Samuel Johnson: Verses about Beautiful

At length must Suffolk beauties shine in vain,
So long renown'd in B-n's deathless strain?
Thy charms at least, fair Firebrace, might inspire
Some zealous bard to wake the sleeping lyre:
For such thy beauteous mind and lovely face,
Thou seem'st at once, bright nymph, a
Muse and Grace
.

This tributary verse receive, my fair,
Warm with an ardent lover's fondest prayer,
May this returning day for ever find
Thy form more lovely, more adorn'd thy mind;
All pains, all cares, may favouring heaven remove,
All but the sweet solicitudes of love!
May powerful nature join with grateful art,
To point each glance, and force it to the heart!
O then! when conquer'd crowds confess thy sway,
When even proud wealth and prouder wit obey,
My fair, be mindful of the mighty trust,
Alas! 'tis hard for beauty to be just.
Those sovereign charms with strictest care employ;
Nor give the generous pain, the worthless joy;
With his own form acquaint the forward fool,
Shown in the mimic glass of ridicule:
Teach mimic censure her own faults to find,
No more let coquettes to themselves be blind,
So shall Belinda's charms improve mankind.

To Stella:

Whether Stella's eyes are found
Fix'd on earth or glancing round,
If her face with pleasure glow,
If she sigh at others' woe,
If her easy air express
Conscious worth, or soft distress,
Stella's eyes and air and face
Charm with undiminish'd grace
If on her we see display'd
Pendent gems, and rich brocade,
If her chintz with less expense
Flows in easy negligence;
Still she lights the conscious flame,
Still her charms appear the same;
If she strikes the vocal strings,
If she's silent, speaks, or sings,
If she sit, or if she move,
Still we love, and still approve.
Vain the casual transient glance,
Which alone can please by chance,
Beauty, which depends on art,
Changing with the changing art,
Which demands the toilet's aid,
Pendent gems and rich brocade.
I those charms alone can prize,
Which from constant Nature rise,
Which nor circumstance nor dress
E'er can make or more or less.

{On her playing upon the harpsichord in
a room hung with flower-pieces of her own painting}.

When Stella strikes the tuneful string
In scenes of imitated Spring,
Where beauty lavishes her powers
On beds of never-fading flowers,
And pleasure propagates around
Each charm of modulated sound;
Ah! think not in the dangerous hour,
The nymph fictitious as the flower;
But shun, rash youth, the gay alcove,
Nor tempt the snares of wily love.
When charms thus press on every sense,
What thought of flight or of defence?
Deceitful hope, and vain desire,
For ever flutter o'er her lyre,
Delighting as the youth draws nigh,
To point the glances of her eye,
And forming with unerring art
New chains to hold the captive heart.
But on those regions of delight,
Might truth intrude with daring flight,
Could Stella, sprightly, fair, and young,
One moment hear the moral song,
Instruction with her flowers might spring,
And wisdom warble from her string.
Mark when from thousand mingled dyes
Thou seest one pleasing form arise,
How active light and thoughtful shade,
In greater scenes each other aid;
Mark when the different notes agree
In friendly contrariety,
How passion's well-accorded strife
Gives all the harmony of life.
Thy pictures shall thy conduct frame,
Consistent still, though not the same;
Thy music teach the nobler art,
To tune the regulated heart.