Richard Crashaw: Verses about Music

Lord, when the sense of thy sweet grace
Sends up my soul to seek thy face.
Thy blessed eyes breed such desire,
I dy in love’s delicious Fire.
O love, I am thy Sacrifice.
Be still triumphant, blessed eyes.
Still shine on me, fair suns! that I
Still may behold, though still I dy.

Though still I dy, I live again;
Still longing so to be still slain,
So gainfull is such losse of breath.
I dy even in desire of death.
Still live in me this loving strife
Of living Death and dying Life.
For while thou sweetly slayest me
Dead to my selfe, I live in Thee.

HAIL, sister springs,
Parents of silver-footed rills!
   Ever bubbling things,
Thawing crystal, snowy hills!
   Still spending, never spent; I mean
   Thy fair eyes, sweet Magdalene.

   Heavens thy fair eyes be;
Heavens of ever-falling stars;
   'Tis seed-time still with thee,
And stars thou sow'st whose harvest dares
   Promise the earth to countershine
   Whatever makes Heaven's forehead fine.

   Every morn from hence
A brisk cherub something sips
   Whose soft influence
Adds sweetness to his sweetest lips;
   Then to his music: and his song
   Tastes of this breakfast all day long.

   When some new bright guest
Takes up among the stars a room,
   And Heaven will make a feast,
Angels with their bottles come,
   And draw from these full eyes of thine
   Their Master's water, their own wine.

   The dew no more will weep
The primrose's pale cheek to deck;
   The dew no more will sleep
Nuzzled in the lily's neck:
   Much rather would it tremble here,
   And leave them both to be thy tear.

   When sorrow would be seen
In her brightest majesty,
   --For she is a Queen--
Then is she drest by none but thee:
   Then and only then she wears
   Her richest pearls--I mean thy tears.

   Not in the evening's eyes,
When they red with weeping are
   For the Sun that dies,
Sits Sorrow with a face so fair.
   Nowhere but here did ever meet
   Sweetness so sad, sadness so sweet.

   Does the night arise?
Still thy tears do fall and fall.
   Does night lose her eyes?
Still the fountain weeps for all.
   Let day and night do what they will,
   Thou hast thy task, thou weepest still.

   Not So long she lived
Will thy tomb report of thee;
   But So long she grieved:
Thus must we date thy memory.
   Others by days, by months, by years,
   Measure their ages, thou by tears.

   Say, ye bright brothers,
The fugitive sons of those fair eyes
   Your fruitful mothers,
What make you here? What hopes can 'tice
   You to be born? What cause can borrow
   You from those nests of noble sorrow?

   Whither away so fast
For sure the sordid earth
   Your sweetness cannot taste,
Nor does the dust deserve your birth.
   Sweet, whither haste you then? O say,
   Why you trip so fast away?

   We go not to seek
The darlings of Aurora's bed,
   The rose's modest cheek,
Nor the violet's humble head.
   No such thing: we go to meet
   A worthier object--our Lord's feet.

CHORUS
Come we shepherds whose blest sight
Hath met love's noon in nature's night;
Come lift we up our loftier song
And wake the sun that lies too long.

To all our world of well-stol'n joy
He slept, and dreamt of no such thing,
While we found out heav'n's fairer eye,
And kiss'd the cradle of our King.
Tell him he rises now too late
To show us aught worth looking at.

Tell him we now can show him more
Than he e'er show'd to mortal sight,
Than he himself e'er saw before,
Which to be seen needs not his light.
Tell him, Tityrus, where th' hast been;
Tell him, Thyrsis, what th' hast seen.
TITYRUS

Gloomy night embrac'd the place
Where the Noble Infant lay;
The Babe look'd up and show'd his face,
In spite of darkness, it was day.
It was thy day, Sweet! and did rise
Not from the east, but from thine eyes.
CHORUS

It was thy day, Sweet! and did rise
Not from the east, but from thine eyes.
THYRSIS

Winter chid aloud, and sent
The angry North to wage his wars;
The North forgot his fierce intent,
And left perfumes instead of scars.
By those sweet eyes' persuasive pow'rs,
Where he meant frost, he scatter'd flow'rs.
CHORUS

By those sweet eyes' persuasive pow'rs,
Where he meant frost, he scatter'd flow'rs.
BOTH

We saw thee in thy balmy nest,
Young dawn of our eternal day!
We saw thine eyes break from their east
And chase the trembling shades away.
We saw thee, and we bless'd the sight,
We saw thee by thine own sweet light.
TITYRUS

Poor World, said I, what wilt thou do
To entertain this starry stranger?
Is this the best thou canst bestow,
A cold, and not too cleanly, manger?
Contend, ye powers of heav'n and earth,
To fit a bed for this huge birth.
CHORUS

Contend, ye powers of heav'n and earth,
To fit a bed for this huge birth.
THYRSIS

Proud World, said I, cease your contest,
And let the Mighty Babe alone;
The ph{oe}nix builds the ph{oe}nix' nest,
Love's architecture is his own;
The Babe whose birth embraves this morn,
Made his own bed ere he was born.
CHORUS

The Babe whose birth embraves this morn,
Made his own bed ere he was born.
TITYRUS

I saw the curl'd drops, soft and slow,
Come hovering o'er the place's head,
Off'ring their whitest sheets of snow
To furnish the fair Infant's bed.
Forbear, said I, be not too bold;
Your fleece is white, but 'tis too cold.
CHORUS

Forbear, said I, be not too bold;
Your fleece is white, but 'tis too cold.
THYRSIS

I saw the obsequious Seraphims
Their rosy fleece of fire bestow;
For well they now can spare their wings,
Since Heav'n itself lies here below.
Well done, said I, but are you sure
Your down so warm will pass for pure?
CHORUS

Well done, said I, but are you sure
Your down so warm will pass for pure?
TITYRUS

No no, your King's not yet to seek
Where to repose his royal head;
See see, how soon his new-bloom'd cheek
'Twixt's mother's breasts is gone to bed.
Sweet choice, said we! no way but so,
Not to lie cold, yet sleep in snow.
CHORUS

Sweet choice, said we! no way but so,
Not to lie cold, yet sleep in snow.
BOTH

We saw thee in thy balmy nest,
Bright dawn of our eternal day!
We saw thine eyes break from their east,
And chase the trembling shades away.
We saw thee, and we bless'd the sight,
We saw thee, by thine own sweet light.
CHORUS

We saw thee, and we bless'd the sight,
We saw thee, by thine own sweet light.
FULL CHORUS

Welcome, all wonders in one sight!
Eternity shut in a span;
Summer in winter; day in night;
Heaven in earth, and God in man.
Great little one, whose all-embracing birth
Lifts earth to heaven, stoops heav'n to earth.

Welcome; though nor to gold nor silk,
To more than C{ae}sar's birthright is;
Two sister seas of virgin-milk,
With many a rarely temper'd kiss,
That breathes at once both maid and mother,
Warms in the one, cools in the other.

Welcome, though not to those gay flies
Gilded i' th' beams of earthly kings,
Slippery souls in smiling eyes;
But to poor shepherds, homespun things,
Whose wealth's their flock, whose wit, to be
Well read in their simplicity.

Yet when young April's husband-show'rs
Shall bless the fruitful Maia's bed,
We'll bring the first-born of her flow'rs
To kiss thy feet and crown thy head.
To thee, dread Lamb! whose love must keep
The shepherds more than they the sheep.

To thee, meek Majesty! soft King
Of simple graces and sweet loves,
Each of us his lamb will bring,
Each his pair of silver doves;
Till burnt at last in fire of thy fair eyes,
Ourselves become our own best sacrifice.

Hail, sister springs,
Parents of silver-footed rills!
Ever bubbling things,
Thawing crystal, snowy hills!
Still spending, never spent; I mean
Thy fair eyes, sweet Magdalene.

Heavens thy fair eyes be;
Heavens of ever-falling stars;
'Tis seed-time still with thee,
And stars thou sow'st whose harvest dares
Promise the earth to countershine
Whatever makes Heaven's forehead fine.

But we're deceived all.
Stars indeed they are, too true,
For they but seem to fall,
As heav'n's other spangles do.
It is not for our earth and us
To shine in things so precious.

Upwards thou dost weep;
Heavn's bosom drinks the gentle stream;
Where the milky rivers creep,
Thine floats above, and is the cream.
Waters above th' heav'n's, what they be
We're taught best by thy tears and thee.

Every morn from hence
A brisk cherub something sips
Whose soft influence
Adds sweetness to his sweetest lips;
Then to his music: and his song
Tastes of this breakfast all day long.

Not in the evening's eyes,
When they red with weeping are
For the sun that dies,
Sits sorrow with a face so fair;
Nowhere but here did ever meet
Sweetness so sad, sadness so sweet.

When sorrow would be seen
In her brightest majesty,
For she is a queen,
Then is she dressed by none but thee;
Then, and only then, she wears
Her proudest pearls; I mean thy tears.

The dew no more will weep
The primrose's pale cheek to deck;
The dew no more will sleep,
Nuzzled in the lily's neck;
Much rather would it be thy tear,
And leave them both to tremble here.

There's no need at all
That the balsam-sweating bough
So coyly should let fall
His med'cinable tears, for now
Nature hath learn't extract a dew
More sovereign and sweet from you.

You let the poor drops weep,
Weeping is the ease of woe;
Softly let them creep,
Sad that they are vanquished so;
They, though to others no relief,
Balsam may be for their own grief.

Such the maiden gem
By the purpling vine put on,
Peeps from her parent stem
And blushes at the bridegroom sun;
This wat'ry blossom of thy eyne,
Ripe, will make the richer wine.

When some new bright guest
Takes up among the stars a room,
And Heav'n will make a feast,
Angels with crystal vials come
And draw from these full eyes of thine
Their Master's water, their own wine.

Golden though he be,
Golden Tagus murmurs though;
Were his way by thee,
Content and quiet he would go;
So much more rich would he esteem
Thy silver, than his golden stream.

Well does the May that lies
Smiling in thy cheeks confess
The April in thine eyes;
Mutual sweetness they express;
No April e'er lent kinder showers,
Nor May returned more faithful flowers.

O cheeks! beds of chaste loves
By your own showers seasonably dashed;
Eyes! nests of milky doves
In your own wells decently washed;
O wit of Love! that thus could place
Fountain and garden in one face.

O sweet contest, of woes
With loves, of tears with smiles disputing!
O fair and friendly foes,
Each other kissing and confuting!
While rain and sunshine, cheeks and eyes,
Close in kind contrarieties.

But can these fair floods be
Friends with the bosom fires that fill thee?
Can so great flames agree
Eternal tears should thus distill thee?
O floods, O fires, O suns, O showers!
Mixed and made friends by Love's sweet powers.

'Twas his well-pointed dart
That digged these wells and dressed this vine;
And taught the wounded heart
The way into these weeping eyne.
Vain loves, avaunt! bold hands, forbear!
The Lamb hath dipped His white foot here.

And now where'er He strays
Among the Galilean mountains,
Or more unwelcome ways,
He's followed by two faithful fountains,
Two walking baths, two weeping motions,
Portable and compendious oceans.

O thou, thy Lord's fair store!
In thy so rich and rare expenses,
Even when He showed most poor,
He might provoke the wealth of princes;
What prince's wanton'st pride e'er could
Wash with silver, wipe with gold?

Who is that King, but He
Who call'st His crown to be called thine,
That thus can boast to be
Waited on by a wand'ring mine,
A voluntary mint, that strows
Warm silver showers where'er He goes!

O precious prodigal!
Fair spendthrift of thyself! thy measure,
Merciless love, is all,
Even to the last pearl in thy treasure;
All places, times, and objects be
Thy tears' sweet opportunity.

Does the day-star rise?
Still thy tears do fall and fall.
Does day close his eyes?
Still the fountain weeps for all.
Let night or day do what they will,
Thou hast thy task, thou weepest still.

Does thy song lull the air?
Thy falling tears keep faithful time.
Does thy sweet-breathed prayer
Up in clouds in incense climb?
Still at each sigh, that is, each stop,
A bead, that is, a tear, does drop.

At these thy weeping gates,
Watching their wat'ry motion,
Each winged moment waits,
Takes his tear and gets him gone;
By thine eye's tinct ennobled thus,
Time lays him up, he's precious.

Not, 'So long she lived,'
Shall thy tomb report of thee;
But, 'So long she grieved,'
Thus must we date thy memory.
Others by moments, months and years,
Measure their ages, thou by tears.

So do perfumes expire;
So sigh tormented sweets, oppressed
With proud unpitying fire;
Such tears the suff'ring rose that's vexed
With ungentle flames does shed,
Sweating in a too warm bed.

Say, ye bright brothers,
The fugitive sons of those fair eyes,
Your faithful mothers,
What make you here? What hopes can 'tice
You to be born? What cause can borrow
You from those nests of noble sorrow?

Whither away so fast?
For sure the sordid earth
Your sweetness cannot taste,
Nor does the dust deserve your birth.
Sweet, whiter haste you then? O say
Why you trip so fast away!

'We go not to seek
The darlings of Aurora's bed,
The rose's modest cheek,
Nor the violet's humble head;
Though the field's eyes, too, weepers be
Because they want such tears as we.

'Much less mean we to trace
The fortune of inferior gems,
Preferred to some proud face,
Or perched upon feared diadems:
Crowned heads are toys. We go to meet
A worthy object, our Lord's feet.'

Now westward Sol had spent the richest beams
Of noon's high glory, when, hard by the streams
Of Tiber, on the scene of a green plat,
Under protection of an oak, there sat
A sweet lute's master : in whose gentle airs
He lost the day's heat, and his own hot cares.
Close in the covert of the leaves there stood
A nightingale, come from the neighbouring wood :—
The sweet inhabitant of each glad tree,
Their muse, their Syren, harmless Syren she,—
There stood she list'ning, and did entertain
The music's soft report, and mould the same
In her own murmurs, that what ever mood
His curious fingers lent, her voice made good.
The man preceived his rival, and her art ;
Disposed to give the light-foot lady sport,
Awakes his lute, and 'gainst the fight to come
Informs it, in a sweet
præludium

Of closer strains ; and ere the war begin
He slightly skirmishes on every string,
Charged with a flying touch ; and staightway she
Carves out her dainty voice as readily
Into a thousand sweet distinguish'd tones :
And reckons up in soft divisions
Quick volumes of wild notes, to let him know
By that shrill taste she could do something too.
His nimble hand's instinct then taught each string
A cap'ring cheerfulness ; and made them sing
To their own dance ; now negligently rash
He throws his arm, and with a long-drawn dash
Blends all together, then distinctly trips
From this to that, then, quick returning, skips
And snatches this again, and pauses there.
She measures every measure, everywhere
Meets art with art ; sometimes, as if in doubt—
Not perfect yet, and fearing to be out—
Trails her plain ditty in one long-spun note
Through the sleek passage of her open throat :
A clear unwrinkled song ; then doth she point it
With tender accents, and severely joint it
By short diminutives, that, being rear'd
In controverting warbles evenly shared,
With her sweet self she wrangles ; he, amazed
That from so small a channel should be raised
The torrent of a voice, whose melody
Could melt into such sweet variety,
Strains higher yet, that tickled with rare art
The tattling strings—each breathing in his part—
Most kindly do fall out ; the grumbling base
In surly groans disdains the treble's grace ;
The high-perch'd treble chirps at this, and chides
Until his finger—moderator—hides
And closes the sweet quarrel, rousing all,
Hoarse, shrill, at once : as when the trumpets call
Hot Mars to th' harvest of death's field, and woo
Men's hearts into their hands ; this lesson, too,
She gives him back, her supple breast thrills out
Sharp airs, and staggers in a warbling doubt
Of dallying sweetness, hovers o'er her skill,
And folds in waved notes, with a trembling bill,
The pliant series of her slippery song ;
Then starts she suddenly into a throng
Of short thick sobs, whose thundring volleys float
And roll themselves over her lubric throat
In panting murmurs, 'still'd out of her breast,
That ever-bubbling spring, the sugar'd nest
Of her delicious soul, that there does lie
Bathing in streams of liquid melody,—
Music's best seed-plot ; when in ripen'd airs
A golden-headed harvest fairly rears
His honey-dropping tops, plough'd by her breath,
Which there reciprocally laboureth.
In that sweet soil it seems a holy quire
Founded to th' name of great Apollo's lyre ;
Whose silver roof rings with the sprightly notes
Of sweet-lipp'd angel-imps, that swill their throats
In cream of morning Helicon ; and then
Prefer soft anthems to the ears of men,
To woo them from their beds, still murmuring
That men can sleep while they their matins sing ;—
Most divine service ! whose so early lay
Prevents the eyelids of the blushing day.
There might you hear her kindle her soft voice
In the close murmur of a sparkling noise,
And lay the ground-work of her hopeful song ;
Still keeping in the forward stream so long,
Till a sweet whirlwind, striving to get out,
Heaves her soft bosom, wanders round about,
And makes a pretty earthquake in her breast ;
Till the fledged notes at length forsake their nest,
Fluttering in wanton shoals, and to the sky,
Wing'd with their own wild echos, pratt'ling fly.
She opes the floodgate, and lets loose a tide
Of streaming sweetness, which in state doth ride
On the waved back of every swelling strain,
Rising and falling in a pompous train ;
And while she thus discharges a shrill peal
Of flashing airs, she qualifies their zeal
With the cool epode of a graver note ;
Thus high, thus low, as if her silver throat
Would reach the brazen voice of war's hoarse bird ;
Her little soul is ravish'd : and so pour'd
Into loose ecstasies, that she is placed
Above herself—music's enthusiast !
Shame now and anger mixed a double stain
In the musician's face ; yet once again,
Mistress, I come. Now reach a strain, my lute,
Above her mock, or be for ever mute ;
Or tune a song of victory to me,
Or to thyself sing thine own obsequy !
So said, his hands sprightly as fire he flings,
And with a quivering coyness tastes the strings :
The sweet-lipp'd sisters, musically frighted,
Singing their fears, are fearfully delighted :
Trembling as when Apollo's golden hairs
Are fann'd and frizzled in the wanton airs
Of his own breath, which, married to his lyre,
Doth tune the spheres, and make heaven's self look higher ;
From this to that, from that to this, he flies,
Feels music's pulse in all her arteries ;
Caught in a net which there Apollo spreads,
His fingers struggle with the vocal threads,
Following those little rills, he sinks into
A sea of Helicon : his hand does go
Those parts of sweetness which with nectar drop,
Softer than that which pants in Hebe's cup :
The humourous strings expound his learnèd touch
By various glosses ; now they seem to grutch,
And murmur in a buzzing din, then gingle
In shrill-tongued accents, striving to be single ;
Every smooth turn, every delicious stroke,
Gives life to some new grace : thus doth he invoke
Sweetness by all her names ; thus, bravely thus—
Fraught with a fury so harmonious—
The lute's light Genius now does proudly rise,
Heaved on the surges of swoll'n rhapsodies,
Whose flourish, meteor-like, doth curl the air
With flash of high-born fancies ; here and there
Dancing in lofty measures, and anon
Creeps on the soft touch of a tender tone,
Whose trembling murmurs, melting in wild airs
Runs to and fro, complaining his sweet cares ;
Because those precious mysteries that dwell
In music's ravish'd soul he dare not tell,
But whisper to the world : thus do they vary
Each string his note, as if they meant to carry
Their master's blest soul, snatch'd out at his ears
By a strong ecstacy, through all the spheres
Of music's heaven ; and seat it there on high
In th'
empyræum
of pure harmony.
At length—after so long, so loud a strife
Of all the strings, still breathing the best life
Of blest variety, attending on
His fingers' fairest revolution,
In many a sweet rise, many as sweet a fall—
A full-mouth'd diapason swallows all.
This done, he lists what she would say to this ;
And she, although her breath's late exercise
Had dealt too roughly with her tender throat,
Yet summons all her sweet powers for a note.
Alas, in vain ! for while, sweet soul, she tries
To measure all those wild diversities
Of chatt'ring strings, by the small size of one
Poor simple voice, raised in a natural tone,
She fails ; and failing, grieves ; and grieving, dies ;—
She dies, and leaves her life the victor's prize,
Falling upon his lute. O, fit to have—
That lived so sweetly—dead, so sweet a grave !