Rom: On The Palatine (April, 1887)

We walked where Victor Jove was shrined awhile,
And passed to Livia's rich red mural show,
Whence, thridding cave and Criptoportico,
We gained Caligula's dissolving pile.

And each ranked ruin tended to beguile
The outer sense, and shape itself as though
It wore its marble hues, its pristine glow
Of scenic frieze and pompous peristyle.

When lo, swift hands, on strings nigh over-head,
Began to melodize a waltz by Strauss:
It stirred me as I stood, in Caesar's house,
Raised the old routs Imperial lyres had led,

And blended pulsing life with lives long done,
Till Time seemed fiction, Past and Present one.

In The Old Theatre, Fiesole (April, 1887)

I traced the Circus whose gray stones incline
Where Rome and dim Etruria interjoin,
Till came a child who showed an ancient coin
That bore the image of a Constantine.

She lightly passed; nor did she once opine
How, better than all books, she had raised for me
In swift perspective Europe's history
Through the vast years of Caesar's sceptred line.

For in my distant plot of English loam
'Twas but to delve, and straightway there to find
Coins of like impress. As with one half blind
Whom common simples cure, her act flashed home
In that mute moment to my opened mind
The power, the pride, the reach of perished Rome.

The Master And The Leaves

I
We are budding, master, budding,
We of your favourite tree;
March drought and April flooding
Arouse us merrily.
The stemlets brightly studding;
And yet you do not see.

II
We are fully woven for summer
In modes of limpest green,
The twitterer and the hummer
Here rest their rounds between,
While like a 'long-roll' drummer
The night-hawk thrills the treen.

III
We are turning yellow, master,
And next we are turning red,
And faster then and faster
Shall seek our rooty bed—
All wasted in disaster
The magic show we spread!

IV
'I mark your early going,
And that you'll soon be clay,
I have seen your summer showing
As in my youthful day;
But why I seem unknowing
Is too deep down to say.'

From: Men Who March Away

In our heart of hearts believing
Victory crown the just,
And that braggarts must
Surely bite the dust,
Press we to the field ungrieving,
In our heart of hearts believing
Victory crowns the just.


Hence the faith and fire within us
Men who march away
Ere the barn-cocks say
Night is growing gray,
Leaving all that herecan win us;
Hence the faith and fire within us
Men who march away!

Is it a purblind prank, O think you,
Friend with the musing eye
Who watch us stepping by,
With doubt and dolorous sigh?
Can much pondering so hoodwink you?
Is it a purblind prank, O think you,
Friend with the musing eye?

Nay. We see well what we are doing,
Though some may not see -
Dalliers as they be -
England's need are we;
Her distress would leave us rueing:
Nay. We well see what we are doing,
Though some may not see!

Shelley's Skylark (The Neighbourhood Of Leghorn: March, 1887)

Somewhere afield here something lies
In Earth's oblivious eyeless trust
That moved a poet to prophecies -
A pinch of unseen, unguarded dust

The dust of the lark that Shelley heard,
And made immortal through times to be; -
Though it only lived like another bird,
And knew not its immortality.

Lived its meek life; then, one day, fell -
A little ball of feather and bone;
And how it perished, when piped farewell,
And where it wastes, are alike unknown.

Maybe it rests in the loam I view,
Maybe it throbs in a myrtle's green,
Maybe it sleeps in the coming hue
Of a grape on the slopes of yon inland scene.

Go find it, faeries, go and find
That tiny pinch of priceless dust,
And bring a casket silver-lined,
And framed of gold that gems encrust;

And we will lay it safe therein,
And consecrate it to endless time;
For it inspired a bard to win
Ecstatic heights in thought and rhyme.

Thoughts Of Phena

at news of her death

Not a line of her writing have I
Not a thread of her hair,
No mark of her late time as dame in her dwelling, whereby
I may picture her there;
And in vain do I urge my unsight
To conceive my lost prize
At her close, whom I knew when her dreams were upbrimming with light
And with laughter her eyes.

What scenes spread around her last days,
Sad, shining, or dim?
Did her gifts and compassions enray and enarch her sweet ways
With an aureate nimb?
Or did life-light decline from her years,
And mischances control
Her full day-star; unease, or regret, or forebodings, or fears
Disennoble her soul?

Thus I do but the phantom retain
Of the maiden of yore
As my relic; yet haply the best of her--fined in my brain
It may be the more
That no line of her writing have I,
Nor a thread of her hair,
No mark of her late time as dame in her dwelling, whereby
I may picture her there.

March 1890.

Before Marching and After

Orion swung southward aslant
Where the starved Egdon pine-trees had thinned,
The Pleiads aloft seemed to pant
With the heather that twitched in the wind;
But he looked on indifferent to sights such as these,
Unswayed by love, friendship, home joy or home sorrow,
And wondered to what he would march on the morrow.

The crazed household-clock with its whirr
Rang midnight within as he stood,
He heard the low sighing of her
Who had striven from his birth for his good;
But he still only asked the spring starlight, the breeze,
What great thing or small thing his history would borrow
From that Game with Death he would play on the morrow.

When the heath wore the robe of late summer,
And the fuchsia-bells, hot in the sun,
Hung red by the door, a quick comer
Brought tidings that marching was done
For him who had joined in that game overseas
Where Death stood to win, though his name was to borrow
A brightness therefrom not to fade on the morrow.

Song Of The Soldiers

What of the faith and fire within us
Men who march away
Ere the barn-cocks say
Night is growing gray,
To hazards whence no tears can win us;
What of the faith and fire within us
Men who march away?

Is it a purblind prank, O think you,
Friend with the musing eye
Who watch us stepping by,
With doubt and dolorous sigh?
Can much pondering so hoodwink you!
Is it a purblind prank, O think you,
Friend with the musing eye?

Nay. We see well what we are doing,
Though some may not see --
Dalliers as they be! --
England's need are we;
Her distress would leave us rueing:
Nay. We see well what we are doing,
Though some may not see!

In our heart of hearts believing
Victory crowns the just,
And that braggarts must
Surely bite the dust,
Press we to the field ungrieving,
In our heart of hearts believing
Victory crowns the just.

Hence the faith and fire within us
Men who march away
Ere the barn-cocks say
Night is growing gray,
To hazards whence no tears can win us;
Hence the faith and fire within us
Men who march away.

Men Who March Away

Song of the Soldiers

What of the faith and fire within us
Men who march away
Ere the barn-cocks say
Night is growing gray,
To hazards whence no tears can win us;
What of the faith and fire within us
Men who march away!

Is it a purblind prank, O think you,
Friend with the musing eye
Who watch us stepping by,
With doubt and dolorous sigh?
Can much pondering so hoodwink you?
Is it a purblind prank, O think you,
Friend with the musing eye?

Nay. We see well what we are doing,
Though some may not see --
Dalliers as they be --
England's need are we;
Her distress would leave us rueing:
Nay. We well see what we are doing,
Though some may not see!

In our heart of hearts believing
Victory crowns the just,
And that braggarts must
Surely bite the dust,
Press we to the field ungrieving,
In our heart of hearts believing
Victory crowns the just.

Hence the faith and fire within us
Men who march away
Ere the barn-cocks say
Night is growing gray,
To hazards whence no tears can win us;
Hence the faith and fire within us
Men who march away.

The Going Of The Battery [wive's Lament November 2nd 1899]

I

O it was sad enough, weak enough, mad enough -
Light in their loving as soldiers can be -
First to risk choosing them, leave alone losing them
Now, in far battle, beyond the South Sea! . . .

II

- Rain came down drenchingly; but we unblenchingly
Trudged on beside them through mirk and through mire,
They stepping steadily-only too readily! -
Scarce as if stepping brought parting-time nigher.

III

Great guns were gleaming there, living things seeming there,
Cloaked in their tar-cloths, upmouthed to the night;
Wheels wet and yellow from axle to felloe,
Throats blank of sound, but prophetic to sight.

IV

Gas-glimmers drearily, blearily, eerily
Lit our pale faces outstretched for one kiss,
While we stood prest to them, with a last quest to them
Not to court perils that honour could miss.

V

Sharp were those sighs of ours, blinded these eyes of ours,
When at last moved away under the arch
All we loved. Aid for them each woman prayed for them,
Treading back slowly the track of their march.

VI

Someone said: 'Nevermore will they come: evermore
Are they now lost to us.' O it was wrong!
Though may be hard their ways, some Hand will guard their ways,
Bear them through safely, in brief time or long.

VII

- Yet, voices haunting us, daunting us, taunting us,
Hint in the night-time when life beats are low
Other and graver things . . . Hold we to braver things,
Wait we, in trust, what Time's fulness shall show.

The Going Of The Battery Wives. (Lament)

I

O it was sad enough, weak enough, mad enough -
Light in their loving as soldiers can be -
First to risk choosing them, leave alone losing them
Now, in far battle, beyond the South Sea! . . .

II

- Rain came down drenchingly; but we unblenchingly
Trudged on beside them through mirk and through mire,
They stepping steadily--only too readily! -
Scarce as if stepping brought parting-time nigher.

III

Great guns were gleaming there, living things seeming there,
Cloaked in their tar-cloths, upmouthed to the night;
Wheels wet and yellow from axle to felloe,
Throats blank of sound, but prophetic to sight.

IV

Gas-glimmers drearily, blearily, eerily
Lit our pale faces outstretched for one kiss,
While we stood prest to them, with a last quest to them
Not to court perils that honour could miss.

V

Sharp were those sighs of ours, blinded these eyes of ours,
When at last moved away under the arch
All we loved. Aid for them each woman prayed for them,
Treading back slowly the track of their march.

VI

Someone said: "Nevermore will they come: evermore
Are they now lost to us." O it was wrong!
Though may be hard their ways, some Hand will guard their ways,
Bear them through safely, in brief time or long.

VII

- Yet, voices haunting us, daunting us, taunting us,
Hint in the night-time when life beats are low
Other and graver things . . . Hold we to braver things,
Wait we, in trust, what Time's fulness shall show.

The King's Experiment

It was a wet wan hour in spring,
And Nature met King Doom beside a lane,
Wherein Hodge trudged, all blithely ballading
   The Mother's smiling reign.

   "Why warbles he that skies are fair
And coombs alight," she cried, "and fallows gay,
When I have placed no sunshine in the air
   Or glow on earth to-day?"

   "'Tis in the comedy of things
That such should be," returned the one of Doom;
"Charge now the scene with brightest blazonings,
   And he shall call them gloom."

   She gave the word: the sun outbroke,
All Froomside shone, the hedgebirds raised a song;
And later Hodge, upon the midday stroke,
   Returned the lane along,

   Low murmuring: "O this bitter scene,
And thrice accurst horizon hung with gloom!
How deadly like this sky, these fields, these treen,
   To trappings of the tomb!"

   The Beldame then: "The fool and blind!
Such mad perverseness who may apprehend?" -
"Nay; there's no madness in it; thou shalt find
   Thy law there," said her friend.

   "When Hodge went forth 'twas to his Love,
To make her, ere this eve, his wedded prize,
And Earth, despite the heaviness above,
   Was bright as Paradise.

   "But I sent on my messenger,
With cunning arrows poisonous and keen,
To take forthwith her laughing life from her,
   And dull her little een,

   "And white her cheek, and still her breath,
Ere her too buoyant Hodge had reached her side;
So, when he came, he clasped her but in death,
   And never as his bride.

   "And there's the humour, as I said;
Thy dreary dawn he saw as gleaming gold,
And in thy glistening green and radiant red
   Funereal gloom and cold."

At Westminster, hid from the light of day,
Many who once had shone as monarchs lay.


Edward the Pious, and two Edwards more,
The second Richard, Henrys three or four;


That is to say, those who were called the Third,
Fifth, Seventh, and Eighth (the much self-widowered),


And James the Scot, and near him Charles the Second,
And, too, the second George could there be reckoned.


Of women, Mary and Queen Elizabeth,
And Anne, all silent in a musing death;


And Williams Mary, and Mary, Queen of Scots,
And consort-queens whose names oblivion blots;


And several more whose chronicle one sees
Adorning ancient royal pedigrees.


- Now, as they drowsed on, freed from Life's old thrall,
And heedless, save of things exceptional,


Said one: 'What means this throbbing thudding sound
That reaches to us here from overground;


'A sound of chisels, augers, planes, and saws,
Infringing all ecclesiastic laws?


'And these tons-weight of timber on us pressed,
Unfelt here since we entered into rest?


'Surely, at least to us, being corpses royal,
A meet repose is owing by the loyal?


'- Perhaps a scaffold!' Mary Stuart sighed,
'If such still be. It was that way I died.'


'- Ods! Far more like,' said he the many-wived,
'That for a wedding 'tis this works contrived.


'Ha-ha! I never would bow down to Rimmon,
But I had a rare time with those six women!'


'Not all at once?' gasped he who loved confession.
'Nay, nay!' said Hal. 'That would have been transgression.'


- They build a catafalque here, black and tall,
Perhaps,' mused Richard, 'for some funeral?'


And Anne chimed in: 'Ah, yes: it may be so!'
'Nay!' squeaked Eliza. 'Little you seem to know -


'Clearly 'tis for some crowning here in state,
As they crowned us at our long bygone date;


'Though we'd no such a power of carpentry,
But let the ancient architecture be;


'If I were up there where the parsons sit,
In one of my gold robes, I'd see to it!'


'But you are not,' Charles chuckled. 'You are here,
And never will know the sun again, my dear!'


'Yea,' whispered those whom no one had addressed;
'With slow, sad march, amid a folk distressed,
We were brought here, to take our dusty rest.


'And here, alas, in darkness laid below,
We'll wait and listen, and endure the show….
Clamour dogs kingship; afterwards not so!'

The Bridge Of Lodi.

I

When of tender mind and body
I was moved by minstrelsy,
And that strain "The Bridge of Lodi"
Brought a strange delight to me.

II

In the battle-breathing jingle
Of its forward-footing tune
I could see the armies mingle,
And the columns cleft and hewn

III

On that far-famed spot by Lodi
Where Napoleon clove his way
To his fame, when like a god he
Bent the nations to his sway.

IV

Hence the tune came capering to me
While I traced the Rhone and Po;
Nor could Milan's Marvel woo me
From the spot englamoured so.

V

And to-day, sunlit and smiling,
Here I stand upon the scene,
With its saffron walls, dun tiling,
And its meads of maiden green,

VI

Even as when the trackway thundered
With the charge of grenadiers,
And the blood of forty hundred
Splashed its parapets and piers . . .

VII

Any ancient crone I'd toady
Like a lass in young-eyed prime,
Could she tell some tale of Lodi
At that moving mighty time.

VIII

So, I ask the wives of Lodi
For traditions of that day;
But alas! not anybody
Seems to know of such a fray.

IX

And they heed but transitory
Marketings in cheese and meat,
Till I judge that Lodi's story
Is extinct in Lodi's street.

X

Yet while here and there they thrid them
In their zest to sell and buy,
Let me sit me down amid them
And behold those thousands die . . .

XI

- Not a creature cares in Lodi
How Napoleon swept each arch,
Or where up and downward trod he,
Or for his memorial March!

XII

So that wherefore should I be here,
Watching Adda lip the lea,
When the whole romance to see here
Is the dream I bring with me?

XIII

And why sing "The Bridge of Lodi"
As I sit thereon and swing,
When none shows by smile or nod he
Guesses why or what I sing? . . .

XIV

Since all Lodi, low and head ones,
Seem to pass that story by,
It may be the Lodi-bred ones
Rate it truly, and not I.

XV

Once engrossing Bridge of Lodi,
Is thy claim to glory gone?
Must I pipe a palinody,
Or be silent thereupon?

XVI

And if here, from strand to steeple,
Be no stone to fame the fight,
Must I say the Lodi people
Are but viewing crime aright?

XVII

Nay; I'll sing "The Bridge of Lodi" -
That long-loved, romantic thing,
Though none show by smile or nod he
Guesses why and what I sing!

The Bridge Of Lodi (Spring, 1887)

I

When of tender mind and body
   I was moved by minstrelsy,
And that strain "The Bridge of Lodi"
   Brought a strange delight to me.

II

In the battle-breathing jingle
   Of its forward-footing tune
I could see the armies mingle,
   And the columns cleft and hewn

III

On that far-famed spot by Lodi
   Where Napoleon clove his way
To his fame, when like a god he
   Bent the nations to his sway.

IV

Hence the tune came capering to me
   While I traced the Rhone and Po;
Nor could Milan's Marvel woo me
   From the spot englamoured so.

V

And to-day, sunlit and smiling,
   Here I stand upon the scene,
With its saffron walls, dun tiling,
   And its meads of maiden green,

VI

Even as when the trackway thundered
   With the charge of grenadiers,
And the blood of forty hundred
   Splashed its parapets and piers . . .

VII

Any ancient crone I'd toady
   Like a lass in young-eyed prime,
Could she tell some tale of Lodi
   At that moving mighty time.

VIII

So, I ask the wives of Lodi
   For traditions of that day;
But alas! not anybody
   Seems to know of such a fray.

IX

And they heed but transitory
   Marketings in cheese and meat,
Till I judge that Lodi's story
   Is extinct in Lodi's street.

X

Yet while here and there they thrid them
   In their zest to sell and buy,
Let me sit me down amid them
   And behold those thousands die . . .

XI

- Not a creature cares in Lodi
   How Napoleon swept each arch,
Or where up and downward trod he,
   Or for his memorial March!

XII

So that wherefore should I be here,
   Watching Adda lip the lea,
When the whole romance to see here
   Is the dream I bring with me?

XIII

And why sing "The Bridge of Lodi"
   As I sit thereon and swing,
When none shows by smile or nod he
   Guesses why or what I sing? . . .

XIV

Since all Lodi, low and head ones,
   Seem to pass that story by,
It may be the Lodi-bred ones
   Rate it truly, and not I.

XV

Once engrossing Bridge of Lodi,
   Is thy claim to glory gone?
Must I pipe a palinody,
   Or be silent thereupon?

XVI

And if here, from strand to steeple,
   Be no stone to fame the fight,
Must I say the Lodi people
   Are but viewing crime aright?

Nay; I'll sing "The Bridge of Lodi" -
   That long-loved, romantic thing,
Though none show by smile or nod he
   Guesses why and what I sing!

I

"Percussus sum sicut foenum, et aruit cor meum."
- Ps. ci

   Wintertime nighs;
But my bereavement-pain
It cannot bring again:
   Twice no one dies.

   Flower-petals flee;
But, since it once hath been,
No more that severing scene
   Can harrow me.

   Birds faint in dread:
I shall not lose old strength
In the lone frost's black length:
   Strength long since fled!

   Leaves freeze to dun;
But friends can not turn cold
This season as of old
   For him with none.

   Tempests may scath;
But love can not make smart
Again this year his heart
   Who no heart hath.

   Black is night's cope;
But death will not appal
One who, past doubtings all,
   Waits in unhope.
De Profundis

II

"Considerabam ad dexteram, et videbam; et non erat qui cognosceret me

When the clouds' swoln bosoms echo back the shouts of the many and
strong
That things are all as they best may be, save a few to be right ere
long,
And my eyes have not the vision in them to discern what to these is
so clear,
The blot seems straightway in me alone; one better he were not here.

The stout upstanders say, All's well with us: ruers have nought to
rue!
And what the potent say so oft, can it fail to be somewhat true?
Breezily go they, breezily come; their dust smokes around their
career,
Till I think I am one horn out of due time, who has no calling here.

Their dawns bring lusty joys, it seems; their eves exultance sweet;
Our times are blessed times, they cry: Life shapes it as is most
meet,
And nothing is much the matter; there are many smiles to a tear;
Then what is the matter is I, I say. Why should such an one be here?

Let him to whose ears the low-voiced Best seems stilled by the clash
of the First,
Who holds that if way to the Better there be, it exacts a full look
at the Worst,
Who feels that delight is a delicate growth cramped by crookedness,
custom, and fear,
Get him up and be gone as one shaped awry; he disturbs the order
here.
De Profundis

III

"Heu mihi, quia incolatus meus prolongatus est! Habitavi cum
habitantibus Cedar; multum incola fuit aninia mea."--Ps. cxix.

There have been times when I well might have passed and the ending
have come -
Points in my path when the dark might have stolen on me, artless,
unrueing -
Ere I had learnt that the world was a welter of futile doing:
Such had been times when I well might have passed, and the ending
have come!

Say, on the noon when the half-sunny hours told that April was nigh,
And I upgathered and cast forth the snow from the crocus-border,
Fashioned and furbished the soil into a summer-seeming order,
Glowing in gladsome faith that I quickened the year thereby.

Or on that loneliest of eves when afar and benighted we stood,
She who upheld me and I, in the midmost of Egdon together,
Confident I in her watching and ward through the blackening heather,
Deeming her matchless in might and with measureless scope endued.

Or on that winter-wild night when, reclined by the chimney-nook
quoin,
Slowly a drowse overgat me, the smallest and feeblest of folk there,
Weak from my baptism of pain; when at times and anon I awoke there -
Heard of a world wheeling on, with no listing or longing to join.

Even then! while unweeting that vision could vex or that knowledge
could numb,
That sweets to the mouth in the belly are bitter, and tart, and
untoward,
Then, on some dim-coloured scene should my briefly raised curtain
have lowered,
Then might the Voice that is law have said "Cease!" and the ending
have come.