Thomas Hardy: Verses about Music

A bird sings the selfsame song,
With never a fault in its flow,
That we listened to here those long
Long years ago.

A pleasing marvel is how
A strain of such rapturous rote
Should have gone on thus till now
unchanged in a note!

--But its not the selfsame bird.--
No: perished to dust is he....
As also are those who heard
That song with me.

I
Sinking down by the gate I discern the thin moon,
And a blackbird tries over old airs in the pine,
But the moon is a sorry one, sad the bird's tune,
For this spot is unknown to that Heartmate of mine.
II
Did my Heartmate but haunt here at times such as now,
The song would be joyous and cheerful the moon;
But she will see never this gate, path, or bough,
Nor I find a joy in the scene or the tune.

I

Here's the mould of a musical bird long passed from light,
Which over the earth before man came was winging;
There's a contralto voice I heard last night,
That lodges with me still in its sweet singing.

II

Such a dream is Time that the coo of this ancient bird
Has perished not, but is blent, or will be blending
Mid visionless wilds of space with the voice that I heard,
In the full-fuged song of the universe unending.

I scanned her picture dreaming,
   Till each dear line and hue
Was imaged, to my seeming,
   As if it lived anew.

Her lips began to borrow
   Their former wondrous smile;
Her fair eyes, faint with sorrow,
   Grew sparkling as erstwhile.

Such tears as often ran not
   Ran then, my love, for thee;
And O, believe I cannot
   That thou are lost to me!

(As sung by Mr. Charles Charrington in the play of "The Three Wayfarers")

O MY trade it is the rarest one,
Simple shepherds all--
My trade is a sight to see;
For my customers I tie, and take 'em up on high,
And waft 'em to a far countree!

My tools are but common ones,
Simple shepherds all--
My tools are no sight to see:
A little hempen string, and a post whereon to swing,
Are implements enough for me!

To-morrow is my working day,
Simple shepherds all--
To-morrow is a working day for me:
For the farmer's sheep is slain, and the lad who did it ta'en,
And on his soul may God ha' mer-cy!

I sang that song on Sunday,
To witch an idle while,
I sang that song on Monday,
As fittest to beguile;
I sang it as the year outwore,
And the new slid in;
I thought not what might shape before
Another would begin.

I sang that song in summer,
All unforeknowingly,
To him as a new-comer
From regions strange to me:
I sang it when in afteryears
The shades stretched out,
And paths were faint; and flocking fears
Brought cup-eyed care and doubt.

Sings he that song on Sundays
In some dim land afar,
On Saturdays, or Mondays,
As when the evening star
Glimpsed in upon his bending face
And my hanging hair,
And time untouched me with a trace
Of soul-smart or despair?

O sweet To-morrow! -
   After to-day
   There will away
This sense of sorrow.
Then let us borrow
Hope, for a gleaming
Soon will be streaming,
   Dimmed by no gray -
   No gray!

While the winds wing us
   Sighs from The Gone,
   Nearer to dawn
Minute-beats bring us;
When there will sing us
Larks of a glory
Waiting our story
   Further anon -
   Anon!

Doff the black token,
   Don the red shoon,
   Right and retune
Viol-strings broken;
Null the words spoken
In speeches of rueing,
The night cloud is hueing,
   To-morrow shines soon -
   Shines soon!

I hear that maiden still
Of Keinton Mandeville
Singing, in flights that played
As wind-wafts through us all,
Till they made our mood a thrall
To their aery rise and fall,
'Should he upbraid.'

Rose-necked, in sky-gray gown,
From a stage in Stower Town
Did she sing, and singing smile
As she blent that dexterous voice
With the ditty of her choice,
And banished our annoys
Thereawhile.

One with such song had power
To wing the heaviest hour
Of him who housed with her.
Who did I never knew
When her spoused estate ondrew,
And her warble flung its woo
In his ear.

Ah, she's a beldame now,
Time-trenched on cheek and brow,
Whom I once heard as a maid
From Keinton Mandeville
Of matchless scope and skill
Sing, with smile and swell and trill,
'Should he upbraid!'

WHEN Lawyers strive to heal a breach,
And Parsons practise what they preach;
Then Little Boney he'll pounce down,
And march his men on London town!
Rollicum-rorum, tol-lol-lorum,
Rollicum-rorum, tol-lol-lay!

When Justices hold equal scales,
And Rogues are only found in jails;
Then Little Boney he'll pounce down,
And march his men on London town!
Rollicum-rorum, etc.

When Rich Men find their wealth a curse,
And fill therewith the Poor Man's purse;
Then Little Boney he'll pounce down,
And march his men on London town!
Rollicum-rorum, etc.

When Husbands with their Wives agree,
And Maids won't wed from modesty;
Then Little Boney he'll pounce down,
And march his men on London town!
Rollicum-rorum, tol-lol-lorum,
Rollicum-rorum, tol-lol-lay!

Francois Hippolite Barthelemon, first-fiddler at Vauxhall Gardens,
composed what was probably the most popular morning hymn-tune ever
written. It was formerly sung, full-voiced, every Sunday in most
churches, to Bishop Ken's words, but is now seldom heard.


He said: 'Awake my soul, and with the sun,' . . .
And paused upon the bridge, his eyes due east,
Where was emerging like a full-robed priest
The irradiate globe that vouched the dark as done.

It lit his face-the weary face of one
Who in the adjacent gardens charged his string,
Nightly, with many a tuneful tender thing,
Till stars were weak, and dancing hours outrun.

And then were threads of matin music spun
In trial tones as he pursued his way:
'This is a morn,' he murmured, 'well begun:
This strain to Ken will count when I am clay!'

And count it did; till, caught by echoing lyres,
It spread to galleried naves and mighty quires.

What of the faith and fire within us
Men who march away
Ere the barn-cocks say
Night is growing gray,
To hazards whence no tears can win us;
What of the faith and fire within us
Men who march away?

Is it a purblind prank, O think you,
Friend with the musing eye
Who watch us stepping by,
With doubt and dolorous sigh?
Can much pondering so hoodwink you!
Is it a purblind prank, O think you,
Friend with the musing eye?

Nay. We see well what we are doing,
Though some may not see --
Dalliers as they be! --
England's need are we;
Her distress would leave us rueing:
Nay. We see well what we are doing,
Though some may not see!

In our heart of hearts believing
Victory crowns the just,
And that braggarts must
Surely bite the dust,
Press we to the field ungrieving,
In our heart of hearts believing
Victory crowns the just.

Hence the faith and fire within us
Men who march away
Ere the barn-cocks say
Night is growing gray,
To hazards whence no tears can win us;
Hence the faith and fire within us
Men who march away.

I

At last! In sight of home again,
Of home again;
No more to range and roam again
As at that bygone time?
No more to go away from us
And stay from us? -
Dawn, hold not long the day from us,
But quicken it to prime!

II

Now all the town shall ring to them,
Shall ring to them,
And we who love them cling to them
And clasp them joyfully;
And cry, "O much we'll do for you
Anew for you,
Dear Loves!--aye, draw and hew for you,
Come back from oversea."

III

Some told us we should meet no more,
Should meet no more;
Should wait, and wish, but greet no more
Your faces round our fires;
That, in a while, uncharily
And drearily
Men gave their lives--even wearily,
Like those whom living tires.

IV

And now you are nearing home again,
Dears, home again;
No more, may be, to roam again
As at that bygone time,
Which took you far away from us
To stay from us;
Dawn, hold not long the day from us,
But quicken it to prime!

He often would ask us
That, when he died,
After playing so many
To their last rest,
If out of us any
Should here abide,
And it would not task us,
We would with our lutes
Play over him
By his grave-brim
The psalm he liked best—
The one whose sense suits
'Mount Ephraim'—
And perhaps we should seem
To him, in Death's dream,
Like the seraphim.

As soon as I knew
That his spirit was gone
I thought this his due,
And spoke thereupon.
'I think', said the vicar,
'A read service quicker
Than viols out-of-doors
In these frosts and hoars.
That old-fashioned way
Requires a fine day,
And it seems to me
It had better not be.'
Hence, that afternoon,
Though never knew he
That his wish could not be,
To get through it faster
They buried the master
Without any tune.

But 'twas said that, when
At the dead of next night
The vicar looked out,
There struck on his ken
Thronged roundabout,
Where the frost was graying
The headstoned grass,
A band all in white
Like the saints in church-glass,
Singing and playing
The ancient stave
By the choirmaster's grave.

Such the tenor man told
When he had grown old.

The chimes called midnight, just at interlune,
And the daytime talk on the Roman investigations
Was checked by silence, save for the husky tune
The bubbling waters played near the excavations.


And a warm air came up from underground,
And a flutter, as of a filmy shape unsepulchred,
That collected itself, and waited, and looked around:
Nothing was seen, but utterances could be heard:


Those of the goddess whose shrine was beneath the pile
Of the God with the baldachined altar overhead:
'And what did you get by raising this nave and aisle
Close on the site of the temple I tenanted?


'The notes of your organ have thrilled down out of view
To the earth-clogged wrecks of my edifice many a year,
Though stately and shining once - ay, long ere you
Had set up crucifix and candle here.


'Your priests have trampled the dust of mine without rueing,
Despising the joys of man whom I so much loved,
Though my springs boil on by your Gothic arcades and pewing,
And sculptures crude…. Would Jove they could be removed!'


' - Repress, O lady proud, your traditional ires;
You know not by what a frail thread we equally hang;
It is said we are images both - twitched by peoples desires;
And that I, as you, fail as a song that men time agone sang!' . . . . . . .

And the olden dark hid the cavities late laid bare,
And all was suspended and soundless as before,
Except for a gossamery noise fading off in the air,
And the boiling voice of the waters' medicinal pour.

TO Jenny came a gentle youth
From inland leazes lone;
His love was fresh as apple-blooth
By Parrett, Yeo, or Tone.
And duly he entreated her
To be his tender minister,
And call him aye her own.

Fair Jenny's life had hardly been
A life of modesty;
At Casterbridge experience keen
Of many loves had she
From scarcely sixteen years above:
Among them sundry troopers of
The King's-Own Cavalry.

But each with charger, sword, and gun,
Had bluffed the Biscay wave;
And Jenny prized her gentle one
For all the love he gave.
She vowed to be, if they were wed,
His honest wife in heart and head
From bride-ale hour to grave.

Wedded they were. Her husband's trust
In Jenny knew no bound,
And Jenny kept her pure and just,
Till even malice found
No sin or sign of ill to be
In one who walked so decently
The duteous helpmate's round.

Two sons were born, and bloomed to men,
And roamed, and were as not:
Alone was Jenny left again
As ere her mind had sought
A solace in domestic joys,
And ere the vanished pair of boys
Were sent to sun her cot.

She numbered near on sixty years,
And passed as elderly,
When, in the street, with flush of fears,
On day discovered she,
From shine of swords and thump of drum,
Her early loves from war had come,
The King's Own Cavalry.

She turned aside, and bowed her head
Anigh Saint Peter's door;
"Alas for chastened thoughts!" she said;
"I'm faded now, and hoar,
And yet those notes--they thrill me through,
And those gay forms move me anew
As in the years of yore!"...

--'Twas Christmas, and the Phoenix Inn
Was lit with tapers tall,
For thirty of the trooper men
Had vowed to give a ball
As "Theirs" had done (fame handed down)
When lying in the self-same town
Ere Buonaparté's fall.

That night the throbbing "Soldier's Joy,"
The measured tread and sway
Of "Fancy-Lad" and "Maiden Coy,"
Reached Jenny as she lay
Beside her spouse; till springtide blood
Seemed scouring through her like a flood
That whisked the years away.

She rose, and rayed, and decked her head
To hide her ringlets thin;
Upon her cap two bows of red
She fixed with hasty pin;
Unheard descending to the street,
She trod the flags with tune-led feet,
And stood before the Inn.

Save for the dancers', not a sound
Disturbed the icy air;
No watchman on his midnight round
Or traveller was there;
But over All-Saints', high and bright,
Pulsed to the music Sirius white,
The Wain by Bullstake Square.

She knocked, but found her further stride
Checked by a sergeant tall:
"Gay Granny, whence come you?" he cried;
"This is a private ball."
--"No one has more right here than me!
Ere you were born, man," answered she,
"I knew the regiment all!"

"Take not the lady's visit ill!"
Upspoke the steward free;
"We lack sufficient partners still,
So, prithee let her be!"
They seized and whirled her 'mid the maze,
And Jenny felt as in the days
Of her immodesty.

Hour chased each hour, and night advanced;
She sped as shod with wings;
Each time and every time she danced--
Reels, jigs, poussettes, and flings:
They cheered her as she soared and swooped
(She'd learnt ere art in dancing drooped
From hops to slothful swings).

The favorite Quick-step "Speed the Plough"--
(Cross hands, cast off, and wheel)--
"The Triumph," "Sylph," "The Row-dow dow,"
Famed "Major Malley's Reel,"
"The Duke of York's," "The Fairy Dance,"
"The Bridge of Lodi" (brought from France),
She beat out, toe and heel.

The "Fall of Paris" clanged its close,
And Peter's chime told four,
When Jenny, bosom-beating, rose
To seek her silent door.
They tiptoed in escorting her,
Lest stroke of heel or chink of spur
Should break her goodman's snore.

The fire that late had burnt fell slack
When lone at last stood she;
Her nine-and-fifty years came back;
She sank upon her knee
Beside the durn, and like a dart
A something arrowed through her heart
In shoots of agony.

Their footsteps died as she leant there,
Lit by the morning star
Hanging above the moorland, where
The aged elm-rows are;
And, as o'ernight, from Pummery Ridge
To Maembury Ring and Standfast Bridge
No life stirred, near or far.

Though inner mischief worked amain,
She reached her husband's side;
Where, toil-weary, as he had lain
Beneath the patchwork pied
When yestereve she'd forthward crept,
And as unwitting, still he slept
Who did in her confide.

A tear sprang as she turned and viewed
His features free from guile;
She kissed him long, as when, just wooed.
She chose his domicile.
Death menaced now; yet less for life
She wished than that she were the wife
That she had been erstwhile.

Time wore to six. Her husband rose
And struck the steel and stone;
He glanced at Jenny, whose repose
Seemed deeper than his own.
With dumb dismay, on closer sight,
He gathered sense that in the night,
Or morn, her soul had flown.

When told that some too mighty strain
For one so many-yeared
Had burst her bosom's master-vein,
His doubts remained unstirred.
His Jenny had not left his side
Betwixt the eve and morning-tide:
--The King's said not a word.

Well! times are not as times were then,
Nor fair ones half so free;
And truly they were martial men,
The King's-Own Cavalry.
And when they went from Casterbridge
And vanished over Mellstock Ridge,
'Twas saddest morn to see.