Vachel Lindsay: Verses about City

The Drunkards in the street are calling one another,
Heeding not the night-wind, great of heart and gay, —
Publicans and wantons —
Calling, laughing, calling,
While the Spirit bloweth Space and Time away.

Why should I feel the sobbing, the secrecy, the glory,
This comforter, this fitful wind divine?
I the cautious Pharisee, the scribe, the whited sepulchre —
I have no right to God, he is not mine.

Within their gutters, drunkards dream of Hell.
I say my prayers by my white bed to-night,
With the arms of God about me, with the angels singing, singing
Until the grayness of my soul grows white.

A BROADSIDE DISTRIBUTED IN SPRINGFIELD, ILLINOIS


Censers are swinging,
Over the town;
Censers are swinging,
Look overhead!
Censers are swinging,
Heaven comes down.
City, dead city,
Awake from the dead!

Censers, tremendous,
Gleam overhead.
Wind-harps are ringing,
Wind-harps unseen—
Calling and calling:—
"Wake from the dead.
Rise, little city,
Shine like a queen."

Soldiers of Christ
For battle grow keen.
Heaven-sent winds
Haunt alley and lane.
Singing of life
In town-meadows green
After the toil
And battle and pain.

Incense is pouring
Like the spring rain
Down on the mob
That moil through the street.
Blessed are they
Who behold it and gain
Power made more mighty
Thro' every defeat.

Builders, toil on.
Make all complete.
Make Springfield wonderful.
Make her renown
Worthy this day,
Till, at God's feet,
Tranced, saved forever,
Waits the white town.

Censers are swinging
Over the town,
Censers gigantic!
Look overhead!
Hear the winds singing:—
"Heaven comes down.
City, dead city,
Awake from the dead."

Climbing the heights of Berkeley
Nightly I watch the West.
There lies new San Francisco,
Sea-maid in purple dressed,
Wearing a dancer's girdle
All to inflame desire:
Scorning her days of sackcloth,
Scorning her cleansing fire.

See, like a burning city
Sets now the red sun's dome.
See, mystic firebrands sparkle
There on each store and home.
See how the golden gateway
Burns with the day to be —
Torch-bearing fiends of portent
Loom o'er the earth and sea.

Not by the earthquake daunted
Nor by new fears made tame,
Painting her face and laughing
Plays she a new-found game.
Here on her half-cool cinders
'Frisco abides in mirth,
Planning the wildest splendor
Ever upon the earth.

Here on this crumbling rock-ledge
'Frisco her all will stake,
Blowing her bubble-towers,
Swearing they will not break,
Rearing her Fair transcendent,
Singing with piercing art,
Calling to Ancient Asia,
Wooing young Europe's heart.
Here where her God has scourged her
Wantoning, singing sweet:
Waiting her mad bad lovers
Here by the judgment-seat!

'Frisco, God's doughty foeman,
Scorns and blasphemes him strong.
Tho' he again should smite her
She would not slack her song.
Nay, she would shriek and rally —
'Frisco would ten times rise!
Not till her last tower crumbles,
Not till her last rose dies,
Not till the coast sinks seaward,
Not till the cold tides beat
Over the high white Shasta,
'Frisco will cry defeat.

God loves this rebel city,
Loves foemen brisk and game,
Tho', just to please the angels,
He may send down his flame.
God loves the golden leopard
Tho' he may spoil her lair.
God smites, yet loves the lion.
God makes the panther fair.

Dance then, wild guests of 'Frisco,
Yellow, bronze, white and red!
Dance by the golden gateway —
Dance, tho' he smite you dead!

Once, in the city of Kalamazoo,
The gods went walking, two and two,
With the friendly phoenix, the stars of Orion,
The speaking pony and singing lion.
For in Kalamazoo in a cottage apart
Lived the girl with the innocent heart.

Thenceforth the city of Kalamazoo
Was the envied, intimate chum of the sun.
He rose from a cave by the principal street.
The lions sang, the dawn?horns blew,
And the ponies danced on silver feet.
He hurled his clouds of love around;
Deathless colors of his old heart
Draped the houses and dyed the ground.
O shrine of the wide young Yankee land,
Incense city of Kalamazoo,
That held, in the midnight, the priceless sun
As a jeweller holds an opal in hand!

From the awkward city of Oshkosh came
Love the bully no whip shall tame,
Bringing his gang of sinners bold.
And I was the least of his Oshkosh men;
But none were reticent, none were old.
And we joined the singing phoenix then,
And shook the lilies of Kalamazoo
All for one hidden butterfly.
Bulls of glory, in cars of war
We charged the boulevards, proud to die
For her ribbon sailing there on high.
Our blood set gutters all aflame,
Where the sun slept without any heat—
Cold rock till he must rise again.
She made great poets of wolf-eyed men—
The dear queen-bee of Kalamazoo,
With her crystal wings, and her honey heart.
We fought for her favors a year and a day
(Oh, the bones of the dead, the Oshkosh dead,
That were scattered along her pathway red!)
And then, in her harum?scarum way,
She left with a passing traveller-man—
With a singing Irishman
Went to Japan.

Why do the lean hyenas glare
'Where the glory of Artemis had begun—
Of Atalanta, Joan of Arc,
Cinderella, Becky Thatcher,
And Orphant Annie, all in one?
Who burned this city of Kalamazoo
Till nothing was left but a ribbon or two—
One scorched phoenix that mourned in the dew,
Acres of ashes, a junk-man's cart,
A torn-up letter, a dancing shoe,
And the bones of the dead, the dead) ?
Who burned this city of Kalamazoo—
Love-town, Troy-town Kalamazoo?

A harum-scarum innocent heart.

Let not our town be large, remembering
That little Athens was the Muses' home,
That Oxford rules the heart of London still,
That Florence gave the Renaissance to Rome.

Record it for the grandson of your son —
A city is not builded in a day:
Our little town cannot complete her soul
Till countless generations pass away.

Now let each child be joined as to a church
To her perpetual hopes, each man ordained:
Let every street be made a reverent aisle
Where Music grows and Beauty is unchained.

Let Science and Machinery and Trade
Be slaves of her, and make her all in all,
Building against our blatant, restless time
An unseen, skilful, medieval wall.

Let every citizen be rich toward God.
Let Christ the beggar, teach divinity.
Let no man rule who holds his money dear.
Let this, our city, be our luxury.

We should build parks that students from afar
Would choose to starve in, rather than go home,
Fair little squares, with Phidian ornament,
Food for the spirit, milk and honeycomb.

Songs shall be sung by us in that good day,
Songs we have written, blood within the rhyme
Beating, as when Old England still was glad, —
The purple, rich Elizabethan time.

Say, is my prophecy too fair and far?
I only know, unless her faith be high,
The soul of this, our Nineveh, is doomed,
Our little Babylon will surely die.

Some city on the breast of Illinois
No wiser and no better at the start
By faith shall rise redeemed, by faith shall rise
Bearing the western glory in her heart.

The genius of the Maple, Elm and Oak,
The secret hidden in each grain of corn,
The glory that the prairie angels sing
At night when sons of Life and Love are born,

Born but to struggle, squalid and alone,
Broken and wandering in their early years.
When will they make our dusty streets their goal,
Within our attics hide their sacred tears?

When will they start our vulgar blood athrill
With living language, words that set us free?
When will they make a path of beauty clear
Between our riches and our liberty?

We must have many Lincoln-hearted men.
A city is not builded in a day.
And they must do their work, and come and go
While countless generations pass away.

[Concerning Edgar Allan Poe]


Who now will praise the Wizard in the street
With loyal songs, with humors grave and sweet —
This Jingle-man, of strolling players born,
Whom holy folk have hurried by in scorn,
This threadbare jester, neither wise nor good,
With melancholy bells upon his hood?

The hurrying great ones scorn his Raven's croak,
And well may mock his mystifying cloak
Inscribed with runes from tongues he has not read
To make the ignoramus turn his head.
The artificial glitter of his eyes
Has captured half-grown boys. They think him wise.
Some shallow player-folk esteem him deep,
Soothed by his steady wand's mesmeric sweep.

The little lacquered boxes in his hands
Somehow suggest old times and reverenced lands.
From them doll-monsters come, we know not how:
Puppets, with Cain's black rubric on the brow.
Some passing jugglers, smiling, now concede
That his best cabinet-work is made, indeed
By bleeding his right arm, day after day,
Triumphantly to seal and to inlay.
They praise his little act of shedding tears;
A trick, well learned, with patience, thro' the years.

I love him in this blatant, well-fed place.
Of all the faces, his the only face
Beautiful, tho' painted for the stage,
Lit up with song, then torn with cold, small rage,
Shames that are living, loves and hopes long dead,
Consuming pride, and hunger, real, for bread.

Here by the curb, ye Prophets thunder deep:
"What Nations sow, they must expect to reap,"
Or haste to clothe the race with truth and power,
With hymns and shouts increasing every hour.
Useful are you. There stands the useless one
Who builds the Haunted Palace in the sun.
Good tailors, can you dress a doll for me
With silks that whisper of the sounding sea?
One moment, citizens, — the weary tramp
Unveileth Psyche with the agate lamp.
Which one of you can spread a spotted cloak
And raise an unaccounted incense smoke
Until within the twilight of the day
Stands dark Ligeia in her disarray,
Witchcraft and desperate passion in her breath
And battling will, that conquers even death?

And now the evening goes. No man has thrown
The weary dog his well-earned crust or bone.
We grin and hie us home and go to sleep,
Or feast like kings till midnight, drinking deep.
He drank alone, for sorrow, and then slept,
And few there were that watched him, few that wept.
He found the gutter, lost to love and man.
Too slowly came the good Samaritan.

(Being a Chant of the American Soap-Box and the Russian Revolution.)


O market square, O slattern place,
Is glory in your slack disgrace?
Plump quack doctors sell their pills,
Gentle grafters sell brass watches,
Silly anarchists yell their ills.
Shall we be as weird as these?
In the breezes nod and wheeze?

Heaven's mass is sung,
Tomorrow's mass is sung
In a spirit tongue
By wind and dust and birds,
The high mass of liberty,
While wave the banners red:
Sung round the soap-box,
A mass for soldiers dead.

When you leave your faction in the once-loved hall,
Like a true American tongue-lash them all,
Stand then on the corner under starry skies
And get you a gang of the worn and the wise.
The soldiers of the Lord may be squeaky when they rally,
The soldiers of the Lord are a queer little army,
But the soldiers of the Lord, before the year is through,
Will gather the whole nation, recruit all creation,
To smite the hosts abhorred, and all the heavens renew —
Enforcing with the bayonet the thing the ages teach —
Free speech!
Free speech!

Down with the Prussians, and all their works.
Down with the Turks.
Down with every army that fights against the soap-box,
The Pericles, Socrates, Diogenes soap-box,
The old Elijah, Jeremiah, John-the-Baptist soap-box,
The Rousseau, Mirabeau, Danton soap-box,
The Karl Marx, Henry George, Woodrow Wilson soap-box.
We will make the wide earth safe for the soap-box,
The everlasting foe of beastliness and tyranny,
Platform of liberty: — Magna Charta liberty,
Andrew Jackson liberty, bleeding Kansas liberty,
New-born Russian liberty: —
Battleship of thought,
The round world over,
Loved by the red-hearted,
Loved by the broken-hearted,
Fair young Amazon or proud tough rover,
Loved by the lion,
Loved by the lion,
Loved by the lion,
Feared by the fox.

The Russian Revolution is the world revolution.
Death at the bedstead of every Kaiser knocks.
The Hohenzollern army shall be felled like the ox.
The fatal hour is striking in all the doomsday clocks.
The while, by freedom's alchemy
Beauty is born.
Ring every sleigh-bell, ring every church bell,
Blow the clear trumpet, and listen for the answer: —
The blast from the sky of the Gabriel horn.

Hail the Russian picture around the little box: —
Exiles,
Troops in files,
Generals in uniform,
Mujiks in their smocks,
And holy maiden soldiers who have cut away their locks.

All the peoples and the nations in processions mad and great,
Are rolling through the Russian Soul as through a city gate: —
As though it were a street of stars that paves the shadowy deep.
And mighty Tolstoi leads the van along the stairway steep.

But now the people shout:
"Hail to Kerensky,
He hurled the tyrants out."
And this my song is made for Kerensky,
Prophet of the world-wide intolerable hope,
There on the soap-box, seasoned, dauntless,
There amid the Russian celestial kaleidoscope,
Flags of liberty, rags and battlesmoke.

Moscow and Chicago!
Come let us praise battling Kerensky,
Bravo! Bravo!
Comrade Kerensky the thunderstorm and rainbow!
Comrade Kerensky, Bravo, Bravo!

[How different people and different animals look upon the moon: showing that each creature finds in it his own mood and disposition]


The Old Horse in the City

The moon's a peck of corn. It lies
Heaped up for me to eat.
I wish that I might climb the path
And taste that supper sweet.

Men feed me straw and scanty grain
And beat me till I'm sore.
Some day I'll break the halter-rope
And smash the stable-door,

Run down the street and mount the hill
Just as the corn appears.
I've seen it rise at certain times
For years and years and years.


What the Hyena Said

The moon is but a golden skull,
She mounts the heavens now,
And Moon-Worms, mighty Moon-Worms
Are wreathed around her brow.

The Moon-Worms are a doughty race:
They eat her gray and golden face.
Her eye-sockets dead, and molding head:
These caverns are their dwelling-place.

The Moon-Worms, serpents of the skies,
From the great hollows of her eyes
Behold all souls, and they are wise:
With tiny, keen and icy eyes,
Behold how each man sins and dies.

When Earth in gold-corruption lies
Long dead, the moon-worm butterflies
On cyclone wings will reach this place —
Yea, rear their brood on earth's dead face.


What the Snow Man Said

The Moon's a snowball. See the drifts
Of white that cross the sphere.
The Moon's a snowball, melted down
A dozen times a year.

Yet rolled again in hot July
When all my days are done
And cool to greet the weary eye
After the scorching sun.

The moon's a piece of winter fair
Renewed the year around,
Behold it, deathless and unstained,
Above the grimy ground!

It rolls on high so brave and white
Where the clear air-rivers flow,
Proclaiming Christmas all the time
And the glory of the snow!


What the Scare-crow Said

The dim-winged spirits of the night
Do fear and serve me well.
They creep from out the hedges of
The garden where I dwell.

I wave my arms across the walk.
The troops obey the sign,
And bring me shimmering shadow-robes
And cups of cowslip-wine.

Then dig a treasure called the moon,
A very precious thing,
And keep it in the air for me
Because I am a King.


What Grandpa Mouse Said

The moon's a holy owl-queen.
She keeps them in a jar
Under her arm till evening,
Then sallies forth to war.

She pours the owls upon us.
They hoot with horrid noise
And eat the naughty mousie-girls
And wicked mousie-boys.

So climb the moonvine every night
And to the owl-queen pray:
Leave good green cheese by moonlit trees
For her to take away.

And never squeak, my children,
Nor gnaw the smoke-house door:
The owl-queen then will love us
And send her birds no more.


The Beggar Speaks

"What Mister Moon Said to Me."

Come, eat the bread of idleness,
Come, sit beside the spring:
Some of the flowers will keep awake,
Some of the birds will sing.

Come, eat the bread no man has sought
For half a hundred years:
Men hurry so they have no griefs,
Nor even idle tears:

They hurry so they have no loves:
They cannot curse nor laugh —
Their hearts die in their youth with neither
Grave nor epitaph.

My bread would make them careless,
And never quite on time —
Their eyelids would be heavy,
Their fancies full of rhyme:

Each soul a mystic rose-tree,
Or a curious incense tree:
Come, eat the bread of idleness,
Said Mister Moon to me.


What the Forester Said

The moon is but a candle-glow
That flickers thro' the gloom:
The starry space, a castle hall:
And Earth, the children's room,
Where all night long the old trees stand
To watch the streams asleep:
Grandmothers guarding trundle-beds:
Good shepherds guarding sheep.

Part I.A Short Walk Along the Coast

Yes, I have walked in California,
And the rivers there are blue and white.
Thunderclouds of grapes hang on the mountains.
Bears in the meadows pitch and fight.
(Limber, double- jointed lords of fate,
Proud native sons of the Golden Gate.)
And flowers burst like bombs in California,
Exploding on tomb and tower.
And the panther-cats chase the red rabbits,
Scatter their young blood every hour.
And the cattle on the hills of California
And the very swine in the holes
Have ears of silk and velvet
And tusks like long white poles.
And the very swine, big hearted,
Walk with pride to their doom
For they feed on the sacred raisins
Where the great black agates loom.

Goshawfuls are Burbanked with the grizzly bears.
At midnight their children come clanking up the stairs.
They wriggle up the canyons,
Nose into the caves,
And swallow the papooses and the Indian braves.
The trees climb so high the crows are dizzy
Flying to their nests at the top.
While the jazz-birds screech, and storm the brazen beach
And the sea-stars turn flip flop.
The solid Golden Gate soars up to Heaven.
Perfumed cataracts are hurled
From the zones of silver snow
To the ripening rye below,
To the land of the lemon and the nut
And the biggest ocean in the world.
While the Native Sons, like lords tremendous
Lift up their heads with chants sublime,
And the band-stands sound the trombone, the saxophone and xylophone
And the whales roar in perfect tune and time.
And the chanting of the whales of California
I have set my heart upon.
It is sometimes a play by Belasco,
Sometimes a tale of Prester John.


Part II.The Chanting of the Whales

North to the Pole, south to the Pole
The whales of California wallow and roll.
They dive and breed and snort and play
And the sun struck feed them every day
Boatloads of citrons, quinces, cherries,
Of bloody strawberries, plums and beets,
Hogsheads of pomegranates, vats of sweets,
And the he-whales chant like a cyclone blares,
Proclaiming the California noons
So gloriously hot some days
The snake is fried in the desert
And the flea no longer plays.
There are ten gold suns in California
When all other lands have one,
For the Golden Gate must have due light
And persimmons be well-done.
And the hot whales slosh and cool in the wash
And the fume of the hollow sea.
Rally and roam in the loblolly foam
And whoop that their souls are free.
(Limber, double- jointed lords of fate,
Proud native sons of the Golden Gate.)
And they chant of the forty-niners

Who sailed round the cape for their loot
With guns and picks and washpans
And a dagger in each boot.
How the richest became the King of England,
The poorest became the King of Spain,
The bravest a colonel in the army,
And a mean one went insane.
The ten gold suns are so blasting
The sunstruck scoot for the sea
And turn to mermen and mermaids
And whoop that their souls are free.
(Limber, double- jointed lords of fate,
Proud native sons of the Golden Gate.)
And they take young whales for their bronchos
And old whales for their steeds,
Harnessed with golden seaweeds,
And driven with golden reeds.
They dance on the shore throwing rose-leaves.
They kiss all night throwing hearts.
They fight like scalded wildcats
When the least bit of fighting starts.
They drink, these belly-busting devils
And their tremens shake the ground.
And then they repent like whirlwinds

And never were such saints found.
They will give you their plug tobacco.
They will give you the shirts off their backs.
They will cry for your every sorrow,
Put ham in your haversacks.
And they feed the cuttlefishes, whales and skates
With dates and figs in bales and crates :
Shiploads of sweet potatoes, peanuts, rutabagas,
Honey in hearts of gourds:
Grapefruits and oranges barrelled with apples,
And spices like sharp sweet swords.


Part III.St. Francis of San Francisco

But the surf is white, down the long strange coast
With breasts that shake with sighs,
And the ocean of all oceans
Holds salt from weary eyes.
St. Francis comes to his city at night
And stands in the brilliant electric light
And his swans that prophesy night and day
Would soothe his heart that wastes away :
The giant swans of California
That nest on the Golden Gate
And beat through the clouds serenely

And on St. Francis wait.
But St. Francis shades his face in his cowl
And stands in the street like a lost grey owl.
He thinks of gold . . . gold.
He sees on far redwoods
Dewfall and dawning:
Deep in Yosemite
Shadows and shrines:
He hears from far valleys
Prayers by young Christians,
He sees their due penance
So cruel, so cold ;
He sees them made holy,
White-souled like young aspens
With whimsies and fancies untold:
The opposite of gold.
And the mighty mountain swans of California
Whose eggs are like mosque domes of Ind,
Cry with curious notes
That their eggs are good for boats
To toss upon the foam and the wind.
He beholds on far rivers
The venturesome lovers
Sailing for the sea
All night

In swanshells white.
He sees them far on the ocean prevailing
In a year and a month and a day of sailing
Leaving the whales and their whoop unfailing
On through the lightning, ice and confusion
North of the North Pole,
South of the jgouth Pole,
And west of the west of the west of the west,
To the shore of Heartache s Cure,
The opposite of gold,
On and on like Columbus
With faith and eggshell sure.


Part IV. The Voice of the Earthquake

But what is the earthquake s cry at last
Making St. Francis yet aghast:
' Oh the flashing cornucopia of haughty
From here on, the audience California joins in the

Is gold, gold, gold.
Their brittle speech and their clutching reach
Is gold, gold, gold.
What is the fire-engine s ding dong bell?
The burden of the burble of the bull-frog in the well?
Gold, gold, gold.

What is the color of the cup and plate
And knife and fork of the chief of state?
Gold, gold, gold.
What is the flavor of the Bartlett pear?
What is the savor of the salt sea air?
Gold, gold, gold.
What is the color of the sea-girl s hair?
Gold, gold, gold.
In the church of Jesus and the streets of Venus:
Gold, gold, gold.
What color are the cradle and the bridal bed?
What color are the coffins of the great grey dead?
Gold, gold, gold.
What is the hue of the big whales hide?
Gold, gold, gold.
What is the color, of their guts* inside?
Gold, gold, gold.
' What is the color of the pumpkins in the moonlight?
Gold, gold, gold.
The color of the moth and the worm in the starlight?
Gold, gold, gold.

A Song in Chinese Tapestries


"How, how," he said. "Friend Chang," I said,
"San Francisco sleeps as the dead—
Ended license, lust and play:
Why do you iron the night away?
Your big clock speaks with a deadly sound,
With a tick and a wail till dawn comes round.
While the monster shadows glower and creep,
What can be better for man than sleep?"

"I will tell you a secret," Chang replied;
"My breast with vision is satisfied,
And I see green trees and fluttering wings,
And my deathless bird from Shanghai sings."
Then he lit five fire-crackers in a pan.
"Pop, pop," said the fire-crackers, "cra-cra-crack."
He lit a joss stick long and black.
Then the proud gray joss in the corner stirred;
On his wrist appeared a gray small bird,
And this was the song of the gray small bird:
"Where is the princess, loved forever,
Who made Chang first of the kings of men?"

And the joss in the corner stirred again;
And the carved dog, curled in his arms, awoke,
Barked forth a smoke-cloud that whirled and broke.
It piled in a maze round the ironing-place,
And there on the snowy table wide
Stood a Chinese lady of high degree,
With a scornful, witching, tea-rose face....
Yet she put away all form and pride,
And laid her glimmering veil aside
With a childlike smile for Chang and for me.

The walls fell back, night was aflower,
The table gleamed in a moonlit bower,
While Chang, with a countenance carved of stone,
Ironed and ironed, all alone.
And thus she sang to the busy man Chang:
"Have you forgotten....
Deep in the ages, long, long ago,
I was your sweetheart, there on the sand—
Storm-worn beach of the Chinese land?
We sold our grain in the peacock town
Built on the edge of the sea-sands brown—
Built on the edge of the sea-sands brown....

"When all the world was drinking blood
From the skulls of men and bulls
And all the world had swords and clubs of stone,
We drank our tea in China beneath the sacred spice-trees,
And heard the curled waves of the harbor moan.
And this gray bird, in Love's first spring,
With a bright-bronze breast and a bronze-brown wing,
Captured the world with his carolling.
Do you remember, ages after,
At last the world we were born to own?
You were the heir of the yellow throne—
The world was the field of the Chinese man
And we were the pride of the Sons of Han?
We copied deep books and we carved in jade,
And wove blue silks in the mulberry shade...."

"I remember, I remember
That Spring came on forever,
That Spring came on forever,"
Said the Chinese nightingale.

My heart was filled with marvel and dream,
Though I saw the western street-lamps gleam,
Though dawn was bringing the western day,
Though Chang was a laundryman ironing away....
Mingled there with the streets and alleys,
The railroad-yard and the clock-tower bright,
Demon clouds crossed ancient valleys;
Across wide lotus-ponds of light
I marked a giant firefly's flight.

And the lady, rosy-red,
Flourished her fan, her shimmering fan,
Stretched her hand toward Chang, and said:
"Do you remember,
Ages after,
Our palace of heart-red stone?
Do you remember
The little doll-faced children
With their lanterns full of moon-fire,
That came from all the empire
Honoring the throne?—
The loveliest fête and carnival
Our world had ever known?
The sages sat about us
With their heads bowed in their beards,
With proper meditation on the sight.
Confucius was not born;
We lived in those great days
Confucius later said were lived aright....

And this gray bird, on that day of spring,
With a bright bronze breast, and a bronze-brown wing,
Captured the world with his carolling.
Late at night his tune was spent.
Peasants,
Sages,
Children,
Hom eward went,
And then the bronze bird sang for you and me.
We walked alone. Our hearts were high and free.
I had a silvery name, I had a silvery name,
I had a silvery name — do you remember
The name you cried beside the tumbling sea?"

Chang turned not to the lady slim—
He bent to his work, ironing away;
But she was arch, and knowing and glowing,
And the bird on his shoulder spoke for him.

"Darling . . . darling . . . darling . . . darling . . ."
Said the Chinese nightingale.

The great gray joss on a rustic shelf,
Rakish and shrewd, with his collar awry,
Sang impolitely, as though by himself,
Drowning with his bellowing the nightingale's cry:
"Back through a hundred, hundred years
Hear the waves as they climb the piers,
Hear the howl of the silver seas,
Hear the thunder.
Hear the gongs of holy China
How the waves and tunes combine
In a rhythmic clashing wonder,
Incantation old and fine:
`Dragons, dragons, Chinese dragons,
Red fire-crackers, and green fire-crackers,
And dragons, dragons, Chinese dragons.'"

Then the lady, rosy-red,
Turned to her lover Chang and said:
"Dare you forget that turquoise dawn
When we stood in our mist-hung velvet lawn,
And worked a spell this great joss taught
Till a God of the Dragons was charmed and caught?
From the flag high over our palace home
He flew to our feet in rainbow-foam —
A king of beauty and tempest and thunder
Panting to tear our sorrows asunder.
A dragon of fair adventure and wonder.
We mounted the back of that royal slave
With thoughts of desire that were noble and grave.
We swam down the shore to the dragon-mountains,
We whirled to the peaks and the fiery fountains.
To our secret ivory house we were bourne.
We looked down the wonderful wing-filled regions
Where the dragons darted in glimmering legions.
Right by my breast the nightingale sang;
The old rhymes rang in the sunlit mist
That we this hour regain —
Song-fire for the brain.
When my hands and my hair and my feet you kissed,
When you cried for your heart's new pain,
What was my name in the dragon-mist,
In the rings of rainbowed rain?"

"Sorrow and love, glory and love,"
Said the Chinese nightingale.
"Sorrow and love, glory and love,"
Said the Chinese nightingale.

And now the joss broke in with his song:
"Dying ember, bird of Chang,
Soul of Chang, do you remember? —
Ere you returned to the shining harbor
There were pirates by ten thousand
Descended on the town
In vessels mountain-high and red and brown,
Moon-ships that climbed the storms and cut the skies.
On their prows were painted terrible bright eyes.
But I was then a wizard and a scholar and a priest;
I stood upon the sand;
With lifted hand I looked upon them
And sunk their vessels with my wizard eyes,
And the stately lacquer-gate made safe again.
Deep, deep below the bay, the sea-weed and the spray,
Embalmed in amber every pirate lies,
Embalmed in amber every pirate lies."

Then this did the noble lady say:
"Bird, do you dream of our home-coming day
When you flew like a courier on before
From the dragon-peak to our palace-door,
And we drove the steed in your singing path—
The ramping dragon of laughter and wrath:
And found our city all aglow,
And knighted this joss that decked it so?
There were golden fishes in the purple river
And silver fishes and rainbow fishes.
There were golden junks in the laughing river,
And silver junks and rainbow junks:
There were golden lilies by the bay and river,
And silver lilies and tiger-lilies,
And tinkling wind-bells in the gardens of the town
By the black-lacquer gate
Where walked in state
The kind king Chang
And his sweet-heart mate....
With his flag-born dragon
And his crown of pearl...and...jade,
And his nightingale reigning in the mulberry shade,
And sailors and soldiers on the sea-sands brown,
And priests who bowed them down to your song—
By the city called Han, the peacock town,
By the city called Han, the nightingale town,
The nightingale town."

Then sang the bird, so strangely gay,
Fluttering, fluttering, ghostly and gray,
A vague, unravelling, final tune,
Like a long unwinding silk cocoon;
Sang as though for the soul of him
Who ironed away in that bower dim: —
"I have forgotten
Your dragons great,
Merry and mad and friendly and bold.

Dim is your proud lost palace-gate.
I vaguely know
There were heroes of old,
Troubles more than the heart could hold,
There were wolves in the woods
Yet lambs in the fold,
Nests in the top of the almond tree....
The evergreen tree... and the mulberry tree...
Life and hurry and joy forgotten,
Years on years I but half-remember...
Man is a torch, then ashes soon,
May and June, then dead December,
Dead December, then again June.
Who shall end my dream's confusion?
Life is a loom, weaving illusion...
I remember, I remember
There were ghostly veils and laces...
In the shadowy bowery places...
With lovers' ardent faces
Bending to one another,
Speaking each his part.
They infinitely echo
In the red cave of my heart.
`Sweetheart, sweetheart, sweetheart.'
They said to one another.

They spoke, I think, of perils past.
They spoke, I think, of peace at last.
One thing I remember:
Spring came on forever,
Spring came on forever,"
Said the Chinese nightingale.

I

In a nation of one hundred fine, mob-hearted, lynching, relenting, repenting millions,
There are plenty of sweeping, swinging, stinging, gorgeous things to shout about,
And knock your old blue devils out.

I brag and chant of Bryan, Bryan, Bryan, Bryan,
Candidate for president who sketched a silver Zion,
The one American Poet who could sing outdoors,
He brought in tides of wonder, of unprecedented splendor,
Wild roses from the plains, that made hearts tender,
All the funny circus silks
Of politics unfurled,
Bartlett pears of romance that were honey at the cores,
And torchlights down the street, to the end of the world.

There were truths eternal in the gap and tittle-tattle.
There were real heads broken in the fustian and the rattle.
There were real lines drawn:
Not the silver and the gold,
But Nebraska's cry went eastward against the dour and old,
The mean and cold.

It was eighteen ninety-six, and I was just sixteen
And Altgeld ruled in Springfield, Illinois,
When there came from the sunset Nebraska's shout of joy:
In a coat like a deacon, in a black Stetson hat
He scourged the elephant plutocrats
With barbed wire from the Platte.
The scales dropped from their mighty eyes.
They saw that summer's noon
A tribe of wonders coming
To a marching tune.

Oh the longhorns from Texas,
The jay hawks from Kansas,
The plop-eyed bungaroo and giant giassicus,
The varmint, chipmunk, bugaboo,
The horn-toad, prairie-dog and ballyhoo,
From all the newborn states arow,
Bidding the eagles of the west fly on,
Bidding the eagles of the west fly on.
The fawn, prodactyl, and thing-a-ma-jig,
The rackaboor, the hellangone,
The whangdoodle, batfowl and pig,
The coyote, wild-cat and grizzly in a glow,
In a miracle of health and speed, the whole breed abreast,
The leaped the Mississippi, blue border of the West,
From the Gulf to Canada, two thousand miles long:-
Against the towns of Tubal Cain,
Ah,-- sharp was their song.
Against the ways of Tubal Cain, too cunning for the young,
The longhorn calf, the buffalo and wampus gave tongue.

These creatures were defending things Mark Hanna never dreamed:
The moods of airy childhood that in desert dews gleamed,
The gossamers and whimsies,
The monkeyshines and didoes
Rank and strange
Of the canyons and the range,
The ultimate fantastics
Of the far western slope,
And of prairie schooner children
Born beneath the stars,
Beneath falling snows,
Of the babies born at midnight
In the sod huts of lost hope,
With no physician there,
Except a Kansas prayer,
With the Indian raid a howling through the air.

And all these in their helpless days
By the dour East oppressed,
Mean paternalism
Making their mistakes for them,
Crucifying half the West,
Till the whole Atlantic coast
Seemed a giant spiders' nest.

And these children and their sons
At last rode through the cactus,
A cliff of mighty cowboys
On the lope,
With gun and rope.
And all the way to frightened Maine the old East heard them call,
And saw our Bryan by a mile lead the wall
Of men and whirling flowers and beasts,
The bard and prophet of them all.
Prairie avenger, mountain lion,
Bryan, Bryan, Bryan, Bryan,
Gigantic troubadour, speaking like a siege gun,
Smashing Plymouth Rock with his boulders from the West,
And just a hundred miles behind, tornadoes piled across the sky,
Blotting out sun and moon,
A sign on high.

Headlong, dazed and blinking in the weird green light,
The scalawags made moan,
Afraid to fight.

II

When Bryan came to Springfield , and Altgeld gave him greeting,
Rochester was deserted, Divernon was deserted,
Mechanicsburg, Riverton, Chickenbristle, Cotton Hill,
Empty: for all Sangamon drove to the meeting-
In silver-decked racing cart,
Buggy, buckboard, carryall,
Carriage, phaeton, whatever would haul,
And silver-decked farm wagons gritted, banged and rolled,
With the new tale of Bryan by the iron tires told.
The State House loomed afar,
A speck, a hive, a football, a captive balloon!
And the town was all one spreading wing of bunting, plumes, and sunshine,
Every rag and flag and Bryan picture sold,
When the rigs in many a dusty line
Jammed our streets at noon,
And joined the wild parade against the power of gold.
We roamed, we boys from High School,
With mankind, while Springfield gleamed, silk-lined.
Oh, Tom Dines, and Art Fitzgerald,
And the gangs that they could get!
I can hear them yelling yet.
Helping the incantation,
Defying aristocracy,
With every bridle gone,
Ridding the world of the low down mean,
Bidding the eagles of the West fly on,
Bidding the eagles of the West fly on,
We were bully, wild and woolly,
Never yet curried below the knees.
We saw flowers in the air,
Fair as the Pleiades, bright as Orion,
-Hopes of all mankind,
Made rare, resistless, thrice refined.
Oh, we bucks from every Springfield ward!
Colts of democracy-
Yet time-winds out of Chaos from the star-fields of the Lord.

The long parade rolled on. I stood by my best girl.
She was a cool young citizen, with wise and laughing eyes.
With my necktie by my ear, I was stepping on my dear,
But she kept like a pattern without a shaken curl.
She wore in her hair a brave prairie rose.
Her gold chums cut her, for that was not the pose.
No Gibson Girl would wear it in that fresh way.
But we were fairy Democrats, and this was our day.

The earth rocked like the ocean, the sidewalk was a deck.
The houses for the moment were lost in the wide wreck.
And the bands played strange and stranger music as they trailed along.
Against the ways of Tubal Cain,
Ah, sharp was their song!
The demons in the bricks, the demons in the grass,
The demons in the bank-vaults peered out to see us pass,
And the angels in the trees, the angels in the grass,
The angels in the flags, peered out to see us pass.
And the sidewalk was our chariot, and the flowers bloomed higher,
And the street turned to silver and the grass turned to fire,
And then it was but grass, and the town was there again,
A place for women and men.

III

Then we stood where we could see
Every band,
And the speaker's stand.
And Bryan took the platform.
And he was introduced.
And he lifted his hand
And cast a new spell.
Progressive silence fell
In Springfield, in Illinois, around the world.
Then we heard these glacial boulders across the prairie rolled:
'The people have a right to make their own mistakes....
You shall not crucify mankind
Upon a cross of gold.'
And everybody heard him-
In the streets and State House yard.
And everybody heard him in Springfield, in Illinois,
Around and around and around the world,
That danced upon its axis
And like a darling broncho whirled.

IV

July, August, suspense,
Wall Street lost to sense.
August, September, October,
More suspense,
And the whole East down like a wind-smashed fence.
Then Hanna to the rescue, Hanna of Ohio,
Rallying the roller-tops,
Rallying the bucket-shops.
Threatening drouth and death,
Promising manna,
Rallying the trusts against the bawling flannelmouth;
Invading misers' cellars, tin-cans, socks,
Melting down the rocks,
Pouring out the long green to a million workers,
Spondulix by the mountain-load, to stop each new tornado,
And beat the cheapskate, blatherskite,
Populistic, anarchistic, deacon-desperado.

V

Election night at midnight:
Boy Brian's defeat.
Defeat of western silver.
Defeat of the wheat.
Victory of letterfiles
And plutocrats in miles
With dollar signs upon their coats,
Diamond watchchains on their vests and spats on their feet.
Victory of custodians, Plymouth Rock,
And all that inbred landlord stock.
Victory of the neat.
Defeat of the aspen groves of Colorado valleys,
The blue bells of the Rockies,
And blue bonnets of old Texas, by the Pittsburg alleys.
Defeat of alfalfa and the Mariposa lily.
Defeat of the Pacific and the long Mississippi.
Defeat of the young by the old and the silly.
Defeat of tornadoes by the poison vats supreme.
Defeat of my boyhood, defeat of my dream.

VI

Where is McKinley, that respectable McKinley,
The man without an angle or a tangle,
Who soothed down the city man and soothed down the farmer,
The German, the Irish, the Southerner, the Northerner,
Who climbed every greasy pole, and slipped through every crack;
Who soothed down the gambling hall, the bar-room, the church,
The devil-vote, the angel vote, the neutral vote,
The desperately wicked, and their victims on the rack,
The gold vote, the silver vote, the brass vote, the lead vote,
Every vote?...
Where is McKinley, Mark Hanna's McKinley,
His slave, his echo, his suit of clothes?
Gone to join the shadows, with the pomps of that time,
And the flames of that summer's prairie rose.

Where is Cleveland whom the Democratic platform
Read from the party in a glorious hour?
Gone to join the shadows with pitchfork Tillman,
And sledge-hammer Altgeld who wrecked his power.

Where is Hanna, bulldog Hanna,
Low-browed Hanna, who said: Stand pat'?
Gone to his place with old Pierpont Morgan.
Gone somewhere...with lean rat Platt.

Where is Roosevelt, the young dude cowboy,
Who hated Bryan, then aped his way?
Gone to join the shadows with might Cromwell
And tall King Saul, till the Judgement day.

Where is Altgeld, brave as the truth,
Whose name the few still say with tears?
Gone to join the ironies with Old John Brown,
Whose fame rings loud for a thousand years.

Where is that boy, that Heaven-born Bryan,
That Homer Bryan, who sang from the West?
Gone to join the shadows with Altgeld the Eagle,
Where the kings and the slaves and the troubadours rest.