Oliver Wendell Holmes: Verses about Sun

LORD of all being! throned afar,
Thy glory flames from sun and star;
Centre and soul of every sphere,
Yet to each loving heart how near!

Sun of our life, thy quickening ray
Sheds on our path the glow of day;
Star of our hope, thy softened light
Cheers the long watches of the night.

Our midnight is thy smile withdrawn;
Our noontide is thy gracious dawn;
Our rainbow arch thy mercy's sign;
All, save the clouds of sin, are thin!

Lord of all life, below, above,
Whose light is truth, whose warmth is love,
Before thy ever-blazing throne
We ask no lustre of our own.

Grant us thy truth to make us free,
And kindling hearts that burn for thee,
Till all thy living altars claim
One holy light, one heavenly flame!

WHY linger round the sunken wrecks
Where old Armadas found their graves?
Why slumber on the sleepy decks
While foam and clash the angry waves?
Up! when the storm-blast rends the clouds,
And winged with ruin sweeps the gale,
Young feet must climb the quivering shrouds,
Young hands must reef the bursting sail!

Leave us to fight the tyrant creeds
Who felt their shackles, feel their scars;
The cheerful sunlight little heeds
The brutes that prowled beneath the stars;
The dawn is here, the day star shows
The spoils of many a battle won,
But sin and sorrow still are foes
That face us in the morning sun.

Who sleeps beneath yon bannered mound
The proudly sorrowing mourner seeks,
The garland-bearing crowd surrounds?
A light-haired boy with beardless cheeks!
'T is time this 'fallen world' should rise;
Let youth the sacred work begin!
What nobler task, what fairer prize
Than earth to save and Heaven to win?

As I look from the isle, o'er its billows of green,
To the billows of foam-crested blue,
Yon bark, that afar in the distance is seen,
Half dreaming, my eyes will pursue:
Now dark in the shadow, she scatters the spray
As the chaff in the stroke of the flail;
Now white as the sea-gull, she flies on her way,
The sun gleaming bright on her sail.

Yet her pilot is thinking of dangers to shun,--
Of breakers that whiten and roar;
How little he cares, if in shadow or sun
They see him who gaze from the shore!
He looks to the beacon that looms from the reef,
To the rock that is under his lee,
As he drifts on the blast, like a wind-wafted leaf,
O'er the gulfs of the desolate sea.

Thus drifting afar to the dim-vaulted caves
Where life and its ventures are laid,
The dreamers who gaze while we battle the waves
May see us in sunshine or shade;
Yet true to our course, though the shadows grow dark,
We'll trim our broad sail as before,
And stand by the rudder that governs the bark,
Nor ask how we look from the shore!

HER hands are cold; her face is white;
No more her pulses come and go;
Her eyes are shut to life and light;--
Fold the white vesture, snow on snow,
And lay her where the violets blow.

But not beneath a graven stone,
To plead for tears with alien eyes;
A slender cross of wood alone
Shall say, that here a maiden lies
In peace beneath the peaceful skies.

And gray old trees of hugest limb
Shall wheel their circling shadows round
To make the scorching sunlight dim
That drinks the greenness from the ground,
And drop their dead leaves on her mound.

When o'er their boughs the squirrels run,
And through their leaves the robins call,
And, ripening in the autumn sun,
The acorns and the chestnuts fall,
Doubt not that she will heed them all.

For her the morning choir shall sing
Its matins from the branches high,
And every minstrel-voice of Spring,
That trills beneath the April sky,
Shall greet her with its earliest cry.

When, turning round their dial-track,
Eastward the lengthening shadows pass,
Her little mourners, clad in black,
The crickets, sliding through the grass,
Shall pipe for her an evening mass.

At last the rootlets of the trees
Shall find the prison where she lies,
And bear the buried dust they seize
In leaves and blossoms to the skies.
So may the soul that warmed it rise!

If any, born of kindlier blood,
Should ask, What maiden lies below?
Say only this: A tender bud,
That tried to blossom in the snow,
Lies withered where the violets blow.

FLASH out a stream of blood-red wine,
For I would drink to other days,
And brighter shall their memory shine,
Seen flaming through its crimson blaze!
The roses die, the summers fade,
But every ghost of boyhood's dream
By nature's magic power is laid
To sleep beneath this blood-red stream!

It filled the purple grapes that lay,
And drank the splendors of the sun,
Where the long summer's cloudless day
Is mirrored in the broad Garonne;
It pictures still the bacchant shapes
That saw their hoarded sunlight shed,--
The maidens dancing on the grapes,--
Their milk-white ankles splashed with red.

Beneath these waves of crimson lie,
In rosy fetters prisoned fast,
Those flitting shapes that never die,--
The swift-winged visions of the past.
Kiss but the crystal's mystic rim,
Each shadow rends its flowery chain,
Springs in a bubble from its brim,
And walks the chambers of the brain.

Poor beauty! Time and fortune's wrong
No shape nor feature may withstand;
Thy wrecks are scattered all along,
Like emptied sea-shells on the sand;
Yet, sprinkled with this blushing rain,
The dust restores each blooming girl,
As if the sea-shells moved again
Their glistening lips of pink and pearl.

Here lies the home of school-boy life,
With creaking stair and wind-swept hall,
And, scarred by many a truant knife,
Our old initials on the wall;
Here rest, their keen vibrations mute,
The shout of voices known so well,
The ringing laugh, the wailing flute,
The chiding of the sharp-tongued bell.

Here, clad in burning robes, are laid
Life's blossomed joys, untimely shed,
And here those cherished forms have strayed
We miss awhile, and call them dead.
What wizard fills the wondrous glass?
What soil the enchanted clusters grew?
That buried passions wake and pass
In beaded drops of fiery dew?

Nay, take the cup of blood-red wine,--
Our hearts can boast a warmer glow,
Filled from a vintage more divine,
Calmed, but not chilled, by winter's snow!
To-night the palest wave we sip
Rich as the priceless draught shall be
That wet the bride of Cana's lip,--
The wedding wine of Galilee!

JANUARY 18, 1856

WHEN life hath run its largest round
Of toil and triumph, joy and woe,
How brief a storied page is found
To compass all its outward show!

The world-tried sailor tires and droops;
His flag is rent, his keel forgot;
His farthest voyages seem but loops
That float from life's entangled knot.

But when within the narrow space
Some larger soul hath lived and wrought,
Whose sight was open to embrace
The boundless realms of deed and thought,--

When, stricken by the freezing blast,
A nation's living pillars fall,
How rich the storied page, how vast,
A word, a whisper, can recall!

No medal lifts its fretted face,
Nor speaking marble cheats your eye,
Yet, while these pictured lines I trace,
A living image passes by:

A roof beneath the mountain pines;
The cloisters of a hill-girt plain;
The front of life's embattled lines;
A mound beside the heaving main.

These are the scenes: a boy appears;
Set life's round dial in the sun,
Count the swift arc of seventy years,
His frame is dust; his task is done.

Yet pause upon the noontide hour,
Ere the declining sun has laid
His bleaching rays on manhood's power,
And look upon the mighty shade.

No gloom that stately shape can hide,
No change uncrown its brow; behold I
Dark, calm, large-fronted, lightning-eyed,
Earth has no double from its mould.

Ere from the fields by valor won
The battle-smoke had rolled away,
And bared the blood-red setting sun,
His eyes were opened on the day.

His land was but a shelving strip
Black with the strife that made it free
He lived to see its banners dip
Their fringes in the Western sea.

The boundless prairies learned his name,
His words the mountain echoes knew,
The Northern breezes swept his fame
From icy lake to warm bayou.

In toil he lived; in peace he died;
When life's full cycle was complete,
Put off his robes of power and pride,
And laid them at his Master's feet.

His rest is by the storm-swept waves
Whom life's wild tempests roughly trie
Whose heart was like the streaming eaves
Of ocean, throbbing at his side.

Death's cold white hand is like the snow
Laid softly on the furrowed hill,
It hides the broken seams below,
And leaves the summit brighter still.

In vain the envious tongue upbraids;
His name a nation's heart shall keep
Till morning's latest sunlight fades
On the blue tablet of the deep.

Breakfast at the Century Club, New York, May, 1879.

SUCH kindness! the scowl of a cynic would soften,
His pulse beat its way to some eloquent words,
Alas! my poor accents have echoed too often,
Like that Pinafore music you've some of you heard.

Do you know me, dear strangers--the hundredth time comer
At banquets and feasts since the days of my Spring?
Ah! would I could borrow one rose of my Summer,
But this is a leaf of my Autumn I bring.

I look at your faces,--I'm sure there are some from
The three-breasted mother I count as my own;
You think you remember the place you have come from,
But how it has changed in the years that have flown!

Unaltered, 't is true, is the hall we call 'Funnel,'
Still fights the 'Old South' in the battle for life,
But we've opened our door to the West through the tunnel,
And we've cut off Fort Hill with our Amazon knife.

You should see the new Westminster Boston has builded,--
Its mansions, its spires, its museums of arts,--
You should see the great dome we have gorgeously gilded,--
'T is the light of our eyes, 't is the joy of our hearts.

When first in his path a young asteroid found it,
As he sailed through the skies with the stars in his wake,
He thought 't was the sun, and kept circling around it
Till Edison signalled, 'You've made a mistake.'

We are proud of our city,--her fast-growing figure,
The warp and the woof of her brain and her hands,--
But we're proudest of all that her heart has grown bigger,
And warms with fresh blood as her girdle expands.

One lesson the rubric of conflict has taught her
Though parted awhile by war's earth-rending shock,
The lines that divide us are written in water,
The love that unites us cut deep in the rock.

As well might the Judas of treason endeavor
To write his black name on the disk of the sun
As try the bright star-wreath that binds us to sever
And blot the fair legend of 'Many in One.'

We love You, tall sister, the stately, the splendid,--
The banner of empire floats high on your towers,
Yet ever in welcome your arms are extended,--
We share in your splendors, your glory is ours.

Yes, Queen of the Continent! All of us own thee,--
The gold-freighted argosies flock at thy call,
The naiads, the sea-nymphs have met to enthrone thee,
But the Broadway of one is the Highway of all!

I thank you. Three words that can hardly be mended,
Though phrases on phrases their eloquence pile,
If you hear the heart's throb with their eloquence blended,
And read all they mean in a sunshiny smile.

WINTER is past; the heart of Nature warms
Beneath the wrecks of unresisted storms;
Doubtful at first, suspected more than seen,
The southern slopes are fringed with tender green;
On sheltered banks, beneath the dripping eaves,
Spring's earliest nurslings spread their glowing leaves,
Bright with the hues from wider pictures won,
White, azure, golden,--drift, or sky, or sun,--
The snowdrop, bearing on her patient breast
The frozen trophy torn from Winter's crest;
The violet, gazing on the arch of blue
Till her own iris wears its deepened hue;
The spendthrift crocus, bursting through the mould
Naked and shivering with his cup of gold.
Swelled with new life, the darkening elm on high
Prints her thick buds against the spotted sky
On all her boughs the stately chestnut cleaves
The gummy shroud that wraps her embryo leaves;
The house-fly, stealing from his narrow grave,
Drugged with the opiate that November gave,
Beats with faint wing against the sunny pane,
Or crawls, tenacious, o'er its lucid plain;
From shaded chinks of lichen-crusted walls,
In languid curves, the gliding serpent crawls;
The bog's green harper, thawing from his sleep,
Twangs a hoarse note and tries a shortened leap;
On floating rails that face the softening noons
The still shy turtles range their dark platoons,
Or, toiling aimless o'er the mellowing fields,
Trail through the grass their tessellated shields.

At last young April, ever frail and fair,
Wooed by her playmate with the golden hair,
Chased to the margin of receding floods
O'er the soft meadows starred with opening buds,
In tears and blushes sighs herself away,
And hides her cheek beneath the flowers of May.

Then the proud tulip lights her beacon blaze,
Her clustering curls the hyacinth displays;
O'er her tall blades the crested fleur-de-lis,
Like blue-eyed Pallas, towers erect and free;
With yellower flames the lengthened sunshine glows,
And love lays bare the passion-breathing rose;
Queen of the lake, along its reedy verge
The rival lily hastens to emerge,
Her snowy shoulders glistening as she strips,
Till morn is sultan of her parted lips.

Then bursts the song from every leafy glade,
The yielding season's bridal serenade;
Then flash the wings returning Summer calls
Through the deep arches of her forest halls,--
The bluebird, breathing from his azure plumes
The fragrance borrowed where the myrtle blooms;
The thrush, poor wanderer, dropping meekly down,
Clad in his remnant of autumnal brown;
The oriole, drifting like a flake of fire
Rent by a whirlwind from a blazing spire.
The robin, jerking his spasmodic throat,
Repeats, imperious, his staccato note;
The crack-brained bobolink courts his crazy mate,
Poised on a bulrush tipsy with his weight;
Nay, in his cage the lone canary sings,
Feels the soft air, and spreads his idle wings.

Why dream I here within these caging walls,
Deaf to her voice, while blooming Nature calls;
Peering and gazing with insatiate looks
Through blinding lenses, or in wearying books?
Off, gloomy spectres of the shrivelled past!
Fly with the leaves that fill the autumn blast
Ye imps of Science, whose relentless chains
Lock the warm tides within these living veins,
Close your dim cavern, while its captive strays
Dazzled and giddy in the morning's blaze!

I HOLD a letter in my hand,-
A flattering letter, more's the pity,-
By some contriving junto planned,
And signed per order of Committee.
It touches every tenderest spot,-
My patriotic predilections,
My well-known -something- don't ask what,-
My poor old songs, my kind affections.

They make a feast on Thursday next,
And hope to make the feasters merry;
They own they're something more perplexed
For poets than for port and sherry.
They want the men of (word torn out);
Our friends will come with anxious faces,
(To see our blankets off, no doubt,
And trot us out and show our paces.)

They hint that papers by the score
Are rather musty kind of rations,
They don't exactly mean a bore,
But only trying to the patience;
That such as you know who I mean
Distinguished for their what d'ye call 'em
Should bring the dews of Hippocrene
To sprinkle on the faces solemn.

The same old story: that's the chaff
To catch the birds that sing the ditties;
Upon my soul, it makes me laugh
To read these letters from Committees!
They're all so loving and so fair,
All for your sake such kind compunction;
'T would save your carriage half its wear
To touch its wheels with such an unction!

Why, who am I, to lift me here
And beg such learned folk to listen,
To ask a smile, or coax a tear
Beneath these stoic lids to glisten?
As well might some arterial thread
Ask the whole frame to feel it gushing,
While throbbing fierce from heel to head
As well some hair-like nerve might strain
To set its special streamlet going,
While through the myriad-channelled brain
The burning flood of thought was flowing;
Or trembling fibre strive to keep
The springing haunches gathered shorter,
While the scourged racer, leap on leap,
Was stretching through the last hot quarter!

Ah me! you take the bud that came
Self-sown in your poor garden's borders,
And hand it to the stately dame
That florists breed for, all she orders.
She thanks you, it was kindly meant
(A pale affair, not worth the keeping,)
Good morning; and your bud is sent
To join the tea-leaves used for sweeping.

Not always so, kind hearts and true,
For such I know are round me beating;
Is not the bud I offer you,
Fresh gathered for the hour of meeting,
Pale though its outer leaves may be,
Rose-red in all its inner petals?
Where the warm life we cannot see
The life of love that gave it settles.

We meet from regions far away,
Like rills from distant mountains streaming;
The sun is on Francisco's bay,
O'er Chesapeake the lighthouse gleaming;
While summer girds the still bayou
In chains of bloom, her bridal token,
Monadnock sees the sky grow blue,
His crystal bracelet yet unbroken.

Yet Nature bears the selfsame heart
Beneath her russet-mantled bosom
As where, with burning lips apart,
She breathes and white magnolias blossom;
The selfsame founts her chalice fill
With showery sunlight running over,
On fiery plain and frozen hill,
On myrtle-beds and fields of clover.

I give you Home! its crossing lines
United in one golden suture,
And showing every day that shines
The present growing to the future,
A flag that bears a hundred stars
In one bright ring, with love for centre,
Fenced round with white and crimson bars
No prowling treason dares to enter!

O brothers, home may be a word
To make affection's living treasure,
The wave an angel might have stirred,
A stagnant pool of selfish pleasure;
HOME! It is where the day-star springs
And where the evening sun reposes,
Where'er the eagle spreads his wings,
From northern pines to southern roses!

THE curtain rose; in thunders long and loud
The galleries rung; the veteran actor bowed.
In flaming line the telltales of the stage
Showed on his brow the autograph of age;
Pale, hueless waves amid his clustered hair,
And umbered shadows, prints of toil and care;
Round the wide circle glanced his vacant eye,--
He strove to speak,--his voice was but a sigh.

Year after year had seen its short-lived race
Flit past the scenes and others take their place;
Yet the old prompter watched his accents still,
His name still flaunted on the evening's bill.
Heroes, the monarchs of the scenic floor,
Had died in earnest and were heard no more;
Beauties, whose cheeks such roseate bloom o'er-spread
They faced the footlights in unborrowed red,
Had faded slowly through successive shades
To gray duennas, foils of younger maids;
Sweet voices lost the melting tones that start
With Southern throbs the sturdy Saxon heart,
While fresh sopranos shook the painted sky
With their long, breathless, quivering locust-cry.
Yet there he stood,--the man of other days,
In the clear present's full, unsparing blaze,
As on the oak a faded leaf that clings
While a new April spreads its burnished wings.

How bright yon rows that soared in triple tier,
Their central sun the flashing chandelier!
How dim the eye that sought with doubtful aim
Some friendly smile it still might dare to claim
How fresh these hearts! his own how worn and cold!
Such the sad thoughts that long-drawn sigh had told.
No word yet faltered on his trembling tongue;
Again, again, the crashing galleries rung.
As the old guardsman at the bugle's blast
Hears in its strain the echoes of the past,
So, as the plaudits rolled and thundered round,
A life of memories startled at the sound.
He lived again,--the page of earliest days,--
Days of small fee and parsimonious praise;
Then lithe young Romeo--hark that silvered tone,
From those smooth lips--alas! they were his own.
Then the bronzed Moor, with all his love and woe,
Told his strange tale of midnight melting snow;
And dark--plumed Hamlet, with his cloak and blade,
Looked on the royal ghost, himself a shade.
All in one flash, his youthful memories came,
Traced in bright hues of evanescent flame,
As the spent swimmer's in the lifelong dream,
While the last bubble rises through the stream.

Call him not old, whose visionary brain
Holds o'er the past its undivided reign.
For him in vain the envious seasons roll
Who bears eternal summer in his soul.
If yet the minstrel's song, the poet's lay,
Spring with her birds, or children at their play,
Or maiden's smile, or heavenly dream of art,
Stir the few life-drops creeping round his heart,
Turn to the record where his years are told,--
Count his gray hairs,--they cannot make him old!
What magic power has changed the faded mime?
One breath of memory on the dust of time.
As the last window in the buttressed wall
Of some gray minster tottering to its fall,
Though to the passing crowd its hues are spread,
A dull mosaic, yellow, green, and red,
Viewed from within, a radiant glory shows
When through its pictured screen the sunlight flows,
And kneeling pilgrims on its storied pane
See angels glow in every shapeless stain;
So streamed the vision through his sunken eye,
Clad in the splendors of his morning sky.
All the wild hopes his eager boyhood knew,
All the young fancies riper years proved true,
The sweet, low-whispered words, the winning glance
From queens of song, from Houris of the dance,
Wealth's lavish gift, and Flattery's soothing phrase,
And Beauty's silence when her blush was praise,
And melting Pride, her lashes wet with tears,
Triumphs and banquets, wreaths and crowns and cheers,
Pangs of wild joy that perish on the tongue,
And all that poets dream, but leave unsung!

In every heart some viewless founts are fed
From far-off hillsides where the dews were shed;
On the worn features of the weariest face
Some youthful memory leaves its hidden trace,
As in old gardens left by exiled kings
The marble basins tell of hidden springs,
But, gray with dust, and overgrown with weeds,
Their choking jets the passer little heeds,
Till time's revenges break their seals away,
And, clad in rainbow light, the waters play.

Good night, fond dreamer! let the curtain fall
The world's a stage, and we are players all.
A strange rehearsal! Kings without their crowns,
And threadbare lords, and jewel-wearing clowns,
Speak the vain words that mock their throbbing hearts,
As Want, stern prompter! spells them out their parts.
The tinselled hero whom we praise and pay
Is twice an actor in a twofold play.
We smile at children when a painted screen
Seems to their simple eyes a real scene;
Ask the poor hireling, who has left his throne
To seek the cheerless home he calls his own,
Which of his double lives most real seems,
The world of solid fact or scenic dreams?
Canvas, or clouds,--the footlights, or the spheres,--
The play of two short hours, or seventy years?
Dream on! Though Heaven may woo our open eyes,
Through their closed lids we look on fairer skies;
Truth is for other worlds, and hope for this;
The cheating future lends the present's bliss;
Life is a running shade, with fettered hands,
That chases phantoms over shifting sands;
Death a still spectre on a marble seat,
With ever clutching palms and shackled feet;
The airy shapes that mock life's slender chain,
The flying joys he strives to clasp in vain,
Death only grasps; to live is to pursue,--
Dream on! there 's nothing but illusion true!

WOODSTOCK, CONN., JULY 4, 1877

NOT to myself this breath of vesper song,
Not to these patient friends, this kindly throng,
Not to this hallowed morning, though it be
Our summer Christmas, Freedom's jubilee,
When every summit, topmast, steeple, tower,
That owns her empire spreads her starry flower,
Its blood-streaked leaves in heaven's benignant dew
Washed clean from every crimson stain they knew,--
No, not to these the passing thrills belong
That steal my breath to hush themselves with song.
These moments all are memory's; I have come
To speak with lips that rather should be dumb;
For what are words? At every step I tread
The dust that wore the footprints of the dead
But for whose life my life had never known
This faded vesture which it calls its own.
Here sleeps my father's sire, and they who gave
That earlier life here found their peaceful grave.
In days gone by I sought the hallowed ground;
Climbed yon long slope; the sacred spot I found
Where all unsullied lies the winter snow,
Where all ungathered spring's pale violets blow,
And tracked from stone to stone the Saxon name
That marks the blood I need not blush to claim,
Blood such as warmed the Pilgrim sons of toil,
Who held from God the charter of the soil.
I come an alien to your hills and plains,
Yet feel your birthright tingling in my veins;
Mine are this changing prospect's sun and shade,
In full-blown summer's bridal pomp arrayed;
Mine these fair hillsides and the vales between;
Mine the sweet streams that lend their brightening green;
I breathed your air--the sunlit landscape smiled;
I touch your soil--it knows its children's child;
Throned in my heart your heritage is mine;
I claim it all by memory's right divine
Waking, I dream. Before my vacant eyes
In long procession shadowy forms arise;
Far through the vista of the silent years
I see a venturous band; the pioneers,
Who let the sunlight through the forest's gloom,
Who bade the harvest wave, the garden bloom.
Hark! loud resounds the bare-armed settler's axe,
See where the stealthy panther left his tracks!
As fierce, as stealthy creeps the skulking foe
With stone-tipped shaft and sinew-corded bow;
Soon shall he vanish from his ancient reign,
Leave his last cornfield to the coming train,
Quit the green margin of the wave he drinks,
For haunts that hide the wild-cat and the lynx.

But who the Youth his glistening axe that swings
To smite the pine that shows a hundred rings?
His features?--something in his look I find
That calls the semblance of my race to mind.
His name?--my own; and that which goes before
The same that once the loved disciple bore.
Young, brave, discreet, the father of a line
Whose voiceless lives have found a voice in mine;
Thinned by unnumbered currents though they be,
Thanks for the ruddy drops I claim from thee!

The seasons pass; the roses come and go;
Snows fall and melt; the waters freeze and flow;
The boys are men; the girls, grown tall and fair,
Have found their mates; a gravestone here and there
Tells where the fathers lie; the silvered hair
Of some bent patriarch yet recalls the time
That saw his feet the northern hillside climb,
A pilgrim from the pilgrims far away,
The godly men, the dwellers by the bay.
On many a hearthstone burns the cheerful fire;
The schoolhouse porch, the heavenward pointing spire
Proclaim in letters every eye can read,
Knowledge and Faith, the new world's simple creed.
Hush! 't is the Sabbath's silence-stricken morn
No feet must wander through the tasselled corn;
No merry children laugh around the door,
No idle playthings strew the sanded floor;
The law of Moses lays its awful ban
On all that stirs; here comes the tithing-man
At last the solemn hour of worship calls;
Slowly they gather in the sacred walls;
Man in his strength and age with knotted staff,
And boyhood aching for its week-day laugh,
The toil-worn mother with the child she leads,
The maiden, lovely in her golden beads,--
The popish symbols round her neck she wears,
But on them counts her lovers, not her prayers,--
Those youths in homespun suits and ribboned queues,
Whose hearts are beating in the high-backed pews.
The pastor rises; looks along the seats
With searching eye; each wonted face he meets;
Asks heavenly guidance; finds the chapter's place
That tells some tale of Israel's stubborn race;
Gives out the sacred song; all voices join,
For no quartette extorts their scanty coin;
Then while both hands their black-gloved palms display,
Lifts his gray head, and murmurs, 'Let us pray!'
And pray he does! as one that never fears
To plead unanswered by the God that hears;
What if he dwells on many a fact as though
Some things Heaven knew not which it ought to know,--
Thanks God for all his favors past, and yet,
Tells Him there's something He must not forget;
Such are the prayers his people love to hear,--
See how the Deacon slants his listening ear!
What! look once more! Nay, surely there I trace
The hinted outlines of a well-known face!
Not those the lips for laughter to beguile,
Yet round their corners lurks an embryo smile,
The same on other lips my childhood knew
That scarce the Sabbath's mastery could subdue.
Him too my lineage gives me leave to claim,--
The good, grave man that bears the Psalmist's name.

And still in ceaseless round the seasons passed;
Spring piped her carol; Autumn blew his blast;
Babes waxed to manhood; manhood shrunk to age;
Life's worn-out players tottered off the stage;
The few are many; boys have grown to men
Since Putnam dragged the wolf from Pomfret's den;
Our new-old Woodstock is a thriving town;
Brave are her children; faithful to the crown;
Her soldiers' steel the savage redskin knows;
Their blood has crimsoned his Canadian snows.
And now once more along the quiet vale
Rings the dread call that turns the mothers pale;
Full well they know the valorous heat that runs
In every pulse-beat of their loyal sons;
Who would not bleed in good King George's cause
When England's lion shows his teeth and claws?
With glittering firelocks on the village green
In proud array a martial band is seen;
You know what names those ancient rosters hold,--
Whose belts were buckled when the drum-beat rolled,--
But mark their Captain! tell us, who is he?
On his brown face that same old look I see
Yes! from the homestead's still retreat he came,
Whose peaceful owner bore the Psalmist's name;
The same his own. Well, Israel's glorious king
Who struck the harp could also whirl the sling,--
Breathe in his song a penitential sigh
And smite the sons of Amalek hip and thigh:
These shared their task; one deaconed out the psalm,
One slashed the scalping hell-hounds of calm;
The praying father's pious work is done,
Now sword in hand steps forth the fighting son.
On many a field he fought in wilds afar;
See on his swarthy cheek the bullet's scar!
There hangs a murderous tomahawk; beneath,
Without its blade, a knife's embroidered sheath;
Save for the stroke his trusty weapon dealt
His scalp had dangled at their owner's belt;
But not for him such fate; he lived to see
The bloodier strife that made our nation free,
To serve with willing toil, with skilful hand,
The war-worn saviors of the bleeding land.
His wasting life to others' needs he gave,--
Sought rest in home and found it in the grave.
See where the stones life's brief memorials keep,
The tablet telling where he 'fell on sleep,'--
Watched by a winged cherub's rayless eye,--
A scroll above that says we all must die,--
Those saddening lines beneath, the 'Night-Thoughts' lent:
So stands the Soldier's, Surgeon's monument.
Ah! at a glance my filial eye divines
The scholar son in those remembered lines.

The Scholar Son. His hand my footsteps led.
No more the dim unreal past I tread.
O thou whose breathing form was once so dear,
Whose cheering voice was music to my ear,
Art thou not with me as my feet pursue
The village paths so well thy boyhood knew,
Along the tangled margin of the stream
Whose murmurs blended with thine infant dream,
Or climb the hill, or thread the wooded vale,
Or seek the wave where gleams yon distant sail,
Or the old homestead's narrowed bounds explore,
Where sloped the roof that sheds the rains no more,
Where one last relic still remains to tell
Here stood thy home,--the memory-haunted well,
Whose waters quench a deeper thirst than thine,
Changed at my lips to sacramental wine,--
Art thou not with me, as I fondly trace
The scanty records of thine honored race,
Call up the forms that earlier years have known,
And spell the legend of each slanted stone?
With thoughts of thee my loving verse began,
Not for the critic's curious eye to scan,
Not for the many listeners, but the few
Whose fathers trod the paths my fathers knew;
Still in my heart thy loved remembrance burns;
Still to my lips thy cherished name returns;
Could I but feel thy gracious presence near
Amid the groves that once to thee were dear
Could but my trembling lips with mortal speech
Thy listening ear for one brief moment reach!
How vain the dream! The pallid voyager's track
No sign betrays; he sends no message back.
No word from thee since evening's shadow fell
On thy cold forehead with my long farewell,--
Now from the margin of the silent sea,
Take my last offering ere I cross to thee!

HAVE I deserved your kindness? Nay, my friends,
While the fair banquet its illusion lends
Let me believe it, though the blood may rush
And to my cheek recall the maiden blush
That o'er it flamed with momentary blaze
When first I heard the honeyed words of praise;
Let me believe it while the roses wear
Their bloom unwithering in the heated air;
Too soon, too soon, their glowing leaves must fall,
The laughing echoes leave the silent hall,
Joy drop his garland, turn his empty cup,
And weary Labor take his burden up,
How weighs that burden they can tell alone
Whose dial marks no moment as their own.

Am I your creditor? Too well I know
How Friendship pays the debt it does not owe,
Shapes a poor semblance fondly to its mind,
Adds all the virtues that it fails to find,
Adorns with graces to its heart's content,
Borrows from love what nature never lent,
Till what with halo, jewels, gilding, paint,
The veriest sinner deems himself a saint.
Thus while you pay these honors as my due
I owe my value's larger part to you,
And in the tribute of the hour I see
Not what I am, but what I ought to be.

Friends of the Muse, to you of right belong
The first staid footsteps of my square-toed song;
Full well I know the strong heroic line
Has lost its fashion since I made it mine;
But there are tricks old singers will not learn,
And this grave measure still must serve my turn.
So the old bird resumes the selfsame note
His first young summer wakened in his throat;
The selfsame tune the old canary sings,
And all unchanged the bobolink's carol rings;
When the tired songsters of the day are still
The thrush repeats his long-remembered trill;
Age alters not the crow's persistent caw,
The Yankee's ' Haow,' the stammering Briton's 'Haw;'
And so the hand that takes the lyre for you
Plays the old tune on strings that once were new.

Nor let the rhymester of the hour deride
The straight - backed measure with its stately stride;
It gave the mighty voice of Dryden scope;
It sheathed the steel-bright epigrams of Pope;
In Goldsmith's verse it learned a sweeter strain;
Byron and Campbell wore its clanking chain;
I smile to listen while the critic's scorn
Flouts the proud purple kings have nobly worn;
Bid each new rhymer try his dainty skill
And mould his frozen phrases as he will;
We thank the artist for his neat device;
The shape is pleasing, though the stuff is ice

Fashions will change the new costume allures,
Unfading still the better type endures;
While the slashed doublet of the cavalier
Gave the old knight the pomp of chanticleer,
Our last-hatched dandy with his glass and stick
Recalls the semblance of a new -horn chick;
(To match the model he is aiming at
He ought to wear an eggshell for a hat
Which of these objects would a painter choose,
And which Velasquez or Van Dyck refuse?

When your kind summons reached my calm retreat,
Who are the friends, I questioned, I shall meet?
Some in young manhood, shivering with desire
To feel the genial warmth of fortune's fire,--
Each with his bellows ready in his hand
To puff the flame just waiting to be fanned;
Some heads half-silvered, some with snowwhite
hair, A crown ungarnished glistening here and there,
The mimic moonlight gleaming on the scalps
As evening's empress lights the shining Alps;
But count the crowds that throng your festal scenes,
How few that knew the century in its teens!

Save for the lingering handful fate befriends,
Life's busy day the Sabbath decade ends;
When that is over, how with what remains
Of nature's outfit, muscle, nerve, and brains?
Were this a pulpit I should doubtless preach,
Were this a platform I should gravely teach,
But to no solemn duties I pretend
In my vocation at the table's end;
So as my answer let me tell instead
What Landlord Porter rest his soul!
once said.

A feast it was that none might scorn to share;
Cambridge and Concord's demigods were there,
'And who were they?' You know as well as I
The stars long glittering in our Eastern sky
. . .
The names that blazon our provincial scroll
Ring round the world with Britain's drumbeat roll!

Good was the dinner, better was the talk;
Some whispered, devious was the homeward walk;
The story came from some reporting spy,
They lie, those fellows, oh, how they do lie!
Not ours those foot-tracks in the new-fallen snow,
Poets and sages never zigzagged so!

Now Landlord Porter, grave, concise, severe,
Master, nay, monarch in his proper sphere,
Though to belles-lettres he pretended not,
Lived close to Harvard, so knew what was what;
And having bards, philosophers, and such,
To eat his dinner, put the finest touch
His art could teach, those learned mouths to fill
With the best proofs of gustatory skill;
And finding wisdom plenty at his board,
Wit, science, learning, all his guests had stored,
By way of contrast, ventured to produce,
To please their palates, an inviting goose.
Better it were the company should starve
Than hands unskilled that goose attempt to carve;
None but the master-artist shall assail
The bird that turns the mightiest surgeon pale.

One voice arises from the banquet-hall.
The landlord answers to the pleading call;
Of stature tall, sublime of port he stands,
His blade and bident gleaming in his hands;
Beneath his glance the strong-knit joints relax
As the weak knees before the headsman's axe

And Landlord Porter lifts his glittering knife
As some stout warrior armed for bloody strife;
All eyes are on him; some in whispers ask,
What man is he who dares this dangerous task?
When lo! the triumph of consummate art,
With scarce a touch the creature drops apart!
As when the baby in his nurse's lap
Spills on the carpet a dissected map.

Then the calm sage, the monarch of the lyre,
Critics and men of science all admire,
And one whose wisdom I will not impeach,
Lively, not churlish, somewhat free of speech,
Speaks thus: 'Say, master, what of worth is left
In birds like this, of breast and legs bereft?
'And Landlord Porter, with uplifted eyes,
Smiles on the simple querist, and replies: 'When from a goose you've taken legs and breast,
Wipe lips, thank God, and leave the poor the rest!'

Kind friends, sweet friends, I hold it hardly fair
With that same bird your minstrel to compare,
Yet in a certain likeness we agree,
No wrong to him and no offence to me;
I take him for the moral he has lent,
My partner, to a limited extent.

When the stern Landlord whom we all obey
Has carved from life its seventh great slice away,
Is the poor fragment left in blank collapse
A pauper remnant of unvalued scraps?

I care not much what Solomon has said,
Before his time to nobler pleasures dead;
Poor man! he needed half a hundred lives
With such a babbling wilderness of wives!
But is there nothing that may well employ
Life's winter months, no sunny hour of joy?

While o'er the fields the howling tempests rage,
The prisoned linnet warbles in its cage;
When chill November through the forest blows,
The greenhouse shelters the untroubled rose;
Round the high trellis creeping tendrils twine,
And the ripe clusters fill with blameless
wine; We make the vine forget the winter's cold,
But how shall age forget its growing old?

Though doing right is better than deceit,
Time is a trickster it is fair to cheat;
The honest watches ticking in your fobs
Tell every minute how the rascal robs.
To clip his forelock and his scythe to hide,
To lay his hour-glass gently on its side,
To slip the cards he marked upon the shelf
And deal him others you have marked yourself,
If not a virtue cannot be a sin,
For the old rogue is sure at last to win.
What does he leave when life is well-nigh spent
To lap its evening in a calm content?
Art, letters, science, these at least befriend
Our day's brief remnant to its peaceful end,
Peaceful for him who shows the setting sun
A record worthy of his Lord's Well done!
When he, the master whom I will not name,
Known to our calling, not unknown to fame,
At life's extremest verge, half conscious lay,
Helpless and sightless, dying day by day,
His brain, so long with varied wisdom fraught,
Filled with the broken enginery of thought,
A flitting vision often would illume
His darkened world, and cheer its deepening gloom,
A sunbeam struggling through the long eclipse,
And smiles of pleasure play around his lips.
He loved the art that shapes the dome and spire;
The Roman's page, the ring of Byron's lyre,
And oft when fitful memory would return
To find some fragment in her broken urn,
Would wake to life some long-forgotten hour,
And lead his thought to Pisa's terraced tower,
Or trace in light before his rayless eye
The dome-crowned Pantheon printed on the sky;
Then while the view his ravished soul absorbs
And lends a glitter to the sightless orbs,
The patient watcher feels the stillness stirred
By the faint murmur of some classic word,
Or the long roll of Harold's lofty rhyme,
'Simple, erect, severe, austere, sublime,'
Such were the dreams that soothed his couch of pain,
The sweet nepenthe of the worn-out brain.
Brothers in art, who live for others' needs
In duty's bondage, mercy's gracious deeds,
Of all who toil beneath the circling sun
Whose evening rest than yours iiwe fairly won?
Though many a cloud your struggling morn obscures,
What sunset brings a brighter sky than yours?

I, who your labors for a while have shared,
New tasks have sought, with new companions fared,
For nature's servant far too often seen
A loiterer by the waves of Hippocrene;
Yet round the earlier friendship twines the new,
My footsteps wander, but my heart is true,
Nor e'er forgets the living or the dead
Who trod with me the paths where science led.

How can I tell you, O my loving friends!
What light, what warmth, your joyous welcome lends
To life's late hour? Alas! my song is sung,
Its fading accents falter on my tongue.
Sweet friends, if, shrinking in the banquet's blaze,
Your blushing guest must face the breath of praise,
Speak not too well of one who scarce will know
Himself transfigured in its roseate glow;
Say kindly of him what is, chiefly, true,
Remembering always he belongs to you;
Deal with him as a truant, if you will,
But claim him, keep him, call him brother still!

THESE hallowed precincts, long to memory dear,
Smile with fresh welcome as our feet draw near;
With softer gales the opening leaves are fanned,
With fairer hues the kindling flowers expand,
The rose-bush reddens with the blush of June,
The groves are vocal with their minstrels' tune,
The mighty elm, beneath whose arching shade
The wandering children of the forest strayed,
Greets the bright morning in its bridal dress,
And spreads its arms the gladsome dawn to bless.
Is it an idle dream that nature shares
Our joys, our griefs, our pastimes, and our cares?
Is there no summons when, at morning's call,
The sable vestments of the darkness fall?
Does not meek evening's low-voiced Ave blend
With the soft vesper as its notes ascend?
Is there no whisper in the perfumed air
When the sweet bosom of the rose is bare?
Does not the sunshine call us to rejoice?
Is there no meaning in the storm-cloud's voice?
No silent message when from midnight skies
Heaven looks upon us with its myriad eyes?

Or shift the mirror; say our dreams diffuse
O'er life's pale landscape their celestial hues,
Lend heaven the rainbow it has never known,
And robe the earth in glories not its own,
Sing their own music in the summer breeze,
With fresher foliage clothe the stately trees,
Stain the June blossoms with a livelier dye
And spread a bluer azure on the sky,--
Blest be the power that works its lawless will
And finds the weediest patch an Eden still;
No walls so fair as those our fancies build,--
No views so bright as those our visions gild!

So ran my lines, as pen and paper met,
The truant goose-quill travelling like Planchette;
Too ready servant, whose deceitful ways
Full many a slipshod line, alas! betrays;
Hence of the rhyming thousand not a few
Have builded worse--a great deal--than they knew.

What need of idle fancy to adorn
Our mother's birthplace on her birthday morn?
Hers are the blossoms of eternal spring,
From these green boughs her new-fledged birds take wing,
These echoes hear their earliest carols sung,
In this old nest the brood is ever young.
If some tired wanderer, resting from his flight,
Amid the gay young choristers alight,
These gather round him, mark his faded plumes
That faintly still the far-off grove perfumes,
And listen, wondering if some feeble note
Yet lingers, quavering in his weary throat:--
I, whose fresh voice yon red-faced temple knew,
What tune is left me, fit to sing to you?
Ask not the grandeurs of a labored song,
But let my easy couplets slide along;
Much could I tell you that you know too well;
Much I remember, but I will not tell;
Age brings experience; graybeards oft are wise,
But oh! how sharp a youngster's ears and eyes!

My cheek was bare of adolescent down
When first I sought the academic town;
Slow rolls the coach along the dusty road,
Big with its filial and parental load;
The frequent hills, the lonely woods are past,
The school-boy's chosen home is reached at last.
I see it now, the same unchanging spot,
The swinging gate, the little garden plot,
The narrow yard, the rock that made its floor,
The flat, pale house, the knocker-garnished door,
The small, trim parlor, neat, decorous, chill,
The strange, new faces, kind, but grave and still;
Two, creased with age,--or what I then called age,--
Life's volume open at its fiftieth page;
One, a shy maiden's, pallid, placid, sweet
As the first snow-drop, which the sunbeams greet;
One, the last nursling's; slight she was, and fair,
Her smooth white forehead warmed with auburn hair;
Last came the virgin Hymen long had spared,
Whose daily cares the grateful household shared,
Strong, patient, humble; her substantial frame
Stretched the chaste draperies I forbear to name.
Brave, but with effort, had the school-boy come
To the cold comfort of a stranger's home;
How like a dagger to my sinking heart
Came the dry summons, 'It is time to part;
Good-by!' 'Goo-ood-by!' one fond maternal kiss. . . .
Homesick as death! Was ever pang like this?
Too young as yet with willing feet to stray
From the tame fireside, glad to get away,--
Too old to let my watery grief appear,--
And what so bitter as a swallowed tear!
One figure still my vagrant thoughts pursue;
First boy to greet me, Ariel, where are you?
Imp of all mischief, heaven alone knows how
You learned it all,--are you an angel now,
Or tottering gently down the slope of years,
Your face grown sober in the vale of tears?
Forgive my freedom if you are breathing still;

If in a happier world, I know you will.
You were a school-boy--what beneath the sun
So like a monkey? I was also one.
Strange, sure enough, to see what curious shoots
The nursery raises from the study's roots!
In those old days the very, very good
Took up more room--a little--than they should;
Something too much one's eyes encountered then
Of serious youth and funeral-visaged men;
The solemn elders saw life's mournful half,--
Heaven sent this boy, whose mission was to laugh,
Drollest of buffos, Nature's odd protest,
A catbird squealing in a blackbird's nest.
Kind, faithful Nature! While the sour-eyed Scot--
Her cheerful smiles forbidden or forgot--
Talks only of his preacher and his kirk,--
Hears five-hour sermons for his Sunday work,--
Praying and fasting till his meagre face
Gains its due length, the genuine sign of grace,--
An Ayrshire mother in the land of Knox
Her embryo poet in his cradle rocks;--
Nature, long shivering in her dim eclipse,
Steals in a sunbeam to those baby lips;
So to its home her banished smile returns,
And Scotland sweetens with the song of Burns!

The morning came; I reached the classic hall;
A clock-face eyed me, staring from the wall;
Beneath its hands a printed line I read
YOUTH IS LIFE'S SEED-TIME: so the clock-face said:
Some took its counsel, as the sequel showed,--
Sowed,--their wild oats,--and reaped as they had sowed.
How all comes back! the upward slanting floor,--
The masters' thrones that flank the central door,--
The long, outstretching alleys that divide
The rows of desks that stand on either side,--
The staring boys, a face to every desk,
Bright, dull, pale, blooming, common, picturesque.
Grave is the Master's look; his forehead wears
Thick rows of wrinkles, prints of worrying cares;
Uneasy lie the heads of all that rule,
His most of all whose kingdom is a school.
Supreme he sits; before the awful frown
That bends his brows the boldest eye goes down;
Not more submissive Israel heard and saw
At Sinai's foot the Giver of the Law.
Less stern he seems, who sits in equal Mate
On the twin throne and shares the empire's weight;
Around his lips the subtle life that plays
Steals quaintly forth in many a jesting phrase;
A lightsome nature, not so hard to chafe,
Pleasant when pleased; rough-handled, not so safe;
Some tingling memories vaguely I recall,
But to forgive him. God forgive us all!

One yet remains, whose well-remembered name
Pleads in my grateful heart its tender claim;
His was the charm magnetic, the bright look
That sheds its sunshine on the dreariest book;
A loving soul to every task he brought
That sweetly mingled with the lore he taught;
Sprung from a saintly race that never could
From youth to age be anything but good,
His few brief years in holiest labors spent,
Earth lost too soon the treasure heaven had lent.
Kindest of teachers, studious to divine
Some hint of promise in my earliest line,
These faint and faltering words thou canst not hear
Throb from a heart that holds thy memory dear.
As to the traveller's eye the varied plain
Shows through the window of the flying train,
A mingled landscape, rather felt than seen,
A gravelly bank, a sudden flash of green,
A tangled wood, a glittering stream that flows
Through the cleft summit where the cliff once rose,
All strangely blended in a hurried gleam,
Rock, wood, waste, meadow, village, hill-side, stream,--
So, as we look behind us, life appears,
Seen through the vista of our bygone years.
Yet in the dead past's shadow-filled domain,
Some vanished shapes the hues of life retain;
Unbidden, oft, before our dreaming eyes
From the vague mists in memory's path they rise.
So comes his blooming image to my view,
The friend of joyous days when life was new,
Hope yet untamed, the blood of youth unchilled,
No blank arrear of promise unfulfilled,
Life's flower yet hidden in its sheltering fold,
Its pictured canvas yet to be unrolled.
His the frank smile I vainly look to greet,
His the warm grasp my clasping hand should meet;
How would our lips renew their school-boy talk,
Our feet retrace the old familiar walk!
For thee no more earth's cheerful morning shines
Through the green fringes of the tented pines;
Ah me! is heaven so far thou canst not hear,
Or is thy viewless spirit hovering near,
A fair young presence, bright with morning's glow,
The fresh-cheeked boy of fifty years ago?
Yes, fifty years, with all their circling suns,
Behind them all my glance reverted runs;
Where now that time remote, its griefs, its joys,
Where are its gray-haired men, its bright-haired boys?
Where is the patriarch time could hardly tire,--
The good old, wrinkled, immemorial 'squire '?
(An honest treasurer, like a black-plumed swan,
Not every day our eyes may look upon.)
Where the tough champion who, with Calvin's sword,
In wordy conflicts battled for the Lord?
Where the grave scholar, lonely, calm, austere,
Whose voice like music charmed the listening ear,
Whose light rekindled, like the morning star
Still shines upon us through the gates ajar?
Where the still, solemn, weary, sad-eyed man,
Whose care-worn face and wandering eyes would scan,--
His features wasted in the lingering strife
With the pale foe that drains the student's life?
Where my old friend, the scholar, teacher, saint,
Whose creed, some hinted, showed a speck of taint;
He broached his own opinion, which is not
Lightly to be forgiven or forgot;
Some riddle's point,--I scarce remember now,--
Homoi-, perhaps, where they said homo-ou.
(If the unlettered greatly wish to know
Where lies the difference betwixt oi and o,
Those of the curious who have time may search
Among the stale conundrums of their church.)
Beneath his roof his peaceful life I shared,
And for his modes of faith I little cared,--
I, taught to judge men's dogmas by their deeds,
Long ere the days of india-rubber creeds.

Why should we look one common faith to find,
Where one in every score is color-blind?
If here on earth they know not red from green,
Will they see better into things unseen!
Once more to time's old graveyard I return
And scrape the moss from memory's pictured urn.
Who, in these days when all things go by steam,
Recalls the stage-coach with its four-horse team?
Its sturdy driver,--who remembers him?
Or the old landlord, saturnine and grim,
Who left our hill-top for a new abode
And reared his sign-post farther down the road?
Still in the waters of the dark Shawshine
Do the young bathers splash and think they're clean?
Do pilgrims find their way to Indian Ridge,
Or journey onward to the far-off bridge,
And bring to younger ears the story back
Of the broad stream, the mighty Merrimac?
Are there still truant feet that stray beyond
These circling bounds to Pomp's or Haggett's Pond,
Or where the legendary name recalls
The forest's earlier tenant,--'Deerjump Falls'?
Yes, every nook these youthful feet explore,
Just as our sires and grand sires did of yore;
So all life's opening paths, where nature led
Their father's feet, the children's children tread.
Roll the round century's fivescore years away,
Call from our storied past that earliest day
When great Eliphalet (I can see him now,--
Big name, big frame, big voice, and beetling brow),
Then young Eliphalet,--ruled the rows of boys
In homespun gray or old-world corduroys,--
And save for fashion's whims, the benches show
The self-same youths, the very boys we know.
Time works strange marvels: since I trod the green
And swung the gates, what wonders I have seen!
But come what will,--the sky itself may fall,--
As things of course the boy accepts them all.
The prophet's chariot, drawn by steeds of flame,
For daily use our travelling millions claim;
The face we love a sunbeam makes our own;
No more the surgeon hears the sufferer's groan;
What unwrit histories wrapped in darkness lay
Till shovelling Schliemann bared them to the day!
Your Richelieu says, and says it well, my lord,
The pen is (sometimes) mightier than the sword;
Great is the goosequill, say we all; Amen!
Sometimes the spade is mightier than the pen;
It shows where Babel's terraced walls were raised,
The slabs that cracked when Nimrod's palace blazed,
Unearths Mycenee, rediscovers Troy,--
Calmly he listens, that immortal boy.
A new Prometheus tips our wands with fire,
A mightier Orpheus strains the whispering wire,
Whose lightning thrills the lazy winds outrun
And hold the hours as Joshua stayed the sun,--
So swift, in truth, we hardly find a place
For those dim fictions known as time and space.
Still a new miracle each year supplies,--
See at his work the chemist of the skies,
Who questions Sirius in his tortured rays
And steals the secret of the solar blaze;
Hush! while the window-rattling bugles play
The nation's airs a hundred miles away!
That wicked phonograph! hark! how it swears!
Turn it again and make it say its prayers!
And was it true, then, what the story said
Of Oxford's friar and his brazen head?
While wondering Science stands, herself perplexed
At each day's miracle, and asks 'What next?'
The immortal boy, the coming heir of all,
Springs from his desk to 'urge the flying ball,'
Cleaves with his bending oar the glassy waves,
With sinewy arm the dashing current braves,
The same bright creature in these haunts of ours
That Eton shadowed with her 'antique towers.'

Boy! Where is he? the long-limbed youth inquires,
Whom his rough chin with manly pride inspires;
Ah, when the ruddy cheek no longer glows,
When the bright hair is white as winter snows,
When the dim eye has lost its lambent flame,
Sweet to his ear will be his school-boy name
Nor think the difference mighty as it seems
Between life's morning and its evening dreams;
Fourscore, like twenty, has its tasks and toys;
In earth's wide school-house all are girls and boys.

Brothers, forgive my wayward fancy. Who
Can guess beforehand what his pen will do?
Too light my strain for listeners such as these,
Whom graver thoughts and soberer speech shall please.
Is he not here whose breath of holy song
Has raised the downcast eyes of Faith so long?
Are they not here, the strangers in your gates,
For whom the wearied ear impatient waits,--
The large-brained scholars whom their toils release,--
The bannered heralds of the Prince of Peace?

Such was the gentle friend whose youth unblamed
In years long past our student-benches claimed;
Whose name, illumined on the sacred page,
Lives in the labors of his riper age;
Such he whose record time's destroying march
Leaves uneffaced on Zion's springing arch
Not to the scanty phrase of measured song,
Cramped in its fetters, names like these belong;
One ray they lend to gild my slender line,--
Their praise I leave to sweeter lips than mine.

Homes of our sires, where Learning's temple rose,
While vet they struggled with their banded foes,
As in the West thy century's sun descends,
One parting gleam its dying radiance lends.
Darker and deeper though the shadows fall
From the gray towers on Doubting Castle's wall,
Though Pope and Pagan re-array their hosts,
And her new armor youthful Science boasts,
Truth, for whose altar rose this holy shrine,
Shall fly for refuge to these bowers of thine;
No past shall chain her with its rusted vow,
No Jew's phylactery bind her Christian brow,
But Faith shall smile to find her sister free,
And nobler manhood draw its life from thee.

Long as the arching skies above thee spread,
As on thy groves the dews of heaven are shed,
With currents widening still from year to year,
And deepening channels, calm, untroubled, clear,
Flow the twin streamlets from thy sacred hill--
Pieria's fount and Siloam's shaded rill!

Yes, dear Enchantress,—­wandering far and long,
In realms unperfumed by the breath of song,
Where flowers ill-flavored shed their sweets around,
And bitterest roots invade the ungenial ground,
Whose gems are crystals from the Epsom mine,
Whose vineyards flow with antimonial wine,
Whose gates admit no mirthful feature in,
Save one gaunt mocker, the Sardonic grin,
Whose pangs are real, not the woes of rhyme
That blue-eyed misses warble out of time;—­
Truant, not recreant to thy sacred claim,
Older by reckoning, but in heart the same,
Freed for a moment from the chains of toil,
I tread once more thy consecrated soil;
Here at thy feet my old allegiance own,
Thy subject still, and loyal to thy throne!

My dazzled glance explores the crowded hall;
Alas, how vain to hope the smiles of all!
I know my audience. All the gay and young
Love the light antics of a playful tongue;
And these, remembering some expansive line
My lips let loose among the nuts and wine,
Are all impatience till the opening pun
Proclaims the witty shamfight is begun.
Two fifths at least, if not the total half,
Have come infuriate for an earthquake laugh;
I know full well what alderman has tied
His red bandanna tight about his side;
I see the mother, who, aware that boys
Perform their laughter with superfluous noise,
Beside her kerchief brought an extra one
To stop the explosions of her bursting son;
I know a tailor, once a friend of mine,
Expects great doings in the button line,—­
For mirth’s concussions rip the outward case,
And plant the stitches in a tenderer place.
I know my audience,—­these shall have their due;
A smile awaits them ere my song is through!

I know myself. Not servile for applause,
My Muse permits no deprecating clause;
Modest or vain, she will not be denied
One bold confession due to honest pride;
And well she knows the drooping veil of song
Shall save her boldness from the caviller’s wrong.
Her sweeter voice the Heavenly Maid imparts
To tell the secrets of our aching hearts
For this, a suppliant, captive, prostrate, bound,
She kneels imploring at the feet of sound;
For this, convulsed in thought’s maternal pains,
She loads her arms with rhyme’s resounding chains;
Faint though the music of her fetters be,
It lends one charm,—­her lips are ever free!

Think not I come, in manhood’s fiery noon,
To steal his laurels from the stage buffoon;
His sword of lath the harlequin may wield;
Behold the star upon my lifted shield
Though the just critic pass my humble name,
And sweeter lips have drained the cup of fame,
While my gay stanza pleased the banquet’s lords,
The soul within was tuned to deeper chords!
Say, shall my arms, in other conflicts taught
To swing aloft the ponderous mace of thought,
Lift, in obedience to a school-girl’s law,
Mirth’s tinsel wand or laughter’s tickling straw?
Say, shall I wound with satire’s rankling spear
The pure, warm hearts that bid me welcome here?
No! while I wander through the land of dreams,
To strive with great and play with trifling themes,
Let some kind meaning fill the varied line.
You have your judgment; will you trust to mine?
-----------------------
Between two breaths what crowded mysteries lie,—­
The first short gasp, the last and long-drawn sigh!
Like phantoms painted on the magic slide,
Forth from the darkness of the past we glide,
As living shadows for a moment seen
In airy pageant on the eternal screen,
Traced by a ray from one unchanging flame,
Then seek the dust and stillness whence we came.

But whence and why, our trembling souls inquire,
Caught these dim visions their awakening fire?
Oh, who forgets when first the piercing thought
Through childhood’s musings found its way unsought?
I am;—­I live. The mystery and the fear
When the dread question, what has brought me here?
Burst through life’s twilight, as before the sun
Roll the deep thunders of the morning gun!

Are angel faces, silent and serene,
Bent on the conflicts of this little scene,
Whose dream-like efforts, whose unreal strife,
Are but the preludes to a larger life?

Or does life’s summer see the end of all,
These leaves of being mouldering as they fall,
As the old poet vaguely used to deem,
As WESLEY questioned in his youthful dream?
Oh, could such mockery reach our souls indeed,
Give back the Pharaohs’ or the Athenian’s creed;
Better than this a Heaven of man’s device,—­
The Indian’s sports, the Moslem’s paradise!

Or is our being’s only end and aim
To add new glories to our Maker’s name,
As the poor insect, shrivelling in the blaze,
Lends a faint sparkle to its streaming rays?
Does earth send upward to the Eternal’s ear
The mingled discords of her jarring sphere
To swell his anthem, while creation rings
With notes of anguish from its shattered strings?
Is it for this the immortal Artist means
These conscious, throbbing, agonized machines?

Dark is the soul whose sullen creed can bind
In chains like these the all-embracing Mind;
No! two-faced bigot, thou dost ill reprove
The sensual, selfish, yet benignant Jove,
And praise a tyrant throned in lonely pride,
Who loves himself, and cares for naught beside;
Who gave thee, summoned from primeval night,
A thousand laws, and not a single right,—­
A heart to feel, and quivering nerves to thrill,
The sense of wrong, the death-defying will;
Who girt thy senses with this goodly frame,
Its earthly glories and its orbs of flame,
Not for thyself, unworthy of a thought,
Poor helpless victim of a life unsought,
But all for him, unchanging and supreme,
The heartless centre of thy frozen scheme.

Trust not the teacher with his lying scroll,
Who tears the charter of thy shuddering soul;
The God of love, who gave the breath that warms
All living dust in all its varied forms,
Asks not the tribute of a world like this
To fill the measure of his perfect bliss.
Though winged with life through all its radiant shores,
Creation flowed with unexhausted stores
Cherub and seraph had not yet enjoyed;
For this he called thee from the quickening void!
Nor this alone; a larger gift was thine,
A mightier purpose swelled his vast design
Thought,—­conscience,—­will,—­ to make them all thine own,
He rent a pillar from the eternal throne!

Made in his image, thou must nobly dare
The thorny crown of sovereignty to share.
With eye uplifted, it is thine to view,
From thine own centre, Heaven’s o’erarching blue;
So round thy heart a beaming circle lies
No fiend can blot, no hypocrite disguise;
From all its orbs one cheering voice is heard,
Full to thine ear it bears the Father’s word,
Now, as in Eden where his first-born trod
“Seek thine own welfare, true to man and God!”
Think not too meanly of thy low estate;
Thou hast a choice; to choose is to create!
Remember whose the sacred lips that tell,
Angels approve thee when thy choice is well;
Remember, One, a judge of righteous men,
Swore to spare Sodom if she held but ten!
Use well the freedom which thy Master gave,
(Think’st thou that Heaven can tolerate a slave?)
And He who made thee to be just and true
Will bless thee, love thee,—­ay, respect thee too!

Nature has placed thee on a changeful tide,
To breast its waves, but not without a guide;
Yet, as the needle will forget its aim,
Jarred by the fury of the electric flame,
As the true current it will falsely feel,
Warped from its axis by a freight of steel;
So will thy conscience lose its balanced truth
If passion’s lightning fall upon thy youth,
So the pure effluence quit its sacred hold
Girt round too deeply with magnetic gold.
Go to yon tower, where busy science plies
Her vast antennae, feeling through the skies
That little vernier on whose slender lines
The midnight taper trembles as it shines,
A silent index, tracks the planets’ march
In all their wanderings through the ethereal arch;
Tells through the mist where dazzled Mercury burns,
And marks the spot where Uranus returns.
So, till by wrong or negligence effaced,
The living index which thy Maker traced
Repeats the line each starry Virtue draws
Through the wide circuit of creation’s laws;
Still tracks unchanged the everlasting ray
Where the dark shadows of temptation stray,
But, once defaced, forgets the orbs of light,
And leaves thee wandering o’er the expanse of night.

“What is thy creed?” a hundred lips inquire;
“Thou seekest God beneath what Christian spire?”
Nor ask they idly, for uncounted lies
Float upward on the smoke of sacrifice;
When man’s first incense rose above the plain,
Of earth’s two altars one was built by Cain!
Uncursed by doubt, our earliest creed we take;
We love the precepts for the teacher’s sake;
The simple lessons which the nursery taught
Fell soft and stainless on the buds of thought,
And the full blossom owes its fairest hue
To those sweet tear-drops of affection’s dew.
Too oft the light that led our earlier hours
Fades with the perfume of our cradle flowers;
The clear, cold question chills to frozen doubt;
Tired of beliefs, we dread to live without
Oh then, if Reason waver at thy side,
Let humbler Memory be thy gentle guide;
Go to thy birthplace, and, if faith was there,
Repeat thy father’s creed, thy mother’s prayer!

Faith loves to lean on Time’s destroying arm,
And age, like distance, lends a double charm;
In dim cathedrals, dark with vaulted gloom,
What holy awe invests the saintly tomb!
There pride will bow, and anxious care expand,
And creeping avarice come with open hand;
The gay can weep, the impious can adore,
From morn’s first glimmerings on the chancel floor
Till dying sunset sheds his crimson stains
Through the faint halos of the irised panes.
Yet there are graves, whose rudely-shapen sod
Bears the fresh footprints where the sexton trod;
Graves where the verdure has not dared to shoot,
Where the chance wild-flower has not fixed its root,
Whose slumbering tenants, dead without a name,
The eternal record shall at length proclaim
Pure as the holiest in the long array
Of hooded, mitred, or tiaraed clay!

Come, seek the air; some pictures we may gain
Whose passing shadows shall not be in vain;
Not from the scenes that crowd the stranger’s soil,
Not from our own amidst the stir of toil,
But when the Sabbath brings its kind release,
And Care lies slumbering on the lap of Peace.

The air is hushed, the street is holy ground;
Hark! The sweet bells renew their welcome sound
As one by one awakes each silent tongue,
It tells the turret whence its voice is flung.
The Chapel, last of sublunary things
That stirs our echoes with the name of Kings,
Whose bell, just glistening from the font and forge,
Rolled its proud requiem for the second George,
Solemn and swelling, as of old it rang,
Flings to the wind its deep, sonorous clang;
The simpler pile, that, mindful of the hour
When Howe’s artillery shook its half-built tower,
Wears on its bosom, as a bride might do,
The iron breastpin which the “Rebels” threw,
Wakes the sharp echoes with the quivering thrill
Of keen vibrations, tremulous and shrill;
Aloft, suspended in the morning’s fire,
Crash the vast cymbals from the Southern spire;
The Giant, standing by the elm-clad green,
His white lance lifted o’er the silent scene,
Whirling in air his brazen goblet round,
Swings from its brim the swollen floods of sound;
While, sad with memories of the olden time,
Throbs from his tower the Northern Minstrel’s chime,—­
Faint, single tones, that spell their ancient song,
But tears still follow as they breathe along.

Child of the soil, whom fortune sends to range
Where man and nature, faith and customs change,
Borne in thy memory, each familiar tone
Mourns on the winds that sigh in every zone.
When Ceylon sweeps thee with her perfumed breeze
Through the warm billows of the Indian seas;
When—­ship and shadow blended both in one—­
Flames o’er thy mast the equatorial sun,
From sparkling midnight to refulgent noon
Thy canvas swelling with the still monsoon;
When through thy shrouds the wild tornado sings,
And thy poor sea-bird folds her tattered wings,—­
Oft will delusion o’er thy senses steal,
And airy echoes ring the Sabbath peal
Then, dim with grateful tears, in long array
Rise the fair town, the island-studded bay,
Home, with its smiling board, its cheering fire,
The half-choked welcome of the expecting sire,
The mother’s kiss, and, still if aught remain,
Our whispering hearts shall aid the silent strain.
Ah, let the dreamer o’er the taffrail lean
To muse unheeded, and to weep unseen;
Fear not the tropic’s dews, the evening’s chills,
His heart lies warm among his triple hills!

Turned from her path by this deceitful gleam,
My wayward fancy half forgets her theme.
See through the streets that slumbered in repose
The living current of devotion flows,
Its varied forms in one harmonious band
Age leading childhood by its dimpled hand;
Want, in the robe whose faded edges fall
To tell of rags beneath the tartan shawl;
And wealth, in silks that, fluttering to appear,
Lift the deep borders of the proud cashmere.
See, but glance briefly, sorrow-worn and pale,
Those sunken cheeks beneath the widow’s veil;
Alone she wanders where with him she trod,
No arm to stay her, but she leans on God.
While other doublets deviate here and there,
What secret handcuff binds that pretty pair?
Compactest couple! pressing side to side,—­
Ah, the white bonnet that reveals the bride!
By the white neckcloth, with its straitened tie,
The sober hat, the Sabbath-speaking eye,
Severe and smileless, he that runs may read
The stern disciple of Geneva’s creed
Decent and slow, behold his solemn march;
Silent he enters through yon crowded arch.
A livelier bearing of the outward man,
The light-hued gloves, the undevout rattan,
Now smartly raised or half profanely twirled,—­
A bright, fresh twinkle from the week-day world,—­
Tell their plain story; yes, thine eyes behold
A cheerful Christian from the liberal fold.
Down the chill street that curves in gloomiest shade
What marks betray yon solitary maid?
The cheek’s red rose that speaks of balmier air,
The Celtic hue that shades her braided hair,
The gilded missal in her kerchief tied,—­
Poor Nora, exile from Killarney’s side!
Sister in toil, though blanched by colder skies,
That left their azure in her downcast eyes,
See pallid Margaret, Labor’s patient child,
Scarce weaned from home, the nursling of the wild,
Where white Katahdin o’er the horizon shines,
And broad Penobscot dashes through the pines.
Still, as she hastes, her careful fingers hold
The unfailing hymn-book in its cambric fold.
Six days at drudgery’s heavy wheel she stands,
The seventh sweet morning folds her weary hands.
Yes, child of suffering, thou mayst well be sure
He who ordained the Sabbath loves the poor!

This weekly picture faithful Memory draws,
Nor claims the noisy tribute of applause;
Faint is the glow such barren hopes can lend,
And frail the line that asks no loftier end.
Trust me, kind listener, I will yet beguile
Thy saddened features of the promised smile.
This magic mantle thou must well divide,
It has its sable and its ermine side;
Yet, ere the lining of the robe appears,
Take thou in silence what I give in tears.

Dear listening soul, this transitory scene
Of murmuring stillness, busily serene,—­
This solemn pause, the breathing-space of man,
The halt of toil’s exhausted caravan,—­
Comes sweet with music to thy wearied ear;
Rise with its anthems to a holier sphere!

Deal meekly, gently, with the hopes that guide
The lowliest brother straying from thy side
If right, they bid thee tremble for thine own;
If wrong, the verdict is for God alone.

What though the champions of thy faith esteem
The sprinkled fountain or baptismal stream;
Shall jealous passions in unseemly strife
Cross their dark weapons o’er the waves of life?

Let my free soul, expanding as it can,
Leave to his scheme the thoughtful Puritan;
But Calvin’s dogma shall my lips deride?
In that stern faith my angel Mary died;
Or ask if mercy’s milder creed can save,
Sweet sister, risen from thy new-made grave?

True, the harsh founders of thy church reviled
That ancient faith, the trust of Erin’s child;
Must thou be raking in the crumbled past
For racks and fagots in her teeth to cast?
See from the ashes of Helvetia’s pile
The whitened skull of old Servetus smile!
Round her young heart thy “Romish Upas” threw
Its firm, deep fibres, strengthening as she grew;
Thy sneering voice may call them “Popish tricks,”
Her Latin prayers, her dangling crucifix,
But De Profundis blessed her father’s grave,
That “idol” cross her dying mother gave!
What if some angel looks with equal eyes
On her and thee, the simple and the wise,
Writes each dark fault against thy brighter creed,
And drops a tear with every foolish bead!
Grieve, as thou must, o’er history’s reeking page;
Blush for the wrongs that stain thy happier age;
Strive with the wanderer from the better path,
Bearing thy message meekly, not in wrath;
Weep for the frail that err, the weak that fall,
Have thine own faith,—­but hope and pray for all!

Faith; Conscience; Love. A meaner task remains,
And humbler thoughts must creep in lowlier strains.
Shalt thou be honest? Ask the worldly schools,
And all will tell thee knaves are busier fools;
Prudent? Industrious? Let not modern pens
Instruct “Poor Richard’s” fellow-citizens.

Be firm! One constant element in luck
Is genuine solid old Teutonic pluck.
See yon tall shaft; it felt the earthquake’s thrill,
Clung to its base, and greets the sunrise still.

Stick to your aim: the mongrel’s hold will slip,
But only crowbars loose the bulldog’s grip;
Small as he looks, the jaw that never yields
Drags down the bellowing monarch of the fields!

Yet in opinions look not always back,—­
Your wake is nothing, mind the coming track;
Leave what you’ve done for what you have to do;
Don’t be “consistent,” but be simply true.

Don’t catch the fidgets; you have found your place
Just in the focus of a nervous race,
Fretful to change and rabid to discuss,
Full of excitements, always in a fuss.
Think of the patriarchs; then compare as men
These lean-cheeked maniacs of the tongue and pen!
Run, if you like, but try to keep your breath;
Work like a man, but don’t be worked to death;
And with new notions,—­let me change the rule,—­
Don’t strike the iron till it ’s slightly cool.

Choose well your set; our feeble nature seeks
The aid of clubs, the countenance of cliques;
And with this object settle first of all
Your weight of metal and your size of ball.
Track not the steps of such as hold you cheap,
Too mean to prize, though good enough to keep;
The “real, genuine, no-mistake Tom Thumbs”
Are little people fed on great men’s crumbs.
Yet keep no followers of that hateful brood
That basely mingles with its wholesome food
The tumid reptile, which, the poet said,
Doth wear a precious jewel in his head.

If the wild filly, “Progress,” thou wouldst ride,
Have young companions ever at thy side;
But wouldst thou stride the stanch old mare, “Success,”
Go with thine elders, though they please thee less.
Shun such as lounge through afternoons and eves,
And on thy dial write, “Beware of thieves!”
Felon of minutes, never taught to feel
The worth of treasures which thy fingers steal,
Pick my left pocket of its silver dime,
But spare the right,—­it holds my golden time!

Does praise delight thee? Choose some ultra side,—­
A sure old recipe, and often tried;
Be its apostle, congressman, or bard,
Spokesman or jokesman, only drive it hard;
But know the forfeit which thy choice abides,
For on two wheels the poor reformer rides,—­
One black with epithets the anti throws,
One white with flattery painted by the pros.

Though books on MANNERS are not out of print,
An honest tongue may drop a harmless hint.
Stop not, unthinking, every friend you meet,
To spin your wordy fabric in the street;
While you are emptying your colloquial pack,
The fiend Lumbago jumps upon his back.
Nor cloud his features with the unwelcome tale
Of how he looks, if haply thin and pale;
Health is a subject for his child, his wife,
And the rude office that insures his life.
Look in his face, to meet thy neighbor’s soul,
Not on his garments, to detect a hole;
“How to observe” is what thy pages show,
Pride of thy sex, Miss Harriet Martineau!
Oh, what a precious book the one would be
That taught observers what they ’re not to see!

I tell in verse—­’t were better done in prose—­
One curious trick that everybody knows;
Once form this habit, and it’s very strange
How long it sticks, how hard it is to change.
Two friendly people, both disposed to smile,
Who meet, like others, every little while,
Instead of passing with a pleasant bow,
And “How d’ ye do?” or “How ’s your uncle now?”

Impelled by feelings in their nature kind,
But slightly weak and somewhat undefined,
Rush at each other, make a sudden stand,
Begin to talk, expatiate, and expand;
Each looks quite radiant, seems extremely struck,
Their meeting so was such a piece of luck;
Each thinks the other thinks he ’s greatly pleased
To screw the vice in which they both are squeezed;
So there they talk, in dust, or mud, or snow,
Both bored to death, and both afraid to go!
Your hat once lifted, do not hang your fire,
Nor, like slow Ajax, fighting still, retire;
When your old castor on your crown you clap,
Go off; you’ve mounted your percussion cap.

Some words on language may be well applied,
And take them kindly, though they touch your pride.
Words lead to things; a scale is more precise,—­
Coarse speech, bad grammar, swearing, drinking, vice.
Our cold Northeaster’s icy fetter clips
The native freedom of the Saxon lips;
See the brown peasant of the plastic South,
How all his passions play about his mouth!
With us, the feature that transmits the soul,
A frozen, passive, palsied breathing-hole.
The crampy shackles of the ploughboy’s walk
Tie the small muscles when he strives to talk;
Not all the pumice of the polished town
Can smooth this roughness of the barnyard down;
Rich, honored, titled, he betrays his race
By this one mark,—­he’s awkward in the face;—­
Nature’s rude impress, long before he knew
The sunny street that holds the sifted few.
It can’t be helped, though, if we’re taken young,
We gain some freedom of the lips and tongue;
But school and college often try in vain
To break the padlock of our boyhood’s chain
One stubborn word will prove this axiom true,—­
No quondam rustic can enunciate view.

A few brief stanzas may be well employed
To speak of errors we can all avoid.
Learning condemns beyond the reach of hope
The careless lips that speak of so’ap for soap;
Her edict exiles from her fair abode
The clownish voice that utters ro’ad for road
Less stern to him who calls his coat a co’at,
And steers his boat, believing it a bo’at,
She pardoned one, our classic city’s boast,
Who said at Cambridge mo’st instead of most,
But knit her brows and stamped her angry foot
To hear a Teacher call a root a ro’ot.

Once more: speak clearly, if you speak at all;
Carve every word before you let it fall;
Don’t, like a lecturer or dramatic star,
Try over-hard to roll the British R;
Do put your accents in the proper spot;
Don’t,—­let me beg you,—­don’t say “How?” for “What?”
And when you stick on conversation’s burs,
Don’t strew your pathway with those dreadful urs.

From little matters let us pass to less,
And lightly touch the mysteries of dress;
The outward forms the inner man reveal,—­
We guess the pulp before we cut the peel.

I leave the broadcloth,—­coats and all the rest,—­
The dangerous waistcoat, called by cockneys “vest,”
The things named “pants” in certain documents,
A word not made for gentlemen, but “gents;”
One single precept might the whole condense
Be sure your tailor is a man of sense;
But add a little care, a decent pride,
And always err upon the sober side.

Three pairs of boots one pair of feet demands,
If polished daily by the owner’s hands;
If the dark menial’s visit save from this,
Have twice the number,—­for he ’ll sometimes miss.
One pair for critics of the nicer sex,
Close in the instep’s clinging circumflex,
Long, narrow, light; the Gallic boot of love,
A kind of cross between a boot and glove.
Compact, but easy, strong, substantial, square,
Let native art compile the medium pair.
The third remains, and let your tasteful skill
Here show some relics of affection still;
Let no stiff cowhide, reeking from the tan,
No rough caoutchoue, no deformed brogan,
Disgrace the tapering outline of your feet,
Though yellow torrents gurgle through the street.

Wear seemly gloves; not black, nor yet too light,
And least of all the pair that once was white;
Let the dead party where you told your loves
Bury in peace its dead bouquets and gloves;
Shave like the goat, if so your fancy bids,
But be a parent,—­don’t neglect your kids.

Have a good hat; the secret of your looks
Lives with the beaver in Canadian brooks;
Virtue may flourish in an old cravat,
But man and nature scorn the shocking hat.
Does beauty slight you from her gay abodes?
Like bright Apollo, you must take to Rhoades,—­
Mount the new castor,—­ice itself will melt;
Boots, gloves, may fail; the hat is always felt.

Be shy of breastpins; plain, well-ironed white,
With small pearl buttons,—­two of them in sight,—­
Is always genuine, while your gems may pass,
Though real diamonds, for ignoble glass.
But spurn those paltry Cisatlantic lies
That round his breast the shabby rustic ties;
Breathe not the name profaned to hallow things
The indignant laundress blushes when she brings!

Our freeborn race, averse to every check,
Has tossed the yoke of Europe from its neck;
From the green prairie to the sea-girt town,
The whole wide nation turns its collars down.
The stately neck is manhood’s manliest part;
It takes the life-blood freshest from the heart.
With short, curled ringlets close around it spread,
How light and strong it lifts the Grecian head!
Thine, fair Erechtheus of Minerva’s wall;
Or thine, young athlete of the Louvre’s hall,
Smooth as the pillar flashing in the sun
That filled the arena where thy wreaths were won,
Firm as the band that clasps the antlered spoil
Strained in the winding anaconda’s coil
I spare the contrast; it were only kind
To be a little, nay, intensely blind.
Choose for yourself: I know it cuts your ear;
I know the points will sometimes interfere;
I know that often, like the filial John,
Whom sleep surprised with half his drapery on,
You show your features to the astonished town
With one side standing and the other down;—­
But, O, my friend! my favorite fellow-man!
If Nature made you on her modern plan,
Sooner than wander with your windpipe bare,—­
The fruit of Eden ripening in the air,—­
With that lean head-stalk, that protruding chin,
Wear standing collars, were they made of tin!
And have a neckcloth—­by the throat of Jove!—­
Cut from the funnel of a rusty stove!

The long-drawn lesson narrows to its close,
Chill, slender, slow, the dwindled current flows;
Tired of the ripples on its feeble springs,
Once more the Muse unfolds her upward wings.

Land of my birth, with this unhallowed tongue,
Thy hopes, thy dangers, I perchance had sung;
But who shall sing, in brutal disregard
Of all the essentials of the “native bard”?
Lake, sea, shore, prairie, forest, mountain, fall,
His eye omnivorous must devour them all;
The tallest summits and the broadest tides
His foot must compass with its giant strides,
Where Ocean thunders, where Missouri rolls,
And tread at once the tropics and the poles;
His food all forms of earth, fire, water, air,
His home all space, his birthplace everywhere.

Some grave compatriot, having seen perhaps
The pictured page that goes in Worcester’s Maps,
And, read in earnest what was said in jest,
“Who drives fat oxen”—­please to add the rest,—­
Sprung the odd notion that the poet’s dreams
Grow in the ratio of his hills and streams;
And hence insisted that the aforesaid “bard,”
Pink of the future, fancy’s pattern-card,
The babe of nature in the “giant West,”
Must be of course her biggest and her best.

Oh! when at length the expected bard shall come,
Land of our pride, to strike thine echoes dumb,
(And many a voice exclaims in prose and rhyme,
It’s getting late, and he’s behind his time,)
When all thy mountains clap their hands in joy,
And all thy cataracts thunder, “That ’s the boy,”—­
Say if with him the reign of song shall end,
And Heaven declare its final dividend!

Becalm, dear brother! whose impassioned strain
Comes from an alley watered by a drain;
The little Mincio, dribbling to the Po,
Beats all the epics of the Hoang Ho;
If loved in earnest by the tuneful maid,
Don’t mind their nonsense,—­never be afraid!

The nurse of poets feeds her winged brood
By common firesides, on familiar food;
In a low hamlet, by a narrow stream,
Where bovine rustics used to doze and dream,
She filled young William’s fiery fancy full,
While old John Shakespeare talked of beeves and wool!

No Alpine needle, with its climbing spire,
Brings down for mortals the Promethean fire,
If careless nature have forgot to frame
An altar worthy of the sacred flame.
Unblest by any save the goatherd’s lines,
Mont Blanc rose soaring through his “sea of pines;”
In vain the rivers from their ice-caves flash;
No hymn salutes them but the Ranz des Vaches,
Till lazy Coleridge, by the morning’s light,
Gazed for a moment on the fields of white,
And lo! the glaciers found at length a tongue,
Mont Blanc was vocal, and Chamouni sung!

Children of wealth or want, to each is given
One spot of green, and all the blue of heaven!
Enough if these their outward shows impart;
The rest is thine,—­the scenery of the heart.

If passion’s hectic in thy stanzas glow,
Thy heart’s best life-blood ebbing as they flow;
If with thy verse thy strength and bloom distil,
Drained by the pulses of the fevered thrill;
If sound’s sweet effluence polarize thy brain,
And thoughts turn crystals in thy fluid strain,—­
Nor rolling ocean, nor the prairie’s bloom,
Nor streaming cliffs, nor rayless cavern’s gloom,
Need’st thou, young poet, to inform thy line;
Thy own broad signet stamps thy song divine!
Let others gaze where silvery streams are rolled,
And chase the rainbow for its cup of gold;
To thee all landscapes wear a heavenly dye,
Changed in the glance of thy prismatic eye;
Nature evoked thee in sublimer throes,
For thee her inmost Arethusa flows,—­
The mighty mother’s living depths are stirred,—­
Thou art the starred Osiris of the herd!

A few brief lines; they touch on solemn chords,
And hearts may leap to hear their honest words;
Yet, ere the jarring bugle-blast is blown,
The softer lyre shall breathe its soothing tone.

New England! proudly may thy children claim
Their honored birthright by its humblest name
Cold are thy skies, but, ever fresh and clear,
No rank malaria stains thine atmosphere;
No fungous weeds invade thy scanty soil,
Scarred by the ploughshares of unslumbering toil.
Long may the doctrines by thy sages taught,
Raised from the quarries where their sires have wrought,
Be like the granite of thy rock-ribbed land,—­
As slow to rear, as obdurate to stand;
And as the ice that leaves thy crystal mine
Chills the fierce alcohol in the Creole’s wine,
So may the doctrines of thy sober school
Keep the hot theories of thy neighbors cool!

If ever, trampling on her ancient path,
Cankered by treachery or inflamed by wrath,
With smooth “Resolves” or with discordant cries,
The mad Briareus of disunion rise,
Chiefs of New England! by your sires’ renown,
Dash the red torches of the rebel down!
Flood his black hearthstone till its flames expire,
Though your old Sachem fanned his council-fire!

But if at last, her fading cycle run,
The tongue must forfeit what the arm has won,
Then rise, wild Ocean! roll thy surging shock
Full on old Plymouth’s desecrated rock!
Scale the proud shaft degenerate hands have hewn,
Where bleeding Valor stained the flowers of June!
Sweep in one tide her spires and turrets down,
And howl her dirge above Monadnock’s crown!

List not the tale; the Pilgrim’s hallowed shore,
Though strewn with weeds, is granite at the core;
Oh, rather trust that He who made her free
Will keep her true as long as faith shall be!
Farewell! yet lingering through the destined hour,
Leave, sweet Enchantress, one memorial flower!

An Angel, floating o’er the waste of snow
That clad our Western desert, long ago,
(The same fair spirit who, unseen by day,
Shone as a star along the Mayflower’s way,)—­
Sent, the first herald of the Heavenly plan,
To choose on earth a resting-place for man,—­
Tired with his flight along the unvaried field,
Turned to soar upwards, when his glance revealed
A calm, bright bay enclosed in rocky bounds,
And at its entrance stood three sister mounds.

The Angel spake: “This threefold hill shall be
The home of Arts, the nurse of Liberty!
One stately summit from its shaft shall pour
Its deep-red blaze along the darkened shore;
Emblem of thoughts that, kindling far and wide,
In danger’s night shall be a nation’s guide.
One swelling crest the citadel shall crown,
Its slanted bastions black with battle’s frown,
And bid the sons that tread its scowling heights
Bare their strong arms for man and all his rights!
One silent steep along the northern wave
Shall hold the patriarch’s and the hero’s grave;
When fades the torch, when o’er the peaceful scene
The embattled fortress smiles in living green,
The cross of Faith, the anchor staff of Hope,
Shall stand eternal on its grassy slope;
There through all time shall faithful Memory tell,
’Here Virtue toiled, and Patriot Valor fell;
Thy free, proud fathers slumber at thy side;
Live as they lived, or perish as they died!’”