Sidney Lanier: Verses about Music

Hey, rose, just born
Twin to a thorn;
Was't so with you, O Love and Scorn?

Sweet eyes that smiled,
Now wet and wild:
O Eye and Tear- mother and child.

Well: Love and Pain
Be kinfolks twain;
Yet would, Oh would I could Love again.

Over the monstrous shambling sea,
Over the Caliban sea,
Bright Ariel-cloud, thou lingerest:
Oh wait, oh wait, in the warm red West, --
Thy Prospero I'll be.

Over the humped and fishy sea,
Over the Caliban sea
O cloud in the West, like a thought in the heart
Of pardon, loose thy wing, and start,
And do a grace for me.

Over the huge and huddling sea,
Over the Caliban sea,
Bring hither my brother Antonio, -- Man, --
My injurer: night breaks the ban;
Brother, I pardon thee.

Look off, dear Love, across the sallow sands,
And mark yon meeting of the sun and sea,
How long they kiss in sight of all the lands.
Ah! longer, longer, we.

Now in the sea's red vintage melts the sun,
As Egypt's pearl dissolved in rosy wine,
And Cleopatra night drinks all. 'Tis done,
Love, lay thine hand in mine.

Come forth, sweet stars, and comfort heaven's heart;
Glimmer, ye waves, round else unlighted sands.
O night! divorce our sun and sky apart
Never our lips, our hands.

Sail fast, sail fast,
Ark of my hopes, Ark of my dreams;
Sweep lordly o'er the drowned Past,
Fly glittering through the sun's strange beams;
Sail fast, sail fast.
Breaths of new buds from off some drying lea
With news about the Future scent the sea:
My brain is beating like the heart of Haste:
I'll loose me a bird upon this Present waste;
Go, trembling song,
And stay not long; oh, stay not long:
Thou'rt only a gray and sober dove,
But thine eye is faith and thy wing is love.

Young palmer sun, that to these shining sands
Pourest thy pilgrim's tale, discoursing still
Thy silver passages of sacred lands,
With news of Sepulchre and Dolorous Hill,

Canst thou be he that, yester-sunset warm,
Purple with Paynim rage and wrack desire,
Dashed ravening out of a dusty lair of Storm,
Harried the west, and set the world on fire?

Hast thou perchance repented, Saracen Sun?
Wilt warm the world with peace and dove-desire?
Or wilt thou, ere this very day be done,
Blaze Saladin still, with unforgiving fire?

Once, at night, in the manor wood
My Love and I long silent stood,
Amazed that any heavens could
Decree to part us, bitterly repining.
My Love, in aimless love and grief,
Reached forth and drew aside a leaf
That just above us played the thief
And stole our starlight that for us was shining.

A star that had remarked her pain
Shone straightway down that leafy lane,
And wrought his image, mirror-plain,
Within a tear that on her lash hung gleaming.
"Thus Time," I cried, "is but a tear
Some one hath wept 'twixt hope and fear,
Yet in his little lucent sphere
Our star of stars, Eternity, is beaming."

'If life were caught by a clarionet,
And a wild heart, throbbing in the reed,
Should thrill its joy and trill its fret,
And utter its heart in every deed,

'Then would this breathing clarionet
Type what the poet fain would be;
For none o' the singers ever yet
Has wholly lived his minstrelsy,

'Or clearly sung his true, true thought,
Or utterly bodied forth his life,
Or out of life and song has wrought
The perfect one of man and wife;

'Or lived and sung, that Life and Song
Might each express the other's all,
Careless if life or art were long
Since both were one, to stand or fall:

'So that the wonder struck the crowd,
Who shouted it about the land:
`His song was only living aloud,
His work, a singing with his hand!''

For ever wave, for ever float and shine
Before my yearning eyes, oh! dream of mine
Wherein I dreamed that time was like a vine,

A creeping rose, that clomb a height of dread
Out of the sea of Birth, all filled with dead,
Up to the brilliant cloud of Death o'erhead.

This vine bore many blossoms, which were years.
Their petals, red with joy, or bleached by tears,
Waved to and fro i' the winds of hopes and fears.

Here all men clung, each hanging by his spray.
Anon, one dropped; his neighbor 'gan to pray;
And so they clung and dropped and prayed, alway.

But I did mark one lately-opened bloom,
Wherefrom arose a visible perfume
That wrapped me in a cloud of dainty gloom.

And rose -- an odor by a spirit haunted --
And drew me upward with a speed enchanted,
Swift floating, by wild sea or sky undaunted,

Straight through the cloud of death, where men are free.
I gained a height, and stayed and bent my knee.
Then glowed my cloud, and broke and unveiled thee.

"O flower-born and flower-souled!" I said,
"Be the year-bloom that breathed thee ever red,
Nor wither, yellow, down among the dead.

"May all that cling to sprays of time, like me,
Be sweetly wafted over sky and sea
By rose-breaths shrining maidens like to thee!"

Then while we sat upon the height afar
Came twilight, like a lover late from war,
With soft winds fluting to his evening star.

And the shy stars grew bold and scattered gold,
And chanting voices ancient secrets told,
And an acclaim of angels earthward rolled.

Out of the hills of Habersham,
Down the valleys of Hall,
I hurry amain to reach the plain,
Run the rapid and leap the fall,
Split at the rock and together again,
Accept my bed, or narrow or wide,
And flee from folly on every side
With a lover's pain to attain the plain
Far from the hills of Habersham,
Far from the valleys of Hall.

All down the hills of Habersham,
All through the valleys of Hall,
The rushes cried `Abide, abide,'
The willful waterweeds held me thrall,
The laving laurel turned my tide,
The ferns and the fondling grass said `Stay,'
The dewberry dipped for to work delay,
And the little reeds sighed `Abide, abide,
Here in the hills of Habersham,
Here in the valleys of Hall.'

High o'er the hills of Habersham,
Veiling the valleys of Hall,
The hickory told me manifold
Fair tales of shade, the poplar tall
Wrought me her shadowy self to hold,
The chestnut, the oak, the walnut, the pine,
Overleaning, with flickering meaning and sign,
Said, `Pass not, so cold, these manifold
Deep shades of the hills of Habersham,
These glades in the valleys of Hall.'

And oft in the hills of Habersham,
And oft in the valleys of Hall,
The white quartz shone, and the smooth brook-stone
Did bar me of passage with friendly brawl,
And many a luminous jewel lone
- Crystals clear or a-cloud with mist,
Ruby, garnet and amethyst -
Made lures with the lights of streaming stone
In the clefts of the hills of Habersham,
In the beds of the valleys of Hall.

But oh, not the hills of Habersham,
And oh, not the valleys of Hall
Avail: I am fain for to water the plain.
Downward the voices of Duty call -
Downward, to toil and be mixed with the main,
The dry fields burn, and the mills are to turn,
And a myriad flowers mortally yearn,
And the lordly main from beyond the plain
Calls o'er the hills of Habersham,
Calls through the valleys of Hall.

Out of the hills of Habersham,
Down the valleys of Hall,
I hurry amain to reach the plain,
Run the rapid and leap the fall,
Split at the rock and together again,
Accept my bed, or narrow or wide,
And flee from folly on every side
With a lover's pain to attain the plain
Far from the hills of Habersham,
Far from the valleys of Hall.

All down the hills of Habersham,
All through the valleys of Hall,
The rushes cried `Abide, abide,'
The willful waterweeds held me thrall,
The laving laurel turned my tide,
The ferns and the fondling grass said `Stay,'
The dewberry dipped for to work delay,
And the little reeds sighed `Abide, abide,
Here in the hills of Habersham,
Here in the valleys of Hall.'

High o'er the hills of Habersham,
Veiling the valleys of Hall,
The hickory told me manifold
Fair tales of shade, the poplar tall
Wrought me her shadowy self to hold,
The chestnut, the oak, the walnut, the pine,
Overleaning, with flickering meaning and sign,
Said, `Pass not, so cold, these manifold
Deep shades of the hills of Habersham,
These glades in the valleys of Hall.'

And oft in the hills of Habersham,
And oft in the valleys of Hall,
The white quartz shone, and the smooth brook-stone
Did bar me of passage with friendly brawl,
And many a luminous jewel lone
-- Crystals clear or a-cloud with mist,
Ruby, garnet and amethyst --
Made lures with the lights of streaming stone
In the clefts of the hills of Habersham,
In the beds of the valleys of Hall.

But oh, not the hills of Habersham,
And oh, not the valleys of Hall
Avail: I am fain for to water the plain.
Downward the voices of Duty call --
Downward, to toil and be mixed with the main,
The dry fields burn, and the mills are to turn,
And a myriad flowers mortally yearn,
And the lordly main from beyond the plain
Calls o'er the hills of Habersham,
Calls through the valleys of Hall.

Died of a cat, May, 1878.



I.

Trillets of humor, -- shrewdest whistle-wit, --
Contralto cadences of grave desire
Such as from off the passionate Indian pyre
Drift down through sandal-odored flames that split
About the slim young widow who doth sit
And sing above, -- midnights of tone entire, --
Tissues of moonlight shot with songs of fire; --
Bright drops of tune, from oceans infinite
Of melody, sipped off the thin-edged wave
And trickling down the beak, -- discourses brave
Of serious matter that no man may guess, --
Good-fellow greetings, cries of light distress --
All these but now within the house we heard:
O Death, wast thou too deaf to hear the bird?


II.

Ah me, though never an ear for song, thou hast
A tireless tooth for songsters: thus of late
Thou camest, Death, thou Cat! and leap'st my gate,
And, long ere Love could follow, thou hadst passed
Within and snatched away, how fast, how fast,
My bird -- wit, songs, and all -- thy richest freight
Since that fell time when in some wink of fate
Thy yellow claws unsheathed and stretched, and cast
Sharp hold on Keats, and dragged him slow away,
And harried him with hope and horrid play --
Ay, him, the world's best wood-bird, wise with song --
Till thou hadst wrought thine own last mortal wrong.
'Twas wrong! 'twas wrong! I care not, WRONG's the word --
To munch our Keats and crunch our mocking-bird.


III.

Nay, Bird; my grief gainsays the Lord's best right.
The Lord was fain, at some late festal time,
That Keats should set all Heaven's woods in rhyme,
And thou in bird-notes. Lo, this tearful night,
Methinks I see thee, fresh from death's despite,
Perched in a palm-grove, wild with pantomime,
O'er blissful companies couched in shady thyme,
-- Methinks I hear thy silver whistlings bright
Mix with the mighty discourse of the wise,
Till broad Beethoven, deaf no more, and Keats,
'Midst of much talk, uplift their smiling eyes,
And mark the music of thy wood-conceits,
And halfway pause on some large, courteous word,
And call thee "Brother", O thou heavenly Bird!

What time I paced, at pleasant morn,
A deep and dewy wood,
I heard a mellow hunting-horn
Make dim report of Dian's lustihood
Far down a heavenly hollow.
Mine ear, though fain, had pain to follow:
`Tara!' it twanged, `tara-tara!' it blew,
Yet wavered oft, and flew
Most ficklewise about, or here, or there,
A music now from earth and now from air.
But on a sudden, lo!
I marked a blossom shiver to and fro
With dainty inward storm; and there within
A down-drawn trump of yellow jessamine
A bee
Thrust up its sad-gold body lustily,
All in a honey madness hotly bound
On blissful burglary.
A cunning sound
In that wing-music held me: down I lay
In amber shades of many a golden spray,
Where looping low with languid arms the Vine
In wreaths of ravishment did overtwine
Her kneeling Live-Oak, thousand-fold to plight
Herself unto her own true stalwart knight.

As some dim blur of distant music nears
The long-desiring sense, and slowly clears
To forms of time and apprehensive tune,
So, as I lay, full soon
Interpretation throve: the bee's fanfare,
Through sequent films of discourse vague as air,
Passed to plain words, while, fanning faint perfume,
The bee o'erhung a rich, unrifled bloom:
"O Earth, fair lordly Blossom, soft a-shine
Upon the star-pranked universal vine,
Hast nought for me?
To thee
Come I, a poet, hereward haply blown,
From out another worldflower lately flown.
Wilt ask, `What profit e'er a poet brings?'
He beareth starry stuff about his wings
To pollen thee and sting thee fertile: nay,
If still thou narrow thy contracted way,
-- Worldflower, if thou refuse me --
-- Worldflower, if thou abuse me,
And hoist thy stamen's spear-point high
To wound my wing and mar mine eye --
Nathless I'll drive me to thy deepest sweet,
Yea, richlier shall that pain the pollen beat
From me to thee, for oft these pollens be
Fine dust from wars that poets wage for thee.
But, O beloved Earthbloom soft a-shine
Upon the universal Jessamine,
Prithee, abuse me not,
Prithee, refuse me not,
Yield, yield the heartsome honey love to me
Hid in thy nectary!"
And as I sank into a dimmer dream
The pleading bee's song-burthen sole did seem:
"Hast ne'er a honey-drop of love for me
In thy huge nectary?"

The Centennial Meditation of Columbia. 1776-1876. A Cantata.

[Musical Annotations, in angled brackets, precede each section.]

[Full chorus: sober, measured and yet majestic progressions of chords.]

From this hundred-terraced height,
Sight more large with nobler light
Ranges down yon towering years.
Humbler smiles and lordlier tears
Shine and fall, shine and fall,
While old voices rise and call
Yonder where the to-and-fro
Weltering of my Long-Ago
Moves about the moveless base
Far below my resting-place.

[Chorus: the sea and the winds mingling their voices with human sighs.]

Mayflower, Mayflower, slowly hither flying,
Trembling westward o'er yon balking sea,
Hearts within `Farewell dear England' sighing,
Winds without `But dear in vain' replying,
Gray-lipp'd waves about thee shouted, crying
'No! It shall not be!'

[Quartette: a meagre and despairing minor.]

Jamestown, out of thee --
Plymouth, thee -- thee, Albany --
Winter cries, `Ye freeze:' away!
Fever cries, `Ye burn:' away!
Hunger cries, `Ye starve:' away!
Vengeance cries, `Your graves shall stay!'

[Full chorus: return of the `motive' of the second movement,
but worked up with greater fury, to the climax of the shout
at the last line.]

Then old Shapes and Masks of Things,
Framed like Faiths or clothed like Kings
Ghosts of Goods once fleshed and fair,
Grown foul Bads in alien air --
War, and his most noisy lords,
Tongued with lithe and poisoned swords --
Error, Terror, Rage and Crime,
All in a windy night of time
Cried to me from land and sea,
`No! Thou shalt not be!'

[A rapid and intense whisper-chorus.]

Hark!
Huguenots whispering `yea' in the dark,
Puritans answering `yea' in the dark!
`Yea' like an arrow shot true to his mark,
Darts through the tyrannous heart of Denial.
Patience and Labor and solemn-souled Trial,
Foiled, still beginning,
Soiled, but not sinning,
Toil through the stertorous death of the Night,
Toil when wild brother-wars new-dark the Light,
Toil, and forgive, and kiss o'er, and replight.

[Chorus of jubilation, until the appeal of the last two lines
introduces a tone of doubt: it then sinks to `pianissimo'.]

Now Praise to God's oft-granted grace,
Now Praise to Man's undaunted face,
Despite the land, despite the sea,
I was: I am: and I shall be --
How long, Good Angel, O how long?
Sing me from Heaven a man's own song!

[Basso solo: the good Angel replies:]

'Long as thine Art shall love true love,
Long as thy Science truth shall know,
Long as thine Eagle harms no Dove,
Long as thy Law by law shall grow,
Long as thy God is God above,
Thy brother every man below,
So long, dear Land of all my love,
Thy name shall shine, thy fame shall glow!'

[Full chorus: jubilation and welcome.]

O Music, from this height of time my Word unfold:
In thy large signals all men's hearts Man's heart behold:
Mid-heaven unroll thy chords as friendly flags unfurled,
And wave the world's best lover's welcome to the world.

By Sidney and Clifford Lanier.

[Not long ago a certain Georgia cotton-planter, driven to desperation
by awaking each morning to find that the grass had
quite outgrown the cotton overnight, and was likely to choke it,
in defiance of his lazy freedmen's hoes and ploughs,
set the whole State in a laugh by exclaiming to a group of fellow-sufferers:
"It's all stuff about Cincinnatus leaving the plough to go into politics
FOR PATRIOTISM; he was just a-runnin' from grass!"

This state of things -- when the delicate young rootlets of the cotton
are struggling against the hardier multitudes of the grass-suckers --
is universally described in plantation parlance by the phrase "in the grass";
and Uncle Jim appears to have found in it so much similarity
to the condition of his own ("Baptis'") church, overrun, as it was,
by the cares of this world, that he has embodied it in the refrain
of a revival hymn such as the colored improvisator of the South
not infrequently constructs from his daily surroundings.
He has drawn all the ideas of his stanzas from the early morning phenomena of
those critical weeks when the loud plantation-horn is blown before daylight,
in order to rouse all hands for a long day's fight against the common enemy
of cotton-planting mankind.

In addition to these exegetical commentaries, the Northern reader
probably needs to be informed that the phrase "peerten up" means substantially
`to spur up', and is an active form of the adjective "peert"
(probably a corruption of `pert'), which is so common in the South,
and which has much the signification of "smart" in New England, as e.g.,
a "peert" horse, in antithesis to a "sorry" -- i.e., poor, mean, lazy one.]



Solo. -- Sin's rooster's crowed, Ole Mahster's riz,
De sleepin'-time is pas';
Wake up dem lazy Baptissis,
Chorus. -- Dey's mightily in de grass, grass,
Dey's mightily in de grass.

Ole Mahster's blowed de mornin' horn,
He's blowed a powerful blas';
O Baptis' come, come hoe de corn,
You's mightily in de grass, grass,
You's mightily in de grass.

De Meth'dis team's done hitched; O fool,
De day's a-breakin' fas';
Gear up dat lean ole Baptis' mule,
Dey's mightily in de grass, grass,
Dey's mightily in de grass.

De workmen's few an' mons'rous slow,
De cotton's sheddin' fas';
Whoop, look, jes' look at de Baptis' row,
Hit's mightily in de grass, grass,
Hit's mightily in de grass.

De jay-bird squeal to de mockin'-bird: "Stop!
Don' gimme none o' yo' sass;
Better sing one song for de Baptis' crop,
Dey's mightily in de grass, grass,
Dey's mightily in de grass."

And de ole crow croak: "Don' work, no, no;"
But de fiel'-lark say, "Yaas, yaas,
An' I spec' you mighty glad, you debblish crow,
Dat de Baptissis's in de grass, grass,
Dat de Baptissis's in de grass!"

Lord, thunder us up to de plowin'-match,
Lord, peerten de hoein' fas',
Yea, Lord, hab mussy on de Baptis' patch,
Dey's mightily in de grass, grass,
Dey's mightily in de grass.

Frowning, the owl in the oak complained him
Sore, that the song of the robin restrained him
Wrongly of slumber, rudely of rest.
"From the north, from the east, from the south and the west,
Woodland, wheat-field, corn-field, clover,
Over and over and over and over,
Five o'clock, ten o'clock, twelve, or seven,
Nothing but robin-songs heard under heaven:
How can we sleep?

`Peep!' you whistle, and `cheep! cheep! cheep!'
Oh, peep, if you will, and buy, if 'tis cheap,
And have done; for an owl must sleep.
Are ye singing for fame, and who shall be first?
Each day's the same, yet the last is worst,
And the summer is cursed with the silly outburst
Of idiot red-breasts peeping and cheeping
By day, when all honest birds ought to be sleeping.
Lord, what a din! And so out of all reason.
Have ye not heard that each thing hath its season?
Night is to work in, night is for play-time;
Good heavens, not day-time!

A vulgar flaunt is the flaring day,
The impudent, hot, unsparing day,
That leaves not a stain nor a secret untold, --
Day the reporter, -- the gossip of old, --
Deformity's tease, -- man's common scold --
Poh! Shut the eyes, let the sense go numb
When day down the eastern way has come.
'Tis clear as the moon (by the argument drawn
From Design) that the world should retire at dawn.
Day kills. The leaf and the laborer breathe
Death in the sun, the cities seethe,
The mortal black marshes bubble with heat
And puff up pestilence; nothing is sweet
Has to do with the sun: even virtue will taint
(Philosophers say) and manhood grow faint
In the lands where the villainous sun has sway
Through the livelong drag of the dreadful day.
What Eden but noon-light stares it tame,
Shadowless, brazen, forsaken of shame?
For the sun tells lies on the landscape, -- now
Reports me the `what', unrelieved with the `how', --
As messengers lie, with the facts alone,
Delivering the word and withholding the tone.

But oh, the sweetness, and oh, the light
Of the high-fastidious night!
Oh, to awake with the wise old stars --
The cultured, the careful, the Chesterfield stars,
That wink at the work-a-day fact of crime
And shine so rich through the ruins of time
That Baalbec is finer than London; oh,
To sit on the bough that zigzags low
By the woodland pool,
And loudly laugh at man, the fool
That vows to the vulgar sun; oh, rare,
To wheel from the wood to the window where
A day-worn sleeper is dreaming of care,
And perch on the sill and straightly stare
Through his visions; rare, to sail
Aslant with the hill and a-curve with the vale, --
To flit down the shadow-shot-with-gleam,
Betwixt hanging leaves and starlit stream,
Hither, thither, to and fro,
Silent, aimless, dayless, slow
(`Aimless? Field-mice?' True, they're slain,
But the night-philosophy hoots at pain,
Grips, eats quick, and drops the bones
In the water beneath the bough, nor moans
At the death life feeds on). Robin, pray
Come away, come away
To the cultus of night. Abandon the day.
Have more to think and have less to say.
And CANNOT you walk now? Bah! don't hop!
Stop!
Look at the owl, scarce seen, scarce heard,
O irritant, iterant, maddening bird!"

From cold Norse caves or buccaneer Southern seas
Oft come repenting tempests here to die;
Bewailing old-time wrecks and robberies,
They shrive to priestly pines with many a sigh,
Breathe salutary balms through lank-lock'd hair
Of sick men's heads, and soon -- this world outworn --
Sink into saintly heavens of stirless air,
Clean from confessional. One died, this morn,
And willed the world to wise Queen Tranquil: she,
Sweet sovereign Lady of all souls that bide
In contemplation, tames the too bright skies
Like that faint agate film, far down descried,
Restraining suns in sudden thoughtful eyes
Which flashed but now. Blest distillation rare
Of o'er-rank brightness filtered waterwise
Through all the earths in heaven -- thou always fair,
Still virgin bride of e'er-creating thought --
Dream-worker, in whose dream the Future's wrought --
Healer of hurts, free balm for bitter wrongs --
Most silent mother of all sounding songs --
Thou that dissolvest hells to make thy heaven --
Thou tempest's heir, that keep'st no tempest leaven --
But after winds' and thunders' wide mischance
Dost brood, and better thine inheritance --
Thou privacy of space, where each grave Star
As in his own still chamber sits afar
To meditate, yet, by thy walls unpent,
Shines to his fellows o'er the firmament --
Oh! as thou liv'st in all this sky and sea
That likewise lovingly do live in thee,
So melt my soul in thee, and thine in me,
Divine Tranquillity!

Gray Pelican, poised where yon broad shallows shine,
Know'st thou, that finny foison all is mine
In the bag below thy beak -- yet thine, not less?
For God, of His most gracious friendliness,
Hath wrought that every soul, this loving morn,
Into all things may be new-corporate born,
And each live whole in all: I sail with thee,
Thy Pelican's self is mine; yea, silver Sea,
In this large moment all thy fishes, ripples, bights,
Pale in-shore greens and distant blue delights,
White visionary sails, long reaches fair
By moon-horn'd strands that film the far-off air,
Bright sparkle-revelations, secret majesties,
Shells, wrecks and wealths, are mine; yea, Orange-trees,
That lift your small world-systems in the light,
Rich sets of round green heavens studded bright
With globes of fruit that like still planets shine,
Mine is your green-gold universe; yea, mine,
White slender Lighthouse fainting to the eye
That wait'st on yon keen cape-point wistfully,
Like to some maiden spirit pausing pale,
New-wing'd, yet fain to sail
Above the serene Gulf to where a bridegroom soul
Calls o'er the soft horizon -- mine thy dole
Of shut undaring wings and wan desire --
Mine, too, thy later hope and heavenly fire
Of kindling expectation; yea, all sights,
All sounds, that make this morn -- quick flights
Of pea-green paroquets 'twixt neighbor trees,
Like missives and sweet morning inquiries
From green to green, in green -- live oaks' round heads,
Busy with jays for thoughts -- grays, whites and reds
Of pranked woodpeckers that ne'er gossip out,
But alway tap at doors and gad about --
Robins and mocking-birds that all day long
Athwart straight sunshine weave cross-threads of song,
Shuttles of music -- clouds of mosses gray
That rain me rains of pleasant thoughts alway
From a low sky of leaves -- faint yearning psalms
Of endless metre breathing through the palms
That crowd and lean and gaze from off the shore
Ever for one that cometh nevermore --
Palmettos ranked, with childish spear-points set
Against no enemy -- rich cones that fret
High roofs of temples shafted tall with pines --
Green, grateful mangroves where the sand-beach shines --
Long lissome coast that in and outward swerves,
The grace of God made manifest in curves --
All riches, goods and braveries never told
Of earth, sun, air and heaven -- now I hold
Your being in my being; I am ye,
And ye myself; yea, lastly, Thee,
God, whom my roads all reach, howe'er they run,
My Father, Friend, Beloved, dear All-One,
Thee in my soul, my soul in Thee, I feel,
Self of my self. Lo, through my sense doth steal
Clear cognizance of all selves and qualities,
Of all existence that hath been or is,
Of all strange haps that men miscall of chance,
And all the works of tireless circumstance:
Each borders each, like mutual sea and shore,
Nor aught misfits his neighbor that's before,
Nor him that's after -- nay, through this still air,
Out of the North come quarrels, and keen blare
Of challenge by the hot-breath'd parties blown;
Yet break they not this peace with alien tone,
Fray not my heart, nor fright me for my land,
-- I hear from all-wards, allwise understand,
The great bird Purpose bears me twixt her wings,
And I am one with all the kinsmen things
That e'er my Father fathered. Oh, to me
All questions solve in this tranquillity:
E'en this dark matter, once so dim, so drear,
Now shines upon my spirit heavenly-clear:
Thou, Father, without logic, tellest me
How this divine denial true may be,
-- How `All's in each, yet every one of all
Maintains his Self complete and several.'

"O Trade! O Trade! would thou wert dead!
The Time needs heart -- 'tis tired of head:
We're all for love," the violins said.
"Of what avail the rigorous tale
Of bill for coin and box for bale?
Grant thee, O Trade! thine uttermost hope:
Level red gold with blue sky-slope,
And base it deep as devils grope:
When all's done, what hast thou won
Of the only sweet that's under the sun?
Ay, canst thou buy a single sigh
Of true love's least, least ecstasy?"
Then, with a bridegroom's heart-beats trembling,
All the mightier strings assembling
Ranged them on the violins' side
As when the bridegroom leads the bride,
And, heart in voice, together cried:
"Yea, what avail the endless tale
Of gain by cunning and plus by sale?
Look up the land, look down the land
The poor, the poor, the poor, they stand
Wedged by the pressing of Trade's hand
Against an inward-opening door
That pressure tightens evermore:
They sigh a monstrous foul-air sigh
For the outside leagues of liberty,
Where Art, sweet lark, translates the sky
Into a heavenly melody.
`Each day, all day' (these poor folks say),
`In the same old year-long, drear-long way,
We weave in the mills and heave in the kilns,
We sieve mine-meshes under the hills,
And thieve much gold from the Devil's bank tills,
To relieve, O God, what manner of ills? --
The beasts, they hunger, and eat, and die;
And so do we, and the world's a sty;
Hush, fellow-swine: why nuzzle and cry?
"Swinehood hath no remedy"
Say many men, and hasten by,
Clamping the nose and blinking the eye.
But who said once, in the lordly tone,
"Man shall not live by bread alone
But all that cometh from the Throne?"
Hath God said so?
But Trade saith "No:"
And the kilns and the curt-tongued mills say "Go!
There's plenty that can, if you can't: we know.
Move out, if you think you're underpaid.
The poor are prolific; we're not afraid;
Trade is trade."'"
Thereat this passionate protesting
Meekly changed, and softened till
It sank to sad requesting
And suggesting sadder still:
"And oh, if men might some time see
How piteous-false the poor decree
That trade no more than trade must be!
Does business mean, `Die, you -- live, I?'
Then `Trade is trade' but sings a lie:
'Tis only war grown miserly.
If business is battle, name it so:
War-crimes less will shame it so,
And widows less will blame it so.
Alas, for the poor to have some part
In yon sweet living lands of Art,
Makes problem not for head, but heart.
Vainly might Plato's brain revolve it:
Plainly the heart of a child could solve it."

And then, as when from words that seem but rude
We pass to silent pain that sits abrood
Back in our heart's great dark and solitude,
So sank the strings to gentle throbbing
Of long chords change-marked with sobbing --
Motherly sobbing, not distinctlier heard
Than half wing-openings of the sleeping bird,
Some dream of danger to her young hath stirred.
Then stirring and demurring ceased, and lo!
Every least ripple of the strings' song-flow
Died to a level with each level bow
And made a great chord tranquil-surfaced so,
As a brook beneath his curving bank doth go
To linger in the sacred dark and green
Where many boughs the still pool overlean
And many leaves make shadow with their sheen.
But presently
A velvet flute-note fell down pleasantly
Upon the bosom of that harmony,
And sailed and sailed incessantly,
As if a petal from a wild-rose blown
Had fluttered down upon that pool of tone
And boatwise dropped o' the convex side
And floated down the glassy tide
And clarified and glorified
The solemn spaces where the shadows bide.
From the warm concave of that fluted note
Somewhat, half song, half odor, forth did float,
As if a rose might somehow be a throat:
"When Nature from her far-off glen
Flutes her soft messages to men,
The flute can say them o'er again;
Yea, Nature, singing sweet and lone,
Breathes through life's strident polyphone
The flute-voice in the world of tone.
Sweet friends,
Man's love ascends
To finer and diviner ends
Than man's mere thought e'er comprehends
For I, e'en I,
As here I lie,
A petal on a harmony,
Demand of Science whence and why
Man's tender pain, man's inward cry,
When he doth gaze on earth and sky?
I am not overbold:
I hold
Full powers from Nature manifold.
I speak for each no-tongued tree
That, spring by spring, doth nobler be,
And dumbly and most wistfully
His mighty prayerful arms outspreads
Above men's oft-unheeding heads,
And his big blessing downward sheds.
I speak for all-shaped blooms and leaves,
Lichens on stones and moss on eaves,
Grasses and grains in ranks and sheaves;
Broad-fronded ferns and keen-leaved canes,
And briery mazes bounding lanes,
And marsh-plants, thirsty-cupped for rains,
And milky stems and sugary veins;
For every long-armed woman-vine
That round a piteous tree doth twine;
For passionate odors, and divine
Pistils, and petals crystalline;
All purities of shady springs,
All shynesses of film-winged things
That fly from tree-trunks and bark-rings;
All modesties of mountain-fawns
That leap to covert from wild lawns,
And tremble if the day but dawns;
All sparklings of small beady eyes
Of birds, and sidelong glances wise
Wherewith the jay hints tragedies;
All piquancies of prickly burs,
And smoothnesses of downs and furs
Of eiders and of minevers;
All limpid honeys that do lie
At stamen-bases, nor deny
The humming-birds' fine roguery,
Bee-thighs, nor any butterfly;
All gracious curves of slender wings,
Bark-mottlings, fibre-spiralings,
Fern-wavings and leaf-flickerings;
Each dial-marked leaf and flower-bell
Wherewith in every lonesome dell
Time to himself his hours doth tell;
All tree-sounds, rustlings of pine-cones,
Wind-sighings, doves' melodious moans,
And night's unearthly under-tones;
All placid lakes and waveless deeps,
All cool reposing mountain-steeps,
Vale-calms and tranquil lotos-sleeps; --
Yea, all fair forms, and sounds, and lights,
And warmths, and mysteries, and mights,
Of Nature's utmost depths and heights,
-- These doth my timid tongue present,
Their mouthpiece and leal instrument
And servant, all love-eloquent.
I heard, when `"All for love"' the violins cried:
So, Nature calls through all her system wide,
`Give me thy love, O man, so long denied.'
Much time is run, and man hath changed his ways,
Since Nature, in the antique fable-days,
Was hid from man's true love by proxy fays,
False fauns and rascal gods that stole her praise.
The nymphs, cold creatures of man's colder brain,
Chilled Nature's streams till man's warm heart was fain
Never to lave its love in them again.
Later, a sweet Voice `Love thy neighbor' said;
Then first the bounds of neighborhood outspread
Beyond all confines of old ethnic dread.
Vainly the Jew might wag his covenant head:
`"All men are neighbors,"' so the sweet Voice said.
So, when man's arms had circled all man's race,
The liberal compass of his warm embrace
Stretched bigger yet in the dark bounds of space;
With hands a-grope he felt smooth Nature's grace,
Drew her to breast and kissed her sweetheart face:
Yea man found neighbors in great hills and trees
And streams and clouds and suns and birds and bees,
And throbbed with neighbor-loves in loving these.
But oh, the poor! the poor! the poor!
That stand by the inward-opening door
Trade's hand doth tighten ever more,
And sigh their monstrous foul-air sigh
For the outside hills of liberty,
Where Nature spreads her wild blue sky
For Art to make into melody!
Thou Trade! thou king of the modern days!
Change thy ways,
Change thy ways;
Let the sweaty laborers file
A little while,
A little while,
Where Art and Nature sing and smile.
Trade! is thy heart all dead, all dead?
And hast thou nothing but a head?
I'm all for heart," the flute-voice said,
And into sudden silence fled,
Like as a blush that while 'tis red
Dies to a still, still white instead.

Thereto a thrilling calm succeeds,
Till presently the silence breeds
A little breeze among the reeds
That seems to blow by sea-marsh weeds:
Then from the gentle stir and fret
Sings out the melting clarionet,
Like as a lady sings while yet
Her eyes with salty tears are wet.
"O Trade! O Trade!" the Lady said,
"I too will wish thee utterly dead
If all thy heart is in thy head.
For O my God! and O my God!
What shameful ways have women trod
At beckoning of Trade's golden rod!
Alas when sighs are traders' lies,
And heart's-ease eyes and violet eyes
Are merchandise!
O purchased lips that kiss with pain!
O cheeks coin-spotted with smirch and stain!
O trafficked hearts that break in twain!
-- And yet what wonder at my sisters' crime?
So hath Trade withered up Love's sinewy prime,
Men love not women as in olden time.
Ah, not in these cold merchantable days
Deem men their life an opal gray, where plays
The one red Sweet of gracious ladies'-praise.
Now, comes a suitor with sharp prying eye --
Says, `Here, you Lady, if you'll sell, I'll buy:
Come, heart for heart -- a trade? What! weeping? why?'
Shame on such wooers' dapper mercery!
I would my lover kneeling at my feet
In humble manliness should cry, `O sweet!
I know not if thy heart my heart will greet:
I ask not if thy love my love can meet:
Whate'er thy worshipful soft tongue shall say,
I'll kiss thine answer, be it yea or nay:
I do but know I love thee, and I pray
To be thy knight until my dying day.'
Woe him that cunning trades in hearts contrives!
Base love good women to base loving drives.
If men loved larger, larger were our lives;
And wooed they nobler, won they nobler wives."

There thrust the bold straightforward horn
To battle for that lady lorn,
With heartsome voice of mellow scorn,
Like any knight in knighthood's morn.
"Now comfort thee," said he,
"Fair Lady.
For God shall right thy grievous wrong,
And man shall sing thee a true-love song,
Voiced in act his whole life long,
Yea, all thy sweet life long,
Fair Lady.
Where's he that craftily hath said,
The day of chivalry is dead?
I'll prove that lie upon his head,
Or I will die instead,
Fair Lady.
Is Honor gone into his grave?
Hath Faith become a caitiff knave,
And Selfhood turned into a slave
To work in Mammon's cave,
Fair Lady?
Will Truth's long blade ne'er gleam again?
Hath Giant Trade in dungeons slain
All great contempts of mean-got gain
And hates of inward stain,
Fair Lady?
For aye shall name and fame be sold,
And place be hugged for the sake of gold,
And smirch-robed Justice feebly scold
At Crime all money-bold,
Fair Lady?
Shall self-wrapt husbands aye forget
Kiss-pardons for the daily fret
Wherewith sweet wifely eyes are wet --
Blind to lips kiss-wise set --
Fair Lady?
Shall lovers higgle, heart for heart,
Till wooing grows a trading mart
Where much for little, and all for part,
Make love a cheapening art,
Fair Lady?
Shall woman scorch for a single sin
That her betrayer may revel in,
And she be burnt, and he but grin
When that the flames begin,
Fair Lady?
Shall ne'er prevail the woman's plea,
`We maids would far, far whiter be
If that our eyes might sometimes see
Men maids in purity,'
Fair Lady?
Shall Trade aye salve his conscience-aches
With jibes at Chivalry's old mistakes --
The wars that o'erhot knighthood makes
For Christ's and ladies' sakes,
Fair Lady?
Now by each knight that e'er hath prayed
To fight like a man and love like a maid,
Since Pembroke's life, as Pembroke's blade,
I' the scabbard, death, was laid,
Fair Lady,
I dare avouch my faith is bright
That God doth right and God hath might.
Nor time hath changed His hair to white,
Nor His dear love to spite,
Fair Lady.
I doubt no doubts: I strive, and shrive my clay,
And fight my fight in the patient modern way
For true love and for thee -- ah me! and pray
To be thy knight until my dying day,
Fair Lady."
Made end that knightly horn, and spurred away
Into the thick of the melodious fray.

And then the hautboy played and smiled,
And sang like any large-eyed child,
Cool-hearted and all undefiled.
"Huge Trade!" he said,
"Would thou wouldst lift me on thy head
And run where'er my finger led!
Once said a Man -- and wise was He --
`Never shalt thou the heavens see,
Save as a little child thou be.'"
Then o'er sea-lashings of commingling tunes
The ancient wise bassoons,
Like weird
Gray-beard
Old harpers sitting on the high sea-dunes,
Chanted runes:
"Bright-waved gain, gray-waved loss,
The sea of all doth lash and toss,
One wave forward and one across:
But now 'twas trough, now 'tis crest,
And worst doth foam and flash to best,
And curst to blest.

Life! Life! thou sea-fugue, writ from east to west,
Love, Love alone can pore
On thy dissolving score
Of harsh half-phrasings,
Blotted ere writ,
And double erasings
Of chords most fit.
Yea, Love, sole music-master blest,
May read thy weltering palimpsest.
To follow Time's dying melodies through,
And never to lose the old in the new,
And ever to solve the discords true --
Love alone can do.
And ever Love hears the poor-folks' crying,
And ever Love hears the women's sighing,
And ever sweet knighthood's death-defying,
And ever wise childhood's deep implying,
But never a trader's glozing and lying.

And yet shall Love himself be heard,
Though long deferred, though long deferred:
O'er the modern waste a dove hath whirred:
Music is Love in search of a word."