Vachel Lindsay: Verses about Love

"Tell me, where do ghosts in love
Find their bridal veils?"

"If you and I were ghosts in love
We'd climb the cliffs of Mystery,
Above the sea of Wails.
I'd trim your gray and streaming hair
With veils of Fantasy
From the tree of Memory.
'Tis there the ghosts that fall in love
Find their bridal veils."

True Love is founded in rocks of Remembrance
In stones of Forbearance and mortar of pain.
The workman lays wearily granite on granite,
And bleeds for his castle, 'mid sunshine and rain.

Love is not velvet, not all of it velvet,
Not all of it banners, not gold-leaf alone.
'Tis stern as the ages and old as Religion.
With Patience its watchword and Law for its throne.

[Written to the Most Beautiful Woman in the World]


M< Sweetheart is the TRUTH BEYOND THE MOON,
And never have I been in love with Woman,
Always aspiring to be set in tune
With one who is invisible, inhuman.

O laughing girl, cold TRUTH has stepped between,
Spoiling the fevers of your virgin face:
Making your shining eyes but lead and clay,
Mocking your brilliant brain and lady's grace.

TRUTH haunted me the day I wooed and lost,
The day I wooed and won, or wooed in play:
Tho' you were Juliet or Rosalind,
Thus shall it be, forever and a day.

I doubt my vows, tho' sworn on my own blood,
Tho' I draw toward you weeping, soul to soul,
I have a lonely goal beyond the moon;
Ay, beyond Heaven and Hell, I have a goal!

(Matthew V, 38-48.)


Who can surrender to Christ, dividing his best with the stranger,
Giving to each what he asks, braving the uttermost danger
All for the enemy, MAN? Who can surrender till death
His words and his works, his house and his lands,
His eyes and his heart and his breath?

Who can surrender to Christ? Many have yearned toward it daily.
Yet they surrender to passion, wildly or grimly or gaily;
Yet they surrender to pride, counting her precious and queenly;
Yet they surrender to knowledge, preening their feathers serenely.

Who can surrender to Christ? Where is the man so transcendent,
So heated with love of his kind, so filled with the spirit resplendent
That all of the hours of his day his song is thrilling and tender,
And all of his thoughts to our white cause of peace
Surrender, surrender, surrender?

The wide Pacific waters
And the Atlantic meet.
With cries of joy they mingle,
In tides of love they greet.
Above the drowned ages
A wind of wooing blows: —
The red rose woos the lotos,
The lotos woos the rose . . .

The lotos conquered Egypt.
The rose was loved in Rome.
Great India crowned the lotos:
(Britain the rose's home).
Old China crowned the lotos,
They crowned it in Japan.
But Christendom adored the rose
Ere Christendom began . . .

The lotos speaks of slumber:
The rose is as a dart.
The lotos is Nirvana:
The rose is Mary's heart.
The rose is deathless, restless,
The splendor of our pain:
The flush and fire of labor
That builds, not all in vain. . . .

The genius of the lotos
Shall heal earth's too-much fret.
The rose, in blinding glory,
Shall waken Asia yet.
Hail to their loves, ye peoples!
Behold, a world-wind blows,
That aids the ivory lotos
To wed the red red rose!

Incense and Splendor haunt me as I go.
Though my good works have been, alas, too few,
Though I do naught, High Heaven comes down to me,
And future ages pass in tall review.
I see the years to come as armies vast,
Stalking tremendous through the fields of time.
MAN is unborn. To-morrow he is born,
Flame-like to hover o’er the moil and grime,
Striving, aspiring till the shame is gone,
Sowing a million flowers, where now we mourn—
Laying new, precious pavements with a song,
Founding new shrines, the good streets to adorn.
I have seen lovers by those new-built walls
Clothed like the dawn in orange, gold and red.
Eyes flashing forth the glory-light of love
Under the wreaths that crowned each royal head.
Life was made greater by their sweetheart prayers.
Passion was turned to civic strength that day—
Piling the marbles, making fairer domes
With zeal that else had burned bright youth away.
I have seen priestesses of life go by
Gliding in samite through the incense-sea—
Innocent children marching with them there,
Singing in flowered robes, “THE EARTH IS FREE”:
While on the fair, deep-carved unfinished towers
Sentinels watched in armor, night and day—
Guarding the brazier-fires of hope and dream—
Wild was their peace, and dawn-bright their array!

On the road to nowhere
What wild oats did you sow
When you left your father's house
With your cheeks aglow?
Eyes so strained and eager
To see what you might see?
Were you thief or were you fool
Or most nobly free?

Were the tramp-days knightly,
True sowing of wild seed?
Did you dare to make the songs
Vanquished workmen need?
Did you waste much money
To deck a leper's feast?
Love the truth, defy the crowd
Scandalize the priest?
On the road to nowhere
What wild oats did you sow?
Stupids find the nowhere-road
Dusty, grim and slow.

Ere their sowing's ended
They turn them on their track,
Look at the caitiff craven wights
Repentant, hurrying back!
Grown ashamed of nowhere,
Of rags endured for years,
Lust for velvet in their hearts,
Pierced with Mammon's spears,
All but a few fanatics
Give up their darling goal,
Seek to be as others are,
Stultify the soul.
Reapings now confront them,
Glut them, or destroy,
Curious seeds, grain or weeds
Sown with awful joy.
Hurried is their harvest,
They make soft peace with men.
Pilgrims pass. They care not,
Will not tramp again.

O nowhere, golden nowhere!
Sages and fools go on
To your chaotic ocean,
To your tremendous dawn.
Far in your fair dream-haven,
Is nothing or is all...
They press on, singing, sowing
Wild deeds without recall!

Oh, once I walked in Heaven, all alone
Upon the sacred cliffs above the sky.
God and the angels, and the gleaming saints
Had journeyed out into the stars to die.

They had gone forth to win far citizens,
Bought at great price, bring happiness for all:
By such a harvest make a holier town
And put new life within old Zion's wall.

Each chose a far-off planet for his home,
Speaking of love and mercy, truth and right,
Envied and cursed, thorn-crowned and scourged in time,
Each tasted death on his appointed night.

Then resurrection day from sphere to sphere
Sped on, with all the POWERS arisen again,
While with them came in clouds recruited hosts
Of sun-born strangers and of earth-born men.

And on that day gray prophet saints went down
And poured atoning blood upon the deep,
Till every warrior of old Hell flew free
And all the torture fires were laid asleep.

And Hell's lost company I saw return
Clear-eyed, with plumes of white, the demons bold
Climbed with the angels now on Jacob's stair,
And built a better Zion than the old.

And yet I walked alone on azure cliffs
A lifetime long, and loved each untrimmed vine:
The rotted harps, the swords of rusted gold,
The jungles of all Heaven then were mine.

Oh mesas and throne-mountains that I found!
Oh strange and shaking thoughts that touched me there,
Ere I beheld the bright returning wings
That came to spoil my secret, silent lair!

Sweetheart Spring

Our Sweetheart, Spring, came softly,
Her gliding hands were fire,
Her lilac breath upon our cheeks
Consumed us with desire.

By her our God began to build,
Began to sow and till.
He laid foundations in our loves
For every good and ill.
We asked Him not for blessing,
We asked Him not for pain —
Still, to the just and unjust
He sent His fire and rain.


Sweetheart Summer

We prayed not, yet she came to us,
The silken, shining one,
On Jacob's noble ladder
Descended from the sun.
She reached our town of Every Day,
Our dry and dusty sod —
We prayed not, yet she brought to us
The misty wine of God.


Sweetheart Autumn

The woods were black and crimson,
The frost-bit flowers were dead,
But Sweetheart Indian Summer came
With love-winds round her head.
While fruits God-given and splendid
Belonged to her domain:
Baskets of corn in perfect ear
And grapes with purple stain,
The treacherous winds persuaded her
Spring Love was in the wood
Altho' the end of love was hers —
Fruition, Motherhood.


Sweetheart Winter

We had done naught of service
To win our Maker's praise.
Yet Sweetheart Winter came to us
To gild our waning days.
Down Jacob's winding ladder
She came from Sunshine Town,
Bearing the sparkling mornings
And clouds of silver-brown;
Bearing the seeds of Springtime.
Upon her snowy seas
Bearing the fairy star-flowers
For baby Christmas trees.

And must the Senator from Illinois
Be this squat thing, with blinking, half-closed eyes?
This brazen gutter idol, reared to power
Upon a leering pyramid of lies?

And must the Senator from Illinois
Be the world's proverb of successful shame,
Dazzling all State house flies that steal and steal,
Who, when the sad State spares them, count it fame?

If once or twice within his new won hall
His vote had counted for the broken men;
If in his early days he wrought some good —
We might a great soul's sins forgive him then.

But must the Senator from Illinois
Be vindicated by fat kings of gold?
And must he be belauded by the smirched,
The sleek, uncanny chiefs in lies grown old?

Be warned, O wanton ones, who shielded him —
Black wrath awaits. You all shall eat the dust.
You dare not say: "To-morrow will bring peace;
Let us make merry, and go forth in lust."

What will you trading frogs do on a day
When Armageddon thunders thro' the land;
When each sad patriot rises, mad with shame,
His ballot or his musket in his hand?

In the distracted states from which you came
The day is big with war hopes fierce and strange;
Our iron Chicagos and our grimy mines
Rumble with hate and love and solemn change.

Too many weary men shed honest tears,
Ground by machines that give the Senate ease.
Too many little babes with bleeding hands
Have heaped the fruits of empire on your knees.

And swine within the Senate in this day,
When all the smothering by-streets weep and wail;
When wisdom breaks the hearts of her best sons;
When kingly men, voting for truth, may fail: —

These are a portent and a call to arms.
Our protest turns into a battle cry:
"Our shame must end, our States be free and clean;
And in this war we choose to live and die."

I. THE VOICE OF THE MAN IMPATIENT WITH VISIONS AND UTOPIAS

We find your soft Utopias as white
As new-cut bread, and dull as life in cells,
O, scribes who dare forget how wild we are
How human breasts adore alarum bells.
You house us in a hive of prigs and saints
Communal, frugal, clean and chaste by law.
I'd rather brood in bloody Elsinore
Or be Lear's fool, straw-crowned amid the straw.
Promise us all our share in Agincourt
Say that our clerks shall venture scorns and death,
That future ant-hills will not be too good
For Henry Fifth, or Hotspur, or Macbeth.
Promise that through to-morrow's spirit-war
Man's deathless soul will hack and hew its way,
Each flaunting Caesar climbing to his fate
Scorning the utmost steps of yesterday.
Never a shallow jester any more!
Let not Jack Falstaff spill the ale in vain.
Let Touchstone set the fashions for the wise
And Ariel wreak his fancies through the rain.


II. THE RHYMER'S REPLY. INCENSE AND SPLENDOR

Incense and Splendor haunt me as I go.
Though my good works have been, alas, too few,
Though I do naught, High Heaven comes down to me,
And future ages pass in tall review.
I see the years to come as armies vast,
Stalking tremendous through the fields of time.
MAN is unborn. To-morrow he is born,
Flame-like to hover o'er the moil and grime,
Striving, aspiring till the shame is gone,
Sowing a million flowers, where now we mourn—
Laying new, precious pavements with a song,
Founding new shrines, the good streets to adorn.
I have seen lovers by those new-built walls
Clothed like the dawn in orange, gold and red.
Eyes flashing forth the glory-light of love
Under the wreaths that crowned each royal head.
Life was made greater by their sweetheart prayers.
Passion was turned to civic strength that day—
Piling the marbles, making fairer domes
With zeal that else had burned bright youth away.
I have seen priestesses of life go by
Gliding in samite through the incense-sea—
Innocent children marching with them there,
Singing in flowered robes, "THE EARTH IS FREE":
While on the fair, deep-carved unfinished towers
Sentinels watched in armor, night and day—
Guarding the brazier-fires of hope and dream—
Wild was their peace, and dawn-bright their array!

She was taught desire in the street,
Not at the angels' feet.
By the good no word was said
Of the worth of the bridal bed.
The secret was learned from the vile,
Not from her mother's smile.
Home spoke not. And the girl
Was caught in the public whirl.
Do you say "She gave consent:
Life drunk, she was content
With beasts that her fire could please?"
But she did not choose disease
Of mind and nerves and breath.
She was trapped to a slow, foul death.
The door was watched so well,
That the steep dark stair to hell
Was the only escaping way...
"She gave consent," you say?

Some think she was meek and good,
Only lost in the wood
Of youth, and deceived in man
When the hunger of sex began
That ties the husband and wife
To the end in a strong fond life.
Her captor, by chance was one
Of those whose passion was done,
A cold fierce worm of the sea
Enslaving for you and me.
The wages the poor must take
Have forced them to serve this snake.
Yea, half-paid girls must go
For bread to his pit below.
What hangman shall wait his host
Of butchers from coast to coast,
New York to the Golden Gate —
The merger of death and fate,
Lust-kings with a careful plan
Clean-cut, American?

In liberty's name we cry
For these women about to die.

O mothers who failed to tell
The mazes of heaven and hell,
Who failed to advise, implore
Your daughters at Love's strange door,
What will you do this day?
Your dear ones are hidden away,
As good as chained to the bed,
Hid like the mad, or the dead: —
The glories of endless years
Drowned in their harlot-tears:
The children they hoped to bear,
Grandchildren strong and fair,
The life for ages to be,
Cut off like a blasted tree,
Murdered in filth in a day,
Somehow, by the merchant gay!

In liberty's name we cry
For these women about to die.

What shall be said of a state
Where traps for the white brides wait?
Of sellers of drink who play
The game for the extra pay?
Of statesmen in league with all
Who hope for the girl-child's fall?
Of banks where hell's money is paid
And Pharisees all afraid
Of pandars that help them sin?
When will our wrath begin?

Once I loved a fairy,
Queen Mab it was. Her voice
Was like a little Fountain
That bids the birds rejoice.
Her face was wise and solemn,
Her hair was brown and fine.
Her dress was pansy velvet,
A butterfly design.

To see her hover round me
Or walk the hills of air,
Awakened love's deep pulses
And boyhood's first despair;
A passion like a sword-blade
That pierced me thro' and thro':
Her fingers healed the sorrow
Her whisper would renew.
We sighed and reigned and feasted
Within a hollow tree,
We vowed our love was boundless,
Eternal as the sea.

She banished from her kingdom
The mortal boy I grew —
So tall and crude and noisy,
I killed grasshoppers too.
I threw big rocks at pigeons,
I plucked and tore apart
The weeping, wailing daisies,
And broke my lady's heart.
At length I grew to manhood,
I scarcely could believe
I ever loved the lady,
Or caused her court to grieve,
Until a dream came to me,
One bleak first night of Spring,
Ere tides of apple blossoms
Rolled in o'er everything,
While rain and sleet and snowbanks
Were still a-vexing men,
Ere robin and his comrades
Were nesting once again.

I saw Mab's Book of Judgment —
Its clasps were iron and stone,
Its leaves were mammoth ivory,
Its boards were mammoth bone, —
Hid in her seaside mountains,
Forgotten or unkept,
Beneath its mighty covers
Her wrath against me slept.
And deeply I repented
Of brash and boyish crime,
Of murder of things lovely
Now and in olden time.
I cursed my vain ambition,
My would-be worldly days,
And craved the paths of wonder,
Of dewy dawns and fays.
I cried, "Our love was boundless,
Eternal as the sea,
O Queen, reverse the sentence,
Come back and master me!"

The book was by the cliff-side
Upon its edge upright.
I laid me by it softly,
And wept throughout the night.
And there at dawn I saw it,
No book now, but a door,
Upon its panels written,
"Judgment is no more."
The bolt flew back with thunder,
I saw within that place
A mermaid wrapped in seaweed
With Mab's immortal face,
Yet grown now to a woman,
A woman to the knee.
She cried, she clasped me fondly,
We soon were in the sea.

Ah, she was wise and subtle,
And gay and strong and sleek,
We chained the wicked sword-fish,
We played at hide and seek.
We floated on the water,
We heard the dawn-wind sing,
I made from ocean-wonders,
Her bridal wreath and ring.
All mortal girls were shadows,
All earth-life but a mist,
When deep beneath the maelstrom,
The mermaid's heart I kissed.

I woke beside the church-door
Of our small inland town,
Bowing to a maiden
In a pansy-velvet gown,
Who had not heard of fairies,
Yet seemed of love to dream.
We planned an earthly cottage
Beside an earthly stream.

Our wedding long is over,
With toil the years fill up,
Yet in the evening silence,
We drink a deep-sea cup.
Nothing the fay remembers,
Yet when she turns to me,
We meet beneath the whirlpool,
We swim the golden sea.

The whole world on a raft! A King is here,
The record of his grandeur but a smear.
Is it his deacon-beard, or old bald pate
That makes the band upon his whims to wait?
Loot and mud-honey have his soul defiled.
Quack, pig, and priest, he drives camp-meetings wild
Until they shower their pennies like spring rain
That he may preach upon the Spanish main.
What landlord, lawyer, voodoo-man has yet
A better native right to make men sweat?

The whole world on a raft! A Duke is here
At sight of whose lank jaw the muses leer.
Journeyman-printer, lamb with ferret eyes,
In life's skullduggery he takes the prize —
Yet stands at twilight wrapped in Hamlet dreams.
Into his eyes the Mississippi gleams.
The sandbar sings in moonlit veils of foam.
A candle shines from one lone cabin home.
The waves reflect it like a drunken star.

A banjo and a hymn are heard afar.
No solace on the lazy shore excels
The Duke's blue castle with its steamer-bells.
The floor is running water, and the roof
The stars' brocade with cloudy warp and woof.

And on past sorghum fields the current swings.
To Christian Jim the Mississippi sings.
This prankish wave-swept barque has won its place,
A ship of jesting for the human race.
But do you laugh when Jim bows down forlorn
His babe, his deaf Elizabeth to mourn?
And do you laugh, when Jim, from Huck apart
Gropes through the rain and night with breaking heart?

But now that imp is here and we can smile,
Jim's child and guardian this long-drawn while.
With knife and heavy gun, a hunter keen,
He stops for squirrel-meat in islands green.
The eternal gamin, sleeping half the day,
Then stripped and sleek, a river-fish at play.
And then well-dressed, ashore, he sees life spilt.
The river-bank is one bright crazy-quilt
Of patch-work dream, of wrath more red than lust,
Where long-haired feudist Hotspurs bite the dust...

This Huckleberry Finn is but the race,
America, still lovely in disgrace,
New childhood of the world, that blunders on
And wonders at the darkness and the dawn,
The poor damned human race, still unimpressed
With its damnation, all its gamin breast
Chorteling at dukes and kings with nigger Jim,
Then plotting for their fall, with jestings grim.

Behold a Republic
Where a river speaks to men
And cries to those that love its ways,
Answering again
When in the heart's extravagance
The rascals bend to say
"O singing Mississippi
Shine, sing for us today."

But who is this in sweeping Oxford gown
Who steers the raft, or ambles up and down,
Or throws his gown aside, and there in white
Stands gleaming like a pillar of the night?
The lion of high courts, with hoary mane,
Fierce jester that this boyish court will gain —
Mark Twain!
The bad world's idol:
Old Mark Twain!

He takes his turn as watchman with the rest,
With secret transports to the stars addressed,
With nightlong broodings upon cosmic law,
With daylong laughter at this world so raw.

All praise to Emerson and Whitman, yet
The best they have to say, their sons forget.
But who can dodge this genius of the stream,
The Mississippi Valley's laughing dream?
He is the artery that finds the sea
In this the land of slaves, and boys still free.
He is the river, and they one and all
Sail on his breast, and to each other call.

Come let us disgrace ourselves,
Knock the stuffed gods from their shelves,
And cinders at the schoolhouse fling.
Come let us disgrace ourselves,
And live on a raft with gray Mark Twain
And Huck and Jim
And the Duke and the King.

(A Poem Game.)

“And when the Queen of Sheba heard of the fame of Solomon, . . .
she came to prove him with hard questions.”


[The men’s leader rises as he sees the Queen unveiling
and approaching a position that gives her half of the stage.]

Men’s Leader: The Queen of Sheba came to see King Solomon.
[He bows three times.]
I was King Solomon,
I was King Solomon,
I was King Solomon.

[She bows three times.]
Women’s Leader: I was the Queen,
I was the Queen,
I was the Queen.

Both Leaders: We will be king and queen,
[They stand together stretching their hands over the land.]
Reigning on mountains green,
Happy and free
For ten thousand years.

[They stagger forward as though carrying a yoke together.]
Both Leaders: King Solomon he had four hundred oxen.

Congregation: We were the oxen.

[Here King and Queen pause at the footlights.]
Both Leaders: You shall feel goads no more.
[They walk backward, throwing off the yoke and rejoicing.]
Walk dreadful roads no more,
Free from your loads
For ten thousand years.

[The men’s leader goes forward, the women’s leader dances round him.]
Both Leaders: King Solomon he had four hundred sweethearts.

[Here he pauses at the footlights.]
Congregation: We were the sweethearts.

[He walks backward. Both clap their hands to the measure.]
Both Leaders: You shall dance round again,
You shall dance round again,
Cymbals shall sound again,
Cymbals shall sound again,
[The Queen appears to gather wildflowers.]
Wildflowers be found
For ten thousand years,
Wildflowers be found
For ten thousand years.

[He continues to command the congregation, the woman to dance.
He goes forward to the footlights.]
Both Leaders: And every sweetheart had four hundred swans.

Congregation: We were the swans.

[The King walks backward.]
Both Leaders: You shall spread wings again,
You shall spread wings again,
[Here a special dance, by the Queen: swans flying in circles.]
Fly in soft rings again,
Fly in soft rings again,
Swim by cool springs
For ten thousand years,
Swim by cool springs,
For ten thousand years.

[The refrain “King Solomon” may be intoned by the men’s leader
whenever it is needed to enable the women’s leader to get to
her starting point. All the refrains may be likewise used.]
Men’s Leader: King Solomon,
King Solomon.

Women’s Leader: The Queen of Sheba asked him like a lady,
[They bow to each other—then give a pantomime
indicating a great rose garden.]
Bowing most politely:
“What makes the roses bloom
Over the mossy tomb,
Driving away the gloom
Ten thousand years?”

Men’s Leader: King Solomon made answer to the lady,
[They bow and confer. The Queen reserved, but taking cognizance.
The King wooing with ornate gestures of respect, and courtly animation.]
Bowing most politely:
“They bloom forever thinking of your beauty,
Your step so queenly and your eyes so lovely.
These keep the roses fair,
Young and without a care,
Making so sweet the air,
Ten thousand years.”

[The two, with a manner almost a cake walk, go forward.]
Both Leaders: King Solomon he had four hundred sons.

[On this line, King and Queen pause before the footlights.]
Congregation: We were the sons.

[Pantomime of crowning the audience.]
Both Leaders: Crowned by the throngs again,
[On this line they walk backward, playing great imaginary harps.]
You shall make songs again,
Singing along
For ten thousand years.

[They go forward in a pony gallop, then stand pawing.]
Both Leaders: He gave each son four hundred prancing ponies.

Congregation: We were the ponies.

[They nod their heads, starting to walk backward.]
Both Leaders: You shall eat hay again,
[A pony dance by both, in circles.]
In forests play again,
Rampage and neigh
For ten thousand years.

Men’s Leader: King Solomon he asked the Queen of Sheba,
[They bow to each other, standing so that
each one commands half of the stage.]
Bowing most politely:
“What makes the oak-tree grow
Hardy in sun and snow,
Never by wind brought low
Ten thousand years?”

Women’s Leader: The Queen of Sheba answered like a lady,
[They bow to each other, again, with pantomime indicating a forest.]
Bowing most politely:
“It blooms forever thinking of your wisdom,
Your brave heart and the way you rule your kingdom.
These keep the oak secure,
Weaving its leafy lure,
Dreaming by fountains pure
Ten thousand years.”

[They go to the footlights with a sailor’s lurch and hitch.]
Both Leaders: The Queen of Sheba had four hundred sailors.

[The King and Queen pause.]
Congregation: We were the sailors.

Both Leaders: You shall bring spice and ore
[They walk backward with slow long-armed gestures
indicating the entire horizon line.]
Over the ocean’s floor,
Shipmates once more,
For ten thousand years.

Women’s Leader: The Queen of Sheba asked him like a lady,
[They bow to each other, the Queen indicating the depths of the sea.]
Bowing most politely:
“Why is the sea so deep,
What secret does it keep
While tides a-roaring leap
Ten thousand years?”

Men’s Leader: King Solomon made answer to the lady,
[They bow to each other, then confer; the Queen reserved,
but taking cognizance, the King wooing with ornate gestures
of respect and courtly admiration.]
Bowing most politely:
“My love for you is like the stormy ocean—
Too deep to understand,
Bending to your command,
Bringing your ships to land
Ten thousand years.”
King Solomon,
King Solomon.

[They go to the footlights with the greatest possible strut.]
Both Leaders: King Solomon he had four hundred chieftains.

Congregation: We were the chieftains.

[The leaders stand with arms proudly folded.]
Both Leaders: You shall be proud again,
[They walk backward haughtily, laughing on the last lines.]
Dazzle the crowd again,
Laughing aloud
For ten thousand years.

[From here on the whole production to be
much more solemn, elevated, religious.]

[The leaders go forward to the footlights carrying imaginary torches.]
Both Leaders: King Solomon he had four hundred shepherds.

[The man and woman pause at the footlights.]
Congregation: We were the shepherds.

[They wander over the stage as though looking for lost lambs,
with torches held high.]
Both Leaders: You shall have torches bright,
Watching the folds by night,
Guarding the lambs aright,
Ten thousand years.

Men’s Leader: King Solomon he asked the Queen of Sheba,
[The King kneels, and indicates the entire sky with one long slow gesture.]
Bowing most politely:
“Why are the stars so high,
There in the velvet sky,
Rolling in rivers by,
Ten thousand years?”

Women’s Leader: The Queen of Sheba answered like a lady,
[The Queen kneels opposite the King,
and gives the same gesture as she answers.]
Bowing most politely:
“They’re singing of your kingdom to the angels,
They guide your chariot with their lamps and candles,
Therefore they burn so far—
So you can drive your car
Up where the prophets are,
Ten thousand years.”

Men’s Leader: King Solomon,
King Solomon.

Both Leaders: King Solomon he kept the Sabbath holy.
[The two stand, commanding the audience.]
And spoke with tongues in prophet words so mighty
[The man and woman stamp and whirl with great noise and solemnity.]
We stamped and whirled and wept and shouted:—

Congregation Rises and Joins the Song:
. . . . “Glory.”
We were his people.

[On these two lines, man and woman stamp and whirl again,
gravely, magnificently.]
Both Leaders: You shall be wild and gay,
Green trees shall deck your way,
[On these two lines they kneel, commanding the audience.]
Sunday be every day,
Ten thousand years.

[Now they rise and bow to each other and the audience,
maintaining a certain intention of benediction.]
King Solomon,
King Solomon.

A Song in Chinese Tapestries


"How, how," he said. "Friend Chang," I said,
"San Francisco sleeps as the dead—
Ended license, lust and play:
Why do you iron the night away?
Your big clock speaks with a deadly sound,
With a tick and a wail till dawn comes round.
While the monster shadows glower and creep,
What can be better for man than sleep?"

"I will tell you a secret," Chang replied;
"My breast with vision is satisfied,
And I see green trees and fluttering wings,
And my deathless bird from Shanghai sings."
Then he lit five fire-crackers in a pan.
"Pop, pop," said the fire-crackers, "cra-cra-crack."
He lit a joss stick long and black.
Then the proud gray joss in the corner stirred;
On his wrist appeared a gray small bird,
And this was the song of the gray small bird:
"Where is the princess, loved forever,
Who made Chang first of the kings of men?"

And the joss in the corner stirred again;
And the carved dog, curled in his arms, awoke,
Barked forth a smoke-cloud that whirled and broke.
It piled in a maze round the ironing-place,
And there on the snowy table wide
Stood a Chinese lady of high degree,
With a scornful, witching, tea-rose face....
Yet she put away all form and pride,
And laid her glimmering veil aside
With a childlike smile for Chang and for me.

The walls fell back, night was aflower,
The table gleamed in a moonlit bower,
While Chang, with a countenance carved of stone,
Ironed and ironed, all alone.
And thus she sang to the busy man Chang:
"Have you forgotten....
Deep in the ages, long, long ago,
I was your sweetheart, there on the sand—
Storm-worn beach of the Chinese land?
We sold our grain in the peacock town
Built on the edge of the sea-sands brown—
Built on the edge of the sea-sands brown....

"When all the world was drinking blood
From the skulls of men and bulls
And all the world had swords and clubs of stone,
We drank our tea in China beneath the sacred spice-trees,
And heard the curled waves of the harbor moan.
And this gray bird, in Love's first spring,
With a bright-bronze breast and a bronze-brown wing,
Captured the world with his carolling.
Do you remember, ages after,
At last the world we were born to own?
You were the heir of the yellow throne—
The world was the field of the Chinese man
And we were the pride of the Sons of Han?
We copied deep books and we carved in jade,
And wove blue silks in the mulberry shade...."

"I remember, I remember
That Spring came on forever,
That Spring came on forever,"
Said the Chinese nightingale.

My heart was filled with marvel and dream,
Though I saw the western street-lamps gleam,
Though dawn was bringing the western day,
Though Chang was a laundryman ironing away....
Mingled there with the streets and alleys,
The railroad-yard and the clock-tower bright,
Demon clouds crossed ancient valleys;
Across wide lotus-ponds of light
I marked a giant firefly's flight.

And the lady, rosy-red,
Flourished her fan, her shimmering fan,
Stretched her hand toward Chang, and said:
"Do you remember,
Ages after,
Our palace of heart-red stone?
Do you remember
The little doll-faced children
With their lanterns full of moon-fire,
That came from all the empire
Honoring the throne?—
The loveliest fête and carnival
Our world had ever known?
The sages sat about us
With their heads bowed in their beards,
With proper meditation on the sight.
Confucius was not born;
We lived in those great days
Confucius later said were lived aright....

And this gray bird, on that day of spring,
With a bright bronze breast, and a bronze-brown wing,
Captured the world with his carolling.
Late at night his tune was spent.
Peasants,
Sages,
Children,
Hom eward went,
And then the bronze bird sang for you and me.
We walked alone. Our hearts were high and free.
I had a silvery name, I had a silvery name,
I had a silvery name — do you remember
The name you cried beside the tumbling sea?"

Chang turned not to the lady slim—
He bent to his work, ironing away;
But she was arch, and knowing and glowing,
And the bird on his shoulder spoke for him.

"Darling . . . darling . . . darling . . . darling . . ."
Said the Chinese nightingale.

The great gray joss on a rustic shelf,
Rakish and shrewd, with his collar awry,
Sang impolitely, as though by himself,
Drowning with his bellowing the nightingale's cry:
"Back through a hundred, hundred years
Hear the waves as they climb the piers,
Hear the howl of the silver seas,
Hear the thunder.
Hear the gongs of holy China
How the waves and tunes combine
In a rhythmic clashing wonder,
Incantation old and fine:
`Dragons, dragons, Chinese dragons,
Red fire-crackers, and green fire-crackers,
And dragons, dragons, Chinese dragons.'"

Then the lady, rosy-red,
Turned to her lover Chang and said:
"Dare you forget that turquoise dawn
When we stood in our mist-hung velvet lawn,
And worked a spell this great joss taught
Till a God of the Dragons was charmed and caught?
From the flag high over our palace home
He flew to our feet in rainbow-foam —
A king of beauty and tempest and thunder
Panting to tear our sorrows asunder.
A dragon of fair adventure and wonder.
We mounted the back of that royal slave
With thoughts of desire that were noble and grave.
We swam down the shore to the dragon-mountains,
We whirled to the peaks and the fiery fountains.
To our secret ivory house we were bourne.
We looked down the wonderful wing-filled regions
Where the dragons darted in glimmering legions.
Right by my breast the nightingale sang;
The old rhymes rang in the sunlit mist
That we this hour regain —
Song-fire for the brain.
When my hands and my hair and my feet you kissed,
When you cried for your heart's new pain,
What was my name in the dragon-mist,
In the rings of rainbowed rain?"

"Sorrow and love, glory and love,"
Said the Chinese nightingale.
"Sorrow and love, glory and love,"
Said the Chinese nightingale.

And now the joss broke in with his song:
"Dying ember, bird of Chang,
Soul of Chang, do you remember? —
Ere you returned to the shining harbor
There were pirates by ten thousand
Descended on the town
In vessels mountain-high and red and brown,
Moon-ships that climbed the storms and cut the skies.
On their prows were painted terrible bright eyes.
But I was then a wizard and a scholar and a priest;
I stood upon the sand;
With lifted hand I looked upon them
And sunk their vessels with my wizard eyes,
And the stately lacquer-gate made safe again.
Deep, deep below the bay, the sea-weed and the spray,
Embalmed in amber every pirate lies,
Embalmed in amber every pirate lies."

Then this did the noble lady say:
"Bird, do you dream of our home-coming day
When you flew like a courier on before
From the dragon-peak to our palace-door,
And we drove the steed in your singing path—
The ramping dragon of laughter and wrath:
And found our city all aglow,
And knighted this joss that decked it so?
There were golden fishes in the purple river
And silver fishes and rainbow fishes.
There were golden junks in the laughing river,
And silver junks and rainbow junks:
There were golden lilies by the bay and river,
And silver lilies and tiger-lilies,
And tinkling wind-bells in the gardens of the town
By the black-lacquer gate
Where walked in state
The kind king Chang
And his sweet-heart mate....
With his flag-born dragon
And his crown of pearl...and...jade,
And his nightingale reigning in the mulberry shade,
And sailors and soldiers on the sea-sands brown,
And priests who bowed them down to your song—
By the city called Han, the peacock town,
By the city called Han, the nightingale town,
The nightingale town."

Then sang the bird, so strangely gay,
Fluttering, fluttering, ghostly and gray,
A vague, unravelling, final tune,
Like a long unwinding silk cocoon;
Sang as though for the soul of him
Who ironed away in that bower dim: —
"I have forgotten
Your dragons great,
Merry and mad and friendly and bold.

Dim is your proud lost palace-gate.
I vaguely know
There were heroes of old,
Troubles more than the heart could hold,
There were wolves in the woods
Yet lambs in the fold,
Nests in the top of the almond tree....
The evergreen tree... and the mulberry tree...
Life and hurry and joy forgotten,
Years on years I but half-remember...
Man is a torch, then ashes soon,
May and June, then dead December,
Dead December, then again June.
Who shall end my dream's confusion?
Life is a loom, weaving illusion...
I remember, I remember
There were ghostly veils and laces...
In the shadowy bowery places...
With lovers' ardent faces
Bending to one another,
Speaking each his part.
They infinitely echo
In the red cave of my heart.
`Sweetheart, sweetheart, sweetheart.'
They said to one another.

They spoke, I think, of perils past.
They spoke, I think, of peace at last.
One thing I remember:
Spring came on forever,
Spring came on forever,"
Said the Chinese nightingale.

I. A NEGRO SERMON:—SIMON LEGREE

(To be read in your own variety of negro dialect.)


Legree's big house was white and green.
His cotton-fields were the best to be seen.
He had strong horses and opulent cattle,
And bloodhounds bold, with chains that would rattle.
His garret was full of curious things:
Books of magic, bags of gold,
And rabbits' feet on long twine strings.
But he went down to the Devil.

Legree he sported a brass-buttoned coat,
A snake-skin necktie, a blood-red shirt.
Legree he had a beard like a goat,
And a thick hairy neck, and eyes like dirt.
His puffed-out cheeks were fish-belly white,
He had great long teeth, and an appetite.
He ate raw meat, 'most every meal,
And rolled his eyes till the cat would squeal.

His fist was an enormous size
To mash poor niggers that told him lies:
He was surely a witch-man in disguise.
But he went down to the Devil.

He wore hip-boots, and would wade all day
To capture his slaves that had fled away.
But he went down to the Devil.

He beat poor Uncle Tom to death
Who prayed for Legree with his last breath.
Then Uncle Tom to Eva flew,
To the high sanctoriums bright and new;
And Simon Legree stared up beneath,
And cracked his heels, and ground his teeth:
And went down to the Devil.

He crossed the yard in the storm and gloom;
He went into his grand front room.
He said, "I killed him, and I don't care."
He kicked a hound, he gave a swear;
He tightened his belt, he took a lamp,
Went down cellar to the webs and damp.
There in the middle of the mouldy floor
He heaved up a slab, he found a door —
And went down to the Devil.

His lamp blew out, but his eyes burned bright.
Simon Legree stepped down all night —
Down, down to the Devil.
Simon Legree he reached the place,
He saw one half of the human race,
He saw the Devil on a wide green throne,
Gnawing the meat from a big ham-bone,
And he said to Mister Devil:

"I see that you have much to eat —
A red ham-bone is surely sweet.
I see that you have lion's feet;
I see your frame is fat and fine,
I see you drink your poison wine —
Blood and burning turpentine."


And the Devil said to Simon Legree:
"I like your style, so wicked and free.
Come sit and share my throne with me,
And let us bark and revel."
And there they sit and gnash their teeth,
And each one wears a hop-vine wreath.
They are matching pennies and shooting craps,
They are playing poker and taking naps.
And old Legree is fat and fine:
He eats the fire, he drinks the wine —
Blood and burning turpentine —
Down, down with the Devil;
Down, down with the Devil;
Down, down with the Devil.


II. JOHN BROWN

(To be sung by a leader and chorus, the leader singing the body of the poem, while the chorus interrupts with the question.)


I've been to Palestine.
What did you see in Palestine?
I saw the ark of Noah —
It was made of pitch and pine.
I saw old Father Noah
Asleep beneath his vine.
I saw Shem, Ham and Japhet
Standing in a line.
I saw the tower of Babel
In the gorgeous sunrise shine —
By a weeping willow tree
Beside the Dead Sea.

I've been to Palestine.
What did you see in Palestine?
I saw abominations
And Gadarene swine.
I saw the sinful Canaanites
Upon the shewbread dine,
And spoil the temple vessels
And drink the temple wine.
I saw Lot's wife, a pillar of salt
Standing in the brine —
By a weeping willow tree
Beside the Dead Sea.

I've been to Palestine.
What did you see in Palestine?
Cedars on Mount Lebanon,
Gold in Ophir's mine,
And a wicked generation
Seeking for a sign
And Baal's howling worshippers
Their god with leaves entwine.
And...
I saw the war-horse ramping
And shake his forelock fine —
By a weeping willow tree
Beside the Dead Sea.

I've been to Palestine.
What did you see in Palestine?
Old John Brown.
Old John Brown.
I saw his gracious wife
Dressed in a homespun gown.
I saw his seven sons
Before his feet bow down.
And he marched with his seven sons,
His wagons and goods and guns,
To his campfire by the sea,
By the waves of Galilee.

I've been to Palestine.
What did you see in Palestine?
I saw the harp and psalt'ry
Played for Old John Brown.
I heard the ram's horn blow,
Blow for Old John Brown.
I saw the Bulls of Bashan —
They cheered for Old John Brown.
I saw the big Behemoth —
He cheered for Old John Brown.
I saw the big Leviathan —
He cheered for Old John Brown.
I saw the Angel Gabriel
Great power to him assign.

I saw him fight the Canaanites
And set God's Israel free.
I saw him when the war was done
In his rustic chair recline —
By his campfire by the sea,
By the waves of Galilee.

I've been to Palestine.
What did you see in Palestine?
Old John Brown.
Old John Brown.
And there he sits
To judge the world.
His hunting-dogs
At his feet are curled.
His eyes half-closed,
But John Brown sees
The ends of the earth,
The Day of Doom.
And his shot-gun lies
Across his knees —
Old John Brown,
Old John Brown.


III. KING SOLOMON AND THE QUEEN OF SHEBA

(A Poem Game.)

"And when the Queen of Sheba heard of the fame of Solomon,... she came to prove him with hard questions."

[The men's leader rises as he sees the Queen unveiling and approaching a position that gives her half of the stage.]


MEN'S LEADER: :

The Queen of Sheba came to see King Solomon.
I was King Solomon,

[He bows three times.]

I was King Solomon,
I was King Solomon.


WOMEN'S LEADER::

I was the Queen,

[She bows three times.]

I was the Queen,
I was the Queen.


BOTH LEADERS::

We will be king and queen,
Reigning on mountains green,

[They stand together stretching their hands over the land.]

Happy and free
For ten thousand years.


BOTH LEADERS:

King Solomon he had four hundred oxen.

[They stagger forward as through carrying a yoke together.]


CONGREGATION:

We were the oxen.


BOTH LEADERS:

You shall feel goads no more.

[Here King and Queen pause at the footlights.]

Walk dreadful roads no more,

[They walk backward, throwing off the yoke and rejoicing.]

Free from your loads
For ten thousand years.


BOTH LEADERS:

King Solomon he had four hundred sweethearts.

[The men's leader goes forward, the women's leader dances round him.]


CONGREGATION:

We were the sweethearts.

[Here he pauses at the footlights.]


BOTH LEADERS:

You shall dance round again,

[He walks backward. Both clap their hands to the measure.]

You shall dance round again,
Cymbals shall sound again,
Cymbals shall sound again,
Wildflowers be found

[The Queen appears to gather wildflowers.]

For ten thousand years,
Wildflowers be found
For ten thousand years.


BOTH LEADERS:

And every sweetheart had four hundred swans.

[He continues to command the congregation, the woman to dance. He goes forward to the footlights.]


CONGREGATION:

We were the swans.


BOTH LEADERS:

You shall spread wings again,

[The King walks backward.]

You shall spread wings again,
Fly in soft rings again,

[Here a special dance, by the Queen: swans flying in circles.]

Fly in soft rings again,
Swim by cool springs
For ten thousand years,
Swim by cool springs,
For ten thousand years.


MEN'S LEADER:

King Solomon,

[The refrain "King Solomon" may be intoned by the men's leader whenever it is needed to enable the women's leader to get to her starting point. All the refrains may be likewise used.]

King Solomon.


WOMEN'S LEADER:

The Queen of Sheba asked him like a lady,
Bowing most politely:
"What makes the roses bloom
Over the mossy tomb,

[They bow to each other — then give a pantomime indicating a great rose garden.]

Driving away the gloom
Ten thousand years?"


MEN'S LEADER:

King Solomon made answer to the lady,
Bowing most politely:

[They bow and confer. The Queen reserved, but taking cognizance. The King wooing with ornate gestures of respect, and courtly animation.]

"They bloom forever thinking of your beauty,
Your step so queenly and your eyes so lovely.
These keep the roses fair,
Young and without a care,
Making so sweet the air,
Ten thousand years."


BOTH LEADERS:

King Solomon he had four hundred sons.

[The two, with a manner almost a cake walk, go forward.]


CONGREGATION:

We were the sons.

[On this line, King and Queen pause before the footlights.]


BOTH LEADERS:

Crowned by the throngs again,

[Pantomime of crowning the audience.]

You shall make songs again,

[On this line they walk backward, playing great imaginary harps.]

Singing along
For ten thousand years.


BOTH LEADERS:

He gave each son four hundred prancing ponies.

[They go forward in a pony gallop, then stand pawing.]


CONGREGATION:

We were the ponies.


BOTH LEADERS:

You shall eat hay again,

[They nod their heads, starting to walk backward.]

In forests play again,

[A pony dance by both, in circles.]

Rampage and neigh
For ten thousand years.


MEN'S LEADER:

King Solomon he asked the Queen of Sheba,
Bowing most politely:

[They bow to each other, standing so that each one commands half of the stage.]

"What makes the oaktree grow
Hardy in sun and snow,
Never by wind brought low
Ten thousand years?"


WOMEN'S LEADER:

The Queen of Sheba answered like a lady,
Bowing most politely:

[They bow to each other, again, with pantomime indicating a forest.]

"It blooms forever thinking of your wisdom,
Your brave heart and the way you rule your kingdom.
These keep the oak secure,
Weaving its leafy lure,
Dreaming by fountains pure
Ten thousand years."


BOTH LEADERS:

The Queen of Sheba had four hundred sailors.

[They go to the footlights with a sailor's lurch and hitch.]


CONGREGATION:

We were the sailors.

[The King and Queen pause.]


BOTH LEADERS:

You shall bring spice and ore
Over the ocean's floor,

[They walk backward with slow long-armed gestures indicating the entire horizon line.]

Shipmates once more,
For ten thousand years.


WOMEN'S LEADER:

The Queen of Sheba asked him like a lady,
Bowing most politely:

[They bow to each other, the Queen indicating the depths of the sea.]

"Why is the sea so deep,
What secret does it keep
While tides a-roaring leap
Ten thousand years?"


MEN'S LEADER:

King Solomon made answer to the lady,
Bowing most politely:

[They bow to each other, then confer; the Queen reserved, but taking cognizance, the King wooing with ornate gestures of respect and courtly admiration.]

"My love for you is like the stormy ocean —
Too deep to understand,
Bending to your command,
Bringing your ships to land
Ten thousand years."
King Solomon,
King Solomon.


BOTH LEADERS:

King Solomon he had four hundred chieftains.

[They go to the footlights with the greatest possible strut.]


CONGREGATION:

We were the chieftains.


BOTH LEADERS:

You shall be proud again,

[The leaders stand with arms proudly folded.]

Dazzle the crowd again,

[They walk backward haughtily, laughing on the last lines.]

Laughing aloud
For ten thousand years.

[From here on the whole production to be much more solemn, elevated, religious.]


BOTH LEADERS:

King Solomon he had four hundred shepherds.

[The leaders go forward to the footlights carrying imaginary torches.]


CONGREGATION:

We were the shepherds.

[The man and woman pause at the footlights.]


BOTH LEADERS:

You shall have torches bright,

[They wander over the stage as though looking for lost lambs, with torches held high.]

Watching the folds by night,
Guarding the lambs aright,
Ten thousand years.


MEN'S LEADER:

King Solomon he asked the Queen of Sheba,
Bowing most politely:

[The King kneels, and indicates the entire sky with one long slow gesture.]

"Why are the stars so high,
There in the velvet sky,
Rolling in rivers by,
Ten thousand years?"


WOMEN'S LEADER:

The Queen of Sheba answered like a lady,
Bowing most politely:

[The Queen kneels opposite the King, and gives the same gesture as she answers.]

"They're singing of your kingdom to the angels,
They guide your chariot with their lamps and candles,
Therefore they burn so far—
So you can drive your car
Up where the prophets are,
Ten thousand years."


MEN'S LEADER:

King Solomon,
King Solomon.


BOTH LEADERS:

King Solomon he kept the Sabbath holy.
And spoke with tongues in prophet words so mighty

[The two stand, commanding the audience.]

We stamped and whirled and wept and shouted: —

[The man and woman stamp and whirl with great noise and solemnity.]


CONGREGATION RISES AND JOINS THE SONG:

.... "Glory."
We were his people.


BOTH LEADERS:

You shall be wild and gay,

[On these two lines, man and woman stamp and whirl again, gravely, magnificently.]

Green trees shall deck your way,
Sunday be every day,

[On these two lines they kneel, commanding the audience.]

Ten thousand years.

King Solomon,

[Now they rise and bow to each other and the audience, maintaining a certain intention of benediction.]

King Solomon.