Vachel Lindsay: Verses about Tears

I am unjust, but I can strive for justice.
My life's unkind, but I can vote for kindness.
I, the unloving, say life should be lovely.
I, that am blind, cry out against my blindness.

Man is a curious brute — he pets his fancies —
Fighting mankind, to win sweet luxury.
So he will be, tho' law be clear as crystal,
Tho' all men plan to live in harmony.

Come, let us vote against our human nature,
Crying to God in all the polling places
To heal our everlasting sinfulness
And make us sages with transfigured faces.

Though I have watched so many mourners weep
O'er the real dead, in dull earth laid asleep—
Those dead seemed but the shadows of my days
That passed and left me in the sun's bright rays.
Now though you go on smiling in the sun
Our love is slain, and love and you were one.
You are the first, you I have known so long,
Whose death was deadly, a tremendous wrong.
Therefore I seek the faith that sets it right
Amid the lilies and the candle-light.
I think on Heaven, for in that air so dear
We two may meet, confused and parted here.
Ah, when man's dearest dies,'tis then he goes
To that old balm that heals the centuries' woes.
Then Christ's wild cry in all the streets is rife:—
"I am the Resurrection and the Life."

[During an anti-saloon campaign, in central Illinois.]


In the midst of the battle I turned,
(For the thunders could flourish without me)
And hid by a rose-hung wall,
Forgetting the murder about me;
And wrote, from my wound, on the stone,
In mirth, half prayer, half play: —
'Send me a picture book,
Send me a song, to-day.'

I saw him there by the wall
When I scarce had written the line,
In the enemy's colors dressed
And the serpent-standard of wine
Writhing its withered length
From his ghostly hands o'er the ground,
And there by his shadowy breast
The glorious poem I found.

This was his world-old cry:
Thus read the famous prayer:
'Wine, wine, wine and flowers
And cup-bearers always fair! '
'Twas a book of the snares of earth
Bordered in gold and blue,
And I read each line to the wind
And read to the roses too:
And they nodded their womanly heads
And told to the wall just why
For wine of the earth men bleed,
Kingdoms and empires die.
I envied the grape stained sage:
(The roses were praising him.)
The ways of the world seemed good
And the glory of heaven dim.
I envied the endless kings
Who found great pearls in the mire,
Who bought with the nation's life
The cup of delicious fire.

But the wine of God came down,
And I drank it out of the air.
(Fair is the serpent-cup,
But the cup of God more fair.)
The wine of God came down
That makes no drinker to weep.
And I went back to battle again
Leaving the singer asleep.

I

The Hope of the Resurrection

Though I have watched so many mourners weep
O’er the real dead, in dull earth laid asleep—
Those dead seemed but the shadows of my days
That passed and left me in the sun’s bright rays.
Now though you go on smiling in the sun
Our love is slain, and love and you were one.
You are the first, you I have known so long,
Whose death was deadly, a tremendous wrong.
Therefore I seek the faith that sets it right
Amid the lilies and the candle-light.
I think on Heaven, for in that air so clear
We two may meet, confused and parted here.
Ah, when man’s dearest dies, ’tis then he goes
To that old balm that heals the centuries’ woes.
Then Christ’s wild cry in all the streets is rife:—
“I am the Resurrection and the Life.”


II

We meet at the Judgment and I fear it Not

Though better men may fear that trumpet’s warning,
I meet you, lady, on the Judgment morning,
With golden hope my spirit still adorning.

Our God who made you all so fair and sweet
Is three times gentle, and before his feet
Rejoicing I shall say:— “The girl you gave
Was my first Heaven, an angel bent to save.
Oh, God, her maker, if my ingrate breath
Is worth this rescue from the Second Death,
Perhaps her dear proud eyes grow gentler too
That scorned my graceless years and trophies few.
Gone are those years, and gone ill-deeds that turned
Her sacred beauty from my songs that burned.
We now as comrades through the stars may take
The rich and arduous quests I did forsake.
Grant me a seraph-guide to thread the throng
And quickly find that woman-soul so strong.
I dream that in her deeply-hidden heart
Hurt love lived on, though we were far apart,
A brooding secret mercy like your own
That blooms to-day to vindicate your throne.

And must the Senator from Illinois
Be this squat thing, with blinking, half-closed eyes?
This brazen gutter idol, reared to power
Upon a leering pyramid of lies?

And must the Senator from Illinois
Be the world's proverb of successful shame,
Dazzling all State house flies that steal and steal,
Who, when the sad State spares them, count it fame?

If once or twice within his new won hall
His vote had counted for the broken men;
If in his early days he wrought some good —
We might a great soul's sins forgive him then.

But must the Senator from Illinois
Be vindicated by fat kings of gold?
And must he be belauded by the smirched,
The sleek, uncanny chiefs in lies grown old?

Be warned, O wanton ones, who shielded him —
Black wrath awaits. You all shall eat the dust.
You dare not say: "To-morrow will bring peace;
Let us make merry, and go forth in lust."

What will you trading frogs do on a day
When Armageddon thunders thro' the land;
When each sad patriot rises, mad with shame,
His ballot or his musket in his hand?

In the distracted states from which you came
The day is big with war hopes fierce and strange;
Our iron Chicagos and our grimy mines
Rumble with hate and love and solemn change.

Too many weary men shed honest tears,
Ground by machines that give the Senate ease.
Too many little babes with bleeding hands
Have heaped the fruits of empire on your knees.

And swine within the Senate in this day,
When all the smothering by-streets weep and wail;
When wisdom breaks the hearts of her best sons;
When kingly men, voting for truth, may fail: —

These are a portent and a call to arms.
Our protest turns into a battle cry:
"Our shame must end, our States be free and clean;
And in this war we choose to live and die."

She was taught desire in the street,
Not at the angels' feet.
By the good no word was said
Of the worth of the bridal bed.
The secret was learned from the vile,
Not from her mother's smile.
Home spoke not. And the girl
Was caught in the public whirl.
Do you say "She gave consent:
Life drunk, she was content
With beasts that her fire could please?"
But she did not choose disease
Of mind and nerves and breath.
She was trapped to a slow, foul death.
The door was watched so well,
That the steep dark stair to hell
Was the only escaping way...
"She gave consent," you say?

Some think she was meek and good,
Only lost in the wood
Of youth, and deceived in man
When the hunger of sex began
That ties the husband and wife
To the end in a strong fond life.
Her captor, by chance was one
Of those whose passion was done,
A cold fierce worm of the sea
Enslaving for you and me.
The wages the poor must take
Have forced them to serve this snake.
Yea, half-paid girls must go
For bread to his pit below.
What hangman shall wait his host
Of butchers from coast to coast,
New York to the Golden Gate —
The merger of death and fate,
Lust-kings with a careful plan
Clean-cut, American?

In liberty's name we cry
For these women about to die.

O mothers who failed to tell
The mazes of heaven and hell,
Who failed to advise, implore
Your daughters at Love's strange door,
What will you do this day?
Your dear ones are hidden away,
As good as chained to the bed,
Hid like the mad, or the dead: —
The glories of endless years
Drowned in their harlot-tears:
The children they hoped to bear,
Grandchildren strong and fair,
The life for ages to be,
Cut off like a blasted tree,
Murdered in filth in a day,
Somehow, by the merchant gay!

In liberty's name we cry
For these women about to die.

What shall be said of a state
Where traps for the white brides wait?
Of sellers of drink who play
The game for the extra pay?
Of statesmen in league with all
Who hope for the girl-child's fall?
Of banks where hell's money is paid
And Pharisees all afraid
Of pandars that help them sin?
When will our wrath begin?

(The poem shows the Master, with his work done, singing to free his heart in Heaven.)


I heard Immanuel singing
Within his own good lands,
I saw him bend above his harp.
I watched his wandering hands
Lost amid the harp-strings;
Sweet, sweet I heard him play.
His wounds were altogether healed.
Old things had passed away.

All things were new, but music.
The blood of David ran
Within the Son of David,
Our God, the Son of Man.
He was ruddy like a shepherd.
His bold young face, how fair.
Apollo of the silver bow
Had not such flowing hair.

I saw Immanuel singing
On a tree-girdled hill.
The glad remembering branches
Dimly echoed still
The grand new song proclaiming
The Lamb that had been slain.
New-built, the Holy City
Gleamed in the murmuring plain.

The crowning hours were over.
The pageants all were past.
Within the many mansions
The hosts, grown still at last,
In homes of holy mystery
Slept long by crooning springs
Or waked to peaceful glory,
A universe of Kings.

He left his people happy.
He wandered free to sigh
Alone in lowly friendship
With the green grass and the sky.
He murmured ancient music
His red heart burned to sing
Because his perfect conquest
Had grown a weary thing.

No chant of gilded triumph—
His lonely song was made
Of Art's deliberate freedom;
Of minor chords arrayed
In soft and shadowy colors
That once were radiant flowers:—
The Rose of Sharon, bleeding
In Olive-shadowed bowers:—

And all the other roses
In the songs of East and West
Of love and war and worshipping,
And every shield and crest
Of thistle or of lotus
Or sacred lily wrought
In creeds and psalms and palaces
And temples of white thought:—

All these he sang, half-smiling
And weeping as he smiled,
Laughing, talking to his harp
As to a new-born child:—
As though the arts forgotten
But bloomed to prophecy
These careless, fearless harp-strings,
New-crying in the sky.
"When this his hour of sorrow
For flowers and Arts of men
Has passed in ghostly music,"
I asked my wild heart then—
What will he sing to-morrow,
What wonder, all his own
Alone, set free, rejoicing,
With a green hill for his throne?
What will he sing to-morrow
What wonder all his own
Alone, set free, rejoicing,
With a green hill for his throne?

[Concerning Edgar Allan Poe]


Who now will praise the Wizard in the street
With loyal songs, with humors grave and sweet —
This Jingle-man, of strolling players born,
Whom holy folk have hurried by in scorn,
This threadbare jester, neither wise nor good,
With melancholy bells upon his hood?

The hurrying great ones scorn his Raven's croak,
And well may mock his mystifying cloak
Inscribed with runes from tongues he has not read
To make the ignoramus turn his head.
The artificial glitter of his eyes
Has captured half-grown boys. They think him wise.
Some shallow player-folk esteem him deep,
Soothed by his steady wand's mesmeric sweep.

The little lacquered boxes in his hands
Somehow suggest old times and reverenced lands.
From them doll-monsters come, we know not how:
Puppets, with Cain's black rubric on the brow.
Some passing jugglers, smiling, now concede
That his best cabinet-work is made, indeed
By bleeding his right arm, day after day,
Triumphantly to seal and to inlay.
They praise his little act of shedding tears;
A trick, well learned, with patience, thro' the years.

I love him in this blatant, well-fed place.
Of all the faces, his the only face
Beautiful, tho' painted for the stage,
Lit up with song, then torn with cold, small rage,
Shames that are living, loves and hopes long dead,
Consuming pride, and hunger, real, for bread.

Here by the curb, ye Prophets thunder deep:
"What Nations sow, they must expect to reap,"
Or haste to clothe the race with truth and power,
With hymns and shouts increasing every hour.
Useful are you. There stands the useless one
Who builds the Haunted Palace in the sun.
Good tailors, can you dress a doll for me
With silks that whisper of the sounding sea?
One moment, citizens, — the weary tramp
Unveileth Psyche with the agate lamp.
Which one of you can spread a spotted cloak
And raise an unaccounted incense smoke
Until within the twilight of the day
Stands dark Ligeia in her disarray,
Witchcraft and desperate passion in her breath
And battling will, that conquers even death?

And now the evening goes. No man has thrown
The weary dog his well-earned crust or bone.
We grin and hie us home and go to sleep,
Or feast like kings till midnight, drinking deep.
He drank alone, for sorrow, and then slept,
And few there were that watched him, few that wept.
He found the gutter, lost to love and man.
Too slowly came the good Samaritan.

[Supposed to be chanted to some rude instrument at a modern fireplace]


Chant we the story now
Tho' in a house we sleep;
Tho' by a hearth of coals
Vigil to-night we keep.
Chant we the story now,
Of the vague love we knew
When I from out the sea
Rose to the feet of you.

Bird from the cliffs you came,
Flew thro' the snow to me,
Facing the icy blast
There by the icy sea.
How did I reach your feet?
Why should I — at the end
Hold out half-frozen hands
Dumbly to you my friend?
Ne'er had I woman seen,
Ne'er had I seen a flame.
There you piled fagots on,
Heat rose — the blast to tame.
There by the cave-door dark,
Comforting me you cried —
Wailed o'er my wounded knee,
Wept for my rock-torn side.

Up from the South I trailed —
Left regions fierce and fair!
Left all the jungle-trees,
Left the red tiger's lair.
Dream led, I scarce knew why,
Into your North I trod —
Ne'er had I known the snow,
Or the frost-blasted sod.

O how the flakes came down!
O how the fire burned high!
Strange thing to see he was,
Thro' his dry twigs would fly,
Creep there awhile and sleep —
Then wake and bark for fight —
Biting if I too near
Came to his eye so bright.
Then with a will you fed
Wood to his hungry tongue.

Then he did leap and sing —
Dancing the clouds among,
Turning the night to noon,
Stinging my eyes with light,
Making the snow retreat,
Making the cave-house bright.

There were dry fagots piled,
Nuts and dry leaves and roots,
Stores there of furs and hides,
Sweet-barks and grains and fruits.
There wrapped in fur we lay,
Half-burned, half-frozen still —
Ne'er will my soul forget
All the night's bitter chill.
We had not learned to speak,
I was to you a strange
Wolfling or wounded fawn,
Lost from his forest-range.

Thirsting for bloody meat,
Out at the dawn we went.
Weighed with our prey at eve,
Home-came we all forespent.
Comrades and hunters tried
Ere we were maid and man —
Not till the spring awoke
Laughter and speech began.

Whining like forest dogs,
Rustling like budding trees,
Bubbling like thawing springs,
Humming like little bees,
Crooning like Maytime tides,
Chattering parrot words,
Crying the panther's cry,
Chirping like mating birds —
Thus, thus, we learned to speak,
Who mid the snows were dumb,
Nor did we learn to kiss
Until the Spring had come.

Once I loved a fairy,
Queen Mab it was. Her voice
Was like a little Fountain
That bids the birds rejoice.
Her face was wise and solemn,
Her hair was brown and fine.
Her dress was pansy velvet,
A butterfly design.

To see her hover round me
Or walk the hills of air,
Awakened love's deep pulses
And boyhood's first despair;
A passion like a sword-blade
That pierced me thro' and thro':
Her fingers healed the sorrow
Her whisper would renew.
We sighed and reigned and feasted
Within a hollow tree,
We vowed our love was boundless,
Eternal as the sea.

She banished from her kingdom
The mortal boy I grew —
So tall and crude and noisy,
I killed grasshoppers too.
I threw big rocks at pigeons,
I plucked and tore apart
The weeping, wailing daisies,
And broke my lady's heart.
At length I grew to manhood,
I scarcely could believe
I ever loved the lady,
Or caused her court to grieve,
Until a dream came to me,
One bleak first night of Spring,
Ere tides of apple blossoms
Rolled in o'er everything,
While rain and sleet and snowbanks
Were still a-vexing men,
Ere robin and his comrades
Were nesting once again.

I saw Mab's Book of Judgment —
Its clasps were iron and stone,
Its leaves were mammoth ivory,
Its boards were mammoth bone, —
Hid in her seaside mountains,
Forgotten or unkept,
Beneath its mighty covers
Her wrath against me slept.
And deeply I repented
Of brash and boyish crime,
Of murder of things lovely
Now and in olden time.
I cursed my vain ambition,
My would-be worldly days,
And craved the paths of wonder,
Of dewy dawns and fays.
I cried, "Our love was boundless,
Eternal as the sea,
O Queen, reverse the sentence,
Come back and master me!"

The book was by the cliff-side
Upon its edge upright.
I laid me by it softly,
And wept throughout the night.
And there at dawn I saw it,
No book now, but a door,
Upon its panels written,
"Judgment is no more."
The bolt flew back with thunder,
I saw within that place
A mermaid wrapped in seaweed
With Mab's immortal face,
Yet grown now to a woman,
A woman to the knee.
She cried, she clasped me fondly,
We soon were in the sea.

Ah, she was wise and subtle,
And gay and strong and sleek,
We chained the wicked sword-fish,
We played at hide and seek.
We floated on the water,
We heard the dawn-wind sing,
I made from ocean-wonders,
Her bridal wreath and ring.
All mortal girls were shadows,
All earth-life but a mist,
When deep beneath the maelstrom,
The mermaid's heart I kissed.

I woke beside the church-door
Of our small inland town,
Bowing to a maiden
In a pansy-velvet gown,
Who had not heard of fairies,
Yet seemed of love to dream.
We planned an earthly cottage
Beside an earthly stream.

Our wedding long is over,
With toil the years fill up,
Yet in the evening silence,
We drink a deep-sea cup.
Nothing the fay remembers,
Yet when she turns to me,
We meet beneath the whirlpool,
We swim the golden sea.

I

In a nation of one hundred fine, mob-hearted, lynching, relenting, repenting millions,
There are plenty of sweeping, swinging, stinging, gorgeous things to shout about,
And knock your old blue devils out.

I brag and chant of Bryan, Bryan, Bryan, Bryan,
Candidate for president who sketched a silver Zion,
The one American Poet who could sing outdoors,
He brought in tides of wonder, of unprecedented splendor,
Wild roses from the plains, that made hearts tender,
All the funny circus silks
Of politics unfurled,
Bartlett pears of romance that were honey at the cores,
And torchlights down the street, to the end of the world.

There were truths eternal in the gap and tittle-tattle.
There were real heads broken in the fustian and the rattle.
There were real lines drawn:
Not the silver and the gold,
But Nebraska's cry went eastward against the dour and old,
The mean and cold.

It was eighteen ninety-six, and I was just sixteen
And Altgeld ruled in Springfield, Illinois,
When there came from the sunset Nebraska's shout of joy:
In a coat like a deacon, in a black Stetson hat
He scourged the elephant plutocrats
With barbed wire from the Platte.
The scales dropped from their mighty eyes.
They saw that summer's noon
A tribe of wonders coming
To a marching tune.

Oh the longhorns from Texas,
The jay hawks from Kansas,
The plop-eyed bungaroo and giant giassicus,
The varmint, chipmunk, bugaboo,
The horn-toad, prairie-dog and ballyhoo,
From all the newborn states arow,
Bidding the eagles of the west fly on,
Bidding the eagles of the west fly on.
The fawn, prodactyl, and thing-a-ma-jig,
The rackaboor, the hellangone,
The whangdoodle, batfowl and pig,
The coyote, wild-cat and grizzly in a glow,
In a miracle of health and speed, the whole breed abreast,
The leaped the Mississippi, blue border of the West,
From the Gulf to Canada, two thousand miles long:-
Against the towns of Tubal Cain,
Ah,-- sharp was their song.
Against the ways of Tubal Cain, too cunning for the young,
The longhorn calf, the buffalo and wampus gave tongue.

These creatures were defending things Mark Hanna never dreamed:
The moods of airy childhood that in desert dews gleamed,
The gossamers and whimsies,
The monkeyshines and didoes
Rank and strange
Of the canyons and the range,
The ultimate fantastics
Of the far western slope,
And of prairie schooner children
Born beneath the stars,
Beneath falling snows,
Of the babies born at midnight
In the sod huts of lost hope,
With no physician there,
Except a Kansas prayer,
With the Indian raid a howling through the air.

And all these in their helpless days
By the dour East oppressed,
Mean paternalism
Making their mistakes for them,
Crucifying half the West,
Till the whole Atlantic coast
Seemed a giant spiders' nest.

And these children and their sons
At last rode through the cactus,
A cliff of mighty cowboys
On the lope,
With gun and rope.
And all the way to frightened Maine the old East heard them call,
And saw our Bryan by a mile lead the wall
Of men and whirling flowers and beasts,
The bard and prophet of them all.
Prairie avenger, mountain lion,
Bryan, Bryan, Bryan, Bryan,
Gigantic troubadour, speaking like a siege gun,
Smashing Plymouth Rock with his boulders from the West,
And just a hundred miles behind, tornadoes piled across the sky,
Blotting out sun and moon,
A sign on high.

Headlong, dazed and blinking in the weird green light,
The scalawags made moan,
Afraid to fight.

II

When Bryan came to Springfield , and Altgeld gave him greeting,
Rochester was deserted, Divernon was deserted,
Mechanicsburg, Riverton, Chickenbristle, Cotton Hill,
Empty: for all Sangamon drove to the meeting-
In silver-decked racing cart,
Buggy, buckboard, carryall,
Carriage, phaeton, whatever would haul,
And silver-decked farm wagons gritted, banged and rolled,
With the new tale of Bryan by the iron tires told.
The State House loomed afar,
A speck, a hive, a football, a captive balloon!
And the town was all one spreading wing of bunting, plumes, and sunshine,
Every rag and flag and Bryan picture sold,
When the rigs in many a dusty line
Jammed our streets at noon,
And joined the wild parade against the power of gold.
We roamed, we boys from High School,
With mankind, while Springfield gleamed, silk-lined.
Oh, Tom Dines, and Art Fitzgerald,
And the gangs that they could get!
I can hear them yelling yet.
Helping the incantation,
Defying aristocracy,
With every bridle gone,
Ridding the world of the low down mean,
Bidding the eagles of the West fly on,
Bidding the eagles of the West fly on,
We were bully, wild and woolly,
Never yet curried below the knees.
We saw flowers in the air,
Fair as the Pleiades, bright as Orion,
-Hopes of all mankind,
Made rare, resistless, thrice refined.
Oh, we bucks from every Springfield ward!
Colts of democracy-
Yet time-winds out of Chaos from the star-fields of the Lord.

The long parade rolled on. I stood by my best girl.
She was a cool young citizen, with wise and laughing eyes.
With my necktie by my ear, I was stepping on my dear,
But she kept like a pattern without a shaken curl.
She wore in her hair a brave prairie rose.
Her gold chums cut her, for that was not the pose.
No Gibson Girl would wear it in that fresh way.
But we were fairy Democrats, and this was our day.

The earth rocked like the ocean, the sidewalk was a deck.
The houses for the moment were lost in the wide wreck.
And the bands played strange and stranger music as they trailed along.
Against the ways of Tubal Cain,
Ah, sharp was their song!
The demons in the bricks, the demons in the grass,
The demons in the bank-vaults peered out to see us pass,
And the angels in the trees, the angels in the grass,
The angels in the flags, peered out to see us pass.
And the sidewalk was our chariot, and the flowers bloomed higher,
And the street turned to silver and the grass turned to fire,
And then it was but grass, and the town was there again,
A place for women and men.

III

Then we stood where we could see
Every band,
And the speaker's stand.
And Bryan took the platform.
And he was introduced.
And he lifted his hand
And cast a new spell.
Progressive silence fell
In Springfield, in Illinois, around the world.
Then we heard these glacial boulders across the prairie rolled:
'The people have a right to make their own mistakes....
You shall not crucify mankind
Upon a cross of gold.'
And everybody heard him-
In the streets and State House yard.
And everybody heard him in Springfield, in Illinois,
Around and around and around the world,
That danced upon its axis
And like a darling broncho whirled.

IV

July, August, suspense,
Wall Street lost to sense.
August, September, October,
More suspense,
And the whole East down like a wind-smashed fence.
Then Hanna to the rescue, Hanna of Ohio,
Rallying the roller-tops,
Rallying the bucket-shops.
Threatening drouth and death,
Promising manna,
Rallying the trusts against the bawling flannelmouth;
Invading misers' cellars, tin-cans, socks,
Melting down the rocks,
Pouring out the long green to a million workers,
Spondulix by the mountain-load, to stop each new tornado,
And beat the cheapskate, blatherskite,
Populistic, anarchistic, deacon-desperado.

V

Election night at midnight:
Boy Brian's defeat.
Defeat of western silver.
Defeat of the wheat.
Victory of letterfiles
And plutocrats in miles
With dollar signs upon their coats,
Diamond watchchains on their vests and spats on their feet.
Victory of custodians, Plymouth Rock,
And all that inbred landlord stock.
Victory of the neat.
Defeat of the aspen groves of Colorado valleys,
The blue bells of the Rockies,
And blue bonnets of old Texas, by the Pittsburg alleys.
Defeat of alfalfa and the Mariposa lily.
Defeat of the Pacific and the long Mississippi.
Defeat of the young by the old and the silly.
Defeat of tornadoes by the poison vats supreme.
Defeat of my boyhood, defeat of my dream.

VI

Where is McKinley, that respectable McKinley,
The man without an angle or a tangle,
Who soothed down the city man and soothed down the farmer,
The German, the Irish, the Southerner, the Northerner,
Who climbed every greasy pole, and slipped through every crack;
Who soothed down the gambling hall, the bar-room, the church,
The devil-vote, the angel vote, the neutral vote,
The desperately wicked, and their victims on the rack,
The gold vote, the silver vote, the brass vote, the lead vote,
Every vote?...
Where is McKinley, Mark Hanna's McKinley,
His slave, his echo, his suit of clothes?
Gone to join the shadows, with the pomps of that time,
And the flames of that summer's prairie rose.

Where is Cleveland whom the Democratic platform
Read from the party in a glorious hour?
Gone to join the shadows with pitchfork Tillman,
And sledge-hammer Altgeld who wrecked his power.

Where is Hanna, bulldog Hanna,
Low-browed Hanna, who said: Stand pat'?
Gone to his place with old Pierpont Morgan.
Gone somewhere...with lean rat Platt.

Where is Roosevelt, the young dude cowboy,
Who hated Bryan, then aped his way?
Gone to join the shadows with might Cromwell
And tall King Saul, till the Judgement day.

Where is Altgeld, brave as the truth,
Whose name the few still say with tears?
Gone to join the ironies with Old John Brown,
Whose fame rings loud for a thousand years.

Where is that boy, that Heaven-born Bryan,
That Homer Bryan, who sang from the West?
Gone to join the shadows with Altgeld the Eagle,
Where the kings and the slaves and the troubadours rest.

I. A NEGRO SERMON:—SIMON LEGREE

(To be read in your own variety of negro dialect.)


Legree's big house was white and green.
His cotton-fields were the best to be seen.
He had strong horses and opulent cattle,
And bloodhounds bold, with chains that would rattle.
His garret was full of curious things:
Books of magic, bags of gold,
And rabbits' feet on long twine strings.
But he went down to the Devil.

Legree he sported a brass-buttoned coat,
A snake-skin necktie, a blood-red shirt.
Legree he had a beard like a goat,
And a thick hairy neck, and eyes like dirt.
His puffed-out cheeks were fish-belly white,
He had great long teeth, and an appetite.
He ate raw meat, 'most every meal,
And rolled his eyes till the cat would squeal.

His fist was an enormous size
To mash poor niggers that told him lies:
He was surely a witch-man in disguise.
But he went down to the Devil.

He wore hip-boots, and would wade all day
To capture his slaves that had fled away.
But he went down to the Devil.

He beat poor Uncle Tom to death
Who prayed for Legree with his last breath.
Then Uncle Tom to Eva flew,
To the high sanctoriums bright and new;
And Simon Legree stared up beneath,
And cracked his heels, and ground his teeth:
And went down to the Devil.

He crossed the yard in the storm and gloom;
He went into his grand front room.
He said, "I killed him, and I don't care."
He kicked a hound, he gave a swear;
He tightened his belt, he took a lamp,
Went down cellar to the webs and damp.
There in the middle of the mouldy floor
He heaved up a slab, he found a door —
And went down to the Devil.

His lamp blew out, but his eyes burned bright.
Simon Legree stepped down all night —
Down, down to the Devil.
Simon Legree he reached the place,
He saw one half of the human race,
He saw the Devil on a wide green throne,
Gnawing the meat from a big ham-bone,
And he said to Mister Devil:

"I see that you have much to eat —
A red ham-bone is surely sweet.
I see that you have lion's feet;
I see your frame is fat and fine,
I see you drink your poison wine —
Blood and burning turpentine."


And the Devil said to Simon Legree:
"I like your style, so wicked and free.
Come sit and share my throne with me,
And let us bark and revel."
And there they sit and gnash their teeth,
And each one wears a hop-vine wreath.
They are matching pennies and shooting craps,
They are playing poker and taking naps.
And old Legree is fat and fine:
He eats the fire, he drinks the wine —
Blood and burning turpentine —
Down, down with the Devil;
Down, down with the Devil;
Down, down with the Devil.


II. JOHN BROWN

(To be sung by a leader and chorus, the leader singing the body of the poem, while the chorus interrupts with the question.)


I've been to Palestine.
What did you see in Palestine?
I saw the ark of Noah —
It was made of pitch and pine.
I saw old Father Noah
Asleep beneath his vine.
I saw Shem, Ham and Japhet
Standing in a line.
I saw the tower of Babel
In the gorgeous sunrise shine —
By a weeping willow tree
Beside the Dead Sea.

I've been to Palestine.
What did you see in Palestine?
I saw abominations
And Gadarene swine.
I saw the sinful Canaanites
Upon the shewbread dine,
And spoil the temple vessels
And drink the temple wine.
I saw Lot's wife, a pillar of salt
Standing in the brine —
By a weeping willow tree
Beside the Dead Sea.

I've been to Palestine.
What did you see in Palestine?
Cedars on Mount Lebanon,
Gold in Ophir's mine,
And a wicked generation
Seeking for a sign
And Baal's howling worshippers
Their god with leaves entwine.
And...
I saw the war-horse ramping
And shake his forelock fine —
By a weeping willow tree
Beside the Dead Sea.

I've been to Palestine.
What did you see in Palestine?
Old John Brown.
Old John Brown.
I saw his gracious wife
Dressed in a homespun gown.
I saw his seven sons
Before his feet bow down.
And he marched with his seven sons,
His wagons and goods and guns,
To his campfire by the sea,
By the waves of Galilee.

I've been to Palestine.
What did you see in Palestine?
I saw the harp and psalt'ry
Played for Old John Brown.
I heard the ram's horn blow,
Blow for Old John Brown.
I saw the Bulls of Bashan —
They cheered for Old John Brown.
I saw the big Behemoth —
He cheered for Old John Brown.
I saw the big Leviathan —
He cheered for Old John Brown.
I saw the Angel Gabriel
Great power to him assign.

I saw him fight the Canaanites
And set God's Israel free.
I saw him when the war was done
In his rustic chair recline —
By his campfire by the sea,
By the waves of Galilee.

I've been to Palestine.
What did you see in Palestine?
Old John Brown.
Old John Brown.
And there he sits
To judge the world.
His hunting-dogs
At his feet are curled.
His eyes half-closed,
But John Brown sees
The ends of the earth,
The Day of Doom.
And his shot-gun lies
Across his knees —
Old John Brown,
Old John Brown.


III. KING SOLOMON AND THE QUEEN OF SHEBA

(A Poem Game.)

"And when the Queen of Sheba heard of the fame of Solomon,... she came to prove him with hard questions."

[The men's leader rises as he sees the Queen unveiling and approaching a position that gives her half of the stage.]


MEN'S LEADER: :

The Queen of Sheba came to see King Solomon.
I was King Solomon,

[He bows three times.]

I was King Solomon,
I was King Solomon.


WOMEN'S LEADER::

I was the Queen,

[She bows three times.]

I was the Queen,
I was the Queen.


BOTH LEADERS::

We will be king and queen,
Reigning on mountains green,

[They stand together stretching their hands over the land.]

Happy and free
For ten thousand years.


BOTH LEADERS:

King Solomon he had four hundred oxen.

[They stagger forward as through carrying a yoke together.]


CONGREGATION:

We were the oxen.


BOTH LEADERS:

You shall feel goads no more.

[Here King and Queen pause at the footlights.]

Walk dreadful roads no more,

[They walk backward, throwing off the yoke and rejoicing.]

Free from your loads
For ten thousand years.


BOTH LEADERS:

King Solomon he had four hundred sweethearts.

[The men's leader goes forward, the women's leader dances round him.]


CONGREGATION:

We were the sweethearts.

[Here he pauses at the footlights.]


BOTH LEADERS:

You shall dance round again,

[He walks backward. Both clap their hands to the measure.]

You shall dance round again,
Cymbals shall sound again,
Cymbals shall sound again,
Wildflowers be found

[The Queen appears to gather wildflowers.]

For ten thousand years,
Wildflowers be found
For ten thousand years.


BOTH LEADERS:

And every sweetheart had four hundred swans.

[He continues to command the congregation, the woman to dance. He goes forward to the footlights.]


CONGREGATION:

We were the swans.


BOTH LEADERS:

You shall spread wings again,

[The King walks backward.]

You shall spread wings again,
Fly in soft rings again,

[Here a special dance, by the Queen: swans flying in circles.]

Fly in soft rings again,
Swim by cool springs
For ten thousand years,
Swim by cool springs,
For ten thousand years.


MEN'S LEADER:

King Solomon,

[The refrain "King Solomon" may be intoned by the men's leader whenever it is needed to enable the women's leader to get to her starting point. All the refrains may be likewise used.]

King Solomon.


WOMEN'S LEADER:

The Queen of Sheba asked him like a lady,
Bowing most politely:
"What makes the roses bloom
Over the mossy tomb,

[They bow to each other — then give a pantomime indicating a great rose garden.]

Driving away the gloom
Ten thousand years?"


MEN'S LEADER:

King Solomon made answer to the lady,
Bowing most politely:

[They bow and confer. The Queen reserved, but taking cognizance. The King wooing with ornate gestures of respect, and courtly animation.]

"They bloom forever thinking of your beauty,
Your step so queenly and your eyes so lovely.
These keep the roses fair,
Young and without a care,
Making so sweet the air,
Ten thousand years."


BOTH LEADERS:

King Solomon he had four hundred sons.

[The two, with a manner almost a cake walk, go forward.]


CONGREGATION:

We were the sons.

[On this line, King and Queen pause before the footlights.]


BOTH LEADERS:

Crowned by the throngs again,

[Pantomime of crowning the audience.]

You shall make songs again,

[On this line they walk backward, playing great imaginary harps.]

Singing along
For ten thousand years.


BOTH LEADERS:

He gave each son four hundred prancing ponies.

[They go forward in a pony gallop, then stand pawing.]


CONGREGATION:

We were the ponies.


BOTH LEADERS:

You shall eat hay again,

[They nod their heads, starting to walk backward.]

In forests play again,

[A pony dance by both, in circles.]

Rampage and neigh
For ten thousand years.


MEN'S LEADER:

King Solomon he asked the Queen of Sheba,
Bowing most politely:

[They bow to each other, standing so that each one commands half of the stage.]

"What makes the oaktree grow
Hardy in sun and snow,
Never by wind brought low
Ten thousand years?"


WOMEN'S LEADER:

The Queen of Sheba answered like a lady,
Bowing most politely:

[They bow to each other, again, with pantomime indicating a forest.]

"It blooms forever thinking of your wisdom,
Your brave heart and the way you rule your kingdom.
These keep the oak secure,
Weaving its leafy lure,
Dreaming by fountains pure
Ten thousand years."


BOTH LEADERS:

The Queen of Sheba had four hundred sailors.

[They go to the footlights with a sailor's lurch and hitch.]


CONGREGATION:

We were the sailors.

[The King and Queen pause.]


BOTH LEADERS:

You shall bring spice and ore
Over the ocean's floor,

[They walk backward with slow long-armed gestures indicating the entire horizon line.]

Shipmates once more,
For ten thousand years.


WOMEN'S LEADER:

The Queen of Sheba asked him like a lady,
Bowing most politely:

[They bow to each other, the Queen indicating the depths of the sea.]

"Why is the sea so deep,
What secret does it keep
While tides a-roaring leap
Ten thousand years?"


MEN'S LEADER:

King Solomon made answer to the lady,
Bowing most politely:

[They bow to each other, then confer; the Queen reserved, but taking cognizance, the King wooing with ornate gestures of respect and courtly admiration.]

"My love for you is like the stormy ocean —
Too deep to understand,
Bending to your command,
Bringing your ships to land
Ten thousand years."
King Solomon,
King Solomon.


BOTH LEADERS:

King Solomon he had four hundred chieftains.

[They go to the footlights with the greatest possible strut.]


CONGREGATION:

We were the chieftains.


BOTH LEADERS:

You shall be proud again,

[The leaders stand with arms proudly folded.]

Dazzle the crowd again,

[They walk backward haughtily, laughing on the last lines.]

Laughing aloud
For ten thousand years.

[From here on the whole production to be much more solemn, elevated, religious.]


BOTH LEADERS:

King Solomon he had four hundred shepherds.

[The leaders go forward to the footlights carrying imaginary torches.]


CONGREGATION:

We were the shepherds.

[The man and woman pause at the footlights.]


BOTH LEADERS:

You shall have torches bright,

[They wander over the stage as though looking for lost lambs, with torches held high.]

Watching the folds by night,
Guarding the lambs aright,
Ten thousand years.


MEN'S LEADER:

King Solomon he asked the Queen of Sheba,
Bowing most politely:

[The King kneels, and indicates the entire sky with one long slow gesture.]

"Why are the stars so high,
There in the velvet sky,
Rolling in rivers by,
Ten thousand years?"


WOMEN'S LEADER:

The Queen of Sheba answered like a lady,
Bowing most politely:

[The Queen kneels opposite the King, and gives the same gesture as she answers.]

"They're singing of your kingdom to the angels,
They guide your chariot with their lamps and candles,
Therefore they burn so far—
So you can drive your car
Up where the prophets are,
Ten thousand years."


MEN'S LEADER:

King Solomon,
King Solomon.


BOTH LEADERS:

King Solomon he kept the Sabbath holy.
And spoke with tongues in prophet words so mighty

[The two stand, commanding the audience.]

We stamped and whirled and wept and shouted: —

[The man and woman stamp and whirl with great noise and solemnity.]


CONGREGATION RISES AND JOINS THE SONG:

.... "Glory."
We were his people.


BOTH LEADERS:

You shall be wild and gay,

[On these two lines, man and woman stamp and whirl again, gravely, magnificently.]

Green trees shall deck your way,
Sunday be every day,

[On these two lines they kneel, commanding the audience.]

Ten thousand years.

King Solomon,

[Now they rise and bow to each other and the audience, maintaining a certain intention of benediction.]

King Solomon.