Vachel Lindsay: Verses about Nature

"The sun says his prayers," said the fairy,
Or else he would wither and die.
"The sun says his prayers," said the fairy,
"For strength to climb up through the sky.
He leans on invisible angels,
And Faith is his prop and his rod.
The sky is his crystal cathedral.
And dawn is his altar to God."

Would that by Hindu magic we became
Dark monks of jeweled India long ago,
Sitting at Prince Siddartha's feet to know
The foolishness of gold and love and station,
The gospel of the Great Renunciation,
The ragged cloak, the staff, the rain and sun,
The beggar's life, with far Nirvana gleaming:
Lord, make us Buddhas, dreaming.

Would that in body and spirit Shakespeare came
Visible emperor of the deeds of Time,
With Justice still the genius of his rhyme,
Giving each man his due, each passion grace,
Impartial as the rain from Heaven's face
Or sunshine from the heaven-enthroned sun.
Sweet Swan of Avon, come to us again.
Teach us to write, and writing, to be men.

"Tell me, where do ghosts in love
Find their bridal veils?"

"If you and I were ghosts in love
We'd climb the cliffs of Mystery,
Above the sea of Wails.
I'd trim your gray and streaming hair
With veils of Fantasy
From the tree of Memory.
'Tis there the ghosts that fall in love
Find their bridal veils."

O dandelion, rich and haughty,
King of village flowers!
Each day is coronation time,
You have no humble hours.
I like to see you bring a troop
To beat the blue-grass spears,
To scorn the lawn-mower that would be
Like fate's triumphant shears,
Your yellow heads are cut away,
It seems your reign is o'er.
By noon you raise a sea of stars
More golden than before.

This section is a Christmas tree:
Loaded with pretty toys for you.
Behold the blocks, the Noah's arks,
The popguns painted red and blue.
No solemn pine-cone forest-fruit,
But silver horns and candy sacks
And many little tinsel hearts
And cherubs pink, and jumping-jacks.
For every child a gift, I hope.
The doll upon the topmost bough
Is mine. But all the rest are yours.
And I will light the candles now.

The flower-fed buffaloes of the spring
In the days of long ago,
Ranged where the locomotives sing
And the prarie flowers lie low:
The tossing, blooming, perfumed grass
Is swept away by wheat,
Wheels and wheels and wheels spin by
In the spring that still is sweet.
But the flower-fed buffaloes of the spring
Left us long ago,
They gore no more, they bellow no more:--
With the Blackfeet lying low,
With the Pawnee lying low.

What is my mast ? A pen.
What are my sails ? Ten crescent moons.
What is my sea? A bottle of ink.
Where do I go? To heaven again.
What do I eat ? The amaranth flower,
While the winds through the jungles think old tunes.
I eat that flower with ivory spoons
While the winds through the jungles play old tunes;
The songs the angels used to sing
When heaven was not old autumn, but spring
The bold, old songs of heaven and spring.

When I see a young tree
In its white beginning,
With white leaves
And white buds
Barely tipped with green,
In the April weather,
In the weeping sunshine—
Then I see my lady,
My democratic queen,
Standing free and equal
With the youngest woodland sapling
Swaying, singing in the wind,
Delicate and white:
Soul so near to blossom,
Fragile, strong as death;
A kiss from far-off Eden,
A flash of Judgment's trumpet—
April's breath.

The Moon’s a snowball. See the drifts
Of white that cross the sphere.
The Moon’s a snowball, melted down
A dozen times a year.

Yet rolled again in hot July
When all my days are done
And cool to greet the weary eye
After the scorching sun.

The moon’s a piece of winter fair
Renewed the year around,
Behold it, deathless and unstained,
Above the grimy ground!

It rolls on high so brave and white
Where the clear air-rivers flow,
Proclaiming Christmas all the time
And the glory of the snow!

[What the Man of Faith said]


The dew, the rain and moonlight
All prove our Father's mind.
The dew, the rain and moonlight
Descend to bless mankind.

Come, let us see that all men
Have land to catch the rain,
Have grass to snare the spheres of dew,
And fields spread for the grain.

Yea, we would give to each poor man
Ripe wheat and poppies red, —
A peaceful place at evening
With the stars just overhead:

A net to snare the moonlight,
A sod spread to the sun,
A place of toil by daytime,
Of dreams when toil is done.

(IN THE BEGINNING)

The sun is a huntress young,
The sun is a red, red joy,
The sun is an indian girl,
Of the tribe of the Illinois.

(MID-MORNING)

The sun is a smouldering fire,
That creeps through the high gray plain,
And leaves not a bush of cloud
To blossom with flowers of rain.

(NOON)

The sun is a wounded deer,
That treads pale grass in the skies,
Shaking his golden horns,
Flashing his baleful eyes.

(SUNSET)

The sun is an eagle old,
There in the windless west.
Atop of the spirit-cliffs
He builds him a crimson nest.

Oh, once I walked a garden
In dreams. 'Twas yellow grass.
And many orange-trees grew there
In sand as white as glass.
The curving, wide wall-border
Was marble, like the snow.
I walked that wall a fairy-prince
And, pacing quaint and slow,
Beside me were my pages,
Two giant, friendly birds.
Half swan they were, half peacock.
They spake in courtier-words.
Their inner wings a charriot,
Their outer wings for flight,
They lifted me from dreamland.
We bade those trees good-night.
Swiftly above the stars we rode.
I looked below me soon.
The white-walled garden I had ruled
Was one lone flower--the moon.

I saw Lord Buddha towering by my gate
Saying: "Once more, good youth, I stand and wait."
Saying: "I bring you my fair Law of Peace
And from your withering passion full release;
Release from that white hand that stabbed you so.
The road is calling. With the wind you go,
Forgetting her imperious disdain —
Quenching all memory in the sun and rain."

"Excellent Lord, I come. But first," I said,
"Grant that I bring her these twelve roses red.
Yea, twelve flower kisses for her rose-leaf mouth,
And then indeed I go in bitter drouth
To that far valley where your river flows
In Peace, that once I found in every rose."

The moon is now an opening flower,
The sky a cliff of blue.
The moon is now a silver rose;
Her pollen is the dew.

Her pollen is the mist that swings
Across her face of dreams:
Her pollen is the April rain,
Filling the April streams.

Her pollen is eternal life,
Endless ambrosial foam.
It feeds the swarming stars and fills
Their hearts with honeycomb.

The earth is but a passion-flower
With blood upon his crown.
And what shall fill his failing veins
And lift his head, bowed down?

This cup of peace, this silver rose
Bending with fairy breath
Shall lift that passion-flower, the earth
A million times from Death!

The mouse that gnawed the oak-tree down
Began his task in early life.
He kept so busy with his teeth
He had no time to take a wife.

He gnawed and gnawed through sun and rain
When the ambitious fit was on,
Then rested in the sawdust till
A month of idleness had gone.

He did not move about to hunt
The coteries of mousie-men.
He was a snail-paced, stupid thing
Until he cared to gnaw again.

The mouse that gnawed the oak-tree down,
When that tough foe was at his feet—
Found in the stump no angel-cake
Nor buttered bread, nor cheese, nor meat—
The forest-roof let in the sky.
“This light is worth the work,” said he.
“I’ll make this ancient swamp more light,”
And started on another tree.

(To Eudora, after I had had certain dire adventures.)


When Dragon-fly would fix his wings,
When Snail would patch his house,
When moths have marred the overcoat
Of tender Mister Mouse,

The pretty creatures go with haste
To the sunlit blue-grass hills
Where the Flower of Mending yields the wax
And webs to help their ills.

The hour the coats are waxed and webbed
They fall into a dream,
And when they wake the ragged robes
Are joined without a seam.

My heart is but a dragon-fly,
My heart is but a mouse,
My heart is but a haughty snail
In a little stony house.

Your hand was honey-comb to heal,
Your voice a web to bind.
You were a Mending Flower to me
To cure my heart and mind.

Think not that incense-smoke has had its day.
My friends, the incense-time has but begun.
Creed upon creed, cult upon cult shall bloom,
Shrine after shrine grow gray beneath the sun.

And mountain-boulders in our aged West
Shall guard the graves of hermits truth-endowed:
And there the scholar from the Chinese hills
Shall do deep honor, with his wise head bowed.

And on our old, old plains some muddy stream,
Dark as the Ganges, shall, like that strange tide —
(Whispering mystery to half the earth) —
Gather the praying millions to its side,

And flow past halls with statues in white stone
To saints unborn to-day, whose lives of grace
Shall make one shining, universal church
Where all Faiths kneel, as brothers, in one place.

Ah, in the night, all music haunts me here. . . .
Is it for naught high Heaven cracks and yawns
And the tremendous Amaranth descends
Sweet with the glory of ten thousand dawns?

Does it not mean my God would have me say: —
"Whether you will or no, O city young,
Heaven will bloom like one great flower for you,
Flash and loom greatly all your marts among?"

Friends, I will not cease hoping though you weep.
Such things I see, and some of them shall come
Though now our streets are harsh and ashen-gray,
Though our strong youths are strident now, or dumb.
Friends, that sweet town, that wonder-town, shall rise.
Naught can delay it. Though it may not be
Just as I dream, it comes at last I know
With streets like channels of an incense-sea.

This is the song
The spice-tree sings:
"Hunger and fire,
Hunger and fire,
Sky-born Beauty—
Spice of desire,"
Under the spice-tree
Watch and wait,
Burning maidens
And lads that mate.

The spice-tree spreads
And its boughs come down
Shadowing village and farm and town.
And none can see
But the pure of heart
The great green leaves
And the boughs descending,
And hear the song that is never ending.

The deep roots whisper,
The branches say:—
"Love to-morrow,
And love to-day,
And till Heaven's day,
And till Heaven's day."

The moon is a bird's nest in its branches,
The moon is hung in its topmost spaces.
And there, to-night, two doves play house
While lovers watch with uplifted faces.
Two doves go home
To their nest, the moon.
It is woven of twigs of broken light,
With threads of scarlet and threads of gray
And a lining of down for silk delight.
To their Eden, the moon, fly home our doves,
Up through the boughs of the great spice-tree;—
And one is the kiss I took from you,
And one is the kiss you gave to me.

MOVING-PICTURE ACTRESS

(On hearing she was leaving the moving-pictures for the stage.)


Mary Pickford, doll divine,
Year by year, and every day
At the movmg-picture play,
You have been my valentine.

Once a free-limbed page in hose,
Baby-Rosalind in flower,
Cloakless, shrinking, in that hour
How our reverent passion rose,
How our fine desire you won.
Kitchen-wench another day,
Shapeless, wooden every way.
Next, a fairy from the sun.

Once you walked a grown-up strand
Fish-wife siren, full of lure,
Snaring with devices sure
Lads who murdered on the sand.
But on most days just a child
Dimpled as no grown-folk are,
Cold of kiss as some north star,
Violet from the valleys wild.
Snared as innocence must be,
Fleeing, prisoned, chained, half-dead—
At the end of tortures dread
Roaring Cowboys set you free.

Fly, O song, to her to-day,
Like a cowboy cross the land.
Snatch her from Belasco's hand
And that prison called Broadway.

All the village swains await
One dear lily-girl demure,
Saucy, dancing, cold and pure,
Elf who must return in state.

DEDICATED TO LUCY BATES

(Being a reminiscence of certain private theatricals.)


Oh, cabaret dancer, I know a dancer,
Whose eyes have not looked on the feasts that are vain.
I know a dancer, I know a dancer,
Whose soul has no bond with the beasts of the plain:
Judith the dancer, Judith the dancer,
With foot like the snow, and with step like the rain.

Oh, thrice-painted dancer, vaudeville dancer,
Sad in your spangles, with soul all astrain,
I know a dancer, I know a dancer,
Whose laughter and weeping are spiritual gain,
A pure-hearted, high-hearted maiden evangel,
With strength the dark cynical earth to disdain.

Flowers of bright Broadway, you of the chorus,
Who sing in the hope of forgetting your pain:
I turn to a sister of Sainted Cecilia,
A white bird escaping the earth's tangled skein:—
The music of God is her innermost brooding,
The whispering angels her footsteps sustain.

Oh, proud Russian dancer: praise for your dancing.
No clean human passion my rhyme would arraign.
You dance for Apollo with noble devotion,
A high cleansing revel to make the heart sane.
But Judith the dancer prays to a spirit
More white than Apollo and all of his train.

I know a dancer who finds the true Godhead,
Who bends o'er a brazier in Heaven's clear plain.
I know a dancer, I know a dancer,
Who lifts us toward peace, from this earth that is vain:
Judith the dancer, Judith the dancer,
With foot like the snow, and with step like the rain.

[In memory of E. S. Frazee, Rush County, Indiana]


Into the acres of the newborn state
He poured his strength, and plowed his ancient name,
And, when the traders followed him, he stood
Towering above their furtive souls and tame.

That brow without a stain, that fearless eye
Oft left the passing stranger wondering
To find such knighthood in the sprawling land,
To see a democrat well-nigh a king.

He lived with liberal hand, with guests from far,
With talk and joke and fellowship to spare, —
Watching the wide world's life from sun to sun,
Lining his walls with books from everywhere.
He read by night, he built his world by day.
The farm and house of God to him were one.
For forty years he preached and plowed and wrought —
A statesman in the fields, who bent to none.

His plowmen-neighbors were as lords to him.
His was an ironside, democratic pride.
He served a rigid Christ, but served him well —
And, for a lifetime, saved the countryside.

Here lie the dead, who gave the church their best
Under his fiery preaching of the word.
They sleep with him beneath the ragged grass...
The village withers, by his voice unstirred.

And tho' his tribe be scattered to the wind
From the Atlantic to the China sea,
Yet do they think of that bright lamp he burned
Of family worth and proud integrity.

And many a sturdy grandchild hears his name
In reverence spoken, till he feels akin
To all the lion-eyed who built the world —
And lion-dreams begin to burn within.

Sweetheart Spring

Our Sweetheart, Spring, came softly,
Her gliding hands were fire,
Her lilac breath upon our cheeks
Consumed us with desire.

By her our God began to build,
Began to sow and till.
He laid foundations in our loves
For every good and ill.
We asked Him not for blessing,
We asked Him not for pain —
Still, to the just and unjust
He sent His fire and rain.


Sweetheart Summer

We prayed not, yet she came to us,
The silken, shining one,
On Jacob's noble ladder
Descended from the sun.
She reached our town of Every Day,
Our dry and dusty sod —
We prayed not, yet she brought to us
The misty wine of God.


Sweetheart Autumn

The woods were black and crimson,
The frost-bit flowers were dead,
But Sweetheart Indian Summer came
With love-winds round her head.
While fruits God-given and splendid
Belonged to her domain:
Baskets of corn in perfect ear
And grapes with purple stain,
The treacherous winds persuaded her
Spring Love was in the wood
Altho' the end of love was hers —
Fruition, Motherhood.


Sweetheart Winter

We had done naught of service
To win our Maker's praise.
Yet Sweetheart Winter came to us
To gild our waning days.
Down Jacob's winding ladder
She came from Sunshine Town,
Bearing the sparkling mornings
And clouds of silver-brown;
Bearing the seeds of Springtime.
Upon her snowy seas
Bearing the fairy star-flowers
For baby Christmas trees.

I was but a half-grown boy,
You were a girl-child slight.
Ah, how weary you were!
You had led in the bullock-fight...
We slew the bullock at length
With knives and maces of stone.
And so your feet were torn,
Your lean arms bruised to the bone.

Perhaps 'twas the slain beast's blood
We drank, or a root we ate,
Or our reveling evening bath
In the fall by the garden gate,
But you turned to a witching thing,
Side-glancing, and frightened me;
You purred like a panther's cub,
You sighed like a shell from the sea.

We knelt. I caressed your hair
By the light of the leaping fire:
Your fierce eyes blinked with smoke,
Pine-fumes, that enhanced desire.
I helped to unbraid your hair
In wonder and fear profound:
You were humming your hunting tune
As it swept to the grassy ground.

Our comrades, the shaggy bear,
The tiger with velvet feet,
The lion, crept to the light
Whining for bullock meat.
We fed them and stroked their necks...
They took their way to the fen
Where they hunted or hid all night;
No enemies, they, of men.

Evil had entered not
The cobra, since defiled.
He watched, when the beasts had gone
Our kissing and singing wild.
Beautiful friend he was,
Sage, not a tempter grim.
Many a year should pass
Ere Satan should enter him.

He danced while the evening dove
And the nightingale kept in tune.
I sang of the angel sun:
You sang of the angel-moon:
We sang of the angel-chief
Who blew thro' the trees strange breath,
Who helped in the hunt all day
And granted the bullock's death.

O Eve with the fire-lit breast
And child-face red and white!
I heaped the great logs high!
That was our bridal night.

Where a river roars in rapids
And doves in maples fret,
Where peace has decked the pastures
Our guardian angels met.

Long they had sought each other
In God's mysterious name,
Had climbed the solemn chaos tides
Alone, with hope aflame:

Amid the demon deeps had wound
By many a fearful way.
As they beheld each other
Their shout made glad the day.

No need of purse delayed them,
No hand of friend or kin —
Nor menace of the bell and book,
Nor fear of mortal sin.

You did not speak, my girl,
At this, our parting hour.
Long we held each other
And watched their deeds of power.

They made a curious Eden.
We saw that it was good.
We thought with them in unison.
We proudly understood

Their amaranth eternal,
Their roses strange and fair,
The asphodels they scattered
Upon the living air.

They built a house of clouds
With skilled immortal hands.
They entered through the silver doors.
Their wings were wedded brands.

I labored up the valley
To granite mountains free.
You hurried down the river
To Zidon by the sea.

But at their place of meeting
They keep a home and shrine.
Your angel twists a purple flax,
Then weaves a mantle fine.

My angel, her defender
Upstanding, spreads the light
On painted clouds of fancy
And mists that touch the height.

Their sturdy babes speak kindly
And fly and run with joy,
Shepherding the helpless lambs —
A Grecian girl and boy.

These children visit Heaven
Each year and make of worth
All we planned and wrought in youth
And all our tears on earth.

From books our God has written
They sing of high desire.
They turn the leaves in gentleness.
Their wings are folded fire.

There dwelt a widow learned and devout,
Behind our hamlet on the eastern hill.
Three sons she had, who went to find the world.
They promised to return, but wandered still.
The cities used them well, they won their way,
Rich gifts they sent, to still their mother's sighs.
Worn out with honors, and apart from her,
They died as many a self-made exile dies.
The mother had a hearth that would not quench,
The deathless embers fought the creeping gloom.
She said to us who came with wondering eyes—
"This is a magic fire, a magic room."
The pine burned out, but still the coals glowed on,
Her grave grew old beneath the pear-tree shade,
And yet her crumbling home enshrined the light.
The neighbors peering in were half afraid.
Then sturdy beggars, needing fagots, came,
One at a time, and stole the walls, and floor.
They left a naked stone, but how it blazed!
And in the thunderstorm it flared the more.
And now it was that men were heard to say,
"This light should be beloved by all the town."
At last they made the slope a place of prayer,
Where marvellous thoughts from God came sweeping down.
They left their churches crumbling in the sun,
They met on that soft hill, one brotherhood;
One strength and valor only, one delight,
One laughing, brooding genius, great and good.
Now many gray-haired prodigals come home,
The place out-flames the cities of the land,
And twice-born Brahmans reach us from afar,
With subtle eyes prepared to understand.
Higher and higher burns the eastern steep,
Showing the roads that march from every place,
A steady beacon o'er the weary leagues,
At dead of night it lights the traveller's face!
Thus has the widow conquered half the earth,
She who increased in faith, though all alone,
Who kept her empty house a magic place,
Has made the town a holy angel's throne.

Kiss me and comfort my heart
Maiden honest and fine.
I am the pilgrim boy
Lame, but hunting the shrine;

Fleeing away from the sweets,
Seeking the dust and rain,
Sworn to the staff and road,
Scorning pleasure and pain;

Nevertheless my mouth
Would rest like a bird an hour
And find in your curls a nest
And find in your breast a bower:

Nevertheless my eyes
Would lose themselves in your own,
Rivers that seek the sea,
Angels before the throne:

Kiss me and comfort my heart,
For love can never be mine:
Passion, hunger and pain,
These are the only wine

Of the pilgrim bound to the road.
He would rob no man of his own.
Your heart is another's I know,
Your honor is his alone.

The feasts of a long drawn love,
The feasts of a wedded life,
The harvests of patient years,
And hearthstone and children and wife:

These are your lords I know.
These can never be mine —
This is the price I pay
For the foolish search for the shrine:

This is the price I pay
For the joy of my midnight prayers,
Kneeling beneath the moon
With hills for my altar stairs;

This is the price I pay
For the throb of the mystic wings,
When the dove of God comes down
And beats round my heart and sings;

This is the price I pay
For the light I shall some day see
At the ends of the infinite earth
When truth shall come to me.

And what if my body die
Before I meet the truth?
The road is dear, more dear
Than love or life or youth.

The road, it is the road,
Mystical, endless, kind,
Mother of visions vast,
Mother of soul and mind;

Mother of all of me
But the blood that cries for a mate —
That cries for a farewell kiss
From the child of God at the gate.

(A Poem Game.)


I

"Down cellar," said the cricket,
"Down cellar," said the cricket,
"Down cellar," said the cricket,
"I saw a ball last night,
In honor of a lady,
In honor of a lady,
In honor of a lady,
Whose wings were pearly-white.
The breath of bitter weather,
The breath of bitter weather,
The breath of bitter weather,
Had smashed the cellar pane.
We entertained a drift of leaves,
We entertained a drift of leaves,
We entertained a drift of leaves,
And then of snow and rain.
But we were dressed for winter,
But we were dressed for winter,
But we were dressed for winter,
And loved to hear it blow
In honor of the lady,
In honor of the lady,
In honor of the lady,
Who makes potatoes grow,
Our guest the Irish lady,
The tiny Irish lady,
The airy Irish lady,
Who makes potatoes grow.


II

"Potatoes were the waiters,
Potatoes were the waiters,
Potatoes were the waiters,
Potatoes were the band,
Potatoes were the dancers
Kicking up the sand,
Kicking up the sand,
Kicking up the sand,
Potatoes were the dancers
Kicking up the sand.
Their legs were old burnt matches,
Their legs were old burnt matches,
Their legs were old burnt matches,
Their arms were just the same.
They jigged and whirled and scrambled,
Jigged and whirled and scrambled,
Jigged and whirled and scrambled,
In honor of the dame,
The noble Irish lady
Who makes potatoes dance,
The witty Irish lady,
The saucy Irish lady,
The laughing Irish lady
Who makes potatoes prance.


III

"There was just one sweet potato.
He was golden brown and slim.
The lady loved his dancing,
The lady loved his dancing,
The lady loved his dancing,
She danced all night with him,
She danced all night with him.
Alas, he wasn't Irish.
So when she flew away,
They threw him in the coal-bin,
And there he is today,
Where they cannot hear his sighs
And his weeping for the lady,
The glorious Irish lady,
The beauteous Irish lady,
Who
Gives
Potatoes
Eyes."

I. THE VOICE OF THE MAN IMPATIENT WITH VISIONS AND UTOPIAS

We find your soft Utopias as white
As new-cut bread, and dull as life in cells,
O, scribes who dare forget how wild we are
How human breasts adore alarum bells.
You house us in a hive of prigs and saints
Communal, frugal, clean and chaste by law.
I'd rather brood in bloody Elsinore
Or be Lear's fool, straw-crowned amid the straw.
Promise us all our share in Agincourt
Say that our clerks shall venture scorns and death,
That future ant-hills will not be too good
For Henry Fifth, or Hotspur, or Macbeth.
Promise that through to-morrow's spirit-war
Man's deathless soul will hack and hew its way,
Each flaunting Caesar climbing to his fate
Scorning the utmost steps of yesterday.
Never a shallow jester any more!
Let not Jack Falstaff spill the ale in vain.
Let Touchstone set the fashions for the wise
And Ariel wreak his fancies through the rain.


II. THE RHYMER'S REPLY. INCENSE AND SPLENDOR

Incense and Splendor haunt me as I go.
Though my good works have been, alas, too few,
Though I do naught, High Heaven comes down to me,
And future ages pass in tall review.
I see the years to come as armies vast,
Stalking tremendous through the fields of time.
MAN is unborn. To-morrow he is born,
Flame-like to hover o'er the moil and grime,
Striving, aspiring till the shame is gone,
Sowing a million flowers, where now we mourn—
Laying new, precious pavements with a song,
Founding new shrines, the good streets to adorn.
I have seen lovers by those new-built walls
Clothed like the dawn in orange, gold and red.
Eyes flashing forth the glory-light of love
Under the wreaths that crowned each royal head.
Life was made greater by their sweetheart prayers.
Passion was turned to civic strength that day—
Piling the marbles, making fairer domes
With zeal that else had burned bright youth away.
I have seen priestesses of life go by
Gliding in samite through the incense-sea—
Innocent children marching with them there,
Singing in flowered robes, "THE EARTH IS FREE":
While on the fair, deep-carved unfinished towers
Sentinels watched in armor, night and day—
Guarding the brazier-fires of hope and dream—
Wild was their peace, and dawn-bright their array!

She was taught desire in the street,
Not at the angels' feet.
By the good no word was said
Of the worth of the bridal bed.
The secret was learned from the vile,
Not from her mother's smile.
Home spoke not. And the girl
Was caught in the public whirl.
Do you say "She gave consent:
Life drunk, she was content
With beasts that her fire could please?"
But she did not choose disease
Of mind and nerves and breath.
She was trapped to a slow, foul death.
The door was watched so well,
That the steep dark stair to hell
Was the only escaping way...
"She gave consent," you say?

Some think she was meek and good,
Only lost in the wood
Of youth, and deceived in man
When the hunger of sex began
That ties the husband and wife
To the end in a strong fond life.
Her captor, by chance was one
Of those whose passion was done,
A cold fierce worm of the sea
Enslaving for you and me.
The wages the poor must take
Have forced them to serve this snake.
Yea, half-paid girls must go
For bread to his pit below.
What hangman shall wait his host
Of butchers from coast to coast,
New York to the Golden Gate —
The merger of death and fate,
Lust-kings with a careful plan
Clean-cut, American?

In liberty's name we cry
For these women about to die.

O mothers who failed to tell
The mazes of heaven and hell,
Who failed to advise, implore
Your daughters at Love's strange door,
What will you do this day?
Your dear ones are hidden away,
As good as chained to the bed,
Hid like the mad, or the dead: —
The glories of endless years
Drowned in their harlot-tears:
The children they hoped to bear,
Grandchildren strong and fair,
The life for ages to be,
Cut off like a blasted tree,
Murdered in filth in a day,
Somehow, by the merchant gay!

In liberty's name we cry
For these women about to die.

What shall be said of a state
Where traps for the white brides wait?
Of sellers of drink who play
The game for the extra pay?
Of statesmen in league with all
Who hope for the girl-child's fall?
Of banks where hell's money is paid
And Pharisees all afraid
Of pandars that help them sin?
When will our wrath begin?

(The poem shows the Master, with his work done, singing to free his heart in Heaven.)


I heard Immanuel singing
Within his own good lands,
I saw him bend above his harp.
I watched his wandering hands
Lost amid the harp-strings;
Sweet, sweet I heard him play.
His wounds were altogether healed.
Old things had passed away.

All things were new, but music.
The blood of David ran
Within the Son of David,
Our God, the Son of Man.
He was ruddy like a shepherd.
His bold young face, how fair.
Apollo of the silver bow
Had not such flowing hair.

I saw Immanuel singing
On a tree-girdled hill.
The glad remembering branches
Dimly echoed still
The grand new song proclaiming
The Lamb that had been slain.
New-built, the Holy City
Gleamed in the murmuring plain.

The crowning hours were over.
The pageants all were past.
Within the many mansions
The hosts, grown still at last,
In homes of holy mystery
Slept long by crooning springs
Or waked to peaceful glory,
A universe of Kings.

He left his people happy.
He wandered free to sigh
Alone in lowly friendship
With the green grass and the sky.
He murmured ancient music
His red heart burned to sing
Because his perfect conquest
Had grown a weary thing.

No chant of gilded triumph—
His lonely song was made
Of Art's deliberate freedom;
Of minor chords arrayed
In soft and shadowy colors
That once were radiant flowers:—
The Rose of Sharon, bleeding
In Olive-shadowed bowers:—

And all the other roses
In the songs of East and West
Of love and war and worshipping,
And every shield and crest
Of thistle or of lotus
Or sacred lily wrought
In creeds and psalms and palaces
And temples of white thought:—

All these he sang, half-smiling
And weeping as he smiled,
Laughing, talking to his harp
As to a new-born child:—
As though the arts forgotten
But bloomed to prophecy
These careless, fearless harp-strings,
New-crying in the sky.
"When this his hour of sorrow
For flowers and Arts of men
Has passed in ghostly music,"
I asked my wild heart then—
What will he sing to-morrow,
What wonder, all his own
Alone, set free, rejoicing,
With a green hill for his throne?
What will he sing to-morrow
What wonder all his own
Alone, set free, rejoicing,
With a green hill for his throne?

(To be sung by a leader and chorus, the leader singing
the body of the poem, while the chorus interrupts with
the question.)


I’ve been to Palestine.
WHAT DID YOU SEE IN PALESTINE?
I saw the ark of Noah—
It was made of pitch and pine.
I saw old Father Noah
Asleep beneath his vine.
I saw Shem, Ham and Japhet
Standing in a line.
I saw the tower of Babel
In the gorgeous sunrise shine—
By a weeping willow tree
Beside the Dead Sea.

I’ve been to Palestine.
WHAT DID YOU SEE IN PALESTINE?
I saw abominations
And Gadarene swine.
I saw the sinful Canaanites
Upon the shewbread dine,
And spoil the temple vessels
And drink the temple wine.
I saw Lot’s wife, a pillar of salt
Standing in the brine—
By a weeping willow tree
Beside the Dead Sea.

I’ve been to Palestine.
WHAT DID YOU SEE IN PALESTINE?
Cedars on Mount Lebanon,
Gold in Ophir’s mine,
And a wicked generation
Seeking for a sign
And Baal’s howling worshippers
Their god with leaves entwine.
And . . .
I saw the war-horse ramping
And shake his forelock fine—
By a weeping willow tree
Beside the Dead Sea.

I’ve been to Palestine.
WHAT DID YOU SEE IN PALESTINE?
Old John Brown.
Old John Brown.
I saw his gracious wife
Dressed in a homespun gown.
I saw his seven sons
Before his feet bow down.
And he marched with his seven sons,
His wagons and goods and guns,
To his campfire by the sea,
By the waves of Galilee.

I’ve been to Palestine.
WHAT DID YOU SEE IN PALESTINE?
I saw the harp and psalt’ry
Played for Old John Brown.
I heard the ram’s horn blow,
Blow for Old John Brown.
I saw the Bulls of Bashan—
They cheered for Old John Brown.
I saw the big Behemoth—
He cheered for Old John Brown.
I saw the big Leviathan—
He cheered for Old John Brown.
I saw the Angel Gabriel
Great power to him assign.
I saw him fight the Canaanites
And set God’s Israel free.
I saw him when the war was done
In his rustic chair recline—
By his campfire by the sea,
By the waves of Galilee.

I’ve been to Palestine.
WHAT DID YOU SEE IN PALESTINE?
Old John Brown.
Old John Brown.
And there he sits
To judge the world.
His hunting-dogs
At his feet are curled.
His eyes half-closed,
But John Brown sees
The ends of the earth,
The Day of Doom.
And his shot-gun lies
Across his knees—
Old John Brown,
Old John Brown.

[Concerning Edgar Allan Poe]


Who now will praise the Wizard in the street
With loyal songs, with humors grave and sweet —
This Jingle-man, of strolling players born,
Whom holy folk have hurried by in scorn,
This threadbare jester, neither wise nor good,
With melancholy bells upon his hood?

The hurrying great ones scorn his Raven's croak,
And well may mock his mystifying cloak
Inscribed with runes from tongues he has not read
To make the ignoramus turn his head.
The artificial glitter of his eyes
Has captured half-grown boys. They think him wise.
Some shallow player-folk esteem him deep,
Soothed by his steady wand's mesmeric sweep.

The little lacquered boxes in his hands
Somehow suggest old times and reverenced lands.
From them doll-monsters come, we know not how:
Puppets, with Cain's black rubric on the brow.
Some passing jugglers, smiling, now concede
That his best cabinet-work is made, indeed
By bleeding his right arm, day after day,
Triumphantly to seal and to inlay.
They praise his little act of shedding tears;
A trick, well learned, with patience, thro' the years.

I love him in this blatant, well-fed place.
Of all the faces, his the only face
Beautiful, tho' painted for the stage,
Lit up with song, then torn with cold, small rage,
Shames that are living, loves and hopes long dead,
Consuming pride, and hunger, real, for bread.

Here by the curb, ye Prophets thunder deep:
"What Nations sow, they must expect to reap,"
Or haste to clothe the race with truth and power,
With hymns and shouts increasing every hour.
Useful are you. There stands the useless one
Who builds the Haunted Palace in the sun.
Good tailors, can you dress a doll for me
With silks that whisper of the sounding sea?
One moment, citizens, — the weary tramp
Unveileth Psyche with the agate lamp.
Which one of you can spread a spotted cloak
And raise an unaccounted incense smoke
Until within the twilight of the day
Stands dark Ligeia in her disarray,
Witchcraft and desperate passion in her breath
And battling will, that conquers even death?

And now the evening goes. No man has thrown
The weary dog his well-earned crust or bone.
We grin and hie us home and go to sleep,
Or feast like kings till midnight, drinking deep.
He drank alone, for sorrow, and then slept,
And few there were that watched him, few that wept.
He found the gutter, lost to love and man.
Too slowly came the good Samaritan.

[Supposed to be chanted to some rude instrument at a modern fireplace]


Chant we the story now
Tho' in a house we sleep;
Tho' by a hearth of coals
Vigil to-night we keep.
Chant we the story now,
Of the vague love we knew
When I from out the sea
Rose to the feet of you.

Bird from the cliffs you came,
Flew thro' the snow to me,
Facing the icy blast
There by the icy sea.
How did I reach your feet?
Why should I — at the end
Hold out half-frozen hands
Dumbly to you my friend?
Ne'er had I woman seen,
Ne'er had I seen a flame.
There you piled fagots on,
Heat rose — the blast to tame.
There by the cave-door dark,
Comforting me you cried —
Wailed o'er my wounded knee,
Wept for my rock-torn side.

Up from the South I trailed —
Left regions fierce and fair!
Left all the jungle-trees,
Left the red tiger's lair.
Dream led, I scarce knew why,
Into your North I trod —
Ne'er had I known the snow,
Or the frost-blasted sod.

O how the flakes came down!
O how the fire burned high!
Strange thing to see he was,
Thro' his dry twigs would fly,
Creep there awhile and sleep —
Then wake and bark for fight —
Biting if I too near
Came to his eye so bright.
Then with a will you fed
Wood to his hungry tongue.

Then he did leap and sing —
Dancing the clouds among,
Turning the night to noon,
Stinging my eyes with light,
Making the snow retreat,
Making the cave-house bright.

There were dry fagots piled,
Nuts and dry leaves and roots,
Stores there of furs and hides,
Sweet-barks and grains and fruits.
There wrapped in fur we lay,
Half-burned, half-frozen still —
Ne'er will my soul forget
All the night's bitter chill.
We had not learned to speak,
I was to you a strange
Wolfling or wounded fawn,
Lost from his forest-range.

Thirsting for bloody meat,
Out at the dawn we went.
Weighed with our prey at eve,
Home-came we all forespent.
Comrades and hunters tried
Ere we were maid and man —
Not till the spring awoke
Laughter and speech began.

Whining like forest dogs,
Rustling like budding trees,
Bubbling like thawing springs,
Humming like little bees,
Crooning like Maytime tides,
Chattering parrot words,
Crying the panther's cry,
Chirping like mating birds —
Thus, thus, we learned to speak,
Who mid the snows were dumb,
Nor did we learn to kiss
Until the Spring had come.

I opened the ink-well and smoke filled the room.
The smoke formed the giant frog-cat of my doom.
His web feet left dreadful slime tracks on the floor.
He had hammer and nails that he laid by the door.
He sprawled on the table, claw-hands in my hair.
He looked through my heart to the mud that was there.
Like a black-mailer hating his victim he spoke:
"When I see all your squirming I laugh till I choke
Singing of peace. Railing at battle.
Soothing a handful with saccharine prattle.
All the millions of earth have voted for fight.
You are voting for talk, with hands lily white."
He leaped to the floor, then grew seven feet high,
Beautiful, terrible, scorn in his eye:
The Devil Eternal, Apollo grown old,
With beard of bright silver and garments of gold.
"What will you do to end war for good?
Will you stand by the book-case, be nailed to the wood?"
I stretched out my arms. He drove the nails deep,
Silently, coolly. The house was asleep,
I hung for three years, forbidden to die.
I seemed but a shadow the servants passed by.
At the end of the time with hot irons he returned.
"The Quitter Sublime" on my bosom he burned.
As he seared me he hissed: "You are wearing away.
The good angels tell me you leave them today.
You want to come down from the nails in the door.
The victor must hang there three hundred years more.
If any prig-saint would outvote all mankind
He must use an immortally resolute mind.
Think what the saints of Benares endure,
Through infinite birthpangs their courage is sure.
Self-tortured, self-ruled, they build their powers high,
Until they are gods, overmaster the sky."
Then he pulled out the nails. He shouted "Come in."
To heal me there stepped in a lady of sin.
Her hand was in mine. We walked in the sun.
She said: "Now forget them, the Saxon and Hun.
You are dreary and aged and silly and weak.
Let us smell the sweet groves. Let the summertime speak."
We walked to the river. We swam there in state.
I was a serpent. She was my mate.
I forgot in the marsh, as I tumbled about,
That trial in my room, where I did not hold out.
Since I was a serpent, my mate seemed to me
As a mermaiden seems to a fisher at sea,
Or a whisky soaked girl to a whisky soaked king.
I woke. She had turned to a ravening thing
On the table — a buzzard with leperous head.
She tore up my rhymes and my drawings. She said:
"I am your own cheap bankrupt soul.
Will you die for the nations, making them whole?
We joy in the swamp and here we are gay.
Will you bring your fine peace to the nations today?"

(A Negro Sermon.)


Once, in a night as black as ink,
She drove him out when he would not drink.
Round the house there were men in wait
Asleep in rows by the Gaza gate.
But the Holy Spirit was in this man.
Like a gentle wind he crept and ran.
("It is midnight," said the big town clock.)

He lifted the gates up, post and lock.
The hole in the wall was high and wide
When he bore away old Gaza's pride
Into the deep of the night: —
The bold Jack Johnson Israelite, —
Samson —
The Judge,
The Nazarite.

The air was black, like the smoke of a dragon.
Samson's heart was as big as a wagon.
He sang like a shining golden fountain.
He sweated up to the top of the mountain.
He threw down the gates with a noise like judgment.
And the quails all ran with the big arousement.

But he wept — "I must not love tough queens,
And spend on them my hard earned means.
I told that girl I would drink no more.
Therefore she drove me from her door.
Oh sorrow!
Sorrow!
I cannot hide.
Oh Lord look down from your chariot side.
You made me Judge, and I am not wise.
I am weak as a sheep for all my size."

Let Samson
Be coming
Into your mind.

The moon shone out, the stars were gay.
He saw the foxes run and play.
He rent his garments, he rolled around
In deep repentance on the ground.

Then he felt a honey in his soul.
Grace abounding made him whole.
Then he saw the Lord in a chariot blue.
The gorgeous stallions whinnied and flew.
The iron wheels hummed an old hymn-tune
And crunched in thunder over the moon.
And Samson shouted to the sky:
"My Lord, my Lord is riding high."

Like a steed, he pawed the gates with his hoof.
He rattled the gates like rocks on the roof,
And danced in the night
On the mountain-top,
Danced in the deep of the night:
The Judge, the holy Nazarite,
Whom ropes and chains could never bind.

Let Samson
Be coming
Into your mind.

Whirling his arms, like a top he sped.
His long black hair flew round his head
Like an outstretched net of silky cord,
Like a wheel of the chariot of the Lord.

Let Samson
Be coming
Into your mind.

Samson saw the sun anew.
He left the gates in the grass and dew.
He went to a county-seat a-nigh.
Found a harlot proud and high:
Philistine that no man could tame —
Delilah was her lady-name.
Oh sorrow,
Sorrow,
She was too wise.
She cut off his hair,
She put out his eyes.

Let Samson
Be coming
Into your mind.

(Note: — Pocahontas is buried at Gravesend, England.)

"Pocahontas' body, lovely as a poplar, sweet as a red haw in November or a pawpaw in May — did she wonder? does she remember — in the dust — in the cool tombs?"

CARL SANDBURG.


I

Powhatan was conqueror,
Powhatan was emperor.
He was akin to wolf and bee,
Brother of the hickory tree.
Son of the red lightning stroke
And the lightning-shivered oak.
His panther-grace bloomed in the maid
Who laughed among the winds and played
In excellence of savage pride,
Wooing the forest, open-eyed,
In the springtime,
In Virginia,
Our Mother, Pocahontas.

Her skin was rosy copper-red.
And high she held her beauteous head.
Her step was like a rustling leaf:
Her heart a nest, untouched of grief.
She dreamed of sons like Powhatan,
And through her blood the lightning ran.
Love-cries with the birds she sung,
Birdlike
In the grape-vine swung.
The Forest, arching low and wide
Gloried in its Indian bride.
Rolfe, that dim adventurer
Had not come a courtier.
John Rolfe is not our ancestor.
We rise from out the soul of her
Held in native wonderland,
While the sun's rays kissed her hand,
In the springtime,
In Virginia,
Our Mother, Pocahontas.


II

She heard the forest talking,
Across the sea came walking,
And traced the paths of Daniel Boone,
Then westward chased the painted moon.
She passed with wild young feet
On to Kansas wheat,
On to the miners' west,
The echoing cañons' guest,
Then the Pacific sand,
Waking,
Thrilling,
The midnight land....

On Adams street and Jefferson —
Flames coming up from the ground!
On Jackson street and Washington —
Flames coming up from the ground!
And why, until the dawning sun
Are flames coming up from the ground?
Because, through drowsy Springfield sped
This red-skin queen, with feathered head,
With winds and stars, that pay her court
And leaping beasts, that make her sport;
Because, gray Europe's rags august
She tramples in the dust;
Because we are her fields of corn;
Because our fires are all reborn
From her bosom's deathless embers,
Flaming
As she remembers
The springtime
And Virginia,
Our Mother, Pocahontas.


III

We here renounce our Saxon blood.
Tomorrow's hopes, an April flood
Come roaring in. The newest race
Is born of her resilient grace.
We here renounce our Teuton pride:
Our Norse and Slavic boasts have died:
Italian dreams are swept away,
And Celtic feuds are lost today....

She sings of lilacs, maples, wheat,
Her own soil sings beneath her feet,
Of springtime
And Virginia,
Our Mother, Pocahontas.

I. THE LION

The Lion is a kingly beast.
He likes a Hindu for a feast.
And if no Hindu he can get,
The lion-family is upset.

He cuffs his wife and bites her ears
Till she is nearly moved to tears.
Then some explorer finds the den
And all is family peace again.


II. AN EXPLANATION OF THE GRASSHOPPER

The Grasshopper, the grasshopper,
I will explain to you:—
He is the Brownies' racehorse,
The fairies' Kangaroo.


III. THE DANGEROUS LITTLE BOY FAIRIES

In fairyland the little boys
Would rather fight than eat their meals.
They like to chase a gauze-winged fly
And catch and beat him till he squeals.
Sometimes they come to sleeping men
Armed with the deadly red-rose thorn,
And those that feel its fearful wound
Repent the day that they were born.


IV. THE MOUSE THAT GNAWED THE OAK-TREE DOWN

The mouse that gnawed the oak-tree down
Began his task in early life.
He kept so busy with his teeth
He had no time to take a wife.

He gnawed and gnawed through sun and rain
When the ambitious fit was on,
Then rested in the sawdust till
A month of idleness had gone.

He did not move about to hunt
The coteries of mousie-men.
He was a snail-paced, stupid thing
Until he cared to gnaw again.

The mouse that gnawed the oak-tree down,
When that tough foe was at his feet —
Found in the stump no angel-cake
Nor buttered bread, nor cheese, nor meat —
The forest-roof let in the sky.
"This light is worth the work," said he.
"I'll make this ancient swamp more light,"
And started on another tree.


V. PARVENU

Where does Cinderella sleep?
By far-off day-dream river.
A secret place her burning Prince
Decks, while his heart-strings quiver.

Homesick for our cinder world,
Her low-born shoulders shiver;
She longs for sleep in cinders curled —
We, for the day-dream river.


VI. THE SPIDER AND THE GHOST OF THE FLY

Once I loved a spider
When I was born a fly,
A velvet-footed spider
With a gown of rainbow-dye.
She ate my wings and gloated.
She bound me with a hair.

She drove me to her parlor
Above her winding stair.
To educate young spiders
She took me all apart.
My ghost came back to haunt her.
I saw her eat my heart.


VII. CRICKETS ON A STRIKE

The foolish queen of fairyland
From her milk-white throne in a lily-bell,
Gave command to her cricket-band
To play for her when the dew-drops fell.

But the cold dew spoiled their instruments
And they play for the foolish queen no more.
Instead those sturdy malcontents
Play sharps and flats in my kitchen floor.

AN ARGUMENT FOR THE MAINTENANCE OF PEACE AND GOODWILL WITH THE JAPANESE PEOPLE

Glossary for the uninstructed and the hasty: Jimmu Tenno, ancestor of all the Japanese Emperors; Nikko, Japan's loveliest shrine; Iyeyasu, her greatest statesman; Bushido, her code of knighthood; The Forty-seven Ronins, her classic heroes; Nogi, her latest hero; Fuji, her most beautiful mountain.


"Now do you know of Avalon
That sailors call Japan?
She holds as rare a chivalry
As ever bled for man.
King Arthur sleeps at Nikko hill
Where Iyeyasu lies,
And there the broad Pendragon flag
In deathless splendor flies."

"Nay, minstrel, but the great ships come
From out the sunset sea.
We cannot greet the souls they bring
With welcome high and free.
How can the Nippon nondescripts
That weird and dreadful band
Be aught but what we find them here:—
The blasters of the land?"

"First race, first men from anywhere
To face you, eye to eye.
For that do you curse Avalon
And raise a hue and cry?
These toilers cannot kiss your hand,
Or fawn with hearts bowed down:
Be glad for them, and Avalon,
And Arthur's ghostly crown.

"No doubt your guests, with sage debate
In grave things gentlemen
Will let your trade and farms alone
And turn them back again.
But why should brawling braggarts rise
With hasty words of shame
To drive them back like dogs and swine
Who in due honor came?"

"We cannot give them honor, sir.
We give them scorn for scorn.
And Rumor steals around the world
All white-skinned men to warn
Against this sleek silk-merchant here
And viler coolie-man
And wrath within the courts of war
Brews on against Japan!"

"Must Avalon, with hope forlorn,
Her back against the wall,
Have lived her brilliant life in vain
While ruder tribes take all?
Must Arthur stand with Asian Celts,
A ghost with spear and crown,
Behind the great Pendragon flag
And be again cut down?

"Tho Europe's self shall move against
High Jimmu Tenno's throne
The Forty-seven Ronin Men
Will not be found alone.
For Percival and Bedivere
And Nogi side by side
Will stand,—with mourning Merlin there,
Tho all go down in pride.

"But has the world the envious dream—
Ah, such things cannot be,—
To tear their fairy-land like silk
And toss it in the sea?
Must venom rob the future day
The ultimate world-man
Of rare Bushido, code of codes,
The fair heart of Japan?

"Go, be the guest of Avalon.
Believe me, it lies there
Behind the mighty gray sea-wall
Where heathen bend in prayer:
Where peasants lift adoring eyes
To Fuji's crown of snow.
King Arthur's knights will be your hosts,
So cleanse your heart, and go.

"And you will find but gardens sweet
Prepared beyond the seas,
And you will find but gentlefolk
Beneath the cherry-trees.
So walk you worthy of your Christ
Tho church bells do not sound,
And weave the bands of brotherhood
On Jimmu Tenno's ground."