Richard Lovelace: Verses about Music

I.
Sing out, pent soules, sing cheerefully!
Care shackles you in liberty:
Mirth frees you in captivity.
Would you double fetters adde?
Else why so sadde?

Chorus.
Besides your pinion'd armes youl finde
Griefe too can manakell the minde.

II.
Live then, pris'ners, uncontrol'd;
Drink oth' strong, the rich, the old,
Till wine too hath your wits in hold;
Then if still your jollitie
And throats are free--

Chorus.
Tryumph in your bonds and paines,
And daunce to the music of your chaines.

I.
Strive not, vain lover, to be fine;
Thy silk's the silk-worm's, and not thine:
You lessen to a fly your mistriss' thought,
To think it may be in a cobweb caught.
What, though her thin transparent lawn
Thy heart in a strong net hath drawn:
Not all the arms the god of fire ere made
Can the soft bulwarks of nak'd love invade.

II.
Be truly fine, then, and yourself dress
In her fair soul's immac'late glass.
Then by reflection you may have the bliss
Perhaps to see what a true fineness is;
When all your gawderies will fit
Those only that are poor in wit.
She that a clinquant outside doth adore,
Dotes on a gilded statue and no more.

I.
Why shouldst thou sweare I am forsworn,
Since thine I vow'd to be?
Lady, it is already Morn,
And 'twas last night I swore to thee
That fond impossibility.

II.
Have I not lov'd thee much and long,
A tedious twelve moneths space?
I should all other beauties wrong,
And rob thee of a new imbrace;
Should I still dote upon thy face.

III.
Not but all joy in thy browne haire
In others may be found;
But I must search the black and faire,
Like skilfulle minerallists that sound
For treasure in un-plow'd-up ground.

IV.
Then if, when I have lov'd my round,
Thou prov'st the pleasant she;
With spoyles of meaner beauties crown'd,
I laden will returne to thee,
Ev'n sated with varietie.

I.

See! with what constant motion
Even and glorious, as the sunne,
Gratiana steeres that noble frame,
Soft as her breast, sweet as her voyce,
That gave each winding law and poyze,
And swifter then the wings of Fame.

II.

She beat the happy pavement
By such a starre-made firmament,
Which now no more the roofe envies;
But swells up high with Atlas ev'n,
Bearing the brighter, nobler Heav'n,
And in her, all the Dieties.

III.

Each step trod out a lovers thought
And the ambitious hopes he brought,
Chain'd to her brave feet with such arts,
Such sweet command and gentle awe,
As when she ceas'd, we sighing saw
The floore lay pav'd with broken hearts.

IV.

So did she move: so did she sing:
Like the harmonious spheres that bring
Unto their rounds their musick's ayd;
Which she performed such a way,
As all th' inamour'd world will say:
The Graces daunced, and Apollo play'd.

I.
Now Whitehall's in the grave,
And our head is our slave,
The bright pearl in his close shell of oyster;
Now the miter is lost,
The proud Praelates, too, crost,
And all Rome's confin'd to a cloister.
He, that Tarquin was styl'd,
Our white land's exil'd,
Yea, undefil'd;
Not a court ape's left to confute us;
Then let your voyces rise high,
As your colours did flye,
And flour'shing cry:
Long live the brave Oliver-Brutus.

II.
Now the sun is unarm'd,
And the moon by us charm'd,
All the stars dissolv'd to a jelly;
Now the thighs of the Crown
And the arms are lopp'd down,
And the body is all but a belly.
Let the Commons go on,
The town is our own,
We'l rule alone:
For the Knights have yielded their spent-gorge;
And an order is tane
With HONY SOIT profane,
Shout forth amain:
For our Dragon hath vanquish'd the St. George.

I.
What means this stately tablature,
The ballance of thy streins,
Which seems, in stead of sifting pure,
T' extend and rack thy veins?
Thy Odes first their own harmony did break:
For singing, troth, is but in tune to speak.

II.
Nor trus thy golden feet and wings.
It may be thought false melody
T' ascend to heav'n by silver strings;
This is Urania's heraldry.
Thy royal poem now we may extol,
As truly Luna blazon'd upon Sol.

III.
As when Amphion first did call
Each listning stone from's den;
And with his lute did form the wall,
But with his words the men;
So in your twisted numbers now you thus
Not only stocks perswade, but ravish us.

IV.
Thus do your ayrs eccho ore
The notes and anthems of the sphaeres,
And their whole consort back restore,
As if earth too would blesse Heav'ns ears;
But yet the spoaks, by which they scal'd so high,
Gamble hath wisely laid of UT RE MI.

Amarantha sweet and fair
Ah braid no more that shining hair!
As my curious hand or eye
Hovering round thee let it fly.

Let it fly as unconfin'd
As its calm ravisher, the wind,
Who hath left his darling th'East,
To wanton o'er that spicy nest.

Ev'ry tress must be confest
But neatly tangled at the best;
Like a clue of golden thread,
Most excellently ravelled.

Do not then wind up that light
In ribands, and o'er-cloud in night;
Like the sun in's early ray,
But shake your head and scatter day.

See 'tis broke! Within this grove
The bower, and the walks of love,
Weary lie we down and rest,
And fan each other's panting breast.

Here we'll strip and cool our fire
In cream below, in milk-baths higher:
And when all wells are drawn dry,
I'll drink a tear out of thine eye,

Which our very joys shall leave
That sorrows thus we can deceive;
Or our very sorrows weep,
That joys so ripe, so little keep.

I.
What means this stately tablature,
The ballance of thy streins,
Which seems, in stead of sifting pure,
T' extend and rack thy veins?
Thy Odes first their own harmony did break:
For singing, troth, is but in tune to speak.

II.
Nor trus thy golden feet and wings.
It may be thought false melody
T' ascend to heav'n by silver strings;
This is Urania's heraldry.
Thy royal poem now we may extol,
As truly Luna blazon'd upon Sol.

III.
As when Amphion first did call
Each listning stone from's den;
And with his lute did form the wall,
But with his words the men;
So in your twisted numbers now you thus
Not only stocks perswade, but ravish us.

IV.
Thus do your ayrs eccho ore
The notes and anthems of the sphaeres,
And their whole consort back restore,
As if earth too would blesse Heav'ns ears;
But yet the spoaks, by which they scal'd so high,
Gamble hath wisely laid of UT RE MI.

I.
In mine one monument I lye,
And in my self am buried;
Sure, the quick lightning of her eye
Melted my soul ith' scabberd dead;
And now like some pale ghost I walk,
And with another's spirit talk.

II.
Nor can her beams a heat convey,
That may my frozen bosome warm,
Unless her smiles have pow'r, as they,
That a cross charm can countercharm.
But this is such a pleasing pain,
I'm loth to be alive again.



ANOTHER.

I did believe I was in heav'n,
When first the heav'n her self was giv'n,
That in my heart her beams did passe
As some the sun keep in a glasse,
So that her beauties thorow me
Did hurt my rival-enemy.
But fate, alas! decreed it so,
That I was engine to my woe:
For, as a corner'd christal spot,
My heart diaphanous was not;
But solid stuffe, where her eye flings
Quick fire upon the catching strings:
Yet, as at triumphs in the night,
You see the Prince's Arms in light,
So, when I once was set on flame,
I burnt all ore the letters of her name.

I.
Heark, faire one, how what e're here is
Doth laugh and sing at thy distresse;
Not out of hate to thy reliefe,
But joy t' enjoy thee, though in griefe.

II.
See! that which chaynes you, you chaine here;
The prison is thy prisoner;
How much thy jaylor's keeper art!
He bindes your hands, but you his heart.

III.
The gyves to rase so smooth a skin,
Are so unto themselves within;
But, blest to kisse so fayre an arme,
Haste to be happy with that harme;

IV.
And play about thy wanton wrist,
As if in them thou so wert drest;
But if too rough, too hard they presse,
Oh, they but closely, closely kisse.

V.
And as thy bare feet blesse the way,
The people doe not mock, but pray,
And call thee, as amas'd they run
Instead of prostitute, a nun.

VI.
The merry torch burnes with desire
To kindle the eternall fire,
And lightly daunces in thine eyes
To tunes of epithalamies.

VII.
The sheet's ty'd ever to thy wast,
How thankfull to be so imbrac't!
And see! thy very very bonds
Are bound to thee, to binde such hands.

CHORUS.
THEN UNDERSTAND YOU NOT (FAIR CHOICE)
THIS LANGUAGE WITHOUT TONGUE OR VOICE?

I.
How often have my tears
Invaded your soft ears,
And dropp'd their silent chimes
A thousand thousand times?
Whilst echo did your eyes,
And sweetly sympathize;
But that the wary lid
Their sluces did forbid.

Cho. THEN UNDERSTAND YOU NOT (FAIR CHOICE)
THIS LANGUAGE WITHOUT TONGUE OR VOICE?

II.
My arms did plead my wound,
Each in the other bound;
Volleys of sighs did crowd,
And ring my griefs alowd;
Grones, like a canon-ball,
Batter'd the marble wall,
That the kind neighb'ring grove
Did mutiny for love.

Cho. THEN UNDERSTAND YOU NOT (FAIR CHOICE)
THIS LANGUAGE WITHOUT TONGUE OR VOICE?

III.
The rheth'rick of my hand
Woo'd you to understand;
Nay, in our silent walk
My very feet would talk;
My knees were eloquent,
And spake the love I meant;
But deaf unto that ayr,
They, bent, would fall in prayer.

Cho. YET UNDERSTAND YOU NOT (FAIR CHOICE)
THIS LANGUAGE WITHOUT TONGUE OR VOICE?

IV.
No? Know, then, I would melt
On every limb I felt,
And on each naked part
Spread my expanded heart,
That not a vein of thee
But should be fill'd with mee.
Whilst on thine own down, I
Would tumble, pant, and dye.

Cho. YOU UNDERSTAND NOT THIS (FAIR CHOICE);
THIS LANGUAGE WANTS BOTH TONGUE AND VOICE.

This is the prittiest motion:
Madam, th' alarums of a drumme
That cals your lord, set to your cries,
To mine are sacred symphonies.

What, though 'tis said I have a voice;
I know 'tis but that hollow noise
Which (as it through my pipe doth speed)
Bitterns do carol through a reed;
In the same key with monkeys jiggs,
Or dirges of proscribed piggs,
Or the soft Serenades above
In calme of night, when cats make love.

Was ever such a consort seen!
Fourscore and fourteen with forteen?
Yet sooner they'l agree, one paire,
Then we in our spring-winter aire;
They may imbrace, sigh, kiss, the rest:
Our breath knows nought but east and west.
Thus have I heard to childrens cries
The faire nurse still such lullabies,
That, well all sayd (for what there lay),
The pleasure did the sorrow pay.

Sure ther's another way to save
Your phansie, madam; that's to have
('Tis but a petitioning kinde fate)
The organs sent to Bilingsgate,
Where they to that soft murm'ring quire
Shall teach you all you can admire!
Or do but heare, how love-bang Kate
In pantry darke for freage of mate,
With edge of steele the square wood shapes,
And DIDO to it chaunts or scrapes.
The merry Phaeton oth' carre
You'l vow makes a melodious jarre;
Sweeter and sweeter whisleth He
To un-anointed axel-tree;
Such swift notes he and 's wheels do run;
For me, I yeeld him Phaebus son.
Say, faire Comandres, can it be
You should ordaine a mutinie?
For where I howle, all accents fall,
As kings harangues, to one and all.

Ulisses art is now withstood:
You ravish both with sweet and good;
Saint Syren, sing, for I dare heare,
But when I ope', oh, stop your eare.

Far lesse be't aemulation
To passe me, or in trill or tone,
Like the thin throat of Philomel,
And the smart lute who should excell,
As if her soft cords should begin,
And strive for sweetnes with the pin.

Yet can I musick too; but such
As is beyond all voice or touch;
My minde can in faire order chime,
Whilst my true heart still beats the time;
My soule['s] so full of harmonie,
That it with all parts can agree;
If you winde up to the highest fret,
It shall descend an eight from it,
And when you shall vouchsafe to fall,
Sixteene above you it shall call,
And yet, so dis-assenting one,
They both shall meet in unison.

Come then, bright cherubin, begin!
My loudest musick is within.
Take all notes with your skillfull eyes;
Hearke, if mine do not sympathise!
Sound all my thoughts, and see exprest
The tablature of my large brest;
Then you'l admit, that I too can
Musick above dead sounds of man;
Such as alone doth blesse the spheres,
Not to be reacht with humane eares.

Cleft as the top of the inspired hill,
Struggles the soul of my divided quill,
Whilst this foot doth the watry mount aspire,
That Sinai's living and enlivening fire,
Behold my powers storm'd by a twisted light
O' th' Sun and his, first kindled his sight,
And my lost thoughts invoke the prince of day,
My right to th' spring of it and him do pray.

Say, happy youth, crown'd with a heav'nly ray
Of the first flame, and interwreathed bay,
Inform my soul in labour to begin,
Ios or Anthems, Poeans or a Hymne.
Shall I a hecatombe on thy tripod slay,
Or my devotions at thy altar pay?
While which t' adore th' amaz'd world cannot tell,
The sublime Urim or deep oracle.

Heark! how the moving chords temper our brain,
As when Apollo serenades the main,
Old Ocean smooths his sullen furrow'd front,
And Nereids do glide soft measures on't;
Whilst th' air puts on its sleekest, smoothest face,
And each doth turn the others looking-glasse;
So by the sinewy lyre now strook we see
Into soft calms all storm of poesie,
And former thundering and lightning lines,
And verse now in its native lustre shines.

How wert thou hid within thyself! how shut!
Thy pretious Iliads lock'd up in a nut!
Not hearing of thee thou dost break out strong,
Invading forty thousand men in song;
And we, secure in our thin empty heat,
Now find ourselves at once surprised and beat,
Whilst the most valiant of our wits now sue,
Fling down their arms, ask quarter too of you.

So cabin'd up in its disguis'd coarse rust,
And scurf'd all ore with its unseemly crust,
The diamond, from 'midst the humbler stones,
Sparkling shoots forth the price of nations.
Ye safe unriddlers of the stars, pray tell,
By what name shall I stamp my miracle?
Thou strange inverted Aeson, that leap'st ore
From thy first infancy into fourscore,
That to thine own self hast the midwife play'd,
And from thy brain spring'st forth the heav'nly maid!
Thou staffe of him bore him, that bore our sins,
Which, but set down, to bloom and bear begins!
Thou rod of Aaron, with one motion hurl'd,
Bud'st a perfume of flowers through the world!
You strange calcined seeds within a glass,
Each species Idaea spring'st as 'twas!
Bright vestal flame that, kindled but ev'n now,
For ever dost thy sacred fires throw!

Thus the repeated acts of Nestor's age,
That now had three times ore out-liv'd the stage,
And all those beams contracted into one,
Alcides in his cradle hath outdone.

But all these flour'shing hiews, with which I die
Thy virgin paper, now are vain as I:
For 'bove the poets Heav'n th' art taught to shine
And move, as in thy proper crystalline;
Whence that mole-hill Parnassus thou dost view,
And us small ants there dabbling in its dew;
Whence thy seraphic soul such hymns doth play,
As those to which first danced the first day,
Where with a thorn from the world-ransoming wreath
Thou stung, dost antiphons and anthems breathe;
Where with an Angels quil dip'd i' th' Lambs blood,
Thou sing'st our Pelicans all-saving flood,
And bath'st thy thoughts in ever-living streams,
Rench'd from earth's tainted, fat and heavy steams.
There move translated youth inroll'd i' th' quire,
That only doth with wholy lays inspire;
To whom his burning coach Eliah sent,
And th' royal prophet-priest his harp hath lent;
Which thou dost tune in consort unto those
Clap wings for ever at each hallow'd close:
Whilst we, now weak and fainting in our praise,
Sick echo ore thy Halleluiahs.

Cleft as the top of the inspired hill,
Struggles the soul of my divided quill,
Whilst this foot doth the watry mount aspire,
That Sinai's living and enlivening fire,
Behold my powers storm'd by a twisted light
O' th' Sun and his, first kindled his sight,
And my lost thoughts invoke the prince of day,
My right to th' spring of it and him do pray.

Say, happy youth, crown'd with a heav'nly ray
Of the first flame, and interwreathed bay,
Inform my soul in labour to begin,
Ios or Anthems, Poeans or a Hymne.
Shall I a hecatombe on thy tripod slay,
Or my devotions at thy altar pay?
While which t' adore th' amaz'd world cannot tell,
The sublime Urim or deep oracle.

Heark! how the moving chords temper our brain,
As when Apollo serenades the main,
Old Ocean smooths his sullen furrow'd front,
And Nereids do glide soft measures on't;
Whilst th' air puts on its sleekest, smoothest face,
And each doth turn the others looking-glasse;
So by the sinewy lyre now strook we see
Into soft calms all storm of poesie,
And former thundering and lightning lines,
And verse now in its native lustre shines.

How wert thou hid within thyself! how shut!
Thy pretious Iliads lock'd up in a nut!
Not hearing of thee thou dost break out strong,
Invading forty thousand men in song;
And we, secure in our thin empty heat,
Now find ourselves at once surprised and beat,
Whilst the most valiant of our wits now sue,
Fling down their arms, ask quarter too of you.

So cabin'd up in its disguis'd coarse rust,
And scurf'd all ore with its unseemly crust,
The diamond, from 'midst the humbler stones,
Sparkling shoots forth the price of nations.
Ye safe unriddlers of the stars, pray tell,
By what name shall I stamp my miracle?
Thou strange inverted Aeson, that leap'st ore
From thy first infancy into fourscore,
That to thine own self hast the midwife play'd,
And from thy brain spring'st forth the heav'nly maid!
Thou staffe of him bore him, that bore our sins,
Which, but set down, to bloom and bear begins!
Thou rod of Aaron, with one motion hurl'd,
Bud'st a perfume of flowers through the world!
You strange calcined seeds within a glass,
Each species Idaea spring'st as 'twas!
Bright vestal flame that, kindled but ev'n now,
For ever dost thy sacred fires throw!

Thus the repeated acts of Nestor's age,
That now had three times ore out-liv'd the stage,
And all those beams contracted into one,
Alcides in his cradle hath outdone.

But all these flour'shing hiews, with which I die
Thy virgin paper, now are vain as I:
For 'bove the poets Heav'n th' art taught to shine
And move, as in thy proper crystalline;
Whence that mole-hill Parnassus thou dost view,
And us small ants there dabbling in its dew;
Whence thy seraphic soul such hymns doth play,
As those to which first danced the first day,
Where with a thorn from the world-ransoming wreath
Thou stung, dost antiphons and anthems breathe;
Where with an Angels quil dip'd i' th' Lambs blood,
Thou sing'st our Pelicans all-saving flood,
And bath'st thy thoughts in ever-living streams,
Rench'd from earth's tainted, fat and heavy steams.
There move translated youth inroll'd i' th' quire,
That only doth with wholy lays inspire;
To whom his burning coach Eliah sent,
And th' royal prophet-priest his harp hath lent;
Which thou dost tune in consort unto those
Clap wings for ever at each hallow'd close:
Whilst we, now weak and fainting in our praise,
Sick echo ore thy Halleluiahs.