On Reading William Watson's Sonnet Entitled The Purple East

Restless the Northern Bear amid his snows
Crouched by the Neva; menacing is France,
That sees the shadow of the Uhlan's lance
On her clipped borders; struggling in the throes
Of wanton war lies Spain, and deathward goes.
And thou, O England, how the time's mischance
Hath fettered thee, that with averted glance
Thou standest, marble to Armenia's woes!
If 'twas thy haughty Dauther of the West
That stayed thy hand,, a word had driven away
Her sudden ire, and brought her to thy breast!
Thy blood makes quick her pulses, and some day,
Not now, yet some day, at thy soft behest
She by thy side shall hold the world at bay.

The spare professor, grave and bald,
Began his paper. It was called,
I think, "A Brief Historic Glance
At Russia, Germany, and France."
A glance, but to my best belief
'T was almost anything but brief--
A wide survey, in which the earth
Was seen before mankind had birth;
Strange monsters basked them in the sun,
Behemoth, armored glyptodon,
And in the dawn's unpractised ray
The transient dodo winged its way;
Then, by degrees, through slit and slough,
We reached Berlin--I don't know how.
The good Professor's monotone
Had turned me into senseless stone
Instanter, but that near me sat
Hypatia in her new spring hat,
Blue-eyed, intent, with lips whose bloom
Lighted the heavy-curtained room.
Hypatia--ah, what lovely things
Are fashioned out of eighteen springs!
At first, in sums of this amount,
The eighteen winters do not count.
Just as my eyes were growing dim
With heaviness, I saw that slim,
Erect, elastic figure there,
Like a pond-lily taking air.
She looked so fresh, so wise, so neat,
So altogether crisp and sweet,
I quite forgot what Bismarck said,
And why the Emperor shook his head,
And how it was Von Moltke's frown
Cost France another frontier town.
The only facts I took away
From the Professor's theme that day
Were these: a forehead broad and low,
Such as antique sculptures show;
A chin to Greek perfection true;
Eyes of Astarte's tender blue;
A high complection without fleck
Or flaw, and curls about her neck.

An Elective Course

LINES FOUND AMONG THE PAPERS OF A HARVARD UNDERGRADUATE

The bloom that lies on Fanny's cheek
Is all my Latin, all my Greek;
The only sciences I know
Are frowns that gloom and smiles that glow;
Siberia and Italy
Lie in her sweet geography;
No scolarship have I but such
As teaches me to love her much.

Why should I strive to read the skies,
Who know the midnight of her eyes?
Why should I go so very far
To learn what heavenly bodies are!
Not Berenice's starry hair
With Fanny's tresses can compare;
Not Venus on a cloudless night,
Enslaving Science with her light,
Ever reveals so much as when
She stares and droops her lids again.

If Nature's secrets are forbidden
To mortals, she may keep them hidden.
Æons and æons we progressed
And did not let that break our rest;
Little we cared if Mars o'erhead
Were or were not inhabited;
Without the aid of Saturn's rings
Fair girls were wived in those fair springs;
Warm lips met ours, and conquered us
Or ere thou wert, Copernicus!

Graybeards, who wish to bridge the chasm
'Twixt man to-day and protoplasm,
Who theorize and probe and gape,
And finally evolve an ape--
Yours is a harmless sort of cult,
If you are pleased with the result.
Some folks admit, with cynic grace,
That you have rather proved your case.
Those dogmatists are so severe!
Enough for me that Fanny's here,
Enough that, having survived
Pre-Eveic forms, she has arrived--
An illustration the completest
Of the survival of the sweetest.

Linnæus aveunt! I only care
To know what flower she wants to wear.
I leave it to the addle-pated
To guess how pinks originated,
As if it mattered! The chief thing
Is that we have them in the Spring,
And Fanny likes them. When they come,
I straightaway send and purchase some.
The Origin of Plants--go to!
Their proper end I have in view.

O loveliest book that ever man
Looked into since the world began
Is Woman! As I turn those pages,
As fresh as in the primal ages,
As day by day I scan, perplext,
The ever subtly changing text,
I feel that I am slowly growing
To think no other work worth knowing.
And in my copy--there is none
So perfect as the one I own--
I find no thing set down as such
As teaches me to love it much.