Fragment: Love The Universe To-Day

And who feels discord now or sorrow?
Love is the universe to-day--
These are the slaves of dim to-morrow,
Darkening Life's labyrinthine way.

Faint With Love, The Lady Of The South

Faint with love, the Lady of the South
Lay in the paradise of Lebanon
Under a heaven of cedar boughs: the drouth
Of love was on her lips; the light was gone
Out of her eyes--

Fragment: There Is A Warm And Gentle Atmosphere

There is a warm and gentle atmosphere
About the form of one we love, and thus
As in a tender mist our spirits are
Wrapped in the of that which is to us
The health of life’s own life--

I Faint, I Perish With My Love!

I faint, I perish with my love! I grow
Frail as a cloud whose [splendours] pale
Under the evening's ever-changing glow:
I die like mist upon the gale,
And like a wave under the calm I fail

When A Lover Clasps His Fairest

I.
When a lover clasps his fairest,
Then be our dread sport the rarest.
Their caresses were like the chaff
In the tempest, and be our laugh
His despair—her epitaph!

II.
When a mother clasps her child,
Watch till dusty Death has piled
His cold ashes on the clay;
She has loved it many a day--
She remains,—it fades away.

O Mary dear, that you were here
With your brown eyes bright and clear.
And your sweet voice, like a bird
Singing love to its lone mate
In the ivy bower disconsolate;
Voice the sweetest ever heard!
And your brow more...
Than the sky
Of this azure Italy.
Mary dear, come to me soon,
I am not well whilst thou art far;
As sunset to the sphered moon,
As twilight to the western star,
Thou, beloved, art to me.

O Mary dear, that you were here;
The Castle echo whispers 'Here!'

Archy's Song From Charles The First (A Widow Bird Sate Mourning For Her Love)

Heigho! the lark and the owl!
One flies the morning, and one lulls the night:
Only the nightingale, poor fond soul,
Sings like the fool through darkness and light.

'A widow bird sate mourning for her love
Upon a wintry bough;
The frozen wind crept on above,
The freezing stream below.

'There was no leaf upon the forest bare,
No flower upon the ground,
And little motion in the air
Except the mill-wheel's sound.'

From The Greek Of Moschus : Pan Loved His Neighbour Echo

Pan loved his neighbour Echo--but that child
Of Earth and Air pined for the Satyr leaping;
The Satyr loved with wasting madness wild
The bright nymph Lyda,--and so three went weeping.
As Pan loved Echo, Echo loved the Satyr,
The Satyr, Lyda; and so love consumed them.--
And thus to each--which was a woful matter--
To bear what they inflicted Justice doomed them;
For, inasmuch as each might hate the lover,
Each, loving, so was hated.--Ye that love not
Be warned-in thought turn this example over,
That when ye love, the like return ye prove not.

Fragment Of The Elegy On The Death Of Bion

From the Greek of Moschus.

Ye Dorian woods and waves, lament aloud,--
Augment your tide, O streams, with fruitless tears,
For the beloved Bion is no more.
Let every tender herb and plant and flower,
From each dejected bud and drooping bloom,
Shed dews of liquid sorrow, and with breath
Of melancholy sweetness on the wind
Diffuse its languid love; let roses blush,
Anemones grow paler for the loss
Their dells have known; and thou, O hyacinth,
Utter thy legend now--yet more, dumb flower,
Than 'Ah! alas!'--thine is no common grief--
Bion the [sweetest singer] is no more.

Fromthe Arabic: An Imitation

I.
My faint spirit was sitting in the light
Of thy looks, my love;
It panted for thee like the hind at noon
For the brooks, my love.
Thy barb whose hoofs outspeed the tempest's flight
Bore thee far from me;
My heart, for my weak feet were weary soon,
Did companion thee.

II.
Ah! fleeter far than fleetest storm or steed
Or the death they bear,
The heart which tender thought clothes like a dove
With the wings of care;
In the battle, in the darkness, in the need,
Shall mine cling to thee,
Nor claim one smile for all the comfort, love,
It may bring to thee.

I love thee, Baby! for thine own sweet sake;
Those azure eyes, that faintly dimpled cheek,
Thy tender frame, so eloquently weak,
Love in the sternest heart of hate might wake;
But more when o'er thy fitful slumber bending
Thy mother folds thee to her wakeful heart,
Whilst love and pity, in her glances blending,
All that thy passive eyes can feel impart:
More, when some feeble lineaments of her,
Who bore thy weight beneath her spotless bosom,
As with deep love I read thy face, recur,--
More dear art thou, O fair and fragile blossom;
Dearest when most thy tender traits express
The image of thy mother’s loveliness.

Sonnet: Lift Not The Painted Veil Which Those Who Live

Lift not the painted veil which those who live
Call Life: though unreal shapes be pictured there,
And it but mimic all we would believe
With colours idly spread,-behind, lurk Fear
And Hope, twin Destinies; who ever weave
Their shadows, o'er the chasm, sightless and drear.
I knew one who had lifted it-he sought,
For his lost heart was tender, things to love,
But found them not, alas! nor was there aught
The world contains, the which he could approve.
Through the unheeding many he did move,
A splendour among shadows, a bright blot
Upon this gloomy scene, a Spirit that strove
For truth, and like the Preacher found it not.

Lift Not The Painted Veil Which Those Who Live

Lift not the painted veil which those who live
Call Life: though unreal shapes be pictured there,
And it but mimic all we would believe
With colours idly spread,--behind, lurk Fear
And Hope, twin Destinies; who ever weave
Their shadows, o'er the chasm, sightless and drear.
I knew one who had lifted it--he sought,
For his lost heart was tender, things to love,
But found them not, alas! nor was there aught
The world contains, the which he could approve.
Through the unheeding many he did move,
A splendour among shadows, a bright blot
Upon this gloomy scene, a Spirit that strove
For truth, and like the Preacher found it not.

I.
They die--the dead return not--Misery
Sits near an open grave and calls them over,
A Youth with hoary hair and haggard eye--
They are the names of kindred, friend and lover,
Which he so feebly calls—they all are gone--
Fond wretch, all dead! those vacant names alone,
This most familiar scene, my pain--
These tombs—alone remain.

II.
Misery, my sweetest friend—oh, weep no more!
Thou wilt not be consoled—I wonder not!
For I have seen thee from thy dwelling’s door
Watch the calm sunset with them, and this spot
Was even as bright and calm, but transitory,
And now thy hopes are gone, thy hair is hoary;
This most familiar scene, my pain--
These tombs—alone remain.

The Indian Serenade

I arise from dreams of thee
In the first sweet sleep of night,
When the winds are breathing low,
And the stars are shining bright
I arise from dreams of thee,
And a spirit in my feet
Hath led me--who knows how?
To thy chamber window, Sweet!

The wandering airs they faint
On the dark, the silent stream--
The champak odors fail
Like sweet thoughts in a dream;
The nightingale's complaint,
It dies upon her heart;
As I must on thine,
Oh, beloved as thou art!

O lift me from the grass!
die! I faint! I fail!
Let thy love in kisses rain
On my lips and eyelids pale.
My cheek is cold and white, alas!
My heart beats loud and fast;--
Oh! press it to thine own again,
Where it will break at last.

Song For 'Tasso'

I.
I loved—alas! our life is love;
But when we cease to breathe and move
I do suppose love ceases too.
I thought, but not as now I do,
Keen thoughts and bright of linked lore,
Of all that men had thought before.
And all that Nature shows, and more.

II.
And still I love and still I think,
But strangely, for my heart can drink
The dregs of such despair, and live,
And love;...
And if I think, my thoughts come fast,
I mix the present with the past,
And each seems uglier than the last.

III.
Sometimes I see before me flee 15
A silver spirit’s form, like thee,
O Leonora, and I sit
...still watching it,
Till by the grated casement’s ledge
It fades, with such a sigh, as sedge
Breathes o’er the breezy streamlet’s edge.

I Arise From Dreams Of Thee

I arise from dreams of thee
In the first sweet sleep of night,
When the winds are breathing low,
And the stars are shining bright
I arise from dreams of thee,
And a spirit in my feet
Has led me - who knows how? -
To thy chamber-window, sweet!

The wandering airs they faint
On the dark, the silent stream, -
The champak odors fall
Like sweet thoughts in a dream,
The nightingale's complaint,
It dies upon her heart,
As I must die on thine,
O, beloved as thou art!

O, lift me from the grass!
I die, I faint, I fall!
Let thy love in kisses rain
On my lips and eyelids pale,
My cheek is cold and white, alas!
My Heart beats loud and fast
Oh! press it close to thine again,
Where it will break at last!

From The Arabic, An Imitation

MY faint spirit was sitting in the light
   Of thy looks, my love;
   It panted for thee like the hind at noon
   For the brooks, my love.
Thy barb, whose hoofs outspeed the tempest's flight,
   Bore thee far from me;
   My heart, for my weak feet were weary soon,
   Did companion thee.

Ah! fleeter far than fleetest storm or steed,
   Or the death they bear,
   The heart which tender thought clothes like a dove
   With the wings of care;
In the battle, in the darkness, in the need,
   Shall mine cling to thee,
   Nor claim one smile for all the comfort, love,
   It may bring to thee.

Song. Come Harriet! Sweet Is The Hour

Come Harriet! sweet is the hour,
Soft Zephyrs breathe gently around,
The anemone's night-boding flower,
Has sunk its pale head on the ground.

'Tis thus the world's keenness hath torn,
Some mild heart that expands to its blast,
'Tis thus that the wretched forlorn,
Sinks poor and neglected at last.--

The world with its keenness and woe,
Has no charms or attraction for me,
Its unkindness with grief has laid low,
The heart which is faithful to thee.
The high trees that wave past the moon,
As I walk in their umbrage with you,
All declare I must part with you soon,
All bid you a tender adieu!--

Then Harriet! dearest farewell,
You and I love, may ne’er meet again;
These woods and these meadows can tell
How soft and how sweet was the strain.--

APRIL, 1810.

Song. Translated From The German

Ah! grasp the dire dagger and couch the fell spear,
If vengeance and death to thy bosom be dear,
The dastard shall perish, death’s torment shall prove,
For fate and revenge are decreed from above.

Ah! where is the hero, whose nerves strung by youth,
Will defend the firm cause of justice and truth;
With insatiate desire whose bosom shall swell,
To give up the oppressor to judgement and Hell--

For him shall the fair one twine chaplets of bays,
To him shall each warrior give merited praise,
And triumphant returned from the clangour of arms,
He shall find his reward in his loved maiden's charms.

In ecstatic confusion the warrior shall sip,
The kisses that glow on his love's dewy lip,
And mutual, eternal, embraces shall prove,
The rewards of the brave are the transports of love.

OCTOBER, 1809.

Song. To [harriet]

Ah! sweet is the moonbeam that sleeps on yon fountain,
And sweet the mild rush of the soft-sighing breeze,
And sweet is the glimpse of yon dimly-seen mountain,
'Neath the verdant arcades of yon shadowy trees.

But sweeter than all was thy tone of affection,
Which scarce seemed to break on the stillness of eve,
Though the time it is past!--yet the dear recollection,
For aye in the heart of thy [Percy] must live.

Yet he hears thy dear voice in the summer winds sighing,
Mild accents of happiness lisp in his ear,
When the hope-winged moments athwart him are flying,
And he thinks of the friend to his bosom so dear.--

And thou dearest friend in his bosom for ever
Must reign unalloyed by the fast rolling year,
He loves thee, and dearest one never, Oh! never
Canst thou cease to be loved by a heart so sincere.

AUGUST, 1810.

Why is it said thou canst not live
In a youthful breast and fair,
Since thou eternal life canst give,
Canst bloom for ever there?
Since withering pain no power possessed,
Nor age, to blanch thy vermeil hue,
Nor time's dread victor, death, confessed,
Though bathed with his poison dew,
Still thou retain'st unchanging bloom,
Fixed tranquil, even in the tomb.
And oh! when on the blest, reviving,
The day-star dawns of love,
Each energy of soul surviving
More vivid, soars above,
Hast thou ne'er felt a rapturous thrill,
Like June's warm breath, athwart thee fly,
O'er each idea then to steal,
When other passions die?
Felt it in some wild noonday dream,
When sitting by the lonely stream,
Where Silence says, 'Mine is the dell';
And not a murmur from the plain,
And not an echo from the fell,
Disputes her silent reign.

Song. To -- [harriet]

Stern, stern is the voice of fate's fearful command,
When accents of horror it breathes in our ear,
Or compels us for aye bid adieu to the land,
Where exists that loved friend to our bosom so dear,

'Tis sterner than death o’er the shuddering wretch bending,
And in skeleton grasp his fell sceptre extending,
Like the heart-stricken deer to that loved covert wending,
Which never again to his eyes may appear--

And ah! he may envy the heart-stricken quarry,
Who bids to the friend of affection farewell,
He may envy the bosom so bleeding and gory,
He may envy the sound of the drear passing knell,

Not so deep is his grief on his death couch reposing,
When on the last vision his dim eyes are closing!
As the outcast whose love-raptured senses are losing,
The last tones of thy voice on the wild breeze that swell!

Those tones were so soft, and so sad, that ah! never,
Can the sound cease to vibrate on Memory’s ear,
In the stern wreck of Nature for ever and ever,
The remembrance must live of a friend so sincere.

AUGUST, 1810.

When The Lamp Is Shattered

When the lamp is shattered,
The light in the dust lies dead;
When the cloud is scattered,
The rainbow's glory is shed;
When the lute is broken,
Sweet tones are remembered not;
When the lips have spoken,
Loved accents are soon forgot.

As music and splendor
Survive not the lamp and the lute,
The heart's echoes render
No song when the spirit is mute:--
No song but sad dirges,
Like the wind through a ruined cell,
Or the mournful surges
That ring the dead seaman's knell.

When hearts have once mingled,
Love first leaves the well-built nest;
The weak one is singled
To endure what it once possessed.
O Love! who bewailest
The frailty of all things here,
Why choose you the frailest
For your cradle, your home, and your bier?

Its passions will rock thee,
As the storms rock the ravens on high;
Bright reason will mock thee,
Like the sun from a wintry sky.
From thy nest every rafter
Will rot, and thine eagle home
Leave thee naked to laughter,
When leaves fall and cold winds come.

The Drowned Lover

I.
Ah! faint are her limbs, and her footstep is weary,
Yet far must the desolate wanderer roam;
Though the tempest is stern, and the mountain is dreary,
She must quit at deep midnight her pitiless home.
I see her swift foot dash the dew from the whortle,
As she rapidly hastes to the green grove of myrtle;
And I hear, as she wraps round her figure the kirtle,
'Stay thy boat on the lake,--dearest Henry, I come.'

II.
High swelled in her bosom the throb of affection,
As lightly her form bounded over the lea,
And arose in her mind every dear recollection;
'I come, dearest Henry, and wait but for thee.'
How sad, when dear hope every sorrow is soothing,
When sympathy's swell the soft bosom is moving,
And the mind the mild joys of affection is proving,
Is the stern voice of fate that bids happiness flee!

III.
Oh! dark lowered the clouds on that horrible eve,
And the moon dimly gleamed through the tempested air;
Oh! how could fond visions such softness deceive?
Oh! how could false hope rend, a bosom so fair?
Thy love's pallid corse the wild surges are laving,
O'er his form the fierce swell of the tempest is raving;
But, fear not, parting spirit; thy goodness is saving,
In eternity's bowers, a seat for thee there.

WHEN the lamp is shatter'd,
The light in the dust lies dead;
   When the cloud is scatter'd,
The rainbow's glory is shed;
   When the lute is broken,
Sweet tones are remember'd not
   When the lips have spoken,
Loved accents are soon forgot.

   As music and splendour
Survive not the lamp and the lute,
   The heart's echoes render
No song when the spirit is mute--
   No song but sad dirges,
Like the wind through a ruin'd cell,
   Or the mournful surges
That ring the dead seaman's knell.

   When hearts have once mingled,
Love first leaves the well-built nest;
   The weak one is singled
To endure what it once possest.
   O Love, who bewailest
The frailty of all things here,
   Why choose you the frailest
For your cradle, your home, and your bier?

   Its passions will rock thee,
As the storms rock the ravens on high:
   Bright reason will mock thee,
Like the sun from a wintry sky.
   From thy nest every rafter
Will rot, and thine eagle home
   Leave thee naked to laughter,
When leaves fall and cold winds come.

To-- Oh! There Are Spirits Of The Air

Dakrysi Dioisw Potmon Apotmon

Oh! there are spirits of the air,
And genii of the evening breeze,
And gentle ghosts, with eyes as fair
As star-beams among twilight trees:—
Such lovely ministers to meet
Oft hast thou turned from men thy lonely feet.

With mountain winds, and babbling springs,
And moonlight seas, that are the voice
Of these inexplicable things,
Thou didst hold commune, and rejoice
When they did answer thee; but they
Cast, like a worthless boon, thy love away.

And thou hast sought in starry eyes
Beams that were never meant for thine,
Another’s wealth:—tame sacrifice
To a fond faith! still dost thou pine?
Still dost thou hope that greeting hands,
Voice, looks, or lips, may answer thy demands?

Ah! wherefore didst thou build thine hope
On the false earth’s inconstancy?
Did thine own mind afford no scope
Of love, or moving thoughts to thee?
That natural scenes or human smiles
Could steal the power to wind thee in their wiles?

Yes, all the faithless smiles are fled
Whose falsehood left thee broken-hearted;
The glory of the moon is dead;
Night’s ghosts and dreams have now departed;
Thine own soul still is true to thee,
But changed to a foul fiend through misery.

This fiend, whose ghastly presence ever
Beside thee like thy shadow hangs,
Dream not to chase;—the mad endeavour
Would scourge thee to severer pangs.
Be as thou art. Thy settled fate,
Dark as it is, all change would aggravate.

Oh! there are spirits of the air,
And genii of the evening breeze,
And gentle ghosts, with eyes as fair
As star-beams among twilight trees:
Such lovely ministers to meet
Oft hast thou turned from men thy lonely feet.

With mountain winds, and babbling springs,
And moonlight seas, that are the voice
Of these inexplicable things,
Thou dost hold commune, and rejoice
When they did answer thee, but they
Cast, like a worthless boon, thy love away.

And thou hast sought in starry eyes
Beams that were never meant for thine,
Another's wealth: tame sacrifice
To a fond faith ! still dost thou pine?
Still dost thou hope that greeting hands,
Voice, looks, or lips, may answer thy demands?

Ah! wherefore didst thou build thine hope
On the false earth's inconstancy?
Did thine own mind afford no scope
Of love, or moving thoughts to thee?
That natural scenes or human smiles
Could steal the power to wind thee in their wiles?

Yes, all the faithless smiles are fled
Whose falsehood left thee broken-hearted;
The glory of the moon is dead;
Night's ghosts and dreams have now departed;
Thine own soul still is true to thee,
But changed to a foul fiend through misery.

This fiend, whose ghastly presence ever
Beside thee like thy shadow hangs,
Dream not to chase: the mad endeavour
Would scourge thee to severer pangs.
Be as thou art. Thy settled fate,
Dark as it is, all change would aggravate.

I.
The waters are flashing,
The white hail is dashing,
The lightnings are glancing,
The hoar-spray is dancing—
Away!

The whirlwind is rolling,
The thunder is tolling,
The forest is swinging,
The minster bells ringing--
Come away!

The Earth is like Ocean,
Wreck-strewn and in motion:
Bird, beast, man and worm
Have crept out of the storm--
Come away!

II.
'Our boat has one sail
And the helmsman is pale;--
A bold pilot I trow,
Who should follow us now,'--
Shouted he--

And she cried: 'Ply the oar!
Put off gaily from shore!'--
As she spoke, bolts of death
Mixed with hail, specked their path
O’er the sea.

And from isle, tower and rock,
The blue beacon-cloud broke,
And though dumb in the blast,
The red cannon flashed fast
From the lee.

III.
And 'Fear'st thou?' and 'Fear'st thou?'
And Seest thou?' and 'Hear'st thou?'
And 'Drive we not free
O'er the terrible sea,
I and thou?'

One boat-cloak did cover
The loved and the lover--
Their blood beats one measure,
They murmur proud pleasure
Soft and low;--

While around the lashed Ocean,
Like mountains in motion,
Is withdrawn and uplifted,
Sunk, shattered and shifted
To and fro.

IV.
In the court of the fortress
Beside the pale portress,
Like a bloodhound well beaten
The bridegroom stands, eaten
By shame;

On the topmost watch-turret,
As a death-boding spirit
Stands the gray tyrant father,
To his voice the mad weather
Seems tame;

And with curses as wild
As e’er clung to child,
He devotes to the blast,
The best, loveliest and last
Of his name!

Love, Hope, Desire, And Fear

...
And many there were hurt by that strong boy,
His name, they said, was Pleasure,
And near him stood, glorious beyond measure
Four Ladies who possess all empery
In earth and air and sea,
Nothing that lives from their award is free.
Their names will I declare to thee,
Love, Hope, Desire, and Fear,
And they the regents are
Of the four elements that frame the heart,
And each diversely exercised her art
By force or circumstance or sleight
To prove her dreadful might
Upon that poor domain.
Desire presented her [false] glass, and then
The spirit dwelling there
Was spellbound to embrace what seemed so fair
Within that magic mirror,
And dazed by that bright error,
It would have scorned the [shafts] of the avenger
And death, and penitence, and danger,
Had not then silent Fear
Touched with her palsying spear,
So that as if a frozen torrent
The blood was curdled in its current;
It dared not speak, even in look or motion,
But chained within itself its proud devotion.
Between Desire and Fear thou wert
A wretched thing, poor heart!
Sad was his life who bore thee in his breast,
Wild bird for that weak nest.
Till Love even from fierce Desire it bought,
And from the very wound of tender thought
Drew solace, and the pity of sweet eyes
Gave strength to bear those gentle agonies,
Surmount the loss, the terror, and the sorrow.
Then Hope approached, she who can borrow
For poor to-day, from rich tomorrow,
And Fear withdrew, as night when day
Descends upon the orient ray,
And after long and vain endurance
The poor heart woke to her assurance.
—At one birth these four were born
With the world’s forgotten morn,
And from Pleasure still they hold
All it circles, as of old.
When, as summer lures the swallow,
Pleasure lures the heart to follow--
O weak heart of little wit!
The fair hand that wounded it,
Seeking, like a panting hare,
Refuge in the lynx’s lair,
Love, Desire, Hope, and Fear,
Ever will be near.

DEATH:
For my dagger is bathed in the blood of the brave,
I come, care-worn tenant of life, from the grave,
Where Innocence sleeps 'neath the peace-giving sod,
And the good cease to tremble at Tyranny's nod;
I offer a calm habitation to thee,--
Say, victim of grief, wilt thou slumber with me?
My mansion is damp, cold silence is there,
But it lulls in oblivion the fiends of despair;
Not a groan of regret, not a sigh, not a breath,
Dares dispute with grim Silence the empire of Death.
I offer a calm habitation to thee,--
Say, victim of grief, wilt thou slumber with me?

MORTAL:
Mine eyelids are heavy; my soul seeks repose,
It longs in thy cells to embosom its woes,
It longs in thy cells to deposit its load,
Where no longer the scorpions of Perfidy goad,--
Where the phantoms of Prejudice vanish away,
And Bigotry's bloodhounds lose scent of their prey.
Yet tell me, dark Death, when thine empire is o'er,
What awaits on Futurity's mist-covered shore?

DEATH:
Cease, cease, wayward Mortal! I dare not unveil
The shadows that float o'er Eternity's vale;
Nought waits for the good but a spirit of Love,
That will hail their blest advent to regions above.
For Love, Mortal, gleams through the gloom of my sway,
And the shades which surround me fly fast at its ray.
Hast thou loved?--Then depart from these regions of hate,
And in slumber with me blunt the arrows of fate.
I offer a calm habitation to thee.--
Say, victim of grief, wilt thou slumber with me?

MORTAL:
Oh! sweet is thy slumber! oh! sweet is the ray
Which after thy night introduces the day;
How concealed, how persuasive, self-interest’s breath,
Though it floats to mine ear from the bosom of Death!
I hoped that I quite was forgotten by all,
Yet a lingering friend might be grieved at my fall,
And duty forbids, though I languish to die,
When departure might heave Virtue’s breast with a sigh.
O Death! O my friend! snatch this form to thy shrine,
And I fear, dear destroyer, I shall not repine.

There late was One within whose subtle being,
As light and wind within some delicate cloud
That fades amid the blue noon's burning sky,
Genius and death contended. None may know
The sweetness of the joy which made his breath
Fail, like the trances of the summer air,
When, with the Lady of his love, who then
First knew the unreserve of mingled being,
He walked along the pathway of a field
Which to the east a hoar wood shadowed o'er,
But to the west was open to the sky.
There now the sun had sunk, but lines of gold
Hung on the ashen clouds, and on the points
Of the far level grass and nodding flowers
And the old dandelion's hoary beard,
And, mingled with the shades of twilight, lay
On the brown massy woods -- and in the east
The broad and burning moon lingeringly rose
Between the black trunks of the crowded trees,
While the faint stars were gathering overhead--
'Is it not strange, Isabel,' said the youth,
'I never saw the sun? We will walk here
To-morrow; thou shalt look on it with me.'

That night the youth and lady mingled lay
In love and sleep--but when the morning came
The lady found her lover dead and cold.
Let none believe that God in mercy gave
That stroke. The lady died not, nor grew wild,
But year by year lived on--in truth I think
Her gentleness and patience and sad smiles,
And that she did not die, but lived to tend
Her agèd father, were a kind of madness,
If madness 'tis to be unlike the world.
For but to see her were to read the tale
Woven by some subtlest bard, to make hard hearts
Dissolve away in wisdom-working grief;--
Her eyes were black and lustreless and wan:
Her eyelashes were worn away with tears,
Her lips and cheeks were like things dead--so pale;
Her hands were thin, and through their wandering veins
And weak articulations might be seen
Day's ruddy light. The tomb of thy dead self
Which one vexed ghost inhabits, night and day,
Is all, lost child, that now remains of thee!

'Inheritor of more than earth can give,
Passionless calm and silence unreproved,
Whether the dead find, oh, not sleep! but rest,
And are the uncomplaining things they seem,
Or live, or drop in the deep sea of Love;
Oh, that like thine, mine epitaph were-- Peace!'
This was the only moan she ever made.

Homer's Hymn To Venus

Muse, sing the deeds of golden Aphrodite,
Who wakens with her smile the lulled delight
Of sweet desire, taming the eternal kings
Of Heaven, and men, and all the living things
That fleet along the air, or whom the sea,
Or earth, with her maternal ministry,
Nourish innumerable, thy delight
All seek ... O crowned Aphrodite!
Three spirits canst thou not deceive or quell:--
Minerva, child of Jove, who loves too well
Fierce war and mingling combat, and the fame
Of glorious deeds, to heed thy gentle flame.
Diana ... golden-shafted queen,
Is tamed not by thy smiles; the shadows green
Of the wild woods, the bow, the...
And piercing cries amid the swift pursuit
Of beasts among waste mountains,--such delight
Is hers, and men who know and do the right.
Nor Saturn’s first-born daughter, Vesta chaste,
Whom Neptune and Apollo wooed the last,
Such was the will of aegis-bearing Jove;
But sternly she refused the ills of Love,
And by her mighty Father’s head she swore
An oath not unperformed, that evermore
A virgin she would live mid deities
Divine: her father, for such gentle ties
Renounced, gave glorious gifts--thus in his hall
She sits and feeds luxuriously. O’er all
In every fane, her honours first arise
From men--the eldest of Divinities.

These spirits she persuades not, nor deceives,
But none beside escape, so well she weaves
Her unseen toils; nor mortal men, nor gods
Who live secure in their unseen abodes.
She won the soul of him whose fierce delight
Is thunder--first in glory and in might.
And, as she willed, his mighty mind deceiving,
With mortal limbs his deathless limbs inweaving,
Concealed him from his spouse and sister fair,
Whom to wise Saturn ancient Rhea bare.
but in return,
In Venus Jove did soft desire awaken,
That by her own enchantments overtaken,
She might, no more from human union free,
Burn for a nursling of mortality.
For once amid the assembled Deities,
The laughter-loving Venus from her eyes

Shot forth the light of a soft starlight smile,
And boasting said, that she, secure the while,
Could bring at Will to the assembled Gods
The mortal tenants of earth’s dark abodes,
And mortal offspring from a deathless stem
She could produce in scorn and spite of them.
Therefore he poured desire into her breast
Of young Anchises,
Feeding his herds among the mossy fountains
Of the wide Ida’s many-folded mountains,--
Whom Venus saw, and loved, and the love clung
Like wasting fire her senses wild among.

To Jane: The Recollection

I.
Now the last day of many days,
All beautiful and bright as thou,
The loveliest and the last, is dead,
Rise, Memory, and write its praise!
Up,--to thy wonted work! come, trace
The epitaph of glory fled,--
For now the Earth has changed its face,
A frown is on the Heaven’s brow.

II.
We wandered to the Pine Forest
That skirts the Ocean’s foam,
The lightest wind was in its nest,
The tempest in its home.
The whispering waves were half asleep,
The clouds were gone to play,
And on the bosom of the deep
The smile of Heaven lay;
It seemed as if the hour were one
Sent from beyond the skies,
Which scattered from above the sun
A light of Paradise.

III.
We paused amid the pines that stood
The giants of the waste,
Tortured by storms to shapes as rude
As serpents interlaced;
And, soothed by every azure breath,
That under Heaven is blown,
To harmonies and hues beneath,
As tender as its own,
Now all the tree-tops lay asleep,
Like green waves on the sea,
As still as in the silent deep
The ocean woods may be.

IV.
How calm it was!—the silence there
By such a chain was bound
That even the busy woodpecker
Made stiller by her sound
The inviolable quietness;
The breath of peace we drew
With its soft motion made not less
The calm that round us grew.
There seemed from the remotest seat
Of the white mountain waste,
To the soft flower beneath our feet,
A magic circle traced,--
A spirit interfused around
A thrilling, silent life,--
To momentary peace it bound
Our mortal nature’s strife;
And still I felt the centre of
The magic circle there
Was one fair form that filled with love
The lifeless atmosphere.

V.
We paused beside the pools that lie
Under the forest bough,--
Each seemed as ’twere a little sky
Gulfed in a world below;
A firmament of purple light
Which in the dark earth lay,
More boundless than the depth of night,
And purer than the day--
In which the lovely forests grew,
As in the upper air,
More perfect both in shape and hue
Than any spreading there.
There lay the glade and neighbouring lawn,
And through the dark green wood
The white sun twinkling like the dawn
Out of a speckled cloud.
Sweet views which in our world above
Can never well be seen,
Were imaged by the water’s love
Of that fair forest green.
And all was interfused beneath
With an Elysian glow,
An atmosphere without a breath,
A softer day below.
Like one beloved the scene had lent
To the dark water’s breast,
Its every leaf and lineament
With more than truth expressed;
Until an envious wind crept by,
Like an unwelcome thought,
Which from the mind’s too faithful eye
Blots one dear image out.
Though thou art ever fair and kind,
The forests ever green,
Less oft is peace in Shelley’s mind,
Than calm in waters, seen.

With A Guitar, To Jane

Ariel to Miranda:-- Take
This slave of music, for the sake
Of him who is the slave of thee;
And teach it all the harmony
In which thou canst, and only thou,
Make the delighted spirit glow,
Till joy denies itself again
And, too intense, is turned to pain.
For by permission and command
Of thine own Prince Ferdinand,
Poor Ariel sends this silent token
Of more than ever can be spoken;
Your guardian spirit, Ariel, who
From life to life must still pursue
Your happiness,-- for thus alone
Can Ariel ever find his own.
From Prospero's enchanted cell,
As the mighty verses tell,
To the throne of Naples he
Lit you o'er the trackless sea,
Flitting on, your prow before,
Like a living meteor.
When you die, the silent Moon
In her interlunar swoon
Is not sadder in her cell
Than deserted Ariel.
When you live again on earth,
Like an unseen Star of birth
Ariel guides you o'er the sea
Of life from your nativity.
Many changes have been run
Since Ferdinand and you begun
Your course of love, and Ariel still
Has tracked your steps and served your will.
Now in humbler, happier lot,
This is all remembered not;
And now, alas! the poor sprite is
Imprisoned for some fault of his
In a body like a grave -
From you he only dares to crave,
For his service and his sorrow,
A smile today, a song tomorrow.

The artist who this idol wrought
To echo all harmonious thought,
Felled a tree, while on the steep
The woods were in their winter sleep,
Rocked in that repose divine
On the wind-swept Apennine;
And dreaming, some of Autumn past,
And some of Spring approaching fast,
And some of April buds and showers,
And some of songs in July bowers,
And all of love; and so this tree,--
O that such our death may be!--
Died in sleep, and felt no pain,
To live in happier form again:
From which, beneath Heaven's fairest star,
The artist wrought this loved Guitar;
And taught it justly to reply
To all who question skilfully
In language gentle as thine own;
Whispering in enamoured tone
Sweet oracles of woods and dells,
And summer winds in sylvan cells;
- For it had learnt all harmonies
Of the plains and of the skies,
Of the forests and the mountains,
And the many-voiced fountains;
The clearest echoes of the hills,
The softest notes of falling rills,
The melodies of birds and bees,
The murmuring of summer seas,
And pattering rain, and breathing dew,
And airs of evening; and it knew
That seldom-heard mysterious sound
Which, driven on its diurnal round,
As it floats through boundless day,
Our world enkindles on its way:
- All this it knows, but will not tell
To those who cannot question well
The Spirit that inhabits it;
It talks according to the wit
Of its companions; and no more
Is heard than has been felt before
By those who tempt it to betray
These secrets of an elder day.
But, sweetly as its answers will
Flatter hands of perfect skill,
It keeps its highest holiest tone
For one beloved Friend alone.

To The Lord Chancellor

I.
Thy country's curse is on thee, darkest crest
Of that foul, knotted, many-headed worm
Which rends our Mother’s bosom—Priestly Pest!
Masked Resurrection of a buried Form!

II.
Thy country's curse is on thee! Justice sold,
Truth trampled, Nature’s landmarks overthrown,
And heaps of fraud-accumulated gold,
Plead, loud as thunder, at Destruction's throne.

III.
And whilst that sure slow Angel which aye stands
Watching the beck of Mutability
Delays to execute her high commands,
And, though a nation weeps, spares thine and thee,

IV.
Oh, let a father's curse be on thy soul,
And let a daughter's hope be on thy tomb;
Be both, on thy gray head, a leaden cowl
To weigh thee down to thine approaching doom.

V.
I curse thee by a parent's outraged love,
By hopes long cherished and too lately lost,
By gentle feelings thou couldst never prove,
By griefs which thy stern nature never crossed;

VI.
By those infantine smiles of happy light,
Which were a fire within a stranger's hearth,
Quenched even when kindled, in untimely night
Hiding the promise of a lovely birth:

VII.
By those unpractised accents of young speech,
Which he who is a father thought to frame
To gentlest lore, such as the wisest teach--
THOU strike the lyre of mind!--oh, grief and shame!

VIII.
By all the happy see in children's growth--
That undeveloped flower of budding years--
Sweetness and sadness interwoven both,
Source of the sweetest hopes and saddest fears--

IX.
By all the days, under an hireling's care,
Of dull constraint and bitter heaviness,--
O wretched ye if ever any were,--
Sadder than orphans, yet not fatherless!

X.
By the false cant which on their innocent lips
Must hang like poison on an opening bloom,
By the dark creeds which cover with eclipse
Their pathway from the cradle to the tomb--

XI.
By thy most impious Hell, and all its terror;
By all the grief, the madness, and the guilt
Of thine impostures, which must be their error--
That sand on which thy crumbling power is built--

XII.
By thy complicity with lust and hate--
Thy thirst for tears—thy hunger after gold--
The ready frauds which ever on thee wait--
The servile arts in which thou hast grown old--

XIII.
By thy most killing sneer, and by thy smile--
By all the arts and snares of thy black den,
And—for thou canst outweep the crocodile--
By thy false tears—those millstones braining men--

XIV.
By all the hate which checks a father's love--
By all the scorn which kills a fathe's care--
By those most impious hands which dared remove
Nature’s high bounds--by thee--and by despair--

XV.
Yes, the despair which bids a father groan,
And cry, 'My children are no longer mine--
The blood within those veins may be mine own,
But--Tyrant--their polluted souls are thine;— 60

XVI.
I curse thee--though I hate thee not.--O slave!
If thou couldst quench the earth-consuming Hell
Of which thou art a daemon, on thy grave
This curse should be a blessing. Fare thee well!

'Ah! quit me not yet, for the wind whistles shrill,
Its blast wanders mournfully over the hill,
The thunder’s wild voice rattles madly above,
You will not then, cannot then, leave me my love.'--

I must dearest Agnes, the night is far gone--
I must wander this evening to Strasburg alone,
I must seek the drear tomb of my ancestors’ bones,
And must dig their remains from beneath the cold stones.

'For the spirit of Conrad there meets me this night,
And we quit not the tomb 'till dawn of the light,
And Conrad's been dead just a month and a day!
So farewell dearest Agnes for I must away,—

'He bid me bring with me what most I held dear,
Or a month from that time should I lie on my bier,
And I'd sooner resign this false fluttering breath,
Than my Agnes should dread either danger or death,

'And I love you to madness my Agnes I love,
My constant affection this night will I prove,
This night will I go to the sepulchre's jaw
Alone will I glut its all conquering maw'--

'No! no loved Adolphus thy Agnes will share,
In the tomb all the dangers that wait for you there,
I fear not the spirit,--I fear not the grave,
My dearest Adolphus I’d perish to save'--

'Nay seek not to say that thy love shall not go,
But spare me those ages of horror and woe,
For I swear to thee here that I'll perish ere day,
If you go unattended by Agnes away'--

The night it was bleak the fierce storm raged around,
The lightning's blue fire-light flashed on the ground,
Strange forms seemed to flit,--and howl tidings of fate,
As Agnes advanced to the sepulchre gate.--

The youth struck the portal,--the echoing sound
Was fearfully rolled midst the tombstones around,
The blue lightning gleamed o’er the dark chapel spire,
And tinged were the storm clouds with sulphurous fire.

Still they gazed on the tombstone where Conrad reclined,
Yet they shrank at the cold chilling blast of the wind,
When a strange silver brilliance pervaded the scene,
And a figure advanced—tall in form—fierce in mien.

A mantle encircled his shadowy form,
As light as a gossamer borne on the storm,
Celestial terror sat throned in his gaze,
Like the midnight pestiferous meteor’s blaze.—

SPIRIT:
Thy father, Adolphus! was false, false as hell,
And Conrad has cause to remember it well,
He ruined my Mother, despised me his son,
I quitted the world ere my vengeance was done.

I was nearly expiring--'twas close of the day,--
A demon advanced to the bed where I lay,
He gave me the power from whence I was hurled,
To return to revenge, to return to the world,--

Now Adolphus I'll seize thy best loved in my arms,
I'll drag her to Hades all blooming in charms,
On the black whirlwind’s thundering pinion I'll ride,
And fierce yelling fiends shall exult o'er thy bride--

He spoke, and extending his ghastly arms wide,
Majestic advanced with a swift noiseless stride,
He clasped the fair Agnes—he raised her on high,
And cleaving the roof sped his way to the sky--

All was now silent,--and over the tomb,
Thicker, deeper, was swiftly extended a gloom,
Adolphus in horror sank down on the stone,
And his fleeting soul fled with a harrowing groan.

DECEMBER, 1809

The season was the childhood of sweet June,
Whose sunny hours from morning until noon
Went creeping through the day with silent feet,
Each with its load of pleasure; slow yet sweet;
Like the long years of blest Eternity
Never to be developed. Joy to thee,
Fiordispina and thy Cosimo,
For thou the wonders of the depth canst know
Of this unfathomable flood of hours,
Sparkling beneath the heaven which embowers--

...

They were two cousins, almost like to twins,
Except that from the catalogue of sins
Nature had rased their love—which could not be
But by dissevering their nativity.
And so they grew together like two flowers
Upon one stem, which the same beams and showers
Lull or awaken in their purple prime,
Which the same hand will gather—the same clime
Shake with decay. This fair day smiles to see
All those who love—and who e’er loved like thee,
Fiordispina? Scarcely Cosimo,
Within whose bosom and whose brain now glow
The ardours of a vision which obscure
The very idol of its portraiture.
He faints, dissolved into a sea of love;
But thou art as a planet sphered above;
But thou art Love itself—ruling the motion
Of his subjected spirit: such emotion
Must end in sin and sorrow, if sweet May
Had not brought forth this morn—your wedding-day.

...

‘Lie there; sleep awhile in your own dew,
Ye faint-eyed children of the ... Hours,’
Fiordispina said, and threw the flowers
Which she had from the breathing--

...

A table near of polished porphyry.
They seemed to wear a beauty from the eye
That looked on them—a fragrance from the touch
Whose warmth ... checked their life; a light such
As sleepers wear, lulled by the voice they love, which did reprove
The childish pity that she felt for them,
And a ... remorse that from their stem
She had divided such fair shapes ... made
A feeling in the ... which was a shade
Of gentle beauty on the flowers: there lay
All gems that make the earth’s dark bosom gay.
... rods of myrtle-buds and lemon-blooms,
And that leaf tinted lightly which assumes
The livery of unremembered snow--
Violets whose eyes have drunk--

...

Fiordispina and her nurse are now
Upon the steps of the high portico,
Under the withered arm of Media
She flings her glowing arm

...

... step by step and stair by stair,
That withered woman, gray and white and brown--
More like a trunk by lichens overgrown
Than anything which once could have been human.
And ever as she goes the palsied woman

...

'How slow and painfully you seem to walk,
Poor Media! you tire yourself with talk.'
‘And well it may,
Fiordispina, dearest—well-a-day!
You are hastening to a marriage-bed;
I to the grave!’—‘And if my love were dead,
Unless my heart deceives me, I would lie
Beside him in my shroud as willingly
As now in the gay night-dress Lilla wrought.'
'Fie, child! Let that unseasonable thought
Not be remembered till it snows in June;
Such fancies are a music out of tune
With the sweet dance your heart must keep to-night.
What! would you take all beauty and delight
Back to the Paradise from which you sprung,
And leave to grosser mortals?--
And say, sweet lamb, would you not learn the sweet
And subtle mystery by which spirits meet?
Who knows whether the loving game is played,
When, once of mortal [vesture] disarrayed,
The naked soul goes wandering here and there
Through the wide deserts of Elysian air?
The violet dies not till it’--

The Pine Forest Of The Cascine Near Pisa

Dearest, best and brightest,
Come away,
To the woods and to the fields!
Dearer than this fairest day
Which, like thee to those in sorrow,
Comes to bid a sweet good-morrow
To the rough Year just awake
In its cradle in the brake.
The eldest of the Hours of Spring,
Into the Winter wandering,
Looks upon the leafless wood,
And the banks all bare and rude;
Found, it seems, this halcyon Morn
In February’s bosom born,
Bending from Heaven, in azure mirth,
Kissed the cold forehead of the Earth,
And smiled upon the silent sea,
And bade the frozen streams be free;
And waked to music all the fountains,
And breathed upon the rigid mountains,
And made the wintry world appear
Like one on whom thou smilest, Dear.

Radiant Sister of the Day,
Awake! arise! and come away!
To the wild woods and the plains,
To the pools where winter rains
Image all the roof of leaves,
Where the pine its garland weaves
Sapless, gray, and ivy dun
Round stems that never kiss the sun--
To the sandhills of the sea,
Where the earliest violets be.

Now the last day of many days,
All beautiful and bright as thou,
The loveliest and the last, is dead,
Rise, Memory, and write its praise!
And do thy wonted work and trace
The epitaph of glory fled;
For now the Earth has changed its face,
A frown is on the Heaven’s brow.

We wandered to the Pine Forest
That skirts the Ocean's foam,
The lightest wind was in its nest,
The tempest in its home.

The whispering waves were half asleep,
The clouds were gone to play,
And on the woods, and on the deep
The smile of Heaven lay.

It seemed as if the day were one
Sent from beyond the skies,
Which shed to earth above the sun
A light of Paradise.

We paused amid the pines that stood,
The giants of the waste,
Tortured by storms to shapes as rude
With stems like serpents interlaced.

How calm it was--the silence there
By such a chain was bound,
That even the busy woodpecker
Made stiller by her sound

The inviolable quietness;
The breath of peace we drew
With its soft motion made not less
The calm that round us grew.

It seemed that from the remotest seat
Of the white mountain's waste
To the bright flower beneath our feet,
A magic circle traced;--

A spirit interfused around,
A thinking, silent life;
To momentary peace it bound
Our mortal nature’s strife;--

And still, it seemed, the centre of
The magic circle there,
Was one whose being filled with love
The breathless atmosphere.

Were not the crocuses that grew
Under that ilex-tree
As beautiful in scent and hue
As ever fed the bee?

We stood beneath the pools that lie
Under the forest bough,
And each seemed like a sky
Gulfed in a world below;

A purple firmament of light
Which in the dark earth lay,
More boundless than the depth of night,
And clearer than the day—

In which the massy forests grew
As in the upper air,
More perfect both in shape and hue
Than any waving there.

Like one beloved the scene had lent
To the dark water's breast
Its every leaf and lineament
With that clear truth expressed;

There lay far glades and neighbouring lawn,
And through the dark green crowd
The white sun twinkling like the dawn
Under a speckled cloud.

Sweet views, which in our world above
Can never well be seen,
Were imaged by the water's love
Of that fair forest green.

And all was interfused beneath
With an Elysian air,
An atmosphere without a breath,
A silence sleeping there.

Until a wandering wind crept by,
Like an unwelcome thought,
Which from my mind's too faithful eye
Blots thy bright image out.

For thou art good and dear and kind,
The forest ever green,
But less of peace in S---'s mind,
Than calm in waters, seen.

A:
Not far from hence. From yonder pointed hill,
Crowned with a ring of oaks, you may behold
A dark and barren field, through which there flows,
Sluggish and black, a deep but narrow stream,
Which the wind ripples not, and the fair moon
Gazes in vain, and finds no mirror there.
Follow the herbless banks of that strange brook
Until you pause beside a darksome pond,
The fountain of this rivulet, whose gush
Cannot be seen, hid by a rayless night
That lives beneath the overhanging rock
That shades the pool—an endless spring of gloom,
Upon whose edge hovers the tender light,
Trembling to mingle with its paramour,--
But, as Syrinx fled Pan, so night flies day,
Or, with most sullen and regardless hate,
Refuses stern her heaven-born embrace.
On one side of this jagged and shapeless hill
There is a cave, from which there eddies up
A pale mist, like aereal gossamer,
Whose breath destroys all life--awhile it veils
The rock—then, scattered by the wind, it flies
Along the stream, or lingers on the clefts,
Killing the sleepy worms, if aught bide there.
Upon the beetling edge of that dark rock
There stands a group of cypresses; not such
As, with a graceful spire and stirring life,
Pierce the pure heaven of your native vale,
Whose branches the air plays among, but not
Disturbs, fearing to spoil their solemn grace;
But blasted and all wearily they stand,
One to another clinging; their weak boughs
Sigh as the wind buffets them, and they shake
Beneath its blasts—a weatherbeaten crew!

CHORUS:

What wondrous sound is that, mournful and faint,
But more melodious than the murmuring wind
Which through the columns of a temple glides?

A:

It is the wandering voice of Orpheus’ lyre,
Borne by the winds, who sigh that their rude king
Hurries them fast from these air-feeding notes;
But in their speed they bear along with them
The waning sound, scattering it like dew
Upon the startled sense.

CHORUS:

Does he still sing?
Methought he rashly cast away his harp
When he had lost Eurydice.

A:

Ah, no!
Awhile he paused. As a poor hunted stag
A moment shudders on the fearful brink
Of a swift stream—the cruel hounds press on
With deafening yell, the arrows glance and wound,--
He plunges in: so Orpheus, seized and torn
By the sharp fangs of an insatiate grief,
Maenad-like waved his lyre in the bright air,
And wildly shrieked ‘Where she is, it is dark!’
And then he struck from forth the strings a sound
Of deep and fearful melody. Alas!
In times long past, when fair Eurydice
With her bright eyes sat listening by his side,
He gently sang of high and heavenly themes.
As in a brook, fretted with little waves
By the light airs of spring—each riplet makes
A many-sided mirror for the sun,
While it flows musically through green banks,
Ceaseless and pauseless, ever clear and fresh,
So flowed his song, reflecting the deep joy
And tender love that fed those sweetest notes,
The heavenly offspring of ambrosial food.
But that is past. Returning from drear Hell,
He chose a lonely seat of unhewn stone,
Blackened with lichens, on a herbless plain.
Then from the deep and overflowing spring
Of his eternal ever-moving grief
There rose to Heaven a sound of angry song.
’Tis as a mighty cataract that parts
Two sister rocks with waters swift and strong,
And casts itself with horrid roar and din
Adown a steep; from a perennial source
It ever flows and falls, and breaks the air
With loud and fierce, but most harmonious roar,
And as it falls casts up a vaporous spray
Which the sun clothes in hues of Iris light.
Thus the tempestuous torrent of his grief
Is clothed in sweetest sounds and varying words
Of poesy. Unlike all human works,
It never slackens, and through every change
Wisdom and beauty and the power divine
Of mighty poesy together dwell,
Mingling in sweet accord. As I have seen
A fierce south blast tear through the darkened sky,
Driving along a rack of winged clouds,
Which may not pause, but ever hurry on,
As their wild shepherd wills them, while the stars,
Twinkling and dim, peep from between the plumes.
Anon the sky is cleared, and the high dome
Of serene Heaven, starred with fiery flowers,
Shuts in the shaken earth; or the still moon
Swiftly, yet gracefully, begins her walk,
Rising all bright behind the eastern hills.
I talk of moon, and wind, and stars, and not
Of song; but, would I echo his high song,
Nature must lend me words ne’er used before,
Or I must borrow from her perfect works,
To picture forth his perfect attributes.
He does no longer sit upon his throne
Of rock upon a desert herbless plain,
For the evergreen and knotted ilexes,
And cypresses that seldom wave their boughs,
And sea-green olives with their grateful fruit,
And elms dragging along the twisted vines,
Which drop their berries as they follow fast,
And blackthorn bushes with their infant race
Of blushing rose-blooms; beeches, to lovers dear,
And weeping willow trees; all swift or slow,
As their huge boughs or lighter dress permit,
Have circled in his throne, and Earth herself
Has sent from her maternal breast a growth
Of starlike flowers and herbs of odour sweet,
To pave the temple that his poesy
Has framed, while near his feet grim lions couch,
And kids, fearless from love, creep near his lair.
Even the blind worms seem to feel the sound.
The birds are silent, hanging down their heads,
Perched on the lowest branches of the trees;
Not even the nightingale intrudes a note
In rivalry, but all entranced she listens.