Thomas Bailey Aldrich: Verses about Sorrow

I'll not confer with Sorrow
Till to-morrow;
But Joy shall have her way
This very day.

Ho, eglantine and cresses
For her tresses!--
Let Care, the beggar, wait
Outside the gate.

Tears if you will--but after
Mirth and laughter;
Then, folded hands on breast
And endless rest.

A blight, a gloom, I know not what, has crept upon my gladness--
Some vague, remote ancestral touch of sorrow, or of madness;
A fear that is not fear, a pain that has not pain's insistence;
A sense of longing, or of loss, in some foregone exsistence;
A subtle hurt that never pen has writ nor tongue has spoken--
Such hurt perchance as Nature feels wen a blossomed bough is broken.

Forever am I conscious, moving here,
That should I step a little space aside
I pass the boundary of some glorified
Invisible domain -- it lies so near!
Yet nothing know we of that dim frontier
Which each must cross, whatever fate betide,
To reach the heavenly cities where abide
(Thus Sorrow whispers) those that were most dear,
Now all transfigured in celestial light!
Shall we indeed behold them, thine and mine,
Whose going hence made black the noonday sun? --
Strange is it that across the narrow night
They fling us not some token, or make sign
That all beyond is not Oblivion.

Pleasant it is to lie amid the grass
Under these shady locusts, half the day,
Watching the ships reflected on the Bay,
Topmast and shroud, as in a wizard's glass;
To note the swift and meagre swallow pass,
Brushing the dewdrops from the lilac spray;
Or else to sit and while the noon away
With some old love-tale; or to muse, alas!
On Dante in his exile, sorrow-worn;
On Milton, blind, with inward-seeing eyes
That made their own deep midnight and rich morn;
To think that now, beneath Italian skies,
In such clear air as this, by Tiber's wave,
Daisies are trembling over Keats's grave.

Because the sky is blue; because blithe May
Masks in the wren's note and the lilac's hue;
Because -- in fine, because the sky is blue
I will read none but piteous tales to-day.
Keep happy laughter till the skies be gray,
And the sad season cypress wears, and rue;
Then, when the wind is moaning in the flue,
And ways are dark, bid Chaucer make us gay.
But now a little sadness! All too sweet
This springtide riot, this most poignant air,
This sensuous world of color and perfume.
So listen, love, while I the woes repeat
Of Hamlet and Ophelia, and that pair
Whose bridal bed was builded in a tomb.

The smooth-worn coin and threadbare classic phrase
Of Grecian myths that did beguile my youth,
Beguile me not as in the olden days:
I think more grief and beauty dwell with truth.
Andromeda, in fetters by the sea,
Star-pale with anguish till young Perseus came,
Less moves me with her suffering than she,
The slim girl figure fettered to dark shame,
That nightly haunts the park, there, like a shade,
Trailing her wretchedness from street to street.
See where she passes -- neither wife nor maid;
How all mere fiction crumbles at her feet!
Here is woe's self, and not the mask of woe:
A legend's shadow shall not move you so!

The new moon hung in the sky, the sun was low in the west,
And my betrothed and I in the churchyard paused to rest--
Happy maiden and lover, dreaming the old dream over:
The light winds wandered by, and robins chirped from the nest.

And lo! in the meadow sweet was the grave of a little child,
With a crumbling stone at the feet and the ivy running wild--
Tangled ivy and clover folding it over and over:
Close to my sweetheart's feet was the little mound up-piled.

Stricken with nameless fears, she shrank and clung to me,
And her eyes were filled with tears for a sorrow I did not see:
Lightly the winds were blowing, softly her tears were flowing--
Tears for the unknown years and a sorrow that was to be!

"A MIDDLE-AGED LYRICAL POET IS SUPPOSED TO BE TAKING FINAL LEAVE OF THE MUSE OF COMEDY. SHE HAS BROUGHT HIM HIS HAT AND GLOVES, AND IS ABSTRACTEDLY PICKING A THREAD OF GOLD HAIR FROM HIS COAT SLEEVE AS HE BEGINS TO SPEAK:

I say it under the rose--
oh, thanks! --yes, under the laurel,
We part lovers, not foes;
we are not going to quarrel.

We have too long been friends
on foot and in guilded coaches,
Now that the whole thing ends,
to spoil our kiss with reproaches.

I leave you; my soul is wrung;
I pause, look back from the portal--
Ah, I no more am young,
and you, child, are immortal!

Mine is the glacier's way,
yours is the blossom's weather--
When were December and May
known to be happy together?

Before my kisses grow tame,
before my moodiness grieve you,
While yet my heart is flame,
and I all lover, I leave you.

So, in the coming time,
when you count the rich years over,
Think of me in my prime,
and not as a white-haired lover.

Fretful, pierced with regret,
the wraith of dead Desire
Thrumming a cracked spinnet
by a slowly dying fire.

When, at last, I am cold--
years hence, if the gods so will it--
Say, "He was true as gold,"
and wear a rose in your fillet!

Others, tender as I,
will come and sue for carresses,
Woo you, win you, and die--
mind you, a rose in your tresses!

Some Melpomene woo,
some hold Clio nearest;
You, sweet Comedy--you
were ever sweetest and dearest!

Nay, it is time to go--
when writing your tragic sister
Say to that child of woe
how sorry I was I missed her.

Really, I cannot stay,
though "parting is such sweet sorrow" . . .
Perhaps I will, on my way
down-town, look in to-morrow!

WIDE open and unguarded stand our gates,
Named of the four winds, North, South, East, and West;
Portals that lead to an enchanted land
Of cities, forests, fields of living gold,
Vast prairies, lordly summits touched with snow,
Majestic rivers sweeping proudly past
The Arab’s date-palm and the Norseman’s pine—
A realm wherein are fruits of every zone,
Airs of all climes, for, lo! throughout the year
The red rose blossoms somewhere—a rich land,
A later Eden planted in the wilds,
With not an inch of earth within its bound
But if a slave’s foot press it sets him free.
Here, it is written, Toil shall have its wage,
And Honor honor, and the humblest man
Stand level with the highest in the law.
Of such a land have men in dungeons dreamed,
And with the vision brightening in their eyes
Gone smiling to the fagot and the sword.

Wide open and unguarded stand our gates,
And through them presses a wild motley throng—
Men from the Volga and the Tartar steppes,
Featureless figures of the Hoang-Ho,
Malayan, Scythian, Teuton, Kelt, and Slav,
Flying the Old World’s poverty and scorn;
These bringing with them unknown gods and rites,—
Those, tiger passions, here to stretch their claws.
In street and alley what strange tongues are loud,
Accents of menace alien to our air,
Voices that once the Tower of Babel knew!

O Liberty, white Goddess! is it well
To leave the gates unguarded? On thy breast
Fold Sorrow’s children, soothe the hurts of fate,
Lift the down-trodden, but with hand of steel
Stay those who to thy sacred portals come
To waste the gifts of freedom. Have a care
Lest from thy brow the clustered stars be torn
And trampled in the dust. For so of old
The thronging Goth and Vandal trampled Rome,
And where the temples of the Cæsars stood
The lean wolf unmolested made her lair.

I
NOT with slow, funereal sound
Come we to this sacred ground;
Not with wailing fife and solemn muffled drum,
Bringing a cypress wreath
To lay, with bended knee,
On the cold brows of Death—
Not so, dear God, we come,
But with the trumpets’ blare
And shot-torn battle-banners flung to air,
As for a victory!

Hark to the measured tread of martial feet,
The music and the murmurs of the street!
No bugle breathes this day
Disaster and retreat!—
Hark, how the iron lips
Of the great battle-ships
Salute the City from her azure Bay!

II

Time was—time was, ah, unforgotten years!—
We paid our hero tribute of our tears.
But now let go
All sounds and signs and formulas of woe:
’T is Life, not Death, we celebrate;
To Life, not Death, we dedicate
This storied bronze, whereon is wrought
The lithe immortal figure of our thought,
To show forever to men’s eyes,
Our children’s children’s children’s eyes,
How once he stood
In that heroic mood,
He and his dusky braves
So fain of glorious graves!—
One instant stood, and then
Drave through that cloud of purple steel and flame,
Which wrapt him, held him, gave him not again,
But in its trampled ashes left to Fame
An everlasting name!

III

That was indeed to live—
At one bold swoop to wrest
From darkling death the best
That death to life can give.
He fell as Roland fell
That day at Roncevaux,
With foot upon the ramparts of the foe!
A pæan, not a knell,
For heroes dying so!
No need for sorrow here,
No room for sigh or tear,
Save such rich tears as happy eyelids know.
See where he rides, our Knight!
Within his eyes the light
Of battle, and youth’s gold about his brow;
Our Paladin, our Soldier of the Cross,
Not weighing gain with loss—
World-loser, that won all
Obeying duty’s call!
Not his, at peril’s frown,
A pulse of quicker beat;
Not his to hesitate
And parley hold with Fate,
But proudly to fling down
His gauntlet at her feet.
O soul of loyal valor and white truth,
Here, by this iron gate,
Thy serried ranks about thee as of yore,
Stand thou for evermore
In thy undying youth!

The tender heart, the eagle eye!
Oh, unto him belong
The homages of Song;
Our praises and the praise
Of coming days
To him belong—
To him, to him, the dead that shall not die!

ENAMOURED ARCHITECT OF AIRY RHYME

ENAMOURED architect of airy rhyme,
Build as thou wilt; heed not what each man says:
Good souls, but innocent of dreamers’ ways,
Will come, and marvel why thou wastest time;
Others, beholding how thy turrets climb
’Twixt theirs and heaven, will hate thee all thy days;
But most beware of those who come to praise.
O Wondersmith, O worker in sublime
And heaven-sent dreams, let art be all in all;
Build as thou wilt, unspoiled by praise or blame,
Build as thou wilt, and as thy light is given:
Then, if at last the airy structure fall,
Dissolve, and vanish—take thyself no shame.
They fail, and they alone, who have not striven.

REMINISCENCE

THOUGH I am native to this frozen zone
That half the twelvemonth torpid lies, or dead;
Though the cold azure arching overhead
And the Atlantic’s never-ending moan
Are mine by heritage, I must have known
Life otherwhere in epochs long since fled;
For in my veins some Orient blood is red,
And through my thought are lotus blossoms blown.
I do remember … it was just at dusk,
Near a walled garden at the river’s turn
(A thousand summers seem but yesterday!),
A Nubian girl, more sweet than Khoorja musk,
Came to the water-tank to fill her urn,
And, with the urn, she bore my heart away!

OUTWARD BOUND

I LEAVE behind me the elm-shadowed square
And carven portals of the silent street,
And wander on with listless, vagrant feet
Through seaward-leading alleys, till the air
Smells of the sea, and straightway then the care
Slips from my heart, and life once more is sweet.
At the lane’s ending lie the white-winged fleet.
O restless Fancy, whither wouldst thou fare?
Here are brave pinions that shall take thee far—
Gaunt hulks of Norway; ships of red Ceylon;
Slim-masted lovers of the blue Azores!
’T is but an instant hence to Zanzibar,
Or to the regions of the Midnight Sun;
Ionian isles are thine, and all the fairy shores!

ANDROMEDA

THE SMOOTH-WORN coin and threadbare classic phrase
Of Grecian myths that did beguile my youth,
Beguile me not as in the olden days:
I think more grief and beauty dwell with truth.
Andromeda, in fetters by the sea,
Star-pale with anguish till young Perseus came,
Less moves me with her suffering than she,
The slim girl figure fettered to dark shame,
That nightly haunts the park, there, like a shade,
Trailing her wretchedness from street to street.
See where she passes—neither wife nor maid;
How all mere fiction crumbles at her feet!
Here is woe’s self, and not the mask of woe:
A legend’s shadow shall not move you so!

THE UNDISCOVERED COUNTRY

FOREVER am I conscious, moving here,
That should I step a little space aside
I pass the boundary of some glorified
Invisible domain—it lies so near!
Yet nothing know we of that dim frontier
Which each must cross, whatever fate betide,
To reach the heavenly cities where abide
(Thus Sorrow whispers) those that were most dear,
Now all transfigured in celestial light!
Shall we indeed behold them, thine and mine,
Whose going hence made black the noonday sun?—
Strange is it that across the narrow night
They fling us not some token, or make sign
That all beyond is not Oblivion.

SLEEP

WHEN to soft sleep we give ourselves away,
And in a dream as in a fairy bark
Drift on and on through the enchanted dark
To purple daybreak—little thought we pay
To that sweet bitter world we know by day.
We are clean quit of it, as is a lark
So high in heaven no human eye can mark
The thin swift pinion cleaving through the gray.
Till we awake ill fate can do no ill,
The resting heart shall not take up again
The heavy load that yet must make it bleed;
For this brief space the loud world’s voice is still,
No faintest echo of it brings us pain.
How will it be when we shall sleep indeed?

A.D. 1670

AGLÄE, a widow.
MURIEL, her unmarried sister.


It happened once, in that brave land that lies
For half the twelvemonth wrapt in sombre skies,
Two sisters loved one man. He being dead,
Grief loosed the lips of her he had not wed,
And all the passion that through heavy years
Had masked in smiles unmasked itself in tears.
No purer love may mortals know than this,
The hidden love that guards another's bliss.
High in a turret's westward-facing room,
Whose painted window held the sunset's bloom,
The two together grieving, each to each
Unveiled her soul with sobs and broken speech.

Both were young, in life's rich summer yet;
And one was dark, with tints of violet
In hair and eyes, and one was blond as she
Who rose--a second daybreak--from the sea,
Gold-tressed and azure-eyed. In that lone place,
Like dusk and dawn, they sat there face to face.

She spoke the first whose strangely silvering hair
No wreath had worn, nor widow's weed might wear,
And told her blameless love, and knew no shame--
Her holy love that, like a vestal flame
Beside the body of some queen
Within a guarded crypt, had burned unseen
From weary year to year. And she who heard
Smiled proudly through her tears and said no word,
But, drawing closer, on the troubled brow
Laid one long kiss, and that was words enow!

MURIEL.

Be still, my heart! Grown patient with thine ache,
Thou shouldst be dumb, yet needs must speak, or break.
The world is empty now that he is gone.

AGLÄE.

Ay, sweetheart!

MURIEL.

None was like him, no, not one.
From other men he stood apart, alone
In honor spotless as unfallen snow.
Nothing all evil was it his to know;
His charity still found some germ, some spark
Of light in natures that seemed wholly dark.
He read men's souls; the lowly and the high
Moved on the self-same level in his eye.
Gracious to all, to none subservient,
Without offence he spake the word he meant--
His word no trick of tact or courtly art,
But the white flowering of the noble heart.
Careless he was of much the world counts gain,
Careless of self, too simple to be vain,
Yet strung so finely that for conscience-sake
He would have gone like Cranmer to the stake.
I saw--how could I help but love? And you--

AGLÄE.

At this perfection did I worship too . . .
'T was this that stabbed me. Heed not what I say!
I meant it not, my wits are gone astray,
With all that is and has been. No, I lie--
Had he been less perfection, happier I!

MURIEL.

Strange words and wild! 'T is the distracted mind
Breathes them, not you, and I no meaning find.

AGLÄE.

Yet 't were as plain as writing on a scroll
had you but eyes to read within my soul.--
How a grief hidden feeds on its own mood,
Poison's the healthful currents of the blood
With bitterness, and turns the heart to stone!
I think, in truth, 't were better to make moan,
And so be done with it. This many a year,
Sweetheart, have I laughed lightly and made cheer,
Pierced through with sorrow!

Then the widowed one
With sorrowfullest eyes beneath the sun,
Faltered, irresolute, and bending low
Her head, half whispered,

Dear, how could you know?
What masks are faces!--yours, unread by me
These seven long summers; mine, so placidly
Shielding my woe! No tremble of the lip,
No cheek's quick pallor let our secret slip!
Mere players we, and she that played the queen,
Now in her homespun, looks how poor and mean!
How shall I say it, how find words to tell
What thing it was for me made earth a hell
That else had been my heaven! 'T would blanch your cheek
Were I to speak it. Nay, but I will speak,
Since like two souls at compt we seem to stand,
Where nothing may be hidden. Hold my hand,
But look not at me! Noble 't was, and meet,
To hide your heart, nor fling it at his feet
To lie despised there. Thus saved you our pride
And that white honor for which earls have died.
You were not all unhappy, loving so!
I with a difference wore my weight of woe.
My lord was he. It was my cruel lot,
My hell, to love him--for he loved me not!

Then came a silence. Suddenly like death
The truth flashed on them, and each held her breath--
A flash of light whereby they both were slain,
She that was loved and she that loved in vain!