
His web feet left dreadful slime tracks on the floor.
He had hammer and nails that he laid by the door.
He sprawled on the table, claw-hands in my hair.
He looked through my heart to the mud that was there.
Like a black-mailer hating his victim he spoke:
"When I see all your squirming I laugh till I choke
Singing of peace. Railing at battle.
Soothing a handful with saccharine prattle.
All the millions of earth have voted for fight.
You are voting for talk, with hands lily white."
He leaped to the floor, then grew seven feet high,
Beautiful, terrible, scorn in his eye:
The Devil Eternal, Apollo grown old,
With beard of bright silver and garments of gold.
"What will you do to end war for good?
Will you stand by the book-case, be nailed to the wood?"
I stretched out my arms. He drove the nails deep,
Silently, coolly. The house was asleep,
I hung for three years, forbidden to die.
I seemed but a shadow the servants passed by.
At the end of the time with hot irons he returned.
"The Quitter Sublime" on my bosom he burned.
As he seared me he hissed: "You are wearing away.
The good angels tell me you leave them today.
You want to come down from the nails in the door.
The victor must hang there three hundred years more.
If any prig-saint would outvote all mankind
He must use an immortally resolute mind.
Think what the saints of Benares endure,
Through infinite birthpangs their courage is sure.
Self-tortured, self-ruled, they build their powers high,
Until they are gods, overmaster the sky."
Then he pulled out the nails. He shouted "Come in."
To heal me there stepped in a lady of sin.
Her hand was in mine. We walked in the sun.
She said: "Now forget them, the Saxon and Hun.
You are dreary and aged and silly and weak.
Let us smell the sweet groves. Let the summertime speak."
We walked to the river. We swam there in state.
I was a serpent. She was my mate.
I forgot in the marsh, as I tumbled about,
That trial in my room, where I did not hold out.
Since I was a serpent, my mate seemed to me
As a mermaiden seems to a fisher at sea,
Or a whisky soaked girl to a whisky soaked king.
I woke. She had turned to a ravening thing
On the table — a buzzard with leperous head.
She tore up my rhymes and my drawings. She said:
"I am your own cheap bankrupt soul.
Will you die for the nations, making them whole?
We joy in the swamp and here we are gay.
Will you bring your fine peace to the nations today?"

Once I loved a fairy,
Queen Mab it was. Her voice
Was like a little Fountain
That bids the birds rejoice.
Her face was wise and solemn,
Her hair was brown and fine.
Her dress was pansy velvet,
A butterfly design.

To see her hover round me
Or walk the hills of air,
Awakened love's deep pulses
And boyhood's first despair;
A passion like a sword-blade
That pierced me thro' and thro':
Her fingers healed the sorrow
Her whisper would renew.
We sighed and reigned and feasted
Within a hollow tree,
We vowed our love was boundless,
Eternal as the sea.

She banished from her kingdom
The mortal boy I grew —
So tall and crude and noisy,
I killed grasshoppers too.
I threw big rocks at pigeons,
I plucked and tore apart
The weeping, wailing daisies,
And broke my lady's heart.
At length I grew to manhood,
I scarcely could believe
I ever loved the lady,
Or caused her court to grieve,
Until a dream came to me,
One bleak first night of Spring,
Ere tides of apple blossoms
Rolled in o'er everything,
While rain and sleet and snowbanks
Were still a-vexing men,
Ere robin and his comrades
Were nesting once again.

I saw Mab's Book of Judgment —
Its clasps were iron and stone,
Its leaves were mammoth ivory,
Its boards were mammoth bone, —
Hid in her seaside mountains,
Forgotten or unkept,
Beneath its mighty covers
Her wrath against me slept.
And deeply I repented
Of brash and boyish crime,
Of murder of things lovely
Now and in olden time.
I cursed my vain ambition,
My would-be worldly days,
And craved the paths of wonder,
Of dewy dawns and fays.
I cried, "Our love was boundless,
Eternal as the sea,
O Queen, reverse the sentence,
Come back and master me!"

The book was by the cliff-side
Upon its edge upright.
I laid me by it softly,
And wept throughout the night.
And there at dawn I saw it,
No book now, but a door,
Upon its panels written,
"Judgment is no more."
The bolt flew back with thunder,
I saw within that place
A mermaid wrapped in seaweed
With Mab's immortal face,
Yet grown now to a woman,
A woman to the knee.
She cried, she clasped me fondly,
We soon were in the sea.

Ah, she was wise and subtle,
And gay and strong and sleek,
We chained the wicked sword-fish,
We played at hide and seek.
We floated on the water,
We heard the dawn-wind sing,
I made from ocean-wonders,
Her bridal wreath and ring.
All mortal girls were shadows,
All earth-life but a mist,
When deep beneath the maelstrom,
The mermaid's heart I kissed.

I woke beside the church-door
Of our small inland town,
Bowing to a maiden
In a pansy-velvet gown,
Who had not heard of fairies,
Yet seemed of love to dream.
We planned an earthly cottage
Beside an earthly stream.

Our wedding long is over,
With toil the years fill up,
Yet in the evening silence,
We drink a deep-sea cup.
Nothing the fay remembers,
Yet when she turns to me,
We meet beneath the whirlpool,
We swim the golden sea.

The whole world on a raft! A King is here,
The record of his grandeur but a smear.
Is it his deacon-beard, or old bald pate
That makes the band upon his whims to wait?
Loot and mud-honey have his soul defiled.
Quack, pig, and priest, he drives camp-meetings wild
Until they shower their pennies like spring rain
That he may preach upon the Spanish main.
What landlord, lawyer, voodoo-man has yet
A better native right to make men sweat?

The whole world on a raft! A Duke is here
At sight of whose lank jaw the muses leer.
Journeyman-printer, lamb with ferret eyes,
In life's skullduggery he takes the prize —
Yet stands at twilight wrapped in Hamlet dreams.
Into his eyes the Mississippi gleams.
The sandbar sings in moonlit veils of foam.
A candle shines from one lone cabin home.
The waves reflect it like a drunken star.

A banjo and a hymn are heard afar.
No solace on the lazy shore excels
The Duke's blue castle with its steamer-bells.
The floor is running water, and the roof
The stars' brocade with cloudy warp and woof.

And on past sorghum fields the current swings.
To Christian Jim the Mississippi sings.
This prankish wave-swept barque has won its place,
A ship of jesting for the human race.
But do you laugh when Jim bows down forlorn
His babe, his deaf Elizabeth to mourn?
And do you laugh, when Jim, from Huck apart
Gropes through the rain and night with breaking heart?

But now that imp is here and we can smile,
Jim's child and guardian this long-drawn while.
With knife and heavy gun, a hunter keen,
He stops for squirrel-meat in islands green.
The eternal gamin, sleeping half the day,
Then stripped and sleek, a river-fish at play.
And then well-dressed, ashore, he sees life spilt.
The river-bank is one bright crazy-quilt
Of patch-work dream, of wrath more red than lust,
Where long-haired feudist Hotspurs bite the dust...

This Huckleberry Finn is but the race,
America, still lovely in disgrace,
New childhood of the world, that blunders on
And wonders at the darkness and the dawn,
The poor damned human race, still unimpressed
With its damnation, all its gamin breast
Chorteling at dukes and kings with nigger Jim,
Then plotting for their fall, with jestings grim.

Behold a Republic
Where a river speaks to men
And cries to those that love its ways,
Answering again
When in the heart's extravagance
The rascals bend to say
"O singing Mississippi
Shine, sing for us today."

But who is this in sweeping Oxford gown
Who steers the raft, or ambles up and down,
Or throws his gown aside, and there in white
Stands gleaming like a pillar of the night?
The lion of high courts, with hoary mane,
Fierce jester that this boyish court will gain —
Mark Twain!
The bad world's idol:
Old Mark Twain!

He takes his turn as watchman with the rest,
With secret transports to the stars addressed,
With nightlong broodings upon cosmic law,
With daylong laughter at this world so raw.

All praise to Emerson and Whitman, yet
The best they have to say, their sons forget.
But who can dodge this genius of the stream,
The Mississippi Valley's laughing dream?
He is the artery that finds the sea
In this the land of slaves, and boys still free.
He is the river, and they one and all
Sail on his breast, and to each other call.

Come let us disgrace ourselves,
Knock the stuffed gods from their shelves,
And cinders at the schoolhouse fling.
Come let us disgrace ourselves,
And live on a raft with gray Mark Twain
And Huck and Jim
And the Duke and the King.

Last night at black midnight I woke with a cry,
The windows were shaking, there was thunder on high,
The floor was a-tremble, the door was a-jar,
White fires, crimson fires, shone from afar.
I rushed to the door yard. The city was gone.
My home was a hut without orchard or lawn.
It was mud-smear and logs near a whispering stream,
Nothing else built by man could I see in my dream...
Then...
Ghost-kings came headlong, row upon row,
Gods of the Indians, torches aglow.

They mounted the bear and the elk and the deer,
And eagles gigantic, aged and sere,
They rode long-horn cattle, they cried "A-la-la."
They lifted the knife, the bow, and the spear,
They lifted ghost-torches from dead fires below,
The midnight made grand with the cry "A-la-la."
The midnight made grand with a red-god charge,
A red-god show,
A red-god show,
"A-la-la, a-la-la, a-la-la, a-la-la."

With bodies like bronze, and terrible eyes
Came the rank and the file, with catamount cries,
Gibbering, yipping, with hollow-skull clacks,
Riding white bronchos with skeleton backs,
Scalp-hunters, beaded and spangled and bad,
Naked and lustful and foaming and mad,
Flashing primeval demoniac scorn,
Blood-thirst and pomp amid darkness reborn,
Power and glory that sleep in the grass
While the winds and the snows and the great rains pass.
They crossed the gray river, thousands abreast,
They rode in infinite lines to the west,
Tide upon tide of strange fury and foam,
Spirits and wraiths, the blue was their home,
The sky was their goal where the star-flags are furled,
And on past those far golden splendors they whirled.
They burned to dim meteors, lost in the deep.
And I turned in dazed wonder, thinking of sleep.

And the wind crept by
Alone, unkempt, unsatisfied,
The wind cried and cried —
Muttered of massacres long past,
Buffaloes in shambles vast...
An owl said: "Hark, what is a-wing?"
I heard a cricket carolling,
I heard a cricket carolling,
I heard a cricket carolling.

Then...
Snuffing the lightning that crashed from on high
Rose royal old buffaloes, row upon row.
The lords of the prairie came galloping by.
And I cried in my heart "A-la-la, a-la-la,
A red-god show,
A red-god show,
A-la-la, a-la-la, a-la-la, a-la-la."

Buffaloes, buffaloes, thousands abreast,
A scourge and amazement, they swept to the west.
With black bobbing noses, with red rolling tongues,
Coughing forth steam from their leather-wrapped lungs,
Cows with their calves, bulls big and vain,
Goring the laggards, shaking the mane,
Stamping flint feet, flashing moon eyes,
Pompous and owlish, shaggy and wise.

Like sea-cliffs and caves resounded their ranks
With shoulders like waves, and undulant flanks.
Tide upon tide of strange fury and foam,
Spirits and wraiths, the blue was their home,
The sky was their goal where the star-flags are furled,
And on past those far golden splendors they whirled.
They burned to dim meteors, lost in the deep,
And I turned in dazed wonder, thinking of sleep.

I heard a cricket's cymbals play,
A scarecrow lightly flapped his rags,
And a pan that hung by his shoulder rang,
Rattled and thumped in a listless way,
And now the wind in the chimney sang,
The wind in the chimney,
The wind in the chimney,
The wind in the chimney,
Seemed to say: —
"Dream, boy, dream,
If you anywise can.
To dream is the work
Of beast or man.
Life is the west-going dream-storm's breath,
Life is a dream, the sigh of the skies,
The breath of the stars, that nod on their pillows
With their golden hair mussed over their eyes."
The locust played on his musical wing,
Sang to his mate of love's delight.
I heard the whippoorwill's soft fret.
I heard a cricket carolling,
I heard a cricket carolling,
I heard a cricket say: "Good-night, good-night,
Good-night, good-night,...good-night."

Part I.A Short Walk Along the Coast

Yes, I have walked in California,
And the rivers there are blue and white.
Thunderclouds of grapes hang on the mountains.
Bears in the meadows pitch and fight.
(Limber, double- jointed lords of fate,
Proud native sons of the Golden Gate.)
And flowers burst like bombs in California,
Exploding on tomb and tower.
And the panther-cats chase the red rabbits,
Scatter their young blood every hour.
And the cattle on the hills of California
And the very swine in the holes
Have ears of silk and velvet
And tusks like long white poles.
And the very swine, big hearted,
Walk with pride to their doom
For they feed on the sacred raisins
Where the great black agates loom.

Goshawfuls are Burbanked with the grizzly bears.
At midnight their children come clanking up the stairs.
They wriggle up the canyons,
Nose into the caves,
And swallow the papooses and the Indian braves.
The trees climb so high the crows are dizzy
Flying to their nests at the top.
While the jazz-birds screech, and storm the brazen beach
And the sea-stars turn flip flop.
The solid Golden Gate soars up to Heaven.
Perfumed cataracts are hurled
From the zones of silver snow
To the ripening rye below,
To the land of the lemon and the nut
And the biggest ocean in the world.
While the Native Sons, like lords tremendous
Lift up their heads with chants sublime,
And the band-stands sound the trombone, the saxophone and xylophone
And the whales roar in perfect tune and time.
And the chanting of the whales of California
I have set my heart upon.
It is sometimes a play by Belasco,
Sometimes a tale of Prester John.


Part II.The Chanting of the Whales

North to the Pole, south to the Pole
The whales of California wallow and roll.
They dive and breed and snort and play
And the sun struck feed them every day
Boatloads of citrons, quinces, cherries,
Of bloody strawberries, plums and beets,
Hogsheads of pomegranates, vats of sweets,
And the he-whales chant like a cyclone blares,
Proclaiming the California noons
So gloriously hot some days
The snake is fried in the desert
And the flea no longer plays.
There are ten gold suns in California
When all other lands have one,
For the Golden Gate must have due light
And persimmons be well-done.
And the hot whales slosh and cool in the wash
And the fume of the hollow sea.
Rally and roam in the loblolly foam
And whoop that their souls are free.
(Limber, double- jointed lords of fate,
Proud native sons of the Golden Gate.)
And they chant of the forty-niners

Who sailed round the cape for their loot
With guns and picks and washpans
And a dagger in each boot.
How the richest became the King of England,
The poorest became the King of Spain,
The bravest a colonel in the army,
And a mean one went insane.
The ten gold suns are so blasting
The sunstruck scoot for the sea
And turn to mermen and mermaids
And whoop that their souls are free.
(Limber, double- jointed lords of fate,
Proud native sons of the Golden Gate.)
And they take young whales for their bronchos
And old whales for their steeds,
Harnessed with golden seaweeds,
And driven with golden reeds.
They dance on the shore throwing rose-leaves.
They kiss all night throwing hearts.
They fight like scalded wildcats
When the least bit of fighting starts.
They drink, these belly-busting devils
And their tremens shake the ground.
And then they repent like whirlwinds

And never were such saints found.
They will give you their plug tobacco.
They will give you the shirts off their backs.
They will cry for your every sorrow,
Put ham in your haversacks.
And they feed the cuttlefishes, whales and skates
With dates and figs in bales and crates :
Shiploads of sweet potatoes, peanuts, rutabagas,
Honey in hearts of gourds:
Grapefruits and oranges barrelled with apples,
And spices like sharp sweet swords.


Part III.St. Francis of San Francisco

But the surf is white, down the long strange coast
With breasts that shake with sighs,
And the ocean of all oceans
Holds salt from weary eyes.
St. Francis comes to his city at night
And stands in the brilliant electric light
And his swans that prophesy night and day
Would soothe his heart that wastes away :
The giant swans of California
That nest on the Golden Gate
And beat through the clouds serenely

And on St. Francis wait.
But St. Francis shades his face in his cowl
And stands in the street like a lost grey owl.
He thinks of gold . . . gold.
He sees on far redwoods
Dewfall and dawning:
Deep in Yosemite
Shadows and shrines:
He hears from far valleys
Prayers by young Christians,
He sees their due penance
So cruel, so cold ;
He sees them made holy,
White-souled like young aspens
With whimsies and fancies untold:
The opposite of gold.
And the mighty mountain swans of California
Whose eggs are like mosque domes of Ind,
Cry with curious notes
That their eggs are good for boats
To toss upon the foam and the wind.
He beholds on far rivers
The venturesome lovers
Sailing for the sea
All night

In swanshells white.
He sees them far on the ocean prevailing
In a year and a month and a day of sailing
Leaving the whales and their whoop unfailing
On through the lightning, ice and confusion
North of the North Pole,
South of the jgouth Pole,
And west of the west of the west of the west,
To the shore of Heartache s Cure,
The opposite of gold,
On and on like Columbus
With faith and eggshell sure.


Part IV. The Voice of the Earthquake

But what is the earthquake s cry at last
Making St. Francis yet aghast:
' Oh the flashing cornucopia of haughty
From here on, the audience California joins in the

Is gold, gold, gold.
Their brittle speech and their clutching reach
Is gold, gold, gold.
What is the fire-engine s ding dong bell?
The burden of the burble of the bull-frog in the well?
Gold, gold, gold.

What is the color of the cup and plate
And knife and fork of the chief of state?
Gold, gold, gold.
What is the flavor of the Bartlett pear?
What is the savor of the salt sea air?
Gold, gold, gold.
What is the color of the sea-girl s hair?
Gold, gold, gold.
In the church of Jesus and the streets of Venus:
Gold, gold, gold.
What color are the cradle and the bridal bed?
What color are the coffins of the great grey dead?
Gold, gold, gold.
What is the hue of the big whales hide?
Gold, gold, gold.
What is the color, of their guts* inside?
Gold, gold, gold.
' What is the color of the pumpkins in the moonlight?
Gold, gold, gold.
The color of the moth and the worm in the starlight?
Gold, gold, gold.

(A Poem Game.)

“And when the Queen of Sheba heard of the fame of Solomon, . . .
she came to prove him with hard questions.”


[The men’s leader rises as he sees the Queen unveiling
and approaching a position that gives her half of the stage.]

Men’s Leader: The Queen of Sheba came to see King Solomon.
[He bows three times.]
I was King Solomon,
I was King Solomon,
I was King Solomon.

[She bows three times.]
Women’s Leader: I was the Queen,
I was the Queen,
I was the Queen.

Both Leaders: We will be king and queen,
[They stand together stretching their hands over the land.]
Reigning on mountains green,
Happy and free
For ten thousand years.

[They stagger forward as though carrying a yoke together.]
Both Leaders: King Solomon he had four hundred oxen.

Congregation: We were the oxen.

[Here King and Queen pause at the footlights.]
Both Leaders: You shall feel goads no more.
[They walk backward, throwing off the yoke and rejoicing.]
Walk dreadful roads no more,
Free from your loads
For ten thousand years.

[The men’s leader goes forward, the women’s leader dances round him.]
Both Leaders: King Solomon he had four hundred sweethearts.

[Here he pauses at the footlights.]
Congregation: We were the sweethearts.

[He walks backward. Both clap their hands to the measure.]
Both Leaders: You shall dance round again,
You shall dance round again,
Cymbals shall sound again,
Cymbals shall sound again,
[The Queen appears to gather wildflowers.]
Wildflowers be found
For ten thousand years,
Wildflowers be found
For ten thousand years.

[He continues to command the congregation, the woman to dance.
He goes forward to the footlights.]
Both Leaders: And every sweetheart had four hundred swans.

Congregation: We were the swans.

[The King walks backward.]
Both Leaders: You shall spread wings again,
You shall spread wings again,
[Here a special dance, by the Queen: swans flying in circles.]
Fly in soft rings again,
Fly in soft rings again,
Swim by cool springs
For ten thousand years,
Swim by cool springs,
For ten thousand years.

[The refrain “King Solomon” may be intoned by the men’s leader
whenever it is needed to enable the women’s leader to get to
her starting point. All the refrains may be likewise used.]
Men’s Leader: King Solomon,
King Solomon.

Women’s Leader: The Queen of Sheba asked him like a lady,
[They bow to each other—then give a pantomime
indicating a great rose garden.]
Bowing most politely:
“What makes the roses bloom
Over the mossy tomb,
Driving away the gloom
Ten thousand years?”

Men’s Leader: King Solomon made answer to the lady,
[They bow and confer. The Queen reserved, but taking cognizance.
The King wooing with ornate gestures of respect, and courtly animation.]
Bowing most politely:
“They bloom forever thinking of your beauty,
Your step so queenly and your eyes so lovely.
These keep the roses fair,
Young and without a care,
Making so sweet the air,
Ten thousand years.”

[The two, with a manner almost a cake walk, go forward.]
Both Leaders: King Solomon he had four hundred sons.

[On this line, King and Queen pause before the footlights.]
Congregation: We were the sons.

[Pantomime of crowning the audience.]
Both Leaders: Crowned by the throngs again,
[On this line they walk backward, playing great imaginary harps.]
You shall make songs again,
Singing along
For ten thousand years.

[They go forward in a pony gallop, then stand pawing.]
Both Leaders: He gave each son four hundred prancing ponies.

Congregation: We were the ponies.

[They nod their heads, starting to walk backward.]
Both Leaders: You shall eat hay again,
[A pony dance by both, in circles.]
In forests play again,
Rampage and neigh
For ten thousand years.

Men’s Leader: King Solomon he asked the Queen of Sheba,
[They bow to each other, standing so that
each one commands half of the stage.]
Bowing most politely:
“What makes the oak-tree grow
Hardy in sun and snow,
Never by wind brought low
Ten thousand years?”

Women’s Leader: The Queen of Sheba answered like a lady,
[They bow to each other, again, with pantomime indicating a forest.]
Bowing most politely:
“It blooms forever thinking of your wisdom,
Your brave heart and the way you rule your kingdom.
These keep the oak secure,
Weaving its leafy lure,
Dreaming by fountains pure
Ten thousand years.”

[They go to the footlights with a sailor’s lurch and hitch.]
Both Leaders: The Queen of Sheba had four hundred sailors.

[The King and Queen pause.]
Congregation: We were the sailors.

Both Leaders: You shall bring spice and ore
[They walk backward with slow long-armed gestures
indicating the entire horizon line.]
Over the ocean’s floor,
Shipmates once more,
For ten thousand years.

Women’s Leader: The Queen of Sheba asked him like a lady,
[They bow to each other, the Queen indicating the depths of the sea.]
Bowing most politely:
“Why is the sea so deep,
What secret does it keep
While tides a-roaring leap
Ten thousand years?”

Men’s Leader: King Solomon made answer to the lady,
[They bow to each other, then confer; the Queen reserved,
but taking cognizance, the King wooing with ornate gestures
of respect and courtly admiration.]
Bowing most politely:
“My love for you is like the stormy ocean—
Too deep to understand,
Bending to your command,
Bringing your ships to land
Ten thousand years.”
King Solomon,
King Solomon.

[They go to the footlights with the greatest possible strut.]
Both Leaders: King Solomon he had four hundred chieftains.

Congregation: We were the chieftains.

[The leaders stand with arms proudly folded.]
Both Leaders: You shall be proud again,
[They walk backward haughtily, laughing on the last lines.]
Dazzle the crowd again,
Laughing aloud
For ten thousand years.

[From here on the whole production to be
much more solemn, elevated, religious.]

[The leaders go forward to the footlights carrying imaginary torches.]
Both Leaders: King Solomon he had four hundred shepherds.

[The man and woman pause at the footlights.]
Congregation: We were the shepherds.

[They wander over the stage as though looking for lost lambs,
with torches held high.]
Both Leaders: You shall have torches bright,
Watching the folds by night,
Guarding the lambs aright,
Ten thousand years.

Men’s Leader: King Solomon he asked the Queen of Sheba,
[The King kneels, and indicates the entire sky with one long slow gesture.]
Bowing most politely:
“Why are the stars so high,
There in the velvet sky,
Rolling in rivers by,
Ten thousand years?”

Women’s Leader: The Queen of Sheba answered like a lady,
[The Queen kneels opposite the King,
and gives the same gesture as she answers.]
Bowing most politely:
“They’re singing of your kingdom to the angels,
They guide your chariot with their lamps and candles,
Therefore they burn so far—
So you can drive your car
Up where the prophets are,
Ten thousand years.”

Men’s Leader: King Solomon,
King Solomon.

Both Leaders: King Solomon he kept the Sabbath holy.
[The two stand, commanding the audience.]
And spoke with tongues in prophet words so mighty
[The man and woman stamp and whirl with great noise and solemnity.]
We stamped and whirled and wept and shouted:—

Congregation Rises and Joins the Song:
. . . . “Glory.”
We were his people.

[On these two lines, man and woman stamp and whirl again,
gravely, magnificently.]
Both Leaders: You shall be wild and gay,
Green trees shall deck your way,
[On these two lines they kneel, commanding the audience.]
Sunday be every day,
Ten thousand years.

[Now they rise and bow to each other and the audience,
maintaining a certain intention of benediction.]
King Solomon,
King Solomon.

A Song in Chinese Tapestries


"How, how," he said. "Friend Chang," I said,
"San Francisco sleeps as the dead—
Ended license, lust and play:
Why do you iron the night away?
Your big clock speaks with a deadly sound,
With a tick and a wail till dawn comes round.
While the monster shadows glower and creep,
What can be better for man than sleep?"

"I will tell you a secret," Chang replied;
"My breast with vision is satisfied,
And I see green trees and fluttering wings,
And my deathless bird from Shanghai sings."
Then he lit five fire-crackers in a pan.
"Pop, pop," said the fire-crackers, "cra-cra-crack."
He lit a joss stick long and black.
Then the proud gray joss in the corner stirred;
On his wrist appeared a gray small bird,
And this was the song of the gray small bird:
"Where is the princess, loved forever,
Who made Chang first of the kings of men?"

And the joss in the corner stirred again;
And the carved dog, curled in his arms, awoke,
Barked forth a smoke-cloud that whirled and broke.
It piled in a maze round the ironing-place,
And there on the snowy table wide
Stood a Chinese lady of high degree,
With a scornful, witching, tea-rose face....
Yet she put away all form and pride,
And laid her glimmering veil aside
With a childlike smile for Chang and for me.

The walls fell back, night was aflower,
The table gleamed in a moonlit bower,
While Chang, with a countenance carved of stone,
Ironed and ironed, all alone.
And thus she sang to the busy man Chang:
"Have you forgotten....
Deep in the ages, long, long ago,
I was your sweetheart, there on the sand—
Storm-worn beach of the Chinese land?
We sold our grain in the peacock town
Built on the edge of the sea-sands brown—
Built on the edge of the sea-sands brown....

"When all the world was drinking blood
From the skulls of men and bulls
And all the world had swords and clubs of stone,
We drank our tea in China beneath the sacred spice-trees,
And heard the curled waves of the harbor moan.
And this gray bird, in Love's first spring,
With a bright-bronze breast and a bronze-brown wing,
Captured the world with his carolling.
Do you remember, ages after,
At last the world we were born to own?
You were the heir of the yellow throne—
The world was the field of the Chinese man
And we were the pride of the Sons of Han?
We copied deep books and we carved in jade,
And wove blue silks in the mulberry shade...."

"I remember, I remember
That Spring came on forever,
That Spring came on forever,"
Said the Chinese nightingale.

My heart was filled with marvel and dream,
Though I saw the western street-lamps gleam,
Though dawn was bringing the western day,
Though Chang was a laundryman ironing away....
Mingled there with the streets and alleys,
The railroad-yard and the clock-tower bright,
Demon clouds crossed ancient valleys;
Across wide lotus-ponds of light
I marked a giant firefly's flight.

And the lady, rosy-red,
Flourished her fan, her shimmering fan,
Stretched her hand toward Chang, and said:
"Do you remember,
Ages after,
Our palace of heart-red stone?
Do you remember
The little doll-faced children
With their lanterns full of moon-fire,
That came from all the empire
Honoring the throne?—
The loveliest fête and carnival
Our world had ever known?
The sages sat about us
With their heads bowed in their beards,
With proper meditation on the sight.
Confucius was not born;
We lived in those great days
Confucius later said were lived aright....

And this gray bird, on that day of spring,
With a bright bronze breast, and a bronze-brown wing,
Captured the world with his carolling.
Late at night his tune was spent.
Peasants,
Sages,
Children,
Hom eward went,
And then the bronze bird sang for you and me.
We walked alone. Our hearts were high and free.
I had a silvery name, I had a silvery name,
I had a silvery name — do you remember
The name you cried beside the tumbling sea?"

Chang turned not to the lady slim—
He bent to his work, ironing away;
But she was arch, and knowing and glowing,
And the bird on his shoulder spoke for him.

"Darling . . . darling . . . darling . . . darling . . ."
Said the Chinese nightingale.

The great gray joss on a rustic shelf,
Rakish and shrewd, with his collar awry,
Sang impolitely, as though by himself,
Drowning with his bellowing the nightingale's cry:
"Back through a hundred, hundred years
Hear the waves as they climb the piers,
Hear the howl of the silver seas,
Hear the thunder.
Hear the gongs of holy China
How the waves and tunes combine
In a rhythmic clashing wonder,
Incantation old and fine:
`Dragons, dragons, Chinese dragons,
Red fire-crackers, and green fire-crackers,
And dragons, dragons, Chinese dragons.'"

Then the lady, rosy-red,
Turned to her lover Chang and said:
"Dare you forget that turquoise dawn
When we stood in our mist-hung velvet lawn,
And worked a spell this great joss taught
Till a God of the Dragons was charmed and caught?
From the flag high over our palace home
He flew to our feet in rainbow-foam —
A king of beauty and tempest and thunder
Panting to tear our sorrows asunder.
A dragon of fair adventure and wonder.
We mounted the back of that royal slave
With thoughts of desire that were noble and grave.
We swam down the shore to the dragon-mountains,
We whirled to the peaks and the fiery fountains.
To our secret ivory house we were bourne.
We looked down the wonderful wing-filled regions
Where the dragons darted in glimmering legions.
Right by my breast the nightingale sang;
The old rhymes rang in the sunlit mist
That we this hour regain —
Song-fire for the brain.
When my hands and my hair and my feet you kissed,
When you cried for your heart's new pain,
What was my name in the dragon-mist,
In the rings of rainbowed rain?"

"Sorrow and love, glory and love,"
Said the Chinese nightingale.
"Sorrow and love, glory and love,"
Said the Chinese nightingale.

And now the joss broke in with his song:
"Dying ember, bird of Chang,
Soul of Chang, do you remember? —
Ere you returned to the shining harbor
There were pirates by ten thousand
Descended on the town
In vessels mountain-high and red and brown,
Moon-ships that climbed the storms and cut the skies.
On their prows were painted terrible bright eyes.
But I was then a wizard and a scholar and a priest;
I stood upon the sand;
With lifted hand I looked upon them
And sunk their vessels with my wizard eyes,
And the stately lacquer-gate made safe again.
Deep, deep below the bay, the sea-weed and the spray,
Embalmed in amber every pirate lies,
Embalmed in amber every pirate lies."

Then this did the noble lady say:
"Bird, do you dream of our home-coming day
When you flew like a courier on before
From the dragon-peak to our palace-door,
And we drove the steed in your singing path—
The ramping dragon of laughter and wrath:
And found our city all aglow,
And knighted this joss that decked it so?
There were golden fishes in the purple river
And silver fishes and rainbow fishes.
There were golden junks in the laughing river,
And silver junks and rainbow junks:
There were golden lilies by the bay and river,
And silver lilies and tiger-lilies,
And tinkling wind-bells in the gardens of the town
By the black-lacquer gate
Where walked in state
The kind king Chang
And his sweet-heart mate....
With his flag-born dragon
And his crown of pearl...and...jade,
And his nightingale reigning in the mulberry shade,
And sailors and soldiers on the sea-sands brown,
And priests who bowed them down to your song—
By the city called Han, the peacock town,
By the city called Han, the nightingale town,
The nightingale town."

Then sang the bird, so strangely gay,
Fluttering, fluttering, ghostly and gray,
A vague, unravelling, final tune,
Like a long unwinding silk cocoon;
Sang as though for the soul of him
Who ironed away in that bower dim: —
"I have forgotten
Your dragons great,
Merry and mad and friendly and bold.

Dim is your proud lost palace-gate.
I vaguely know
There were heroes of old,
Troubles more than the heart could hold,
There were wolves in the woods
Yet lambs in the fold,
Nests in the top of the almond tree....
The evergreen tree... and the mulberry tree...
Life and hurry and joy forgotten,
Years on years I but half-remember...
Man is a torch, then ashes soon,
May and June, then dead December,
Dead December, then again June.
Who shall end my dream's confusion?
Life is a loom, weaving illusion...
I remember, I remember
There were ghostly veils and laces...
In the shadowy bowery places...
With lovers' ardent faces
Bending to one another,
Speaking each his part.
They infinitely echo
In the red cave of my heart.
`Sweetheart, sweetheart, sweetheart.'
They said to one another.

They spoke, I think, of perils past.
They spoke, I think, of peace at last.
One thing I remember:
Spring came on forever,
Spring came on forever,"
Said the Chinese nightingale.

I. A NEGRO SERMON:—SIMON LEGREE

(To be read in your own variety of negro dialect.)


Legree's big house was white and green.
His cotton-fields were the best to be seen.
He had strong horses and opulent cattle,
And bloodhounds bold, with chains that would rattle.
His garret was full of curious things:
Books of magic, bags of gold,
And rabbits' feet on long twine strings.
But he went down to the Devil.

Legree he sported a brass-buttoned coat,
A snake-skin necktie, a blood-red shirt.
Legree he had a beard like a goat,
And a thick hairy neck, and eyes like dirt.
His puffed-out cheeks were fish-belly white,
He had great long teeth, and an appetite.
He ate raw meat, 'most every meal,
And rolled his eyes till the cat would squeal.

His fist was an enormous size
To mash poor niggers that told him lies:
He was surely a witch-man in disguise.
But he went down to the Devil.

He wore hip-boots, and would wade all day
To capture his slaves that had fled away.
But he went down to the Devil.

He beat poor Uncle Tom to death
Who prayed for Legree with his last breath.
Then Uncle Tom to Eva flew,
To the high sanctoriums bright and new;
And Simon Legree stared up beneath,
And cracked his heels, and ground his teeth:
And went down to the Devil.

He crossed the yard in the storm and gloom;
He went into his grand front room.
He said, "I killed him, and I don't care."
He kicked a hound, he gave a swear;
He tightened his belt, he took a lamp,
Went down cellar to the webs and damp.
There in the middle of the mouldy floor
He heaved up a slab, he found a door —
And went down to the Devil.

His lamp blew out, but his eyes burned bright.
Simon Legree stepped down all night —
Down, down to the Devil.
Simon Legree he reached the place,
He saw one half of the human race,
He saw the Devil on a wide green throne,
Gnawing the meat from a big ham-bone,
And he said to Mister Devil:

"I see that you have much to eat —
A red ham-bone is surely sweet.
I see that you have lion's feet;
I see your frame is fat and fine,
I see you drink your poison wine —
Blood and burning turpentine."


And the Devil said to Simon Legree:
"I like your style, so wicked and free.
Come sit and share my throne with me,
And let us bark and revel."
And there they sit and gnash their teeth,
And each one wears a hop-vine wreath.
They are matching pennies and shooting craps,
They are playing poker and taking naps.
And old Legree is fat and fine:
He eats the fire, he drinks the wine —
Blood and burning turpentine —
Down, down with the Devil;
Down, down with the Devil;
Down, down with the Devil.


II. JOHN BROWN

(To be sung by a leader and chorus, the leader singing the body of the poem, while the chorus interrupts with the question.)


I've been to Palestine.
What did you see in Palestine?
I saw the ark of Noah —
It was made of pitch and pine.
I saw old Father Noah
Asleep beneath his vine.
I saw Shem, Ham and Japhet
Standing in a line.
I saw the tower of Babel
In the gorgeous sunrise shine —
By a weeping willow tree
Beside the Dead Sea.

I've been to Palestine.
What did you see in Palestine?
I saw abominations
And Gadarene swine.
I saw the sinful Canaanites
Upon the shewbread dine,
And spoil the temple vessels
And drink the temple wine.
I saw Lot's wife, a pillar of salt
Standing in the brine —
By a weeping willow tree
Beside the Dead Sea.

I've been to Palestine.
What did you see in Palestine?
Cedars on Mount Lebanon,
Gold in Ophir's mine,
And a wicked generation
Seeking for a sign
And Baal's howling worshippers
Their god with leaves entwine.
And...
I saw the war-horse ramping
And shake his forelock fine —
By a weeping willow tree
Beside the Dead Sea.

I've been to Palestine.
What did you see in Palestine?
Old John Brown.
Old John Brown.
I saw his gracious wife
Dressed in a homespun gown.
I saw his seven sons
Before his feet bow down.
And he marched with his seven sons,
His wagons and goods and guns,
To his campfire by the sea,
By the waves of Galilee.

I've been to Palestine.
What did you see in Palestine?
I saw the harp and psalt'ry
Played for Old John Brown.
I heard the ram's horn blow,
Blow for Old John Brown.
I saw the Bulls of Bashan —
They cheered for Old John Brown.
I saw the big Behemoth —
He cheered for Old John Brown.
I saw the big Leviathan —
He cheered for Old John Brown.
I saw the Angel Gabriel
Great power to him assign.

I saw him fight the Canaanites
And set God's Israel free.
I saw him when the war was done
In his rustic chair recline —
By his campfire by the sea,
By the waves of Galilee.

I've been to Palestine.
What did you see in Palestine?
Old John Brown.
Old John Brown.
And there he sits
To judge the world.
His hunting-dogs
At his feet are curled.
His eyes half-closed,
But John Brown sees
The ends of the earth,
The Day of Doom.
And his shot-gun lies
Across his knees —
Old John Brown,
Old John Brown.


III. KING SOLOMON AND THE QUEEN OF SHEBA

(A Poem Game.)

"And when the Queen of Sheba heard of the fame of Solomon,... she came to prove him with hard questions."

[The men's leader rises as he sees the Queen unveiling and approaching a position that gives her half of the stage.]


MEN'S LEADER: :

The Queen of Sheba came to see King Solomon.
I was King Solomon,

[He bows three times.]

I was King Solomon,
I was King Solomon.


WOMEN'S LEADER::

I was the Queen,

[She bows three times.]

I was the Queen,
I was the Queen.


BOTH LEADERS::

We will be king and queen,
Reigning on mountains green,

[They stand together stretching their hands over the land.]

Happy and free
For ten thousand years.


BOTH LEADERS:

King Solomon he had four hundred oxen.

[They stagger forward as through carrying a yoke together.]


CONGREGATION:

We were the oxen.


BOTH LEADERS:

You shall feel goads no more.

[Here King and Queen pause at the footlights.]

Walk dreadful roads no more,

[They walk backward, throwing off the yoke and rejoicing.]

Free from your loads
For ten thousand years.


BOTH LEADERS:

King Solomon he had four hundred sweethearts.

[The men's leader goes forward, the women's leader dances round him.]


CONGREGATION:

We were the sweethearts.

[Here he pauses at the footlights.]


BOTH LEADERS:

You shall dance round again,

[He walks backward. Both clap their hands to the measure.]

You shall dance round again,
Cymbals shall sound again,
Cymbals shall sound again,
Wildflowers be found

[The Queen appears to gather wildflowers.]

For ten thousand years,
Wildflowers be found
For ten thousand years.


BOTH LEADERS:

And every sweetheart had four hundred swans.

[He continues to command the congregation, the woman to dance. He goes forward to the footlights.]


CONGREGATION:

We were the swans.


BOTH LEADERS:

You shall spread wings again,

[The King walks backward.]

You shall spread wings again,
Fly in soft rings again,

[Here a special dance, by the Queen: swans flying in circles.]

Fly in soft rings again,
Swim by cool springs
For ten thousand years,
Swim by cool springs,
For ten thousand years.


MEN'S LEADER:

King Solomon,

[The refrain "King Solomon" may be intoned by the men's leader whenever it is needed to enable the women's leader to get to her starting point. All the refrains may be likewise used.]

King Solomon.


WOMEN'S LEADER:

The Queen of Sheba asked him like a lady,
Bowing most politely:
"What makes the roses bloom
Over the mossy tomb,

[They bow to each other — then give a pantomime indicating a great rose garden.]

Driving away the gloom
Ten thousand years?"


MEN'S LEADER:

King Solomon made answer to the lady,
Bowing most politely:

[They bow and confer. The Queen reserved, but taking cognizance. The King wooing with ornate gestures of respect, and courtly animation.]

"They bloom forever thinking of your beauty,
Your step so queenly and your eyes so lovely.
These keep the roses fair,
Young and without a care,
Making so sweet the air,
Ten thousand years."


BOTH LEADERS:

King Solomon he had four hundred sons.

[The two, with a manner almost a cake walk, go forward.]


CONGREGATION:

We were the sons.

[On this line, King and Queen pause before the footlights.]


BOTH LEADERS:

Crowned by the throngs again,

[Pantomime of crowning the audience.]

You shall make songs again,

[On this line they walk backward, playing great imaginary harps.]

Singing along
For ten thousand years.


BOTH LEADERS:

He gave each son four hundred prancing ponies.

[They go forward in a pony gallop, then stand pawing.]


CONGREGATION:

We were the ponies.


BOTH LEADERS:

You shall eat hay again,

[They nod their heads, starting to walk backward.]

In forests play again,

[A pony dance by both, in circles.]

Rampage and neigh
For ten thousand years.


MEN'S LEADER:

King Solomon he asked the Queen of Sheba,
Bowing most politely:

[They bow to each other, standing so that each one commands half of the stage.]

"What makes the oaktree grow
Hardy in sun and snow,
Never by wind brought low
Ten thousand years?"


WOMEN'S LEADER:

The Queen of Sheba answered like a lady,
Bowing most politely:

[They bow to each other, again, with pantomime indicating a forest.]

"It blooms forever thinking of your wisdom,
Your brave heart and the way you rule your kingdom.
These keep the oak secure,
Weaving its leafy lure,
Dreaming by fountains pure
Ten thousand years."


BOTH LEADERS:

The Queen of Sheba had four hundred sailors.

[They go to the footlights with a sailor's lurch and hitch.]


CONGREGATION:

We were the sailors.

[The King and Queen pause.]


BOTH LEADERS:

You shall bring spice and ore
Over the ocean's floor,

[They walk backward with slow long-armed gestures indicating the entire horizon line.]

Shipmates once more,
For ten thousand years.


WOMEN'S LEADER:

The Queen of Sheba asked him like a lady,
Bowing most politely:

[They bow to each other, the Queen indicating the depths of the sea.]

"Why is the sea so deep,
What secret does it keep
While tides a-roaring leap
Ten thousand years?"


MEN'S LEADER:

King Solomon made answer to the lady,
Bowing most politely:

[They bow to each other, then confer; the Queen reserved, but taking cognizance, the King wooing with ornate gestures of respect and courtly admiration.]

"My love for you is like the stormy ocean —
Too deep to understand,
Bending to your command,
Bringing your ships to land
Ten thousand years."
King Solomon,
King Solomon.


BOTH LEADERS:

King Solomon he had four hundred chieftains.

[They go to the footlights with the greatest possible strut.]


CONGREGATION:

We were the chieftains.


BOTH LEADERS:

You shall be proud again,

[The leaders stand with arms proudly folded.]

Dazzle the crowd again,

[They walk backward haughtily, laughing on the last lines.]

Laughing aloud
For ten thousand years.

[From here on the whole production to be much more solemn, elevated, religious.]


BOTH LEADERS:

King Solomon he had four hundred shepherds.

[The leaders go forward to the footlights carrying imaginary torches.]


CONGREGATION:

We were the shepherds.

[The man and woman pause at the footlights.]


BOTH LEADERS:

You shall have torches bright,

[They wander over the stage as though looking for lost lambs, with torches held high.]

Watching the folds by night,
Guarding the lambs aright,
Ten thousand years.


MEN'S LEADER:

King Solomon he asked the Queen of Sheba,
Bowing most politely:

[The King kneels, and indicates the entire sky with one long slow gesture.]

"Why are the stars so high,
There in the velvet sky,
Rolling in rivers by,
Ten thousand years?"


WOMEN'S LEADER:

The Queen of Sheba answered like a lady,
Bowing most politely:

[The Queen kneels opposite the King, and gives the same gesture as she answers.]

"They're singing of your kingdom to the angels,
They guide your chariot with their lamps and candles,
Therefore they burn so far—
So you can drive your car
Up where the prophets are,
Ten thousand years."


MEN'S LEADER:

King Solomon,
King Solomon.


BOTH LEADERS:

King Solomon he kept the Sabbath holy.
And spoke with tongues in prophet words so mighty

[The two stand, commanding the audience.]

We stamped and whirled and wept and shouted: —

[The man and woman stamp and whirl with great noise and solemnity.]


CONGREGATION RISES AND JOINS THE SONG:

.... "Glory."
We were his people.


BOTH LEADERS:

You shall be wild and gay,

[On these two lines, man and woman stamp and whirl again, gravely, magnificently.]

Green trees shall deck your way,
Sunday be every day,

[On these two lines they kneel, commanding the audience.]

Ten thousand years.

King Solomon,

[Now they rise and bow to each other and the audience, maintaining a certain intention of benediction.]

King Solomon.