Rupert Brooke: Verses about Music

“Oh! Love,” they said, “is King of Kings,
And Triumph is his crown.
Earth fades in flame before his wings,
And Sun and Moon bow down.”—
But that, I knew, would never do;
And Heaven is all too high.
So whenever I meet a Queen, I said,
I will not catch her eye.

“Oh! Love,” they said, and “Love,” they said,
“The gift of Love is this;
A crown of thorns about thy head,
And vinegar to thy kiss!”—
But Tragedy is not for me;
And I’m content to be gay.
So whenever I spied a Tragic Lady,
I went another way.

And so I never feared to see
You wander down the street,
Or come across the fields to me
On ordinary feet.
For what they’d never told me of,
And what I never knew;
It was that all the time, my love,
Love would be merely you.

(Sung, on one night, in the cities, in the darkness.)


Come away! Come away!
Ye are sober and dull through the common day,
But now it is night!
It is shameful night, and God is asleep!
(Have you not felt the quick fires that creep
Through the hungry flesh, and the lust of delight,
And hot secrets of dreams that day cannot say?).
The house is dumb;
The night calls out to you.—Come, ah, come!
Down the dim stairs, through the creaking door,
Naked, crawling on hands and feet
—It is meet! it is meet!
Ye are men no longer, but less and more,
Beast and God.… Down the lampless street,
By little black ways, and secret places,
In the darkness and mire,
Faint laughter around, and evil faces
By the star-glint seen—ah! follow with us!
For the darkness whispers a blind desire,
And the fingers of night are amorous.…
Keep close as we speed,
Though mad whispers woo you, and hot hands cling,
And the touch and the smell of bare flesh sting,
Soft flank by your flank, and side brushing side—
To-night never heed!
Unswerving and silent follow with me,
Till the city ends sheer,
And the crook’d lanes open wide,
Out of the voices of night,
Beyond lust and fear,
To the level waters of moonlight,
To the level waters, quiet and clear,
To the black unresting plains of the calling sea.

(Halted around the fire by night, after moon-set, they sing this beneath the trees.)


What light of unremembered skies
Hast thou relumed within our eyes,
Thou whom we seek, whom we shall find?…
A certain odour on the wind,
Thy hidden face beyond the west,
These things have called us; on a quest
Older than any road we trod,
More endless than desire.…
Far God,
Sigh with thy cruel voice, that fills
The soul with longing for dim hills
And faint horizons! For there come
Grey moments of the antient dumb
Sickness of travel, when no song
Can cheer us; but the way seems long;
And one remembers.…
Ah! the beat
Of weary unreturning feet,
And songs of pilgrims unreturning!…
The fires we left are always burning
On the old shrines of home. Our kin
Have built them temples, and therein
Pray to the Gods we know; and dwell
In little houses lovable,
Being happy (we remember how!)
And peaceful even to death...
O Thou,
God of all long desirous roaming,
Our hearts are sick of fruitless homing,
And crying after lost desire.
Hearten us onward! as with fire
Consuming dreams of other bliss.
The best Thou givest, giving this
Sufficient thing—to travel still
Over the plain, beyond the hill,
Unhesitating through the shade,
Amid the silence unafraid,
Till, at some sudden turn, one sees
Against the black and muttering trees
Thine altar, wonderfully white,
Among the Forests of the Night.

(Halted around the fire by night, after moon-set, they sing this beneath the trees.)

What light of unremembered skies
Hast thou relumed within our eyes,
Thou whom we seek, whom we shall find? . . .
A certain odour on the wind,
Thy hidden face beyond the west,
These things have called us; on a quest
Older than any road we trod,
More endless than desire. . . .
Far God,
Sigh with thy cruel voice, that fills
The soul with longing for dim hills
And faint horizons! For there come
Grey moments of the antient dumb
Sickness of travel, when no song
Can cheer us; but the way seems long;
And one remembers. . . .
Ah! the beat
Of weary unreturning feet,
And songs of pilgrims unreturning! . . .
The fires we left are always burning
On the old shrines of home. Our kin
Have built them temples, and therein
Pray to the Gods we know; and dwell
In little houses lovable,
Being happy (we remember how!)
And peaceful even to death. . . .
O Thou,
God of all long desirous roaming,
Our hearts are sick of fruitless homing,
And crying after lost desire.
Hearten us onward! as with fire
Consuming dreams of other bliss.
The best Thou givest, giving this
Sufficient thing -- to travel still
Over the plain, beyond the hill,
Unhesitating through the shade,
Amid the silence unafraid,
Till, at some sudden turn, one sees
Against the black and muttering trees
Thine altar, wonderfully white,
Among the Forests of the Night.

Here in the dark, O heart;
Alone with the enduring Earth, and Night,
And Silence, and the warm strange smell of clover;
Clear-visioned, though it break you; far apart
From the dead best, the dear and old delight;
Throw down your dreams of immortality,
O faithful, O foolish lover!
Here's peace for you, and surety; here the one
Wisdom -- the truth! -- "All day the good glad sun
Showers love and labour on you, wine and song;
The greenwood laughs, the wind blows, all day long
Till night." And night ends all things.
Then shall be
No lamp relumed in heaven, no voices crying,
Or changing lights, or dreams and forms that hover!
(And, heart, for all your sighing,
That gladness and those tears are over, over. . . .)

And has the truth brought no new hope at all,
Heart, that you're weeping yet for Paradise?
Do they still whisper, the old weary cries?
"'MID YOUTH AND SONG, FEASTING AND CARNIVAL,
THROUGH LAUGHTER, THROUGH THE ROSES, AS OF OLD
COMES DEATH, ON SHADOWY AND RELENTLESS FEET,
DEATH, UNAPPEASABLE BY PRAYER OR GOLD;
DEATH IS THE END, THE END!"
Proud, then, clear-eyed and laughing, go to greet
Death as a friend!

Exile of immortality, strongly wise,
Strain through the dark with undesirous eyes
To what may lie beyond it. Sets your star,
O heart, for ever! Yet, behind the night,
Waits for the great unborn, somewhere afar,
Some white tremendous daybreak. And the light,
Returning, shall give back the golden hours,
Ocean a windless level, Earth a lawn
Spacious and full of sunlit dancing-places,
And laughter, and music, and, among the flowers,
The gay child-hearts of men, and the child-faces
O heart, in the great dawn!

The day that YOUTH had died,
There came to his grave-side,
In decent mourning, from the country's ends,
Those scatter'd friends
Who had lived the boon companions of his prime,
And laughed with him and sung with him and wasted,
In feast and wine and many-crown'd carouse,
The days and nights and dawnings of the time
When YOUTH kept open house,
Nor left untasted
Aught of his high emprise and ventures dear,
No quest of his unshar'd --
All these, with loitering feet and sad head bar'd,
Followed their old friend's bier.
FOLLY went first,
With muffled bells and coxcomb still revers'd;
And after trod the bearers, hat in hand --
LAUGHTER, most hoarse, and Captain PRIDE with tanned
And martial face all grim, and fussy JOY,
Who had to catch a train, and LUST, poor, snivelling boy;
These bore the dear departed.
Behind them, broken-hearted,
Came GRIEF, so noisy a widow, that all said,
"Had he but wed
Her elder sister SORROW, in her stead!"
And by her, trying to soothe her all the time,
The fatherless children, COLOUR, TUNE, and RHYME
(The sweet lad RHYME), ran all-uncomprehending.
Then, at the way's sad ending,
Round the raw grave they stay'd. Old WISDOM read,
In mumbling tone, the Service for the Dead.
There stood ROMANCE,
The furrowing tears had mark'd her rouged cheek;
Poor old CONCEIT, his wonder unassuaged;
Dead INNOCENCY's daughter, IGNORANCE;
And shabby, ill-dress'd GENEROSITY;
And ARGUMENT, too full of woe to speak;
PASSION, grown portly, something middle-aged;
And FRIENDSHIP -- not a minute older, she;
IMPATIENCE, ever taking out his watch;
FAITH, who was deaf, and had to lean, to catch
Old WISDOM's endless drone.
BEAUTY was there,
Pale in her black; dry-eyed; she stood alone.
Poor maz'd IMAGINATION; FANCY wild;
ARDOUR, the sunlight on his greying hair;
CONTENTMENT, who had known YOUTH as a child
And never seen him since. And SPRING came too,
Dancing over the tombs, and brought him flowers --
She did not stay for long.
And TRUTH, and GRACE, and all the merry crew,
The laughing WINDS and RIVERS, and lithe HOURS;
And HOPE, the dewy-eyed; and sorrowing SONG; --
Yes, with much woe and mourning general,
At dead YOUTH's funeral,
Even these were met once more together, all,
Who erst the fair and living YOUTH did know;
All, except only LOVE. LOVE had died long ago.

Sir, since the last Elizabethan died,
Or, rather, that more Paradisal muse,
Blind with much light, passed to the light more glorious
Or deeper blindness, no man's hand, as thine,
Has, on the world's most noblest chord of song,
Struck certain magic strains. Ears satiate
With the clamorous, timorous whisperings of to-day,
Thrilled to perceive once more the spacious voice
And serene unterrance of old. We heard
-- With rapturous breath half-held, as a dreamer dreams
Who dares not know it dreaming, lest he wake --
The odorous, amorous style of poetry,
The melancholy knocking of those lines,
The long, low soughing of pentameters,
-- Or the sharp of rhyme as a bird's cry --
And the innumerable truant polysyllables
Multitudinously twittering like a bee.
Fulfilled our hearts were with the music then,
And all the evenings sighed it to the dawn,
And all the lovers heard it from all the trees.
All of the accents upon the all the norms!
-- And ah! the stress of the penultimate!
We never knew blank verse could have such feet.

Where is it now? Oh, more than ever, now
I sometimes think no poetry is read
Save where some sepultured C¾sura bled,
Royally incarnadining all the line.
Is the imperial iamb laid to rest,
And the young trochee, having done enough?
Ah! turn again! Sing so to us, who are sick
Of seeming-simple rhymes, bizarre emotions,
Decked in the simple verses of the day,
Infinite meaning in a little gloom,
Irregular thoughts in stanzas regular,
Modern despair in antique metres, myths
Incomprehensible at evening,
And symbols that mean nothing in the dawn.
The slow lines swell. The new style sighs. The Celt
Moans round with many voices.
God! to see
Gaunt anap¾sts stand up out of the verse,
Combative accents, stress where no stress should be,
Spondee on spondee, iamb on choriamb,
The thrill of all the tribrachs in the world,
And all the vowels rising to the E!
To hear the blessed mutter of those verbs,
Conjunctions passionate toward each other's arms,
And epithets like amaranthine lovers
Stretching luxuriously to the stars,
All prouder pronouns than the dawn, and all
The thunder of the trumpets of the noun!

The Day that Youth had died,
There came to his grave-side,
In decent mourning, from the country’s ends,
Those scatter’d friends
Who had lived the boon companions of his prime,
And laughed with him and sung with him and wasted,
In feast and wine and many-crown’d carouse,
The days and nights and dawnings of the time
When Youth kept open house,
Nor left untasted
Aught of his high emprise and ventures dear,
No quest of his unshar’d—
All these, with loitering feet and sad head bar’d,
Followed their old friend’s bier.
Folly went first,
With muffled bells and coxcomb still revers’d;
And after trod the bearers, hat in hand—
Laughter, most hoarse, and Captain Pride with tanned
And martial face all grim, and fussy Joy
Who had to catch a train, and Lust, poor, snivelling boy;
These bore the dear departed.
Behind them, broken-hearted,
Came Grief, so noisy a widow, that all said,
“Had he but wed
Her elder sister Sorrow, in her stead!”
And by her, trying to soothe her all the time,
The fatherless children, Colour, Tune, and Rhyme
(The sweet lad Rhyme), ran all-uncomprehending.
Then, at the way’s sad ending,
Round the raw grave they stay’d. Old Wisdom read,
In mumbling tone, the Service for the Dead.
There stood Romance,
The furrowing tears had mark’d her rougèd cheek;
Poor old Conceit, his wonder unassuaged;
Dead Innocency’s daughter, Ignorance;
And shabby, ill-dress’d Generosity;
And Argument, too full of woe to speak;
Passion, grown portly, something middle-aged;
And Friendship—not a minute older, she;
Impatience, ever taking out his watch;
Faith, who was deaf, and had to lean, to catch
Old Wisdom’s endless drone.
Beauty was there,
Pale in her black; dry-eyed; she stood alone.
Poor maz’d Imagination; Fancy wild;
Ardour, the sunlight on his greying hair;
Contentment, who had known Youth as a child
And never seen him since. And Spring came too,
Dancing over the tombs, and brought him flowers—
She did not stay for long.
And Truth, and Grace, and all the merry crew,
The laughing Winds and Rivers, and lithe Hours;
And Hope, the dewy-eyed; and sorrowing Song;—
Yes, with much woe and mourning general,
At dead Youth’s funeral,
Even these were met once more together, all,
Who erst the fair and living Youth did know;
All, except only Love. Love had died long ago.

In a cool curving world he lies
And ripples with dark ecstasies.
The kind luxurious lapse and steal
Shapes all his universe to feel
And know and be; the clinging stream
Closes his memory, glooms his dream,
Who lips the roots o' the shore, and glides
Superb on unreturning tides.
Those silent waters weave for him
A fluctuant mutable world and dim,
Where wavering masses bulge and gape
Mysterious, and shape to shape
Dies momently through whorl and hollow,
And form and line and solid follow
Solid and line and form to dream
Fantastic down the eternal stream;
An obscure world, a shifting world,
Bulbous, or pulled to thin, or curled,
Or serpentine, or driving arrows,
Or serene slidings, or March narrows.
There slipping wave and shore are one,
And weed and mud. No ray of sun,
But glow to glow fades down the deep
(As dream to unknown dream in sleep);
Shaken translucency illumes
The hyaline of drifting glooms;
The strange soft-handed depth subdues
Drowned colour there, but black to hues,
As death to living, decomposes --
Red darkness of the heart of roses,
Blue brilliant from dead starless skies,
And gold that lies behind the eyes,
The unknown unnameable sightless white
That is the essential flame of night,
Lustreless purple, hooded green,
The myriad hues that lie between
Darkness and darkness! . . .

And all's one.
Gentle, embracing, quiet, dun,
The world he rests in, world he knows,
Perpetual curving. Only -- grows
An eddy in that ordered falling,
A knowledge from the gloom, a calling
Weed in the wave, gleam in the mud --
The dark fire leaps along his blood;
Dateless and deathless, blind and still,
The intricate impulse works its will;
His woven world drops back; and he,
Sans providence, sans memory,
Unconscious and directly driven,
Fades to some dank sufficient heaven.

O world of lips, O world of laughter,
Where hope is fleet and thought flies after,
Of lights in the clear night, of cries
That drift along the wave and rise
Thin to the glittering stars above,
You know the hands, the eyes of love!
The strife of limbs, the sightless clinging,
The infinite distance, and the singing
Blown by the wind, a flame of sound,
The gleam, the flowers, and vast around
The horizon, and the heights above --
You know the sigh, the song of love!

But there the night is close, and there
Darkness is cold and strange and bare;
And the secret deeps are whisperless;
And rhythm is all deliciousness;
And joy is in the throbbing tide,
Whose intricate fingers beat and glide
In felt bewildering harmonies
Of trembling touch; and music is
The exquisite knocking of the blood.
Space is no more, under the mud;
His bliss is older than the sun.
Silent and straight the waters run.
The lights, the cries, the willows dim,
And the dark tide are one with him.

In a cool curving world he lies
And ripples with dark ecstasies.
The kind luxurious lapse and steal
Shapes all his universe to feel
And know and be; the clinging stream
Closes his memory, glooms his dream,
Who lips the roots o’ the shore, and glides
Superb on unreturning tides.
Those silent waters weave for him
A fluctuant mutable world and dim,
Where wavering masses bulge and gape
Mysterious, and shape to shape
Dies momently through whorl and hollow,
And form and line and solid follow
Solid and line and form to dream
Fantastic down the eternal stream;
An obscure world, a shifting world,
Bulbous, or pulled to thin, or curled,
Or serpentine, or driving arrows,
Or serene slidings, or March narrows.
There slipping wave and shore are one,
And weed and mud. No ray of sun,
But glow to glow fades down the deep
(As dream to unknown dream in sleep);
Shaken translucency illumes
The hyaline of drifting glooms;
The strange soft-handed depth subdues
Drowned colour there, but black to hues,
As death to living, decomposes—
Red darkness of the heart of roses,
Blue brilliant from dead starless skies,
And gold that lies behind the eyes,
The unknown unnameable sightless white
That is the essential flame of night,
Lustreless purple, hooded green,
The myriad hues that lie between
Darkness and darkness!…

And all’s one.
Gentle, embracing, quiet, dun,
The world he rests in, world he knows,
Perpetual curving. Only—grows
An eddy in that ordered falling,
A knowledge from the gloom, a calling
Weed in the wave, gleam in the mud—
The dark fire leaps along his blood;
Dateless and deathless, blind and still,
The intricate impulse works its will;
His woven world drops back; and he,
Sans providence, sans memory,
Unconscious and directly driven,
Fades to some dank sufficient heaven.

O world of lips, O world of laughter,
Where hope is fleet and thought flies after,
Of lights in the clear night, of cries
That drift along the wave and rise
Thin to the glittering stars above,
You know the hands, the eyes of love!
The strife of limbs, the sightless clinging,
The infinite distance, and the singing
Blown by the wind, a flame of sound,
The gleam, the flowers, and vast around
The horizon, and the heights above—
You know the sigh, the song of love!

But there the night is close, and there
Darkness is cold and strange and bare;
And the seered deeps are whisperless;
And rhythm is all deliciousness;
And joy is in the throbbing tide,
Whose intricate fingers beat and glide
In felt bewildering harmonies
Of trembling touch; and music is
The exquisite knocking of the blood.
Space is no more, under the mud;
His bliss is older than the sun.
Silent and straight the waters run.
The lights, the cries, the willows dim,
And the dark tide are one with him.