THE rain has ceased, and in my room
The sunshine pours an airy flood;
And on the church's dizzy vane
The ancient cross is bathed in blood.
From out the dripping ivy leaves,
Antiquely carven, gray and high,
A dormer, facing westward, looks
Upon the village like an eye.
And now it glimmers in the sun,
A globe of gold, a disk, a speck;
And in the belfry sits a dove
With purple ripples on her neck.

Before The Rain

E knew it would rain, for all the morn
A spirit on slender ropes of mist
Was lowering its golden buckets down
Into the vapory amethyst.
Of marshes and swamps and dismal fens--
Scooping the dew that lay in the flowers,
Dipping the jewels out of the sea,
To sprinkle them over the land in showers.
We knew it would rain, for the poplars showed
The white of their leaves, the amber grain
Shrunk in the wind--and the lightning now
Is tangled in tremulous skeins of rain!

No Songs In Winter

The sky is gray as gray may be,
There is no bird upon the bough,
There is no leaf on vine or tree.

In the Neponset marshes now
Willow-stems, rosy in the wind,
Shiver with hidden sense of snow.

So too 't is winter in my mind,
No light-winged fancy comes and stays:
A season churlish and unkind.

Slow creep the hours, slow creep the days,
The black ink crusts upon the pen--
Just wait till bluebirds, wrens, and jays
And golden orioles come again!

A Touch Of Nature

When first the crocus thrusts its point of gold
Up through the still snow-drifted garden mould,
And folded green things in dim woods unclose
Their crinkled spears, a sudden tremor goes
Into my veins and makes me kith and kin
To every wild-born thing that thrills and blows.
Sitting beside this crumbling sea-coal fire,
Here in the city's ceaseless roar and din,
Far from the brambly paths I used to know,
Far from the rustling brooks that slip and shine
Where the Neponset alders take their glow,
I share the tremulous sense of bud and briar
And inarticulate ardors of the vine.

Pursuit And Possession

When I behold what pleasure is pursuit,
What life, what glorious eagerness it is;
Then mark how full possession falls from this,
How fairer seems the blossom than the fruit --
I am perplexed, and often stricken mute
Wondering which attained the higher bliss,
The wingèd insect, or the chrysalis
It thrust aside with unreluctant foot.
Spirit of verse, that still elud'st my art,
Thou uncaught rapture, thou swift-fleeting fire,
O let me follow thee with hungry heart
If beauty's full possession kill desire!
Still flit away in moonlight, rain, and dew,
Will-of-the-wisp, that I may still pursue!

The soft new grass is creeping o'er the graves
By the Potomac; and the crisp ground-flower
Tilts its blue cup to catch the passing shower;
The pine-cone ripens, and the long moss waves
Its tangled gonfalons above our braves.
Hark, what a burst of music from yon bower! --
The Southern nightingale that hour by hour
In its melodious summer madness raves.
Ah, with what delicate touches of her hand,
With what sweet voice of bird and rivulet
And drowsy murmur of the rustling leaf
Would Nature soothe us, bidding us forget
The awful crime of this distracted land
And all our heavy heritage of grief.

An Alpine Picture

Stand here and look, and softly draw your breath
Lest the dread avalanche come crashing down!
How many leagues away is yonder town
Set flower-wise in the valley? Far beneath
Out feet lies summer; here a realm of death,
Where never flower has blossomed nor bird flown.
The ancient water-courses are all strown
With drifts of snow, fantastic wreath on wreath;
And peak on peak against the stainless blue
The Alps like towering campanili stand,
Wondrous, with pinnacles of frozen rain,
Silvery, crystal, like the prism in hue.
O tell me, love, if this be Switzerland --
Or is it but the frost-work on the pane?

Henry Howard Brownell

They never crowned him, never dreamed his worth,
And let him go unlaurelled to the grave:
Hereafter there are guerdons for the brave,
Roses for martyrs who wear thorns on earth,
Balms for bruised hearts that languish in the dearth
Of human love. So let the grasses wave
Above him nameless. Little did he crave
Men's praises: modestly, with kindly mirth,
Not sad nor bitter, he accepted fate --
Drank deep of life, knew books, and hearts of men,
Cities and camps, and war's immortal woe,
Yet bore through all (such virtue in him sate
His spirit is not whiter now than then)
A simple, loyal nature, pure as snow.

I leave behind me the elm-shadowed square
And carven portals of the silent street,
And wander on with listless, vagrant feet
Through seaward-leading alleys, till the air
Smells of the sea, and straightway then the care
Slips from my heart, and life once more is sweet.
At the lane's ending lie the white-winged fleet.
O restless Fancy, whither wouldst thou fare?
Here are brave pinions that shall take thee far --
Gaunt hulks of Norway; ships of red Ceylon;
Slim-masted lovers of the blue Azores!
'Tis but an instant hence to Zanzibar,
Or to the regions of the Midnight Sun;
Ionian isles are thine, and all the fairy shores!

The increasing moonlight drifts across my bed,
And on the churchyard by the road, I know
It falls as white and noiselessly as snow . . . .
'Twas such a night two weary summers fled;
The stars, as now, were waning overhead.
Listen! Again the shrill-lipped bugles blow
Where the swift currents of the river flow
Past Fredericksburg; far off the heavens are red
With sudden conflagration; on yon height,
Linstock in hand, the gunners hold their breath;
A signal rocket pierces the dense night,
Flings its spent stars upon the town beneath;
Hark! -- the artillery massing on the right,
Hark! -- the black squadrons wheeling down to Death!

If thy soul, Herrick, dwelt with me,
This is what my songs would be:
Hints of our sea-breezes, blent
With odors from the Orient;
Indian vessels deep with spice;
Star-showers from the Norland ice;
Wine-red jewels that seem to hold
Fire, but only burn with cold;
Antique goblets, strangely wrought,
Filled with the wine of happy thought,
Bridal measure, vain regrets,
Laburnum buds and violets;
Hopeful as the break of day;
Clear as crystal; new as May;
Musical as brooks that run
O'er yellow shallows in the sun;
Soft as the satin fringe that shades
The eyelids of thy Devon maids;
Brief as thy lyrics, Herrick, are,
And polished as the bosom of a star.

Piscataqua River

Thou singest by the gleaming isles,
By woods, and fields of corn,
Thou singest, and the sunlight smiles
Upon my birthday morn.

But I within a city, I,
So full of vague unrest,
Would almost give my life to lie
An hour upon upon thy breast.

To let the wherry listless go,
And, wrapt in dreamy joy,
Dip, and surge idly to and fro,
Like the red harbor-buoy;

To sit in happy indolence,
To rest upon the oars,
And catch the heavy earthy scents
That blow from summer shores;

To see the rounded sun go down,
And with its parting fires
Light up the windows of the town
And burn the tapering spires;

And then to hear the muffled tolls
From steeples slim and white,
And watch, among the Isles of Shoals,
The Beacon's orange light.

O River! flowing to the main
Through woods, and fields of corn,
Hear thou my longing and my pain
This sunny birthday morn;

And take this song which fancy shapes
To music like thine own,
And sing it to the cliffs and capes
And crags where I am known!

A Shadow Of The Night

Close on the edge of a midsummer dawn
In troubled dreams I went from land to land,
Each seven-colored like the rainbow's arc,
Regions where never fancy's foot had trod
Till then; yet all the strangeness seemed not strange,
At which I wondered, reasoning in my dream
With twofold sense, well knowing that I slept.
At last I came to this our cloud-hung earth,
And somewhere by the seashore was a grave,
A woman's grave, new-made, and heaped with flowers;
And near it stood an ancient holy man
That fain would comfort me, who sorrowed not
For this unknown dead woman at my feet.
But I, because his sacred office held
My reverence, listened; and 'twas thus he spake:--
'When next thou comest thou shalt find her still
In all the rare perfection that she was.
Thou shalt have gentle greeting of thy love!
Her eyelids will have turned to violets,
Her bosom to white lilies, and her breath
To roses. What is lovely never dies,
But passes into other loveliness,
Star-dust, or sea-foam, flower, or winged air.
If this befalls our poor unworthy flesh,
Think thee what destiny awaits the soul!
What glorious vesture it shall wear at last!'
While yet he spoke, seashore and grave and priest
Vanished, and faintly from a neighboring spire
Fell five slow solemn strokes upon my ear.
Then I awoke with a keen pain at heart,
A sense of swift unutterable loss,
And through the darkness reached my hand to touch
Her cheek, soft-pillowed on one restful palm--
To be quite sure!

The first world-sound that fell upon my ear
Was that of the great winds along the coast
Crushing the deep-sea beryl on the rocks--
The distant breakers' sullen cannonade.
Against the spires and gables of the town
The white fog drifted, catching here and there
At overleaning cornice or peaked roof,
And hung--weird gonfalons. The garden walks
Were choked with leaves, and on their ragged biers
Lay dead the sweets of summer--damask rose,
Clove-pink, old-fashioned, loved New England flowers
Only keen salt-sea odors filled the air.
Sea-sounds, sea-odors--these were all my world.
Hence is it that life languishes with me
Inland; the valleys stifle me with gloom
And pent-up prospect; in their narrow bound
Imagination flutters futile wings.
Vainly I seek the sloping pearl-white sand
And the mirage's phantom citadels
Miraculous, a moment seen, then gone.
Among the mountains I am ill at ease,
Missing the stretched horizon's level line
And the illimitable restless blue.
The crag-torn sky is not the sky I love,
But one unbroken sapphire spanning all;
And nobler than the branches of a pine
Aslant upon a precipice's edge
Are the strained spars of some great battle-ship
Plowing across the sunset. No bird's lilt
So takes me as the whistling of the gale
Among the shrouds. My cradle-song was this,
Strange inarticulate sorrows of the sea,
Blithe rhythms upgathered from the Sirens' caves.
Perchance of earthly voices the last voice
That shall an instant my freed spirit stay
On this world's verge, will be some message blown
Over the dim salt lands that fringe the coast
At dusk, or when the tranced midnight droops
With weight of stars, or haply just as dawn,
Illumining the sullen purple wave,
Turns the gray pools and willow-stems to gold.

The Flight Of The Goddess

A man should live in a garret aloof,
And have few friends, and go poorly clad,
With an old hat stopping the chink in the roof,
To keep the Goddess constant and glad.

Of old, when I walked on a rugged way,
And gave much work but for little bread,
The Goddess dwelt with me night and day,
Sat at my table, haunted my bed.

The narrow, mean attic, I see it now!--
Its window overlooking the city's tiles,
The sunset's fires, and the clouds of snow,
And the river wandering miles and miles.

Just one picture hung in the room,
The saddest story that art can tell--
Dante and Virgil in lurid gloom
Watching the lovers flow through Hell.

Wretched enough was I sometimes,
Pinched, and harassed with vain desires;
But thicker than clover sprung the rhymes
As I dwelt as a sparrow among the spires.

Midnight filled my slumbers with song;
Music haunted my dreams by day.
Now I listen and wait and long,
But the Delphian airs have died away.

I wonder and wonder how it befell:
Suddenly I had friends in crowds;
I bade the house-tops a long farewell;
'Good-by,' I cried, 'to the stars and the clouds!

'But thou, rare soul, thou hast dwelt with me,
Spirit of Poesy! thou divine
Breath of the morning, thou shalt be,
Goddess! for ever and ever mine.'

And the woman I loved was now my bride,
And the house I wanted was my own;
I turned to the Goddess satisfied--
But the Goddess had somehow flown.

Flown, and I fear she will never return;
I am much too sleek and happy for her,
Whose lovers must hunger and waste and burn
Ere the beautiful heathen heart will stir.

I call--but she does not stoop to my cry;
I wait--but she lingers, and ah! so long!
It was not so in the years gone by,
When she touched my lips with chrism of song.

I swear I will get me a garret again,
And adore, like a Parsee, the sunset's fires,
And lure the Goddess, by vigil and pain,
Up with the sparrows among the spires.

For a man should live in a garret aloof,
And have few friends, and go poorly clad,
With an old hat stopping the chink in the roof,
To keep the Goddess constant and glad.

A PASTORAL

SCENE: A roadside in Arcady

SHEPHERD.

Good sir, have you seen pass this way
A mischief straight from market-day?
You'd know her at a glance, I think;
Her eyes are blue, her lips are pink;
She has a way of looking back
Over her shoulder, and, alack!
Who gets that look one time, good sir,
Has naught to do but follow her.

PILGRIM.

I have not seen this maid, methinks,
Though she that passed had lips like pinks.

SHEPHERD.

Or like two strawberries made one
By some sly trick of dew and sun.

PILGRIM.

A poet!

SHEPHERD.

Nay, a simple swain
That tends his flock on yonder plain,
Naught else, I swear by book and bell.
But she that passed, you marked her well.
Was she not smooth as any be
That dwell herein in Arcady?

PILGRIM.

Her skin was as the satin bark
Of birches

SHEPHERD.

Light or dark?

PILGRIM.

Quite dark.

SHEPHERD.

Then 'twas not she.

PILGRIM.

The peach's side
That's next the sun is not so dyed
As was her cheek. Her hair hung down
Like summer twilight falling brown;
And when the breeze swept by, I wist
Her face was in a sombre mist.

SHEPHERD.

No, that is not the maid I seek.
Her hair lies gold against the cheek;
Her yellow tresses take the morn
Like silken tassles of the corn.
And yet--brown locks are far from bad.

PILGRIM.

Now I bethinks me, this one had
A figure like the willow-tree
Which, slight and supple, wondrously
Inclines to droop with pensive grace,
And still retains its proper place;
A foot so arched and very small
The marvel was she walked at all;
Her hand--in sooth I lack for words--
her hand, five slender snow-white birds.
Her voice--though she but said "God-speed"--
Was melody blown through a reed;
The girl Pan changed into a pipe
Had not a note so full and ripe.
And then her eye--my lad her eye!
Discreet, inviting, candid, shy,
An outward ice, an inward fire,
And lashes to the heart's desire--
Soft fringes blacker than the sloe.

SHEPHERD.

Good sir, which way did this one go?

PILGRIM, solus.

So, he is off! The silly youth
Knoweth not love in sober sooth.
He loves, thus lads at first are blind--
No woman, only Womankind.
I needs must laugh, for, by the Mass,
No maid at all did this way pass!

At The Funeral Of A Minor Poet

[One of the Bearers Soliloquizes:]

. . . Room in your heart for him, O Mother Earth,
Who loved each flower and leaf that made you fair,
And sang your praises in verses manifold
And delicate, with here and there a line
From end to end in blossom like a bough
The May breathes on, so rich it was. Some thought
The workmanship more costly than the thing
Moulded or carved, as in those ornaments
Found at Mycæne. And yet Nature's self
Works in this wise; upon a blade of grass,
Or what small note she lends the woodland thrush,
Lavishing endless patience. He was born
Artist, not artisan, which some few saw
And many dreamed not. As he wrote no odes
When Croesus wedded or Mæcenas died,
And gave no breath to civic feasts and shows,
He missed the glare that gilds more facile men--
A twilight poet, groping quite alone,
Belated, in a sphere where every nest
Is emptied of its music and its wings.
Not great his gift; yet we can poorly spare
Even his slight perfection in an age
Of limping triolets and tame rondeaux.
He had at least ideals, though unreached,
And heard, far off, immortal harmonies,
Such as fall coldly on our ear to-day.
The mighty Zolastic Movement now
Engrosses us--a miasmatic breath
Blown from the slums. We paint life as it is,
The hideous side of it, with careful pains,
Making a god of the dull Commonplace.
For have we not the old gods overthrown
And set up strangest idols? We would clip
Imagination's wing and kill delight,
Our sole art being to leave nothing out
That renders art offensive. Not for us
Madonnas leaning from their starry thrones
Ineffable, nor any heaven-wrought dream
Of sculptor or of poet; we prefer
Such nightmare visions as in morbid brains
Take shape and substance, thoughts that taint the air
And make all life unlovely. Will it last?
Beauty alone endures from age to age,
From age to age endures, handmaid of God.
Poets who walk with her on earth go hence
Bearing a talisman. You bury one,
With his hushed music, in some Potter's Field;
The snows and rains blot out his very name,
As he from life seems blotted; through Time's glass
Slip the invisible and magic sands
That mark the century, then falls a day
The world is suddenly conscious of a flower,
Imperishable, ever to be prized,
Sprung from the mould of a forgotten grave.
'T is said the seeds wrapt up among the balms
And hieroglyphics of Egyptian kings
old strange vitality, and, planted, grow
After the lapse of thrice a thousand years.
Some day, perchance, some unregarded note
Of our poor friend here--some sweet minor chord
That failed to lure our more accustomed ear--
Way witch the fancy of an unborn age.
Who knows, since seeds have such tenacity?
Meanwhile he's dead, with scantiest laurel won
And little of our Ninteenth Century gold.
So, take him, Earth, and this his mortal part,
With that shrewd alchemy thou hast, transmute
To flower and leaf in thine unending springs!

I

Have you not heard the poets tell
How came the dainty Baby Bell
Into this world of ours?
The gates of heaven were left ajar:
With folded hands and dreamy eyes,
Wandering out of Paradise,
She saw this planet, like a star,
Hung in the glistening depths of even -
Its bridges, running to and fro,
O'er which the white-winged Angels go,
Bearing the holy Dead to heaven.
She touched a bridge of flowers - those feet,
So light they did not bend the bells
Of the celestial asphodels,
They fell like dew upon the flowers:
Then all the air grew strangely sweet.
And thus came dainty Baby Bell
Into this world of ours.

II

She came and brought delicious May;
The swallows built beneath the eaves;
Like sunlight, in and out the leaves
The robins went, the livelong day;
The lily swung its noiseless bell;
And on the porch the slender vine
Held out its cups of fairy wine.
How tenderly the twilights fell!
Oh, earth was full of singing-birds
And opening springtide flowers,
When the dainty Baby Bell
Came to this world of ours.

III

O Baby, dainty Baby Bell,
How fair she grew from day to day!
What woman-nature filled her eyes,
What poetry within them lay -
Those deep and tender twilight eyes,
So full of meaning, pure and bright
As if she yet stood in the light
Of those oped gates of Paradise.
And so we loved her more and more:
Ah, never in our hearts before
Was love so lovely born:
We felt we had a link between
This real world and that unseen -
The land beyond the morn;
And for the love of those dear eyes,
For love of her whom God led forth,
(The mother's being ceased on earth
When Baby came from Paradise,) -
For love of Him who smote our lives,
And woke the chords of joy and pain,
We said, Dear Christ! - our hearts bowed down
Like violets after rain.

IV

And now the orchards, which were white
And pink with blossoms when she came,
Were rich in autumn's mellow prime;
The clustered apples burnt like flame,
The folded chestnut burst its shell,
The grapes hung purpling, range on range;
And time wrought just as rich a change
In little Baby Bell.
Her lissome form more perfect grew,
And in her features we could trace,
In softened curves, her mother's face.
Her angel-nature ripened too:
We thought her lovely when she came,
But she was holy, saintly now…
Around her pale angelic brow
We saw a slender ring of flame.

V

God's hand had taken away the seal
That held the portals of her speech;
And oft she said a few strange words
Whose meaning lay beyond our reach.
She never was a child to us,
We never held her being's key;
We could not teach her holy things
Who was Christ's self in purity.

VI

It came upon us by degrees,
We saw its shadow ere it fell -
The knowledge that our God had sent
His messenger for Baby Bell.
We shuddered with unlanguaged pain,
And all our hopes were changed to fears,
And all our thoughts ran into tears
Like sunshine into rain.
We cried aloud in our belief,
'Oh, smite us gently, gently, God!
Teach us to bend and kiss the rod,
And perfect grow through grief.'
Ah! how we loved her, God can tell;
Her heart was folded deep in ours.
Our hearts are broken, Baby Bell!

VII

At last he came, the messenger,
The messenger from unseen lands:
And what did dainty Baby Bell?
She only crossed her little hands,
She only looked more meek and fair!
We parted back her silken hair,
We wove the roses round her brow -
White buds, the summer's drifted snow -
Wrapped her from head to foot in flowers…
And thus went dainty Baby Bell
Out of this world of ours.

ENAMOURED ARCHITECT OF AIRY RHYME

ENAMOURED architect of airy rhyme,
Build as thou wilt; heed not what each man says:
Good souls, but innocent of dreamers’ ways,
Will come, and marvel why thou wastest time;
Others, beholding how thy turrets climb
’Twixt theirs and heaven, will hate thee all thy days;
But most beware of those who come to praise.
O Wondersmith, O worker in sublime
And heaven-sent dreams, let art be all in all;
Build as thou wilt, unspoiled by praise or blame,
Build as thou wilt, and as thy light is given:
Then, if at last the airy structure fall,
Dissolve, and vanish—take thyself no shame.
They fail, and they alone, who have not striven.

REMINISCENCE

THOUGH I am native to this frozen zone
That half the twelvemonth torpid lies, or dead;
Though the cold azure arching overhead
And the Atlantic’s never-ending moan
Are mine by heritage, I must have known
Life otherwhere in epochs long since fled;
For in my veins some Orient blood is red,
And through my thought are lotus blossoms blown.
I do remember … it was just at dusk,
Near a walled garden at the river’s turn
(A thousand summers seem but yesterday!),
A Nubian girl, more sweet than Khoorja musk,
Came to the water-tank to fill her urn,
And, with the urn, she bore my heart away!

OUTWARD BOUND

I LEAVE behind me the elm-shadowed square
And carven portals of the silent street,
And wander on with listless, vagrant feet
Through seaward-leading alleys, till the air
Smells of the sea, and straightway then the care
Slips from my heart, and life once more is sweet.
At the lane’s ending lie the white-winged fleet.
O restless Fancy, whither wouldst thou fare?
Here are brave pinions that shall take thee far—
Gaunt hulks of Norway; ships of red Ceylon;
Slim-masted lovers of the blue Azores!
’T is but an instant hence to Zanzibar,
Or to the regions of the Midnight Sun;
Ionian isles are thine, and all the fairy shores!

ANDROMEDA

THE SMOOTH-WORN coin and threadbare classic phrase
Of Grecian myths that did beguile my youth,
Beguile me not as in the olden days:
I think more grief and beauty dwell with truth.
Andromeda, in fetters by the sea,
Star-pale with anguish till young Perseus came,
Less moves me with her suffering than she,
The slim girl figure fettered to dark shame,
That nightly haunts the park, there, like a shade,
Trailing her wretchedness from street to street.
See where she passes—neither wife nor maid;
How all mere fiction crumbles at her feet!
Here is woe’s self, and not the mask of woe:
A legend’s shadow shall not move you so!

THE UNDISCOVERED COUNTRY

FOREVER am I conscious, moving here,
That should I step a little space aside
I pass the boundary of some glorified
Invisible domain—it lies so near!
Yet nothing know we of that dim frontier
Which each must cross, whatever fate betide,
To reach the heavenly cities where abide
(Thus Sorrow whispers) those that were most dear,
Now all transfigured in celestial light!
Shall we indeed behold them, thine and mine,
Whose going hence made black the noonday sun?—
Strange is it that across the narrow night
They fling us not some token, or make sign
That all beyond is not Oblivion.

SLEEP

WHEN to soft sleep we give ourselves away,
And in a dream as in a fairy bark
Drift on and on through the enchanted dark
To purple daybreak—little thought we pay
To that sweet bitter world we know by day.
We are clean quit of it, as is a lark
So high in heaven no human eye can mark
The thin swift pinion cleaving through the gray.
Till we awake ill fate can do no ill,
The resting heart shall not take up again
The heavy load that yet must make it bleed;
For this brief space the loud world’s voice is still,
No faintest echo of it brings us pain.
How will it be when we shall sleep indeed?

Here, in the twilight, at the well-known gate
I linger, with no heart to enter more.
Among the elm-tops the autumnal air
Murmurs, and spectral in the fading light
A solitary heron wings its way
Southward--save this no sound or touch of life.
Dark is the window where the scholar's lamp
Was used to catch a pallor from the dawn.

Yet I must needs a little linger here.
Each shrub and tree is eloquent of him,
For tongueless things and silence have their speech.
This is the path familiar to his foot
From infancy to manhood and old age;
For in a chamber of that ancient house
His eyes first opened on the mystery
Of life, and all the splendor of the world.
Here, as a child, in loving, curious way,
He watched the bluebird's coming; learned the date
Of hyacinth and goldenrod, and made
Friends of those little redmen of the elms,
And slyly added to their winter store
Of hazel-nuts: no harmless thing that breathed,
Footed or winged, but knew him for a friend.
The gilded butterfly was not afraid
To trust its gold to that so gentle hand,
The bluebird fled not from the pendent spray.
Ah, happy childhood, ringed with fortunate stars!
What dreams were his in this enchanted sphere,
What intuitions of high destiny!
The honey-bees of Hybla touched his lips
In that old New-World garden, unawares.

So in her arms did Mother Nature fold
Her poet, whispering what of wild and sweet
Into his ear--the state-affairs of birds,
The lore of dawn and sunset, what the wind
Said in the tree-tops--fine, unfathomed things
Henceforth to turn to music in his brain:
A various music, now like notes of flutes,
And now like blasts of trumpets blown in wars.
Later he paced this leafy academe
A student, drinking from Greek chalices
The ripened vintage of the antique world.
And here to him came love, and love's dear loss;
Here honors came, the deep applause of men
Touched to the heart by some swift-winged word
That from his own full heart took eager flight--
Some strain of piercing sweetness or rebuke,
For underneath his gentle nature flamed
A noble scorn for all ignoble deed,
Himself a bondman till all men were free.

Thus passed his manhood; then to other lands
He strayed, a stainless figure among courts
Beside the Manzanares and the Thames.
Whence, after too long exile, he returned
With fresher laurel, but sedater step
And eye more serious, fain to breathe the air
Where through the Cambridge marshes the blue Charles
Uncoils its length and stretches to the sea:
Stream dear to him, at every curve a shrine
For pilgrim Memory. Again he watched
His loved syringa whitening by the door,
And knew the catbird's welcome; in his walks
Smiled on his tawny kinsmen of the elms
Stealing his nuts; and in the ruined year
Sat at his widowed hearthside with bent brows
Leonine, frosty with the breath of time,
And listened to the crooning of the wind
In the wide Elmwood chimneys, as of old.
And then--and then....

The after-glow has faded from the elms,
And in the denser darkness of the boughs
From time to time the firefly's tiny lamp
Sparkles. How often in still summer dusks
He paused to note that transient phantom spark
Flash on the air--a light that outlasts him!

The night grows chill, as if it felt a breath
Blown from that frozen city where he lies.
All things turn strange. The leaf that rustles here
Has more than autumn's mournfulness. The place
Is heavy with his absence. Like fixed eyes
Whence the dear light of sense and thought has fled,
The vacant windows stare across the lawn.
The wise sweet spirit that informed it all
Is otherwhere. The house itself is dead.

O autumn wind among the sombre pines,
Breathe you his dirge, but be it sweet and low.
With deep refrains and murmurs of the sea,
Like to his verse--the art is yours alone.
His once--you taught him. Now no voice but yours!
Tender and low, O wind among the pines.
I would, were mine a lyre of richer strings,
In soft Sicilian accents wrap his name.

The Last Caesar

I

Now there was one who came in later days
To play at Emperor: in the dead of night
Stole crown and sceptre, and stood forth to light
In sudden purple. The dawn's straggling rays
Showed Paris fettered, murmuring in amaze,
With red hands at her throat--a piteous sight.
Then the new Cæsar, stricken with affright
At his own daring, shrunk from public gaze

In the Elysée, and had lost the day
But that around him flocked his birds of prey,
Sharp-beaked, voracious, hungry for the deed.
'Twixt hope and fear beheld great Cæsar hang!
Meanwhile, methinks, a ghostly laughter rang
Through the rotunda of the Invalides.

II

What if the boulevards, at set of sun,
Reddened, but not with the sunset's kindly glow?
What if from quai and square the murmured woe
Swept heavenward, pleadingly? The prize was won,
A kingling made and Liberty undone.
No Emperor, this, like him awhile ago,
But his Name's shadow; that one struck the blow
Himself, the street-sweeping gun!

This was a man of tortuous heart and brain,
So warped he knew not his own point of view--
The master of a dark, mysterious smile.

And there he plotted, by the storied Seine
And in the fairy gardens of St. Cloud,
The Sphinx that puzzled Europe, for awhile.

III

I see him as men saw him once--a face
Of true Napoleon pallor; round the eyes
The wrinkled care; mustache spread pinion-wise,
Pointing his smile with odd sardonic grace
As wearily he turns him in his place,
And bends before the hoarse Parisian cries--
Then vanishes, with glitter of gold-lace
And trumpets blaring to the patient skies.

Not thus he vanished later! On his path
The Furies waited for the hour and man,
Foreknowing that they waited not in vain.

Then fell the day, o day of dreadful wrath!
Bow-down in shame, O crimson-girt Sedan!
Weep fair Alsace! weep, loveliest Lorainne!

So mused I, sitting underneath the trees
In that old garden of the Tuileries,
Watching the dust of twilight sifting down
Through chestnut boughs just touched with autumn's brown--

Not twilight yet, but that illusive bloom
Which holds before the deep-edged shadows come;
For still the garden stood in golden mist,
Still, like a river of golden amethyst,
The Seine slipt through its pans of fretted stone,
And, near the grille that once fenced in a throne,
The fountains still unbraided to the day
The unsubstantial silver of their spray.

A spot to dream in, love in, waste one's hours!
Temples and palaces, and gilded towers,
And fairy terraces!--and yet, and yet
Here in her woe came Marie Antoinette,
Came sweet Corday, Du Barry with shrill cry,
Not learning from her betters how to die!
Here, while the nations watched with bated breath,
Was held the saturnalia of Red Death!

For where that slim Egyptian shaft uplifts
Its point to catch the dawn's and sunset's drifts
Of various gold, the busy Headsman stood. . . .
Place de la Concorde--no, the Place of Blood!

And all so peaceful now, one cannot bring
Imagination to accept the thing.
Lies, all of it! some dreamer's wild romance--
High-hearted, witty, laughter-loving France!
In whose brain was it that the legend grew
Of Mænads shrieking in this avenue,
Of watch-fires burning, Famine standing guard,
Of long-speared Uhlans in that palace-yard!
What ruder sound this soft air ever smote
Than a bird's twitter, or a bugle's note?
What darker crimson ever splashed these walks
Than that of rose-leaves dropping from the stalks?
And yet--what means that charred and broken wall,
That sculptured marble, splintered, like to fall,
Looming among the trees there? . . . And you say
This happened, as it were, but yesterday?
And here the commune stretched a barricade,
And there the final desperate stand was made?
Such things have been? How all things change and fade!
How little lasts in this brave world below!
Love dies; hate cools; the Cæsars come and go;
Gaunt Hunger fattens, and the weak grow strong.
Even Republics are not here for long!

Ah, who can tell what hour may bring the doom,
The lighted torch, the tocsin's heavy boom!

The Sisters' Tragedy

A.D. 1670

AGLÄE, a widow.
MURIEL, her unmarried sister.


It happened once, in that brave land that lies
For half the twelvemonth wrapt in sombre skies,
Two sisters loved one man. He being dead,
Grief loosed the lips of her he had not wed,
And all the passion that through heavy years
Had masked in smiles unmasked itself in tears.
No purer love may mortals know than this,
The hidden love that guards another's bliss.
High in a turret's westward-facing room,
Whose painted window held the sunset's bloom,
The two together grieving, each to each
Unveiled her soul with sobs and broken speech.

Both were young, in life's rich summer yet;
And one was dark, with tints of violet
In hair and eyes, and one was blond as she
Who rose--a second daybreak--from the sea,
Gold-tressed and azure-eyed. In that lone place,
Like dusk and dawn, they sat there face to face.

She spoke the first whose strangely silvering hair
No wreath had worn, nor widow's weed might wear,
And told her blameless love, and knew no shame--
Her holy love that, like a vestal flame
Beside the body of some queen
Within a guarded crypt, had burned unseen
From weary year to year. And she who heard
Smiled proudly through her tears and said no word,
But, drawing closer, on the troubled brow
Laid one long kiss, and that was words enow!

MURIEL.

Be still, my heart! Grown patient with thine ache,
Thou shouldst be dumb, yet needs must speak, or break.
The world is empty now that he is gone.

AGLÄE.

Ay, sweetheart!

MURIEL.

None was like him, no, not one.
From other men he stood apart, alone
In honor spotless as unfallen snow.
Nothing all evil was it his to know;
His charity still found some germ, some spark
Of light in natures that seemed wholly dark.
He read men's souls; the lowly and the high
Moved on the self-same level in his eye.
Gracious to all, to none subservient,
Without offence he spake the word he meant--
His word no trick of tact or courtly art,
But the white flowering of the noble heart.
Careless he was of much the world counts gain,
Careless of self, too simple to be vain,
Yet strung so finely that for conscience-sake
He would have gone like Cranmer to the stake.
I saw--how could I help but love? And you--

AGLÄE.

At this perfection did I worship too . . .
'T was this that stabbed me. Heed not what I say!
I meant it not, my wits are gone astray,
With all that is and has been. No, I lie--
Had he been less perfection, happier I!

MURIEL.

Strange words and wild! 'T is the distracted mind
Breathes them, not you, and I no meaning find.

AGLÄE.

Yet 't were as plain as writing on a scroll
had you but eyes to read within my soul.--
How a grief hidden feeds on its own mood,
Poison's the healthful currents of the blood
With bitterness, and turns the heart to stone!
I think, in truth, 't were better to make moan,
And so be done with it. This many a year,
Sweetheart, have I laughed lightly and made cheer,
Pierced through with sorrow!

Then the widowed one
With sorrowfullest eyes beneath the sun,
Faltered, irresolute, and bending low
Her head, half whispered,

Dear, how could you know?
What masks are faces!--yours, unread by me
These seven long summers; mine, so placidly
Shielding my woe! No tremble of the lip,
No cheek's quick pallor let our secret slip!
Mere players we, and she that played the queen,
Now in her homespun, looks how poor and mean!
How shall I say it, how find words to tell
What thing it was for me made earth a hell
That else had been my heaven! 'T would blanch your cheek
Were I to speak it. Nay, but I will speak,
Since like two souls at compt we seem to stand,
Where nothing may be hidden. Hold my hand,
But look not at me! Noble 't was, and meet,
To hide your heart, nor fling it at his feet
To lie despised there. Thus saved you our pride
And that white honor for which earls have died.
You were not all unhappy, loving so!
I with a difference wore my weight of woe.
My lord was he. It was my cruel lot,
My hell, to love him--for he loved me not!

Then came a silence. Suddenly like death
The truth flashed on them, and each held her breath--
A flash of light whereby they both were slain,
She that was loved and she that loved in vain!

Pauline Pavlovna

SCENE: St. Petersburg. Period: the present time. A ballroom in the winter palace of the prince---. The ladies in character costumes and masks. The gentlement in official dress and unmasked, with the exception of six tall figures in scarlet kaftans, who are treated with marked distinction as they move here and there among the promenaders. Quadrille music throughout the dialogue.
Count SERGIUS PAVLOVICH PANSHINE, who has just arrived, is standing anxiously in the doorway of an antechamber with his eyes fixed upon the lady in the costume of a maid of honor in the time of Catharine II. The lady presently disengages herself from the crowd, and passes near count PANSHINE, who impulsively takes her by the hand and leads her across the threshold of the inner apartment, which is unoccupied.

HE.

Pauline!

SHE .

You knew me?

HE.

How could I have failed?
A mask may hide your features, not your soul.
There is an air about you like the air
That folds a star. A blind man knows the night,
And feels the constellations. No coarse sense
Of eye or ear had made you plain to me.
Through these I had not found you; for your eyes,
As blue as the violets of our Novgorod,
Look black behind your mask there, and your voice--
I had not known that either. My heart said,
"Pauline Pavlovna."

SHE.

Ah! your heart said that?
You trust your heart, then! 'T is a serious risk!--
How is it you and others wear no mask?
HE.

The Emperor's orders.

SHE.

Is the Emperor here?
I have not seen him.

HE.

He is one of the six
In scarlet kaftans and all masked alike.
Watch--you will note how every one bows down
Before these figures, thinking each by chance
May be the Tsar; yet none knows which he is.
Even his counterparts are left in doubt.
Unhappy Russia! No serf ever wore
Such chains as gall our emperor these sad days.
He dare trust no man.

SHE.

All men are so false.
HE.

Spare one, Pauline Pavlovna.

SHE.

No; all, all!
I think there is no truth left in the world,
In man or woman. Once were noble souls.--
Count Sergius, is Nastasia here to-night?

HE.

Ah! then you know! I thought to tell you first.
Not here, beneath these hundred curious eyes,
In all this glare of light; but in some place
Where I could throw me at your feet and weep.
In what shape came the story to your ear?
Decked in the teller's colors, I'll be sworn;
The truth, but in the livery of a lie,
And so must wrong me. Only this is true:
The Tsar, because I risked my wretched life
To shield a life as wretched as my own,
Bestows upon me, as supreme reward--
O irony--the hand of this poor girl.
Says, "Here, I have the pearl of pearls for you,
Such as was never plucked from out of the deep
By Indian diver, for a Sultan's crown.
Your joy's decreed, and stabs me with a smile.

SHE.

And she--she loves you?

HE.

I know not, indeed.
Likes me, Perhaps. What matters it?--her love!
The guardian, Sidor Yurievich consents,
And she consents. No love in it at all,
A mere caprice, a young girl's spring-tide dream.
Sick of ear-rings, weary of her mare,
She'll have a lover--something ready-made,
Or improvised between two cups of tea--
A lover by imperial ukase!
Fate said her word--I chanced to be the man!
If that grenade the crazy student threw
Had not spared me, as well as spared the Tsar,
All this would not have happened. I'd have been
A hero, but quite safe from her romance.
She takes me for a hero--think of that!
Now, by our holy Lady of Kazan,
When I have finished pitying myself,
I'll pity her.

SHE.

Oh no; begin with her;
She needs it most.

HE.

At her door lies the blame.
Whatever falls. She, with a single word
With half a tear, had stopt it at the first,
This cruel juggling with poor human hearts.

SHE.

The Tsar commanded it--you said the Tsar

HE.

The Tsar does what she wills--God fathoms why.
Were she his mistress, now! but there's no snow
Whiter within the bosom of a cloud,
Nor colder wither. She is very haughty,
For all her fragile air of gentleness;
With something vital in her, like those flowers
That on our desolate steppes outlast the year.
Resembles you in some things. It was that
First made us friends. I do her justice, see!
For we were friends in that smooth surface way
We Russians have imported out of France.
Alas! from what a blue and tranquil heaven
This bolt fell on me! After these two years,
My suit with Ossip Leminoff at an end,
The old wrong righted, the estates restored,
And my promotion, with the ink not dry!
Those fairies which neglected me at birth
Seemed now to lavish all good gifts on me--
Gold roubles, office, sudden dearest friends.
The whole world smiled. Then, as I stooped to taste
The sweetest cup, freak dashed it from my lip.
This very night--just think, this very night--
I planned to come and beg of you the alms
I dared not ask for in my poverty.
I thought me poor then. How stript am I now!
There's not a ragged medicant one meets
Along the Nevski Prospeky but has leave
To tell his love, and I have not that right!
Pauline Pavlovna, why do you stand there
Stark as a statue, with no word to say?

SHE.

Because this thing has frozen up my heart.
I think that there is something killed in me,
A dream that would have mocked all other bliss.
What shall I say? What would you have me say?

HE.

If it be possible, the word of words!

SHE, very slowly.

Well, then--I love you. I may tell you so
This once, . . . . and then forever hold my peace.
We cannot stay here longer unobserved.
No--do not touch me! but stand further off,
And seem to laugh, as if we jested--eyes,
Eyes everywhere! Now turn your face away . . . .
I love you.

HE.

With such music in my ears
I would death found me. It were sweet to die
Listening! You love me--prove it.

SHE.

Prove it--how?
I prove saying it. How else?

HE.

Pauline,
I have three things to choose from; you shall choose:
This marriage, or Siberia, or France.
The first means hell; the second purgatory;
The third--with you--were nothing less than heaven!

SHE, starting.

How dared you even dream it!

HE.

I was mad.
This business has touched me in the brain.
Have parience! the calamity's so new.

[Pause.]

There is a fourth way; but that gate is shut
To brave men who hold life a thing of God.

SHE.

Yourself spoke there; the rest was not of you.

HE.

Oh, lift me to your level! So I'm safe.
What's to be done?

SHE.

There must be some path out.
Perhaps the Emperor--

HE.

Not a ray of hope!
His mind is set on this with that insistence
Which seems to seize on all match-making folk.
The fancy bites them, and they straight go mad.

SHE.

Your father's friend, the Metropolitan--
A word from him . . . .

HE.

Alas, he too is bitten!
Gray-haired, gray-hearted, worldly wise, he sees
This marriage makes me the Tsar's protégé,
And opens every door to preference.

SHE.

Think while I think. There surely is some key
Unlocks the labyrinth, could we but find it.
Nastasia!

HE.

What! beg life of her? not I.

SHE.

Beg love. She is a woman, young, perhaps
Untouched as yet of this too poisonous air.
Were she told all, would she not pity us?
For if she love you, as I think she must,
Would not some generous impulse stir in her,
Some latent, unsuspected spark illume?
How love thrills even commonest girl-clay,
Ennobling it an instant, if no more!
You said that she is proud; then touch her pride,
And turn her into marble at the touch.
But yet the gentler passion is the stronger.
Go to her, tell her, in some tenderest phrase
That will not hurt too much--ah, but 't will hurt!--
Just how your happiness lies in her hand
To make or mar for all time; hint, not say,
Your heart is gone from you, and you may find--

HE.

A casemate in St. Peter and St. Paul
For, say, a month; then some Siberian town.
Not this way lies escape. At my first word
That sluggish Tartar blood would turn to fire
In every vein.

SHE.

How blindly you read her,
Or any woman! Yes, I know, I grant
How small we often seem in our small world
Of trivial cares and narrow precedents--
Lacking that wide horizon stretched for men--
Capricious, spiteful, frightened at a mouse;
But when it comes to suffering mortal pangs,
The weakest of us measures pulse with you.

HE.

Yes, you, not she. If she were at your height!
But there's no martyr wrapt in her rose flesh.
There should have been; for Nature gave you both
The self-same purple for your eyes and hair,
The self-same music to your southern lips,
Fashioned you both, as 't were, in the same mould,
Yet failed to put the soul in one of you!
I know her wilful--her light head quite turned
In this court atmosphere of flatteries;
A Moscow beauty, petted and soiled there,
And since spoiled here; as soft as swan's down now,
With words like honey melting from the comb,
But being crossed, vindictive, cruel, cold.
I fancy her, between two rosy smiles,
Saying, "Poor fellow, in the Nertchinsk mines!"
That is the sum of her.

SHE.

You know her not.
Count Sergius Pavlovich, you said no mask
Could hide the soul, yet how you have mistaken
The soul these two months--and the face to-night!

[Removes her mask.]

You!--It was you!

SHE.

Count Sergius Pavlovich,
Go find Pauline Pavlovna--she is here--
And tell her the Tsar has set you free.

[She goes out hurriedly, replacing her mask.]