And in that rosy rosy hour,
When bird sang out and scented flower,
Came words to me from heaven above:
'Awake, young heart, awake and love!'

Song From Torrismond

How many times do I love thee, dear?
Tell me how many thoughts there be
In the atmosphere
Of a new-fall'n year,
Whose white and sable hours appear
The latest flake of Eternity:
So many times do I love thee, dear.

How many times do I love again?
Tell me how many beads there are
In a silver chain
Of evening rain,
Unravelled from the tumbling main,
And threading the eye of a yellow star:
So many times do I love again.

HOW many times do I love thee, dear?
   Tell me how many thoughts there be
   In the atmosphere
   Of a new-fall'n year,
Whose white and sable hours appear
   The latest flake of Eternity:
So many times do I love thee, dear.

How many times do I love again?
   Tell me how many beads there are
   In a silver chain
   Of evening rain,
Unravell'd from the tumbling main,
   And threading the eye of a yellow star:
So many times do I love again.

Over the water an old ghost strode
To a churchyard on the shore,
And over him the waters had flowed
A thousand years or more,
And pale and wan and weary
Looked never a sprite as he;
For it's lonely and it's dreary
The ghost of a body to be
That has mouldered away in the sea.

Over the billows the old ghost stepped,
And the winds in mockery sung;
For the bodiless ghost would fain have wept
Over the maiden that lay so young
'Mong the thistles and toadstools so hoary;
And he begged of the waves a tear,
But they shook upwards their moonlight glory,
And the shark looked on with a sneer
At his yearning desire and agony.

So thou art come again, old black-winged night,
Like an huge bird, between us and the sun,
Hiding, with out-stretched form, the genial light;
And still, beneath thine icy bosom's dun
And cloudy plumage, hatching fog-breathed blight
And embryo storms, and crabbéd frosts, that shun
Day's warm caress. The owls from ivied loop
Are shrieking homage, as thou cowerest high;
Like sable crow pausing in eager stoop
On the dim world thou gluttest thy clouded eye,
Silently waiting latest time's fell whoop,
When thou shalt quit thine eyrie in the sky,
To pounce upon the world with eager claw,
And tomb time, death, and substance in thy maw.

Poor Old Pilgrim Misery ( Song )

Act I, scene 1, lines 141-60



Poor old pilgrim Misery,
Beneath the silent moon he sate,
A-listening to the screech owl's cry,
And the cold wind's goblin prate;
Beside him lay his staff of yew
With withered willow twined,
His scant grey hair all wet with dew,
His cheeks with grief ybrined;
And his cry it was ever, alack!
Alack, and woe is me.

Anon a wanton imp astray
His piteous moaning hears,
And from his bosom steals away
His rosary of tears:
With his plunder fled that urchin elf,
And hid it in your eyes,
Then tell me back the stolen pelf,
Give up the lawless prize;
Or your cry shall be ever, alack!
Alack, and woe is me.

Old Adam, The Carrion Crow

Old Adam, the carrion crow,
The old crow of Cairo;
He sat in the shower, and let it flow
Under his tail and over his crest;
And through every feather
Leak'd the wet weather;
And the bough swung under his nest;
For his beak it was heavy with marrow.
Is that the wind dying? O no;
It's only two devils, that blow,
Through a murderer's bones, to and fro,
In the ghosts' moonshine.

Ho! Eve, my grey carrion wife,
When we have supped on king's marrow,
Where shall we drink and make merry our life?
Our nest it is queen Cleopatra's skull,
'Tis cloven and crack'd,
And batter'd and hack'd,
But with tears of blue eyes it is full:
Let us drink then, my raven of Cairo!
Is that the wind dying? O no;
It's only two devils, that blow
Through a murderer's bones, to and fro,
In the ghosts' moonshine.

A Cypress-Bough, And A Rose-Wreath Sweet ( Song )

Act IV, scene iii


A cypress-bough and a rose-wreath sweet,
A wedding robe, and a winding-sheet,
A bridal bed and a bier.
Thine be the kisses, maid,
And smiling Love's alarms;
And thou, pale youth, be laid
In the grave's cold arms.
Each in his own charms,
Death and Hymen both are here;
So up with scythe and torch,
And to the old church porch,
While all the bells ring clear:
And rosy, rosy the bed shall bloom,
And earthy, earthy heap up the tomb.

Now tremble dimples on your cheek,
Sweet be your lips to taste and speak,
For he who kisses is near:
For her the bride-groom fair,
In youthful power and force;
For him the grizard bare,
Pale knight on a pale horse,
To woo him to a corpse.
Death and Hymen both are here,
So up with scythe and torch,
And to the old church porch,
While all the bells ring clear:
And rosy, rosy the bed shall bloom,
And earthy, earthy heap up the tomb.

A Clock Striking Midnight

Hark to the echo of Time’s footsteps; gone
Thise moments are into the unseen grave
Of ages. Thy have vanished nameless. None,
While they are deep under the eddying wave
Of the chaotic past, shall placea stone
Sacred to these, the nurses of the brave,
The mighty, and the good. Futurity
Broods on the ocean, hatching ‘neath her wing
Invisible to man the century,
That on its hundered feet, a sluggish thing
Gnawing away the world, shall totter by
And sweep dead mortals with it. As I sing
Time, the colossus of the world, that strides
With each foot plunged in darkness silent glides,


And puffs death’s cloud upon us. It is vain
To struggle with the tide; we all must sink
Still grasping the thin air, with frantic pain
Grappling with Fame to buoy us. Can we think
Eternity, by whom swift Time is slain,
And dragged along to dark destruction’s brink,
Shall be the echo of man’s puny words?
Or that our grovelling thoughts shall e’er be writ
In never fading stars; or like proud birds
Undazzled in their cloud-built eyrie sit
Clutching the lightning, or in darting herds
Diving amid the sea’s vast treasury flit?
Sink, painted clay, back to thy parent earth
While the glad spirit seeks a brighter birth.

From “torrismond” - In A Garden By Moonlight

Veronica. COME then, a song; a winding gentle song,
To lead me into sleep. Let it be low
As zephyr, telling secrets to his rose,
For I would hear the murmuring of my thoughts;
And more of voice than of that other music
That grows around the strings of quivering lutes;
But most of thought; for with my mind I listen,
And when the leaves of sound are shed upon it,
If there ’s no seed remembrance grows not there.
So life, so death; a song, and then a dream!
Begin before another dewdrop fall
From the soft hold of these disturbed flowers,
For sleep is filling up my senses fast,
And from these words I sink.

SONG

How many times do I love thee, dear?
Tell me how many thoughts there be
In the atmosphere
Of a new-fall’n year,
Whose white and sable hours appear
The latest flake of Eternity:
So many times do I love thee, dear.

How many times do I love again?
Tell me how many beads there are
In a silver chain
Of evening rain,
Unravell’d from the tumbling main,
And threading the eye of a yellow star:
So many times do I love again.

Elvira. She sees no longer: leave her then alone,
Encompass’d by this round and moony night.
A rose-leaf for thy lips, and then goodnight:
So life, so death; a song, and then a dream!